#both because they both deserve it

[pynkhues]

hellooo, how are you doing? Hope you’re doing alright! I don’t know how much you pay attention to or care about awards but heard Kieran is submitting for lead drama actor for primetime Emmy awards. I don’t know what my Thoughts are, but it IS the last season, so I have seen a lot of people discuss it.

do you have any feelings about awards for succession? To be honest, the biggest Personal burn was Alan Ruck snub over Nicholas Braun, so I just want that nomination for Alan, LOL.

Hi! I'm good, thank you! And ahaha, the timing of this ask is delightful, because I'm currently blowing up my group chat about it. I love awards season and follow it all pretty faithfully, so I was pretty excited to see the news this morning about Kieran submitting for Lead.

It's always hard with big ensemble shows like Succession to pick who should be submitting to what, particularly with a cast as stacked with talent as this one, but I do think Kieran and Sarah both should've been submitting as leads since at least s3 and s2 respectively, if not for the duration of the show's run. With Kieran submitting as lead now though, I do think we'll likely hear Sarah's submitting as lead too in the next few days.

It'll be good to have two Succession actors in as leads again too since Jeremy will certainly submit into that category again as well. Brian won't, I imagine, and I think he'll now be a lock for Guest Actor, which I'm kind of delighted by tbh. He really should've won Best Actor for s1 (but none of the cast was actually nominated for s1 at all which boggles my mind. The show itself was only nominated for three awards - Best Drama Series but lost to S7 of Game of Thrones [devastating], Best Directing for the Pilot which it lost to Ozark, and Best Writing for 1.10, which Jesse Armstrong did at least deservedly win).

I do think it's unfortunately pretty likely that Jeremy and Kieran will split the vote though for Succession, and probably lead to someone else winning (likely either Bob for Better Call Saul or Pedro for The Last of Us), but in my dreamworld they tie and both win, haha.

But yeah! I think the two biggest snubs for me are definitely Brian not even scoring a nom for s1, and Alan Ruck at all, but especially not for s3 when Nicholas Braun was nominated. I don't actually think the show's had a clear vision for Greg since s2, and I don't think Nicholas brings anything to the character that's not either on the page or just like - - him, whereas Alan's delivering such an exciting, empathetic, funny and nuanced performance as Connor. If he doesn't get nommed this year, I'll be really disappointed.

[poorly-drawn-mdzs]

The math just adds up!

[mejkosmos]

hot people fw with spideypool AND poolverine btwbtw

[artsymeeshee]

Sometimes a hug is all that’s needed

[whalesfall]

btw. your search for the most morally upright and ethical piece of media that has the most correct “representation” will destroy your ability to find the most profound and beautiful and human of stories. and may even destroy the stories themselves before they are created. if you even care.

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[noxcheshire]

I just think

It’d be really neat if Danny looked more like Martha Wayne than Thomas Wayne.

LIKE

I love the Danny Fenton looks like Thomas Wayne or Danny Fenton is Thomas Wayne reincarnated — but the BEAUTY of Martha??

Of Alfred interacting for under five minutes with Danny, dabbing his eyes and going, “That is indeed Martha,” I WANT IT. I want Martha who was spunky and sassy and wanted to do good for her town the same way Danny wants to do good for Amity Park.

I want Martha who loved to take Bruce and the family out to star gaze because her baby had never seen the stars before, and the way his eyes light up like a mini galaxy takes her breathe away the same way that Danny feels when he turns his head up to the sky yearning for something he knew loved but doesn’t know what.

I want Martha who would literally find trouble in a paper bag because she can’t help her curiosity the same way Danny can’t help tripping over his own ghostly tail and making a mess of things before he figures things out.

I want Martha who would fight men who thought they held power, going absolutely feral from stress the same way Danny does when he’s tired of not being able to do his homework or pick up a vacuum against the wall to clean because ghosts.

I want Martha who loved the pearl necklace that Bruce had picked out for her birthday, and Danny reaches towards his neck and startles when his fingers only touch skin when he is certain there was something supposed to be there. I want Danny whose eyes linger on whites and pearls when he passes by open window stores in the mall, fingers itching to flick a nail against the smooth surfaces.

I want Martha who died bleeding underneath the hand of a gun, hoping to everything above that her boy would be safe, and Danny whose body burns at merely looking at the makeshift guns his parents create in the lab, his heart pounding desperately with a yearning to save there was someone she wanted to save the ghosts.

[corffiser]

[pretty-weird-ideas]

Episode Seven and White Tears

The trial's allegory is not just a lynching, it is a lynching for a Black person entering a relationship with a respected White man, and proceeding to leave him. It's not a murder case, as seen through the show, there's actually very little emphasis on the murder in the episode in regards to Louis. The emphasis is on his "seduction", his "ungiving nature", and "refusing to give his body". It is a public humiliation and lynching for turning a respected white man down. The crime isn't hurting Lestat, it's hurting his feelings.

Lestat doesn't speak to the audience about the pain of his throat being slit. He speaks of loneliness, the audience chants and jeers about how cheating was justified if Louis isn't putting out. Santiago isn't talking about the murder, he's talking about how much of a sexual deviant Louis is the second he is introduced. The show is telling us what's important to the case, and what language hurt and stuck out to Louis the most. The deciding factor in the eyes of the audience, the story that Sam and Santiago are trying to tell, is that the crime is heinous because Louis turned down Lestat.

The audience isn't mad about the murder, they're mad about Lestat's emotions, they're mad about the betrayal, and they are mad that Louis and Claudia didn't put up with things. The case built against the two of them isn't based on violence, it's based on white tears. Louis isn't called a monster for slitting Lestat's throat, the audience member calls him a monster for turning down Lestat's advances.

The show is clear that the trial isn't really about the murder, it is about Louis not "giving enough" for Lestat. It's about Louis asking Lestat to turn Claudia and literally bargaining his happiness where he literally gets on his knees and says "I'll be happy for you, I will never leave you if you do this for me". It's never been about the murder, it's quite literally just shaming Louis for not "loving a good man who might be abusive".

At the end of the day, the trial as framed and written by Sam is building a case off of Lestat's tears, not actual physical harm.

Like my skin is crawling but also the show is so chilling with how it portrayed the "He's a good man so hold your tongue and endure! Lest you read as ungrateful".

Anyways someone take the laptop from me before this becomes my life.

[doydoune]

Hazakura Temple, February

[junebugdunes]

woah

[binglepringle]

Batgirl, the World’s Prettiest Princess™️🫶🏼✨

[tangibletechnomancy]

The reason I took interest in AI as an art medium is that I've always been interested in experimenting with novel and unconventional art media - I started incorporating power tools into a lot of my physical processes younger than most people were even allowed to breathe near them, and I took to digital art like a duck to water when it was the big, relatively new, controversial thing too, so really this just seems like the logical next step. More than that, it's exciting - it's not every day that we just invent an entirely new never-before-seen art medium! I have always been one to go fucking wild for that shit.

Which is, ironically, a huge part of why I almost reflexively recoil at how it's used in the corporate world: because the world of business, particularly the entertainment industry, has what often seems like less than zero interest in appreciating it as a novel medium.

And I often wonder how much less that would be the case - and, by extension, how much less vitriolic the discussion around it would be, and how many fewer well-meaning people would be falling for reactionary mythologies about where exactly the problems lie - if it hadn't reached the point of...at least an illusion of commercial viability, at exactly the moment it did.

See, the groundwork was laid in 2020, back during covid lockdowns, when we saw a massive spike in people relying on TV, games, books, movies, etc. to compensate for the lack of outdoor, physical, social entertainment. This was, seemingly, wonderful for the whole industry - but under late-stage capitalism, it was as much of a curse as it was a gift. When industries are run by people whose sole brain process is "line-go-up", tiny factors like "we're not going to be in lockdown forever" don't matter. CEOs got dollar signs in their eyes. Shareholders demanded not only perpetual growth, but perpetual growth at this rate or better. Even though everyone with an ounce of common sense was screaming "this is an aberration, this is not sustainable" - it didn't matter. The business bros refused to believe it. This was their new normal, they were determined to prove -

And they, predictably, failed to prove it.

So now the business bros are in a pickle. They're beholden to the shareholders to do everything within their power to maintain the infinite growth they promised, in a world with finite resources. In fact, by precedent, they're beholden to this by law. Fiduciary duty has been interpreted in court to mean that, given the choice between offering a better product and ensuring maximum returns for shareholders, the latter MUST be a higher priority; reinvesting too much in the business instead of trying to make the share value increase as much as possible, as fast as possible, can result in a lawsuit - that a board member or CEO can lose, and have lost before - because it's not acting in the best interest of shareholders. If that unsustainable explosive growth was promised forever, all the more so.

And now, 2-3-4 years on, that impossibility hangs like a sword of Damocles over the heads of these media company CEOs. The market is fully saturated; the number of new potential customers left to onboard is negligible. Some companies began trying to "solve" this "problem" by violating consumer privacy and charging per household member, which (also predictably) backfired because those of us who live in reality and not statsland were not exactly thrilled about the concept of being told we couldn't watch TV with our own families. Shareholders are getting antsy, because their (however predictably impossible) infinite lockdown-level profits...aren't coming, and someone's gotta make up for that, right? So they had already started enshittifying, making excuses for layoffs, for cutting employee pay, for duty creep, for increasing crunch, for lean-staffing, for tightening turnarounds-

And that was when we got the first iterations of AI image generation that were actually somewhat useful for things like rapid first drafts, moodboards, and conceptualizing.

Lo! A savior! It might as well have been the digital messiah to the business bros, and their eyes turned back into dollar signs. More than that, they were being promised that this...both was, and wasn't art at the same time. It was good enough for their final product, or if not it would be within a year or two, but it required no skill whatsoever to make! Soon, you could fire ALL your creatives and just have Susan from accounting write your scripts and make your concept art with all the effort that it takes to get lunch from a Star Trek replicator!

This is every bit as much bullshit as the promise of infinite lockdown-level growth, of course, but with shareholders clamoring for the money they were recklessly promised, executives are looking for anything, even the slightest glimmer of a new possibility, that just might work as a life raft from this sinking ship.

So where are we now? Well, we're exiting the "fucking around" phase and entering "finding out". According to anecdotes I've read, companies are, allegedly, already hiring prompt engineers (or "prompters" - can't give them a job title that implies there's skill or thought involved, now can we, that just might imply they deserve enough money to survive!)...and most of them not only lack the skill to manually post-process their works, but don't even know how (or perhaps aren't given access) to fully use the software they specialize in, being blissfully unaware of (or perhaps not able/allowed to use) features such as inpainting or img2img. It has been observed many times that LLMs are being used to flood once-reputable information outlets with hallucinated garbage. I can verify - as can nearly everyone who was online in the aftermath of the Glasgow Willy Wonka Dashcon Experience - that the results are often outright comically bad.

To anyone who was paying attention to anything other than please-line-go-up-faster-please-line-go-please (or buying so heavily into reactionary mythologies about why AI can be dangerous in industry that they bought the tech companies' false promises too and just thought it was a bad thing), this was entirely predictable. Unfortunately for everyone in the blast radius, common sense has never been an executive's strong suit when so much money is on the line.

Much like CGI before it, what we have here is a whole new medium that is seldom being treated as a new medium with its own unique strengths, but more often being used as a replacement for more expensive labor, no matter how bad the result may be - nor, for that matter, how unjust it may be that the labor is so much cheaper.

And it's all because of timing. It's all because it came about in the perfect moment to look like a life raft in a moment of late-stage capitalist panic. Any port in a storm, after all - even if that port is a non-Euclidean labyrinth of soggy, rotten botshit garbage.

Any port in a storm, right? ...right?

All images generated using Simple Stable, under the Code of Ethics of Are We Art Yet?

[cordiallyfuturedwight]

you'll be seeing me very soon for @jinstronaut ♡

[rhysuje]

Frame redraw! Salim saving Jason from the spear.

(only one of many times these two save each other)

https://ko-fi.com/rhysuje

[rainbow-nerdss]

"How come you never talk to me about sports?"

It's late in the afternoon on a lazy Sunday, and they're just curled up on the couch together. Eddie's got a book in one hand, and he's carding the fingers of his other through Steve's hair. Steve's got the sports pages from the morning paper in his lap, and he's looking through it idly.

He stops when he hears Eddie's question, though, cranes his neck back to look at him.

"Huh?"

"How come you never talk about sports? I just realised I don't even know what teams you support." Eddie dog-ears his book and sets his book aside as he asks.

Steve frowns. "But… you don't care about sports. Like, at all. Why would I bore you by talking about it?"

"Are you bored when I talk about D&D?” Eddie asks, hand stilling in Steve’s hair. Steve shakes his head. “I tell you about my sessions all the time. I tell you about the books I'm reading and music shit, and you always listen to me. You don't really care about any of that stuff, either."

Steve shakes his head. "Yeah, but that’s different,” he tries to argue.

“How so?”

Steve wracks his brain for the words to describe it. “I like listening to you talk about D&D because you get so excited. I like hearing you talk about something you care about."

Eddie smiles and kisses Steve’s forehead. He looks almost smug, like he’s won a debate Steve hadn’t even realised he was part of.

"So let me ask again. Why don't you talk about sports more?"

Steve is quiet, staring at nothing in the distance as he puts the pieces together.

"I never... Nobody ever.... I mean, except Lucas, but Robin and Dustin always rolled their eyes when I made references to it, so..."

Eddie cups Steve’s face and looks him in the eye. "Tell me something."

"What?"

"I don't know. What's the drama right now? How's your team doing in the league or the championship or whatever it's called? Tell me about the last game you saw on TV! I wanna hear you talk about your interests, too."

Steve feels warmth burst in his chest as he sets the newspaper aside. 

Eddie leans back against the couch, watching fondly as he listens. Steve is hesitant at first, stumbling over his words. A little voice in the back of his head keeps tripping him up, telling him Eddie doesn't care about any of this and you're boring him, wrap it up.

Every time he lets the voice win, though, every time he stops talking, trails off, or tries to change the topic to something Eddie might enjoy more, Eddie asks him a question.

"What does that rule mean?"

"How does team selection even work?" 

"What would your dream line-up look like right now?"

And Steve answers. And Eddie listens.

When Eddie finally runs out of questions, Steve's surprised by how happy he is.

"You're really cute when you talk about sports, you know that right? Your face lights up with it."

Steve leans in and kisses Eddie. "I love you."

"Love you too, babe. I really do."