#but not if he's the protagonists love interest...

[sugar-grigri]

Denji no longer has access to his heart

The golden rule in Chainsaw Man is to focus on the title, since it's the key to reading the story.

Rain, Brothel, Removal seem to be three absurdly unrelated elements, and Fujimoto likes to put it that way, because the challenge for the reader is to find a way of reading that links them together.

This chapter is funny as well as disturbing, deeply sad, and in itself this collection of sensations just makes you uncomfortable, since the tone is always reversed, and the protagonist himself refuses to allow his situation to be a comic spring.

Fujimoto confirms an interpretation that is fundamental to understanding Denji: his character thinks only in terms of short-term objectives, incapable of projecting himself, just as he responds only to the satisfaction of needs without being able to verbalize and think about his unhappiness in a more abstract way.

Denji, for example, isn't thinking about whether sex is actually a solution to his problems, no, it's more concrete than that: he's thinking about whether he's masturbated recently.

Another piece of evidence is the rain. I've always thought that when it rains in Fujimoto's works, it's proof that no lies are being told.

Whether in Look Back with a silent victory, the school moment with Reze and Denji.

But that's not what we're interested in here, because there's no doubt that Denji is sincere, or at least the rain only shows us that he's sincerely desperate.

There's a subtlety....

Denji complains that he only thinks with his dick, but there's another, more philosophical and certainly less funny idea behind this: Denji only thinks through his body.

The rain, the amputation, the brothel - they're all proof that Denji only thinks with his senses.

Denji thought the brothel was the solution to his distress, it's when it started raining that he collapsed, as if the change in weather had evoked his own emotional change. Yoru's solution is amputation, another physical sensation and solution.

Amputation is a solution all the more symbolic because it's antithetical to what Denji is: a demon man capable of regeneration.

To amputate is in itself not to regenerate, and not to regenerate is in itself to be more human.

What distinguishes us from animals (although science relativizes this) is the way we think about our own emotions, something Denji is incapable of doing, or at least has great difficulty in doing.

This doesn't mean he can't verbalize it at all, but when he evokes, he evokes a sensation, a dish (a shitty hamburger, a steak, a ton of sex).

Even when he wants to be loved, Denji formulates it in the form of wanting his heart, almost organically.

No one wants Denji's heart because it's gone

And it makes sense, because Pochita has reassembled his entire body, except for Denji's heart, which has literally been left in that garbage can.

That's why, when Pochita lets Denji access his feelings, the place is symbolized by a garbage can.

When Denji asks Pochita to wake up to find Nayuta, Pochita asks him where his legs are, because Denji's only function is to be a body.

And now everything makes sense again

When Denji spoke his dream to Pochita, being Chainsaw Man, I think there was a certain feeling in every reader: what exactly does it change?

What if it changes nothing? It's normal for Denji not to be able to project himself in the long term, as he should symbolically listen to his heart.

Denji's inability to have a dream, a goal for the future, is symbolized by him and Pochita as children.

It doesn't mean that Pochita is an antagonist (although that could be cool), but that Denji and Pochita are prisoners of their own situations.

Denji doesn't have access to his heart, but Pochita is contractually bound to what Denji wants.

This is also why, when Denji reproaches himself, it's his child self who's addressing him, because the only way to reproach himself, to feel guilty, is symbolized by his old self, the Denji that Pochita may have known. Just as Denji doesn't have access to his heart, Pochita has difficulty gaining access to the person Denji has become, all of which only leads to stagnation.

Denji as a child is also the symbol of a scumbag, the remnant of a lost heart, always dressed in poor, dirty clothes, a past that Denji seeks to escape, but a past that is the only time Pochita has been able to get to know Denji.

I know it's a pretty crazy line, but it's precisely because Denji is Chainsaw Man - a being both fused and disconnected - that he thinks with his dick lol

Saving Chainsaw Man by killing Chainsaw Man has never been a truer statement

Chainsaw Man is Denji's prison but also his only hope

A cage

[ikuzeminna]

What's up with the wolves?

This post made me want to talk about Duo and how he was initially conceived as Gundam Wing's protagonist, but instead of derailing OP’s post with my ramblings, I thought it better to make them a separate post.

We all know this shot of Duo in the first opening, and like many others I, too, have wondered why on Earth the American street urchin character would be sporting heraldic wolves on his jacket as though he’s European nobility.

They never show up in the series proper, just the opening. And there is absolutely nothing about Duo that could remotely relate him to nobility. He's pretty much the furthest thing from it.

...unless we count Deathscythe H's design, which does sport a strong romantic death theme. But that's about as European as Duo gets.

So what if this is the creators being cheeky and including it as a nod to his initial protagonist status before it was given to Heero? Because if Duo was the protagonist, that would mean he would have been Relena's foil, who is of royal blood. And then we would have had the same juxtaposition as this:

Oh, look, another orphan wearing fancy clothing.

But back to Duo. The precise term for what Duo has emblazoned on his jacket is a wolf rampant. Well, two actually. Would that make them combatant..?

When they're mirrored like that, you expect them to hold a shield. Like these two unicorns here:

Do you recognize it? It's Romefeller's crest. Romefeller has two white unicorns rampant on a red background while the guy who fights them gets two golden wolves rampant on a black background.

Wait a minute. White, red, gold, black?

Really?

Someone must have had a field trip with the designs.

Back to the wolves. According to Wikiwand, wolves in heraldry "typically symbolised the rewards of perseverance in long sieges or hard industry." A long siege is definitely what the colonists were going through. Doubly so regarding Duo's crappy childhood.

So is Duo really connected to wolves?

Well, here's a fun fact.

The wolf (French: loup) is often used for canting (meaning heraldic bearings that represent the bearer's name in a visual pun or rebus) by families whose names feature some variant of the word 'lou/wolf'. Examples include Videlou, de Lou, Lupus, Wolferston, Wolseley, Lovett, Lowe, Lovell, Lupton or Wolfe.

Lowe. As in, Odin Lowe. This dude:

Heero got cheated out of fancy wolf crests.

And here you have it. Before Heero stole Deathscythe's parts for Wing, Duo had gotten Heero's wolf crest. Then again, they would have been wasted on Heero's green tank top anyway, so good for Duo.

[shakemelikeasnowglobe]

F1 driver duos and the booktropes I associate with them

Max and checo: not a booktrope but you know those oscar bait movies about a person pursuing something to his own destruction being the best but also being doomed like I,Tonya yep those movies both of them are those movies

Lewis and george: gay book writen by a white woman who was raised on yaoi and tumblr shiping 2014, Its painfully British and might be a larry stylinson fanfic has a cute dog and the author is eventually canceled on Twitter for the age gap.

Carlos and Charles: not a book again but telenovela romantic pairs, Charles is the good boy the protagonist will end with carlos the second evil boyfriend who will eventually team up with the vilaness to break them apart.

Oscar and Lando: just heartstoper core mindless teen fluff who will win the GlAAD award of unburied happy coming of age gays

Lance and Fernando: all the daddy Dom mafia millionaire boss ceo booktok brainrot but somehow in both ends of the relationship.

Yuki and Daniel : like early 2010s young adult pre teen emotional coming if age Novel writen by someone trying so hard to be John green it will include some profound analysis about life and meaning tumblr would love for the quotable phrases then Hate it because they eventually realize the characters did some fucked up shit.

Bottass and Zhou: that one book your very obnoxious book friend will recommend saying it's very good but it's just a soft thriller from 1980 about a teenage boy obsessing and stalking his low key weird neighbor and about 300 pages of heavy handed love and murder metaphors involving deers bears and bunnies by the end you really don't understand what is about but the subtext it's actually good

Pierre and Ocon: both are secondary love interests on a book that once was a wattpad original they only exist so the actual main love interest looks good so they are an inch above absolutely dreadful still main love interest is so bad they are considered good by the haters.

Logan and Alex: both are wattpad Born lover boys in different books Logan it's the secondary love interest who was actually the good option but he is against a tatoo covered dark haired asshole so he loses meanwhile Alex is in those quirky mindless fluff books that it's almost all pining he id basically a manic pixie dream boy.

Hulkenberg and kmag: weird mommy erotica you will find in that old single aunt room about vikings and pirates or both hallmark style holydays books about finding love for the ripped blond lumberjack in a small town, or a gay erotica actually written by a gay man who skips the fluff and its mostly about hot ripped blondes getting down to business.

[niinnyu]

Here's why I think the Gojo bait is not great writing and why you should maybe think so too (Spoilers till jjk 260).

We've spent the last few chapter consistently establishing a few things about our protagonist (Yuuji) and our antagonist(Sukuna).

1. Yuuji's father's soul is a reincarnation of Sukuna's twin: This instantly creates a connection between Sukuna and Yuuji.

As if you needed one outside of Sukuna's constant mockery of his former vessel's lack of "competance", and that most of yuuji's biggest losses can be attributed to Sukuna, building his wrath brick by brick. But surely adds to it all.

2. Yuuji feels incredibly lonely right now: Anyone he's created any sort of meaningful (?) Bond with outside of just 'hey you're an ally I can fight alongside with' is currently either dead or greatly incapacitated.

3. Also ofc the absolute damage that Yuuji has started incurring on sukuna. Damage that the slew of sorcerors before him couldn't. Forget about everyone teaching him abou love, Yuuji will show him Burning Rage.

This while also having hinted at Yuuji being possibly strong enough to do so on his own. He can go head to head with the King Of Curses with or without the help of his fellow sorcerors once he is able to harness this power.

Anything that was Gojo vs Sukuna feels absolutely irrelevant with the build up that Gege themself has been creating through the past few chapters.

Gojo's form right at the end of the chapter undercuts the pacing completely. Readers are more interested in those last 2 panels of Gojo which are completely removed from and rather jarring to the buildup between Yuuji and Sukuna. Fan interest in Gojo isn't their fault because that's what the chapter makes you focus on.

The only way I see this continue the buildup is if this is somehow Yuuji's doing or done with his knowledge, in which case it'd have been better to end the chapter by showing that Yuuji is aware of it and has an ace up his sleeve, bringing it back to the 2 relevent characters, and for people to stew in what Yuuji could be up to for a week.

But no matter what Gojo's visage there means, Yuuji in this moment has been so greatly undermined, not by his lack of strength, not by Sukuna outright demeaning him, but by the writing itself. By Gege.

And oh, how Yuuji deserves better.

[helluvatired]

"why do stolas have so much focus now?"

literally ep 2:

also stolas is the love interest of the protagonist, of course he will have more focus

[the-owl-tree]

I'm sorry if I've asked you this before, I genuinely don't remember, but why does everyone dislike yellowfang's secret? I like it a lot as a story, I find her powers silly but no one seems to have that issue... What is it?

It's been a while since I've read it so I'm going off of memory but my general reasons why I had so many problems getting through the book were:

Yellowfang herself isn't really Yellowfang? She's not snappy or grumpy and doesn't really act in the same way she does in TNP. She's just kind of the punching bag of the book without any of her signature sass to at least make her as a protagonist enjoyable.

The power in itself is an unnecessary retcon, it's only there to force Yellowfang into becoming a medcat and, well, there lies an even bigger issue: we are once again recycling the plotline of a cat forced to be a medcat when oooghgh they just wanna be average :( it's frustrating to me that Yellowfang gets so much of her own autonomy ripped away in this book, to the point where she can't even CHOOSE to be a medcat.

Her backstory in the original books was that she was a Warriors turned medcat and that's interesting. The life of the warrior is glamorized, it's the ideal life for Clan cats, so characters who CHOOSE to turn their back on it to heal are really interesting conceptually! The powers completely ruin this, it's a cheap cop out that's forgotten as soon as the book doesn't have to force Yellowfang into a job she should've wanted.

Why do books treat this position like a punishment or something embarrassing. It's Bad Writing above all because the position is important! It is a necessary part of the Clan to function, medcats should be treated with respect! But that's a whole other response.

That's also where Sagewhisker comes in, the mentor figure who, uh, pressures Yellowfang into doing something she doesn't want to do and yet the narrative continues to affirm is Correct.

I could go on but Bonefall has a good post on Sagewhisker that I personally agree with that adds screenshots and details.

It's just....miserable watching Yellowfang be dragged into a position she doesn't want and I don't know why they would choose the most miserable possible route with this character.

That's not even getting into Raggedstar, the good ol' abusive male love interest who's actions are swept under the rug as he guilt trips, berates, and generally treats Yellowfang like garbage! Despite an entire super edition of abuse and the website acknowledging he's abusive - his actions will never fully be held accountable and he will consistently be portrayed as the Nice Leader who just wanted what was best for his Clan <3

His own abuse of Yellowfang is never acknowledged and fuck's sakes the books play the Nightcloud card and go "well, guess what, it's a WOMAN'S fault that Brokenstar happened!"

In a book already swimming with misogynistic writing, the authors decided to up the ante and introduce Lizardstripe: the mean bitch mom who doesn't want to be a mom and that's all you need to be told to know she's an abusive evil woman.

The book will never actually show you scenes of her being abusive, they will literally just write scenes of her saying she doesn't want to be a mother as a shorthand of her being abusive.

I'm sure this definitely doesn't factor into the writing team's incredibly conservative ideology towards motherhood's and women's roles.

I'm gonna link Bonefall again, he's just good posts that really delve into the problems with this and I'd honestly just be reiterating a lot of his posts if I talked on my own lol

Yellowfang's Secret takes everything interesting about Yellowfang and just flat out ignores it or makes it worse. It's miserable to read, it's just page after page of Yellowfang getting beaten down.

And you could argue that's the point, that Yellowfang believes she deserves her troubles, but I don't think that's the case. I think the book is just troubling in its handling of motherhood and abuse, it handles them poorly.

Bad Book i guess. sucks! i think Yellowfang as a character could fill up an entire super edition, but the one they wrote is miserable garbage.

I can't even remember the plot outside the medcat stuff. Idk mean clan cat invasion time for no reason?? Uuhh kittypet attack?? i don't find it memorable outside of the stuff that actively upset me.

[thee-horny-thicky]

Do you mind if I ask your top 10 favorite characters (can be male or female) from all of the media that you loved (can be anime/manga, books, movies or tv series)? And why do you love them? Sorry if you've answered this question before.....Thanks...

Okay, so, technically, Satoru and Suguru are two different characters, but they're canon parallels to each other, two halves of a duo. When that stopped being the case, a chasm was created and their worlds shifted. Their relationship is a major part of both characters stories, so separating them is difficult.

It isn't hard to guess that I love them. They're complex characters, and both serve as a cornerstone of JJK. It's impossible to imagine the series without either one of them, and their respective ideologies and the reasons behind them can be essay material. (I know because I've written one for school)

Bella Goth is an iconic Sims character. She's a baddie, and has some of the most intriguing lore of the game. I think it's a shame the Sims 4 slacked up on the storylines of the townies, because even though I've never owned the original game or Sims 2, the lore of the first two games is compelling. I have fond memories of her, often revolving me breaking up her marriage, and protecting her from those mean, scary aliens.

I was six when this movie came out, and my mother took my sisters and I to see it in the theater. That first watch is something I'd never forget, and even though I was upset that my older sister stole my snacks, the magic of the movie overrode it all. To see a princess movie set in New Orleans endeared it to my entire family, and the fact that she's the first and only Black princess gives Tiana a special place in my heart. She's hardworking, ambitious, and persistent. Not to mention, she's a baddie.

Her and Naveen's love story is one of my favorites, and I adore the fact she showed you can have a loving husband and a prosperous career. She's an independent woman, but can still accept love.

Speaking of....

The original Disney baddie, (argue with your mama), and the first to spark my interest in martial arts. I thought she was so cool, and seeing her growth always puts a smile on my face. When she sat on the top of that pole, I was so proud of her. She started out headstrong and determined, and more honorable than most of the men around her. The crowd bowing to her was exactly what she deserved, and her Father giving her her props was such a sweet moment to me.

As a side note, she deserved better than Li Shang. I fully subscribe to the theory that Li is bisexual and developed an attraction towards Ping. I love the hypothetical queer representation, even if he ends up in a straight relationship. What I don't love is how he left her to die. He tried to pose it as an act of mercy, showing his gratitude for her heroic actions, but he still left her on a freezing mountainside in barely anything. Then, when she escaped and tried to warn him, he refused to give her the time of day. Put short, he was raggedy.

Saiki is one of my favorite anime protagonists. The way the anime pokes fun at tropes is so funny, and Saiki being done with the world around him is a mood, as is his fear of bugs. Anime is riddled with all powerful characters, and a lot of the time, they have a copy and paste personality. Seeing Saiki longing to be normal, (to the point of stalking someone who's scarily average), whilst also being over reliant on his powers and being comedically apathetic is a nice change of pace. It also makes him surprisingly complex. Though this is a theory and not canon, he's great ace representation. He's content with having no romantic partner, and I like how he grows to deal with having friends without having a sudden interest in romance.

Another good example of Ace representation, in my humble bisexual opinion, is Barbie. She shows that friendship and sisterhood can be fulfilling on its own, without any need for a romantic relationship.

Now, I don't think the Barbie movie is as revolutionary as people made it out to be. It was feminism 101, with the core message being the patriarchy oppresses women, and grossly limits men. A message that's still controversial in 2024, but not one we haven't heard before.

Still, it was an incredibly fun movie, and Barbie was a great heroine. The moment she chose the high heel over the Birkenstock, I knew I'd love her, and I was right.

I love Avatar: The Last Airbender. It was so ahead of its time, and is an example of how complex 'kid' shows can be. It's pretty hard for me to pick a favorite character, but if I was forced to choose, I'd say Uncle Iroh.

Long ago, I saw a comment about how if there was a character that embodied the pleasant warmth of a fire place or cackling campfire, it'd be Uncle Iroh. I completely agree. He's the perfect mentor, standing in Zuko's corner no matter what he wanted to do, while subtly guiding him down the right path. He also wasn't blind to his nephew's flaws, but never addressed them in a way that made Zuko feel unwanted. Even after being backstabbed, he was simply sad that Zuko lost his way.

We don't see his character arc on screen, but we know he underwent an incredible transformation, going from a fearsome Fire Nation general, to a humble old man reflective about life, though he can still kick ass if needed.

Leaves From The Vine still makes me feel mushy and teary-eyed. It's bittersweet knowing that losing his son was the catalyst for him to become the character we see, and the reason he's so dedicated to Zuko. He's trying to prevent him from suffering the same fate, and right a wrong that's haunted him for so long. Learning that the tears in Iroh's voice was genuine, because that was one of the final things Mako Iwamatsu recorded before passing, made me want to curl up in bed. He brought the character to life, and is one reason he's so iconic.

Finally, Mr. Shouta Aizawa's fine ass. Now, besides just being fine, I love him for many of the reasons I love Iroh. He's nowhere as cheerful and warm as Uncle Iroh, but he takes his role as a teacher and mentor seriously. He stands in his students corner no matter what, and has shown time and time again that he'd give his life for them. Furthermore, he isn't a hero for fame or recognition, but because he believes it's the right thing to do. He knows the society he lives in is flawed, and tries to right U.A's quirk prejudice system by mentoring Hitoshi.

One might not peg him as it, but he's a very parental character. It's shown with his students, with Hitoshi, and most especially Eri. He's dedicated to guiding the next generation to achieve their fullest potential. Plus, his quirk is cool as hell, and he can throw hands.

Bonus:

Anya Forger and Nezuko, because they make me reconsider my stance on children. They're so cute, and highlights of their respective shows. And I love how Anya is shown to be childishly intelligent. It's due to her powers, but still.

TF141 also gains an honorable mention, especially my baby girl Ghost. Despite being the most secretive character of the task force, we have the most information on his background, and I love his fruity friendship with Johnny. Likewise, I love the mentor relationship Gaz and Price have. On a hornier note, I wish there were more threesome fics with Gaz and Price taking a lucky lady to Pound Town. All and all, these four awful people are my favorite pieces of military propaganda.

[transmascswagpolls]

Transmasc Swag Polls- ROUND 1

Propaganda and other info under the cut.

CANONICITY LEVELS-

RYO: Subtext/ Coded HAJIME: Gender Tomfuckery MEDIA? Idolmaster sideM (and other related media), Danganronpa 2: Goodbye Despair (and other related media)

RYO PROPAGANDA-

First introduced as a 'crossdressing' idol in the original game (which only has female characters btw), Ryo's dream is to "become a handsome boy", drawn with a bust often and could very well be canonically trans but it is left up in the air. "I'm Ryo Akizuki. I used to be a female idol, but now I'm trying to aim to the top as a male idol!" Uhhhhh idk he has the same voice actor as Naruto HAJIME PROPAGANDA- [Pollrunner's Note: There was a LOT more propaganda then I could feasibly put here. These are the highlights] While his identity issues mostly revolve around his (lack of) talent it’s not hard to imagine them spreading to other aspects of himself, like his gender. Dresses very masculinely, with a tie and button down shirt (which seems to be a bit tight in the chest, almost like the cut doesn’t fit him quite right). As for the swag part, hajime is the only danganronpa protagonist who’s able to save all of his friends, plus post-game he has literally every talent ever. he’s also got both a male and female love interest and is well liked by all of his classmates. in the game you get a file for all character's that has their info, one of the things listed are chest measurements (because the creator is a creep). But anyways, his measurements are the same as the girl with the biggest boobs in the game (36 inches), and is you have them side to side, there's not much difference in width. Also he's very skinny. Plus he has no nipples (nobody does but anyways). At one point in the game they have to separate between girls and guys to sleep in different buildings, but there's 1 room less than it should be on the boy's building and 1 extra room on the girl side and they have to decide which boy has to sleep in the girl building They end up going with Hajime because he doesn't really mind and the girls agree he's probably the best option. In chapter 1 he's the one most hesitant to go swim at the beach. It's for plot reasons, but he's still one of the only people who's never seen going to swim for the entire game.

[ming-sik]

My dear good comrade in the trenches against AoB's nonsense: I'm having Ferdinand thoughts (derogatory, mostly) and stewing. You said you thought Ferdinand's boring, if you would be up for it we could complain to hell and back about him T_T (aka, I remembered someone saying “Lestilaut's bad and he doesn't even have [Ferdinand's] trauma excuse!” as if... trauma... is an excuse for... anything... also did we forget the system was inherently abusive and traumatizing orrrrrrr)

i'm always up to complain about ferdinand. i swear i tried to like aob's golden boy but he just... is bad.

like ok my main problem with him is honestly just that by being the most perfectest bestest coolest guy ever he makes the story so fuuuuuuucking boring. there are so many potential conflicts especially from part 4 onward that just get completely ironed over with "ferdinand took care of it offscreen" or "literally as soon as the problem was introduced ferdinand already had the solution", half of the remaining conflicts are just getting ferdinand to stop being an asshole long enough to easily solve the conflict, and half of the conflicts left over after that are how to stop ferdinand from being so incredibly selfless that he burns himself out solving all the story's problems before they can go anywhere interesting. it'd be one thing if he existed in a story that wasn't trying to be serious or if he was used very sparingly as a hermit whose help was difficult to acquire or came at a high price, but as it is i can't even bring myself to get that invested in new conflicts because aob's world has been mostly converted into a playground for rozemyne and ferdinand to flex their enormous brainpower over because obviously the only thing more interesting than one ridiculously overpowered protagonist whose only flaw is being too self-sacrificing is two of the damn things.

to which the counterargument is obviously "noooooo ferdinand isn't a perfect angel, he's deeply flawed!" and yeah he is, but not in a way the narrative is at all interested in doing anything but glorifying. i love it when characters are deeply flawed unpleasant assholes, but only if 1) that's taken in an interesting direction and 2) the story doesn't lie to my face and pretend everyone loves them. YS's society is systematically and inherently abusive, which means that every noble we meet is dealing with an intense web of motivations and pressures that mean being a "good" person in yurgenschmidt's nobility is basically impossible, but ideally that's a way to set up interesting tragic characters, not a reason i'm supposed to excuse ferdinand(and only ferdinand) from judgment for perpetuating that abuse and call for the execution of anyone who thinks he's an asshole.

and the counterargument to that is "oh it's not the narrative that thinks ferdinand is perfect, it's rozemyne!" but that's objectively wrong. the entire plot point of ferdinand's marriage to detlinde is when the story just spends basically an entire volume repeatedly telling the audience that ferdinand is actually the only reason anything gets done in ehrenfest ever and he's the most wonderfulest person ever and everyone is overcome with grief that their savior is gone. even sylvester's habit of pushing off work seems to exist basically entirely so we can have the literal archduke be hugely reliant on ferdinand for day-to-day work just so he can get a little extra credit.

that's not to say that he and rozemyne aren't massively codependent. they are. and again i understand that ferdinand doesn't intentionally put rozemyne in a position where he's literally the only person she can fully trust and she's both completely reliant on him for guidance and terrified of losing him, he does do that. he claims he wants her to rely on wilfried but outside of trying to train him to be more competent(unsuccessfully) he doesn't actually do anything to achieve that, and he never thinks of the perhaps more sustainable option of trying to get her an actual support network. a lot of the tragedy of her losing her life in the lower city is that originally she had a wide group of people to trust: she had her family for comfort, benno for guidance, and lutz as a peer who also knew the full story of her reincarnation. afterwards, she only has ferdinand, and the paranoia he teaches her prevents her from trying to find anyone else, to the point that she only realizes that elvira knows about her commoner origins when he's leaving! and. again. i get so hard that this is an understandable result of ferdinand's trauma making him extremely insular, it's in character, but it's also really, really something that i want the story to, at some point, actually interrogate, but it doesn't! even when ferdinand is totally for real ripped away during the marriage plotline, he actually isn't because they stay in contact the entire time and then she has an excuse to come rescue him and post-battle he's literally just back on the team and it's like he never left so that ended up having the same emotional impact as if he just moved to the next town over. so he never really "leaves", and rozemyne never has to actually get used to life without ferdinand, which would've been really interesting and a way to actually deliver on the ticking time bomb that is grooming subplots.

which he is! and to be clear, he's a groomer in the general sense, not even specifically the pedophilic sense(although yknow. he is explicitly pro-child marriage), i mean that he grooms her to accept that the way yurgenschmidt's society works is normal and fine. he's not solely responsible for the inherent abuse of feudalism, but he's a product of the system he lives in and a product that's not particularly interested in changing that system, so he views myne primarily as an aberration who needs to be incorporated into yurgenschmidt's nobility and made to understand that things work the way they do because this is the best system. i think people rail against ferdinand being called a groomer for two main reasons-- firstly people think that if you say a character is immoral you're saying that they're a bad person for liking them or finding them interesting, and secondly people not understanding that grooming isn't as simple as mustache-twirling villain evilly and intentionally completely controlling a helpless child. bc yeah rozemyne struggles against ferdinand's attempts to fit her into noble society and at multiple points does the opposite of what he tells her to, but that doesn't disprove my argument! it's actually repeatedly acknowledged(well, joked about) where characters including rozemyne and ferdinand themselves say that ferdinand has made her more and more similar to him. like basically the first thing that happens when he gets her into noble society is him convincing her to start participating in the buying and selling of orphans and speaking of orphans do not get me started on the temple it drives me so insane how her turning it into a company town where they serve as her unpaid labor is presented as her being a saint. that can't totally be blamed on ferdinand but he sure does talk her into accepting that the only way she can interact with lower status people is through the lens of a benevolent master. one of the main facets of their relationship is him making her worse.

which is interesting! conceptually! ferdinand is entirely a product of the cycle of abuse and his reaction to his trauma is to preserve that cycle even as it continues to harm him and everyone around him because it's just the way things are. on that topic, he's completely bought into yurgenschmidt's view of children where 5-year-olds are expected to be capable of fending off psychological warfare and 15-year-olds are expected to be fully mature adults, so he has a vitriolic, burning hatred for wilfried age 6 and later detlinde age 15 despite both of their biggest crimes being not magically overcoming the fact that they're being neglected and abused, because he did, which means it is possible and therefore required. even his favorite oops all negative reinforcement education is irl infamous for being literally the worst possible way to educate children because it doesn't work very well and also traumatizes them, something which rozemyne herself seems to understand when she tries to keep ferdinand from being so harsh on letizia but never ends up interrogating because she can keep up with it. just kind of because? the implication is that she has a big headstart from her being an adult university student in japan but we actually don't see him do much instructing outside of giving his pupils a bunch of stuff to memorize and then getting really mad if they don't do it fast enough, which is... not the most effective strategy, wouldn't help with her memorizing new information, and also requires her to show a level of attentiveness and reading comprehension she never actually shows when she's onscreen doing stuff because when she's onscreen she lacks basic reading comprehension and stops paying attention to literally anything she's not interested in, but all of that's just ignored because the whole reason ferdinand cares about rozemyne is that she's the only one who understands that he's just trying to do the right thing and she's the only one who can keep up with him in this world of idiot sheeple. and i don't like that either i think it's pretty boring.

the specific combination of his plot purpose mainly being to instantly solve problems and his actual character just kind of being an insufferable asshole who won't shut up about how awesome child abuse is means that unfortunately every time the male lead of the series is onscreen i'm booing and throwing tomatoes at the page because he isn't interesting enough to pull off being morally grey or fun enough to pull off being a terrible little freak. and i really do not feel sorry for him because everyone in the story is experience similar levels of abuse but mysteriously the story can recognize that it's bad when literally anyone else treats any character the way ferdinand treats everyone all the time.

the lestilaut comparison is so specifically dumb oh my god. like yeah he has the trauma excuse.... everyone does... if we take dunkelfelger seriously lestilaut was raised in an environment where his worth was entirely placed on how physically strong he is and the only solution to any problem is physical force, so that's the only way he can think of to solve problems. his main character flaws are being kind of a jerk in a way that's very normal for a teenager! like his character introduction is revealed to be him misinterpreting hannelore's desire to hang out with the cute shumils as a need to have them at any cost which combines with the existing prejudices he's been taught(yknow the excuse that works for ferdinand and nobody else) to mean that he executes a stupid plan, and then even the bride-stealing ditter plot which is... not his finest moment, definitely, but is him trying to save rozemyne from what he thinks is severe abuse. which isn't an excuse for his actions, like i said with sylvester you kind of lose the right to appeal to good intentions if your mistakes have a body count, but you could make the exact same criticism of ferdinand. i mean his "i'll get ahrensbach for you" bit is basically just the shumils thing but it's treated as romantic instead of "what the hell are you doing"

tbh in the AU i'm working on i just toss him out the window entirely but if he IS going to stick around he neeeeeeeeds to have his untouchability be dialed way the fuck down. he can't just solve literally every story problem with "and then ferdinand pulled the solution out of his ass" and there need to be things that he is actively bad at which other characters are good at. also other characters NEED to be able to criticize him for things other than being too self-sacrificing or limply saying that even though he's the most skilled wonderful guy ever it's a shame he's such a jerk. instead of having people being worried about how dependent rozemyne is on ferdinand be played for cheap jokes about her being in love with him you could idk have it GO SOMEWHERE because if ferdinand isn't totally perfect then you could have that relationship actually negatively affect her in some sort of way that could perhaps cause a narrative conflict, and there should be sympathetic characters who actively dislike him for reasons other than not being able to keep up with his amazingness. like florencia just thinks he's a massive piece of shit because he tried to get her 6 year old son condemned to the ivory tower, or lutz thinks ferdinand is wrecking the myne he knows and loves in order to fit her into noble society, or charlotte and wilfried just end up hating him after he tries teaching them because he's an abusive jerk. i don't even wanna give him a redemption arc because i don't want rozemyne to need to "fix" him and idk who else it would be outside of maybe sylvester? if i was gonna try and not fundamentally change the structure of aob i genuinely think i would just move detlinde's assassination attempt to basically as soon as he gets settled in ahrensbach and also have it succeed. just fucking kill him! make rozemyne navigate the world without him! it also killing off justus and eckhart could even make it so they're also invading ahrensbach without knowing anything about lanzenave so the silver cloth and instant-death poison can actually matter.

[bakudekublogblog]

shigaraki being like “I’m killing you bc you’re izuku midoriya’s baby girl and it’ll send him into the rage” is SO LOVE INTEREST it’s so YOURE HIS PRECIOUS SOMEONE if something happens to YOU he’s gonna LOSE IT if you wanna go for izuku’s HEART you TAKE HIS KACCHAN

[salty-an-disco]

I disagree with Narrator in a very fundamental and philosophical level, but you know, even if I agreed 100% with his worldview and the reality he wants to bring about, I’d still think he’s wrong for taking matters into his own hands and changing THE VERY FABRIC OF REALITY affecting people in the entire universe, simply because HE thinks he knows what best for the world.

Like– that’s why I find him so fascinating, it’s not only the fear of death or disgust towards the very concept of change (tho that is very funny and interesting in its own right), but the utter arrogance to champion himself Savior of the World without EVER considering that maybe– just maybe, people might not agree with what he plans to do.

Like. Hubris indeed, and he even has the gall to say, “you can still do what you must and kill her” when we call him out on it. Like. Wow. I want to study this guy under a microscope.

[chirpsythismorning]

What they're saying is s5 is going to have Hawkins High School as one of the locations for the plot. What I'm hearing is jealous Mike opportunities...

[mrghostrat]

Author/Editor au: Crowley writing a love interest character who resembles Aziraphale and it getting written & edited & published before /either/ of them realize their feeeeeeeeeelings

Bonus points if it's a huge break from the kind of LIs he's written previously, like if he's mostly written willowy elves or women or whatever

i have not stopped thinking about all of crowley's love interests suddenly aaaaall becoming soft and angelic and snarky and b l o n d, and he's completely fucking clueless that he's even doing it. this has followed me from portland to melbourne and i'm still thinking about it even with a completely fried brain. it is the only thought left.

[noveratus]

Do you ever think about the symbolism that Martin liked spiders? Like, it makes sense that Jon hated them from a narrative standpoint. It is a foreshadowing of their overall role as the main antagonist and the ones responsible for orchestrating everything. They have been manipulating Jon since he was a child.

And yet Martin likes them.

Do you ever think of why, even though the spider is said to be the only fear aspect with the ability to think, we never really interacted with it? Only Anabelle? Like, the eye is a large part of season 5 as it always watches, always looms over everyone, and yet, we still know very little about the spider by the end of the show. We know more about the unknown and the dark than we know about the spider.

So I once again ask, why does Martin like spiders?

[daily-hanamura]

[yuseirra]

If I had to name you, it would be 「My Hero.」 A straightforward wish that goes beyond the time it stopped I don't need anything else but you So just breathe here, forever. In a world where it's hard to breathe, I will hold on to the strength you've given me. Let's take the bad ending that we saw And change it to a sweet dream. Looking back, you have always been here smiling. It's okay if you tell me "see you again" in my memories, But... If I meet you again, you will still be 「My Hero.」 An honest wish That goes beyond the time we found it So that I'll be able to find you again Just breathe here, forever Even on a journey where we can't meet I'll jump through time and space Even if you say "please", there are wishes that don't come true...