While I do find it funny that henchmen in Gotham probably warn each other about the Red Hood because he's a bat who will actually kill you. I think it would be better if Jason was actually seen as some sort of savior or idol to like 90% of the goons scattered around Gotham. Doesn't matter who they work for, they all know Jason, former crime-lord that took over majority of Gotham's underground in one night.
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Jason, years after the events of UTRH, now fighting crime alongside the batfam, except every goon he runs into immediately recognizes him, stops fighting, and starts begging.
the first time it happens, Jason assumes they're begging for their lives only to hear them begging for him to return to the crime lord business so they can work for him and not Gotham's current money-stingy, abusive rogues (Black Mask lol)
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Jason showing up to patrol as backup for Dick in an overrun warehouse full of Two-Face's henchmen and as Jason's about to interfere, one of the men stops dead in their tracks and stares really hard at Jason until:
Goon: Oh my God, boss, is that you?
Jason, pulling out his guns, about to shoot:
Goon: Mr. Hood, sir???
Jason, halfway about to pull the trigger: Wait a min–Jeremy? Oh wow, it's been ages! How's the wife?
Goon (Jeremy): Oh my God it IS you, holy shit where have you BEEN? Me and the guys miss you, man!
Dick, with a knife at his throat: What is happening right now
Jason: Ahh, well, crime-lording just wasn't fitting in on the daily schedule. Tryna turn over a new leaf and all that
Goon (Jeremy): Aw, that's disappointing. We really liked working for you, right guys?
[Chorus of enthusiastic "YEAHS" from the rest of the henchmen (even the one holding Dick at knifepoint)]
Goon (Jeremy): Well, anyways, I can't beat you up knowing you're my old boss! You gave us the best health benefits! We'll just let you take the evidence and leave.
Jason: Aw, thanks guys :)
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And that's why 95% percent of Jason's missions in Gotham end in success. Not because he's willing to kill people or because rogues are terrified of him, but because 90% of the rogues' henchmen once worked for Jason and fuckin love him lol.
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anyone can make a zine, regardless of skill level or access to materials or design programs. all you need is paper, scissors and drawing utensils (although many people enjoy collaging!) web search "8 page 1 sheet zine how to".
everyone SHOULD make a zine too, you will feel so good about it ♡ it's about putting the power of production into the hands of the people! also you don't have to sell it or anything, you can just make one for yourself or trade/give some to friends!
i really love julia grofrer's guide to analogue self publishing aka making zines on 8.5x11 paper
and jaydragon/jdragsky's thread on staple's self serve print centres (if you're area does not have a local print shop, they probably have a staples or fedex print centre)
if you can't draw, here is twitter thread for public domain art and also a mini summary of when thing enter creative commons (generally 70 years after artist death in the US and CAD)
i also have a DIY zine page on my art blog that i am dedicated to updating as i find more resources! (not accessible through tumblr mobile app, mobile friendly, just open the link in a browser)
go make some zines!!!
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this one is thanks to a post by @thegroovyfool because she is very much correct - we do not talk about aziraphale's "i need you" enough.
so once again, with a deep breath and a sigh, welcome back to alex's unhinged meta corner, where i tear apart the confession scene frame by frame. i'm gonna say, watching this particular clip over and over and focusing on aziraphale's face almost took me out.
let's get into it.
first, how about a little look at our starting point. (any blurry screencaps are due to a LOT of movement on michael's part rip)
crowley is very pointedly facing away from him, he turned after aziraphale said "we can be together - angels!", presumably because being offered exactly what he wants in the one way he cannot have it fried his brain, cause besties it surely fried mine.
aziraphale on the other hand looks openly desperate, which is why he says "i need you." more on that later. let's have a look at how he says it, because michael "microexpressions" sheen is putting in the work.
to me, he seems close to tears, his eyes are glistening in that specific "i'm about to cry my eyes out" way i know from looking in the mirror while crying
he is trying to get crowley to listen to him and to turn around. he wants crowley to face him, which is something most people tend to want during an argument. talking to someone who is not looking at you tends to make someone frustrated and like they're not hearing you/do not care about what you have to say.
aziraphale looks close to despair, his i need you is a plea to crowley to come with him. he is opening himself up not just emotionally but physically, too.
he slightly leans forward, his arms are raised and seem to both slightly grasp for crowley and point towards his chest/heart for emphasis. the pure pain visible on his face knocks the air out of me every single time i look at it.
aziraphale is admitting to needing him, something he has never done before, hell, he has told him the exact opposite on numerous occasions. i don't need you. and while they both knew it was a) a lie and b) a way for him to deal with his conflicting emotional standpoints and cognitive dissonance, it still hurt crowley every. single time.
crowley was there for him no matter what, he knows aziraphale needs him but he came back and remained at his side even when he was pushed away and more or less openly insulted. he endured it all.
aziraphale saying i need you now is pretty much a slap in the face but also what crowley needs to hear. as with everything that happens during the entire conversation, the timing is fucked up and they're talking past each other.
in my opinion, that is why crowley does not react.
only when aziraphale turns spiteful and starts questioning his understanding (aka calling him stupid without outright saying it) does he re-enter the conversation.
aziraphale, however, is upset. now, i will put on my tinhat for just a second and turn up the insanity because there are two more things i want to talk about.
first, the little stutter at the beginning.
"i ngk - i need you."
my question is - why? why does he stumble over these words in particular when it does not happen with any other sentence? the only other time is right after crowley walks away with his "good luck", he stumbles over crowley's name.
so, in short, it happens when he is either caught off-guard or saying something incredible emotional.
and this, everyone, is where i go unhinged in my interpretation.
what if he initially did not want to say "i need you?" what if he was so caught up in getting crowley to stay/come with him that he did not think and almost confessed another three word sentence?
what if he was about to say "i love you" but stopped himself because no, that's too direct, they don't do that, they can't do that. it goes against EVERYTHING they have silently build over the last six thousand years. so he chokes on it. he chokes on it and instead he says "i need you" because it means the same thing.
i need you. don't leave me. come with me. be an us. go off together.
i forgive you. i love you.
they say it over and over again because that's the only way they can say it.
that is why aziraphale is so angry and upset after saying it. he told crowley he loves him, he needs him, and all he got in return was silence.
the funny part is that this code may have worked before, but it no longer does. crowley is too hurt to listen to what aziraphale is trying to tell him, and aziraphale is equally as hurt and also not listening anymore.
the funny part is that it stopped being about love and started being about sides again. my side, your side, our side. choose a side, choose our side, choose me.
the funny part is that beelzebub and gabriel told them what they need to do, i found something that mattered more to me than choosing sides.
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