#because it is my favorite character that died

[your-unfriendlyghost]

Starting a reblog game: RB w/ your own outsiders OC!

if enough folks do, I’ll draw them together or something lol, it’ll be fun!

So these are blatant self inserts for my sister and me

(Info & backstories under the cut because I’ve put waaaay too much thought into this)

and again, pls do reblog/tag me w/ your own Outsiders original/self insert characters! (Drawings and/or written descriptions!) Making OCs was one of my favorite things to do as a kid, so I figured it’d be fun to bring it back here lol

(And to reiterate- if enough of ya’ll do this I’ll draw ‘em all together like a greaser-sona gang! So don’t be shy ok??)

-got sent to Tulsa from Seattle in 1961 at ages 13 and 11 to live with their mildly neglectful uncle, due to their mother getting cancer and being unable to properly care for them. Their father was lost at sea when they were little, so they had no one else to go to.

-in Tulsa they go by their mother’s surname, Biondi, instead of their father’s, because interracial marriage isn’t legalized in Oklahoma until ‘67. They try to pass as just Italian. This works better for Naomi, who takes more after their mother than their father in looks.

-Naomi is good friends w/ Ponyboy- she relates to him a lot, from the dislike of fighting to the love for sunsets (legit Ponyboy reminds me of my sister so much irl) (She’s also low-key got a crush on him and Sodapop which is pretty funny)

-Jesse is closer to Two-Bit, Dally, Steve, and Soda. And he really likes fights. They’re exciting and make him feel tough. When he stops to think about it it does make him a little uneasy how much he’s grown to like them, but usually he just ignores that

-Naomi disapproves of crime. Jesse used to oppose it too, but the more time he spends without good role models and parental figures, the more his morels loosen. Tries hard to be a good example for Naomi though

-Jesse met the gang through Sodapop originally- they were thirteen and some Socs were jumping Soda, and Jesse jumped in and helped him out. Soda explained to him what the deal with Socs and greasers is, because there’s no greasers up North

-Naomi met the gang separately through being classmates with Ponyboy. They were working together on a school project, one with him writing and her drawing

-So Jess and Naomi spent a solid few months hanging out with different members of the same gang, completely unaware they had the same group. They eventually end up running into each other at the Curtis house, and both are totally shocked. Two-Bit, who knew the whole time, nearly died laughing

-Naomi is friends with both Socs and greasers, because she isn’t really either- she’s financially a greaser, but she has a crazy high GPA for someone who has ADHD and dyslexia in the 60s, and besides that, she just doesn’t like what she sees as pointless rivalry

-Jess loves pointless rivalry. At least until people start getting hurt. Then he starts to get angry.

[echos-gal]

I was talking with one of my best friends about Star Wars characters being brought back and the possibility that Tech might return in a future work, and realized that even though TBB has ended, Star Wars has a really high track record of bringing back characters in other works, set after their supposed "death." Basically, no one ever comes back in the same movie/show/work they "died" in:

Maul: "died" in The Phantom Menace, brought back in The Clone Wars.

Gregor: "died" in The Clone Wars, brought back quite some time later in Rebels (and The Bad Batch, which comes first chronologically)

Echo: "died" in The Clone Wars, brought back SEVERAL YEARS LATER in the seventh season (I'm counting this as a separate show because it was not continuous - the show was revived)

Boba Fett: "died" in Return of the Jedi, brought back in The Mandalorian. DECADES LATER.

Asajj Ventress: "died" (died? like actually?) in Dark Disciple, brought back in The Bad Batch

Palpatine: somehow Palpatine returned

I feel like I'm missing some, but you get the point. The only ones I can think of who have died and come back in the same series are Ahsoka in Rebels and Fennec Shand in The Mandalorian.

There are also a couple characters whose fates have been left purposely open in order to have the possibility of bringing them back. Sev from Republic Commando is one who comes to mind. He is left behind in a war zone on a mission, and while Karen Traviss (author of the RepComm books) wanted to continue his story in a novel, Star Wars told her no because they wanted to keep plans open for Sev at a later time. We haven't gotten any additional Sev content yet, but his fate still isn't sealed.

Another is Mace Windu. I know George Lucas was like "he is dead for sure" but fans really want him back and so does Samuel L Jackson. I can see George changing his mind. Windu is a badass and beloved by fans. Another character who "fell," no body no death, and people are pretty adamant about getting him back because they liked him so much.

What I am trying to say is that Tech is a fan-favorite character whose story felt unfinished to many viewers. I'd say most of us were waiting every episode of season 3 for him to return, and the writers know that. Jennifer Corbett is on twitter and is very aware that "Tech Lives" is a huge thing in the Bad Batch fandom.

There are more animated works planned, as well: we know that Omega will likely appear again as an adult. There's like a 95% chance that a clone rebellion series is in the works, considering that they set it up in The Bad Batch. And Nika Futterman has hinted that Ventress will be appearing in future works. Tech could (and SHOULD) be brought back in any of these!

So yeah.... TECH LIVES

[linkspooky]

How to write the perfect revenge story with Kohaku-Sensei! What Tsukihime does better than Avatar the Last Airbender.

So a follower asked me why Kohaku was my favorite of the Tsukhime girls after I made an offhand comment on my Ciel/Noel post on how Kohaku is the perfect take on revenge. Both Noel and Kohaku's story arcs are near perfect revenge tragedies that make their characters the standouts in Tsukihime. I tried writing up just why I thought Kohaku's character was good but it kept turning into a carbon copy of this post by comun right here. Eventually I decided to dig deeper.

Why does Kohaku's revenge story work so well? Why does every other revenge story suck so hard in comparison? See the thing is I hate a lot of revenge stories in fiction because they are very shallow, black and white tales of the good guy giving the bad guy everything he deserves.

In other words, I'm disappointed by most omdern revenge stories because they display a critical lack of understanding of how cycles of abuse start in the first place, and how both sides on the conflict no matter what are equally human. Perhaps that's why Kinoko Nasu writes revenge so well, because he's a deeply humanist author who's not really focused on good guys or bad guys but rather just understanding the characters involved.

So to show just how well Tsukihime humanizes Kohaku as both victim and villain of the story, I'm going to compare it to one of the worst revenge stories I've read in fiction. Both of these stories are tragedies that kill their main character, a victim who just wanted revenge for the long abuses they'd suffered in life. However, one of these is Tsukihime, and the other one sucks. So without further ado under the cut.

ORESTES THE FIRST REVENGE STORY

So Yun is a character from a spinoff novel prequel of Avatar the Last Aribender, focusing on the life of Avatar Kyoshi. In a lot of ways Yun is like Noel. He's a completely new character, thrown into the backstory of an already established character. He also steals the show because he's allowed to be a lot more flawed and act as a villainous foil to the main character, Yun even acts as a Jungian shadow the second novel is literally called the shadow of Kyoshi.

However, there's one major difference Noel's character greatly enhances Ciel's even if she is fridged for Ciel's character development. Whereas Yun's character and the eventual ending the story gave him ruined any kind of enjoyment I could have had from the story for Kyoshi's character. In fact, I think Yun's death made the whole story fall apart thematically.

Which is ironic because it was the exact same ending. Noel's character ends with her dying by Ciel's hands. Kyoshi kills Yun with her own two hands in order to stop his revenge. In both stories the victim dies so why does one frustrate me to no end and the other ending elevates Tsukihime to one of my favorite pieces of fiction?

The devil is in the details.

Revenge stories are by their nature tragedies. It makes sense for them to, for the most part with a few hopeful exceptions have bad endings. Taking personal revenge against every single person who's hurt you grievously no matter how deserved that revenge might be does not solve the problem. In fact it creates several new problems.

This is pretty well explored tragedy in fiction, all the way back to The Oresteia. Orestes is the son of Agamemnon and Clytemnestra. If you know anything about the trojan war you should recognize those names.

The story begins like this, King Agamemnon of Mycenae offends the goddess Artemis by killing one of her stags. So, in retaliation she prevents the greek troops from reaching troy by taking the wind out of their sails, unless Agamemmnon kills his oldest daughter Iphigenia. Agammemnon drags his daughter away from his wife Clytemnestra who was crying and begging him not to and offers her as human sacrifice. Ten years later when Agamemnon returns home he finds his wife sleeping with another man, and the two of them together butcher him to avenge iphigenia.

Then in order to avenge her father's death, elektra urges her brother Orestes to kill their mother and the man she committed adultery with. Orestes eventually goes through with it out of duty to his father, but because he's committed the clan of kin slaying the gods send the furies after him to chase him down and torment him.

The revenge just continues to cycle. Orestes doesn't right a wrong by avenging his father's murderer, he just commits kin slaying a taboo among the gods. Even though he felt he had an obligation too because he couldn't let his father's murderer live, the gods don't let him live in peace. Orestes would have been chased by the Furies for the rest of his life if Athena didn't intervene and basically hold the first court case in order to rule if it was really just to punish Orestes like this.

The point of my long foray into greek mythology is that no matter how entitled each person in the revenge cycle might have felt to their revenge, in the end they were committing a horrible act. Clytemnestra was avenging her daughter against the man who killed him, but she alienated her other two children. Orestes was duty bound to avenge his father, but he still killed his own mother with his two hands. At each link in the chain there's no real innocent parties, and the moment you take revenge you become a perpetrator in this cycle of abuse as well.

That is I think a central concept that the greeks understood but many modern authors fail to grasp, that revenge is a cycle during which any time a person can become a victim of it, and also a perpetrator of it. It's not a matter of internal goodness or badness but rather an uncontrollable cycle of violence that people get caught up in.

What revenge stories should be about is escaping the cycle. When the character manages to escape like Orestes and live for something other than revenge that's a happy ending, but when the character fails to escape that's a tragedy. Whether or not a character actually accomplishes their revenge is a footnote.

The Count of Monte Cristo accomplishes most of his revenge but the act of revenge isn't what saves him, but rather the faithful love of Haydee who had always been by his side and the words "wait and hope." The Count isn't saved by the revenge he took on all the people who hurt him, but by the strength he had to wait through a terrible situation until it got better and then live on to the better future. Carrie accomplishes her revenge in burning down the school gymnasium and all of her bullies, then goes home and dies a few minutes after killing her mom the last of her abusers unable to escape the cycle.

While their endings are opposites, in both cases completing their revenge didn't give them any measure of peace at all. In fact, the Count almost in the course of his revenge committed a sin far worse than anyone had done to him by killing a newborn infant. No, any good revenge story should know that in the words of percy from Critical Role you can't murder your way to peace.

"There was nothing I could’ve done to save my family, yet I still sold my soul in search of vengeance. Later I allowed Ripley to leave, knowing full well she was a greater threat to the world than the Briarwoods would ever be. I traded the world’s safety for the belief that I could murder my way to peace; that if I could be a greater horror, it would bring my family back. And once this lie was shattered I scrambled to find a solution, to make a deal, to undo my mistakes and balance the scales. I now understand that there are no scales, there is no redemption, and no ledger that judges me good or evil. I am free to simply be myself and live with the terrible mistakes I’ve made." -Percy's Death Letter, Critical Role

In most revenge stories I've noticed that revenge is the main character motivator for the character taking revenge. Therefore the conflict becomes whether or not they can find something new to live for by the end of the story. The characters seeking revenge often make that revenge their entire reason for living, but then what next?

This quote from Oldboy a modern adaptation of the Count of Monte Cristo is relevant.

Seeking revenge is the best cure for someone who got hurt Try it The loss of 15 years the pain of losing your wife and child you can forget all this Once again revenge is good for your health But... What happens after you've revenged yourself?

What happens after you've revenged yourself should be the central question to these revenge arcs. The ones who don't have an answer to that question and are unable to free themselves from the cycle are the ones who end in tragedy.

YUN VS KOHAKU

Yun and Kohaku are characters from a western animated series that adopts eastern themes and a Japanese visual novel about vampires. These two characters come from very different genres of stories, an adventure story about magical warriors using martial arts to bend the elements and a horror story about vampires and serial killers respectively.

However, because both Yun and Kohaku are the central figures of a revenge tragedy they end up having a lot in common. The largest common thread between them is that both of them is that they are child abuse victims, specifically the victims of long term grooming.

They are children who were adopted and then groomed by their father figure for years. In Kohaku's case, it was sexual grooming, whereas in Yun's case it was grooming him into a child soldier. The official definition of child grooming works for both of these cases, it is when an adult forms a relationship with a child to sexually assault them or induce them into doing something dangerous or harmful to them.

Kohaku and Yun are more obscure characters though so for the sake of people who haven't read one or both of these series I'm going to go more into depth on their individual circumstances.

Kohaku is an empath, born with the ability to transfer energy to other people through sexual intercourse. She and her sister were brought into the Tohno Clan, because Makihisa Tohno the elder had demon blood in his veins. This demon blood made him at risk of going through a process called inversion, where he would slowly lose all his mind, all reason, and violently attack everyone around him until he was finally put down. In order to mitigate that risk, Makishisa engaged in regular sexual intercourse with a young Kohaku and made use of her abilities as an empath to control his demon side.

As the elder of twin sisters Kohaku made a deal with Makihisa that she'd let him use her whenever she needed as long as he never touched her sister. Since he kept his word to her, she found it hard to resent him in the long term. Also, because she was constantly high on drugs that made it impossible for her to feel pain.

"So, I took in everything Makihisa-sama wanted to do. I asked him not to touch Hisui-chan because I would take everything myself. He was probably ashamed and agreed to my request. He probably also thought it was better that as few people knew about this secret as possible."

Kohaku is eventually sent to take care of Makihisa's son who also inverted, but when he loses control and rapes her too that's when she loses her last bit of humanity and starts to think of revenge.

At this point she starts to think of herself as an unthinking doll who cannot move for herself, and can only move for revenge. She eventually starts to move against Makishia, first by informing Akiha and Hisui of the abuse she's suffered. She's surprised when Akiha immediately protests what he farther was doing right away, and the sexual liason ends and Kohaku becomes a normal servant. However, even after the abuse ends Kohaku decides to continue living for revenge leading to the main plot of the Far Side of Tsukihime.

Yun is the false avatar. If you've heard of Avatar then I'm sure you at least vaguely know of the concept of the avatar, spiritual guide in the world of avatar that reincarnates over and over again to guide both humanity and the spirits.

In the avatar prequel novels it's established each nation has its own way of tracking down the avatar, but because Kuruk died early and under mysterious circumstances the earth nation was in a panic to find the next avatar. Instead of waiting for more sure confirmation, they picked one random kid on the side of the road on what was basically a hunch that he was Kuruk's reincarnation. This kid was named Yun, a nameless but smart kid with no parents who was conning people by playing Pai Sho really really well. While all along the next avatar Kyoshi was right next to them as one of Yun's servants.

Yun is trained as the avatar through years, and is put through the kind of training that only the Zoldyck family from Hunter x Hunter would approve in. Including being forced to walk on spiked caltrops to learn bending, and being forced to microdose on poison to gain an immunity. Like, this is literally what Killua's parents did to him in HXH.

"I'm surprised you can move," Jianzhu said to him, more impressed than anything else. "Poison training," Yun spat through clenched jaws. "With Sifu Amak, remember? Or did you forget every darker exercise you put me through?"

Yun is a genius earth bender, a brilliant statesman, he works all around the clock to become the avatar everyone is telling him he's destined to be but he's not physically capable of bending any element other than earth. To the point where after a year of failing to learn fire, his bending teachers frequently lambast him as being lazy and not trying hard enough.

"Your situation isn't unique" Hei-Ran went on. "History is full of Avatars like you who tried to coast on their talents. You're not the only one who wanted to take it easy." Yun slipped. An event rare enough to notice. His motion took him too far outside his center of gravity, and he stumbled on his knees. Sweat stung his eyes, ran into the corner of his mouth. Take it easy? Take it easy? Was she ignoring the fact he spent sleepless nights poring over scholarly analyses of Yanghcen's political decisions? That he'd extensively memorized the names of every Earth Kingdom noble, Fire Nation commander, and Water Tribe Chieftan back three generations on the living and the dead? The forgotten texts he'd used to map the ancient sacred sites of the Air Nomads to such a degree that Kelsang was surprised about a few of them? That's who he was when no one was looking. Someone who dedicated his whole being to his Avatarhood. Yun wanted to make up for the lost time he'd squandered by being discovered so late. He wanted to express gratitude to Jianzhu and the entire world for giving him the greatest gift in existence. Taking it easy was the last thing on his mind. [Literally a few seconds later...] "In the old days, masters used to maim their students for insubordination," she said horsely. Yun restrained himself from flinching, "What wonderful modern times we live in."

So Yun is physically and emotionally abused by all of his teachers, Jianzhu, Hei-Ran and several other adults who were complicit with it to train him up into being the avatar. Then, when it turns out Yun isn't the avatar, he's immediately abandoned and left for dead.

Yun gets dragged into the spirit world as a human sacrifice to a horrifying spirit known as Father Glow Worm. He is abandoned by his master who makes no attempt to save him the moment he learned that he wasn't the avatar. Then, in the spirit world he fights Father Glow Worm for days and eventually has to eat him in order to escape home.

After getting to a random village he asks for water. Yun is mocked by a man he saved earlier fo rasking for a single glass of water. When the man throws the water on the ground and tells him to water bend it, Yun snaps and then kills the man who mocked him, the city guard, and everyone who was sitting in the teashouse and has his Geto moment. He decides to start living for revenge against all of the teachers who abused him.

"Well," he said out loud to no one. "It looks like I've been fired." Perhaps it was for the best. He would need the free time, because he had a losit of things to do. lots of personal business to take care of. And at the top of the list was paying his respects to Jianzhu. Filled with new purpose, Yun took off down the road, whistling as he went.

Both of these characters decide to make revenge their reason for living. To quote Oldboy, "Seeking revenge is the best cure for someone who got hurt. Try it." They also face the same fundamental issue, now that they're only living for revenge then what happens after they've revenged themselves?

These characters are also similar in a couple of other ways. They are schemers who mainly work through manipulating others. Yun fakes a political conflict between the fire nation royal family and another noble family in order to bring one of his abusers into the crossfire. Kohaku manipulates both SHIKI and Shiki through the use of drugs to orchestrate her revenge in the Far Side Routes.

They're also both trickster characters. Yun refers to himself as a clown and constantly hides everything behind a smile. "He added that smirk that everyone said reminded them of Kuruk's. After all, a clown needed his makeup." A major part of Kohaku's character is that after Hisui learned about how her sister was being abused she stopped smiling. Kohaku wanting her sister to be happy, started to fake a smile and goof around the way Hisui used to because she wants to see her sister smile again.

One more similarity before I begin dissecting their differences and the way these two characters are handled is that if Kohaku and Yun were the main characters of the story their revenge would undoubtably be framed as one hundred percent justified. If they were the main characters it would definitely be a kill bill situation.

I don't think they are justified, because straightforward revenge is boring. The fact that they are antagonists is the point of each story. I'm just making an underlying point on how a lot of revenge stories suffer from protagonist centered morality. It's alright if Maki Zen'in, or The Bride kills upwards of a hundred people in retaliation for the harm that was done to them and we're supposed to root for them without thinking too deeply on it because they're the protagonists of the story. Protagonist centered morality is bad, because it makes things too centered on the protagonist and therefore if the morality of a piece of based on the protagonist it will make things too easy and the protagonist will go unchallenged.

In fact, in the story of Tsukihime itself, the entire Tohno family thinks that Kohaku 100% has the right to take revenge against them. Akiha is fully aware of Kohaku's revenge scheme. She lets Kohaku get away with her revenge every step of the way, including taking what is essentially a bullet on purpose and dying for Kohaku's revenge scheme because she believes her family deserves it.

However, because they are not the protagonists they don't get the easy route of taking their revenge against the people who deserve it and then riding off into the sunset happily. No, Kohaku practically gets her revenge handed to her on a silver platter and still revenge doesn't fix anything.

Once again, revenge is good for your health, but...

WHAT HAPPENS AFTER YOU'VE REVENGED YOURSELF?

Yun and Kohaku are both characters who either lost everything, or had no reason to live to begin with and decided to make revenge a reason for living. Both of them were unable to keep living for revenge because revenge is unsustainable. It's not something you do once and you're done, it's a cycle. The act of participating in it continues to perpetuate the cycle. As a result both of them met their tragic end.

However, Kohaku's tragedy surpassed Count of Monte Cristo for my favorite revenge story in all of fiction, whereas Yun's ending made me want to rip his book in half.

There are some differences in how their revenge stories play out. Kohaku is a very unique character. In spite of being an emotionless doll, she takes her revenge not out of anger or hate but empathy. I can't word it better than Comun so I'll just quote their post:

Hisui route ends with the reveal that Kohaku masterminded the demise of the Toono family and her motives are pretty obvious but I never expect the way she felt about it. Kohaku describes herself as not as a human, but as Makihisa’s emotionless doll. Kohaku had to constantly intake pain-removing drugs in order to endure Makihisa’s (and latter SHIKI’s) abuse and this state of not feeling anything disconnected her from her emotions. Kohaku admits that, to some extent, she did all of this because it made her feel human a little. What you would expect from this premise? Kohaku channelling her remnants of humanity into hatred for the Toono family and orchestrating her revenge. Was that what really was on her mind? Nope, Kohaku (and Kinoko himself, as Fate/Grand Order is a great evidence of) has a much more positive definition of what it means to be human. Kohaku expresses her humanity through fairness, empathy and a desire to make the situation better. Even though, Makihisa singlehandedly completely ruined her life, she acknowledges that he didn’t do it out of sadism or perversion, he did because he really had no other choice in order to keep himself from inverting and causing even bigger harm to everyone. Kohaku sees Makihisa as much of a victim of this tragedy as herself. 

Kohaku's revenge actually takes a twisted form of empathy. Kohaku doesn't have the standard revenge motivation of just wanting to hurt the people who hurt her, because she can objectively see the points of view of almost everyone involved in the tragedy.

It's a bit like Orestes where there's no true beginning or end point. Makihisa is a sick pervert and the instigator, but he also didn't choose to be born with demon blood that made him liable to turn insane at any moment. SHIKI is kind of helpless in all of this, as another person with demon blood he couldn't help inverting at nine years old and going completely insane, he's not really in control of his actions. Hisui is an innocent, and while Akiha is a part of the same family the moment she learned what Kohaku was suffering she stood up for Kohaku and made it stop.

"But, there wasn't anything else I could do. Without a purpose like that, I couldn't live. A doll cannot move on its own. Without anything to guide it, it can't move." "But still--" ...... That is unforgivable.

Comun frames Kohaku's motivations as genuinely believing the world would be better off without the Tohno bloodline, because it only has caused everyone involved with it suffering. Therefoer she makes a plan to kill every member of the family, except for Hisui and Shiki who are technically innocents, and then herself finally so Hisui can run off into the sunset together with Shiki who she'd always loved.

I'd also add that on top of empathy there's also a certain justice in her actions. Not justice in the sense that she has to hurt the people who hurt her, more like justice in the sense of fairness? Like, Kohaku isn't driven by personal hatred but rather a desire to make things fair and balance the scales. A family like the Tohno who cause misery to everyone shouldn't exist, because people shouldn't have mixed their blood with demons in the first place. There has to be a consequence to Makihisa's actions because you can't get away with child rape and the only one who could enforce it was her. The same way that Kohaku considers everyone's opinion equally and considers everyone equal victims in this twisted family cycle of revenge, Kohaku also acts to make things more fair.

To quote Percy again, it's like she's trying to balance the ledgers.

"And once this lie was shattered I scrambled to find a solution, to make a deal, to undo my mistakes and balance the scales. I now understand that there are no scales, there is no redemption, and no ledger that judges me good or evil."

Kohaku's also constructing a narrative around her pain. She needs a reason to keep living, and that reason is the narrative she's constructed, the story she told herself that she only half believes that everyone would be better off if everyone associated with the Tohnos, herself included, except for Hisui and Shiki died off.

Of course this is just a narrative. A lie she is telling herself to justify her actions. Because Kohaku acts out of fairness, and empathy, but she also acts for the sake of acting. She wants a reason to move, because otherwise she would just be a doll, passively enduring suffering. The story she tells herself is in the end a lie, like all stories are. Kohaku ignores the feelings of two people in her assumption that everyone would be better off without the Tohnos, that is her own personal feelings towards Akiha, and Hisui's feelings towards her. Kohaku understands that the reason Hisui can't smile any more is that she's too horrified at all the things her sister endured to protect her. However, she can't grasp that killing herself in front of Hisui would just make Hisui live with that guilt forever. That Hisui would rather be miserable with her sister alive than happy with her dead.

(From the good ending)

"Nee-san......? Nee-san, hold on......!!" A desperate cry. Seeing that, the girl smiles like a child. "...... Huh? ...... Don't do that, Hisui-chan. Crying like that, it feels...... like back then." "What---Nee-san, why----" "...... Yeah, because if I, don't do, so, you won't be, able to return, to the way, you were." Her words in pieces, and with glazed eyes, she speaks to Hisui. "---------Nee, san." Hisui's face contorts in grief. Her tears flood her face. "...... Why? That's fine. I was okay with the way I was. If you were happy, then I was happy. I---I was always protected by you, so---" I was always happy. Painfully, she swallows her last words.

Yun is in comparison less magnanimous towards his abusers. He wants more straightforward revenge against his teachers and all the people who "lied" to him by promoting him as the false avatar.

This is the biggest area where he differs from Kohaku. Rather than Kohaku, I'd say he's more like Geto, someone with a savior complex who genuinely put their all into being good because they believed they had the responsibility to save people, only to be then betrayed by those same people they were working so hard to save.

I do still think empathy is the central motivation for both characters. Kohaku commits revenge out of a twisted sense of empathy to see the perspectives of everyone involved and decides the only way to fix everything is to destroy it all and wipe the board clean and give the two innocents in the Tohno Household a fresh start.

Geto and Yun are both high empathy individuals whose empathy for other people twists them so much when they're confronted by human ugliness and selfishness, that they end up turning on the same people they wanted to save. They feel a bone deep empathy that twists them into monsters because they're not able to exist in an unfair or imperfect world that isn't the way they imagined it to be.

'...no matter what, I hate non-sorcerers. But it's not like I hate everyone at Jujutsu Tech. It's just...' It's just that it was what Geto had to do. In some ways, Geto and Yuuta were the same. Geto was too sincere. To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '...that in a world like this, I couldn't be truly happy from the bottom of my heart.' To live for the purpose of being yourself. And for that goal, Geto could only continue to pursue his twisted dream, drowning himself in the curse that lies in the gap between ideal and reality. This was the final confession of a man who could only choose to warp himself, who had erased himself in pursuit of his goals. The only person who could bear such a curse was Gojo Satoru. JUJUTSU KAISEN ZERO LIGHT NOVEL

Geto is broken by the idea that all of his comrades and himself are considered expendable, and they're all meant to sacrifice themselves for an ignorant public. Yun is broken by the fact he broke his body and mind trying to be a great avatar because he wanted to help people, only to learn that it was all for nothing because he was discarded the moment it turned out he wasn't the avatar.

(Yun is more Morgan Coded but that's a different post).

It was too late. "I dedicated my life to people like you." Yun said. He couldn't tell if he was laughing, crying, croaking out beastial sounds of fury. "I wanted you to thrive. I wanted you to prosper. I tried so hard."

However, I'd say both of them Kohaku and Yun are driven by an underlying idea of fairness. They're not taking bloody violent revenge for personal gratitude, but because they can't cope with the unfairness of the world they're living in and are trying to find some ways to balance the scales.

Yun is so driven by fairness that he doesn't want to punish Kyoshi even though she technically stole the title of avatar from him. He considers her innocent of the whole thing, and even sympathizes with her and the struggles she carries right now as avatar.

"I can't believe you think I would ever hurt you." He gently tugged the closed fan out of her right hand. "You, the one innocent party in this whole affair! I would never hurt you, Kyoshi! For Yanghcen's sake, I used to be your whole life.!" He dropped the weapon and it pinged against the ground. "I know what's happening here. Your duties have gotten to you haven't they? I remember what it was like, carrying the weight of Four nations on my shoulders. Jianzhu used to liken them to unruly students in a classroom, requiring the guidance of a strong hand." He paused and chuckled, "I used to believe it meant showing the wya, leading my example. Now I know better. The world is a child refusing to listen, creaming in a tantrum. It needs to be slapped a few times until it learns to be quiet."

I think this is essentially the difference that makes one narrative and breaks the other. Nasu is fully aware of Kohaku's humanity even as she calls herself a doll. He goes to great length to demonstrate Kohaku's humanity in all the ways I pointed out above, by showing how much she sympathizes with others, by how she protected her sister, by how she's guided by principles.

More than anything, it sympathizes with Kohaku by making us as the reader understand that while she did bad things it was in retaliation to an even more horrible evil done to her. Also, that Kohaku only did these things because revenge was the only way she could think of to live, Kohaku was just a victim coping in the worst way imaginable. I think Nasu really nails down the hopelessness of someone who's clinging to revenge because they can't think of any other reason to live.

Whereas so much effort is put into Yun's backstory and detailing all of his suffering, only for him to be treated like a very standard villain. Like, honestly, Geto is a genocidal maniac and he's framed way more nicely by the story he's in than Yun. All Yun really wants to do is kill his abusers and that is apparently a sin too deep to continue living with.

Geto who does way worse things than Yun, and who is also killed by his former best friend is shown way more love and acceptance in his ending than Yun is.

This was the final confession of a man who could only choose to warp himself, who had erased himself in pursuit of his goals. The only person who could bear such a curse was Gojo Satoru. Where did it go wrong? And how could they start over again? The answer was left in their far-away, far-away youth. And even considering everything that had happened until now, it was clear that this story was about to end. But, there was one thing that was concrete. Even if everything was different now, there was still one thing that - from the very moment it all started - had never changed. Gojo knelt down, meeting Geto's eyes as he sat there. '...Suguru.' '...?' Geto Suguru. It was a named that the Jujutsu Tech organization feared: one of the four special grade sorcerers, who had killed over a hundred ordinary people, who had been named and exiled as the most evil curse use. But to Gojo Satoru, he was —— '————, ————' '...ha.' When he heard the words Gojo blurted out, Geto couldn't help but laugh. Such embarrassing (t/n: makes you self-conscious) words. Even why they were students, those words had never been said before. 'You should've at least cursed me a little before the end.'

In the actual manga of JJK too, Gojo tells a teenage ghost of Geto that if his adult self was there he was the only one who could have satisfied him. Gojo thinks about how he has to finally catch up to Geto after being left behind that day, when he moves on to kill the higher ups. Gojo's dream of protecting the youth came about because he never wanted someone to suffer alone like Geto did again.

Whereas, this is basically the only thing Yun gets told from his best friend and the hero of the story who is supposed to be the chosen spiritual guide of humanity chosen by the gods.

“It’s time to let go.” Kyoshi lowered her hands. “Whether you kill me here today or not, you have to let go of what happened.” “And it didn’t brting me peace. It was wrong that you were lied to, Yun. It was wrong for Jainzhu to do what he did, but he’s gone. Whatever pain and anger you have left - you have to live with it. You can’t put it on anyone else.”

Have you tried, uhhhhhh getting over it?

The "you have to live with it" is just particulary insensitive because as I went to great lengths to demonstate above, Yun was TRYING to live with it. Just like Kohaku, revenge was the only reason he could come up with to keep living.

It's fine if the heroes cannot find a way to reach out to save Yun in time and he dies because living for revenge is unsustainable. That's what happens to Kohaku, that's what happens to Geto. There's just a cruel lack of empathy in the way that Yun's death is framed. It's framed as a mercy killing, because Yun, a like eighteen year old boy who was retialiating against his abusers was just apparently so beyond hope. Not to mention that Kyohsi deliberately sides with one of the abusers and gives Hei - Ran a chance to redeem herself, but doesn't give that same chance to Yun her victim.

It's just this way that they characterize violence as bad but don't analyze at all where the violence came from or why they'd want to retaliate in that way. Gojo mercy killed his best friend Geto, but he also realized that the problem didn't begin with Geto and sought to create change in Jujutsu Society after Geto's death in order to try to break that cycle.

"I'm sorry for saying you have to live with your pain." Kyoshi put her palm into his chest in a gesture of comfort. "Because you won't." The cold she sent through his body formed a tunnel of ice between his ribs. It happened so fast, and with so much force, the air behind him turned to frost. With his heart and lungs frozen solid, Yun fell to the side.

Kyoshi kills Yun by freezing his heart. She specifically uses a technique that was taught to her to heal people, to murder him and put him out of his misery.

In the aftermath Kyoshi buries him and then lets the entire world remember him as a boy who went crazy and tried to kill the avatar. She doesn't even like... tell the whole story. That he was abused and lied to his whole life to clear his name.

Like, what a great friend.

This is what happened with Noel and Ciel too, but as I said in my Noel / Ciel post, Ciel killing Noel is meant to make her look like a terrible person. Noel is a victim caught up in circumstances, and Ciel could have saved her much earlier by lifting a finger and now that it's too late all Ciel can do is coldly put her out of her misery because Ciel isn't a hero. Shiki, a character who chops women into tiny little pieces has the opportunity to kill Noel a couple of times and doesn't do it, because he knows that killing her would be wrong and leaves it up to Ciel to decide.

Noel is fridged and dies a miserable death as a victim but it serves the greater story purpose of pointing out what a terrible hero that Ciel is. However, in avatar, the story still wants me to believe that Kyoshi is the hero so the only way they can accomplish that is by villainizing Yun and giving him an unsympathetic death.

if you wanted Yun's life to be some great tragedy, then you should let Kyoshi look bad. Let Yun died because Kyoshi completely failed to save him, have it be her wrongdoing. If you don't want Kyoshi to look bad, if you want her to be a hero then have her save Yun. You can only have it one way or the other. If the only way you can make Kyoshi still look like a hero is by victim blaming a victim of long term child abuse for not just getting over it then I don't know what kind of story you're writing there.

The writing just needs Yun to be a straightforward twist villain in the end for Kyoshi to defeat, so they downplay all of these good points and his status as the victim to make him fit into a more two dimensional role. If Yun is wrong because violence against his abusers won't solve his problem, then why is the solution for Kyoshi to just put him down with violence? Why is Kyoshi's violence sanctioned but Yun's violence not sanctioned? Kyoshi is allowed to kill Yun and put him out of his misery, but Yun can't kill his abusers? It's justice when Kysohi does it, but revenge when Yun does it? Kyoshi preaches that you can't stop the cycle with violence you have to let go then proceeds to end the cycle... by murdering Yun.

You can't preach this empty revenge bad message unless you're willing to look into why a character like Yun would want revenge in the first place, and how the world has failed him in ways that he thinks the only way to keep living is for revenge. You can't just tell him to let go without showing both him and the audience what letting go would look like.

This is exactly what Tsukhime did right with one of the most beautiful scenes in all of fiction, by showing that the cycle didn't end with Kohaku killing her abuser, and it didn't even end with Kohaku killing herself because each time she tried to enact revenge all she succesfully did was bring more pain into the world.

"But----" "Eh?" "But, there was just one strange thing." Really just a little bit. She said that as her eyes trailed off into the distance. "Akiha-sama protected me in the end. I knew there was a fifty-fifty chance she would do that. I stayed close to her for that reason. Revealing Makihisa-sama's abuse and devotedly helping Akiha-sama who was slowly turning nonhuman. ---Yes that's right. Really, I knew she would die protecting me." That smile. Even though she is smiling, she looks really sad, as if she's-- "But----I was really surprised at the time. Why is she protecting me? Why is she protecting me, risking her life?" ---She looks like she might burst into tears. "I still don't actually understand if I was actually happy or sad when Akiha-sama died. But when I wake up in the morning, I take tea to her room even though I know she is gone. Isn't this strange? Even though there's no one in that room anymore."

Kohaku thought she was relieving everyone of pain by killing the Tohno, that everyone would be better off, but the moment she succesfully kills Akiha she regrets it. It's all so hollow that she goes to Akiha's room every day for like a month leaving tea in front of her door.

Kohaku's identity is so wrapped up in pain, she forgets that in spite of the pain caused by those bonds there's also love. Hisui might not be able to smile because she feels constant guilt over how much Kohaku endured for her sake, but that doesn't mean Kohaku disappearing would fix that because she loves her sister.

Kohaku may think that Akiha is better off dead, that they're both better off dead because they only cause each other pain through their twisted connection but once Akiha is dead she goes to her door and leaves tea there every. single. day. because she valued her connection to Akiha so much.

Then she kills herself by gauging her knife out with a heart, mirroring Akiha who was pierced by the heart protecting Kohaku. "Hang in there...! Why, why did you do that...!" "Because revenge was the only thing I could do----I can only disappear when it's all over. I tried to find new springs, but I could never find one, and time ran out." She smiles. That... for no reason at all---- "What the hell is that? What are you saying...!" I look at the wound like I did to Akiha. ---She won't make it. It has pierced her heart. "........." Why? There was no reason---I just can't bear the sadness.

Revenge was unsustainable but because she couldn't be her genuine self in front of others, because she couldn't get in touch with her genuine feelings of affection for people like Akiha tshe couldn't find any other reason to live in time.

Even after Kohaku has just confessed to orchestrating the murder of Shiki's sister and terrorizing him for weeks on end, Shiki still begs for her to live though.

"...... Right? You're a normal girl who liked Akiha, was always worried about Hisui, and laughed when we talked about stupid things. So----" Even if she wished it and caused the deaths of Akiha and SHIKI... "--Kohaku, there was no reason for you to die." Increasing my grip, I say these words from the bottom of my heart.

I think that's ultimately what makes Kohaku's story superior, because it is at its heart a story about an abuse victim who couldn't find any better way of living. The story bends over backwards to show us all of Kohaku's good qualities, and how it's those good qualities that led to her fall, not any internal badness on her part. Even if Kohaku is someone who's capable of doing bad things and got a whole bunch of unrelated people serial killed by SHIKI. The tragedy is also on the onus of the main character. That's what the story of the ribbon is for, the whole thing could have been prevented if Shiki could give the ribbon to the proper girl in time. The whole thing is written with the premise that Shiki could have saved her, and he does in her route. It's as much of the main character's failure as Kohaku's.

On the other hand, the tragedy in Yun's story isn't that Yun is a longterm victim who didn't get the help he needed in time. It's that Kyoshi is sad because she has to put down her childhood friend like a mad dog. All of Yun's good traits are invalidated and he's painted as a villain to make the story simpler and as a result it's far more boring and doesn't have anything to say about abuse, or the human condition and how it survives terrible abuse like Nasu's writing does.

That's why Nasu is the goat.

At least until Tsukihime Remake comes out and Kohaku's route gets padded out with filler and turned into a giant extended boss fight that didn't need to exist at all that takes like five hours to finish NO I'M NOT BITTER ABOUT CIEL ROUTE'S TRUE END IN THE REMAKE AT ALL.

[dragon-toad]

HOT TAKE : Makarov was a bad father (and a bad grandfather)

I'm expecting a big wave of hate with this one... BUT LET ME EXPLAIN

We can dive into the generational trauma theory : we know Yuri has been profoundly hurt by his wife's death (giving birth to Makarov) and this is a thing we should consider. In most cases, people live with the burden of the death of their partner until they die, which could have been Yuri's case. And the idea that somehow his wife died for his son... Well, angst potential.

Now : death of a loved one + wife who dies giving birth to his son = difficult father-son relationship

And even if Yuri didn't do it intentionally, there could have been a distance between the father and the son, and it has repercussions on the futur.

So yes, it maybe happened completely differently, but let's consider this hypothesis to understand what comes after :

Makarov was raised in the guild, where everybody is friendly. The only thing is his daddy issues. He ends up considering the guild more important, so the thing to cherish and protect at all cost.

Everything is fine.

Then, Ivan enters the game.

I know it's very fun to have an antagonist in the family of the master, the man presented as the most loving, a father for all the lost children, etc. BUT maybe we can go a little deeper.

We sometimes have this idea that some characters are born meaner than others, it allows us to ignore psychology and sociology, but it's not fun.

We can suppose Ivan was born in the guild, like Makarov and certainly Laxus. And as it's shown every single second that Fairy Tail is a very healthy environment, a "big family", so even if Ivan was a bit twisted, he would not have been so mean with his colleagues, provoking his exclusion, and he would have not tried to destroy the guild.

Unless he have daddy issues too. Let's consider : Makarov has a son and the mother is nowhere to be found. Doesn't it remind you of something ? But Makarov know his relationship with his father wasn't awesome, so he tries differently.

So two possibilities can be explored :

1- Ivan is a spoiled child. Being the master's son allows him to do reprehensible things and not be punished after, or not too much, and Makarov wants to give him all the freedom he didn't have. Until he almost kills another member of the guild. Then Makarov is forced to expel him. He takes away the thing that gave Ivan an almost unlimited power, and he doesn't like it. So if he can't have Fairy Tail, nobody will.

2- Makarov prefers the guild to his son. He doesn't know how to raise a kid, what if he screws like his father ? (Spoiler : he does) So when Precht makes him the new master, he puts all his soul into his job. But Ivan wants a father. So he does everything to make his father notice him, to make his father proud. It leads him to dark places, and thus, being strong = being good enough. Unfortunately, it doesn't work, because he ends up expelled. So, by pure rage, he decides to destroy the thing his father loved more than him. (It's my favorite version)

In both cases, Ivan manipulates his son into believing that being strong is the only way for him to be respected, to be seen.

Which leads us to the Laxus part (finally)

It's canon that Ivan pushed his son to be the strongest (to the point he put a lacrima in his body) so yeah, Laxus has daddy issues. But he has gampa issues too.

Let's continue with the theory we built on this post : Makarov doesn't really raise his son, why would he raise his grandson ?

But we see Makarov taking care of a very young Laxus. Thus, Laxus once loved his grandfather. Except Ivan didn't. So we can suppose he decided to keep his son under his control by manipulating him into thinking he has to be the strongest.

Then Ivan was banned.

The problem with an abusive relationship is that the victim thinks the abuser is on the right, which explains why Laxus was all but happy his father was expelled. But he stayed in Fairy Tail, because despite everything, Fairy Tail is his home. But this home is controlled by the man who banned his father (his abuser)

Laxus becomes a rank-S mage, which means he's the strongest. He has all the rights to make Fairy Tail his home, not Makarov's.

Well yes, but no.

Because there's Mirajane, a prodigy so fucking strong she becomes a rank-S mage too. But Lisanna dies, and suddenly everybody loves Mirajane. She even becomes the right arm of Makarov, because she's too weak now to create problems now.

And there's Natsu and Gray, Makarov's little boys. They're noisy, annoying, but they have potential. They have the potential to become stronger than Laxus. And Makarov loves them.

But more important, because there's Erza, who is so strong, so kind, so nice... Who is his grandfather's favorite. The same grandfather who did nothing when Ivan imprisoned Laxus into a psychological jail and who banned Ivan for somebody else's weakness. And Laxus knows it : she is the future master of Fairy Tail. She will steal his home and make it even weaker.

So he has to take Fairy Tail now, even if his grandfather dies in the process. Better, it will make things easier !

But in the end, Laxus loves Fairy Tail. He loves the guild enough to not betray everybody by joining his father's guild.

Laxus broke the cycle. And I don't think it was thanks to Makarov. If Laxus broke the cycle, it's because despite everything, he has weirdos to stick with. The Raijinshuu are a safe place for Laxus, they are strong enough to be his friends colleagues, they don't call him "psychotic" when he tells them he wants the guild, and more important, they care for him.

Laxus broke the cycle thanks to people who cared for him. They even wanted to follow him when he was banned ! But he said no, because he care for them and he knows they will be better in Fairy Tail.

Now, let's consider : travelling must have felt like therapy for Laxus : he's not part of Fairy Tail anymore and he's sure he will never have the possibility to come back, but he will not join his father because he doesn't want to put his friends in danger. So he has to do something by himself, not under the influence of his father. And I believe this emancipation was beneficial for him. He could learn what it means to be himself, not Ivan's son or Makarov's grandson.

I don't think he fully forgave Makarov for his inaction and for loving other more than him, and he's not completely out of Ivan's philosophy, those things need time, but he escaped the cycle.

[the-great-papyru]

i hate being a flowey fan istg i will see your posts and go "FLOWEYYYY!!! FLOWEYYYY!!!!!!" it is pain

ok but on a related note what if. flowey was just a little guy. what if he was a little guy and he ate his raisin cookies and he made fun of people who don't like raisins and called them babies and he's mean??? let my man REST.

ok ok stay with me but. flowey friday. flowey friday and you have to be nice to him. it's not his birthday or anything but you have to be nice to him it's his day no mean posts. that would be a good holiday i think

Flowey Friday!! FiNaGLC is banned on Flowey Friday. Let the guy have silly little timelines where he doesn’t do much at all. He chooses the funniest possible dialogue option every time. He speedruns. He reads books. He acts out 1-man Shakespeare plays and everyone applauds. He calls Sans Smiley Trashbag and laughs at his jokes when he thinks he isn’t looking. He takes a nap. He wakes up early and catches Sans napping and draws on his face with marker. He doesn’t realize that his own face already has a overly detailed mustache on it. He “psychologically manipulates” Papyrus into getting a cookie from the cookie jar. (He asked politely.) Frisk ropes him into their overelaborate Warrior Cats roleplay. He hates every moment of it but that won’t keep him from having fun. He and Papyrus play sudden death frisbee (nobody dies). Everyone has an art contest and Flowey vandalizes the winner’s art. Everyone agrees it looks better that way, much to Flowey’s annoyance. Alphys and Undyen hatewatch MMKC 2. Flowey accidentally catches a glimpse, and even though he doesn’t at all care about anime obviously he just can’t believe that they forgot all about the main cast and that it’s been two whole seasons and he still hasn’t seen his favorite character from the first movie so he just has to watch this show because it’s just that bad and he’s angry and—What do you MEAN, he was the twist villain? And before he knows it he’s having an angry discussion about the ramifications of the antagonist’s character and his relevance in that role. Also, he kicks Frisk’s butt at Smash.

[amemenojaku]

Akyuu/Reimu for the ship ask, please

hi I um. turned this into akyuurei manifesto. sorry

How differently do they think of each other now compared to when they first met?

I just reread Memorizable Gensokyo and some of the FS chapters where they interact (+the bit at the end of SoPM) back-to-back and it feels like they’ve come to really respect each other. When they first met properly in MG Akyuu tried so hard to impress Reimu, who looked amused by Akyuu’s work but didn’t seem to take her very seriously… I suppose that’s partly because they were younger then. I like that small panel in MG where Reimu introduces herself and Akyuu’s like “:O!!!”… By the time we see them together again in FS, they talk as equals. Reimu acknowledges Akyuu’s authority (she’s still super blunt about the chronicles but that’s Reimu for you lol), and Akyuu trusts Reimu to get the work done when it’s needed. They know they can rely on each other. I’d even go as far as to say Reimu treats Akyuu with a bit more softness than she does a lot of characters… She worries about Akyuu walking all the way up to the shrine in a latter FS chapter, she doesn’t chastise Akyuu for organizing the symposium in SoPM despite how pissed she is at the other participants (although I do think she was still hurt… more on that below), etc. As they are now they see each other as individuals more than roles I think, which is an important part of their dynamic (and also of Reimu pairings in general imo).

What do their friends/family think of their relationship?

They’d be the type to go in circles for a while before committing to something. Take their time with it. Past a certain point Marisa and Kosuzu start scheming to get them together (much to the concerned parties’ annoyance). When it finally happens they’d be teasing but supportive. I think the relationship would be kept secret for a time… Some people still manage to sniff it out though, Yukari for example; she’d be satisfied with it. Two people she has a weird close situationship with, together? That works. There might be some gossip about them… But if/when they make it official to everyone, I honestly think they’d be blessed by most of the village – it’s the Hakurei shrine maiden and the head of the Hieda clan after all! Might break a few nameless village women’s hearts though…

How do their personalities/skills complement or contrast with each other?

They have a ton of parallels (human but not quite; role directly tied to the survival of the world they live in; bridge between humans and youkai, etc) but also a few differences both symbolically (Akyuu doesn’t fly (she’s grounded to (a relative) reality), Reimu is literally the power to fly (transcends reality); Reimu is the “eternal shrine maiden”, Akyuu doesn’t live past 30 (but even that can be turned into a parallel with Akyuu’s reincarnations*), etc) and in terms of personality (Akyuu being calmer in general and displaying better social skills). Imo it’s one of the relationships with the most interesting balance between contrast and similarities… They’re the same girl but they’re also on two different sides of the same coin and the pining that comes out of it is SO good.

*if you look too hard into this like I do you’ll see the child of Miare’s reincarnation gimmick as a parallel to how it’s implied that the past Hakurei shrine maidens were replaced often (died quickly?)

What is their favorite aspect of each other?

In canon, I’d say it’s how reliable they find each other. They’ve worked together/consulted one another a few times in FS for matters related to the human village, and despite some differences in opinion they’re on the same wavelength on a lot of issues. Now, with my yuri goggles on…. I think it’d be really sweet if they could make each other feel normal. If their similarities brought them together on a level different from their other friendships, where they can understand the weight of each other’s role and that whole “human but not quite” thing they share, and be able to completely treat each other as ordinary. I really really like it when a character with a lot of obligations gets to just be themselves, and I also love it when two characters who’re both special or generally “apart” from everyone else grow close thanks to that, so I’m just mashing things I enjoy lol

Do either of them have pet peeves about each other?

I like to think Akyuu has a healthy lifestyle and her days go like clockwork (except when she’s close to a writing deadline), so she’d probably find some of the situations Reimu ends up in very frustrating. I think that fits well with the fact that Akyuu doesn’t always realize how high her quality of life is and can sometimes act a bit inconsiderate towards people who aren’t as rich as her. Meanwhile Reimu’s a very honest, very blunt person who struggles with keeping secrets for long (see Forbidden Scrollery’s ending), so she probably wouldn’t like some of the secrets Akyuu keeps at times. But Akyuu’s an important figure to the human villagers and she does take her role as a chronicler seriously, so there must be moments she has to prioritize her obligations over honesty. I think that kind of contrast is very interesting.

How would each reconcile with each other after a fight?

They’re both stubborn… But I see Reimu as the first to try to reconcile most of the time. Her soft spot for Akyuu would take over her natural pride imo. So she makes the first move. Akyuu takes longer, but her apologies are sincere.

Buuut there’s one time I can imagine Reimu completely withdrawing into her shell and refusing to even acknowledge that she’s really upset at Akyuu until confronted about it: SoPM. I won’t ever be able to explain it better than que-de-metal did right here so I recommend reading it!!

What would be their ideal vacation getaway together?

Hot spring resort. Quiet, relaxing and good for Akyuu’s health! And plenty of time for Reimu to laze around and read mystery novels. (I’m projecting… I miss onsens…….)

Think of a new way (AU, different situation, etc.) they could have met for the first time.

I’m honestly a bit upset that Memorizable Gensokyo is when they first met proper, even though there’s no way the Hieda family isn’t regularly in contact with the Hakurei shrine maiden. I think it’d be cute if they met when they were both kids and Reimu was in training with her predecessor and they were both called at the Hieda mansion for something. Extra points if Akyuu was intrigued by Reimu’s natural powers and that’s where her desire to impress her in MG comes from, and if Reimu barely remembers that meeting (like with Alice in PCB).

[im-jesus]

I swore something on Spencer Reid last night and my dad said, "Yes, swearing on a fictional character is helpful," and of course I said, "but daddy, I love him." To which my dad responds, "He's a schizophrenic with a heroin problem-" And I didn't even let him finish because I was like, "No! He's a borderline schizophrenic with a dilauded problem, there's a difference. Seriously, I've only watched the show through twice and you've done it like 4 times, you'd think you'd know the difference." And my mom just died laughing.

Her favorite characters are Reid, Garcia, and Will.

I told her not to watch the new seasons (I've only seen season one of Evolutions)

[seidooreiki]

--- SPOILER ALERT OF THE FIRST RESPONDERS SEASON 2 EPISODE 3 ---

I want to be diligent and put screencaps in this post but when I think about it again, I don't think I can so here we go.

Dojin's sudden death is such a big plot twist that I never think will happen-- now I'm kind of mad, I will prefer the cheesy and useless love triangle rather than his tragic death.

But at the same time, I'm kind of impressed.

I do think the script writer has planned it from the first season. It isn't the big plot twist just for the sake of it, but Dojin is destinied to die (for the sake of the plot). It left a big impact, it made me love and hate the script writer for doing it to me.

What you can say? I love angst. It hurts so good. It destroyed me in the worst way possible, I hate it but I love it.

I do love how the director directed this drama. The episode 3 is so... darn painful but very beautiful done, even though I'm reluctant to admit it.

Dojin's death is tragic, but at least, not stupid.

It is very Dojin like.

A noble death, kind of.

I cried my eyes off for the entire episode. It was unfolded in a neat way. In a memorable way.

And here, in the first season, I thought Doujin will get into the trope of nice guy second male lead who will get a heartbreak but find a new love in the second season. I thought for sure Sol will choose Detective Jin, because his trope as the loner and suicidal bad boy MC is too fatal. But, I never thought their love triangle will end in this way.

Not with how Dojin confessed his love in the 'afterlife'. Not with how Detective Jin, secretly, took away the ring from Dojin's finger and put it on Sol, because he just knows.

Not with how after Sol woke up from her comatose state, the first thing Detective Jin did was telling her about Dojin's death. Not with how Detective Jin accompanied her to Dojin's grave because she missed the funeral.

It is like how Dojin knows how Sol has a soft spot for Detective Jin, but Dojin never acted childish about it. Instead, he respects her feeling, and focusing at how he can win her heart without slandering Detective Jin. Detective Jin also knows how Dojin loves her and how Sol regards Dojin as an important person.

The triangle love turned tragic but wholesome, it was so far away from a cliche and toxic triangle love story in most kdrama.

Heck, in alternate story, I won't mind for them to be in a polyamory relationship because those three are wholesome together.

And beside the tragic love triangle.

I'm saddened of how Detective Jin missed his chance to have a good friendship with Dojin. Well, their friendship has improved a lot, but not enough, for me. Detective Jin is so broken and he functions solely on negative feelings, it was almost hard to see. The ones who noticed it the most are Sol and Dojin.

Sol is healing him with her kindness and love,

And Dojin is giving him a strange but understanding friendship, where Dojin can perfectly follow Detective Jin's crazy thought.

For someone as broken as Detective Jin, I can tell how Dojin's death broke something inside Detective Jin more. He didn't show it because he can't show it unless the case is solved. But Detective Jin was very shaken up.

And it was sad.

He is an inch away to have a better friendship with Dojin, in the first and second episodes, they become quite close.

The episode 3 is such a wild ride because it is shown how everyone suffered with Dojin's death. He is an amazing person and he left a big impact for so many people.

The coroner who has a crush to Dojin.

I cried so hard when she cried.

I felt her. She maintained her professionalism to the end and finally shed tears when no one watching. Similar with the comannder of the fire fighter.

The episode 2 is about how people are worrying about Sol, so Dojin's death flew under their radar, well, our radar. It was beautifully planned by the director and the script writer. I'm upset but impressed.

Still, now that Dojin isn't there with them, this drama won't ever be the same. Now instead of trio, it only become duo... and more romantic (but also very painful)? I don't know honestly.

And here I hope the drama will end with Detective Jin healing with Sol's help and Dojin become his best friend that he doesn't know he needed.

I don't think I can ever rewatch this drama again because then I will cry everytime I see Dojin on screen.

He is one of the best second male lead I have ever seen. His death broke my heart to pieces.

And even though it will be hard to watch this drama to the end, probably I will still will. Because I know Dojin will still appear in flash back or hallucination later. But only for this second season.

If this drama continues into more seasons like the rumors said, I don't think I can watch more of this. Especially if Dojin's role is replaced by someone else, I can't bear to see it.

This is such an underrated drama, but I think not everyone can stomach how the second male lead died before the season 2 reach the climax so yeah...

Maybe I will write a fanfic about this drama, about Dojin, later. But now, I need to heal because Dojin's death give me such a trauma now.

F*ck u with love, script writer

[chamoemileclown]

Merry Geggmas to all those who celebrate!!!

[gertritude-art]

man why is everyone i follow obsessing over the saw franchise rn isn't just about a weird puppet serial killer guy? what's the appeal?

Saw is a horror franchise about people who get put into murder traps by a serial killer known as Jigsaw. (I think you can pretty much guess the vibe of the series based off of that.) You're seeing more posts about it because Saw X came out recently, and it was well-received by fans because it was the first decent Saw movie to come out in years + it was also the first in a while to actually be interested in its characters instead of just treating them as cheap murder plot devices. Everyone you follow is also obsessing over the Saw franchise because online Saw fans have access to a secret version of the series where all the characters are gay+trans and the bathroom guys had sex at the end of the first movie.

[cluescorner]

I gave myself a writing challenge and I am fascinated by it

So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.

Stephanie, the first sidekick who defines the role

Tim, the sidekick who dies and comes back wrong

Dick, the sidekick who saves Batman from himself

Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong

Jason, the youngest sidekick who is still the Kid Wonder

...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).

I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.

[theshippirate22]

never forget that Joyce, Hopper, and Murray took Alexei to the hospital after he was shot and he recovered entirely besides a little scar and he became an american citizen and now he lives with Murray and he drinks a lot of (cherry) slurpees and watches a lot of cartoons and keeps his stuffed Woody Woodpecker on his bed and every so often he calls Robin so she can practice her Russian and he can practice his English and he loves the kids and sends them money Murray hid (albeit not well) “specifically for emergencies” on their birthdays and he goes to joyce and hopper’s for dinner every other sunday and everyone calls him uncle alyosha and he and dustin build “machinas” together and he helps El with her math homework and

[yuridovewing]

idk as someone who supposedly “should” relate to blossomfall because both of my brothers are diagnosed autistic while i’m not and they got more attention than me because of that. (which tbf is a much more nuanced situation bc im actually disabled too) i never saw her as anything more than an utterly unpleasant and meanspirited character because the narrative is so disinterested in briarlight’s feelings on the matter and just cares about how disabled people ruin families or whatever

[orion-kenobi]

i’m starting the last episode of sg1 season 3 and i have to ask. am i close to any of the many daniel deaths yet. in the grand scheme of things i’m still pretty early in the show but like. i was promised daniel deaths.

[thedrotter]

as a little treat i am sharing with you little Aya doodles I've done over the last few days to unwind ww just little expressions based on lines in-game because those are always fun to draw. nothing too special just biscuit

it's Aya because upon doing bizarrely throughout playthroughs of the game for still unspecified project purposes I've gained a soft spot for her she's my daughter now my mental tier list on my favorite characters is so confusing right now

[stunie]

it looks like i’ve fallen in love with myself out of all the characters so far (???!!!!! : o)