#basically crowley the whole show

[starfruitsomething]

The actual reason Crowley wears sunglasses

[agoodflyting]

Why Aziraphale is completely ridiculous in the Bastille scene (and I love him so much for it)

A while ago I posted a comparison of Aziraphale and Crowley's costumes in the 1793 flashback in Good Omens and I wanted to add these little tidbits. (Because they haunt me.)

I feel like most people know this but IF YOU DON'T, Paris in 1793 is right in the middle of something called La Terreur.

HISTORY LESSON If you didn't learn this in school the French Revolution was when, after years of escalating social tension, a coalition representing the working classes of France revolted against the monarchy, violently overthrew King Louis XVI, and declared France to be a republic.

The new National Convention governing France ruled that King Louis XVI and his wife Marie Antoinette were traitors to the people of France because of how they had spent ridiculous amounts of money on luxuries for themselves while vast numbers of the lower classes were literally starving to death. (keep the bold in mind - wealth and class disparities were one of the key causes of the whole-ass revolution)

In 1793 (year of the flashback) both the King and Queen were executed by guillotine for their crimes.

This kicks of something called The Reign of Terror (La Terreur if you want to be French about it). A multi-year-long period in which the National Convention goes on a bloody witch hunt for any and every member of the middle or upper classes who could even possibly be considered a traitor by those same standards.

If you A) had money or privilege, and B) had ever used your money or privilege to treat yourself, you were getting executed. Over 25,000 people died during the Reign of Terror, half of them by guillotine. In fact, the iconic guillotine was used because it was physically impossible to keep up with the sheer number of people they were executing in Paris every single day.

Some things that could get you killed (actually and completely seriously) during the Reign of Terror:

Implying in any way you were sympathetic to the monarchy

Having a noble title

Having expensive things

Wearing expensive, luxurious clothes (*cough* AZIRAPHALE)

helping or sympathizing with anyone who did any of the above

a working-class person saying you were mean to them once

And then there's this bitch...

I AM NOBILITY PLEASE KILL ME So we have established that Paris in 1793 is in the middle of a frenzied, state-sanctioned bloodbath in which the working classes are massacring everyone even remotely nobility-adjacent. And in the middle of this frenzy, Aziraphale proceeds to roll up in Paris in this outfit:

How will this outfit get him killed? Let me count the ways...

First off- at this point everyone with even the tiniest shred of self- preservation is hiding the fact that they are in any way associated with the monarchy. The wealthy are straight-up abandoning mansions. The middle-class are plastering over decorations to make their house look 'poor'. The only people dressed remotely decent are the guys leading the National Convention and that's just because nobody can stop them. Everyone else is in 24/7 peasant cosplay or else they are covering themselves in cockades and sashes on to show they're pro-Republic.

Aziraphale is basically a giant shiny white sign saying I AM NOBILITY PLEASE KILL ME.

First off the lace jabot and lace cuffs are both associated with the old-school wealthy in the 1790's.

His coat is also decorated in gold braid and silver buttons, which are both marks of wealth and luxury.

He basically looks like he works for Louis XIV - not just rich, but old school rich.

We know it's his natural hair color, but hair powdering (with clay and starch) had been a big trend with the rich all throughout the 18th century to get that clean white venerable look . To someone who doesn't know it's natural, it would very much look like he's wearing hair powder.

He's wearing shades of cream and white, which are very hard to keep clean and clearly states that the wearer is rich and can afford the upkeep necessary to keep an outfit like that stain-free.

He's wearing white knee-breeches and stockings, also called culottes. See above about laundry and how rich you had to be to wear white, but also working-class men wore long pants like this:

A large faction involved in the Revolution were the Sans-Culottes (no-culottes aka we wear long pants LIKE GOOD OLD WORKING MEN). Culottes are specifically associated with everything the revolution hated. That's right - Aziraphale is literally wearing The Fanciest of Fancy Pants in a city where a group called The Men Against Fancy Pants are running around murdering people.

And then there are his shoes.

Oh god his shoes

I could do a whole post about Aziraphale's blessed little white satin pumps and how ridiculous they are.

Actually I might just do that because this is getting so long and I still have to talk about the brioche.

So I can't remember if it's in the script book or if it's from Neil Gaiman's tumblr, but it's apparently canon (?) that Aziraphale was going around in that outfit asking people where he could get crepes and brioche when he was arrested.

The Affair of the Brioches

So... uh... we've all heard the line attributed to Marie Antoinette- how when she was told that her people were starving because there was no bread left in Paris, she famously said...

It's morphed into 'let them eat cake', but the line is first recorded as, "Then let them eat brioches."

While it's unlikely she ever actually said it, the important thing is that... people in 1793 would have thought she said it. It was used as political smear to show how arrogant and out of touch the monarchy was. Marie Antoinette in particular was reviled by the people of France, who thought she was the main cause of their economic problems. That's why she was executed too.

Bread and brioche and the lines between poverty and privilege were a big thing in Revolutionary France. There was a lot of political connotation to what you ate. The French Revolution came about because of decades of suffering among the lower classes of France. It wasn't something that some dudes just decided to do. The people of Paris have been through years of the absolute worst, most oppressive poverty and starvation you can imagine, all while watching the rich throw money around crazy.

So let us recap.

Aziraphale is dressed so ridiculously posh that he looks like a joke parody of a nobleman... and he is bumbling around Paris during the Reign of Terror. Asking people. For brioche. How I imagine everyone looked at him:

It is so astoundingly tone deaf and tactless. He is basically cosplaying as Marie Antoinette and then going around asking the poor for cake.

I just.... Aziraphale. babygirl. no. oh no. You're lucky they even bothered to take you to prison. I am amazed Crowley ever let him live that down.

I have no conclusion other than this. Aziraphale is ridiculous and I love him so much.

YES YOU REALLY SHOULD SIR.

[shitpostingkats]

An Asexual's love letter to Good Omens 2

There's an infamous quote by Neil Gaiman going around, regarding the general vibe of season 2, and many people (I believe humorously) yelling that it could not be further from the truth. Particularly in the last episode, where that happens.

I disagree.

The final episode of season 2 was deeply, deeply comforting to me. 

I am asexual. Have been my whole life. Even before I had the words to describe what that was, child-me had this feeling in their gut of being an outlier, that everyone was exaggerating, or in on some joke, that I wasn’t privy to. Because I was bombarded on all sides by shows and movies and books, telling the same story of love, again, and again, and AGAIN. It’s drilled into our brains with the same fervor as the days of the week, or the quadratic formula. Meet-cute -> misunderstanding ->declaration of feelings ->kiss. More or less steps can be added to account for runtime or complexity of narrative, but that’s the basic structure that a relationship follows. It MUST be, because that’s the formula every character who's ever been in a story goes through, often times when it even feels like an add-on, like it’s only there because this is a story, there HAS to be a romance. And it has to follow the steps.

For a long time, I felt love wasn’t for me, because if there’s only one way to be in love, I sure as hell wasn’t feeling it. 

Instead, the relationship I ended up in looked a lot like what Beezlebub and Gabriel go through. Meeting someone routinely until it starts to feel comfortable. Getting to know them and slowly growing more attached. Eating chips and listening to music.

We like to joke whenever someone asks us how long we’ve been together, because the answer is we just sort of slowly fell into it, and we honestly don’t know when the line got blurred between ‘friends’ and ‘partners’. And, at least for me, a good deal of that confusion, that hesitancy to label, came from the fact that what I was feeling, what we were, couldn’t be love. It couldn’t be romantic. 

We were just quiet and gentle.

And that wasn’t love.

Because it was slow, because it wasn’t physical, because there was no structure aside from consistency and companionship. Because it didn’t follow the Rules.

Then I found myself in stories, and it felt like a revelation.

Beelzebub and Gabriel aren’t the first time I’ve seen a love like I feel represented in a narrative, but it never stops feeling special. And I don’t know if I’ll ever stop celebrating it.

Throughout the sequence in the pub, I kept expecting them to “confirm” Gabriel and Beelzebub. A dramatic line, a kiss, a whatever. That’s what I’ve been taught to expect, after all, that’s the only way a relationship is “real”. Of course, this doesn't mean Crowley and Aziraphale sharing a dramatic kiss is wrong, or that I can’t see why it resonated with so many people, but for me. Those moments in the pub are worth so much more.The last scene might have been literally showstopping, but those handful of moments between the duke of hell and an archangel were the beating heart of the season for me. A simple love story in four scenes. No kisses. No ‘I love you’s. Not even any definition of what. The love Gabriel and Beelzebub have is strong enough for them to both want to shatter their worlds and flee their lives and it's just. 

It's just that. 

Two people in a pub, playing the other's favorite song, giving a little gift, buying a packet of crisps. 

That sequence means far more to me than any kiss ever could.

Love isn’t only real when it's hot and sudden and ephemeral, it can also be

Quiet.

And gentle.

And still romantic.

Still real.

[frankencanon]

I'm still reeling from Good Omens 2 — and I'm not talking about the cliffhanger.

No, I'm talking about the plot.

The whole "Something Terrible is Going to Happen" thing with a Naked Amnesiac Gabriel in the beginning made it seem like this season was going to go the same route as season 1 did — Armageddon, take 2.

And then when the season ended I was just so distracted by the kiss and the cliffhanger that it never really processed for me that this entire season was...

Well.

Whereas season 1 was all about stopping the Apocalypse, season 2 was entirely centered around romance, and only romance.

From what I can recall, there were three main storylines driving the plot in season 2:

Maggie and Nina's love story.

Gabriel and Beelzebub's love story.

Crowley and Aziraphale's love story.

Even if it didn't seem that way at first, it was revealed in the end that everything that had occurred had to do with someone's love story.

Naked amnesiac Gabriel showing up at the bookstore? That only happened because he fell in love with Beelzebub and got himself fired, then chose to run away before they could steal his memories of falling in love with them.

This whole season was about trying to find out what happened to Gabriel (love, love is what happened), trying to get Nina to fall in love with Maggie, and Crowley coming to terms with the fact that he is in love with Aziraphale, and then eventually working up the courage to act on that love.

And that's not even mentioning the minisodes — which were basically telling us the story of how Crowley and Aziraphale fell in love!

This entire season was centered around romance, and only romance!

The second season of Good Omens was literally a love story. I can't believe it — can you?!

Thank you, thank you, THANK YOU so much, Mr. Neil Gaiman!

Never before would I have guessed that season 2 would end up like this... I know we're all sad about how things left off with Crowley and Aziraphale, but there's not nearly enough appreciation going around for how we were even able to get to that point in the first place!

Everyone say,

"THANK YOU, NEIL GAIMAN!"

And let's not forget David Tennant (Crowley) and Michael Sheen (Aziraphale) who played these hopelessly in love idiots so well!

[triflesandparsnips]

So I understand that there are Good Omens show fans who have never read Good Omens the book, and that makes me deeply sad because--

Like, there's so much depth to the story being told about humans and humanity and the choice between good and evil -- and how that's actually a false dichotomy whoooops -- WHILE ALSO not really being about Aziraphale and Crowley at all (who are, imo, basically there as embodiments of "Impressive Failures" for the purposes of Theme and also Plot).

BUT IF you want to know why I've shipped them since the book-- here's the moment it happened for wee teenage me:

Wednesday (before the end of the world)

So it's Warlock's birthday party. And there are all these children and security guards and also an angel doing magic tricks while a demon is disguised as a caterer. This bit is basically the same as the show, so hooray.

But as wee me understood the characters up to this point, they were still basically enemies who had been in the field together for way too long and knew each other's moves well enough for the same tempting/thwarting of one another to become kind of boring and repetitive and generally pointless-- particularly once they realized that they could, for instance, just live their (separate!) lives watching humans being weird (Crowley) and seeking various sensory stuff (Aziraphale) while doing the least work necessary to keep their respective bosses off their backs.

The Arrangement was borne not out of hiding a friendship or anything, but instead the realization that sometimes covering for one another would just... cut down on their total overall workload. They were, at best, employees of two different, competitive companies-- though in same kind of department, doing the same kind of work-- who discovered they liked to have lunch at the same deli and that their jobs were sometimes distressingly more similar than either was comfortable with.

SO ANYWAY. BACK TO THAT WEDNESDAY. They're not covering for one another with this whole Antichrist thing-- they're now actively collaborating, and they've acknowledged (mostly) that it's not to cut down on their individual workloads, but rather to preserve their identical-- but not shared (not yet)-- goals of Getting To Continue The Lives On Earth They've Grown To Enjoy.

But like-- still not friends. Not really.

Until Aziraphale fucks up a bit, Warlock accidentally gets hold of a security guard's weapon and starts waving it around, and:

Then someone threw some jelly at Warlock. The boy squeaked, and pulled the trigger of the gun. It was a Magnum .32, CIA issue, gray, mean, heavy, capable of blowing a man away at thirty paces, and leaving nothing more than a red mist, a ghastly mess, and a certain amount of paperwork. Aziraphale blinked. A thin stream of water squirted from the nozzle and soaked Crowley, who had been looking out the window, trying to see if there was a huge black dog in the garden. Aziraphale looked embarrassed. Then a cream cake hit him in the face.

My teenage brain exploded at this moment.

BECAUSE: there is no reason for Aziraphale to do that.

Work-wise: If he got shot, Crowley would get discorporated, but not die-- and anyway, it would happen in such a way that both of them could explain it away easily to their respective sides (and possibly even be commended for it!).

Collaboration-wise: If Crowley had been watching Aziraphale, and if he'd seen Aziraphale have the chance to change the gun but not do it-- then yeah, probably that would've been annoying enough to have warranted some chilly conversations once he came back topside, and therefore, Aziraphale choosing to save Crowley could've been a reasonable, logical choice to keep their working relationship on an even keel until they'd sorted out this Doomsday thing.

But Crowley was looking the other way.

Work-wise, it doesn't make sense-- and secret-collaboration-wise, it doesn't make sense-- and so it is, overall, really weird that Aziraphale saved him.

But his automatic reaction-- in a blink-- is to stop Crowley from getting shot. And he knows it's weird-- he feels embarrassed that his sudden, unthinking reaction is to save his "enemy".

And the final bit is just a couple paragraphs later:

With a gesture, Aziraphale turned the rest of the guns into water pistols as well, and walked out.

SO LOOK: He changed only the pistol about to shoot Crowley. His automatic reaction had nothing to do with saving a party full of humans, many of them children-- nothing to do with Heaven or Hell-- nothing to do with preserving the coworker he needs to stop Armageddon--

It was all to do with saving Crowley. Who may be the enemy, but he's Aziraphale's enemy. And another part of his life on Earth that he's doing all of this just to preserve.

Which may also be, for the first time, the moment he lets himself realize how important Crowley in particular is to him.

...and so anyway, that's how I started shipping these two immortal idiots, and one of many reasons why everyone should read the book.

[armageddidnt]

Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

[bowtiepastabitch]

Historical Analysis: class and injustice in 'The Ressurrectionists' minisode

Alternate title: why we're tempted to be upset with Aziraphale and why that's only halfway fair

Okay so first off huge thanks to @makewayforbigcrossducks for asking the question (and follow-up questions lol) that brought me to put these thoughts all together into a little history nerd ramble. That question being, Why is Aziraphale so clueless? Obviously, from a plot perspective, we know we need to learn some lessons about human moral dilemmas and injustices. But from a character perspective? A lot of this minisode is about Aziraphale being forced to confront the flaws of heavenly logic. This whole idea that "poverty is ineffable" basically boils down to 'yeah some people are poor, but their souls can be saved just as if not more easily that way, so it's not our problem and they probably deserve it anyway for not working hard enough,' a perspective that persists in many modern religious circles. Aziraphale isn't looking at the human factor here, he's pretty much purely concerned about the dichotomy of good and wicked human behavior and the spiritual consequences thereof, because that's what he's been told to believe. His whole goal is to "show her the error of her ways." He believes, quite wholeheartedly, that he's helping her in the long run.

"the lower you start, the more opportunities you have"

So here's what we're asking ourselves: Why did it take him so bloody long to realize how stupid that is? Sure, he's willing to excuse all kinds of things in the name of ineffability, but if someone in the year of our lord 2023 told me he was just now realizing that homelessness was bad after experiencing the past two centuries, I'd be resisting the urge to get violent even if he WAS played by Michael Sheen.

Historical context: a new type of poverty

Prior to the 19th century (1800s), poverty was a very different animal from what we deal with now. The lowest classes went through a dynamic change leading up to the industrial revolution, with proto-industrialization already moving people into more manufacture-focused tasks and rapid urbanization as a result of increasingly unlivable conditions for rural peasantry. The enclosure of common lands and tennancies by wealthy landowners for the more profitable sheep raising displaced lots of families, and in combination with poor harvests and rising rents, many people were driven to cities to seek out new ways of eeking out a living.

Before this, your ability to eat largely would have depended on the harvest in your local area. This can, for our purposes, be read as: you're really only a miracle away from being able to survive the winter. Juxtapose this, then, with the relatively new conundrum of an unhoused urban poor population. Now if you want to eat, you need money itself, no exceptions, unless you want to steal food. Charity at the time was often just as much harm as good, nearly always tied deeply up in religious attitudes and a stronger desire to proselytize than improve quality of lie. As a young woman, finding work in a city is going to be incredibly difficult, especially if you're not clean and proper enough to present as a housemaid or other service laborer. As such, Elspeth turns to body snatching to try to make a better life for herself and Wee Morag. She's out of options and she knows it.

You know who doesn't know that? Aziraphale.

The rise of capitalism

The biggest piece of the puzzle which Aziraphale is missing here is that he hasn't quite caught onto the concept of capitalism yet. To him, human professions are just silly little tasks, and she should be able to support herself if she just tried. Bookselling, weaving, farming, these are all just things humans do, in his mind. He suggests these things as options because it hasn't occurred to him yet that Elspeth is doing this out of desperation, but he also just doesn't grasp the concept of capital. Crowley does, he thinks it's hilarious, but Aziraphale is just confused as to why these occupations aren't genuine options. Farming in particular, as briefly touched on above, was formerly carried out largely on common land, tennancies, or on family plots, and land-as-capital is an emerging concept in this period of time (previously, landowners acted more like local lords than modern landlords). Aziraphale just isn't picking up on the fact that money itself is the root issue.

Even when he realizes that he fucked up by soup-ifying the corpse, he doesn't offer to give them money but rather to help dig up another body. He still isn't processing the systemic issues at play (poverty) merely what's been immediately presented to him (corpses), and this is, from my perspective, half a result of his tunnel-vision on morality and half of his inability to process this new mode of human suffering.

Half a conclusion and other thoughts

So we bring ourselves back around to the question of Aziraphale's cluelessness. Aziraphale is, as an individual, consistently behind on the times. He likes doing things a certain way and rarely changes his methodology unless someone forces his hand. Even with the best intentions, his ability to help in this minisode is hindered by two points: 1)his continued adherance to heavenly dogma 2)his inability to process the changing nature of human society. His strongest desire at any point is to ensure that good is carried out, an objective good as defined by heavenly values, and while I think it's one of his biggest character hangups, I also can't totally blame him for clinging to the only identity given to him or for worrying about something that is, as an ethereal being, a very real concern. Unfortunately, he also lacks an understanding of the actual human needs that present themselves. Where Elspeth knows that what she needs is money, Aziraphale doesn't seem to process that money is the only solution to the immediate problem. This is in part probably because a century prior the needs of the poor were much simpler, and thus miraculous assistance would never have interfered with 'the virtues of poverty'. (You can make someone's crops grow, and they'll eat well, but giving someone money actually changes their economic status.) Thus, his actions in this episode illustrate the intersection of heavenly guidelines with a weak understanding of modern structures.

This especially makes sense with his response to being told to give her money. Our angel is many things, but I would never peg him as having any attachment to his money. He's not hesitant because he doesn't want to part with it, he's hesitant because he's still scared it's the wrong thing to do in this scenario. He really is trying to be good and helpful. So yes, we're justifiably pretty miffed to see him so blatantly unaware and damaging. He definitely holds a lot of responsibility for the genuine tragedy of this minisode, and I think Crowley pointing out that it's 'different when you knew them' is an extremely important moment for Aziraphale's relationship with humanity. Up until now, he's done a pretty good job insulating himself from the capacity of humans for nastiness, his seeming naivity at the Bastille being case in point.

In the end, I think Aziraphale's role in this minisode is incredibly complex, especially within its historical context. He's obstinate and clueless but also deeply concerned with spiritual wellbeing (which is, to Aziraphale, simply wellbeing) and doing the right thing to be helpful. While it's easy to allow tiny Crowley (my beloved) to eclipse the tragic nature and moral complexity of this minisode, I think in the end it's just as important to long-term character development as 'A Companion to Owls'. We saw him make the right choice with Job's children, and now we see him make the wrong choice. And that's a thing people do sometimes, a thing humans do.

~~~

also tagging @ineffabildaddy, @kimberellaroo, and @raining-stars-somewhere-else whose comments on the original post were invaluable in helping me organize my thoughts and feelings about this topic. They also provided great insight that, in my opinion, is worth going and reading for yourself, even if it didn't factor into my final analysis/judgement.

If I missed anything or you have additional thoughts, please please share!!! <3

[vidavalor]

The Vavoom: Or, when the show's hinting Crowley & Aziraphale first kissed

It was not in 2.06, if that makes you feel any better?

Meta/theory hybrid stuffity stuff below the cut. As always, all interpretations are valid. This isn't meant to offend anyone who sees things differently. Post contains spoilers for the films 'Kiss Me Deadly' (1955), 'About Time' (2013), 'Love Actually' (2003), and 'Four Weddings and a Funeral' (1994). Apologies that this took a few days. Life's been wild this week. Let's dive in...

Right. So. The Vavoom...

I feel like most of us, by this point, are probably in agreement that Crowley is not talking about something he saw in a Richard Curtis film when he talks about his plan to help The Shop Lesbians to fall in love... and that, if he's not talking about something he saw in a movie, then he's talking about something he experienced... and yes, sure, absolutely Crowley has been on Earth for 6,000 years and could have vavoomed with basically anyone who has ever lived at this point as well as one semi-sentient car and even the world's once only-remaining unicorn but... we all know he's talking about Aziraphale. So this is about unraveling what the show presents as Clues to this end and using those Clues to solve for x and see if we can prove that Crowley is talking about Aziraphale and then figure out when this Vavoom happened with the information the show has given us so far... and the good news is that we can do all of those things so here we go...

The first thing to do is to eliminate the Richard Curtis films. Let's just start with Crowley saying that he saw his whole vavoom moment in "a Richard Curtis film." As someone who has seen a frankly embarrassing number of Richard Curtis films, I can tell you that this is a very amusing misdirect from a writing standpoint. It is amusing because it's a wink of sorts towards the same problem that comes up when you try to find The Vavoom on the GO timeline based on what the show's presented so far. What is that problem? It's that-- at first, cursory glance-- no one GO scene or Curtis film seems to have everything Crowley describes. Don't worry, though, because we actually do have enough information to find the lone caraway seed beneath these three cowrie shells here. You'll be Aziraphale-voicing an "a-HA!" very soon. :)

There are only two Richard Curtis films that feature elements Crowley lists as having occurred during The Vavoom: 'About Time' and 'Four Weddings and a Funeral.' The Awning of a New Age scene in GO actually winds up an homage of sorts to 'About Time', as it is referencing it pretty heavily. However, there is no vavooming in 'About Time'; meaning, there is not this gaze-to-kiss moment that Crowley is talking about. A wedding reception tent collapses under heavy rain and soaks several supporting characters in the film, much like how our supporting characters Nina and Maggie get soaked by too much rain causing the awning to collapse. There is no gaze or almost-kiss or kiss before it. There are other canopies-- umbrellas-- but no one gazes or kisses under one. So, Crowley did not see The Vavoom in 'About Time'-- but that particular Richard Curtis film might have been the one in Crowley's mind when he quickly latched onto Richard Curtis films while speaking with Aziraphale in the pub.

As a result, thinking about his conversation with Aziraphale while trying to craft his Shop Lesbians Vavoom might have actually caused him to over-weather and cause the awning to drench Maggie & Nina. So the joke there is more that The Original Vavoom of which Crowley is speaking in the pub scene is something that really happened and had an element or two in common with a scene in the Richard Curtis film, 'About Time', which also features Bill Nighy (see: 'Love Actually' stuff below), whose mannerisms Crowley seems to like to emulate at times. As a result of seeing the film and thinking about how it *wasn't* like The Vavoom-- the canopy collapsing, the lack of an actual Vavoom in motion prior to this, all of that disappointing Crowley greatly when he saw this film lol-- Crowley ironically then says he got the whole idea of The Vavoom from a Richard Curtis film... when, in fact, *the distinct lack of Vavoom* in the film was what Crowley remembered from it... and then, upon thinking of the pub discussion when trying to start an Awning of a New Age for Maggie & Nina, it accidentally became part of his miracle, causing him to over-Weather and, kind of hilariously, substituted the kiss Crowley was trying to incite with the collapsing awning scene from 'About Time'... the film then disappointing him all over again lol.

The other Richard Curtis film that is relevant is 'Four Weddings and a Funeral.' You might be familiar with the scene-- its ending scene-- just from cultural osmosis as this point, even if you haven't seen the film. Hugh Grant proposes to Andie MacDowell in the pouring rain. So, the big problem with this scene is that there is no canopy. None. Whatsoever. They're soaked through. We never see them go inside. They look into each other's eyes and they kiss but it's raining on them the whole time and Crowley is really specific about his canopy requirements for Vavooming. This scene is also wrong because it's a proposal between characters who have known one another on and off for years and have a more extensive history, whereas Nina and Maggie are much earlier in a potential relationship and The Vavoom Crowley talks about is an intense gaze into a first kiss. That said... just as how 'About Time' ties to Nina & Maggie's story, there are some 'Four Weddings'-y elements to Crowley & Aziraphale's relationship, in that their story also covers them meeting up through different points in time and such. 'Four Weddings' was also the first mainstream, hit rom com to openly feature queer characters in supporting roles so it's a strong one for GO to be referencing... but, ultimately, no Crowley-described Vavoom scene in sight.

Finally, there's 'Love Actually', which doesn't actually have a single element in it that pertains to The Vavoom but I'm throwing it in here because I'm just looking at all GO ties to Richard Curtis films at this point. 'Love Actually' features Nina Sosanya (GO's Nina, of course) as a queer-coded character and, in GO, David Tennant has a few scenes where he seems to be channeling Bill Nighy's Billy Mack from 'Love Actually' in S1. (Tell me Crowley's not doing Billy Mack's walk when they cross the street to the bookshop in Eleven Years Ago in S1 lol.) For those of you who have somehow avoided seeing this movie lol, Billy Mack is an aging rock star who is the best character in the film and heavily queer-coded. In S2, there's also some Big Bill Nighy Energy in the "we'll just to have to make it worthwhile then" bit with Muriel in Heaven and also in the way he chuckles in the "I *was* there, you see" moment with Gabriel. Also probably worth mentioning that, in 'About Time', Bill Nighy plays the dad of one half of the main couple in the movie and his role is to teach him how to live life and this involves pursuing the woman he is trying to marry throughout his ability to fall through time. So, Bill Nighy is basically playing the S2 Crowley of 'About Time' while the main couple of that film parallels Maggie & Nina, in that he's setting up the scenario for the couple involved to get together. Nothing in the film, though, is as overt or contains elements that match The Vavoom, other than the collapsed awning, as we got into above.

So mah point is dolphins that while there are a couple of Richard Curtis films that contain bits and pieces of what Crowley is talking about, there isn't a single one that has anything really remotely close to the, uh, extremely specific scenario he was detailing... so now we have to look at just what the hell Crowley's on about, exactly... and for this, we are, surprisingly, going to wind up looking at a very different film from any by Richard Curtis-- 1955's classic film noir, 'Kiss Me Deadly'. Why this random film, you say? Because it's actually not at all random to GO S2. It's the origins of the phrase "vavoom"... and S2 of GO contains a multi-episode homage to the film.

'Kiss Me Deadly' is, tonally, very different from GO as it's pretty dark film noir but it has a plot you might find a little familiar. One night, driving down a dark road, the main character picks up a hitchhiker who has lost her memory. After she's murdered, the film revolves around the main character-- a private investigator-- and his lover/partner investigating the case to try to solve the mystery. GO's episode "The Hitchhiker" opens with a plot and visual homage to this film when Aziraphale picks up Shax in The Bentley and obviously S2 contains a plot surrounding a mystery related to a character who has lost their memory in Gabriel. I'm going to do a separate thing that is a deeper dive into this with particular emphasis on how the lead characters relate to Crowley and Aziraphale at another point in time because it crosses into too many other things to fit it into this one at the moment but the reason why I bring the film up now is because of its ties to the phrase "vavoom."

"Vavoom", alternatively spoken as "va va voom" and containing the same meaning, is thought to have originated in a cartoon in the late 1940s but its use in "Kiss Me Deadly" in 1955 is what pushed it into popular, cultural use and knowledge. In the film, there's a character named Nick, who is friends with the two leads (the Crowley & Aziraphale-paralleling Hammer and Velda). They have nicknamed him "Va Va Voom" because he says it so often. Nick is an auto mechanic who works on the leads' car-- yes, there's a Bentley parallel lol-- and it is his use of the phrase that made it one we are familiar with today. But what does it really mean exactly in terms of this scene in the pub?

Without going too far down the road that we wind up in another meta about wordplay and symbolism in S2 here, the show is doing things related around the word 'passion' and all of its various meanings. It begins with Aziraphale referring to Maggie's feelings for Nina as "a pash"-- which is British English slang for "a crush" or "an infatuation". It comes from the word "passion"... but the word "passion" actually means something much different. "Passion" is very specifically romantic, erotic love when used to describe a relationship. It means enthusiasm when about a hobby or the like-- Aziraphale will get the neighbors to come to the meeting/ball by negotiating their commitment based on things they're passionate about-- Mr. Arnold and Doctor Who, Mutt and the history of magic. Finally, S2 is tying a lot of this passion-related plot to *The* Passion-- as in, The Passion of the Christ, or the Christian phrase for the death and resurrection of Jesus Christ. Why is it called 'The Passion' anyway? Because the Latin root of 'passion' is 'pati', which actually means 'to suffer.' Looking at all of this and how the show pairs up scenes with different types of passion is a whole other meta. I'm bringing it up here because of the relationship between 'passion' and 'vavoom'...

"Vavoom" means voluptuously sexy. It means passionate. Something having a sense of "vavoom" or "vavavoom" means it is either suggestive of or is sensually pleasing. In GO S2, Maggie & Nina represent the pash use of passion-- the new love, the crush-- while Crowley & Aziraphale are the show's example of passion in its fuller, richer meaning of romantic, erotic love. So now that we eliminated the idea that Crowley is talking about having seen an example of this vavoom he's talking about in a movie-- I mean, 'Kiss Me Deadly' is totally a movie Crowley saw once so he might have first heard the phrase in it, like many people did but there's no vavoom itself the way Crowley describes it in the film, just the phrase-- but yeah, now that we've eliminated the idea that Crowley got his idea from a film, we can say with relative ease that he's talking about something he personally experienced. I think we can all agree that if he did, it was with Aziraphale and the purpose of him bringing it up in the scene is not just as a suggestion to solve the issue of needing to matchmake The Shop Lesbians but as a way of being seductive towards Aziraphale.

This is also part of 'Kiss Me Deadly' in that Crowley here is the Velda to Aziraphale's Hammer. Hammer is preoccupied with the mystery. Velda tries to help him solve it but is also seeking his romantic attention the whole time and being rebuffed in favor of the mystery. It's darker in the film, as you'd probably expect, since it's film noir, and Aziraphale is actually subtly playing back in GO S2. In GO, it's mostly played off as Crowley, kicked out of bed since the religious family are in the guest room lol, continuously making overtures towards Aziraphale to torment him a little for the whole Gabriel situation but also mainly just because he likes to and he misses him. (It has been, like, maybe 18 whole hours lol.) He continues it into later in the day when Muriel is in the bookshop and Aziraphale is a little more overtly playful then but he is in the pub scene as well. All of this also ties into the fact that Aziraphale wants to drive The Bentley but again, that's a whole other meta. Going to stay focused on the kiss here...

So what we're saying is that, in the scene in The Dirty Donkey, Crowley does that whole lean and the sexy hands and that super posh voice he does from time to time to seduce Aziraphale, and describes their first kiss back to Aziraphale when asked to come up with a romantic solution to help their neighbors realize they are in love. Specifically, Crowley says this:

Whew. *fans self* Jesus, Crowley... No wonder why Aziraphale thought you could help The Shop Lesbians. That? Was romantic...

The key thing I love about this is that while everything he says lends itself to the idea of a kiss, he doesn't actually explicitly say that until the later scene in the back room when Muriel is in the bookshop-- the "one fabulous kiss" part. It's evident later on when he explains the plan to Jimbriel and when he puts it into action that his intent is to trigger a scenario that might prompt Maggie and Nina into kissing and when the awning collapses, he feels like he failed at the overall Vavoom. He did, however, see it working from across the street, such were the fireworks, when they looked into each other's eyes and what's sweet and also very hot about this scene in the pub is that the looking into each other's eyes is the key bit of The Vavoom to Crowley. The kiss is what happened as a result of looking into each other's eyes. The romance of the gaze and the passion of the kiss = The Vavoom but the latter without the former isn't the whole rapturous, perfect moment and Crowley is into this moment. He's still weak in the knees over the thought of it.

And what he says happened in it? They looked into each other's eyes and realized they were made for each other? Crowley thinks that. He says that, flat out, to Aziraphale. Crowley. Who was abandoned by the God who was supposed to love him believes that same God created he and Aziraphale for each other. That they're fated, destined soulmates. And that they both knew it, in that moment when they were taking shelter from a sudden rainstorm together, under a canopy, and they gazed into each other's eyes and then

Yes, I am aware that he says "humans" in that bit in the pub scene. He's referring to Nina & Maggie but also he and Aziraphale have a tendency to refer to their love for one another in human terms in different scenes throughout the series, which is probably a whole other meta and *refocuses on finding this damn kiss here*...

So Crowley-- while heavily emphasizing the words "together" and "canopy", both for maximum sexiness and to lead us in the correct direction lol-- tells us what's needed in this scene, right? We need a sudden rainstorm, a canopy, them wet from the rain and taking shelter, Crowley's glasses to be off or he's in a situation to be able to take them off (ironically, unlike he was when he was in the pub while he's talking about all this erotic gazing), and then we have all this gazing into a very vavoom-y, very passionate first kiss.

So, what scenes seem at all remotely tied to things Crowley describes for The Vavoom? There are three scenes that jump out immediately-- and it's none of them lol. They *are not kidding* about quite literally 'three cowrie shells and a lone caraway seed'. There are three scenes that they want you to think could be connected to this and be distracted by to complete their sleight of hand trick. They want you to look towards Aziraphale's hand and not up his sleeve, so to speak.

So the three cowrie shells scenes here are Before the Beginning, Eden, and the Job minisode. Why? They are the scenes that involve Crowley and Aziraphale and some form of a canopy, which is one of the two words in Crowley's whole Vavoom moment that he heavily emphasizes. So it's not Before the Beginning and it's not Eden and why? Because we're missing the other word Crowley heavily emphasizes-- *together.* Crowley and Aziraphale took shelter from a sudden rainstorm *together* under a canopy. That's the set up. But Before the Beginning and Eden-- the first scenes our minds run to-- are not this because they are sheltering *one another* but not sheltering *together*. One of them is exposed to the rain each time.

There's an additional possibility that is thrown into the mix that is tied to these two scenes, which is the S2 announcement poster-- the one that features Crowley and Aziraphale on Whickber Street in the rain. That one is also out because Crowley is being sheltered from the rain by Aziraphale with a tartan umbrella (ridiculously adorable, I agree lol)-- but they're not both sheltering together. That one feels like it was designed just to fuck with us, especially because Crowley's hair in it is, for some reason, at Eleven Years Ago length in it. It's almost like it exists to both be cute and to, after the season is over, make us go wait... was it then? (It was not then.) More distractions. Ok, so, then what about the Job minisode?

Is it ox rib night? This seems to have some elements at play-- there's a roof and a storm and them together and all-around kiss vibes-- but it's actually not this, either. That said? Job is connected to it in a big way and helps prove my theory here so we're going to come back to it. I'll eliminate it here by pointing out that when Crowley defends The Vavoom as a possibility for Maggie & Nina to Aziraphale, he says "get humans wet and staring into each other's eyes" and "humans" in that bit is them, even if they are not fully. This eliminates the Job minisode as The Vavoom because it confirms that Crowley & Aziraphale did get wet as they went to shelter from the storm. In the Job minisode, they never go out in it. So, Job is out, too.

Ok, so then how do we find the one scene that unlocks this and points us towards the answer hidden in plain sight in front of us?

What is the one scene that really should tell us more about The Vavoom? How about the one wherein Crowley partially recreates it?

The Awning of a New Age is the lone carraway seed. Maggie & Nina paralleling Crowley & Aziraphale. What can we learn about what happened with Crowley & Aziraphale from what happened in this Maggie & Nina scene?

We already know that Crowley feels like he partially failed at recreating The Vavoom for them. It was meant to lead into a kiss and then the awning collapsed. That is what is different from Crowley & Aziraphale's first kiss but Crowley was delighted by the gazing, which we already know to be the very important bit of this here. Off of this, we can conclude that there's obviously a parallel of this bit for Crowley & Aziraphale and this is where the parallels in the scene stop. That means that what happens *before* the gazing moment in The Awning of a New Age scene is important because that's the parallel. So, what's happening while Crowley spots them together outside and starts up the rain? They're talking, right? And what are they talking about?

They're talking about one of them-- Nina-- having a partner who is unreasonably upset. Nina is anxious about it. She doesn't blame Maggie for it, as it's not Maggie's fault. It's also not Nina's own fault and what Lindsay wants from Nina is confining and abusive. Lindsay, we learn, is cruel. We decide in this scene really how much we don't like Nina with this woman and that we want her to be with nice Maggie who is sweet and supportive and is over the moon for her.

On the surface, this would seem to be absolutely nothing like any Crowley & Aziraphale scene we've ever seen, right? Fooled by what is on the surface-- modern lesbians in London Soho, one of whom has a romantic partner-- this seems to be a plot Crowley & Aziraphale have never had. Except, that it's not. It's a parallel to one you'll remember.

One, paralleling sentence here for you...

God's a bit tetchy...

Awning of a New Age unlocks that Lindsay being unreasonably angry and dolling out insane punishment for no actual misdeeds is a parallel to God during The Flood. God was Aziraphale's Lindsay-- the unseen, abusive partners, sending down their words and marching orders and causing distress. Crowley approached Aziraphale like how Maggie approaches Nina. Aziraphale half-heartedly tries to defend God the way that Nina half-heartedly tries to defend Lindsay but both pretty much give up in the face of Crowley's and Maggie's sane responses and support. The agreement that the present situation-- Lindsay about to abandon Nina, God about to abandon her creations in The Flood-- is horrible and unjust. They connect over the lack of justice. The Flood scene we saw ends as the rain begins, with Crowley and Aziraphale both looking up as it starts to fall.

Maggie and Nina get further-- they get to the first half of The Vavoom, in parallel. We haven't seen that yet with Crowley & Aziraphale. (Maggie & Nina also didn't have to go stop and save a bunch of people first lol.)

So how do we know that The Flood was the first kiss?

How do we know that Crowley and Aziraphale first kissed in Ancient Mesopotamia in fucking 3004 B.C. and have been vavoom sorted gone on each other ever since?

Because it happening in the aftermath of saving lives in The Flood would then mean it meets every one of the elements Crowley describes. They get wet from the storm. They will work to save everyone, which is evident from Aziraphale being dead fucking certain in the Job minisode that Crowley was a sweetheart who wasn't going to kill any goats or kids. How would he know this for sure? Saying that what God was doing was terrible in The Flood scene isn't enough for Aziraphale's surety by Job. That means that Mesopotamia and The Flood is the first time they teamed up. It means that Crowley saved people and animals during it. It more than likely means that he did so in a way similar to what he does during the Job minisode-- he transformed them into something that could survive the storm, probably rocks or something. (Big Medusa vibes lol.) But what would happen then? Crowley and Aziraphale would have to *stay through the storm to turn the people back*, right?

So, they'd need to seek shelter from the rainstorm. Under a canopy that could survive the storm. One they can both step back under and bump into one another beneath. Most likely, it's an actual canopy in original meaning of the word-- the shelter of trees. I think one of them (Crowley) bolted afterwards, based on the Job minisode, which we'll get to again in a second, and from under a canopy would be the easiest way to just be able to leave during a storm. (They did not spend the Biblical 40 days and 40 nights under that canopy or they almost certainly would have wound up having sex, which the show is suggesting in other scenes didn't happen for awhile after this which is also another meta lol.) But there's also another reason for trees that kind of cracks me up.

Remember when Aziraphale comes back from Edinburgh in S2 and, before he left, they had their whole Our Car/Our Bookshop thing and Crowley's been peeved for a day now over how Aziraphale got to go adventure in The Bentley and he got to wear a cardigan and babysit their former attempted murderer? And about how what he's really playfully irritated over is that he keeps trying to use Operation Shop Lesbians to turn Aziraphale on by mentioning their Vavoomy first kiss and Aziraphale is, kind of hilariously in retrospect, just totally tormenting him by barely indulging him on it? What happens when Aziraphale comes back from his trip?

Crowley-- genuinely-- says "there you are-- I was worried something had happened to you" and he's off-camera for a moment as he does so and the camera is on Aziraphale, who kind of seems like he would like one of Crowley's kisses about now. But what does Aziraphale get in place of where a kiss could have gone?

A face full of plants lol.

In their box, so that when he handed them to Aziraphale, they hung over his head like a canopy.

Don't wanna talk about The Vavoom, angel? Fine. You're just getting the trees. Mwah. *goes to his car and is all did you misssssss me kissy face*

Aziraphale, in old married bitch mode:

Finally, there's that Ancient Mesopotamia is, chronologically, the last scene so far in which Crowley is not seen wearing glasses, which is essential because Crowley-- while wearing his glasses in the pub lol-- describes the key bit of The Vavoom as involving staring into one another's eyes, which Crowley & Aziraphale can't do if Crowley has his glasses on. Since Crowley wears his glasses in approximately 87% of Good Omens, it means that the answer is in a scene where he's either not wearing them at all or could be seen as able to take them off. Mesopotamia meets that criteria. But there's still one more thing that can really hammer home the idea of this The Flood, Part 2 being their first kiss and that's going to be how we end up back at the Job minisode again.

Go back and think of the Job minisode again but now with the idea that the last time they saw one another-- ages before it-- they shared this moment of wildly passionate vavoom and look at how it recontextualizes the entire minisode.

Start with when they first see each other again. Where did *that* Aziraphale come from? He's teasing him.

The Aziraphale in Before the Beginning and in Eden and in the first bit of The Flood that we've seen is more anxious. He's not afraid of Crowley and he's definitely attracted to him but he's distracted by the dangers of what is happening while they're talking. Suddenly, he jumps from the Aziraphale of The Flood to the Aziraphale of the Job minisode. This one is flirtier. This one is literally like all so you never called-ing Bildad the Shuite lol. He's all "last time I saw you was... The Flood?" like he doesn't know and Crowley is all tight nod ohfuckit'shim and also ohfuckit'shimhavemissedhimsomuch and hiding behind his sunglasses-- Bildad is the first appearance of the sunglasses, chronologically, so we go from the Vavoomy gaze to Crowley hiding his eyes... this then all moves into the courtyard scene after a few moments...

Oh, what's this now? The only scene in the whole series in which Aziraphale asks Crowley to take his glasses off? And he does? So quickly-- intentionally-- that his expression from before is still on his face and it's just nothing but naked want like he's saying oh you wondered how I was looking at you from behind these this whole time? yeah, it was like this... Aziraphale is straight up asking for more vavoom. Take the glasses off. Look me in the eye and tell me you want this and yeah, sure, they're talking *on the surface* on *one level* of their conversation about whether or not Crowley is exhibiting serial killer tendencies and wanting to kill small animals and kids but, really, this scene is also the formation of their coded way of speaking to one another. Crowley's "I want to. I long (pause) to kill the blameless kids of Job the way I killed his blameless goats" and then lifting just enough of the magic to let Aziraphale see that he had actually not killed the goats at all but had actually faked their deaths, indicating that that was his plan for saving the kids as well... Well, it also means that *all* of what Crowley just said to him was coded. That's the weird pause after "I long" that breaks it into two sentences. It makes the second level of their conversation that Crowley whipped off his glasses, gazed into Aziraphale's eyes, and said I want to, I long... meaning, I want you, I want to kiss you again, I long for you...

But the bit of the Job episode that sells me on The Flood being The Vavoom is actually the bit just after Crowley miracles himself, Aziraphale, the kids, Jemimah's pot (because he's so not a serial killer, he saved the damn pot lol), the wine (because fuck that little Influencer Brat of Job-- Crowley's not about to kill a kid but he absolutely will drink the last of his wine for treating Aziraphale like a whore lol), and the food down to the cellar and started iguana-ing the kids. Why this bit? Because Aziraphale is fucking giddy and is just tormenting the living fuck out of Crowley.

He's all "I knew it!" and when you first watch the scene, right, you could think he means he knew that Crowley would save the kids. Yet, he already knows that by this point-- that's what the courtyard scene was. That's why he's yelling that he's "QUITE SURE" when Crowley asks him if he is (and calls him "angel" for the first time when doing so) while he's setting everything on fire just a moment before. Obviously, Aziraphale is happy that Crowley didn't kill the kids but what he's all I knew it *smug smile, actually fucking wiggling with flirty joy* about is that Crowley wanted to be alone with him again and would find a way to make it happen because what's the plan? The one that Aziraphale is totally teasing him about?

Aziraphale is going on about how oh, this is *Satan's* big plan, huh? A *big storm*? He loves every minute of it and he also really loves Crowley getting very close to him-- kissable close-- and being all "ooh aren't you brilliant?" when Aziraphale was acting smug. When did Crowley get that comfortable getting that close to him?

But yeah, Aziraphale loving every second of Crowley saving the kids, turning them into sightless/soundless iguanas, and sending a storm over the land for the night while keeping the two of them dry in a little cellar canopy so they can be alone together again-- essentially, repeating a version of The Vavoom scenario, as he'll still be trying to do millennia later... Aziraphale thought that very romantic and had no problem flirtily teasing the hell out of Crowley for it. Crowley's game is as ancient as Bildad the Shuite lol.

So yeah, what we're saying here is that there's a The Flood, Part 2 and that it's likely in S3. I actually wouldn't be surprised if it opened S3, since the first two seasons are opened with the other canopy-themed firsts-- the two first times they met, really, in Before the Beginning and Eden, both with the wing canopy-ing of one another-- so S3 could be the tree canopy and their first kiss. The Flood also seems likely to return because of how it ties thematically to the whole end of the world of S3's Second Coming plot.

One aspect of this theory that I really like is also that it means that Crowley was more female-presenting during their first kiss (which also goes along with the feminine energy sometimes associated with the phrase "vavoom"/"vavavoom") but also that when they next see one another in the Job minisode, Crowley is the more male-presenting Bildad the Shuite... and Aziraphale is really just into all of it. He's just into Crowley, full stop. We already know he is but I like the idea of it tied to their early days and showing it unfold a bit and how it's just all fine by Aziraphale, who just loves this being and is happy to see them and get to be alone with them again. It's very sweet and romantic.

I guess the last thing to say is that if this is true, we're all going to have a field day redoing the psychoanalysis of this bit below, aren't we?

[hikarry]

Just a quick shoutout to the Good Omens fandom: we are a whole fucking vibe vibe!

Honestly, I've been here for a while, and not a single attempt at chaos or bloodshed. On Tumblr, that's basically world peace.

It’s like our collective love for an angel and a demon has created a sanctuary where we all just chill and share our memes and are mentally ill over this show.

Seriously, kudos to everyone for making this the healthiest corner of the internet I've known so far. It’s a miracle worthy of Aziraphale and Crowley.

[funnyoldworld-isnt-it]

There are so many posts about the weirdness around Nina and Maggie, but the thing that has always bothered me the most is that both of them know Aziraphale but neither one of them seems to know Crowley. Like, at ALL. Not even by sight. Which doesn’t make any sense. For the last four years, Crowley has basically been unemployed and homeless (this sentence made me so sad to type). He has had literally NOTHING to do except hang out at Aziraphale’s bookshop. And the vibe at the beginning of s2 is that he’s there a LOT. Like, multiple times per week (“we both get plenty of use out of it, don’t we”). When Aziraphale calls him in the first episode, he says “2 minutes” the way you tell your spouse how long until you’re home from the grocery store, especially if you were on your way home already.

The dialogue goes to great lengths to highlight that Nina and Maggie SHOULD know Crowley, which just heightens the weirdness of it. When they're at the pub, Crowley asks Aziraphale, “What’s wrong with the cafe?” (implying they usually go to the cafe), but Aziraphale made a point of introducing Crowley to Nina in the first episode. And Nina makes a point of saying to Maggie that she always remembers “the regulars," but she doesn't seem to remember Crowley. Of course, she immediately notices both Jim and Muriel outside the bookshop, so she's clearly paying attention to what's happening in the neighborhood and it seems like she couldn't have failed to spot him coming and going all the time.

And Maggie's situation is even weirder. Her whole back story is that she basically grew up IN the bookshop because her grandmother’s record store was essentially in a corner of the bookshop. And yet, when Maggie and Nina see Crowley on the street right before the lightning strike, Nina says, “Do you see that bloke? Six shots of espresso and he's smoking,” and Maggie responds, “I think that man was just struck by lightning.” Which is something you say about someone you’ve never laid eyes on before. She didn’t say, “Oh, that’s Mr. Fell’s friend,” or “I’ve seen him around. He stops by Mr. Fell’s shop a lot.” And then when he comes back, "It's him. The one who was just struck by lightning. The six shots of espresso." Again, no flash of recognition of anything before the current day. This happens immediately after she's just told Nina about knowing Aziraphale since she was little. It’s just weird. Why build a back story that would put her in extremely close proximity to Crowley LITERALLY her entire life and then write dialogue that makes it clear she's never laid eyes on him before?

You could maybe think, well they're just so used to having to hide...but then I asked myself: Does it make sense that the day that you find out there is an extremely dangerous, existence-threatening problem hiding out in your ineffable husband's bookshop is also the day that you would decide to STOP keeping a low profile and start wandering the streets with abandon, introducing yourself to all the local shopkeepers, and ferrying large plants into and out of said bookshop? No. No, it does not.

In any other show, you could assume that the writers just didn’t think about it very carefully. But, given the layers and layers of meaning and symbolism baked into every detail of this show, from the dialogue, to the costuming, the set design, lighting, blocking, etc., and the way that the story folds back on itself again and again, it just feels significant.

[fellshish]

what's your favourite crowley look?

You ask me to choose?? Top five’s the best i can do. And even that hurt…

Let’s count down from five.

5.

Yes yes i know it’s thee basic bitch crowley look the crowley we think of when we think of s1 crowley but. Look at him! Optimal hair length for combing your fingers through. And he’s dressed to… Well to convince an angel to go along with his plan while looking extremely casual but also. Also.

Am i illustrating my point???

4.

Ah yes it’s female presenting crowley looking extremely somber and kind of widow-y mary magdalene channeling at the crucifixion be real with me if even jesus couldn’t resist i mean what am i holier than jesus??

Also…. That subtle show of ankle. I rest my case.

3.

French revolutionary crowley. A blink and you miss it look. Only a few precious minutes of airtime. But the costume department really put their whole costumussy into it. Incredible. If i was aziraphale i’d have kept the cuffs on because i meannnn

At least he tried to match. What a pair. (Also…. Buttons. All the buttons. My weakness…)

2.

Again this look is barely onscreen. It’s crowley reporting to hell about warlock growing up. Just a quick pop-out-of-nanny-ashtoreth casual genderfuck silver chain hair tied back fuckmewitharake look

No but truly. That hair??? They didn’t have to go that hard but they did and i am grateful

1.

Be serious. Was this ever going to end differently?

[positively-mine]

You’re a girl?!

how the twst boys find out you’re a girl & their reactions

tags: afab, accidental touches

a/n: very much self indulgent BUT I COUNDNT STOP THINKING 🤔 what if because it was a boys school that they didn’t have skirts and basically Crowley just made you wear the uniform & you didn't tell anyone. Like epel and lilia’s case, they just thought you were a feminine guy (p.s I just started and I haven’t read any spoilers, except for some info from reddit so I’m very sorry if this has already been covered/ revealed) very gacha coded but PLSSSSS bear this brain rot with me

Some spoilers: until book 3

Series: ❤️ 🧡 🩵 💛 💜 💙 💚

Ace

This can go two ways. Firstly, is that he was chasing deuce or Grimm around and you happen to be walking around the corner. And BAM. You’re both on the ground with him on top of you, caging you into his arms. With both his hands conveniently placed on two lumps on your chest. It takes him a good 3 seconds of staring and squeezing before he realises what they are. What you are. Immediately feels embarrassed and starts screaming and scarmbling to get up.

Orrr he has gotten so used to coming into ramshackle house as he pleases and barges into your room without knocking. You’re both guys, so what’s the problem? Big mistake. Because you’re changing and literally only in your under garments. He’s all red and hot faced before he’s running out of your room and the house into the walkway to calm himself down.

The next time he faces you, he’s apologising while avoiding eye contact. He knows you’ve been through thick and thin together but it really did feel as though his whole world view was shattered when he found out. When he’s hanging out with you, he’s much more careful of where he places his hand and tries to look out for you. Definitely tried to act more manly as well, like when there's an overblot about to happen he either pushes you behind him or blocks you with his body..

Deuce

The way i see this going down is that he’s got his gangster mode on from whatever trouble he’s gotten himself into (or for convenience sake; the broken eggs in book 1). And he’s trying to push you away to stop you from stopping HIM from picking a fight. And something soft hits his forearm. He turns to look at you chest before he quickly realises. He’s screaming like a banshee while moving as far away as he can from you. The initial quarrel was forgotten and now his head is spinning. Thoughts like “what would my mother think if she knew what i did??”, “HES A GIRL?! I MEAN SHE” and so on. The walk back to the kitchen is so quiet that you could basically hear Grimm’s grumbling all the way from Heartsbyul kitchen. Once you arrived back at the kitchen, the guys are wondering why its so quiet between you two but pay no mind to it.

He gets awkward around you every once in a while when realises how close the two of you are but still tries to make up for it. Also becomes more diligent in trying to withhold his gangster personality. He doesn’t want to show anymore of his nasty side to you when he can show you how well he can treat you. Lest he wants to lose you to some other guys…

Trey

This one's tough. I don't know if he has sisters so let's just say that he has. He's one of the first few to realize that you're a girl, being the ever observant person that he is. He sees the pattern when you start getting a little bit more emotional than you are. Snapping at Adeuce and Grimm when you're usually much more patient, getting upset at small things or when he catches you tearing up when you talk about returning to your own world. Yeah he definitely knows.

So it's no surprise when you start to receive more baked treats from him and he's piling up all sorts of nutritious food onto your plate when you sit together. The others are wondering why he's doing that when you're capable of doing it yourself. It's only after several months of this treatment that you realize he knows that you're a girl. And when you confront him about it, "I can't help but want to take care of you when I see you".

Riddle

I like to think that you’re having tea together. He’s invited you to another one of their dorm’s many reason to have tea. Grimm and Ace are fighting for the last cookie and accidentally knock into you as you pick up your teacup. Splashing the liquid all over your dress shirt. Riddle is of course, furious. Rule #363, never spill your tea. Especially on a Tuesday. He’s screaming at them both when his eyes move to check if you’re okay. And that’s when he sees some blue peeking out at the wet area of your shirt. It takes him a quick second to march over to you and drape his blazer over you. “You should go back and change. Make sure to take a warm bath unless you want to catch a cold.” You nod at him confusedly. He watches as you make your way down the steps. He turns to the rest of the members with pink tinted cheeks. “Unfortunately this tea party will have to be cancelled,” and he quickly turns back to walk to his dorm before anyone can say anything.

The next time you see him, his cheeks are tinted pink and he’s trying very hard to not make eye contact with you. Overall, most of your relationship stays the same except that he’s inviting you over for tea more often. But this time its just the two of you. And his excuse? It changes every time. Sometimes its because he says he wants to talk about Adeuce and Grimm’s behaviour, and sometimes it’s because he wants your thoughts on which tea set is better.

Cater

For his case, it's not that he found out, rather he overheard it from a rowdy pair of first years and a cat. He was walking to his next class and about to turn around the corner when he overheard their not so very hushed conversation. His eyes widen very similarly to the saucers that they use for tea. He's kind of upset that he didn't find out himself, but learned it through someone else. Oh well. It's a win-win situation for him anyways.

So when he starts being much more clingier to you and offering to walk you to your classes do you start to get suspicious. He’s always coming over to sit together at your table and visiting you at Ramshackle more. Lounging on the beaten up sofa while you do whatever work you have to. Keeping you company for as long as he can. Or at least until Riddle calls him back or you kick him out. Whichever comes first.

Now imagine there’s a celebration of some sort and he’s excitedly running up the steps to Ramshackle to formally invite you as his date. “I’ve got a surprise for you,” he smiles cheekily. And from behind him he pulls out a beautiful dress. “Will you be my date?” No misunderstanding his gestures now.

reblogs appreciated!

[melsmodernlife]

Can we talk about this?

I feel like this gets so overlooked due to the whole “Rescuing me makes him so happy” bit. But I absolutely adore how Crowley says he won’t leave Aziraphale and almost before he’s done saying this Aziraphale is already saying “I know.”

Look, our ineffable duo kind of fail at communicating well (it’s basically the whole theme of season 2 and a consistency of the series so far), but they do trust each other.

I think this is partially why Aziraphale was so shocked by Crowley not following him to heaven. There’s push and pull, but Aziraphale trusts Crowley to play a protector for him and to always come back.

Just look at their fights so far. In particular, they fight about the holy water but Crowley later shows up and saves Aziraphale from the Nazis. They fight twice about running off together during season 1 and both times Crowley comes back to see Aziraphale. They fight about what to do with Jim and Crowley storms off saying Aziraphale is on his own only to return and apologize.

But part of the problem is Aziraphale takes that trust for granted. He constantly pushes Crowleys boundaries, but returning to Heaven was a hard limit. This demon who has put his life on the line multiple times for Aziraphale because of love and trust says no and Aziraphale constantly pushes past that to get his way with the expectation that Crowley will fall in line with him again.

And I say all this to say, Crowley comforted Aziraphale saying he wouldn’t leave him and Aziraphale implicitly believed him. But when has Aziraphale done that for Crowley?

[youryurigoddess]

Have you noticed how Crowley’s main objective this season is basically running to the rescue and saving others? First and foremost Aziraphale, obviously, but also Jim — both from the official manhunt and from himself, like in the window jump scene — and multiple humans.

Crowley started off as an angel willing to question the highest — and only — authority in order to save not only his newest creations, but the whole vast, beautiful universe from the unjustified and untimely destruction.

Crowley was the one who stopped Sitis from cursing God — even when her own husband and a literal flock of angels stood in silence. Not to mention saving the kids of two species from a Heaven-sanctioned death sentence.

Crowley was the one who self-sacrificed in order to drive away Elspeth from suicide and make sure that she’ll be taken care of for the rest of her life, effectively minimizing her struggles.

Crowley was the one who saved Nina and Maggie from the demons appearing on Whickber Street at dusk and directed them to follow the light of their bookshop, a safe harbor by design and by choice.

Crowley was the one who also made up a nonexistent rule to safely evacuate almost all of the humans out of what started as a monthly Whickber Street Shopkeepers and Street Traders Association meeting and ended up as a literal war zone.

Literally in every episode of S2 Crowley is showing a consistent pattern that‘s not only painfully in-character for him, but also more than common among human trauma survivors and those struggling with mental health issues.

According to research, doing nice things for people and focusing on the needs of others may actually help those with depression and anxiety feel better about themselves. They’re basically offering others the same kind of help they need or needed in the past.

By saving all of those people, Crowley is not only extremely kind as the angel he used to be, but also subconsciously processing his past mistakes and traumas. He becomes a protector of the oppressed and guardian of the weak, taking under his wings those he deeply identifies with.

The fallen angel who asked too many questions, who hanged with the wrong crowd, who got rejected by his peers, who cursed God, who went through what seems like panic attacks, depressive episodes, and contemplated suicide by Holy Water, who understands love… became a patron saint.

Like Saint Anthony is a patron of lost things, Anthony J. Crowley is a patron of the seemingly lost cases. But remember that this level of heroic sanctity in life can also lead to martyrdom or heresy later on — a saint is supposed to intercede, not act on their own like God does.

[octopotto]

Brain Rot: TWST Cast with Saitama! Reader

OCTO NOTE: College has been absolutely brutal. These headcanons were worked on bit by bit these past few months :(

I saw some TWST fics that used pre-exsiting characters to based the MC off of and I wanted to try w/ one of my favourite characters.

WARNINGS: NOT PROOF-READ, OOC Behaviour, this is so cringe but very self-indulgent, mc is the most sane person in this universe, you decide if mc is bald or not, yandere if you squint hard enough.

SPOILERS FOR: TWISTED WONDERLAND

**The reader will ALWAYS be Gender-Neutral! 

———————————-••———————————

Life at Night Raven College would be much more peaceful if MC had Saitama’s strength lol

Problems would've been solved quicker as well.

At first glance, you don’t seem to be a threat.

To most, you look like a regular, magic-less human on the outside.

And that’s what makes you so dangerous.

Don’t fuck around and overblot unless you have a death wish.

The Overblot crew definitely had one when MC swung their fist at them.

The whole prologue would be shortened.

Fun fact: You accidentally put too much force on the coffin door to get out, thus smashing Grim in the process while he was prying it open :D

Grim, the Ramshackle ghost, and Crowley were the first group to witness your impressive strength.

And by impressive, they mean terrifying.

To Crowley and Grim at least.

The ghost were shocked but very much amused after a couple moments.

God knows how the Ramshackle Dorm was still in one piece after that.

Grim is very happy to have a strong minion to protect him

Just don’t hurt him like you did with the ghost pls. And the door lol

Crowley would be most likely absolutely be afraid and made a mental note to keep track of you. 

Especially since you were almost successful to killing him in his ghost form. He’s making sure that Ramshackle gets fixed quicker.

Crowley: “Great Sevens… How do they have such monstrous strength... This stowaway is just a magicaless human! My…what have I gotten myself into?? *sobs* OH IF I WASN’T SUCH A KIND AND GENEROUS SOUL I WOULD NOT LET THIS TYPE OF BEHAVIOUR BE PRESENT ON MY CAMPUS” *more obnoxious sobbing*

You and Grim: 😶😐????

Despite scaring and almost killing the shit out of the Headmaster, you still start off as a janitor lol.

Fast forward to the Mine Incident with Ace, Deuce, and Grim—

You basically massacred that monster.

A monster that probably injured many Mages and Wizards

You destroyed it in one punch.

On that day, Ace reminded himself to never piss you off again. Ever.

He loves cherry pie, but would rather not become the filling itself, thanks.

Deuce probably was gawking at you after the shock.

Not in a bad way

But in a good way y'know?

But he’s too shy to ask for advice for now.

This is basically the start of Deuce idolizing you and your strength.

Brain Rot:

Ace, Deuce and Grim are your self-proclaimed bodyguards.

At least THEY like to think that they are.

Listen, they know that you are MORE THE CAPABLE protecting yourself in fights or in any physical confrontations.

But that’s it.

You’re basically shit at everything else.

From completing your assignments to even showing up to class, it seems like in the trio's eyes that you NEED THEM to take care of you. You all are like family now!

So they all make an effort to help you out when you need it.

No really, if you keep forgetting to submit that one potion essay that Crewel keeps smacking your shiny ass head to complete, you’re going to get left behind.

 They’re more like secretaries than bodyguards lol.

The post-overblot Spelldrive tournament was an absolute nightmare.

Well, at least for everyone but Ace, Deuce, and Grim.

They were GLOATING about how they were in the lead and challenged anyone to try and top them like the smug, over-confident assholes they are.

The only reason why they were in the lead was because of you. Simple as that.

The Savannaclaw gang put up a good fight

For the first 10 minutes in the match.

All Leona could do at that moment was strategize how not to get his and his teammate’s heads chopped off by the disc you kept throwing at them.

You are quite fond of Ruggie

More specifically: you were fond of Ruggie’s haggling skills.

If were had a choice to trade your god-like strength for his haggling skills and techniques, you wouldn’t hesitate one bit.

And y’know it wouldn’t be Ruggie if he didn’t take advantage of this. He would offer you advice and tell you if theres a huge sale going on at a near-by grocery store if you promise to lend him a hand whenever he needed it.

You were so tempted to say no

Not because he was shady and overall untrustworthy

You’re just lazy

This is his way to spend more time with you but he would never admit that out-loud.

If your MC is bald, instead of Floyd squeezing you, he will smack and ‘dribble’ your head as if it was basketball.

Jamil and Ace especially are amused.

God forbid you ever get a bad tan on the top of your scalp

You will NEVER hear to end of it.

Floyd also is your biggest bully.

jk but not really

Yeah he knows that you could probably kill him with a gentle tap

But when did that ever stop him?

He mainly does it because he wants to see your reactions

You’re so plain looking and your nonchalant voice and facial expressions do not help as well.

But remember only Floyd HIMSELF can do those things to you, okay? Only him.

If he ever finds out that some random NPC student was doing the same thing to you, You’re going to be finding that NPC tossed in a corner somewhere with almost all their joints mangled.

You like how generous Kalim is.

You probably helped him fan the fire off his ass in the ceremony

He’s was incredibly thankful and was able to remember what you looked like.

I mean, you literally saved him!

How could he not remember you?

You don't remember him but let’s not go there lol

Because you saved Kalim from being cooked, he always makes sure that you had enough food for the month!

He would practically beg, like BEG Jamil to make extras so you won’t go hungry.

Especially after experiencing what type of living conditions you were dealing with in Book 5.

Poor Jamil, not only is he working overtime for Kalim, but technically serving food for the person who ruined his plans back in Book 4.

Jamil packing food for you by Kalim’s request: 😡😡😡

totally did not try to poison your food on several occasions

Kalim also begs Jamil to let him deliver the food to you.

He can’t help it! He really enjoys seeing you happy when you receive something from him and Jamil.

You never complain about.

Free food = Saving money.

I mean, if you're being gifted something, why be rude and deny it?

Some students say that you were taking advantage of Kalim because of how easily you accept his gifts without anything in return.

And y'know they could be right

But Kalim doesn't mind.

As long as you're happy, he's happy :)

In Vil’s eyes, you are an enigma. 

It’s like he can’t wrap his pretty little head around on how he feels about you.

On one hand, other than your god-like strength, you’re nothing special. When he first saw you he only disregarded you as another potato that’s not worth his precious time and effort on.

But on the other hand, Vil sees you as a blank slate. Something that ASKING for him to put his smooth and perfectly manicured fingers on. Someone that needs his guidance and skills. 

He doesn’t care if you’re bald or have hair, it doesn’t derail him from the fact that despite you sticking out like a sore-thumb, you’re still so…plain looking.

You probably said some off-hand comment about how ‘Beauty is in the eye of the beholder’ to Vil and just walked off.

It might not meant anything to you

But it meant a lot to Vil.

When it came to the overblots and eventually Book 5, he felt as though he was in a spiral of questions that he himself must find the answers for.

And what were the questions that caused Vil’s current state of disarray about? You obviously.

He’s going mad

He can’t stand it.

You said that beauty is in the eye of the holder? Fine then.

He knows that he could do something for you. 

Something marvellous, something beautiful.

For you and himself. 

You had a new nickname for Malleus every time you guys end up running into eachother.

Malleus would always look forward to meeting you solely for the nicknames.

I believe that Saitama genuinely does not care enough to remember other people’s names that much

So that will be a trait for MC in this.

Malleus probably thinks this is a way humans show affection to each other.

In reality, you cannot for the life of you remember that weirdo's name.

Malleus: *Appears out of thin air in front of the MC*

Malleus: Greetings, Child of Man *smiles*

MC Thinking: ‘Why does this rando keep coming back? What was his name again?’

Malleus: *Anticipating their response with excitement*

MC: Uhhhh..

MC: Wassup…Horton? :D

Malleus: *Smiles at his new nickname*

It took a while for you to come up with a permanent nickname for him but he doesn't mind

In his eyes, it's your way of showing him how much you wanted to become closer companions.

Jack and Epel are always on your ass about “How to become stronger” and when you actually tell them the routine that you did at the beginning of your journey, they literally fell in disbelief.

They couldn’t believe it.

It was basically a simple workout routine 

Both still believe that you’re hiding the secret of how you got to your level of strength.

Thus, joint workouts became also a thing within the NRC Campus and you are the leader.

Not by choice however.

Jack, Epel, and everyone else involved were really curious as to how you train.

I mean, look at what you can do! And you’re not even a Mage!

The first meeting was terrible due to the fact you almost obliterated the school.

One flick and the gym could’ve been in shambles.

That’s why Jack and Epel made sure to do it somewhere far and secluded.

And even then, you still created a lot of damage with minimal effort.

It’s incredible to those who look up to you.

Throughout the story, you gained some admiration and recognition along the way.

From Heartslaybul to Diasomnia, you unknowingly grab the admiration of those who either want to become stronger or see you as a hero. 

Some might say that they see you as the messiah who was sent to protect the school.

But let’s not go that far.

You wouldn’t notice anyways

In your eyes they're all a bunch of weirdos.

———————————-••———————————

OCTO NOTE: Hopefully you guys enjoyed these very terrible brain-rot headcanons. I always found Saitama’s character interesting so I wanted to try out something new. 

Again, I’ve been very busy so I can’t promise anything BUT I can say that there will be more Yandere FF7 fics coming soon! ;)

Thank you to everyone who enjoys my low-quality works! Hope you look forward to my new ones ❤️❤️

[pomefioredove]

i personally think vil can be shipped with SO many characters (including, but limited to, leona, azul, and idia) just because of his perception of beauty. you’d think with how obsessed he is with his looks he’d be vain and cruel and think beauty is the conventionally attractive features society agreed upon. but he isn’t!! and not a lot of people know that. (my take! :) vil finds beauty not in the conventionally attractive features many others do, he finds beauty in doing the best you absolutely can. in taking care of yourself. and so many of the twst characters do not do that. it’s why yuu is long overdue for an overblot 😭 the characters i listed earlier. (my take!! again! :) leona is super unmotivated to take care of himself and shows a lot of signs of depression!! he stopped giving anything any amount of effort until the spelldrive tournament (which obviously went… not so well) because he felt hopeless and basically?? worthless,, both azul and idia have a low self esteem, i don’t know too much about them (on. book 3… im just a pro listener to my friend’s lore ramblings) so i won’t give my take yet! yuu…….. yuu is…!!!! tries their best of course but. it’s kind of hard to. take care of yourself AND a cat AND all of your friends(?) AND your literal principal at the same time. and also try to have that principal not hang the fact of ‘you’ being poor and having no recourses over your head every time you try and say no when he asks you to help him out with something ridiculous that should not be your problem at all. maybe that was a little specific but. yuu’s been through it is what im getting at. and they are hardly appreciated enough as they should be. now. VIL. VIL would appreciate yuu to the absolute best of his ability. and more. in this essay i will

ANON.

ENOUGHHHHHH GGGGRRGRGR I WAS LITERALLY THINKING ABOIT THIS EARLIER

yuu is so overlooked as a character, I know they're supposed to be a vessel to project onto but that's a whole Guy to me. a whole Person. like there's so many traits that canon gives them. and one of them is "motherly". whether that's WILLING or not depends on the player, but everyone in CANON!!! makes constant comments about how grim is like yuu's little baby and how yuu essentially takes emotional care of so many students. in the recent event ace said something like "there's crowley's official beast tamer" in reference to how yuu just. takes care of these chaotic little things.

vil is literally the only other character who plays a similar role in the story.

... cause chars like trey and lilia are almost there, but distinctly different in their roles, while vil is THE mother.

one of the things that elevates vilyuu to otp levels for me is that vil is one of the only characters in game that treats yuu with respect, and as an equal. I like to think that he kind of admires yuu, and almost looks up to them in a way, for all they're capable of. yuu having not overblotted or melted down (yet) is probably something vil finds fascinating (and kinda worrying), because he knows them well and he KNOWS how much shit they go through. I'd imagine he's almost envious of the self control they have

and I think they're the closest out of everyone in the overblot gang. yes that includes malleus idc. literally everyone in this game is so fucking mean to yuu but vil isn't.

he canonically has such a huge soft spot for the prefect, platonic or romantic or whatever, that's just. so different from what he shows others. to me