#but wanted to get the idea out of my system

[nightingale-prompts]

God Summoning 101- DCxDP Prompt

"Don't. Touch. Anything." Constantine said firmly looking at the alter.

Recently there had been activity of dark magic users had been reported in this cave system and as expected it was full of cultists. They had discovered the writings of an ancient god or demon and started worshipping it. They had intended to summon it when the Justice League got involved after people started going missing. Currently, the captives who are thankfully all alive are being evacuated from the underground.

Constantine was here to study the alter and find the true name of the creature that the cultists call the "Infinite God."

"Looks deceptively simple. You place an offering and the guy shows up to fulfill your wish." Constantine said reading the sigils "That is if they want to."

"Its can't be that simple. There has to be a catch." Batman said coming back inside after helping the captives into the hands of the officers.

"The only catch I can see is that the god cares a lot about what the offering is and the person giving it. They seem to not respond to just anyone. My concern are the epithets." Constantine said deep in thought.

"The what?" Superman asked glancing over Constantine's shoulder.

"The title. Every god has many. Its specifies what vertion of the god you are appealing to. Even Aphrodite had a warrior counterpart. You must specify whether you are asking Apollo for inspiration, light or health." Wonder Woman chided.

"Yes, same goes here. Getting the right version of this god seems to depend on the offering. But these stupid fucks had no idea what to put on the altar. That's why they tried kidnapping people." Constantine sighed looking around the room.

The cave was decked out in hundreds of different offerings to appeal to the god and but so far the deity hadn't responded. He listed the items and the versions they probably wanted to see.

Next to the altar was a vase of flowers and herbs. Each one was different with different meanings.

Amaranth- Immortality

Anemone- Sickness

Lily-Death

Cowslip- Mischief

Hydrangeas-Wealth

Narcissus-Beauty

Rose-Love

Red poppy- War

There were others but most of these flowers were stuff Constantine had learned from trivia or reading about them in passing.

He didn't get to study anymore because-

"Guys all the capti-" Flash ran in and the wind caused the vase to topple over and a single flower to land on the alter.

The room began to shake as a portal opened.

(You go from here. Chose whatever flower landed.)

[mbsneur]

Heated Night

Leah Williamson x Reader

Hey, my loves! I'm so sorry I haven't posted all week. I've been really sick and I'm still not 100% but I really hope you like the fic! I'm open to feedback and your opinion. I'd also love to hear your ideas about which players I should write about (and the topics) my requests are always open. Thanks so much! 🩵

Warnings: Smut18+ minors DNI, Virgin Lesbian sex

My Masterlist

The night is hot and hazy. Arsenal won the WSL Cup with a goal from Stina in the 116th minute. You went to a nearby club to celebrate. You and your win are the talk of the town. You're the chick from Arsenal. Everyone looks out for you more than themselves. That's how it is when you're 19 and moving from a small country to a big one.

There are a few of you out there who can't hold it in and are already visibly drunk, including Leah.

Leah was the first person to take you in a few months ago, she showed you the city, the best cafes, the best restaurants, she has become something of a confidante to you, she was very self-absorbed that night, she drank a lot, and every time you wanted a little more, Katie took the glass from your hand and gave you something with less alcohol in it.

Kyra has pulled you away from Katie and towards the bar, "I'm sure you need more alcohol," she says, grinning and ordering two Daiquiris without hesitating.

You had a few more cocktails, she literally wanted to get you drunk, when you had more alcohol in your system, Kyra pulled you onto the dance floor and occasionally uttered chopped up words.

She stumbled over her own feet a few times, which made you laugh. Every now and then, Alessia came to you to bring you more and more alcohol. You got warm, your blood got thicker in your veins, your body got heavier and more excited. You haven't been this drunk for a long time.

Kyra was right there with you the whole time, and you saw Leah swaying in Laia's arms. She lifted her head from Laia's shoulder and met your gaze. Before you could react, Alessia nudged you and gave you another drink.

The time flew by until Kim pulled you into the group by your arm and Beth held Leah "You're both drunk, go to bed and sleep it off, mh" Kim said caringly and Leah's eyes rolled in annoyance "Leah, you're going to take Y/N to her room safe and sound, can you do that? Can you take care of her?" Beth frowned and looked at Leah, Leah's eyes widened, "Yes, I'll take her to her room safe and sound," Leah said with a smile, "Come on, sweetheart," she added, taking you by the hand.

"Take care of her," Beth calls after you, she pulled you out of the party crowd and was visibly unsteady on her feet, your hotel had no lift as you reached the stairs, Leah looked over at you, "can you manage on your own," she says, mumbling and stuttering, your vision spins and you shrug your shoulders. "Get on my back," she says with a grin, and you start to laugh out loud.

"Ey, why are you laughing, I'm strong," she says, frowning, "you're drunk," you stammer, and Leah starts to laugh at you.

You grip the railing and Leah leans forward. "Come jump and hold on tight." You move over to her and put your hands on her shoulders. You jump up slightly and her hands wrap tightly around your thighs. Leah starts to wiggle on her legs and you hold on to the railing with a jerk. You laugh and say, "Are you sure you can do this?"

Leah leans up and puts one foot on the step. "I'm drunk, but I can carry 60kg up the stairs."

You laugh at her words.

The walk up took half an eternity and when you got to the top, Leah let you down gently, "What room are you in?" she asks, looking straight into your eyes, "3048," you say shakily, your eyes flickering, "I'm taking you, I told Kim and Beth you'd be fine in your room," she says, holding your arm lightly, you nod and head for your room.

You hold your card against the sensor, and Leah helps you into the room. She wraps her arms around your waist and kicks the door shut with her foot. She takes you to your bed and sits you down. You look at her with puppy dog eyes and she say "I'll help you undress." She laughs and says, "Okay i start with your shoes." She bends down and helps you remove your shoes.

Leah bends up again and asks, "Do you want to sleep without a shirt?" You nod, and she grabs the hem of your shirt and pulls it up. You lift your arms up, and she comes closer to you. She removes the shirt from your head and almost falls on top of you. She starts laughing and looks deep into your eyes. Her gaze is bold, fixed on your full breasts in a red lacy bra. Her eyes darken, and her lower lip slips between her teeth. Your jaw drops, and Leah looks back into your eyes.

"You'd better not look at me like that," she says hoarsely, your eyes rolling from the alcohol at the back of your head, and you reply hazily, "What happens if I do?

Leah's teeth clench tightly before she presses her lips firmly against yours. Your kiss is firm and lasts for a few seconds until Leah pulls away first and rests her forehead against yours. You grab her neck and pull her lips back onto yours.

Your kiss is more intense this time and your tongue presses against her lips, as if asking for entrance. Leah, let your tongues play with each other. You let out a little moan until Leah lets go of you. "Are you sure? I don't want you to feel like a woman for a one night stand," she says, mumbling and looking at you confused.

"I've never had sex with a woman before," you say, blushing. Leah smirks slightly at you. "Do you want me to be the first woman to fuck you?" she says, her voice harsh. Her index finger plays with your bra strap.

"Please leah, fuck me," you demand, and Leah moves away from you. "You'll be good for me. You understand. You'll undress and wait for me. I'll be right back." She turns her back to you, takes your and her room card, and stumbles out of your room.

You did as you were told and stripped naked. Your vision is blurred and your head is spinning.

After a few minutes the door to your room opens and Leah returns with her strap-on in her hand, "Listen carefully, I am going to tell you some of my rules since you are a virgin," she says with a slight smile, sitting down next to you on the bed.

You nod and lean against the headboard. Leah now hovers over you and slowly begins to kiss your shoulder blade. "Tell me if you want me to be gentle with you or if you want me to be rough," she says between kisses. Your breathing is heavy and you try to find the right words. "I want you to be rough. Don't hold back," you say, moaning slightly and feeling Leah's teeth on your bone.

"You'll tell me if it's too much for you and if you want me to stop, I don't want to push you into anything, OK?" she says looking up at you briefly you nod eagerly and Leah's brow furrows "That's another rule, when I ask you something I expect an answer, use your words," she says now taking your breast in her hand, your back arching slightly from the bed "Oh, is someone sensitive? she asks with a grin

She takes your other nipple between her teeth and nibbles lightly on it. You spread your legs without hesitation and Leah's head now wanders over your belly. Your fingers claw into the sheets and your muscles twitch with every kiss.

She grabs your thighs and spreads them wide open, giving her better access to you. She looks at you one last time and asks, "Are you sure?"

"Yes, I'm sure. Now, please, just fuck me," you say, your voice desperate. Leah smirks at that, her tongue shooting out right against your core.

You haven't had sex for a long time, Leah explores every inch of your pussy and eats you out. Your hips bounce against her mouth and your legs start to wriggle. Leah's muscles push your legs apart again and she hits every spot that is celebrating inside you.

She's teasing you with her tongue, making your head roll back and turning your whimper into a moan. You're experiencing sensations you've never felt before, and you're a moaning mess.

Leah knows exactly how to drive you to the edge. With every suck, snap, and lick, her movements bring you closer and, You're already dangerously close. You try to find words, but they fail you. Instead, you moan and press your hips closer to her face. And try to tell her somehow that you are coming, Leah will look at you and hum to you, take it as confirmation and let your body respond to your orgasm.

You moan her name as she takes you through your long orgasm, your legs trying to close but held in place by Leah. You're consumed by her, and you don't know when the new orgasm started and the old one stopped. Your moans turn into whimpers, Leah. Let's go from you. You cry out from the sudden separation. She looks at you. Her lips are swollen and wet. Her eyes are darkened and her breathing is heavy.

She slowly comes up to you and you feel her breath on your lips. "Can I kiss you?" she asks in a low voice. You answer with a simple yes and,Leah's lips immediately land on yours

You let out a low growl at the taste on Leah's lips. After a few minutes, she looks at you again. "Are you riding me? Do you think you can do that for me?" she demands, her grin smug and confident.

I don't know if I can do this," you say, blushing, and Leah smiles at you, "You will, you will be a good girl, I will help you," she says, brushing a strand of hair from your face. You nod and wait for the next move. Leah gets up to put on the strap. You watch her every move. Her body is sweaty and her nipples are visible through her sports bra. Her veins are popping out. Her stomach muscles twitch with every movement. Her ponytail is all messed up, and individual hairs stick to her temples.Your eyes light up when you look at her. That was always the case, there was something about Leah that fascinated you.

When she's finished, you slide to the side to make more room for Leah. She sits down right next to you, leans against the headboard and hits her thighs as a sign for you to sit on her lap. You do as you're told and swing one leg over her muscular belly. She moans slightly as she feels your still-wet pussy on her stomach. She puts her hands on your hips and looks at you. "Are you ready?" she says, her voice firm. She lifts you slightly, her eyes sharp. "Your words, darling," she says, her tone assertive. Your eyelids twitch. "Yes, Leah, I'm ready," you reply, your voice steady. She smiles, her gaze warm. "Good girl," she whispers.

She guides you to sit on the tip of her strap and you moan in pleasure. Your hands find their way to her belly to support yourself. Leah's gaze is fixed on your pussy until she lets you close her strap completely. You whimper against her, and she starts to move your hips forwards and backwards. Her mouth is open, but you just sit up and want to ride her yourself. You don't need Leah's help. You want to prove something to her.

she keep her hands on your hips as you place yours on hers, moving a little faster than Leah has instructed. You rock back and forth quickly, which makes Leah let out a little whimper. Her hands loosen and reach for your arse, and your hands move up to her breasts, gently squeezing them. You lean forward ever so gently.

Leah's moans get louder and so do yours, your hips moving in time, your stomach muscles beginning to tense and your legs trembling "You look so hot right now," Leah says moaning, grabbing your neck to make you look at her. "Oh my, Leah, it feels so good," you say, your cheeks flushed and a little whimper escaping your lips. Your eyes roll back in your head, and Leah's grip on your neck tightens. You dig your nails into her sports bra, and Leah slowly starts to move her hips.

You feel Leah's legs cramping underneath you, your pussy tightening around her strap and you let out the loudest moan of the night "I'm so close" you manage to say "come on my cock make a mess" Leah says moaning as she pulls you closer to her by the neck. After a few seconds, you come loudly on her cock. You feel your juices running down your thighs. Your legs shake and wobble uncontrollably. You can't hold yourself properly anymore. Leah's hand leaves your neck and goes to your hips again. She holds you tight and sits up, pressing her upper body against yours so you can hold on to her neck.

"I need a little more. Don't stop moving," she demands, moaning. Your noises become oversensitive. Your legs are still shaking, and Leah's lips are on your shoulder to hold back her moans. She pushes you against her again and again. After a few pushes, Leah comes too. She comes silently, her teeth biting into your shoulder. Her legs are weak, and she lets herself fall on her back.

Her strap is still inside you and she is out of breath. You move off her slowly and deliberately, taking care not to overstimulate yourself. You sit down next to her, and when she wants to take off her strap, you grab her hand.

"Leah, wait, I want to clean you up," you say through clenched teeth, and Leah laughs devilishly at you, "You want to do that, yes, then I hope you will make an effort," she says again bossily. There is no time to waste and you immediately kneel down between her legs as Leah's hands grab hold of your hair and guide you closer to her strap.

You take her cock a bit into your mouth and Leah pushes your head further down. Your hands rest on her thighs. Your mouth starts to get faster. With every thrust, the strap hits Leah's clitoris. You look up at her. You have never seen her as vulnerable as she is at this moment. Her mouth opens and out of it comes a lot of little whimpers.

Leah pushes your head down deeper and faster. You gag and spit flows out of your mouth and lands on Leah's stomach. Tears come to your eyes and Leah starts to moan properly this time. "You're doing so well. You're gonna make me cum," she says. You take it as an incentive and let the strap slide deeper into your throat with a deep moan. Leah cums.

„Are you sure this is the first time you've had sex with a woman?" she says laughing and looks at you, "Are you calling me a liar?" you say snappishly, "Bathtub?" Leah asks and you agree.

[paper-mario-wiki]

I feel like I've ended up in the same spot as so transmasc before me: I have a lovely cis boyfriend who loves my tits which I love for him, but I am getting dysphoric to the point I wanna lift my lips and show a lil teeth when I see his hands coming towards them. Feels bad because they are his favorite and we haven't been fucking as much because as soon as he starts touching me I am out of it™ and get all in my head and freeze up. Any advice?

good god, brother. i am utterly baffled at why you have elected me as the strategist for this problem, and i'm even more confused as to why you have chosen to go into as much detail as you have.

but.

if i were to give you some advice on this

i'd say that you should consider a conversation with your partner about the long-term plan for the relationship. a "relationship" is two lives that are connected, right? and your life is not one where you're gonna have boobs for the rest of it (or at least based on what you've told me i would assume, should you have your way, those bad boys are gettin lopped off at some point), therefore it's pertinent that it be brought up, because it concerns your life, therefore it concerns the relationship, therefore it concerns him, yes?

now, the first and most obvious thing to start with out the gate is the boundary, made clear and concise: the hills are now closed, off limits to tourists. all discussions regarding this come next. make it clear that it's about something quite core to your identity, and something that does in fact cause physical pain (a panic response from the nervous system is pain homie).

this brings some followup questions (and remember, this isn't an interrogation, it's a dialogue to share): how does he feel about this? if he's against, why? for that matter, how much does it bother him? is there something he doesn't understand about your discomfort? is there some concern he has about your financial or bodily well-being with regards to the procedure? is it because it's vital to his attraction to you as a partner? if that's the case, would their removal be a deal-breaker?

now keep in mind, these question can be brought up whether or not you've got immediate plans to engage in the aforementioned lopping-off of your aforementioned Bad Boys, because the actual point of this dialectical exercise is to create a simple, easy to navigate, easy to understand conversation, which will set a foundation for further negotiations-- should you learn something new about each other, or yourselves, or the relationship as a whole.

either way, i do not think that letting it keep happening and keeping it to yourself is a good idea. i can understand feeling guilty about withholding some physical and emotional gratification you could give "easily" to this person you care dearly for, but trust me when i say that it's not the way to let it be. not just because it's unfair to your partner to secretly grow to resent them for a reason you don't want to vocalize, but to yourself as well.

you may not know it, but by keeping it to yourself you're slowly building up a resentment. that frustration actually shows up pretty clearly in your message. and even if what you're frustrated about is only that particular activity, that activity is irrevocably tied to another person. specifically, a person that you consider to be a pretty central pillar in your life. if that resentment grows, it can evolve into anger, hatred, fear, paranoia, and all sorts of nasty things. and even aside from the emotional and psychological damage that can do, it can grow into a physiological issue, where your brain wears out more and more due to the growing emotional distress ripping through your neurons with all sorts of "emergency" chemicals. like i said, the panic response is a physical pain, even if your body doesn't feel like it "hurts".

so. to summarize.

ABSOLUTELY bring it up. if you don't, it could become damaging to your relationship, and also your actual real life physical brain.

when you do bring it up, remember that the goals are to set a boundary, and to reach an understanding through mutual conversation. it's a dialogue, not a lecture.

when you reach an understanding, figure out if the relationship needs to be renegotiated in some way. that usually means new boundaries, or expectations. or maybe nothing! though surely your boyfriend can find more things to love about you.

that's as best as i can muster. you don't have to follow it, but hopefully it'll at least give you some ideas you can use.

[octuscle]

Gringo Life

Carlos was breathing heavily. Today, his destiny might be decided. The savings of many years of hard work had been spent on Carlos's trip to the United States today. He was to meet the smuggler in a village not far from the border crossing. Carlos was to come without luggage, without papers. Only with the clothes on his back. Of course, that sounded strange, but Carlos did as he was told. He wore his best clothes. He had gotten himself a new hat. He looked hot. He was an alpha paisa! He would make a career for himself in the land of the gringos.

At the agreed meeting point, a man was standing next to a surprisingly clean new pickup. He looked like something out of a bad college jock comedy. Stars and Stripes tank top over a muscular, tanned torso. The buzz cut hidden under an upturned cap, powerful legs in tight jeans that also accentuated an impressive bulge at the crotch. Feet in dusty biker boots. He spat a bit of chewing tobacco on the street. “Carlos?” he asked. Carlos nodded with a dry mouth. “Good, then let's go.” With the little English he knew, Carlos asked where he should hide in this car. Probably not in the open loading area. The guy laughed and said that Carlos had booked a first-class ticket. You don't hide with this ticket. With this ticket, you drive the car into a better life yourself. He threw the car keys to Carlos and went to the passenger door. “Are you serious?” Carlos asked. He was already much more fluent than a few minutes ago. “You drive, I choose the music. By the way, I'm Zack!” Carlos climbed into the car. He had never sat in such a big and new and expensive car, let alone driven it. “You know how to drive an automatic, bro?” Zack asked. Carlos shook his head. “You'll learn!”

It was hot. Zack had turned off the air conditioning and rolled up the windows. Carlos had no idea which buttons to press to change that. He didn't want to ask Zack. Zack had turned up the music loud and was enthusiastically singing along to songs Carlos didn't know. He was sweating. He ran his hand over his neck. His mullet was soaked in sweat! “Coke?” Zack asked, opening what was obviously a cooled compartment in the center armrest. ‘Holy cow, dude! You're like, a total lifesaver! Thank you, fam!’ Carlos replied. With a heavy Spanish accent. But in fluent English!

“12 kilometers to the border” was written on a sign. Damn metric system, Carlos thought to himself. How many miles was that now? 10? Or more like 20? He drummed on the steering wheel to the beat of Chris Young's ‘Young Love & Saturday Nights.’ The muscles in his forearms twitched, making his tattoos dance. Zack opened the windows. The wind blew up Carlos' cut-off tank top. It felt damn good on his sweaty skin. At the end of the road, the border station appeared. Carlos took a deep breath. He slowed down. He rolled up to the Mexican border guard's hut. Zack handed Carlos two passports, which Carlos passed on. The officer only glanced through the window. He had to stand on tiptoe to see not only Carlos but also Zack in the big car. He stamped both passports and wished them a safe journey. Carlos breathed a sigh of relief. Although he knew that leaving Mexico was the easy part. Now came the entry into the USA. The officer could be a brother of Zack. Muscular, short-cropped hair, a tight, perfectly fitting uniform. He bared two rows of immaculate Hollywood-white teeth. “Welcome back to the USA!” he said as Carlos handed him the two passports. “What was the reason for your stay in Mexico?” “We were there to get wasted and hook up, y'all! Get ready for some wild times!” said Zack. The officer said that was indeed the best thing about Latinos. “Which one of you is Charles?” Silence… Zack nudged Carlos in the side. Carlos jumped and said, “My friends call me Chuck, Officer!” Zack grinned. The border guard looked at Carlos and then at the passport. Then he asked Carlos to take off his hat. Shit, the hat, Carlos thought. Of course, with it he looked like a wetback. He felt for the hat. There was no hat. He took off his trucker cap. His long blond hair fell into his face. He pushed it back. The border guard grinned and said that with short hair, Chuck would look less like a girl. He stamped the two passports and handed them back to Chuck in the car.

“So, what did I tell you?” said Zack. “Easier than stealing candy from a baby.” Chuck replied that he had obviously lost the bet. He wouldn't have believed in his life that the guy wasn't checking the back of the pickup. There were six kegs of the finest smuggled tequila rocking on the truck bed. “Dude,” Zack said. “Didn't you see the way the officer was staring at you? If you had told him you had the tequila on the truck bed, he would have let us through. The main thing is that you smile at him once.” Chuck kneaded the bulge in his torn jeans. Hell yes, the officer had been hot. But the load of his balls was reserved for Zack today. He had lost a bet, so Zack was allowed to suck him off in the repair shop. Chuck could only hope that the border guard was back on duty on the next trip to Mexico.

Chuck and Zack had been best bros since they first got kicked out of college together for drug smuggling. Behind the facade of the auto repair shop, they smuggled various things across the border. In both directions. It was lucrative. And each time they bet on whether they'd get caught or not. The loser had to empty his balls into one of the other's holes. They were rarely caught. For some reason, Chuck spoke fluent gutter Spanish like a construction worker. He didn't know when or where he'd learned it himself. That usually helped with problems at the border. And if that wasn't enough, a blowjob had been enough to get him out. Life was great.

Pics by @ki-kink

[redrose10]

Here is #12 from the picture game! Thanks for requesting!

Warnings: None that I can think of

You felt absolutely awful. It wasn’t really your fault but still. Your husband Yoongi was performing his first ever solo concert and you were going to miss it. Your daughter had a very important doctors appointment that couldn’t be missed so you both were going to fly out and meet him there a couple days after he had arrived. It should’ve been pretty standard as it was something you’d done many times before.

But then you got to the airport only to find out that there was country wide system issue. No planes were coming or going. They were furiously looking for ways to fix it but the customer service representative let you know that it would most likely be a day or two. Which meant you were not going to get there in time. Politely you nodded in acceptance but quickly walked away not wanting her to see your tears. You felt like you were letting Yoongi down even though you knew he would roll his eyes and call you a big dummy head for even thinking that.

“Mommy are we going to see daddy soon?”, your three year old daughter Mae questioned after you took a seat in the waiting area.

“Not yet baby. I think we’re going to have to wait a few days.”, you said trying to soothe her by running your fingers through her hair as she began to cry. Just great. If you didn’t feel bad enough for letting Yoongi down now you also disappointed your daughter.

After a quick phone call to Yoongi to let him know what was going on and him reassuring you over and over that it was okay and he couldn’t wait to see you in a few days you left to go home and try to relax and save what was left of the day.

When you woke up the next morning you had a great idea. After spending a few hours going back and forth between Yoongi’s manager and his assistant your plan was all put into motion and you couldn’t be more excited.

Yoongi had just finished performing Daechwita and was taking a little breather just giving some banter back and forth with the crowd. His first solo concert was going off without a hitch and the only thing missing was his beautiful wife and daughter, but he understood that things happen and you’d both be in his arms in a couple days.

“Armmmyyyyyy are you enjoying the show?”, he screamed into the mic.

He smiled as the crowd screamed in return. He started walking to the second stage when his manager ran out in front of him. Immediately Yoongi panicked thinking something had happened to you or his daughter. The manager quickly calmed his nerves taking his mic from him.

His manager said, “You’re entire team knows that you’re a little down today since Y/N and Mae couldn’t be here.”, Yoongi nodded being met with awws from the crowd. He got shy and turned away. His manager continued, “Since we all love you so much we put together a little surprise for you.”

The manager turned and pointed to the large screen and Yoongi did the same.

Seconds later your smiling faced popped up. You were holding your daughter on your lap.

“Hi my love”, you began, “I’m so sorry that we couldn’t be there tonight with you but we know that you are absolutely killing it.”

“Hi Daddy!!”, Mae screamed getting quite the reaction out of the crowd. You continued, “We don’t want to take up too much of your time. We just wanted to tell you that we’re so proud of you and we love you.”

Your daughter piped up again, “And you’re the bestest daddy in the whole wide world!”

You helped your daughter off of your lap so she could go play before you turned back to the camera.

“Yeah you really are the best daddy in the whole wide world.”, you chuckled, “You’re also the best husband ever. So that’s why I’m so excited to be expanding our family with you.”, you smiled holding up the ultrasound photo, “Okay Yoongs, get back to your show! I know I’ll be getting a call from you as soon as it’s over. Love you, bye!”

The screen went black and Yoongi turned to the crowd just in awe of how his life has turned out.

Yoongi’s assistant had texted you when the video was starting. You were impatiently waiting for a response on how things went.

“Any update?”, you texted.

Moments later you got a response back. No words. Just a photo of your husband staring lovingly with a huge smile plastered on his face.

[librarycards]

The narrative surrounding AI is that people will be “left behind” unless they adopt it ASAP. How is AI going to revolutionize education? How is it going to transform agriculture? How is it going to make logistics a million times smarter? Almost every sector is being faced with the proposition that they should jump on the AI train or risk getting left behind.

To my frustration, rather than having concerted, critical, and honest conversations around who benefits from this technology—and why and how—we’ve been sold the idea that it’s inevitable, and we better figure out how to make use of it, to deal with it as best we can.

I could see some approaches to AI being more punitive, like “I will do this and this if you use AI” [...] [but] I really wanted to approach my students as empowered agents of their own learning and to express to them, in the best way that I could at the time, what my reservations are. Not just with the tool in a technical sense and how it, as many people have confirmed, is much more like a stochastic parrot than it is something that learns or that is cognitive.

Beyond that, there is the larger “assemblage” of AI that enables these systems to run in the first place. Since I’m an environmental studies professor, it became clear that a lot of those pieces were an entire material world of energy, water, and other resources; of labor undervalued and exploited. And there’s the racialized and encoded assumptions that emanate through the texts upon which these chatbots are trained.

[jesncin]

Are you at all excited for the upcoming Absolute Martian Manhunter book later this year? It'll be the most high-profile launch J'onn has been a part of for a long while, being DC's attempt at an "Ultimate Marvel" line. Given how the approach seems to be defined by removing elements of the characters' status quo - Superman has no Krypton tech, Batman is not a billionaire, Wonder Woman is the last of the Amazons etc. - I think there's a very real possibility that for J'onn they'd pivot in the opposite direction and give us a living Martian society. If only because J'onn has so little anyway, there's not as much to remove as with other members of the League, so the logical thing would be adding something back in to shake things up. I'm personally hoping for some combination of Weird and Noir.

I'm absolutely (heh) excited for it (because a new refreshing change even in an elseworld story is exactly what J'onn needs right now!) but also cautious and,,, concerned. DC's revealed the Absolute gimmicks for just about all the other solo supers but J'onn is essentially still a rumor? What's going on there? I was also concerned when Superman's Absolute gimmick was supposedly "he'll be more alien than human" "he doesn't have a fortress of solitude, no Kents, etc" which,,, sounds a lot like J'onn tbh but we'll have to wait and see. Sometimes writers do this thing where they try to do something new with Superman and it's just re-worked J'onn lore. And J'onn lore is fundamentally flawed so in turn that take on Superman doesn't work, but that's just me with early concerns.

Ooh! That's a good point actually! That feels like the most logical shakeup they could do, and YJa helped warm people up to the idea of a living Mars (which I also agree would spice things up and differentiate J'onn from Clark more). And I'd absolutely (heh) love more supernatural-weird-noir for J'onn! We finally had J'onn play into being a martian detective in the 2019 Identity run, but it was more cop drama than detective noir which I would love to see. My only addendum to the idea of a living Mars as an Absolute gimmick is, since YJa popularized this already, what else will this take do to innovate on that idea? My personal wish list is:

Revitalize J'onn's cast system (a mix of old and brand new characters. Don't just make him watch tv to care about humans. Give this martian relationships!!)

Figure out his themes outside of grief!! (I love sad Martian man but he needs to do more than that! It's been stagnating his character)

No Justice League stuff or other superhero cameos/team ups. (J'onn NEEDS to prove he can stand on his own as a solo character so he can stop being pigeonholed as the League's heart or therapist.)

Fresh new take on Martian world building (please get rid of Martian racism, it's dumb and never made sense. It's a shapeshifting society and the idea of characters like M'gann essentially "greenfacing" to "pass" is so weird)

Critical reimagining of J'onn's relationship to justice (we need to get rid of or critically examine his relationship to copaganda.)

Integrate Blackness more thoroughly into his character (CW Supergirl and that one Nubia Coronation special comic are still the only takes that have done this. Come on guys!!)

More thorough reflection of J'onn's multiple identities (undoubtedly what makes J'onn special. But the comics rarely dig into what it means for J'onn to be multiple people. I would love it if his identities [especially the racialized ones] weren't treated as so,,,disposable.)

Ma'alefa'ak please (I just want to see him again I don't even care if they do a bad job. However all I ask is he be a green martian and J'onn's twin again. And a slutty design.)

The last time we saw a big overhaul to J'onn's character was the New 52, and the major flaw of that run was that it had no clear thematic intention to how it interpreted his character. So we ended up with just a bunch of references and a convoluted edgy story that doesn't help J'onn become a self sustaining solo character. The Absolute line is the perfect platform to revitalize him as a character, but I hope the writers can think in the long term to combat his foundational issues.

[yuri-is-online]

Weird Yutu thingy but what if Yuu came from the Pokemon world

I believe the support system in the Pokemon world is much better than Earth so-

Single parent with a raging teen-

Add some emotional support Pokemon

And when Yutu comes to his parent's timeline Yuu gets so excited to see new Pokemon (that love them for some reason. Almost as though they were their first trainer-)

Oh Yuu and Yutu would be in such a better place if they came from the pokemon world. Yuu gets a house with a bunch of neighbors and nearby a lab and no one really cares about not knowing who Yutu's dad is.

The pokemon part is a bit trickey though... would they remember Twisted Wonderland? Probably, I couldn't see the magic marshal's keeping the pokemon? But I could also see one of Yuu's team staying with Yutu's dad by accident. Maybe it helps keep the boys who remain alive that much more sane, maybe it stands reluctant guard nearby where the phantom resides, unable to think of anything else to do until it sees Yutu and gets some of its old energy back. This whole ayuu is based off of Fire Emblem Awakening so I have to mention Cherche and her wyvern Minerva... her son Gerome takes up his mother's mount and brings her back in time with him, it's how she recognizes him even before he shows her the wedding ring... perhaps something similar happened with Yutu where he has one of your pokemon and you just know that he's lying to you even before you know he's your son (Gerome's supports with his dad made me so mad because I always S ranked Cherche and Libra because Libra actually learns to speak wyvern in their support chain but that's not reflected in his support with Gerome because it's generic and i wanted to scream every time i read iiiiiiiiiiiiiiiiiiiiiiiiit. I sort of based Jade! Yutu's attitude towards his dad on those supports though)

But back to nicer thoughts, I always struggle with pokemon aus because half of it is just assigning the pokemon, and then I get super caught up in what region everyone is from and just bleh

Riddle! Yutu has to have a Roselia right? It just makes sense, maybe he has the shiny stone for the evolution all ready to go but it was the last present Yuu ever gave him so he's reluctant to use it. Maybe, if you want some extra angst, when he comes to Twisted Wonderland he still just has a budew because he's not super into pokemon battles but he struggles to raise the friendship level enough for budew to evolve once he's there. He's so upset about losing his parent and budew is trying their best tm but it's not enough until they see Overblot Riddle and finally get on the same wavelength.

The triplets... one of them has to have a Fidough that's just a given. I was tempted to say they all have one? But I like the idea of Yushi having a Swirlix since she's more into candymaking. That's 2/3 fairy types so I was scrolling looking for another one when I saw Sinistea and went "oh that would be cute and the perfect fit for a cafe themed se-" and then I realized I could give that to Yutres. Could. For funsies. But it makes much more sense and is less cruel to give her a Milcery. So Yutu gets Fidough, Yutres gets Milcery, and Yushi gets Swirlix for a cute little fairy cafe set.

Cater! Yutu is trickey, he's big on mindfulness and I was really tempted to give him my favorite pokemon because of that, but he also really likes music... I feel like psychic pokemon sort of fits his vibe? And I am torn between Chimecho and Espurr. Espurr is supposed to have difficulty controlling its power, so maybe Chimecho and Yutu could have been focused on helping one out. Cater is super underrated so why shouldn't I give his Yutu two pokemon, it'd be very cute.

Ace! Yutu is pikachu coded to me <3 They would fight so much because both pikachu and Yutu are little brats but once they get in sync watch out they're super scary. Easily the pokemon most excited to see Yuu again... perhaps all that ego clashing is just something that happened in Yuu's world because pika and Yutu bonded while grieving Yuu. Maybe Yutu never evolves his pikachu because that's how Yuu gave it to him. Maybe Pikachu doesn't want to evolve because that's how Yuu left it.

Deuce! Yutu... there aren't any explicitly chicken pokemon outside of maybe Moltres but there is Togepi who is an egg. Baby Yutu loves his bestest friend in the whole wide world, Delinquent Yutu is sort of embarrassed by them. After he catches a houndoor he stops actively using them in battle... he doesn't hate Togi, he just doesn't let anyone in his gang see them and gets really violent with anyone who might try to hurt them. Probably defends fairy types any chance he gets before stammering out some sort of excuse trying to play it off as someone else's opinions. Maybe his boys catch on and one of them gets the idea that maybe they could like... start using impidimps. Make Grimmsnarl the icon of the gang instead of Houndoom, just cause you know maybe fairies are kinda neat maybe. they all want it to be togi instead please boss we made them a little biker jacket isn't it so cu- i mean badass?

Leona! Yutu is loved by cats and he loves naps. Litleo feels like the most thematic pokemon for him, maybe they were napping under a tree one day and a Munchlax decided to follow him home because sleeping on Leona! Yutu was actually pretty warm and Yuu makes the best snacks. His dad probably didn't appreciate the correlation between him and his son's pokemon but as I have said before, he's very much that dad who doesn't want the cat but ends up asleep on the couch with it in his lap two days later. Except this time it's him feeding all his vegetables to Munchlax.

Ruggie! Yutu is my little dandelion prince so he gets a Hoppip. I like the idea of him coming home with one stuck in his hair and they've been best friends ever since. He feels like the one most likely to take over training Yuu's team, if he had continued living in your world I don't think he would have become a trainer. He would have been happy to have a normal job and maybe never evolve his pokemon, but he doesn't regret taking on the role of trainer in the bad future. It gives him a lot of self confidence.

Jack! Yutu... I will bestow him the honor of giving him one of my favorite pokemon. He gets Cacnea because Yuu remembers that Jack liked succulents. Yutu is very serious about taking care of him and making sure he has the best possible habitat at home. Cacnea is under the impression it is doing the same for Yutu and Yuu, but the stubby little hands it has make helping with chores difficult.

It's really tempting to give all of the Octatrio kids water type pokemon, maybe left over memories from Twisted Wonderland make Yuu think that would be a good idea. But I want to give Azul! Yutu a Clobbopus sosososososo bad. It's such a cute pokemon and I think Yutu would agree that his pokemon is super cute. So does everyone in Savanaclaw much to his annoyance, it's like his pokemon is the dorm leader and not him.

Jade! Yutu feels like a Mareanie guy. Water type since he's a merfolk, poison type because that's pretty punk rock, and it looks just enough like a mushroom to be thematic. I could see one of Yuu's pokemon staying in Twisted Wonderland with Jade... a Shiinotic who helps him at the bar and is the best cared for mushroom out there that Yutu is envious. Why does his parent's pokemon love his dad so much? Why won't it agree to come with him into the past where you are still alive because it insists on staying with Jade, saying that's what you would want?

Floyd! Yutu's favorite pokemon ever since he was a little boy was Sharpedo. He asked, suspiciously politely, to be given one when he was old enough to get his trainer's license. He even made a power point, how cute! The answer was still no, instead Yuu convinces the lab near by their house to take Yutu on as one of those trainers with a pokedex who goes on a journey to collect all the gym badges. He really likes being a trainer, probably would have been the annoying rival to his next door neighbor, definitely picked whatever pokemon was strongest against whatever they picked. He still catches his Carvanha and doesn't hold it against Yuu for not giving it to him, he thinks that was probably for the best.

Kalim! Yutu deserves a Whooper. It's cute, the little face is always smiling and Whooper and Quagsire are such joyful little guys I think Kalim would love them. Oricorio feels like a good choice too because of how much it likes dancing... but I feel like Yutu would have a hard time choosing what form to train because they are all so cool. His dad would be such an enabler, sure son lets have all four! And throw a themed party for each one lol

Jamil! Yutu also feels like a good candidate for a pokemon rival. Sure, Ekans and Arbok feel like good pokemon for him thematically, but I just know he would have a well balanced and thought out team of pokemon he deeply loves and takes great care of. Keeping with the snake theme, lets say he started out with Snivy. Serperior fits Jamil's overall vibe pretty well, it's a beautiful pokemon and very regal. Other pokemon I could see him having are Gastrodon, Clefable, and Scizor.

Vil! Yutu loves to draw but I do not like Smeargle in the slightest and will be pretending it does not exist. I feel like anyone attached to Vil should get a Buneary, it's a cute pokemon with a friendship evolution who has real hate in its heart. It is more like Vil than any poison type pokemon fr fr. I could see Vil! Yutu doing well as coordinator, but being a bit uncertain of who else he wants to add to his team, but catching an evee with the intent of evolving them into... something he just doesn't know what.

I hit the text block limit lol, I should just. Stop being distracted by cassette beasts and get back to writing. Or replay a pokemon game.

[purple-phesh-and-cheps]

im absolutely hooked with this thing i like to call automatic poetry (might alr exist, ik that automatic art does) where i just wander around, not even with a pen in hand, and see which words are the first that come to mind. they can be anything. they have to be the FIRST words, and then whatever follows after. the idea is basically that it's forcing you to not put too much thought behind the words, because you can't put ANY thought behind them

this is a really good activity to do to help get words out, esp if you find you're having writer's block/overthinking all your writing too much. it also means, if you're feeling particularly creative, that you can sort of put the thoughts behind the words after they're out of your system, and figure out how you want to interpret them !!

ive only managed to truly do it and then record it a few times, which turned out really cool and idk how those words were just in my mind (maybe im having divine visions or smth guys) so here are my examples of automatic poems ive written:

and in this silent time they did not hear both the coming of the angels, or the fall of heaven

✴

and who will keep us company from ourselves? as we crawl out of this hollow earth in despair

✴

something has passed within me — something changed when the light rippled on the windowsill i thought to myself, “what a joy to be alive.”

[eddiepeaches]

sound on!! bbgirl watching his crush <3

audio pulled from that one bts clip of taika directing s1 ep1

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[tojisprettywife]

{note: unedited yet again, not at all proof read again, self indulgence at its finest. a drabble, once again :p }

warnings: fluff! gojo being cute that’s all, lowercase intended.

you are in bed, your back turned towards gojo, that’s unusual, unless you’ve had an argument. he pouts and turns your back towards you. now both of your backs are turned towards each other, both of you aren’t sleeping, you’re mad, he’s sulking. 10 minutes pass by, gojo slowly rolls to his other side, now facing your back, he closes the gap between you slowly, treading carefully, an inch left between your back and his chest. he slips his right hand around your waist, lightly “baby?..” he whispers. “baby?..” he scoots closer, wrapping both his arms around your waist, pulling you closer to his chest. pressing his forehead against your shoulder blade “i’m sorry, hmm?…” you smile, holding back a giggle, you want to prolong this a little longer to see what he does. he hugs you tighter, pressing a soft kiss to the side of your nape, his nose on the crook of your neck, inhaling your scent. “baby… please?…” you can’t hold back anymore, you turn around, pressing his face to your plush chest. he smiles and nuzzles his head in further. “i love you” escapes his lips. “i love you more” you whisper, kissing the top his head covered with snowy white hair. he wraps his arms around your waist, intertwining his legs with yours, pressing his face into your chest. “mmh” the only sounds filling the room are the sounds syncing heartbeats and the soft sounds of breathing. he’s such a lover boy.

[0ann3]

When you and your friend share a single braincell together

[potatobugz]

Lucky is he, Who lives unaware

[flowerakatsuka]

cringe ass baby spawns more cringe ass babies.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.