#because i know that a ton of characters are about to be introduced since the world is opening up

[justalittlebluetiefling]

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[subway-tolkien]

Okay, this is 1600 words of (positive!) meta regarding the OFMD finale. Included is character analysis and a treatise on why a certain trope people keep throwing around does not apply here.

This is of course just my take, and I'm sure people will disagree, but I needed to get this out. Apologies if it comes off disjointed, I've had like no sleep.

Spoilers within, obviously. You have been warned. Heed the tags. I didn't tag any characters because I consider it a spoiler, but you know who this is about.

Listen. Listen.

Let me start off by saying I have been where you are. I’ve had beloved characters die, either because it was important to the narrative or for shock value. I’ve been there, so I’m not coming at this without empathy. I’m not an Izzy hater. I loved him as a character. I’m truly sad to see him go.

But from what I’m seeing around Twitter and tumblr, some of you do not understand the role of an antagonist in a story.

Izzy was always meant to die. The moment he said, in the first season, “the only retirement we get is death,” I knew he was meant to die in the end. The foreshadowing ran through both seasons. Izzy was the true antagonist of S1. He was there to keep Blackbeard tethered when he started pulling away, and yet he also set the plot in motion. He inadvertently introduced Blackbeard to the person who let him be just Ed. He put Ed on his own path to redemption without even knowing it.

S1 ended with Izzy getting what he wanted as Ed lost everything he had. S2 was about Izzy coming to terms with the fact that he’d gone too far, he’d turned Ed into a monster. It wasn’t what he wanted. He wanted Blackbeard back, just like old times. Instead, he got the Kraken, and it was more than he bargained for.

Especially after it cost him his leg and he realized how far gone Ed really was. The conversation that ended with Izzy’s half-assed suicide attempt was the final blow to Izzy—Ed really didn’t seem to care anymore. Where Izzy wanted him to stop giving a shit about his silly boyfriend, he instead got a Blackbeard who didn’t care about anything, and he was apparently now included in that category.

(I said half-assed suicide attempt because Izzy wasn’t meant to die then, THAT would have been an empty, pointless death. It wouldn’t have taught Ed anything—in fact, all it did was make him more self-destructive, which was Izzy’s purpose to the narrative, but not his endgame. That Ed thought Izzy killed himself pushed Ed to the brink. Ed wanted to die and take every scrap of Blackbeard with him. Had Izzy successfully killed himself, Ed and the Revenge would be at the bottom of the ocean.

It wasn’t until the crew left Izzy the unicorn leg that he realized the power of compassion, the incredible act of grace from a crew that suffered so much from Izzy’s own machinations and didn't need to forgive him. It moved him to tears, and it moved him to accept that maybe it wasn’t such a bad idea to let people in, to let himself be cared for. It was a foreign concept and something Izzy likely hadn’t experienced since losing his family (I fully expect a shit ton of fanfic of Izzy’s life before piracy).

Israel Hands found the capacity to let love all the way in and by god, did he pursue it.

But, again, Izzy was always meant to die, and I’m glad they stuck to the narrative they set out with instead of placating fandom and letting our influence dictate how they told this story That’s never good, trust me. Fandom should not influence a creator’s decisions regarding their own characters. It rarely if ever ends well.

[Stares in Voltron S8]

And I see a lot of people out here throwing the “bury your gays” phrase around—I beg you, please look up the definition of the trope. Izzy didn’t die because he was queer, he didn’t die because of his disability. He wasn’t one half of the only queer couple in the show fridged for shock value. He wasn’t killed off due to pressure from conservative viewers. He wasn’t the only queer, disabled character.

They didn’t kill off Lucius, or Jackie, or Wee John. Would you be as outraged if it was any of them?

Killing Eve is bury your gays. Supernatural is bury your gays. Pretty much any film, book, TV show, whatever, where a queer character dies because they’re queer, of AIDs, to further the narrative for a straight person, etc—that is burying your gays.

Izzy’s death was none of those things. Izzy’s death had meaning.

Izzy’s death freed Ed from the Blackbeard persona. It finally forced Izzy to say the things he couldn’t say until he realized it was his last chance. Izzy was also tired. I honestly think he stuck it out for Ed’s sake, because he was afraid to let Blackbeard go without making sure Ed would be ok.

He loved the idea of Blackbeard, but over time, he learned to love Ed. He finally understood what Ed tried to tell him the whole time.

“Fuck off, you twat. You’re surrounded by family.”

You’re safe. You’re loved. You don’t need me anymore. You don’t need to be reminded of who you’re capable of being, you need the people who will guide you to who you will become, and I’m not one of them.

I know a lot of Izzy fans are stung by his death, some of you are deeply upset. I get that. Like I said, I’ve been there. Sirius’s death made me throw that fucking book across the room. That Fucking Woman™ killed off my entire OTP, purely for shock value and, imho, a direct response to shippers. Trust me, I have felt betrayed by a creator for their decisions.

But I need you to understand that no, this was not a personal attack, this was not malicious, this was not “bury your gays." A show that celebrates queerness and diversity is not suddenly homophobic and ableist because your favorite character died and happened to be both of those things. But when the majority of your cast of characters is different in some way, and they’re in a show about 18th century pirates, you have to accept that one of them could, in fact, die. “Anyone Can Die” is also a trope and the more accurate one to describe E8.

If only being queer and disabled made you invincible.

Spoiler alert: it doesn’t.

And no, I’m not an Izzy hater. I loved him, I loved him as an antagonist, and I loved his redemption arc. He was fascinating and Con put his whole O’Nussy into that part. I’m sorry to see him go, but as a mystery writer who often has to kill off beloved characters, I understand that he served the purpose he had from the beginning.

I swear, if some of you had your way, there’d be no conflict at all in any form of media. This what a steady diet of nothing but fanfic gets you. This is not a fluffy one-shot with magical healing dick and a happy ending where everyone sails off into the sunset. If that’s what you wanted, what you headcanoned, you did this to yourself. It’s not David et al’s fault that we took that character and babygirled him. That’s the risk we take when we decide to love a specific character, when we take a genuinely terrible person (in S1) and woobify him.

So, please stop harassing and attacking David, Alex, et al. David did not and should not change his story to placate us. The fact he went ahead with it despite the backlash I’m sure he expected makes me respect him as a creator even more.

Anyway, I’m going to revel that we have three (!) queer relationships with happy endings where one or both didn’t immediately die (again, the actual definition of “bury your gays”) and that we got at least two seasons of a little show that celebrated individualism, diversity, queerness, compassion, and love.

In the end, it all came down to love.

“There he is.”

Goodbye, Blackbeard.

Hello, Ed.

[loversatthegreatdivide]

Heavy Lies the Heart - Chapter 2

Masterlist // Continue Reading

Pairing: Benedict Bridgerton x F!OC Word Count: 3.2k Tropes: mutual pining, fluff, angst with a happy ending, royalty Warnings: death Summary: When two second-borns looking for direction meet by chance, can they find purpose in each other? Or will circumstance keep them apart? A/N: I do not necessarily intent to update this everyday, but then again I won't complain about it when I'm motivated enough to make it happen. Also, just as a side note: My knowledge of the British aristocracy and the laws of inheritance in England at this particular time are shaky at best. Some things I will research because I feel like I can't leave it alone, but in this case I honestly do not care how historically accurate every single detail is. Again, Bridgerton is an AU, so I'll do what I want.

Benedict slumped down on the settee, arms crossed and his brow furrowed. He was all but lying down with how far he had sunk, and as he half-lay in his seat, his mind raced.

He was frustrated.

It had been days since the Danbury ball, and yet he was no closer to discovering the identity of the enchanting young woman he had met there. In these past few days, she had occupied more space in his mind than he was comfortable admitting. He needed to see her again--or at the very least learn her name.

He had been through every family he could possibly think of, but all had been dead ends. Not that he was familiar with every household in the ton, but certainly his mother had briefed him on many of the households with eligible debutantes. He thought surely one must be the home of his mystery woman.

Anthony strolled into the drawing room, an eyebrow lifting as he looked over at his brother.

"What's got you brooding so?" he asked, taking a seat next to Colin at the small, round table that had been laid out with confections. He took a jelly tart for himself as he eyed Benedict from his seat.

"I do not brood brother--you are the one that broods," Benedict corrected, wiggling himself further down the settee, "I am pouting at best."

"Then what has you pouting so, Benedict?" Colin chimed in, setting the book he had been reading aside.

Benedict thought for a moment about telling them. They were his brothers after all, and there was the possibility one of them may even have some insight into the young lady's identity.

He thought better of it almost as soon as the thought entered his mind.

There was the potential to gain valuable information yes, but the ribbing he would receive in return would be never-ending. And there was the risk of the information reaching his mother's ear. He shuttered to think what she would do if she believed he was actively seeking a wife--he saw how she was with Anthony last season.

He certainly didn't want anyone in his family to presume something so ludicrous as his desire to marry--he wasn't looking for a wife, he was only curious.

Yes, curiosity. That was all.

He decided it wasn't worth the trouble; not yet, at least. While he had no luck finding her again, at the very least he knew she was aware of him. There was a chance she may seek him out, however slim it may be. And it seemed very likely she would attend the next ball. A debutante newly introduced in society could hardly be kept from every dance and social engagement held throughout the season. Even if she herself had seemed less than taken with the last event, there was surely a pestering mama in the picture that was pushing her forward regardless.

So he would wait to speak of it with his family until he had no other options.

"I was just thinking longingly of the peace and quiet in the house while the two of you were away," he joked, his hands moving dramatically to press together, as if in prayer.

"Well now I know you're lying," Anthony smirked, "Since when did you enjoy peace and quiet?"

"It certainly sounds out of character," Colin agreed, "Perhaps he simply enjoyed having fewer people around to catch him leaving for his nightly excursions."

"Yes Colin, I think you're right," the eldest brother replied. Benedict scowled, finally sitting up straight as to address his brothers at eye-level.

"That is quite the accusation, dear brother. Care to defend it on the piste?" Benedict challenged.

Colin smirked, "Careful brother--I'm stronger than I used to be."

"Well then, perhaps after another trip abroad you may finally pose a challenge for me," Benedict quipped, "Shall you join as well Anthony? You wouldn't want to miss our younger brother's humiliating defeat."

"He has been rather big-headed since his return, it would be nice to watch his ego deflate," Anthony grinned over at Colin, "For his own sake as well as ours."

"Would the two of you like to back up your boasting, or shall we sit and discuss it for another hour?" Colin huffed. Anthony and Benedict exchanged knowing smiles.

"Very well then," Benedict said as he rose from his seat, "Shall we then?"

The three brothers exited the room, pushing each other lightly and laughing as they headed for the back garden.

---

Beatrice slumped forward in her chair, frowning as her unfocused gaze fell to the bookshelves that lined the far wall. Her chin sat balanced on one hand, as the other absentmindedly fiddled with a page in the large book that lay on the table in front of her. She knew she would be reprimanded if her tutor--or worse, her grandmother--saw her slouching, but she was too bored to concern herself with it at the moment. She sighed, glancing down at the page she held between her fingers.

As the second child of the Prince Regent, Beatrice was fourth in line for the throne--soon to be fifth, once Charlotte's child was born. She no longer needed to prepare for a hypothetical future where she would someday need to step up and become queen. Yet still, her father insisted she continue her studies while forcing her to follow his excessively strict rules. Even convincing him to allow her stay at Buckingham House had been a struggle. Luckily, her father was rather a pushover when it came to his mother, and when the queen had insistent Beatrice be allowed to stay for the season he could hardly say no.

She straighten, only to slid down into her chair. It's not as if she disliked the act of learning altogether. There had been many times when she felt she had truly enjoyed her lessons, having looked forward to more than one. But there were others that felt rather pointless; just tedious memorization that she would never have need for even if she were to become queen.

Studying the crest and founder of all the current noble houses, along with the family tree going back at least three generations, was not exactly thrilling.

She had found some enjoyment when she first started, flipping immediately to the section concerning a family she was now quite interested in. It did somehow feel a little like snooping, and she felt a bit guilty looking through Benedict's family history. However, she told herself it was all public knowledge, and after all it was a part of her studies.

She learned quite a lot about the family--their crest, the first Viscount's name and history, and of course the family as it stands now. It was a surprise to learn Benedict had seven siblings; she couldn't even begin to image having such a large family. Then again, her father was one of fifteen children, so perhaps eight was not so unreasonable.

After learning all she could about the Bridgertons, she moved on. She was less enthusiastic about learning anything at all about the other households, and soon she found her thoughts drifting.

It had been a few days since the ball. Beatrice had been the one to ask if she could attend, and at the time truly thought she would enjoy going. She hoped she may make a friend--possibly even two. She had been so isolated as a child, and her sister had always been little company to her. It would have been nice to talk to people her own age.

However, she had not expected she would cause such a frenzy. She hadn't realized how little people saw of the royal family at such events--with the exception of the queen, of course. It made Beatrice too conspicuous. She was a shining light of hope representing the next generation of the monarchy.

Then of course, there were the men. Knowing nothing about her, yet treating her like a prized mare up for auction. She supposed even as the second child, she must seem appealing to them. The crown may be out of reach, but her future husband would still be a prince--and of course, there was the considerable amount of riches she had access to as a member of the royal household.

Perhaps that's why she had been so taken with Benedict Bridgerton.

He had clearly not known who she was. Perhaps he had arrived late, or been out of the room when she had been announced alongside her grandmother. Either way, he seemed truly clueless to the title she carried. It made him seem so genuine compared to the others she had met that night. It had been so refreshing to be treated as her own person, rather than a royal. It may well be his motivations were less than pure, but at the very least he seemed like an honest person. Perhaps more prone to humorous banter, but still so sincere when it was needed.

This left her with a rather vexing problem.

On the one hand, he would certainly learn her identity sooner or later. It made sense to simply tell Benedict now rather than hide it from him, which may go poorly when he did eventually discover the truth. On the other hand, she had enjoyed their conversation immensely, and if he found out she was a princess after only a single meeting, he would likely feel the obligation to treat her just as everyone else did. She would lose her one chance to have a real connection with someone that wasn't singularly focused on her proximity to the throne.

If she wanted to continue hiding her title from him, she would need to find a way to see him. If they built up a friendship first, perhaps once he did learn the truth he would be less inclined to treat her differently. She was nearly guaranteed to see him at the next ball, but then she would once again be announced as a princess. Whatever had caused him to miss her entrance at the first ball, she had doubts that it would happen a second time.

With that being the case, she either had to wait and see him at the next ball, holding out hope he may continue to act as he had before even after learning the truth. Or, she had to see him outside of a ballroom. She couldn't bare the thought of losing an opportunity for real friendship, but of course she would never be allowed to leave Buckingham House on her own. This left her with only one option.

She would have to sneak out.

---

Benedict lounged lazily on the sill of his bedroom window. His head leaned back against the wood of the frame as he gazed out over the lamp lit streets below. In his lap sat his sketchbook, filled with half-finished sketches of a lovely young woman whose face he just couldn't quite capture.

Spending the afternoon with his brothers had been a nice reprieve from his mind, but night had fallen and now he was alone. There was nothing to stop his thoughts from wandering every corner of London, searching for a girl he hardly knew. Benedict threw his sketchbook to the floor with a groan, rubbing his charcoal stained hands down his face in frustration.

He felt ridiculous, being so overcome with thoughts of someone he barely knew. The mystery and intrigue of it all certainly played a part in his curiosity, but he would be lying if he said it had nothing to do with the girl herself. Such circumstances made her a novelty to be sure, but she had exhibited qualities he had not often see from those of the ton. He had replayed their conversation a hundred times in his mind, and he was now sure that he knew at least something of her character.

To Benedict, she had seemed a well of profound, thoughtful emotion. She felt things deeply and was not ashamed to show it. This was in contrast to so many in his social class, who held propriety above all things--even their own feelings.

She had been shy, but still wasn't quite as naive as he may have first thought. She was clearly kind, but that didn't stop her from being quick-witted when she saw the occasion for it.

It had been such a short amount of time, but what he had learned of her had only fueled a desire to learn more.

Perhaps most interesting was that her insecurities seemed to match his own perfectly. He had been feeling rather useless following Anthony's return, and from what she had said she felt quite the same about her own situation. He had never expected to find a kindred spirit in one of the young ladies of the ton.

Not that Benedict thought them all completely incapable of deeper thought, it was only that his situation as a second-son was rather obviously specific only to sons. A woman could not inherit her families title even if she were the first born child, so it was unlikely to find one so worried over her place within the family hierarchy. It was their future husband's title that truly mattered.

He didn't know enough about the young lady's family to know for sure, but he supposed if her family had only daughters it would be up to the eldest to marry well to secure their family's title and estate. A second daughter would inevitably leave once she was wed, leading him to believe his mysterious young lady must also be quite loyal to worry about her family so.

Perhaps that was something to think on.

---

Benedict, so caught up in his own mind, failed to notice when the very woman occupying his thoughts appeared on the street below him.

She pulled the hood closer to her face as she looked up at him, his shadowed profile gazing up at the stars. He was difficult to make out in the low light, but she was quite certain it was him.

Benedict Bridgerton.

She was thankful to arrive having drawn no unnecessary attention. This time, she wore a less conspicuous dress than she had at the ball. It was made of a pale green fabric, cut in the popular style the other ladies of the ton were wearing. She had worn a silken, violet cloak over top so she was able to hide her face from view. Perhaps walking around covering her face was in itself a suspicious act, but anyone who may look at her strangely for it would have no opportunity to get a good look at her face, which was all that concerned her.

She may have avoided notice so far, but she faced a new problem: How was she to draw Benedict's eye without also drawing the attention of passersby on the street? She could not simply call out to him, but them he would need to be looking down at the street to alert him quietly. Frustratingly, at the moment he seemed content looking up at the sky, rather than down to earth.

She had only one other idea.

---

As Benedict sat deep in thought, he was roused by a small clank on the wall near his window. Before he had the chance to turn his head, something small and hard smacked him in the forehead. The surprise caused him to lose his balance, his body rocking back and forth in the open window. When he at last steadied himself, he rubbed his forehead, looking down to find whomever it was that had struck him.

A woman in a hooded cloak looked back up at him, gloved hands raised to her mouth in a look of surprise and worry.

Once she realized she had his attention, she pulled back her hood, and Benedict felt his heart jump to his throat.

It was her.

She was really here.

This time, the shock did cause him to tumble over, though thankfully landing on his bedroom floor rather than the street below. He scrambled to the window, popping his head out as he gripped the sill. She had one hand to her lips, her shoulders shaking as she tried to stifle a laugh. She quickly beckoned for him to come down before turning, pulling her hood back to it's place atop her golden curls.

Benedict fumbled as he stood, grabbing his coat and gloves from their place discarded on his bed as he all but ran out of the room. He nearly barreled straight into Anthony as he flew down the stairs, one arm in his jacket.

Anthony gave Benedict a suspicious look, "And where are you going in such a rush?"

"Out," Benedict replied simply, sliding his free arm through the empty sleeve.

"Out where?" Anthony asked, annoyed.

"Just out," Benedict reiterated, "Honestly brother, do you truly want to know?"

Anthony sighed, "No, I suppose I don't." He gave his brother a stern look, "Just be sure our mother doesn't catch you--I have to hear enough from her about Colin as it is."

Benedict smiled. He grabbed Anthony's face between his hands and gave his cheek a quick kiss, "Thank you brother!" Anthony made a disgusted noise, knocking Benedict's hands away, "This is why you're my favorite elder brother," he added as he began descending the rest of the staircase.

"I'm your only elder brother!" Anthony shot back, shaking his head as he turned away, continuing his way up to the second floor.

Benedict grinned from ear to ear as he burst through the doors of Bridgerton House. He turned when he reached the street, catching sight of her as she fidgeted with her hands nervously. His smile softened as he watched her, though in truth he was beginning to feel quite nervous himself. Benedict started to move toward her, and soon enough she caught sight of him. He smiled at her, his stomach doing somersaults when she shyly smiled back. They stood there in silence for a long moment, taking each other in.

"You're here," Benedict commented at last.

"Ah, yes...I am," she smiled as she glanced down briefly, "It's good to see you again, Mister Bridgerton--and I am quite sorry, about the rock." He looked at her in confusion, until she quickly pointed to her forehead and he realized her meaning.

"Oh! Was that what that was? It's no bother--after all, I can think of far worse things you could have thrown at me." The back of her fingers pressed lightly to her lips as she laughed. He smiled, feeling emboldened by her response to his rather silly joke, "Though, if you truly wanted to make it up to me, you could start by telling me your name?"

She looked surprised, "Oh, right. Of course. I suppose I did fail to give it to you when we spoke before."

"Yes, and I must say I've been taking it quite personally," he said, his lower lip pouting as he looked at her in mock sadness. She smiled.

"Well, I would hate to think I had caused you any pain," she joked, and he grinned back. "You may call me Beatrice."

----------

Tags: @empressnatsume

[coffeebeanwriting]

Writing your First Chapter (Part 1)

There are tons of things that go into making a killer first chapter. Here are just a couple of things to consider.

Introducing your Protagonist and Making us Care

When writing your first chapter, you’ll be introducing your protagonist. When introducing your hero, here are some things to keep in mind:

1) We have to care about them (to want to follow them on their journey). This is typically done by giving your protagonist weaknesses and flaws or even quirks we can relate to. Your protagonist could be a grumpy, cold-hearted thief... but if they give half their findings to homeless children, our heartstrings are suddenly pulled on.

2) Don’t info-dump their backstory or appearance right away. Only give the reader what they need to know to understand the scene at hand. You especially don’t want to have your hero standing in front of a mirror describing themselves to the readers when you only have so many pages to hook a reader. You’ll have plenty of time to go into the details on your character later. This leads me to my next point...

3) Leave your readers wanting more. This is how you create page-turning chapters. If your protagonist has a mysterious limp... don’t reveal why right away. If their flaw is that they hate magic and refuse to use their birth gift... leave the reader guessing why. Little mysteries like that will keep readers subconsciously turning the page to figure out why. Just make sure you eventually give them the answer.

Foreshadow your Theme(s)

As early as you can, you’ll want to show readers what to expect in your book. Authors can do this by foreshadowing. Think of it as a “mini-scene” or description that gives the reader a taste of what’s to come. 

This can be a as small as a sentence or as long as a paragraph or scene. 

“I hadn’t been this dumb in years, hadn’t strayed this far from the Wall since... well since it fell. But I couldn’t help myself. I saw a squirrel runnin’... and catching one of those little critters would land me a handful of coin.”

Right away, the reader knows to expect themes of poverty and survival.

Ground your Readers, but don’t over do it.

Your first chapter is critical in catching your reader’s attention-- so you don’t want to use up all your words on describing the setting. This is unwise, because, during this time, you need to be making us care about your hero and their actions.

Instead, show the reader only what they need to know to understand the scene. Too much description will slow down the story. 

However, if your story has an unusual or unique setting, this can be used as a hook. Although, as a general rule of thumb, you’ll want to write only what is necessary and dive into those beautiful descriptions later.

PART 2-- COMING SOON :) Instagram: coffeebeanwriting

[silverwhittlingknife]

Dick Grayson & Tim Drake: Reading Guide

Once upon a time, two kids met at a circus... and the rest is history.

table of contents:

who are these losers?

what's fun about them?

why a reading guide?

how does the reading guide work? (tl;dr: there are quick recs, a selected chronological list, and a complete chronological list)

where is the spreadsheet? (x)

who are they?

Dick Grayson and Tim Drake: the first Robin and the third Robin.

Also known as the circus boy and the earnest computer geek, the hotshot and the pretender, the slighted prince and the new apprentice, the acolyte and the hanger-on, Nightwing and Robin, Batman and Robin, Batman and Red Robin, and Marcia and Cindy (BftC 3, N 110 & 119, B 617, DC 677, Detention Comics 1, R 168, RR 14).

Or as Jason calls them, "You idiots" (TT 47).

More seriously, Dick Grayson is one of the most enduring comic characters ever - he's been around since Detective Comics 38 in 1940! He's Batman's first ward, first partner, and eldest son. When Dick's parents are murdered, Bruce identifies with him, comforts him, and takes him into his home, where Dick ultimately volunteers to join his crimefighting mission. By candlelight, the Dynamic Duo swear an oath: That we two will fight together against crime and corruption and never swerve from the path of righteousness!

Tim Drake was created in Batman 436 and formally introduced in Lonely Place of Dying. He's a lonely kid who imprints on Dick when they meet as children, and Dick hugs him and promises to do a quadruple somersault for him; he's horrified and worried about Dick in the aftermath of the Graysons' murder, which he witnesses. He watches Batman comfort Dick, deduces Robin's secret identity, and becomes a secret devotee of the Dynamic Duo. Though he admires them both, it's ultimately Dick who he idolizes and tries to emulate when Bruce is spiraling: Batman needs a Robin. No matter what he thinks he wants.

Their slow-burn strangers-to-friends-to-brothers-to-antagonists-to-brothers-again arc develops from 1989 to 2011, and it's one of the standout examples of the DC Post-Crisis era's commitment to gradual character development and careful continuity.

what's fun about them?

SO MUCH!!! But one of my favorite things is their friendship has RANGE!! They go from sweet kids to tense strangers to loyal friends to brothers over the course of real-life years and tons of comics. They fight, they tease each other, they get protective, they worry, they chase each other down, they walk away... there's just so much story here.

They meet at the circus as children, when both their parents are still alive. They meet again, years later, when Bruce is reeling from Jason's death and they team up to stop him from hurting anyone. In the early days, they're brothers-in-arms and never quite family - instead, Dick is Bruce's loyal-but-estranged eldest son, and Tim is Bruce's new loyal-but-wary apprentice, with his own family and his own semi-estranged dad. The slow process of evolving toward found-family is a delight to watch.

They work together as Nightwing and Robin over four years of in-universe time and for over twenty years of real-time, gradually forging a fierce bond of friendship and, ultimately, brotherhood.

Then Bruce dies, and they have some huge fights.

But even when they're estranged, even when they're not speaking... they never stop loving and trying to protect each other. No matter what.

why a reading guide?

Quotes from New Titans 60 and Batman 441 (1989), Nightwing 25 (1998), Nightwing 69 (2002), Red Robin 1 (2009), Red Robin 12 (2010), Gates of Gotham 3 and Detective Comics 874 (2011)

I think reading guides are cool!! And somebody asked me about one!

More generally, I think reading guides are always helpful, but especially with Dick & Tim... you know, when I first started out trying to read their comics, I got kinda overwhelmed. Because on the one hand there's SO MUCH CONTENT - they're one of the classic enduring friendships in all of post-Crisis! their relationship is a HUGE BIG DEAL! they're constantly calling each other and hanging out and supporting each other and arguing!

But at the same time, all of that content is scattered across lots of different books, in Robin and Nightwing and Detective Comics and Batman and New Titans and Titans and Young Justice and Teen Titans and Shadow of the Bat and Gotham Knights and Birds of Prey and Showcase and DC Holiday Specials and so on and so forth. There's not One Definitive Place where you can read The Dick-and-Tim Story.

So: a reading guide!

how does the reading guide work?

Dick and Tim are in over 400 comics together and over 800 comics each separately. That's a whole lot of comics! So I've made a spreadsheet with three different reading guides, depending on how interested you are in these two:

1-5 Quick Recs: If you just want to check out a couple comics, check out these quick recs for "if you like fluff," "if you like angst," etc.

200 Starter Comics: If you want to do a comprehensive, chronological Dick-and-Tim read without committing to all the comics, this list has some of their major team-ups plus some solo comics so you know what the heck is going on. Most of them have a "sneak peek" you can use to decide if you want to read it.

Big List: A complete list of all the comics Dick and Tim are in, in chronological order, with links to dc.fandom and to DC Universe Infinite. It has filter views.

This spreadsheet was a labor of love, obsession, and SO MUCH PROCRASTINATING doing other things. I update it sometimes.

where is the spreadsheet?

it's here. have fun <3

[herejusttosufferalong]

“As much as I love the content we got out of Ireland I think it was a HUGE misstep for the press tour.”

This is going to be long.

This made me think about the press tour strategy, which was certainly planned since the beginning, way before January, I would imagine. And I’m thinking about the days the cast spent in NY in January doing media training and tour prep. And things are starting to make more sense to me about how this whole thing went down.

So, their pre-part 1 press was all focused on the Friends to Lovers trope in all their interviews. They were playful, showing up their chemistry and talking about the parallels with Polin and their history.

Then Part 1 drops and Colin proposes. So then the strategy for press in the month between Part 1 and Part 2 became “Polin are engaged and we’re preparing for their wedding”. That’s where we started to get more “couple” focused press/interviews/shoots in Brazil (engagement shoots, day drinking, drunk red carpet, fuck me eyes at each other). Then after Brazil they started to make the “meet the family before the wedding/prepare for the wedding” rounds, and that’s where things started to really escalate in the progression from Toronto to Ireland to London.

In Toronto Luke and Nic literally met some of her family, and we got the Gosling jealousy interview, and other content where the vibe between them very much gave “couple”. The audience had seen the electricity of the carriage scene and the proposal so we were all primed to devour the content showing them be cute and affectionate with each other during Part 2 press.

In Dublin and Galway the promo threw gas on the fire and we all exploded. Their outfits started outright matching, they’re walking the Dublin red carpet like Royalty, and Nic/Pen had brought her fiancée home to show him her country. In Dublin we also started talking about Polin baby names and “meeting the family”. We got Luke/Colin showing a ton of enthusiasm, more than he’s shown at any point on the tour.

Galway was just next level with the “meet the family” and “were engaged!” (Colin voice) promo. We got the wrap up produced Netflix video, and a public “meet my mom” moment for Pen/Nicola that was heart warming and her family literally cheered at Luke’s hug with her mom. Galway was also where “the engagement ring” was introduced - Nicola’s Bridgerton inspired collaboration with Chupi.

So where are we now heading into the London premiere and the home stretch? Proposal, engagement shoots, meeting the extended family, showing ourselves off with matching outfits in front of hundreds of our friends/supporters, talking about baby names, picking up the engagement ring after our “swift” proposal, showing my fiancée around my hometown, and meeting the immediate family.

We’re ready for the wedding. Enter London premiere.

Nicola/Pen in an actual wedding dress with a veil wearing a ring on her ring finger, and Luke/Colin in a coordinating suit, holding hands and taking pics with the entire Bridgerton family and the rest of the ton, including the Queen. The optics couldn’t be more clear. The London premiere represented the culmination of the press tour strategy to show the progression of Polin from friends to lovers to engaged, to meeting the family, to preparing for the wedding, to the wedding.

And Nicola and Luke did their jobs very well. Too well in fact because there are real feelings there. And Shondaland/Netflix and everyone involved with Bridgerton knows that. The blurring of the lines was bound to happen, and I have to believe the press tour planners knew that. Given that the S3 directors intentionally blurred the lines between the actors and characters when trying to elicit authentic reactions from Luke. Hell, even Nicola did it when she said she wanted to get Luke’s/Colin’s authentic reaction to seeing her in her wedding dress for the first time.

So, as a press tour strategy, I don’t think anything was a misstep. I think the tour was a smashing success from a marketing perspective and achieved exactly what Netflix/Shondaland wanted and now I get why they were willing to invest millions into the tour - they knew Nic/Pen and Luke/Colin would deliver.

As a fan, though, and a Lukola shipper who loves both of them individually, I’m not sure how to feel. I think it’s safe to say Nic and Luke knew the strategy from the beginning and delivered elite press tour performances because they are amazing on-screen partners. As a pairing they create magic in everything they do (just look at the awestruck faces of some of the crowd in the backdrop of their Dublin red carpet). But how much of “the magic” was a performance and how much was genuine? I’m not even talking about their natural chemistry - I’m talking more about the heart eyes, and the longing stares, etc.

Now that all of this has happened since the literal day after the London premiere on June 13 and Luke has (maybe) returned to his pre-tour shenanigans, I’m questioning everything. And I think it’s just going to take a while to process. Thanks for reading 🫠

I really appreciate you sharing this anon 💜

I will recant my previous wording as you are right it was not a misstep but very much intentional.

Naturally my feelings turn to disgust to see this be the case.

As you said above, Shonda, Netflix, production team, etc know and have seen that there is clearly something more going on here between L and N.

Remove the idea that they have either admitted it, recognized it or even acted on it. People can see it, it's palpable at times.

Even though N and L went into this press tour knowing what would be expected of them it still feels like their genuine feelings were prostituted for ratings.

It also makes me wonder just what gimmick they will try for S4 press.

If there will be a world tour for it.

This one was clearly a success but would it have been without the underlying circumstances?

[kaidatheghostdragon]

Has anyone put Ida Manson and Alfred together? Do they even have a ship name?

I just want a fic where Ida affectionately blackmails the Waynes to help Team Phantom.

She and Alfred have been in a long-term and long-distance relationship

Ida definitely knows the Waynes are the Bats but has maintained plausible deniability up to this point

I think it would be out of character if Alfred didn't know that she knows, therefore he does

The Bats don't know that Ida knows and might not even know she's anything more than a distant friend of Alfred's

I'm torn on whether Sam's parents know that Ida has a relationship with Alfred

Ot1h, it would be hilarious that she kept it hidden from them. Maybe Sam knows and relishes in the rebellious nature of her grandma

Otoh, there is potential for Alfred being Sam's bio grandpa, either legitimate or scandalous, as well as potential family drama of hiding an affair with a butler

It could also color the Mansons' perception of the Waynes, too. Instead of the cliche of constantly throwing Sam at one of the Wayne kids to "marry up," they despise the Waynes because their butler defiled poor innocent Ida, or potentially dont want media attention digging into family history and finding that one of Sam's parents is the child of a butler, an affair, or a butler-affair.

If the Martha/Yhomas/Alfred threesome is invoked, things could get messy if Ida was actually part of a foursome, and one of the Manson parents is potentially an illigitimate wayne. Bruce's kids would potentially be Sam's cousins.

The cliche that Sam hates the wWaynes because her parents keep throwing her at them? Hilariously reversed. They're constantly telling Sam not to associate with the Waynes but never explain why. Rebellious Sam is gonna do the opposite, do her research, and demand to know why her parents hate the Waynes who run a meticulously clean company and dozens of legitimate charities that do some actual real good. Why can't you be more like Bruce?!

Enter Danny's accident and the sudden influx of ghosts. Ida sees the signs and requests that Alfred sends the Waynes over to appraise the situation. Could be extremely early on, or the team has had several months to establish themselves.

Suddenly, Sam is informed that Uncle (literal, socially adopted, or affectionate, use of the title is still up to interpretation at this point, but Ida is the only one that gives him that title to Sam) Bruce and his family will be visiting. She's delighted to meet *the* Bruce Wayne, may or may not be confused about him having a familial title. ("What do you mean we're possibly related? I've had a crush on Jason Todd since before he faked his death!" "You confessed your undying love for him when you were nine, Sammykins. We figured it was a phase." "I almost ran away to attend his funeral!" "You WHAT?")

Anyways, canonically, Sam is the one most interested in Danny becoming a hero, so she's going to be ecstatic to learn that her uncle/"uncle" is Batman and he's offering to personally train her. It'll be another massive point against her parents for not liking Bruce, regardless of the fact that they don't actually know that he's secretly a superhero.

I got a ton more points to add about how introducing the batfam like this, and so early in the timeline, could deviate the story, but this was initially about Ida and Alfred. So I'll just finish off by mentioning that any such fic is contractually required to have both the Waynes and Team Phantom utterly grossed out by the "old people romance" going on between Ida and Alfred.

[stelladess]

I find it odd when people frame lore revelations as being some sort of opposite to character development as they often are pretty heavily connected.

There are tons of examples like the mechanics of how the seaborne works being actively thematically important for multiple of the stories with them for example.

Kal´tsit being a synthetic being created by a now gone precursor civilization isn't just random lore fluff, it informs her character. Why she feels isolated and set apart from people and it makes her strong love for the people of Terra more meaningful because it would be easier for her to justify that she does not have to care about them because she is not one of them. But she does care about them! She considers herself part of Terra and responsible for helping people, something which clearly makes her feel very guilty for "failing".

spoilers for Babel event and chapter 14 below:

The doctor´s entire motives for betraying Theresa only make sense from their past and the goals of the precursor civilization. Those reveals do not undermine the character drama but enhance it, the contrast between the doctor wanting to be able to help people like Kal´tsit, Amiya or Theresa clashing with their mission to ensure originium absorbs everything. They know what they are doing is wrong but they feel like all choices are wrong and the one they have a duty to fulfill is the one that required betraying Theresa. I also think a nice detail is after the doctor made up their mind to betray Theresa they start referring to Kal´tsit as AMa-10 in their inner monologues and stop trying to think about Amiya at all. Pressumably sort of trying to dehumanise or ignore the people they know they will hurt because it makes it psychologically easier for them to go through with it, this is especially notable since the doctor gave Kal´tsit her name in the first place.

And when we get a bunch of weird reveals about originium and the past civilization in chapter 14... its mainly used to get some interesting character interactions between Kal´tsit and other characters and to facilitate the situation that allows for the confrontation with Theresa, also the stuff relating to the sarkaz souls stuck there is to explain why Theresa would willingly work with Theresis despite his uhm... evil aspirations, furthermore it is also to finally reveal a bit more about what Priestess was actually like as a character.

Heck back in Lone trail while the stronger character stuff was elsewhere (I especially love the Ifrit and Rosmontis focused stuff) the sarcophagi and Friston stuff is mostly to give some more insight into characters like Ho´oleyhak, Kal´tstit and doctor, introducing us to Mark Max and giving an actually believable reason for Kal´tsit having to burn her bridges with the Tin Man, causing Rhodes to be in pretty hot water with the Columbian government.

I find the idea that the story is deciding to "stop doing character focus to do lore" absurd quite frankly.

World building is important! What makes Arknights unique compared to a lot of other popular gacha games is in large part the world and history. Arknights characters are well written, but in particular they are well written in the sense that Arknights is good at showing how the world they live in shape people into who they are. Learning more about that world to explore it in greater depth is not contradictory to the goal of interesting character writing, it helps it.

[mysterious-moonstruck-musings]

Buried Secrets Masterlist || Main Masterlist

Hello my lovelies!

As I’ve recently mentioned, I’ve started planning and researching for my next fic adventure, Buried Secrets. Not to worry, I do still plan to finish up with our dear dancing Dieter before I officially begin to post this one. However, I am currently working on the characterization for Frankie and Mya in addition to developing the plot outline so that I have some time to stew on it.

Something fun that I did for Closed Position was a ‘Meet the Characters’ post. It really helped me get to know the characters a little better while also introducing them to you all before we dug into the story. So, without further ado, let’s get to know Frankie and Mya a little bit!

About Frankie Morales in Buried Secrets

Frankie wasn’t in the best place after he and the guys came back from South America. He felt a lot of guilt over what happened to that fucking asshole Tom and the men who were killed in the small village where he crash-landed the chopper. He still has it in his head that he took the first shot that was the beginning of Tom’s demise. Because of that, he had a little slip up and relapsed. It only happened once, but it was enough for his lady to leave him. Especially since she was already angry about him going to South America.

After losing his family, he realized he needed to get his shit together and figure his life out before he spiraled any further. He worked to get his pilot’s license back and also had the brilliant idea to start a private security business. He managed to convince Santi, Will, and Benny to join him in the new business venture.

Thus far, the business has been lucrative, allowing them to expand and take on able veterans who needed employment. They have created a pretty sizable team as a result. Benny and Will typically handle the day-to-day people part of the job while Santi is in charge of logistics. Frankie is the boss and gets final say on everything. If his gut tells him it’s a bad idea, he no longer hesitates to shut things down. He’s not willing to take unnecessary risks.

In order to keep himself busy (and away from drugs) Frankie helps Benny with his MMA fight training. He spends lots of time in the ring sparing and working out with Benny to keep his friend focused and in shape.

When Frankie isn’t training with Benny, he’s working on an old muscle car that he recently purchased. It needs a ton of work, but he’s got the time and needs the distraction. When he’s not working on his car, he’s with the guys at the local bar. He often plays darts to unwind and usually tries to keep his drinking to a minimum, if he even drinks anything at all. It’s on these nights when the guys reminisce and talk about Tom. He was an asshole, but he was still their captain and brother in arms after all.

Frankie has also begun to spend a lot of his time at the local gun range. He’s found that something about it helps calm and center him. It allows him to clear his mind and focus on hitting the target rather than his painful memories. In a strange way, it gives him a small piece of military life that he’s missing as a civilian.

Frankie often thinks about the money that they left in the mountains of Chile. He knows that the money could change all their lives in ways he can’t even fathom. He lays in bed at night going through every possible scenario for getting it back, but everything he comes up with feels too risky. He’s too afraid of losing another one of his teammates. So, he lets it fester. It’s a splinter which is slowly infecting his soul. It makes him angry that they lost so much for nothing. It dictates every decision, often forcing him to take the safest route on all things out of fear and makes him second guess his choices. It's a touchy topic for him that he immediately shuts down each time Santi brings it up.

Even though Frankie is now free to be with others, he actively avoids it. He is lonely but doesn't feel he is in a place to pursue anything serious...or casual for that matter. He is completely taken off guard the day Mya Carnahan waltzes into his place of business asking to speak directly to him regarding the specialized security services he offers. She makes him question everything about himself and what he knows about women.

About Mya Carnahan in Buried Secrets

Mya is going to be a little different than all my other OFCs. While they are all badasses in their own way, Mya will definitely take the cake. However, she does have somewhat of a shady past.

Mya's first choice of profession was in law enforcement. During this time, she joined the forces' SWAT team, allowing her to learn many special skills. She eventually gets caught up in a whirlwind romance with one of her arrestees, Damien, who turns out to be a rather charismatic individual that is involved in selling black market antiquities.

As Damien lures Mya deeper into his world, her love for history grows. She takes advantage of the large sums of money she begins to rake in as a black market dealer and puts herself through college in pursuit of a more reputable profession in archeology. She wants to be the person to find the artifacts, and maybe collect some things to sell on the side too.

As Mya delves into the myths and legends of ancient civilizations, she learns about the lost city of Paititi. She becomes almost obsessive over it, convinced she knows where to find it. It becomes her ultimate end goal, she only needs someone to fund a proper expedition to test her theories.

It's because of her relationship with Damien that she gets tangled in a mess that she can't find her way out of. In a transaction gone wrong with a prominent crime lord named Miguel Collazo, Damien runs off with the money and the artifact that Collazo wanted to purchase, leaving Mya to deal with the fallout. She makes a deal with Collazo, agreeing to lead an expedition to find the lost city with promises of finding a treasure like no other. Collazo agrees to be her benefactor for the expedition, with the guarantee of consequences if she doesn't deliver.

Through all of her past experiences, Mya learns how to become somewhat of a chameleon. She can present as a proper and sophisticated antiquities dealer, or she can suit up and handle business. She has a knack for blending in and manipulating situations in her favor to either get what she wants or save herself. In some cases, it’s both.

Mya has been trained to handle a wide variety of weapons and in mixed martial arts. Her favorite hobbies include knife throwing, rock climbing, and riding her motorcycle. She also loves research and solving puzzles. She is intelligent and very good at all aspects of her job, however, she can be extremely stubborn and fiercely independent to a fault.

As you can imagine, Frankie is not prepared when this woman walks into his life. Mya has his head spinning from the beginning and frustrates the hell out of him. Especially when she defies him, insisting he is there to protect her team and not her (because she can take care of herself). These two are so much alike, which creates an interesting dynamic and causes them to bump heads, A LOT. However, they can't help but to be attracted to each other. As we progress through this little adventure their relationship evolves, and they do eventually fall for each other. They will do whatever necessary to keep the other safe as both of their pasts collide, causing all hell to break loose.

I'm really excited to dig into this one and do something a little different. Are you excited yet? How are you feeling about these characters and the plot so far? Do you have any predictions or conspiracy theories (you know I love it when you all come at me with those).

In case you missed any of the teasers/asks that had other little tidbits of info, feel free to check those out HERE. I’ve also started my typical nonsense with collecting vibe posts for this fic (I know how much some of you love those). You can find them HERE.

Until next time, 💜Mysty

🔎P.S. There is a fun easter egg from one of my favorite adventure movies in this post. If anyone can guess it...I will give you another little teaser. 😏

👉 Tagging anyone who interacted with the masterlist and/or teaser post(s). Feel free to shoot me a DM if you would prefer to not be tagged for this fic going forward.

@2birdsofafeather @72scsuze @76bookworm76 @a-beautiful-but-sassy-world @almostfoxglove

@angelofsmalldeath-codeine @annalovesflorida @anniet852 @ashleyfilm @ashlovesdrpepper

@auteurdelabre @avastrasposts @biggetywitch @bitchwitch1981 @bluestar22x

@bunniboo0015 @burntheedges @captainredspade @chaoticfestninja @cheekychaos28

@christinamadsen @copperhalfcent @darkheartgatita @diabaroxa @din-cognito

@elisabethloves @fifitheragertot @for-a-longlongtime @girlofchaos @guelyury

@harriedandharassed @hisandsnakes @imdrinkingpedro @jackie923 @janeie87

@jeewrites @jensensational71 @jessthebaker @jessthebaker @joels-darlin

@kate-skates @katw474 @kels976 @lady-bess @gwendibleywrites

@ladyofmidlo72 @lizzie-cakes @madnessofadaydreamer @maggiemoo1892 @mandeepandee1997

@maried01 @maryfanson @missladym1981 @misstokyo7love

@notyouraveragemochii @nova-starlite @olafsmiles2020 @oliveksmoked @harrysrosetatto

@owlhypnosis @pasc4lfuzz @pearlthegurl @plancommence @purplewis44

@rav3n-pascal22 @readingiskeepingmegoing @runningmom94 @ryuzakemo128 @sandaltoesocks

@sherala007 @sjc7542 @southernbe @stevie75 @stileslvr

@sub-aro @sundaze29 @survivingandenduring @suziesc @the-strawberrythief

@thethirstwivesclub @timpletance @tiredandtwitchy @titlee78 @trulybetty

@tupelomiss @weho2kcmo @willcw-tree @xchar1 @yep531

@yesjazzywazzylove-blog @yopossum @yopossum-loves @yorksgirl @beefrobeefcal

@papipascaaaal @shadowpandas @tangled-tumbler-blog-blog @you-give-aspirin-headaches @jollybhie 

@sunshinehaze1 @diamondclit0ris @midnightbabylon @nerdieforpedro @cheyennerenee10

[pharawee]

Back in May I bought Khemjira's Rescue on meb, happy that there finally was an official English translation because I love horror and actually liked the first pilot teaser for Spirit Reborn - even though it wasn't well received.

I now know why the teaser wasn't well received (the official version has since been deleted and there's only some re-uploads left) and I agree. Khemjira isn't really a classic QL where the story centres around two people falling in love. It's a horror novel first (and the novel's content warning is very open about this). Much of the romance only happens in the bonus chapters. It's also steeped in Isan folklore and Theravadin Buddhist teachings and virtues, with heavy and uncompromising themes of karma, rebirth, right action and non-attachment (which I really appreciate but might not be everyone's cup of tea because it completely ignores concepts of justice and revenge).

The novel itself is translated really well with only a few editorial slip-ups but tons of footnotes to explain potentially unfamiliar concepts and give translations for the recited khatha. The bonus chapters are plentiful and rewarding if you're into romance and the usual level of BL novel spiciness, but even without them the narrative flows really well and comes to a satisfying conclusion. I really liked the novel - it might be my favourite right after I Feel You Linger in the Air - so I was slightly apprehensive when Mandee announced that they had acquired the rights for a new adaptation.

I don't know the actors at all so I only have the novel to go by, but all in all I'm really happy with Mandee's pilot teaser. It's so close to the novel that even seemingly short filler scenes are recognisably taken from moments in the story. And while I still think Keng Harit is a bit too young as Por Kru Parun, he manages to capture his commanding and alluring presence very well.

My only worry now is that they'll downplay the religious themes in order to elevate the romance between, well, basically everyone. I couldn't even blame them though, because most of the audience will be expecting romance, and the series probably wouldn't be very well received if both couples remained chaste until the very end. I don't think Khemjira's Rescue even qualifies as slow-burn for reasons I'll explain a bit later (and behind a spoiler warning).

But first, a bit more about the main characters because I've seen some confusion about their names etc. I'll keep these as spoiler-free as Mandee's pilot teaser was so if you've watched that then you're all set.

Khemjira is cursed, as are all male descendants of his family, doomed to die before their 20th birthday (the series changes it to 21). His mother gave him a traditionally female name to confuse the curse but to no avail: as he grows older he's more and more troubled by the heavy and malevolent presence of spirits. These are kept at bay by an amulet given to to him by a venerable Por Kru (a practicioner of Buddhist white magic) but when that's no longer enough, his friend Jhet introduces him to his teacher Por Kru Parun who lives in a small Isan village. Despite the burden of bad karma, Khem is a good person who always tries his best even when he feels like giving up.

Por Kru Parun (the series calls him Karan) is a respected practicioner of Buddhist white magic. He lives in a traditional wooden house outside of a small Isan village and protects his community from spiritual harm. He learned from his grandfather (who was himself a respected Por Kru) and also spent many years ordained as a monk. Because he lives by the precepts (which go beyond the five precepts of laypeople) he seems detached and aloof, often wearing dark sunglasses so others won't get charmed by him. His real (nick)name is Peem but he only starts using it with Khem once the two get romantically involved.

Jhettana and Charnvit (aka Jhet and Charn) are Khem's best friends. Khem meets Jhet during freshman orientation when Jhet senses the malevolent spirits around him. It's also Jhet who suggests visiting his teacher Por Kru Parun in his home province. They do this during a university excursion. This is how they meet Charn who's part of the student trip and very suspicious about what they're doing. Charn is extremely polite, addressing everyone as Khun. He wears glasses to aid his bad vision. Both Jhet and Charn are extremely protective of Khem, choosing to become Parun's students in order to help save him. They're also the secondary couple with a surprising past connection.

These two boys are Thong and Ake, Parun's spirit servants. They're the ghosts of 12-year-old twins that already served Parun's grandfather. They also have a surprising role to play in things to come.

SOME SPOILERS FOR THE MIDDLE OF THE NOVEL

As for why the romance can only happen after Khemjira's curse has been lifted: as practitioners of white magic, Parun and his students Jhet and Charn have to adhere to the precepts. These include abstinence from unchastity, so they should remain non-attached to thoughts of sexual and romantic nature. If one of these precepts is broken, all of them are considered broken (which makes it impossible to practice white magic) - Khemjira's rescue would fail if any of them got involved romantically. Parun knows that he's mindful enough to remain non-attached until the curse has been dealt with. He also knows that he can't expect the same of Khem so he refuses to take him as his student (which is fortunate because that way we get to read about Khem's pining).

And beyond the horror and the romance, there's also a third element that heavily features in the story: rebirth. All of the characters' fates are interwoven through several past lives, and I'm really curious how Mandee will decide to tackle this added layer of complexity and identity. In The Sign, Idolfactory used the same actors througout every past life (while 1000 Years Old used different actors with the same identifying birth mark). In Khemjira's Rescue the past identities of some of the characters are incredibly important and I'd hate to see them getting erased by using the same actors to better fit with BL marketing. It was so rewarding to find out that Jhet and Charn were starcrossed lesbian lovers in a past life and I'd love it if they kept that reveal for the series as well.

Oh, and also? Yes, there's going to be at least one naga. 🙌

END OF SPOILERS

Ultimately, if Mandee truly commits to playing the long game and doesn't simplify the story in order to appeal to marketing opportunities, this could end up being one of the best Thai BL series to come. From what I saw, the actors can definitely pull it off, and the fact that the 11 minute long trailer focuses so much on novel-accuracy is very promising already. Just don't have Parun and Khem get it on too early. Sometimes you have to keep it in your pants for a bit in order to save the day. 🙏

[idkwhatimdoingherehonestlyy]

Miles 42 headcannons pls?

EARTH 42 MILES MORALES HEADCANNONS

A/N: OK, I never usually write stuff like this so please correct me if I messed up on some stuff!

WARNING: I dont speak spanish so I will be using google translate, lol. However, if anyone is a translator and can help me out please do!

BE PREPARED FOR: POSSESIVENESS, BLOOD, VIOLENCE, LANGUAGE, HEAVY TOPICS (DRUGS GANGS, ETC), AND DARK+NONCHALANT MILES TELL ME IF I MISSED ANY.

Earth 42 Miles is definitely a nonchalant person in general. After his dad was taken away from him he feels like he has nothing left to say to anyone about anything. He definitely struggles in relationships with this character trait.

I like to believe he keeps girlfriends but doesn't keep the title of a player. I feel like he dates a ton of girls to fill the void of that missing love he got from his father...you know?

I also believe that most of his relationships fall out because he doesn't just swoon after the girl because like I said before he has a nonchalant behavior.

If he was to get a long-term girlfriend. He would get attached really quickly and most definitely would not play about her.

The more and more deeper yall get into the relationship the more and more possessive he gets.

He's really possessive because he feels like you will slip away from him. Like his dad did.

___________________________________________________________

Earth 42 Miles became the prowler because it is his way of acting out.

After his dad died, he slipped into a depressive episode that kept replaying, replaying & replaying. There's already enough stress on his mom with being a single parent, her job, and trying to keep the bills paid.

So him being a "bad" kid and getting into fights would not help her at all. So when Uncle Aaron introduced this job to him he was immediately in.

Killing these innocent people allows him to let out all his vexation on the city that brought his father to death.

He comes every night in bloody clothes, with purple bruises painting his brown complexion.

In all honesty, he's fucking miserable.

____________________________________________________________

Miles 42 definitely has the habit of speaking Spanglish.

Since he converses communication from his Mother to Uncle Aaron.

He definitely has A+ in Spanish. (LMFAOOOO i just thought this was funny to add in here)

Spanish is the language he speaks when he's angry

Like, for example when he's beating someone to death senselessly (im sorry i don't know how else to put this..)

He speaks Spanish in anger.

¿Dónde está el dinero, hijo de puta?

¡Deja de gritar antes de que te alimente a las ratas de la calle!

....He speaks very out of character when hes killing

______________________________________________________________

In all honesty if he had some free time on his hands he woud kill some actual bad people, like robbers,muggers, gangs...etc.

------------------------------------------------------------------------------

But in my opinion he's just a kid whos trying to fill a void from his dead father and he just needs love!!

______________________________________________________________

IM SORRY IF THIS SUCKS AND IF ITS SHORT! I TRIED LOL

[ilovepinof]

HI! I’m currently making a Dnp Youtube playlist so I can fully introduce them to my mother (since shes going to TIT with me). Do you have any favorites/recommendations??

I’m adding more post hiatus vids since thats the energy we’re mostly getting on tour, but i’ll take anything :]

A silly bonus: The other day I gave her a short rundown of the timeline, and she pauses me and goes “Oh they live together?”, and I said yes expecting her to inquire further but she just went “Very nice.” 😭😭😭 so either shes completely clueless on the dynamic or understood it immediately, but I found that funny.

(I literally saw a big post about this yesterday I wish I could find it but alas I will try to give my best suggestions)

This post can be useful for anyone who has friends/family going to TIT with them that may not know much about Dan and Phil!

This post could also be useful to share with any friends who want to get into Dan and Phil

Feel free to pick and choose, you obviously don't have to watch every single one of these with your TIT buddy.

Category 1: Dan and Phil Lore - There are a few current videos that can give insight into past&present Dan and Phil lore without having to go super duper in-depth with her about everything.

Dan and Phil React to Every Phil is not on fire! #1 - I feel like anyone whos seeing TIT should be aware of Pinof lore but maybe thats just me because...I mean look at my username. I think watching PINOF react #1 is good enough because its the core trilogy and explains their origins well

Are Dan and Phil Connected? - I'd describe this video as taking a ton of shots of Dan and Phil lore rapidly at once, though she wouldn't understand everything she could at least begin to know stuff!

Both Pizza Mukbangs!! Here is mukbang 1 & here is mukbang 2. I feel like these two videos really encompass a lot of what Dan and Phil have gone through in the last few years and lay a good foundation of the tour.

Halloween Baking - SLIME AND SADDNESS CINNAMON ROLLS - Dan and Phil baking is a core part of Dan and Phil content and cannot be missed. This one doubles as a fun activity! You can bake and watch Dan and Phil together! Me and my (non phannie) partner did this and it was so much fun.

Any WDAPTEO - Heres a link to the most recent one

One final option in this category would be either of the dnp react to phan twt videos because it would explain the fans more but I don't feel as if this is necessary.

Category 2: Dan vs Phil - I feel like Dan vs Phil really shows a lot about their individual characters and dynamics. I'd start her off with these videos to get her into the world of Dan and Phil a little. Here are the ones I suggest.

Dan vs Phil IS BACK! Switch Sports

Is Dan smarter than Phil?

Dan vs Phil - FALL GUYS!

PARTIAL KITCHEN REVEAL SHUFFLEBOARD SHOWDOWN!

Category 3: Misc - Videos that I could not fill a full category for but I think would still be good.

This game ended our friendship - Bread and Fred - In a similar way that I feel like Dan vs Phil shows their dynamics well, I think it's important to also show the chaos of their team work. This one was one of my favs I rewatched it so much.

Who is the liar? Dan Phil or Pj - Whats a better way to get to know someone than Dan and Phil with one of their good friends? I highly suggest any Dan Phil Pj Soph video!!

GOLF WITH SLITS - Dan and Phil Play: Golf with Friends #9 - An iconic channel series.

Category 4: (some of) ILOVEPINOF's fav comeback videos - These videos were just my personal favorites. Think of this list as kind of "extra things you could watch" because they're all reallly good videos in my opinion.

Dan and Phil's raging Trombones

Trunk Dexting with Pan and Dhil

Dan and Phil Dress Each Other

Forcing Dan to Watch MORE Tiktok Likes

THE BACHELOR PARTY - Dan and Phil play The Sims 4: Season 2 #5

[your-ne1ghbor]

Now Introducing...

the one

the only

QUEEN AGATHA

(OR AMAYA BASICALLY)

(ALSO THANK YOU @signed-sapphire @sewerpalette @pennysucks FOR YOUR THOUGHTS ON THE DESIGN. IT WAS A MASSIVE HELP AND JUST THANK YOU IN GENERAL. IDK HOW TO THANK YOU GUYS BUT I'M FOREVER AND EVER GRATEFUL TYTYTYYTYTY)

ok...

Lets talk about her now shall we?? 😘

(FW: MINOR GORE)

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Before we begin, Agatha is by no account, Amaya's replacement. Now here is the thing. Amaya is really cool...in drafts. But in cannon, Amaya is nothing more than a plot device to get the teens in the castle and only exists to be Magnifico's replacement in the cannon film once the whole kingdom goes down so Asha doesn't take up the reins of being Queen. Not only that she didn't have a lot of personality or any character in the film. In all honesty, although she is inspired from the drafts of Amaya, her character conflict is very much different and not on par with the drafts. She also has more to her backstory that was not seen in the original drafts or even thought of. I just wanted to get that out of the way before I go in depth to her character. But lets get to the outfit, cause I think it was a pretty interesting thought processes ;)

Plus have you seen the jokes about Amaya or why I barely talk about her?? ITS BECAUSE SHE IS NOTHING. ZERO. EGG SHAPED. Why should I care about her when I barely know anything about her like bro, giving her a moral delehmia of staying with Magnifico or joining the resistance would have been so much more interesting and gives more substance. Probably why I dont like Amaya at all. She lacks substance.

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Agatha has Greek/European inspirations to her design! I had a ton of problems when getting the design together, merely the fact that I didn't like the outfit given in film or didn't find any that really fit her for what I was going for. Even though I didn't know what I was going for, I just didn't like that style given in the films, or hell, even in the drafts (the dull colors didn't even help since there was so much vibrancy in medeivel times)

Thats when I had the most randomest idea and just said: "Fuck it" and then I decided to combind Greek and European outfits into one.

My inspirations were from these images I found on google and pinterest:

So this is how the dress works or merely my thought process on how it came out this way!

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Numro Uno

As ideas was setting into place, I noticed a trend among both sets of the outfits. I'm mainly refuring to the top shape to the outfit.

When taking a look at the European Outfits, that have what I would say, a more triangle shape, which the same can be applied to Amaya's outfit as well.

Meant to put curves down, but you get the point.

For Greek outfits, there was more of a square shape doing on at the top of the outfits.

Not only that, but the Greek clothing does not have the dress open up unlike some European outfits I saw. (not all of the European outfits I saw opened up near the bottom of the dress, only most of them did)

Either way, what I am trying to say is:

Greek Outfits = Square

European Outfits = Triangle

So when combinding them, I simply thougt of it being like this

Top: Square Shaped

Bottom: Triangle Shaped

ofc this is the final design...

What you guys want was my drafts!

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In my sketches, at first since I didn't like how outfit wise, dresses didn't seem too work, so I wondered what she would look like if she wore pants 🤯

(You will notice that I kept the transparent cloak the entire time)

Although she looked BADASS (fucking hot oml) it felt more like smth she would wear during travels. That's the main ick, it just worked for something else, but not for what I am going for. However, Agatha does wear pants, but mainly when she is getting materials for her potions that are acessed outside the kingdom. And yes, I even thought about giving her a tail coat, but it wouldn't work for the time frame 💀💀💀

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For these 2, I started playing with the top to get ideas and see if I wanted the transparent cloak at all (I did ofc she looks so badass (hot) in it)

I also drew her comforting Asha! (Which I will talk about her in the backstory section since I had to change it)

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Hmmm this one does seem familiar now does it 🤨🤨

For this one in particular, although this was one I chose as a main base for the final draft, her top was more triangle shaped than square, which is what I was going for in the final design.

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Thats when I started worrying about mobility. How much room would that dress have when she is moving quickly?

This one was to see what it would look like if she had more mobility in her outfit. Although she would...it didn't sit right with me. It just felt off. It could be the more triangle top I went for in this one, it just didn't work and didn't look good.

The one in the corner was me playing with "WHAT if Asha inspired outfit" lmao.

Nah didn't work.

So between those 3, a friend from my ASL 2 class saw my drawings, and I asked for his opinions on it. He said to go with the one I chose for the base. Although I don't necessarily remember much of what he said, he explained why this one was more appealing soooo thanks Z. 🔥🔥

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This one was more of ofc using the drafts, but if she had sleeves. I intentionally removed them because it clashed with the cloak and didn't look good or work with what I was going for.

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Now let's talk about color pallet! (Ik I'm going so much in depth than what I did for Asha, but imma be honest the whole process in on my tumblr. The amount of times I changed that girl's outfit is unfathomable 😭😭😭😭)

I'll be short, but the frills on her dress (the gold part) is supposed to signify a yellow rose. Cause...ROSE-AS ROSAS 😜😜😜

I did see if blue worked for the outfit, but for the warm toned color pallet I did for her, it really clashed. Soooooo GOLD FOR THE WIN BABYYYY

She also wears this gold leafy crown and it was between green and gold, and I'm still stuck between that, but this was the crown ykyk

Yes it is a Greek one, I just REFUSE to give her a ugly ass crown like I did for Maggy. (IM SO SORRY MAGGY I SWEAR ILL MAKE YOU A BETTER ONE)

Ahem....

Can we talk about her face?

Yes?

HELL YEAH.

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(TW MINOR GORE)

So there is a stark difference between her past self and her current self when it comes to certain features.

For example, in her past, or "I am not at the brink of insanity" saga, her hair is braided, telling us she is in a good mental state at that point of time before her eye was scratched out (a dagger like cut through her face through her eye, literally popping it 💀). In the one I show you above in the "My eye is missing" stage, is what she would look like in her "Im not at the brink of insanity" saga minus the overlapping hair strands and the obvious missing eye. Also in that image, she has ash stuck in her hair from...THE INCIDENT (cough cough).

In her current self, her hair is obviously not braided actually showing us her current mental state. She is literally a huge mess, and her trauma has a huge effect on her mental health. She literally is not doing to well...until she met Asha (I'LL GET TO THAT I SWEAR). Agatha also has a white streak in her hair from a experiment gone wrong type of scenerio, where the potion she was brewing exploded something and landed on her forehead, hense the burn mark underneath the hair. Which is what gives it's unnatural hair color.

I was going for a beserk evil scientist vibe with her design, because she does go a bit crazy later in the story obv

Some other features I added was just adding a overall added sharpness to her, to actually resemble something like thorns in a way and to she perhaps she was EVILHSJkDLMNJHK 😜

The only features I sorta kept was her overall color pallet from Amaya for her hair, skin, eyes and her mole below her eye cause I thought it looked really cute.

And lastly, he is the character sheet for Agatha <3

Now that is out of the way, I'll get into the backstory portion...kinda...

I still wanna save some things for her for the story, but here are some notes/things you SHOULD ABSOUTLY KNOW about her

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NUMERO DOS

Agatha is the oldest sibling out of her 3 siblings. Her sister is really a few years younger than her and is in her young adult/late teens age wise. Her younger brother is in her pre-teens.

Her parents cut her off from all forms of contact after...yk...so she knows things about abandoment and how she felt, especially at the worse time in her life.

She and Magnus did NOT kill Asha's parents. IN FACT, they were very close friends, and met during their travels with Magnus! (I am firmly debating if Magnus ever founded a kingdom or he is royalty but I am not entirely sure yet but it would fix some weird things I found in the story)

She is a more organized person than her husband lol

Potion making is what she excels at ( one of the potions she made can blast lightning (inspired from hogwarts legacy))

She deeply cares for both Asha and Magnus with all her heart <3

Thats really it. I am ofc holding things close to my chest for backstory reasons and for story reasons since we will learn more about her from that point.

This is the part where for what I need to talk about, which is the Hamlet.

The Hamlet idea is so cool, I will admit it, but for how the story is progressing or my thought process of it, it creates plot holes. Not small ones, but GAINT plot holes.

I noticed this back when I was writing out the Magnifico Angst, which was why I put a hold on it to think about it. This was also when I was also concidering the duration of time taking place in my AU (which I am still having trouble with). I think past me did a pretty good job of explaining the way I felt about the Hamlet overall in my AU (this is from my 20+ drafts help):

It boils down to my dilemma with Asha's character right now. It's when she meets Maggy and Amaya and going off topic to talk about Asha too, is how she can become a better person after learning everything she knew is a lie.

Plus noticing some other plot holes like "how does maggy know dark magic kills stars?" Cause if he knows that dark magic kills stars, that would mean he had done it before so it is like 🤨

And it is very important to when Amaya takes in Asha. If Asha was one of the citizens that was there when the kingdom was destroyed, that is just...tragic overall and breaks some things 😭

I'll explain. If Asha saw everything that happened to Mag or basically was there to witness said event, she would have seen her parents basically evaporate into thin air as they shielded her. It makes some good trauma, and it does justify her reasons for not liking stars, I just don't like how it would play out in the story personally. It's good, but wouldn't it ruin the relationship between Star and Asha? PLUS, why would she wish on a star for things to change...oh wait that would make for a really good villain au fuck-

ANYWAYS, if it isn't...well then why was the hamlet there? I mean I could say that after decades of the kingdom going to shit, the citizens fled to the forest to hide in, but that brings up: why did Mag and Amaya destroy it in the first place? I entirely know why Amaya took in Asha, (it breaks me everytime help) but the whole hamlet thing in my au just kinda breaks. It also begs the question: why didn't they do anything to change what is going on in the kingdom, how did maggy and Amaya find out about it? And if they murdered some people, why not Asha (even though i know why Amaya took her in, doesnt it sound hypocritical? Like why spare her? Maybe they spared the children...idk) And going back to why Mag and Amaya destroyed the hamlet, if they did, it would be because they dont want any heretics, or a revolt. But if it is a revolt, it slids into why didnt they do anything to change...UNTIL THAT TIME IT TAKES PLACE?? And just the overall why of it all. And how it impacts Asha overall. I mean sure, she might remember some parts of her early childhood being in the hamlet, but she was six. She might not even remember all of it. So wouldn't ruin the pacing? Plus her character doesnt really resolve around the hamlet much if I'll be honest. I mean yeah, that can change ofc, and if it ends up her having to remember stuff from there, would it be significant to the overall plot??? For her character? (Idk her age, but) if she ends up being 18 in my au (its going from 18-19 rn lol), she has basically been living at the castle for 12 years 💀. Why would she want to remember things she wouldn't want to remember?? I guess maybe for wanting to learn the truth 💀💀

Lots of why's lmao.

Which is why I have to remove it. For pacing reasons, character reasons, and story reasons.

Agatha took Asha in for reasons. Not stating it here since I would like to make a animatic for that...but...man... :(

Kinda hurts for Agatha and Magnus since they KNOW HER PARENTS.

Massive womp womp

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CONCLUDING THOUGHTS

Yikes sorry for making you read through that, I also felt like I was on the brink of insanity just talking about her.

But yeah what do you guys think about Agatha? Personally, she is my pookie wookie

Im finally going to draw her more since honestly I dont draw Amaya a lot, but with Agatha

hell yeah

@oh-shtars @rascalentertainments @spectator-zee @annymation @tumblingdownthefoxden @chillwildwave

[kingdoms-and-empires]

Kingdoms and Empires Wiki Drop!

Sup guys, im releasing what i have done in the wiki today! In this post im only going to talk about the Wiki because I dont want to create an even more massive wall of text here than it already is. Please see the entire post on the forums thread!!! I solidified the lore (which means no more massive changes), set the foundations to the story (so i dont end up writing a shit ton and having to fucking rewrite everything anymore), and pretty much rewrote the canon lore until i reached a point where i literally cannot share it because itd be spoilers without the future rewrite (regarding the worldbuilding, all introduced characters and such are still the same, some just had minor tweeks, so nothing crazy like changing our old bodyguard Mary:

and turning her into our childhood friend lmao So the plan now is current wiki drop. A good amount of it will be hidden since alot of it is spoilers, so you get 39,174 thousand words of unlocked content out of about 50k words in the wiki. And that's without me transferring 90% of the Codex ingame to the wiki, so its ALL (okay like 85%) new words of content and lore! Dont worry, im dropping literally all extra work and focusing purely on playable updates now until i regain your guy's trust in me after being so radio silent.

I also know and recognize that this has gotta be annoying asf since what you guys really want is updates but after what happened with the Total War franchise (my beloved) and their lightning fast content pipeline and lack of upgrading their engine ended up destroying the health of the company and ruining fans trust in em, id rather invest on the long term than short term unlike them (meaning id rather have a set story, narrative line complete, and research resources so that i can use that to run wild in writing).

I made a history of the world as known to them, so much of it is subject to embellishment, lies, and "the victor writes history" trope.

Historia Mundis

If you'd rather just have the list of articles that can be found within the timeline though, here it is: The Great Disturbances, Wars of Unification, and the Longwei Empire

Reign of the Daishu Dynasty

Ecumenical Dominion and the Flight of the Belthean People.

Belthean Migrations

Reign of Emperor Garland

Reign of Emperor Daerin I

Reign of Emperor Valerion

Reign of Emperor Elric I

Reign of Emperor Cenric

Reign of Emperor Saldwin

Reign of Emperor Elric II

Reign of Emperor Daerin II

The Interactive Outdated Map Yeahhh almost as soon as i published the map for the patreons it became outdated lmaoooo Nareth is much bigger than originally imagined, Argent is surrounded by mountain and forest tribes (think Hispania’s Lusitanian Wars or the Germanic Tribes type of vibe). The empire (being Imperial Chinese and Persian Empire inspired) also is surrounded by the these tribes, and the Imperial Province of Lymark is now the “Protectorate of the Western Regions” which basically means theyre the watchdogs of Western Nareth. Its funny because theyre also across the St. Hytera River, which is much like the Danube River, and will inevitably face the same issues Rome did with Dacia when they had a presence that extended the natural borders.

Master List of Articles

The Evolution of Belthean Civilization

Veldora Duchy I may have gone too far here. I regret nothing and learning about agriculture and stuff was awesome.

Silverhill Duchy Mining is alot more complicated than I thought, though Engineering MC is gonna have equally alot to improve!

Imperial Ranks The ranks will have importance. I know that sounds weird, but I did not spend an afternoon writing this just for the lulz.

Emperor/Empress

Imperial Crown Heir

Imperial Prince and Princess

Imperial Duke/Duchess

Imperial Count/Countess

The Imperial Landed Knight

The Belthean Empire The biggest entry from the ingame Codex that I transferred over and polished. This should give you a hint of how ill do the other kingdoms in the future for their article.

Kin of Arava I experimented here and instead of making an actual article, made it a class lecture of a series of days focusing on the Kin with a racist professor lmao

Zera Arava So i had to do this in intervals as I was writing and plotting out his side stories. Honestly hope i did the homie justice, he's a fav of mine, though i think each of the ROs will be favs as I write more and more about them.

Sacred Dance I assure you the Sacred Dance isnt what you think it is.

------------------------------------------------------------------------------------------------------------------------ Patreons, you guys already read the below list. However ive cleaned the articles up and polished them! The Genesis of the Belthean Empire: From Invasion to Unification

Voryn Resdayn I wanted to see how i could make a character entry. It looks awesome, but holy fuck do they take time to create lmaooo, ill make the rest of them in the future.

Kin of Arava

Eastern Kin The descendants of Kin and Beltheans who mixed, that are settled within the empire.

House Resdayn Wanted to see how I could do the houses, still unsure (okay i dont like it) of how it came out. Hence why I started with a minor house that one of the RO's belonged to.

The Astute Emperor and the Imperial Provincial Rule: A Revolutionary Shift in Governance

Master-Scholars of Jelaytha The Jelaythan organization of scholars that Master Feren is from.

Post-Unification Transformations in the Belthean Empire: Trade, Economy, Industry, and Immigration in the Wake of Conquest

Imperial Historians Obviously the imperial faction that wants to get their hands on tutoring you lmao.

Universitas Magistrorum et Scholarium The Jelaythan/Imperial organization at the forefront of the intellectual international community.

Tripartite Alliance Read what the empire is teaching their citizens about how they conquered the alliance.

The Satrap System and Imperial Provincial Rule

The Great Racist of the Academy: Imperial Historian Acillus Cinna

The Sword Saint

Master-Scholar Kaleb

The Gleaming Horizon: Silverhill's Maritime Supremacy The book of a writer who we'll meet ingame. Youll decide whether or not to bully him as a 12 year old lmao.

Baniel Worthton The author of above said book. He even wrote about himself. Yes, it's supposed to be an ick.

The Ulrich Cothon The second book of his that'll feature in the game.

So…I guess in basketball or futbol terms… rebuilding phase is over, and i got all the players i need for a championship run!

It was an almost year long rebuilding phase, true, but omg it was so needed.

Plus I also learned alot of fucking coding at the same time lmao. Basically a lot of tweaking around with Choicescript and knowing how to code some actions. Also there's CoG implementing a new checkpoint system so thank fuck for that because this game's gonna be huge and id hate to play it without a save system.

[us-the-voices-and-more-voices-2]

My headcannons for what type of music the Batfam likes lol

Bruce: 40s love songs, mostly because Thomas and Martha are lovers of old music and art it’s a call back to Batman being such an old.. old character.

He also loves really, REALLY sad songs. Just straight depressing songs, like he knows all the lyrics to like the most downright suicidal songs ever.

Dick: he listens to very upbeat music, but like EDM and rap, he also loves circus music and really ridiculously old songs he knows all the words to “the flying trapeze” by heart ❤️

Jason: unironically his favourite album is Neil Cicirega's "mouth sounds" series of albums, he also would never admit it but he listens to Kikuo constantly. he's not a "fan" of vocaloid he just likes some songs. he also constantly listens to 80s and 70s hits as a call back to his character being popular in the 80s.

Tim: worst taste in music ever, he does NOT get the aux. it's all the most popular hits of the last 4 decades, for better or worse.

he also gets all the WE jingles stuck in his head, it's so bad.

it's mostly now video game OST's he got into FNAF lore at one point and actually solved it, and then got super into the music. he relates a bit too much, he calls Jason sometimes mike because they are both undead guys hellbent on keeping kids safe from the evils of this world, and Ra's afton because the bastard always comes back. he will BLARE "I hope you die in a fire" when working a Ra's case.

Damian: despite what he holds himself to he really likes the same fandom sorta music, video game lore was the only thing that Damien and Tim talk about, they have usually ZERO free time to watch or play games they just extrapolate wtf the game is about from their friends WITH free time. that being wally and bart.

so damien has a bunch of the living tombstones, classic Chinese and arabic music but mainly Pakistani, some 80s hits. 40s love songs because bruce is right they are really good, and some mislabeled cassette tapes\CD's Damien picks up on patrol that he likes.

Steph: she didn't really get a chance to listen to much music, since Cluemaster was a dick. but she did bond and learn to love Ballet music ever since Cassandra introduced it to her, she gets whole records and albums and buys one time releases on Ebay for herself and Cassandra. otherwise she just listens to audiobooks or podcasts when working.

Cassandra: TONS of ballet music along with classic Oprah music and theatre music, she goes to plays and pirates them, she listens to every single play or theatre music she can get her hands on. she listens to "rocky horror picture show" "the guy who didn't like musicals" "Coppélia" "Jesus Christ superstar" "The Mousetrap" any and everything. she adores it all, she and Steph are constantly looking for more records and plays to watch and pirate.

Barbara: weirdly enough 60s music, Jim rubbed off on her and she honestly just listens to all sorts of 60s sounding music, she had a Elvis phase where she just was constantly listening to Elvis, eventually she found out there was a TON of other 60s and 70s black artists who were ripped off by Elvis and started listening to them, she then eventually got into punk rock and rock and roll.

Harper: she is fully into the Gotham punk music scene, she literally is one of the biggest supporters of the Gotham punk scene. only random punk song CD's, videos she converted into CD's, old gothamite punk songs on vinyl, digital releases, she just has so much merch half she made herself and half she bought, she is the epitome of Gotham punk fan. she actually has a whole ass internet archive account dedicated to JUST Gotham punk.

Duke: weirdly he loves very ethereal and bright peppy music, only instrumentals though, listens to the weirdcore playlists on YouTube listens to corecore, he just has very strange music tastes.

sometimes he forgets his entire playlist is filled with weirdly ethereal music and the rest of the batfam get so confused, and think Jean-paul is blaring church music again.

Jean-Paul: only church music, he has the most bland music tastes, he sometimes listens to catholic metal or something when he's working but other than that he just blares organ music and mass and church music, everyone tries to tell him that he CAN LISTEN TO ANYTHING ELSE. PLEASE. but he just doesn't lol.

Thomas: he listens to 40s love songs and old Sicilian and Italian songs, he's a old fart, he loves old movie soundtracks.

William Cobb: circus music only circus music, late 1880s and 1950s circus music. it sounds like a clown house and it triggers the shit out of bruce.

Jarro: he's a baby, he has no actual opinions the batfam put on nursery rhymes andcoco melon

and the rest (carrie, Bernard, huntress and the other ones)

I have 0 idea I have not read enough comics to figure it out lol

[greenerteacups]

Hey GT, glad to see you're back! I'm still halfway thru Lionheart (just read the world cup chapter, what a delight) and your notes got me wondering.

I'm sure you've probably answered this before but how do you manage to make the world feel so rich? I'm not that into the fandom so I don't know If there are some things fanon agreed upon or if it is your own musings about the magic world. Like Draco explaining to Hermione about portkeys or how many languages Krum speaks.

How do you decide what's important enough to get a mention? Where do you go when you need answers and Canon is not enough to provide it?

Thanks for the kind words, and for the question! It's a matter of personal taste, like anything. Some writers prefer an athletic, streamlined plot, with only as much worldbuilding as you absolutely need (how does Panem run a command economy of 4.5 million people primarily on fossil fuels when its coal district has a population of less than 10,000? fuck off! who cares! they're Y/A dystopias about a TV show where teens beat each other to death!). Some writers, on the other hand, won't bother to start the story until they know the pH of the soil in every region of the world they're writing about. I'm somewhere on the second half of the scale, in that I'll give details that aren't strictly necessary to the plot, just because I like to feel like I'm writing about a world where real, extraneous things can happen. Some details are foreshadowing; some details are Special Mouseketools that will Help Us Later; and sometimes, you just get to know a cool fact about portkeys.

I guess part of the fun of building out a world is getting to think about Everything, which is what my brain normally does. I have a pretty broad body of literature as a starting gate, so there's plenty of room to play. E.g., when I started writing Krum, I thought about how he's not super fluent in English in canon, and that naturally made me ask why, because he clearly has taken English, so either he only started lessons recently or it hasn't been a priority for him; and then I went "wait, what's his first language? Bulgarian, right? But Durmstrang isn't — hang on—" and then I pulled up an actual map of Europe, which led me to realize that he wouldn't likely be speaking his first language at Durmstrang, which means he already had to become bilingual just to start his wizarding education, and that explains part of why he doesn't have a ton of time/effort to spare for a third language, plus he'd probably have a translator available whenever he traveled with a team because he's a B.F.D. — etc., etc. And then you keep thinking about that until you remember that you're supposed to be writing a fic, and you scramble to get back to doing that. Only now, you have worldbuilding! Congrats.

To try for an even halfway useful answer to your question: worldbuilding becomes most important when it creates limitations, because limitations define your characters and give them chances to develop/reveal themselves. So the details of portkeys become important because they explain the limitations of magical travel, which is a big nebulous ??? in the original series, since the introduction of teleportation via Apparating means that all other forms of transportation become inefficient by comparison. It also means the limitations introduced by travel — that is, not all characters can be in all places at once — also go away, because anyone can be anywhere immediately. From a narrative perspective, this sucks massive horse ass. Hence: I dumped a shit ton of limitations on Apparation (i.e., (1) it requires a ton of energy, (2) it's really fucking hard, (3) it's really fucking dangerous, (4) it's more of both the farther away you're going, (5) it's more of both the more people you take with you, (6) you can't Apparate without a clear destination in mind which means (7) you need to have been there already, and so (8) some people prefer not to do it). Hence, I also put limitations on portkeys (i.e., they have to be set up well in advance, you need to identify out both destinations precisely beforehand, and the calculations are difficult to do). Those limitations, and the Watsonian explanations you create for them, are your worldbuilding. They're what make the world feel real, because they give it grit and character. They give you a more complete sense of what you can and cannot do.

The rest of it is taste and preference, really; it's what interests you, and what parts of the world you want to explore. That's going to be unique to every author, and that's the beauty of worldbuilding — it reflects the parts of the world that you like to think about.