#but i'll write that all when i get to it

[damnation-if]

once again writing things to distract from the bad times... this is the Twilit version of that previous scene i posted with Heluur hehe. (to clarify, it’s a scene some mcs Might get quite a few chapters ahead based on some choices, this time if you happen to be particularly close to Twilit). Definitely Don’t click this if you’re concerned with avoiding spoilers!

(the beginning part will be the same as the start of the other one lol so i cut most of it. there’s also Quite a trigger for body horror in this one though lmfao so bear that in mind<3)

“You’re going to regret this,” you add, as another lightning strike splits the sky, “but only for a very short time.”

[[And then the doors are rocked on their hinges by a series of powerful knocks…]]

A shadow seems to fall across the room, and you almost have to restrain yourself from laughing–the idea of Malkorath knocking to enter //anywhere// is utterly ludicrous, let alone a //church//. They seem to agree with you, if the loud, long-suffering sigh you can hear from outside is any indication.

“Look, I’m not knocking again. If you don’t open the doors, I’m just going to break them down.”

This causes some amount of nervous shuffling among the Inquisitors, also caught off-guard, before their leader rallies, holding up his holy symbol in the direction of the entrance.

“You shall not enter this holy place-”

Whatever the rest of what he was going to say might have been, it’s drowned out by the clamour of Malkorath crunching the great oaken doors in half like a matchstick and stomping inside. The candles are all snuffed out one by one, filling the church with darkness, and the air around you doesn’t taste so foul anymore (to you, anyway; your captor is far less impressed).

You wouldn’t have thought that Malkorath was close enough to affect you in that way yet…

“So //this// is what the inside of one of these looks like,” Malkorath muses, looking around, as they ignore the Inquisitors and casually brush an entire row of pews out of their way. “I’m not sure it’s really worth all the fuss, if I’m being honest. You still with us, $pcname?”

That question, the same one they asked you on that first day they took you to Hell, is almost enough to make you smile, despite everything.

“I’ll be better once you get me out of here,” you tell them, finding it somewhat amusing that the truth-spell agrees with you on that point, too.

“That’s what I’m here for,” Malkorath replies nonchalantly, seemingly unperturbed by the obviously aggressive intentions of the band of Inquisitors. “I have strict orders not to-”

One of the bolder of your captors lunges at Malkorath, spear outstretched, but they dodge it easily. Unfazed, the Inquisitor lifts up their own holy symbol, presenting it directly to Malkorath’s face, and you feel a twinge of worry–you don’t actually know how they’ll fare against holy magic, or if they knew they’d be facing it, coming here.

“You will burn in the light, demon filth!” the Inquisitor screams, voice shaking with holy zeal.

[[But nothing happens.]]

Malkorath’s grin is vicious and toothy as they reach out and pluck the holy symbol from the now-shaking Inquisitor’s fingers. “Will you look at that?”

A few of the others exclaim in shock and terror as the demon crushes the metal into a small, crumpled ball and tosses it aside, while their leader tries valiantly to stand his ground.

“I’ve always heard it said that the little rank-and-file murderers like you don’t have the strength to use your powers in the presence of archdemons,” Malkorath continues, huffing in amusement. “Seeing it up close is so very good for my soul, I have to say.”

An archdemon? Your heart begins to beat faster in your chest, relief filling you just like the pure, clean air that you’re now breathing. Twilit is here… and even closer nearby than Malkorath, it would seem. They came here to save you…

“I will slay you,” the lead Inquisitor is saying, his voice quavering, as he clutches tightly at the hilt of his sword, “for the glory of my god!”

Malkorath just laughs at him. “Not me, soldier boy. The archdemon is behind you.”

He whirls around at Malkorath’s words, petrified eyes jerking around the room looking for anything he might consider an archdemon, before finally alighting on something that seems to be down near your feet. Carefully, fighting against your captor’s terrified resistance to seeing what the others are staring at, you lift your head as much as you can, eventually spotting a single moth balanced delicately on the toes of your (her) booted foot, milky-white wings fluttering slightly as the air shifts.

The Inquisitor closest to you draws a hand back to swat at it at the exact same moment that the leader begins yelling at him not to touch it.

You barely even feel the blow of his hand connecting with your foot, Twilit apparently absorbing most of the force of it, and although you know Them well enough to be sure that They’re hardly in any danger, you can’t stop your stomach from lurching at the sight of the lumpy grey viscera coating his hand as he stumbles back away from you.

“Is it dead?” one of the others whispers, but you think that the anguished shriek that escapes from his lips as he falls backwards to the floor probably answers their question succinctly enough.

[[You can’t really say that you’re particularly surprised, but it IS kind of nice to have confirmation of that fact…]]

Dull grey ooze begins to spread across his hand, creeping under the sleeves of his coat, while inky black tendrils emerge underneath his skin, the palm of his hand swelling and bulging as something builds up beneath it. He screams again, fumbling for his sword with his other hand, but you can already see the black lines spreading up the sides of his neck and onto his cheeks–you don’t think him cutting off his hand would even //help// at this point.

“He’s corrupted… kill him!” the leader commands, obviously coming to the same conclusion as you, but all but three of the Inquisitors have already turned and fled.

Malkorath appears beside you while the others are distracted, ripping the manacles free from the altar beneath you just as they did the first time; the man who swatted at Twilit is now writhing on the ground as more and more bulges appear all over his body, the skin distending and slackening in some places and tightening into strange coils in others. The leader, swearing when he sees that he’s practically on his own, goes to kill the man himself, plunging his sword deep into the man’s torso, and then twice more into his stomach for good measure.

You sit up just in time to be able to see why the Inquisitors all scream in horror.

Emerging from the wound just below the heart (if the heart is even there anymore, you suppose) are fawn-skinned fingers, attached to a broad-palmed hand. A wrist follows after them, and then a forearm, the hapless man convulsing violently as Twilit reaches out from inside him, grasping at the pew beside him in the same way you would if you were trying to climb out of a deep hole, or maybe a well. Their fingers are sticky with that same grey ooze and the sloughing of blood and other fluids you’re not sure you want to think about, and the wood of the pew begins to collapse under Their touch, rotting and warping from the mere contact.

“H-how…” the lead Inquisitor manages to gasp out in between bouts of gagging, as Twilit’s other arm begins to emerge from what you think might have once been the man’s mouth.

“Ugh,” Malkorath replies from beside you, rolling their eyes. “Don’t ask Them that. They’ll //explain//!”

[[You can’t help but laugh at that. Malkorath’s not wrong…]]

“Your masters have told you that the source of My great evil comes from My envy of your perfect physical forms,” Twilit’s voice says, ringing throughout the darkened church despite the fact that you can’t see anywhere that it could be coming from. “But nothing could be further from the truth. A physical form is at best a temporary inconvenience, and at worst a prison. And if there is any essence of perfection to be found in the flesh that makes you up, it is in how extraordinarily //malleable// it is, under the right conditions.”

As if to emphasise Their point, the man’s body distends so completely that it splits open along some central seam, and They emerge from within, naked and dripping with grey and black ooze, standing up slowly as skin folds itself into more pieces of Them as though the man whose body They just were had been turned inside-out like a piece of clothing to reveal Them on the inside.

“A sculptor does not //envy// the clay from which they create.”

[dudedidujust]

Au where Damian comes to Gotham with the goal of infiltrating and eventually overthrowing Batman instead of inheriting the mantle. Not much changes from canon except for the fact that he views everything that batman owns as his. That's his future cave and his future batmobile. This also includes his robins. After all everyone knows Batman wouldn't really be Batman without them.

Cue a very bewildered Tim being lectured on his eating habits by a righteous Damian who won't let one of his people take shortcuts with their health.

[ashleys-doodle-corner]

ACT 2 "You're... me?" "That's right, stardust!"

You know I've been drawing Loop as their Siffrin form so much that it's got me thinking. I've read and seen so many fics and artworks of Loop eventually getting back to looking like their old self, but I don't think I've seen any so far of Loop already being a mirror copy of Siffrin. So uh, yoink?

ISAT AU where the game plays out the same way (plot-wise at least) but Loop looks like Siffrin the whole time and while Siffrin is extremely perplexed that there's another him, he's still gotta accept their help because how else are they supposed to escape the loops? Good ol' Loop is here to help, helpful friendly Loop!

Siffrin is going through it still but Differently.

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[cheswirls]

short asl thing based on @where-does-the-heart-lie's modern au :) i started this over a year ago but the beginning is all dialogue and felt more like a script to me i suppose??? which deflated my desire to work on it. anyway i checked it over recently and it's completely fine lmfao, self-confidence restored here we go !

-

"Yo. Aren't you usually in the middle of your shift by now?"

"I've been banned from the hospital."

"Like, for life?"

"No. For the next, uh.. Twenty-two hours."

"That's oddly specific."

"It was twenty-four, but I fell asleep after leaving the building."

"That wouldn't have to do with why they kicked you out, at all?"

"Hmmm. I'm too sleep-deprived, apparently."

"Ah. And, um, you called me because...?"

"I pressed a random number in my call log after waking up. Lucky you, I guess."

"Yeah. Right. Lucky me. And your car keys are...?"

"Confiscated."

"Ah, right, of course."

A beat of silence. Two. Three, then "Look, if you're busy, then–"

"No, no.  You called me, so I'll be there. Give me twenty minutes."

"Alright. Thank–"

"Thank someone else. Also, if you fall asleep in my car, I'm taking it as express permission to drive you around wherever I want."

"Ugh, go die. I don't even know why I bothered."

"LUCKY YOU, I guess," sounds off way too loudly in his ear. "No take backs. See you in ten."

"I thought you said–" Sabo breaks off as the call ends, leaving him staring blankly at his phone's too-dim screen. He squints, turns the brightness all the way up, and still squints as the sunlight proves too strong for the display.

Ace shows up in more than ten but decidedly less than twenty minutes. Sabo doesn't waste much brain power on it, only climbing into the passenger seat and yawning into his palm while his other hand fixes the seatbelt into the buckle. Not a second too soon, too, as Ace roars the engine to life and peels away from the curb at record speed.

Ace fiddles with the radio. He turns the music up, then dial it back down to inaudible. They hit the expressway and he leans over the steering wheel, frowning with his eyes fixed on the road far ahead. Sabo yawns again and this appears to be the limit to his patience. 

"Hey, so, I had a thought after you hung up on me."

Sabo grimaces. "You mean you–"

"Today's Wednesday."

He doesn't elaborate. Sabo is too tired to process. "Yes," he follows, after a second. He glances at the sky out the front window. "What time is it?"

"Oh, uh." Ace fumbles with hand placement so he can lift his watch to his face. "Nine forty."

Sabo takes a couple beats to try and process this, moves his eyes away from the skyline, and sighs as he pulls his phone out. 2:47 is what the display reads, which sounds much more believable.

"How did the minute hand get off?" he mutters to himself, chancing a look at Ace's busted wristwatch. Ace raises a brow, taking his gaze off the road to scrutinize Sabo. "No, it doesn't matter," he mutters to himself once more, sliding his phone away back on his person and out of his hands.

"My point is," Ace continues, like he hasn't just been interrupted by a whole thing. "Your timeout will be done midday Thursday. Did they switch your days off?"

"No." Sabo sighs. "They technically gave me the next thirty-six hours. Technically closer to forty. Something like that. I go back in on Friday. Sometime.” He tries to smile and it turns out very lopsided, from that he can make out in the rearview mirror. “Can you tell I’m tired?”

“I don’t think ‘tired’ is an accurate description,” Ace quips. “When did you eat a proper meal last?”

“Uh, yesterday. Maybe.”

“Maybe??”

“A ‘proper meal’ means different things to the two of us,” Sabo huffs. “On my account it was yesterday. I’ve had food since then, of course.”

“Alright, so here’s the plan,” Ace announces before absolutely whipping it around a curve. Sabo is his passenger in the passenger seat and had fully prepared to be so when he got in the vehicle, but he’d been vastly underprepared for this sudden course of action, which is how he ends up halfway out of his seat with his cheek slammed into the cold window. Ace doesn’t quite notice his brother’s terminal velocity until the car is once again on the straight and narrow, and only then it’s because of the audible thunk Sabo’s face makes when it collides with the glass.

“Aw shit. You good bro?”

“Ow,” Sabo mutters. “If I have broken bones I’m suing your ass.”

“Well, if you’re good enough to make jokes, I think you’re better than you’re letting on.” Ace keeps the wheel steady with one knee while he takes both hands away to crack his fingers. When he glances over at Sabo again, he looks even more pathetic – like he’s becoming one with the glass. “Anyway, as I was saying.

“I’m taking your ass home. You’re going straight to sleep and while you crash, I’ll make you something decent to eat and stick it in the fridge for you to heat up later. I’ll even make you two servings to eat two different times, since you clearly can’t be trusted to take care of yourself correctly.”

“Ouch.”

“I want you to conk out for as long as your body allows. We can reset your sleep schedule tomorrow, alright? Put your phone on silent; do not answer any calls. In fact, you know what, just give it to me.

Sabo glances over to see Ace’s hand held out to him, palm up. Fingers wiggling expectantly. His lips pull up into a grimace. “I’m not doing that.”

“Fine.” Ace takes his hand back. “But you will comply with everything else.”

“Wow! It’s so funny, I didn’t realize you turned into my mother overnight! Really tapped into your mom potential, huh? Anything exciting happen in your life that would cause that? I guess I wouldn’t know, since I’ve been a zombie for the past two days.”

“There’s nothing wrong with acting like your older brother, you dipshit, especially if you keep putting yourself through the wringer like this. You go home. You sleep. You wake up and eat. You go back to sleep. Then we do laundry. Does that sound agreeable?”

“That’s negotiable, at the least,” Sabo mumbles. “I will accept good food as a form of bribery.”

“Oh, nice, because I’m flat broke at the moment.”

Sabo makes a mental note of that, and then they’re pulling into the driveway. Ace lets him exit the vehicle by himself and then promptly manhandles him all the way onto the couch where it will be easier to force his body to relax than in a real bed. Ace knows this, so he calls him weird before chucking a loose blanket at his head. Sabo is almost too tired to function at this point, so he lets Ace have the last laugh in favor of finally closing his eyes.

Coming to is a surreal experience, especially since the sun is still out. He must make a noise because Ace is suddenly within view. His limbs are tangled in the blanket and still so heavy that he doesn’t bother moving. “Thought you would be gone,” he half-groans, eyes slipping shut again for a moment.

“I did leave,” Ace confirms. “I had to go pilfer some stuff to make stew with. It’s almost done, so I’ll hang here until then.”

Pilfer. That could mean any number of things. Sabo chooses to believe in the option where Ace is an upstanding citizen, and then remembers Ace saying earlier that he had no money. He frowns and squirms on the cushions enough to where it looks like he’s checking his pockets. “Where’s my wallet, Ace?” he bluffs.

“Somewhere around here,” Ace pipes up. “Your stomach will thank you for your contributions to the Portgas Household’s pantry!”

“Ugh, I got robbed,” he complains. “This sucks. ‘m going back to sleep.” He rolls over so his back is to Ace.

“Yeah, you do you, bro. Stew will still be here later. I’ll see you when you’re back in the world of the living.”

—

Luffy comes in late that night and slams the front door shut as loud as humanly possible. When he appears in the main room, he doesn’t seem to be upset, so Ace writes it off as a Luffyism. Sabo hasn’t stirred at the noise, so it’s all good.

Realizing this, Luffy pads closer to Ace’s side and looks at Sabo’s unmoving body warily. “Why is Sabo passed out like a corpse? Is he sick?”

“No, he’s not sick, he just can’t take care of himself. Which is why we are going to let him sleep for as long as possible.”

Luffy just nods to this, but it’s the uncomprehending Luffy-nod that means he’s just going to end up doing whatever he wants to regardless. Ace sighs, then jerks his head towards the kitchen. “He ate a little earlier, but I want him to eat again when he wakes up. There’s stew in the fridge if you want it – just leave him a little. Got it, Monkey D. Luffy?”

Luffy throws him a salute and then runs off in his socks. “Yippee! Ace made stew!”

“Think of your brother, Luffy, and make good choices!” Ace calls after him. “He’s a pathetic man who needs food to feel better or he’ll end up sleeping through Laundry Day!”

—

Sabo does not sleep through laundry day, but he does sleep for sixteen whole hours, so it’s just around noon when he forces himself up off the couch and into a warm shower.

Ace is around, which is mildly unexpected. But he’s still half-asleep, so everything is at least a little unexpected. He glances up from playing video games with Luffy to see Sabo leaving the steam-filled bathroom with his hair hanging around his shoulders. “You look like a wet cat,” he calls.

“Sabo’s awake!” Luffy cheers. “Ace thought you died at one point.”

Ace elbows Luffy in the gut, making him hunch over. “I did not!”

“He totally checked to see if your heart was still beating!”

“I’m undead, actually,” Sabo says completely seriously.

“Does that mean you don’t need to eat anymore?” Luffy questions. “Because I ate all the stew last night.”

“I saw that coming and made extra.” Ace finger-guns in Sabo’s general direction. “That’s why I bought two sets of ingredients. With your money!”

“With my money,” Sabo echoes, because it’s such a wild statement to have to deal with this early in the day. Well, early for him. “Fuck you.”

“I mean, I can tell Luffy where I hid–”

“Thank you, Ace, for agreeing to share your quarters with both of your brothers so we can all do laundry today on your dime!” Sabo raises his pitch so his voice is mockingly squeaky when he says this. He starts moving down the hall before Ace can start to argue, letting his and Luffy’s voices bleed into the background.

When he comes back out, now dressed, it smells significantly better than before. “I reheated the stew,” Ace announces, gesturing for Sabo to take a seat at the kitchen counter. “Let’s all have lunch before we head out.”

“You have to drink this too,” Luffy tells Sabo, sliding a Gatorade across the counter so it sets in front of him when he finally does take a seat. “Ace’s orders.”

“Gotta get those nutrients back somehow.”

“Aren’t we so considerate, Sabo?”

“Do you even know what ‘considerate’ means?” Sabo asks, lips quirking up into a half-smile. At Luffy’s shrug, it turns into a real smile. “Well, thanks anyway. Both of you.”

“No sweat. And look!” Ace brandishes a five dollar bill for both to see. “I found this baby for us to use on coins! It’s all on me today–”

“Where’s my wallet, Ace?!”

[mobius-m-mobius]

You wanna hear a good story? Listen to this one.

Mobius + comfort

[eikichi-supremacy]

If nothing else Koenma is a Kuwabara stan and I'm right there with him o7 (I need to write the kuwameshi fic that goes with this fr)

[gingermintpepper]

There are many things people expect from one called 'God of Blood'. Always, the first thought is the blood of war, the blood of violence, the blood of the weak shed for the goals of the strong. Ares doesn't think of the blood of battle at all. When he thinks of blood, he envisions the many tied knots of blood bonds and bonds forged in the blood of battle. Blood sons and blood daughters, blood brothers and battle sisters, blood oaths and blood vengeance - he watches over them all and keeps close each one of these bonds.

One cannot begrudge his displeasure then when he realises he cannot tell Leto's offspring apart just by looking at them.

It was easier when it was just Artemis. Dark hair curled about her shoulders, a fierce mien whenever Father summons her to the mountain, a scattering of bones and blood shed whenever she was disturbed; the eldest child of Leto was a wild thing, sharp toothed with sharper claws always at the ready. There's whispers of her being a twin, of her other half being made to crawl on their belly as penance for their sin of god-slaying but Ares pays it little mind. What twins look alike among their number? Even dog litters are born distinct with all their unique markings inlaid in their fur. Artemis' twin too would be much more than their sister's mirror image.

Pouring over his list now, he wishes anything about Phoebus Apollo was that simple.

Mirror image did not begin to describe it. The twins were the same height, the same build, had the same colour and texture hair, ate the same raw food and drank the same amount of nectar. There was no difference in how they dressed, no difference in the company they kept, no variance in the weapons they used. There are some days Ares still cannot believe Phoebus will grow into a man and not some nymph with the way his ears have that slender point. He watches them now, sitting together beneath a shady palm and stringing their bows in an uncanny unison and curses because he still cannot tell them apart. What use is his skill in knowing blood when they both have the same damn blood running through their veins? What bond is there to sense when they are tied so tightly together, Ares can scarcely tell brother from sister?

He sighs. Unadorned and completely alone, the only way to know who is who is to speak to them. He'll have to find more ways to tell them apart from a distance. Surely they cannot stay this similar all the rest of their immortal lives.

[fishofthewoods]

Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!

We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.

Or maybe, just maybe, he understood.

Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?

Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.

But years later, on his deathbed, did he regret that choice?

Is that why he gave the farmer the letter?

Is that why they went back home?

When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.

The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.

Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.

And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.

People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.

But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?

Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?

And if so, what happens when the farmer comes back?

[katabay]

L'APPEL DU VIDE

okay so. jack! jack. what a collection of guys. the overlap between jack and the beanstalk and jack the giant killer, though. that sure is something! sometimes king arthur is there, which always takes me by surprise.

this. specifically. is an idea I've been kicking around. jack and the beanstalk is not a story I've ever enjoyed, as a kid it was probably my least favorite to read. as an adult, I was INTENSELY fascinated by reading j.g. ballard's the drowned giant. I think about it frequently, and somewhere during a re read of it, I ended up revisiting jack.

combining different versions of jack into one character is not a new concept, but it IS a fun one! the version I've been assembling together plays less with the fun elements of a jack story (and adjacent folklore stories), and focuses more on the potential for tragic elements with the addition of the usual grim and jagged narrative edges that I personally enjoy.

jack with the backstory of the devil and the three golden hairs, only jack doesn't find love, he's TIRED, all he wants to do is go home, but there isn't a home to go back to. what is the point of being born lucky if this is what it gets you? jack the giant killer, only he doesn't want to kill giants, jack who saw a body of a giant when he was a small child and cannot bring himself to do as a king commands. jack, who climbs up the beanstalk and stops halfway to look down. etc.

to go back to the drowned giant real quick, both to set the tone about jack seeing the body of a giant as a youth, and also because I've been haunted and obsessed with this excerpt of it ever since I read it:

J. G. Ballard, The Drowned Giant

anyway! this was originally like, a two illustration concept to get out of my system. however. I'm halfway through outlining a narrative. so. maybe it will also be several illustrations and also comic.

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost

[quirkle2]

[zombie au] the image is too big for tumblr i had to cut it in half GVEAUYGV (please for the love of god zoom in)

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon (later suri laran, after her marriage). her story is linked to my swtor imperial agent, but most of her life for like. the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[flowercrowngods]

part 1 | part 2 (these make one big story, you won't understand this part without the others)

day 03: first kiss

a/n: not sure if I vibe with this part, but I hope it's okay. also don't think you're getting fluff

A broken heart is such a thing that will make you live either in the past or in the future; never in the present moment. Lovesickness feels like a virus is attacking the very fabric of your universe, distorting time and space and leaving you floating; directionless and hurting. 

That is how Steve feels as he goes through the motions of his life, getting his kids ready for finals, for their oral and written exams, or planning end-of-year school trips. While school provides a great distraction and he has mastered the art of switching into teacher mode almost effortlessly, he feels like he’s just an inch or two beside himself. Beside where he should be. 

He’s dwelling in the past or mourning dozens of possible futures, an infinity of them that will end up unrealised, unlived, unloved. His heart is heavy all the time, his head hurting, and his phone chiming with an endless string of messages that go unopened, unreplied. 

It’s been a few weeks since the engagement party, since he last saw Eddie — who asked if he was okay, who has been asking to see him again, to hang out, have a drink, just catch up. But every time he does, Steve just hurts, and he finds excuses. 

— Sorry, it’s finals season, I’ll be spread thin for the next few weeks :(

Eddie had replied with a litany of sad, brokenhearted emojis that were at equal measures ridiculous as they were exactly what Steve was feeling. Is feeling. Will probably always be feeling, for the rest of his life and beyond. 

So far, Eddie hasn’t asked him to be his best man. Steve sort of doesn’t want to give him the opportunity for that. He’s cowardly enough to wish he could avoid Eddie forever if only that meant he wouldn’t have to see his face fall and crumble when he tells him, No. 

No, I can’t be your best man. I can’t make it to the wedding. I can’t make it, I can’t do this, I can’t stand by and watch as you show me and the rest of the world that your dream life is not with me. Never with me. I can’t hand you over when all I wanna do is hold you. Hold your hand. Walk you down the aisle and then sweep you up in my arms, just to run out, run away; anywhere, as long as it’s with you. 

It doesn’t make sense. There won’t be an aisle, there won’t be any sweeping, there won’t be a future for them. Never has been. Not like this. 

Although there was a brief moment in time where their futures almost aligned. Almost. The timing was never right, though, stumbling through the motions and currents of two lost boys’ emotions. But it was almost there, almost enough.

And it's what's been on Steve's mind all week, playing and replaying, tearing at him from the inside out, leaving him with a jigsaw puzzle of infinite pieces of could have beens, would have beens, and what ifs.

"You know," he tells Robin one evening, who has practically moved in now, claiming that broken hearts are best nursed together. "I was actually Eddie's first kiss."

To her credit, Robin doesn't drop the carton pizza at Steve's non-sequitur. She just swallows hard and looks at him in that careful way she has now, where she's trying to read him and ask his eyes to tell her what it is that she should say next. It's frustrating. It's the greatest kindness anyone has ever shown him. It makes him want to punch a wall, and it makes him want to wrap her in the warmest hug and never, ever let her go.

"You were?"

Steve just nods, his lips trembling as his throat closes up again.

"No," she says in the gentlest voice, taking his hand as she guides him to the living room couch. "I didn't know that. Do you wanna talk about it?"

He shakes his head, tucking his feet under her thigh and leaning sideways against the backrest of the couch. His head is heavy and he's tired. He's always tired, even though he doesn't cry as much anymore. It's been four weeks since the engagement party.

"No, I just, uh– Just wanted to say that."

She nods, her eyes boring into him for two, three, four seconds before she finally turns to her pizza.

He looks past her, his eyes unfocused as his mind travels back to that day when they were still in high school.

~*~

The day that Eddie told him he was gay. And Steve had asked how he knew, because he'd been wondering about his own sexuality.

"I don't know, I just know."

"Well, have you ever kissed a boy?"

And Eddie had blushed a little, charred with his feet in the dirt like he always did – still does. "No."

"Okay."

And Steve, ten years ago, had thought, why not kill two birds with one stone. "Would you like to?"

"Huh?"

"Well, I mean, I'm kinda on the fence about it? Sometimes I think I might like guys, but then other times not so much. But I've never kissed one either, so," he shrugged. "If you, like, want to? We can."

"You want me to kiss you?" Eddie sounded incredulous, but his eyes were very big, very dark, very vulnerable. And it was not a no.

"Only if you want to."

A grin split Eddie's face then and he raised his eyebrows suggestively, but there was something forced about it. "Well, what If I fall madly in love with you, Steve Harrington, hm? What then?"

"Oh, please," Steve had only snorted; the thought that Eddie would fall for him out of all people was just too absurd.

And then something had shifted between them, the air turned into something sizzling as Eddie's smile fell and he stepped closer to Steve, raising one hand to his cheek.

"Here goes my first kiss," he murmured.

"Ever?"

"If we discount Lisa from kindergarten, then yes."

Steve huffed, looking down at Eddie's lips, the moment strangely intimate – but not uncomfortably so. Being this close to Eddie wasn't something new, Steve was used to his friend's tactile nature. "Fuck Lisa from kindergarten."

"I'd really rather not," Eddie smiled before finally, finally leaning in and capturing Steve's lips in a kiss.

To this day, Steve is not sure why he went and deepened the kiss like he did. Was it because he knew this was Eddie's first and he wanted to make it good, make it last? Was it because something deep inside of him knew that he liked boys, too, and that he liked Eddie, even though that realisation wouldn't come for another year at least?

He doesn't know why, but he feels it on his lips still, the memory of their first kiss. Their only kiss. A spectacular one that ended with twin smiles after Steve showed Eddie how to move his lips, how to tilt his head, how to open his mouth to let him in. How to capture the little sigh that he would make.

Eddie had looked at him, a little dazed, and Steve grinned at him, delighted at his expression more than at the kiss itself.

"A-And did you," Eddie started, pulling his hands away from Steve and shoving them deeply into his pockets. "Did you get any closer to, uh, to finding out?"

"If I like guys?"

Eddie nodded.

Steve thought about it; about the kiss and how it wasn't as soft as making out with Nancy or Allison. How he would swallow their moans and run his hands along their soft bodies. Eddie wasn't like that. Eddie was just Eddie.

"I think I'll just stick with girls for now," he shrugged with a smile, patting Eddie on the shoulder and squeezing lightly when the other boy began to sway a little.

"Suit yourself, Harrington," Eddie said, shoving him a little. "But you're missing out."

Years later, Eddie had drunkenly confessed to him that he'd had a crush on Steve back then. For years. And Steve had wanted to ask about it, ask if it's still there, that crush, that connection on a deeper, closer level; but then Eddie told him, "Remember Chrissy? We're official now."

And all the words had died on Steve's lips. All those questions, or the confession that, Yeah, me too. Though Steve's crush on Eddie was much later, years after their first kiss, – and it never really ended.

Still hasn't. And it's not a crush. It's more. It's everything.. He's in love. In it. Caught, stuck, trapped inside, while Eddie and everyone else is on the outside, just watching him struggle.

~*~

Later that night, on his umpteenth re-run of the First Kiss Episode that's keeping him from falling asleep, leaving him frustrated and sad and wondering, his phone rings. Eddie's name pops up on the screen, the impersonal Eddie Munson feels like a knife through his heart. He couldn't bear any of the silly nicknames that Eddie's always had in his phone, and needed to go back to a clean slate.

It hurts, though. He watches, considering to let it go to voicemail – but he hasn't talked to his... to Eddie in four weeks. Barely even talked to him on his engagement party.

And even though there's a chance opening for Eddie to ask him or to talk about his wedding, Steve answers the call.

"Stevie," Eddie says, somewhere between a sigh and a hum, and immediately takes away Steve's breath.

"Hi," he rasps. His heart is racing, his hands begin to tremble and he's shaking even under the thick, warm blanket.

"Did I wake you?"

He hums a negative, not trusting himself to speak, and it comes out a pathetic croak, because God, he missed Eddie. Part of him was missing – part of him will always be missing now, he knows –, and it makes him cry. It's not a sob, not a wail, not anything that Eddie can hear or something that would alarm Robin in the other room.

They're silent tears, and he presses his face into the pillow. He should hang up.

"Stevie?" Eddie asks again, his voice so small, so gentle, so worried. "Are you okay?" And after a moment of Steve being unresponsive because he can't catch his breath without gasping, Eddie asks, "Are you crying?"

And just like a kid that tries to be brave through the pain after falling down, but breaks the moment someone asks if they're hurt, Steve lets out a tiny, broken little sob.

"Oh, Stevie baby," Eddie sighs, and he sounds so sad, so compassionate, Steve never wants to hear his name like that ever again. "Do you want me to come over?"

"No," he croaks pathetically, hitting himself once, twice, three times for not keeping it together. For not being strong enough.

I can't do this.

"What do you need?"

"Sleep," he sniffles, stupidly.

"Okay. Then I'll stay here and be silent company, yeah? Don't need to be alone. Is Robin there?" He hums again, affirmative. "Good. Want me to say something? Read to you, tell you a story? Play you some music or–"

"Eddie," Steve manages. I love you. "Just silence? But you don't have to."

"Nah, I'll stay with you," Eddie says before Steve even finished his objections. "Until you've fallen asleep, yeah?"

Steve just nods into his pillow, even though Eddie can't see or hear it.

He's watching the seconds turn into minutes as the time passes. He's so tired, but he doesn't want to let go yet. Not when Eddie is right there. Not when there's still the phantom feeling of his lips capturing Steve's, a memory that is ten years old and still as strong as the very first second.

He should have known, then. Should have leaned in for another kiss, should have told Eddie that he knows he's into boys now, too, and ask Eddie to keep kissing him.

He shouldn't have taken years.

He should have created a new world just for the two of them, with an infinite amount of futures, and all go them happy. All of them SteveAndEddie.

But he didn't. And he wants to apologise. For being so slow, for not knowing until it was too late. For pulling away these past few weeks when that's the last thing he ever wants to do. For not being strong enough; for being too weak.

I'm in love with you, he thinks. Over and over and over. Mouths it voicelessly into the silence between them. Says it out loud when after almost two hours, Eddie hangs up with a quiet, "Good night, Stevie. I miss you." He says it when Eddie's gone, the beep of an empty line the only response he gets before that cuts out, too.

And then he's all alone again.

tagging: @sexymothmanincarnate @mcneen @livsters @eddiemunchondeeznuts @abstractnaturaldisaster @steddie-as-they-go @hyperfixationgoddess @goodolefashionedloverboi @stxrcrossed186 @imzadidragonfly @eddiemunsonswife @bidisastersworld @ghost-ly-s @romanticdestruction @walkingaftermidnight07 @anaibis @rainydays35 @mightbeasleep @sunfloweringstories @korixae and thanks to everyone who said nice things about this 🤍🌷

come back tomorrow for: here come the tears (and hurt/comfort, maybe) | read part 4 here

[cyclogenesis]

Every Single Other Universe. Logan/Wade, post-Deadpool & Wolverine, Explicit. 12,470 words.

In which Wade and Logan and their variants are being hunted down by a hater from the Void and are thus tasked with hunting the hater back. Weirdly, all of their other variants are dating each other in their respective timelines. Does that seem meaningful to anybody else?

Read it on AO3!

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)