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some nights the lighthouse, some nights the sea (transatlanticism) | chapter 21: the sea is history
Chapters: 21/35 Fandom: Game of Thrones (TV), A Song of Ice and Fire - George R. R. Martin Rating: Mature Relationships: Jon Snow/Daenerys Targaryen, Minor or Background Relationship(s)
Summary:
“Daenerys is a queen. Only a king can answer this message.”
“A king,” Sansa echoes, finally meeting his eyes. “Or a princess.”
•
In Westeros: war.
To the east, the Targaryen queen has landed on the shores of Dragonstone, prepared to take back the throne stolen from her family. To the south, the lions of Lannister bathe in the blood and copious spoils of their war—unchallenged, undefeated. To the far north, beyond the Wall, looms an unimaginable nightmare led by a god of death, a demon who will bring eternal winter to the realm by means of his army of walking corpses. And in the middle lies the shattered and broken North with its newly-crowned king, a king given a choice between a dragon and a lioness.
The only problem? Sansa thinks that negotiations aren't exactly her brother's specialty anymore and he is surely going to get them all killed.
Or: Sansa goes to Dragonstone to meet Daenerys instead of Jon.
#jonerys#jonerys fanfic#jonerys au#jon x dany#jon x daenerys#game of thrones#game of thrones fanfic#the s7 au that was promised#some nights the lighthouse some nights the sea (transatlanticism)#chase writes things
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*percy seen from a far, wearing a suit*
piper: do my eyes deceive me or is percy jackson wearing formal clothes? since when does he have the ability to look like a domesticated human being?
frank: how come HE, percy of all people, king of untidiness, can wear a cream linen suit and look like a celebrity, but when i tried one on i looked like a man-child going to a high school dance?
hazel: sweetie it’s just because it’s such a casual suit, and you’re much more elegant than percy is!
annabeth, turning to them: um okay, hi percy’s best friends? can you guys compliment him without insulting him?
leo: his ass looks incredible.
grover: has he been working out?
annabeth, side eyeing them:
annabeth: okay, you have all now either insulted him or hit on him. how about from now on, you do neither?
rachel: how about we do both? because i’ve actually just perfected doing them at the same time
#for the record i don’t think his friends disrespect him#i just needed to write something about annabeth defending him (which almost feels ooc after wrath 🙄#while also trying to keep it light#he’s the king of *casual*#and he pulls it off#i love the thought of his friends all giving him a hard time and annabeth being like PLEASE DON’T DISCOURAGE HIM FROM DRESSING NICE#because that girl loves to see her man in a suit#which is canon#by the way#anyone remember paris?#anyway#also i think leo always makes things weird#in the best way possible#percy jackson#annabeth chase#leo valdez#piper mclean#frank zhang#grover underwood#hazel levesque#rachel dare#percabeth#pjo#percy jackson and the olympians#heroes of olympus#incorrect quotes#pjo incorrect quotes#rick riordan#riordanverse
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i literally do not care about big emergencies on abc's 911. i want to see my characters talk to each other and have stories that are parallels to small, everyday (everyday for first responders) emergencies
#why must everything be such a big ass event#okay yes it makes sense for a season premiere (tsunami my beloved <33)#and they sometimes slay at the end of a season (sniper arc <33)#but god other than that i literally do not care!!!!#bc they are bad#im not even sorry but the ebola 2.0 story is just not interesting to me#i would never rewatch it even if it gave us buck athena doing crime and chobby moments that make me scream and my beautiful boy ravi#like i care about the characters!!!!!#idgaf about anything else tbh#thats why i watch this show bc i love (almost) every character on this show and i want to learn more about them and see them in situations#so many recent episodes have zero rewatchability to me bc tim is out here trying to do some crazy ass thing that ends up not being executed#well or sacrifices character development#and like man what are you doing???#making episode long arcs that are still focused on the mains and not just doing shit for the sake of doing shit is possible and has been#done on 911 before#pls#tim pls i want my characters to have satisfying development and arcs i dont need to see a 4 minute long helicopter chase or your poorly#written versions of movies you like#either start cooking up good mass events again (see: earthquake tsunami sniper) or just stopppp doing them pls#sorry i saw tims interview where he said there's gonna be another mass casualty event at the end of 8 and i just know its not gonna be it#like some of these episodes this man has been writing have so few good character moments/interactions that im like.#why did i even watch the episode i could have gotten all i wanted from gifs on tumbler dot com and wouldnt have had to watch 40 minutes of#poorly written everything else#anyway i love everyone who works on 911 abc (excluding tim) they are beautiful and hardworking and put up with that bald mans delusionals#and ofc i love all my beautiful mains you are the reason i watch this show i cannot imagine 911 without my beloved firefam
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Duke: My cousin Jermaine got sentenced to a year in prison yesterday. Not for what you think either.
Jason: I'm intrigued.
Duke: Thought you'd be. Okay, so he heard about this money glitch at Chase.
Dick (pinching the bridge of his nose): Oh no.
Duke: You already clocked it, but let me keep going. So what he heard is if you write a check with a large amount that you don't have, it'll let you withdraw said funds before the check clears and that... That's just check fraud.
Dick: That's like the most basic type of bank fraud.
Dick laughed, shaking his head.
Duke (laughing): Like I get he wanted money, but you can't take money that isn't yours... When you're poor. When you're rich, it's not stealing, it's getting a bag.
Jason: This is why we like hanging out with you. And was he aware the bank has all his info?
Duke: He kind of was, he signed up with the info. The check was for seventy-five thousand dollars. And ... And ... He learned about this "glitch" through finance bro on TikTok.
Dick nearly spit out his drink as he started laughing again.
Dick (coughing and laughing): Oh God, I was drinking water when you said that.
Jason (smirking): Is he... Is he stupid?
Duke: Oh yeah, it got so bad his mom didn't bail him out. He committed a felony to use the money to buy stupid stuff. Stupid stuff his mom is currently returning or reselling. I swear, we all got 'that' family member, you know what I mean?
Dick and Jason: ...Yeah.
#batfamily#batman#duke thomas#incorrect batfamily quotes#batfamily headcanons#jason todd#batfamily fanfiction#batfamily funny#batfamily comedy#dick grayson#mini fic series#chase money glitch was a real thing#and yes it was just check fraud#you see what it actually is is that some banks will release your funds early#but if the check doesn't clear you don't keep the money! lol#script fic#if you gonna commit a crime make sure the bank doesn't have all your info#fan writing
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I don't go here but uh
me: oh no so all the Black Widows had ovary-removing hysterectomies? are they on HRT, since they need to be conventionally attractive, conventionally feminine women and there's a risk of hormone changes compromising that? they also have increased danger of bone density loss, mood swings, pelvic organ prolapse, sexual dysfunction...you're going to get into that right? because I fully believe that a secret Soviet assassin factory would do involuntary, unnecessary hysterectomies, but they'd also want their Sexy Assassins at peak Sexy Assassin performance. and even the women who've gotten out probably don't want to deal with those symptoms if they come up. so are we going to see Natasha taking estrogen, or...?
Marvel: no, they just can't :( have babies :( and by the way they sometimes think they're monsters because of that :( but that's all a hysterectomy does and we would know because we are very smart cis men!!!!
#marvel#black widow#I've only seen clips but I'm pretty sure they don't get into that#wasn't the director a woman? why would she allow them to write it so that the infertility was a Total Hysterectomy thing?#it brings up so many questions that wouldn't come up if it was like...a bilateral salpingectomy (fallopian tube removal)#and if you're dealing with a cis female superhero who's dealing with- among other things -involuntary body modification#that would be a particularly poignant thing to bring up#not everyone gets those symptoms but for the sake of pointing out the issue#you could give a bunch of them to Natasha and show her on a cocktail of medications to counteract them#like after some car chase she loses her bag and she's like 'fuck my osteoporosis pills were in there'#(or something)#or maybe one of the super-geniuses in the MCU came up with a way to counteract it all but at least MENTION that#and maybe her less-escaped sister still needs the meds. it would be a great way to keep the Widows dependent on their bosses#the ones who developed side effects at least
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Rockstar!Eddie Leaves What He Had With Steve Behind in Hawkins 💔 to Chase His Dreams 🎸
(so why is it that he’s back in Steve’s bed Hawkins every couple months for ‘very pressing reasons’ that are straining Steve’s heart honestly anything but? 🫤❤️🩹🥺)
NOTE: this was originally a fill from @eddiemunsonbingo AGES ago, and I’m only bringing it over here NOW because something for the @steddielovemonth is going to be posted soon that is a standalone in its universe, but also very much a sequel to it ♥️
Steve really does try not to think about it in terms of…time.
Maybe that’s foolish. It’s mostly denial. Lots of it isn’t reliable anyway: the score his body keeps isn’t accurate, war-time left over from too many near-misses with a fucking alternate dimension but the popping in his joints and the ringing in his ears and the white hair he pulled out of his scalp and stared blankly at in the sink for a good twenty minutes: those are real things, but they don’t chart the passage of days, of hours, months and fucking years with any real meaning.
It’s been four years. Roughly. Depending on what the start point is. Whether it’s that Spring Break. Whether it’s the first winter. Or the spring after, when Robin begged him to go with her—there’s still time. She still begs, because they still talk given the thread inside them stays tied unbreakable to one another, oblivious to miles between. Maybe it’s measuring from the graduations, the kids—only Erica’s left at Hawkins High, now, though Steve gets calls from the whole bunch of them, Eleven the most, which was maybe surprising, then it’s a good split between Dustin and Will, another surprise. Max calls enough but her calls are calls, with a weight most of the others lack. Lucas’s calls aren’t super frequent but always long, mostly because he talks around the point forever, whatever the point happens to be. Even Mike usually ends up on the other end of the line once a month. It’s…that could be where the time starts from.
Or it could be the summer, that first summer. The one that taught Steve what it was to have a heart just to fucking break it.
Could be that. Impossible to say.
(It’s been 3 years, 7 months, and 14 days. Steve had only counted in retrospect, in the wreckage left behind, because while he’d known there was a deadline in it, to it all, he’d thought he could be enough. That he could change a mind. He’d thought…
Foolish things. Bullshit. Didn’t matter. Could be any fucking date.)
But since the point's come up, and it’s front of Steve’s mind, his least favorite (most favorite) place to find it: he hadn’t expected it. Robin liked to say she saw the signs but. Steve hadn’t watched it happen in slow motion because there wasn’t a single goddamn slow thing about it. Which was…for whatever it was worth, Steve knew falling fast and hard and with everything he was had maybe failed him every time, thus far, but at least he knows that for him?
That means it’s real. He’s all in. He might not be met equal on the other side of the equation—hadn’t been yet, maybe wouldn’t be ever, but he wasn’t having any luck trying to fucking change that fact so, learning to work with what he had was the best he could do. And he had love. He’d never been able to name it to himself so far: not before, and certainly never since. But.
Figuring out the sexuality thing had been a not-bathroom-but-definitely-floor talk on the shitty Family Video carpet sometime around November of ‘85. Slow days, idle comments, and Robin’s suspiciously-but-reliably-gentle-when-the-need-was-dire hand to his shoulder to say no, no: actually wanting to kiss people of any gender wasn’t really…the default Steve had always expected it had to be. How could anyone look at, say, Harrison Ford and not think, oh yeah, I would at least suck his face?
Turned out probably at least half the people on the planet. As in the straight guys and the lesbians. Steve had spent the majority of three days on that disgusting fucking carpet, open to close, popping up to ask Robin if she was sure because what about—
She was sure. And eventually, through a couple of needs for deep breathing and a handful of assurances that it was okay to cry—he appreciated that, but he kept the crying to his room after these long-ass shifts and if Robin stayed for some of those times, that was because she was half his head, half his heart, and she knew what he was going to do sometimes before he did.
They did end up on the floor of his bathroom, a clean one for once, at one point. Maybe because they both held to tradition. Maybe because Steve had largely come to terms with the mindfuck of yet another piece of his world, his self unravelling and rewriting itself, and thought the vodka in his dad’s liquor cabinet was a good way to celebrate. The label was entirely in Russian and Robin had been practicing on hers, said she was pretty sure it was the good shit.
Sometimes you can drink enough of the best shit on an empty stomach, though, and still spew the whole of it up.
Steve sometimes does think he drinks his dad’s best liquor that way on purpose, though. Delightful going down and yeah, it sucks to chuck it up but. The idea that it’s ultimately wasted feels…right.
Anyway: Steve had settled with it all by New Year's, and while he’d hosted the rugrats who could only blabber about their latest campaign with their epic DM, and he’d kissed Robin when the clock turned, well. It felt like a new start, a fresh page.
Something that had the chance at being a good thing.
And nothing much happened in the two-and-a-half-months that followed save for finally catching a glimpse of the D&D god who ran their little club while he was idling in his car to pick up the shitheads, this legendary DM who did not make Steve jealous one tiny bit and who was cool and was edgy and was so fuckin’ cool, Steve, did we tell you got cool he is?! and Steve had said language as monotone as he could before he squinted as out came all the metal and the ink and he’d said your club president dude is Eddie goddamn Munson and he should have kept his mouth shut because the amount of talking that ensued left him with a headache the size of Montana; but.
That was really all that happened until about…mid-March.
Then Spring Break happened.
It could be argued Eddie and Steve grew close enough to pass the acquaintances benchmark, ended up as at least tentative friends on top of necessary battle mates as early as the Upside Down. Whatever reason Eddie gave, he jumped in after Steve. Whatever speech Steve landed on, he didn’t want Dustin orEddie hurt.
It could be argued Steve wasn’t paying attention and didn’t stop in time and landed in the land of Tentative Friends You Wouldn’t Mind Added Benefits With after the…at least after the way Eddie leaned in close and his lips we so red and he called Steve big boy and…
Yeah.
When Steve carries what may or may not be Eddie’s still fucking corpse out of the Upside Down—he can’t tell, every time he tries to check again his own heart's too loud, his own breaths too shaky—but by then, they’re family. Bound in blood. Steve would die for him, like the others. He won’t let him die, if he can fucking help it.
Between him and Max, Steve almost crashes, breaks. Steve’s there when Max’s fingers twitch and he laughs with tears in his eyes and hands over hands and tells her he loves her and he’s sorry and he’s there, tries to talk around the letter he opened and resealed without evidence because Steve knows some tricks too, okay, and her words had broken him but now he could live up to what she thought she was leaving behind, could make sure she had every goddamn thing she thought she was giving up in spades, to roll around in in abundance. He was going to take care of her, whatever she needed. Whatever it took.
Her lips had quirked and the doctors called coincidence, don’t get your hopes up but; Steve knew Max. That was all her.
And there were more tears, he let her fucking feel them; he fucking hoped she’d notice, and remember, and give him so much shit.
Eddie takes longer, pulls out of the woods enough to exhale a few days later, and the way Steve slips out to find the hospital chapel, the only goddamn place he won’t be found by anyone he knows, and bawls his goddamn eyes out?
It’s family, and it’s love because it’s family but…it’s been so quick. It’s been intense, and that probably speeds it along but…
Shit. Shit.
That’s when Steve knows he sets a new goddamn record for himself and falls hard and heavy and stupidin, like, a week and change. Jesus Christ.
It’s in the recovery that they build something though. Something that’s not trauma or terror or the threat of imminent death. Steve spends most of his hours between two hospital rooms listening to progress reports and taking notes and the kids gravitate toward Max—Dustin would have been the outlier but Steve knows he’s not ready, and so he gives his own updates just to his brother when he drives him home after visiting hours—but that means Steve’s Eddie’s most common conversation partner. They talk about bullshit. Steve defends a-ha to the last breath he has. Eddie’s rendered speechless for a second and then frantic when challenged to pick his favorite band. Again when it’s his favorite song, from his favorite band. And again when it’s his favorite song of any song, ever at all. Steve's heart swells in the watching. He’s foolish enough to bask in the glittering of Eddie’s eyes when Steve indulges in talking, scene by scene as guided by the master in the bed beside him, about what his opinions on Star Wars really were. And then guided by no one, just invited to share what his opinions are on the last movie he saw and loved: which was Weird Science, the last movie he watched in a theatre because he and Robin had gone to face their fear or some shit after Starcourt and it was easier than he’d expected. Eddie listens, and nods, and asks if they can rent it when he’s out, before making sure to add but you should really have a new choice like, eight months later, man, you work at a video store.
Steve was mostly just focused on Eddie more than implying, of his own volition, that he wanted to have a movie night.
Eddie’s released before Max, largely for mobility reasons, so they both go to visit her now. Robin’s put on the night shift when they schedule their movie night and Steve immediately moves to reschedule but she says no, she’s seen it, make Eddie suffer this time. So it’s just them.
They sit closer than they have to, on the couch.
And it’s little things that build from there. Max’s physical therapy is a government secret, like some fancy space-age protocol that has real hopes to put her on her feet again so she needs a ride, and while they could take turns, Steve and Eddie just take turns as to which vehicle they hop into to drive her. They stay when she needs them—not when she asks because she’s Max and she never asks—but it ends up three days a week back and forth and during: together.
And a lot of nights, for a movie or a smoke or a nightmare or a pulled stitch before they’re all taken out: together.
And shifts where Steve doesn’t even bother to bring his own lunch because Eddie Munson, unpredictable and wholly forgetful super-super senior—who Nancy and Hopper and most of all Joyce convinced the School would be finishing his final senior year at home save for tests, and only that once he was cleared by his doctors—that Eddie Munson brought Steve something every single time he worked. A burger, a chili dog, chicken fucking nuggets. A PB&J clearly homemade and cut diagonal.
So yeah. It starts out how it does when Steve’s in trouble. But it builds like…Steve’s never known before.
They kiss in May. Maybe so that it’s not their first, and a total cliche, when Steve kisses him for graduation behind the bleachers.
The sleep together after graduation, high on the thrill of it, and that’s maybe a cliche but Steve could not give a shit less.
And then they're EddieandSteve, only to find out they have been for a while; and this is just something a little deeper, a little bit more.
In ways that mean everything.
Looking back, Steve knows Eddie never minced words about his plan to leave Hawkins in the fall. With a mixtape and a prayer if I have to, Stevie-boy, he’d said once even, and Steve had laughed.
He’d fucking laughed.
So he’d known.
But July bleeds into August and Steve…Steve’s in love, okay, for real in a way that he’s never felt before. Right in a way he’s never felt before. He kinda just…overlooks it. Because Eddie seems to be at least on the same wavelength. Touches him first, reaches for him first: wants him. Looks at him with not just desire or attraction but…something no one’s ever looked at Steve with before.
And so he hopes. More than hopes.
But when Eddie starts packing, Steve can’t breathe.
He buys a set of luggage and goes home to start the same, has half of his not-excessive possessions shoved in when he realizes:
He’s not invited. Eddie’s never asked him to come.
Looking back, he’s afraid he wasted too much of those last weeks. Scared of giving too much away, the hurt from so many sides and the heartache that’s already taking root, but also: the way he clings, but tries not to make it obvious.
Fuck; but of course it was gonna be obvious, and how much energy did he waste, how many opportunities slipped by, because Steve was trying not to give away that Eddie leaving—to get away from a town that hated him, to try and make a real go with his music, to be anywhere without Steve so he could live out the dreams that predated Steve, that Steve had no place in—to try not to give away that all of it; it’d fucking destroy him.
Steve doesn’t know, to this day, how he stood and let Eddie kiss him breathless out the driver-side window, how he waved until Eddie was out of sight. He doesn’t know.
Kind of like he doesn’t know how he fucking keeps doing it.
Eddie throws tapes to every radio station with Van Halen or other top-played bands written on the insert in sharpie like that gives nothing away, and sneaks a demo in every underpaid delivery boy’s hands to record executives as he drives to the West Coast, sends Steve postcards what seems like has to be every goddamn day, filled up with his rambling until there’s no space left, has to draw lines around Steve’s address to make it clear where the damn thing’s going lest it get confused. Like they’re SteveandEddie still. Like only…only the things that changed after graduation are gone.
Steve sobs after about a month of it all, grateful and resentful, hateful and still so goddamn full of love it’s sickening. Literally, it makes him feel nauseous. He…
He keeps every postcard.
When one of them comes to say some idiot in San Francisco accidentally played Corroded Coffin on what’s apparently an important station, and Eddie got a letter in response from one of the labels, he says he’s coming back for the boys, they need to be ready. Steve knows he’s not one of the boys, but.
Eddie wouldn’t have told Steve he was coming if it wouldn’t matter to Steve. And maybe Eddie wasn’t in love with him anymore, maybe never was in love with him.
But he’d be lying if he said he thought Eddie didn’t love him. In a different way. A…you-don’t-get-to-come-with-me-but-I’d-still-want-to-see-you-when-I-stop-back kind of way.
And Steve…Steve’s not a fucking monk or anything. But even Robin doesn’t try to push him when he finally just tells her what he feels, lovesick and pathetic as it is:
I gave everything I had to someone else, and it’d be different if I wanted to back, to give again, but…I don’t.
I don’t want it back, not from him. Not if any part of him, wants to keep any part of it.
And because she’s Robin, she knows he means something else when he says ‘it’. And because she’s Robin? She’d push if she thought it was worth it.
She just holds him, and that’s really the best thing he could ask for.
But it becomes a thing. The boys go with Eddie, and they record new shit to impress...whoever. And they do. They come back for Halloween, because Eddie loves it. The label’s dragging its feet, but they’re not deterred, they’re energized. They come back for Thanksgiving because Wayne loves it—except he doesn’t, Steve knows that, Wayne actually hates trying to make a bird and Eddie had lamented more than once that they ended up with lunchmeat cut into cubes one year when Wayne was particularly frustrated with the process. They go out East, and try a few studios in New York. They come back for Christmas.
Eddie spends most of his time with Steve. Steve doesn’t fucking fight that; wants it…like…
There’s nothing to compare how he wants it to. Nothing exists that fits.
Eddie spends most of the time that he spends with Steve, though?
In Steve’s bed.
And here’s the thing: Steve had a decent amount of experience to compare to, but once they’d fallen into a rhythm, got past the awkward bits, the learning curve? Sex with Eddie had been a goddamn revelation. Not just because he was a man—after he’d left, Steve had forced himself to try, and dispelled that possibility quick as hell—and now?
Now, it’s like they never stopped. Every fucking time, it’s like they never stopped.
Steve’s not surprised in the slightest that he remembers every give and tell of Eddie’s body—of course he goddamn does—but that Eddie doesn’t miss a beat in touching, sucking, licking, worshippingSteve’s? That’s insane. That’s…
Unexpected. Every time it’s unexpected and every time Steve’s shown he wasn’t forgotten when he probably should have been. Eddie’s building a life that doesn’t include him.
He’ll only get in the way.
But Steve is selfish and stubborn and maybe it’s often, like almost strangely so, but it’s only a week or two at a go so he tells himself he’s allowed. He tells himself that it felt like making love in the beginning because Steve was in love, and that it still feels exactly the same because Steve…Steve never stopped.
Steve is still just as goddamn in love.
So yeah. Steve sleeps with Eddie and it’s like…it’s like rationed air. He gets a regular taste and he gets to keep breathing.
And it’s okay. Probably more then. Because he gets Eddie—even a little bit. Even just in scraps. When he has Eddie?
He has him, even for moments that were never made to last.
It’s Easter, this time. The band put out their first record in January. It’s doing really well. Eddie’s over the moon. Someone called about a magazine cover for a publication in Cleveland that’s apparently kind of a big deal, Alt..something. Steve will buy every copy in a fucking 100-mile radius. 200 miles. 500—
It’s Easter. Eddie didn’t lament not celebrating it after Spring Break in ‘86 but he’s back every year now. And if it’s just…come to mean something, or maybe did then and circumstances won out against it? Steve will be here. Steve will be comfort and a reprieve or a hot as hell romp with a familiar body, Steve will…
Yeah. Steve will do whatever’s needed. Wanted. Anything.
Pathetic.
But so much better than nothing.
Case in point: they’re both naked, sweat mostly dried, sharing a joint and it’s comfortable. It’s quiet and gentle and put up against sitting alone on a weeknight, not with Eddie?
It’s heaven.
“So when’s the dream happening?”
Steve looks cross-eyed toward his lips; he hasn’t smoked this thing long enough to have heard wrong. He squints up at Eddie, whose chest he’s laid out on, confused. Offers him the smoke but he waves it away.
“The dream?” Steve asks finally, when Eddie doesn’t seem to want to answer on his own.
Eddie looks at him weird. Not weird for its own sake but like: like he’s staring into him, and then like he’s disbelieving, but then also like he’s seeing him for the first time.
That kind of weird.
“Getting the fuck out of here,” Eddie answers like it’s obvious. “White picket fence. Little nuggets.” He spreads his hands as wide as possible without tossing Steve from where he lies. “See the sights.”
And Steve’s response is immediate. Doesn’t even require a thought.
He laughs. Like, ugly-laughs.
“Man,” he shakes his head as he catches his breath, and passes the joint off this time with purpose, not an offer or a choice as he snorts a little; “that’s not the dream.”
When Eddie doesn’t grab the smoke, Steve finally looks up. Eddie…
Eddie looks like what Steve’s always struggled to understand the word ‘poleaxed’ to mean. He thinks it might be this.
He looks…like something stuck him through the gut. Slapped him silly across the face.
“What d’ya mean?” And it’s just three words, one that’s a cheat, and he says it slow enough to take an age.
Steve breathes out, and then, if he’s gonna be honest, and if he has to keep holding the damn thing anyway, decides to take another drag before speaking:
“Figured out what the dream was, inside the dream,” Steve says, wondering if he’ll get away with the vagary; knowing he won’t.
“All we see or seem?” Eddie jokes a little, but it falls flat, his tone eerily kinda…strained but hollow.
“I like poetry.” Steve smiles up at him, soft, and offers the joint again straight to Eddie’s lips. He takes it this time.
“It was about family. It was about stability, not,” Steve shakes his head, stops talking half-assed around the lungful he’s holding, and lets it out slow; “not in a place, fuck, not in a house, but,” a person he doesn’t say, but he hears it in his head; “it was about sharing it.”
And that's it. That’s the simplest, most straightforward truth. Steve doesn’t think there’s anything complicated, or offensive in it. Hard to swallow. Even if he’s come to terms with it. Is mostly at peace with it.
Which is why it’s weird, that Eddie feels suddenly rigid beneath him.
So Steve turns, and braces his hand on Eddie's chest for balance, and frowns when he doesn’t even have to push down to feel the way his heart’s a fucking riot.
“What?” Steve asks, gentle; Eddie’s face is a portrait of conflict, of distress and Steve can’t fucking figure out why, they just came like four times between them and are sharing some very nice Cali weed—they’re nestled close, they’re together, it’s…
Eddie’s quiet, his breath disconcertingly steady for how his pulse pounds, and then he breathes out slow before covering his face:
“I don’t think I can fuck this up any worse than I already have, so,” he mutters, dejected for reasons Steve can’t even guess, then he laughs, humorless, shakes his head:
“Let me try, I guess.”
Steve frowns, uncomprehending, until:
“I’ve been in love with you forever.”
Steve thinks the world stops. His heart does, at least. Suspended. Silent so he doesn’t miss a syllable.
“And I told myself,” Eddie bites at his lip, worries at the bottom swell; “end of that summer, from the very first, I said: don’t ask him to come with you, even if it breaks your heart,” and oh god, oh god after all this time: Steve doesn’t think he’s projecting to hear the genuinely broken heart in those words for just remembering.
“Don’t ask him to settle, you’re not even in the same universe of what he wants,” fuck, what lies Eddie’s saying; did he believe them? Has he always—“what he needs.”
But Eddie is everything he needs, always was, will always be—
“You’ll never have the picket fence. You can’t give him his nuggets. You should never be trusted to park a Winnebago.”
They could have had a shitty studio apartment. They could have had the kids in college. They could have run the BMW until it died, or sold it to put toward a better van for equipment. They could have—
“You’re selfish, Munson, you’re a rat fucking bastard but,” Eddie’s still going, heart still hammering under Steve’s touch even as Eddie swallows hard and fails to smile, looks ill with the attempt like it hurts to try: “you love him too much for that.”
Oh. Oh god.
“It didn’t break my heart, though,” Eddie clears his throat and glances away, to the ceiling, eyes too bright: oh fuck; “broke my goddamn soul,” and a tear falls, and Steve can’t help but wipe it away, and kiss the track. Even just once.
So he does.
“When I saw you again that first time back,” Eddie starts again, voice rougher and shakier as he reaches a hand for Steve’s. “I could have asked the boys to fly out, the execs offered, but,” and this time, the attempt to grin is more successful, like a weight’s lifted from it: “and you smiled at me, it felt like,” and when he shakes his head this time it’s for disbelief, but the kind that comes with awe; “and when we slotted back together like we’d never been apart, it was…”
Eddie’s voice trails, but it cracks at the end—Steve doesn’t know which does more to stop his words.
He’s grateful, relieved, when they come back. He’s powerless but to give when Eddie touches his cheek so gentle and breathes:
“And I had to tell myself again, and again,” he murmurs, stroking Steve’s skin like he’s precious: “you love him too much to take his dream away from him.”
“What did it matter?” Steve can’t help but ask, no malice in it, just the need to understand. “You had your dream, you have—“
They have a contract. They have an album climbing the charts. They’re not just on their way—they’re there. The only next step is to get bigger, and bigger, and—
“Dreams within dreams, wasn’t it?” Eddie murmurs close to Steve’s cheek, where maybe he’s pressing to be close, or maybe he’s hiding a little, so Steve strokes his hair because he can either way and relishes how Eddie leans, melts into it like always. “Inside the dream?”
Steve nods, more to encourage more words. More Eddie.
“Break my dream open and there’s you with me, every step,” Eddie whispers, his lips warm on Steve’s skin. “Break my heart open, same damn thing,” and that causes Steve to shudder, and his heart to pick up now, too. “Both just kinda crumble if you take out the center.”
Steve can’t quite believe what he’s hearing. Wants to. Doesn’t think they’re lies. It’s just, he…
“Those,” Steve tries to speak but his voice cracks; he clears his throat and kicks his lips while he tucks Eddie into his neck, under his chin: “those would be good lyrics.”
“No,” Eddie shakes his head and nuzzles Steve’s throat with the motion and this can’t be happening.
This can’t be happening, can it?
“No, those words were only ever meant just for you.”
And Eddie kisses the pulse point close to his mouth and holds there, like a sentry and a miser, and holy shit.
Holy shit.
“And I don’t know,” Eddie’s saying more, but it’s pitchy, thready, like he’s barely holding the words together at all; “I don’t know if it’s nostalgia, or convenience, or routine,” his voice breaks again and the sob’s in the word when it comes even if it’s not streaming down on his cheeks: “pity,” and no, no, not fucking ever, how—
“I was never your dream then, and I don’t even know if I can be your inside-dream now, and,” Eddie’s rambling, and he does that when he’s desperate, when he’s overwhelmed and overfull with feeling—and Steve knows that. Steve knows that about him.
Steve knows. Better than he knows himself, Steve still knows him.
“I just want the world for you,” Eddie whispers, stroking up and down Steve’s jaw; “my sweetheart. My sunshine,” he smiles so real and soft and Steve melts, like the heart in his chest starts spilling through his ribs, warm and liquid: “you deserve more than the world, more than fuckin’ me and I,” Eddie shakes his head again, more this time like he’s stopping himself, like it’s a defense mechanism and Steve reaches for his cheeks, broad palms on either side to hold him still because…he doesn’t want Eddie to stop.
Ever.
“Did I ruin it?” Eddie breathes, and barely at that, eyes so wide and swimming and oh, god; “did I—"
And Steve can’t help it. He can’t help but kiss him with all he’s got, even if it couldn’t be all Eddie’s worth in all the world. Steve can’t contain all that Eddie’s worth.
But he can give everything, because this is the man who already has it.
“What the hell was I supposed to be to a rockstar?” Steve tries to talk through his own tight throat, his own growing smile, his own threat of tears bubbling close to the surface. “How the fuck was I ever going to measure up, ever do anything but hold you back when you could have—“
“I come back to you, for you,” Eddie answers immediate; it’s not what Steve’s asking but he won’t lie and say he didn’t want to know, at least a little. “The handful of times I’ve tried,” Eddie shakes his head once now, definitive; “I have always left my everything with you.”
The idea that Steve’s spent all this time feeling empty, and hollow, and missing the best of himself where it lived in the man he loved—the idea he was wrong, that they both were so fucking wrong is…insanity.
“I had a bag half packed.”
Steve doesn’t need to explain further. The noise Eddie makes is pure pain.
“Baby,” he nearly croons, falls into Steve somehow closer, wraps him up tighter; “I wanted to kidnap you in the night.”
“I sobbed in my bed after you were out of sight.”
“I pulled over before the town sign, because I couldn’t see the goddamn road.”
And Steve…Steve doesn’t really have a decision to make about what he says next. What dream he wants; always has.
“I never got rid of the luggage.”
And Eddie hears everything he says in those words, because after everything, Eddie Munson knows him, and…yeah.
Steve’s been kissed in a lot of ways before. By this man in particular, even.
But this: if leaving broke Eddie’s soul, if somehow the lack of Steve somehow did that?
This is…this is the body meeting another body, heart to heart and tasting the way a soul slides back in place. It's Eddie’s hands in his hair like hell never let go and he’s happy about the idea; blissful for it, even. It’s—beyond anything Steve’s ever known. So: yeah.
It’s not a decision. It’s just a fucking given.
♥️
🎸also on ao3
✨permanent tag list: OPEN (lmk if you want to be added/removed): @ajeff855 @askitwithflours @awkwardgravity1 @bookworm0690 @bumblebeecuttlefishes @captain--low @depressed-freak13 @dragoon-ze-great @dreamercec @dreamwatch @dreamy-jeans137 @estrellami-1 @goodolefashionedloverboi @grtwdsmwhr @gunsknivesandplaid @hiei-harringtonmunson @hbyrde36 @imhereforthelolzdontyellatme @kimsnooks @live-laugh-love-dietrich @mensch-anthropos-human @nerdyglassescheeseychick @notaqueenakhaleesi @ollyxar @pearynice @perseus-notjackson @pretend-theres-a-name-here
divider credit here
#steddie#steve harrington#eddie munson#future fic#post s5#angst with a happy ending#miscommunication#romance#tenderness#fluff#rock star eddie munson#steve harrington stays in hawkins#fuck buddy#but does it count if you’re exes and your still friends and you do it all the time?#like it can’t even be reunion sex because one party is always finding and excuse to come back#and it can’t even be make-up sex because they didn’t FIGHT they just…were DONE#chasing your dreams#(and recognizing when those dreams sometimes change)#yes eddie walked away from a once-in-a-lifetime kind of love#(he had his reasons I promise)#yes he makes detours to hawkins almost confusingly often for a successful musician 🤨#(YES he ends up in steve’s bed every time)#happy ending#stranger things#eddie munson bingo#hitlikehammers v words#hitlikehammers writes
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I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.
It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).
We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.
I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.
And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.
Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.
It's exhausting. Rick write more than one relationship dynamic you can do it I promise
#pjo#riordanverse#percy jackson#tsats#annabeth chase#nico di angelo#will solace#mcga#magnus chase#alex fierro#leo valdez#calypso pjo#analysis#< bwah i feel bad putting that many tags but it is relevant#rr crit#< i guess?#tsats crit#< that one can be here though. the other crit tag is usually for Bad Stuff ergo why i feel weird putting it. this one's just random stuff#i feel like i should tag ships too cause it is an analysis of those ship dynamics in canon but i dont want it to come off as shipbashing :(#eh fuck it i'll ship tag. disclaimer- this is not shipbashing i am just doing analysis of how rick is bad at writing this specific dynamic#i am tagging these ships for relevancy and analysis purposes only. i do not intend to be mean about them re: fanon#fierrochase#percabeth#solangelo#caleo#i do think this is good to note though with writing these dynamics - like rick's intentions vs execution vs consistent characterization#i think you could also argue Carter and Zia exhibit some traits of this dynamic? like an early form of it in Rick's writing perhaps#i havent reread it in awhile though so i will save my thoughts on it for later#long post //#forgive if this post is semi-incomprehensible it was a quick late night rambly thing
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ngl one of Rick Riordan's weirdest choices was not having Blitz and Hearth be married. like Richard they're married, they have more chemistry and are more natural and at ease with each other than almost any other Riordanverse characters, they're not made for each other's environments but they both have ways to get around it when they need to and they're both more comfortable mentally in Midgard's middle ground anyway, they're outcasts in their societies, they see the strengths and beauties in each other that nobody else does
literally in every way they're the couple ever
#I feel like this is one of those ships where I don't even need authorial acknowledgement#I feel that by writing them Like That he voided any such prerogative on his part in perpetuity throughout time and space#(also I thought the thing with the cow elf girl was stupid)#(blitzstone was right there and she was inconsequential by comparison)#(she was cute don't get me wrong but I can only accept her as a friend)#magnus chase#mcga#magnus chase and the gods of asgard#riordanverse#rick riordan#blitzen#hearthstone#blitzstone#girl I cannot spell that#had an error screen in my brain trying to figure out what letters I was mixing up lmaooo#martianbugsbunny ships
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For the ask prompt game...
Spirk #17 to distract
"Report," Kirk ordered. The word buzzed low against Spock's ear, quiet and audibly tense.
"Less than two minutes until they reach our location, Captain," Spock replied promptly. "Commander Scott will need at least another eight before the transporter is operable again." His voice was equally hush, despite their perceived solitude. He had seen carelessness take far too many lives during his time in Starfleet; he would not allow it to take his captain as well - and, illogically, Spock could not quite dispense of the phantom sensation of eyes on the back of his neck.
"We'll need to bluff it," Kirk decided, looking grim.
His gaze was strangely intense against Spock, full of rioting emotion, and, almost, Spock wished to look away. He did not. Instead, he nodded, holding steady eye contact.
The odds, Spock knew, that Kirk's gambit - whatever it may be - would succeed were... poor. The guards had, after all, seen their faces. But Kirk would keep fighting right until the bitter end, and Spock, of course, would be right beside him.
Solemn, he vowed, "I shall follow your lead," though he knew Kirk would not have doubted it. Still, the unnecessary words were well worth the way the tension around Kirk's eyes melted away, the somber set of his mouth slipping instead into a golden-edged smile.
Almost wonderingly, a soft chuckle fell from those lips, incongruous in their surroundings and entirely treasured. "What would I do without you?" Kirk asked, reaching up to exert gentle pressure on Spock's bicep.
I pray you never need find out, Spock made to say, getting only so far as drawing in breath before the sound of distant footsteps drew them both from their quiet moment, snuffing the words before they could take shape. "Eighteen seconds," he said instead, after rapidly adjusting his calculations. Faster than anticipated.
Kirk nodded, some unreadable emotion hiding in the soft crease between his brows.
"Forgive me, Mr. Spock," Kirk said softly, and Spock did not have time to question what he meant before Kirk was pulling him down by his shirt, dragging their lips together with great urgency.
Quite suddenly, Spock found that his mind was entirely blank. Strange heat flickered through his whole form, and his universe narrowed to only Kirk, all soft and human-warm, who was pressed flush to his chest and kissing him.
One, then two seconds stuttered by in which Spock thought no thoughts at all, struck utterly motionless in the face of such unexpected attentions. He only felt, swept away by the sensation of pliant lips against his own and warm fingers stroking through his hair, gently mussing.
The very first thought to break to the surface was simply, Jim. A wave of emotion flooded in with it, astonishment and affection sweeping over him in such quantities that he felt nearly lightheaded.
The second was, We will be caught, and Spock jolted as something near to panic rose up inside his gullet, urging him to take Jim into his arms and run.
The third, however, was not his own; it was pressed into his katra from the outside by Jim's careful fingers, his clever mind slipping easily past Spock's shields. Play along, he said, projecting deliberate calm through their connection. Still, Jim was unpracticed in telepathic arts, and beneath that false serenity Spock could feel a tangle of guilt and determination, bitter and writhing.
The truth came to Spock in one fell swoop.
Jim's gambit... was this.
His lips and his hands, which pressed themselves so tenderly to Spock's skin, were not for him.
It was not love which had drawn his captain into his arms, but mere utility. Jim had realized what Spock had not: though they could not hide themselves, they could, perhaps, distract from themselves.
Two men attempting to look inconspicuous would only draw suspicion. Two men locked in a romantic embrace, however, may be overlooked - or even deliberately ignored. Few were comfortable with looking closely at the private passions of strangers, and fewer still would see reason to. Those searching for them, Spock hoped, would not. There would be no logic in halting an escape attempt solely for a kiss, after all.
Therefore, in order to escape unnoticed, they must be convincing.
They must seem, to any observers, to be completely and entirely immersed in one another, with no care for anything going on in their surroundings, and no fear of discovery.
Two lives, purchased with a kiss.
It was entirely logical, then, for Spock to part his lips, inviting Jim's tongue to dip inside of the wet cave of his mouth and meeting it with his own. If a groan rumbled deep within his chest, it could surely only help their cause; there was no need to swallow it down.
This disguise would, Spock observed as Jim's tongue flicked gently at his mouth, be far easier to maintain than it had any right to be.
It was a terribly simple matter for a man in love to behave as though he were a man in love.
The difficult part, then, would be remembering that it was a ruse. Already, heat bubbled deep within Spock, aching want suffusing his every neuron. Every faint brush of flesh sent golden tendrils of telepathic energy sparking across his skin, and it was all Spock could manage to hold himself back from pressing hungry fingers to Jim's meldpoints and sinking into that wonderfully enticing mind.
Instead, Spock slipped a hand beneath the hem of Jim's shirt, rucking up the cloth until he was tracing patterns across a smooth expanse of golden skin. He flexed his hand, allowing his nails to scratch carefully along Jim's spine, and did not permit himself to consider reaching upwards, to Jim's face - or worse: downwards, beyond the waistband of his pants.
He wondered if Jim would have chosen this, had he known how very much Spock wanted.
Perhaps it was selfish of Spock to allow it.
Still, he could not force himself away - not when Jim's life was at stake. The kiss was his lifeline, and so the kiss must remain.
The touch of their minds, however, did nothing to aid Jim. It was solely for Spock's benefit, taken from Jim without his knowledge or intent.
That, Spock could end.
If Jim was to unknowingly place himself into the hands of someone who wanted more than he would wish to give, then Spock would take it upon himself to be his protector - even if the one he must protect against was himself.
And so, Spock opened himself to every offered touch, and girded his mind against every stray thought, until not a single wisp of golden energy could find its way past his defenses.
When Jim's thigh nudged its way between Spock's legs, Spock spread his stance wider, allowing him to press closer, and did not let himself feel. His hands grasped and squeezed at the soft flesh beneath them, drawing quiet gasps from a pink-flushed throat, and no pleasant hum buzzed against his fingertips, carrying with it the flavor of human emotion. Jim nipped at his lips and pet at his hair, and Spock pressed every scrap of yearning deep down within himself to where they couldn't emerge.
Eyes closed and spirit aching, Spock kissed him.
_____________
from this ask game
#WOW i have been slow about writing these again! um. sorry? it has been More Than A Month. (barely)#i also went waaaaay overboard again. someday i will learn how to be chill about things but today is evidently not that day.#this is perhaps not the INTENDED direction of the prompt (sorry) but it is in fact a distraction. just. not for either of them!#well. one Could argue that spock is getting quite distracted indeed. but that was somewhat incidental. Not Kirk's Intent.#star trek#star trek tos#tos#spirk#james t kirk#spock#k/s#ficlet#ask game#btw kirk is totally sitting there like 'i know spock can feel how in love with him i am. i hope i didn't destroy our friendship by saving#him but even at that cost it would be worth it. he can hate me as long as he's *alive* but also i don't want him to hate me :( .'#mutual idiocy as always!#i have two others to finish and (forgive me) i will try to be more normal about them and NOT make them anywhere near this long haha oops#because yeah this was. a bit unintentional length-wise. i got a little scrap of an idea and then it fucking BIT me and ran off#and i ever foolish decided to chase it#i... might? put this up on ao3 at some point? i DO think i'm more satisfied with it than i am with colorblind but.#i am shrimply a bit sad that i haven't actually finished any of my longer wips first. too slow and too distractable!#it's saurrr sad that my longest complete fic is less than 8000 words when i have MORE THAN ONE in-progress wip w/ more words than that.
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Silly/Clumsy WB boys HCs
I see hcs like this and theyre always fun/make me laugh o(`ω´ )o
Sakura’s food went down the wrong pipe at a restaurant and when the waiter asked if it was because it was too spicy, he insisted through coughing and tears that that definitely wasn’t the case (he could tell they didnt believe him though)
Tsugeura sometimes lets one rip by accident when he’s exercising. Not even a little fart either, the kind that stops everyone from what they’re doing.
One time Nirei stubbed his toe so hard, he fell and grabbed onto the nearest object. Unfortunately that was the back of Sakura’s pants, making him accidentally moon a few people in class.
Word recall is hard sometimes. So when Choji calls an ambulance a ‘hospital truck’ really what can you do? At least he’s using words. Sometimes he just mimes the shape or action of the thing and insists that you know what he’s talking about. Will draw a picture if he gets frustrated enough, but if it’s something intangible? Well it’s a guessing word game. (Togame is the best at it, but Inugami is on Choji’s wavelength enough that he’s pretty accurate too)
Hiragi calls the first years by the wrong name sometimes, like a mom with too many kids. He’ll yell and say Sugishita when he means Sakura, but he does apologize before yelling again.
Because he’s around older guys a lot, Togame sometime uses really old words or sayings. You haven’t hear the saying “It’s raining cats and dogs” or he’s “bleeding like a stuck pig” in years until you’re stuck under an awning during a passing storm or he comes back from a rough fight, nose still bleeding profusely. Also keeps bag balm/cetaphil, some other really good lotion for calluses and dry skin and just kinda slaps it on whatever shishitoren member he sees who’s hands are cracking, saying that the skin won’t heal as well when they’re older so they better take care of it now.
Umemiya’s got the worst habit of losing, dropping, or sitting on his glasses. He doesn’t realize it until he hears the snap and he’s got them taped up until he can go get them fixed again.
Kaji’s kind of a messy eater. Especially with ice cream or food with sauce on it. Started to get better with checking his face after eating after Hiragi slapped a wet wipe on his face after he devoured a rack of ribs, leaving him looking like he’d cannibalized someone
#i couldve sworn i did ones like this before but…if i did i didnt put them in the masterlist#mari writes#wind breaker#wind breaker headcanons#sakura haruka#nirei akihiko#taiga tsugeura#umemiya hajime#togame jo#hiragi toma#choji tomiyama#i actually wasnt gonna tag them all but…im trying to be better with tagging#writing these helps clear up some writer’s block i think#getting silly with it is my favorite thing#ive done and do most of these EXCEPT tsugeura’s#the boys at work are constantly doing that shit.#was thinking of doing piercing/tattoo hcs but this is way better#togame is old man coded once again but do you know how many guys i have to chase to moisurize their cracked hands and elbows????#esp in winter when we handle the sidewalk salt?? Its stronger than regular salt and burns my hands smth fierce#i got off topic i should do more of these
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The Library
The Long Fics [ IN PROGRESS ]
some nights the lighthouse, some nights the sea (transatlanticism) Game of Thrones S7 canon divergence - can be read here
“Daenerys is a queen. Only a king can answer this message.” “A king,” Sansa echoes, finally meeting his eyes. “Or a princess.” • In Westeros: war. To the east, the Targaryen queen has landed on the shores of Dragonstone, prepared to take back the throne stolen from her family. To the south, the lions of Lannister bathe in the blood and copious spoils of their war—unchallenged, undefeated. To the far north, beyond the Wall, looms an unimaginable nightmare led by a god of death, a demon who will bring eternal winter to the realm by means of his army of walking corpses. And in the middle lies the shattered and broken North with its newly-crowned king, a king given a choice between a dragon and a lioness. The only problem? Sansa thinks that negotiations aren't exactly her brother's specialty anymore and he is surely going to get them all killed. Or: Sansa goes to Dragonstone to meet Daenerys instead of Jon.
all the ground beneath with tears and blood Game of Thrones/The Vampire Diaries fusion - can be read here
Her hometown always is and will always be this: a small corner of the world that will never change. All secrets are stories and all stories must be shared. She decides that whatever is happening is curious but it doesn't concern her, because whatever is happening won't be anything worthwhile. After all, nothing bad ever happens in Starfall. • Dany Dayne does not believe in monsters. She does not believe in witches or hunters or immortal creatures of the night. But when the enigmatic members of the Stark family arrive in Starfall and bodies drained of blood begin to mysteriously appear in the woods, everything that Dany has known about the world and about herself begins to unravel. And to add to her troubles, the answer to everything may lie with the most mysterious and troubled member of the family, a man running away from the ghosts of his past and the chaos of his future… …Jon Snow.
The Long Fics [ COMPLETE ]
the gather, the bend, the bringing forth Game of Thrones S8 alternate ending - can be read here
Jon is their catspaw because above all things he is an honorable man. And in his entire life, he has never wanted to be anything other than that damnable virtue as much as he wants it now. • When Jon Snow enters the throne room, the ruins of King's Landing still smoke on the pyre of conquest and destruction. When he confronts Daenerys Targaryen beneath the suffocating shadow of the Iron Throne, the slaughtered corpses of men, women, and children still soundlessly howl in terror and agony. This is the price of the dragon queen's crown and he has followed her now to be judge, jury, and executioner, to end the nightmare, to end the madness, once and for all. But for players of a different game, a loss is nothing but victory postponed—and there is always one more play, one more chance, to turn a war in their favor. Or: Jon doesn't kill Daenerys and everything they know about the Long Night changes.
the silhouette of a single memory Game of Thrones reincarnation modern AU - can be read here
And then he whispers a single name into her hair. It is warm, like the memory of home and dark nights before a fire, and as sweet as treacle, sugar and butterscotch and promises she cannot remember. And she thinks, as she presses him into a fervent and hungry kiss, chasing the letters and the cadence and the brogue with her tongue, it should not sound so familiar. Dany. He has called her Dany. But… That isn’t her name. • A one-night stand ends up being a whole goddamned mess and two people whose names are certainly (probably) not Daenerys Targaryen or Jon Snow find themselves untangling strange dreams of war and betrayal and lives lost, lived, and forgotten.
The Shorts [ COMPLETE ]
the road trip series Four-part Game of Thrones modern AU - can be read here
like freedom, like rosemary and thyme like the olden days, happy golden days of yore tomorrow's wind, if it be wild untitled (coming soon)
valyrian scroll collection Unrelated one-shots in the ASOIAF bookverse
•
where ruin also exists Post-ADWD two-shot - can be read here
He knows one thing: he was dead, and now he is not. The girl with dragonfire in her veins and starlight in her hair tells him that to be alive is a miraculous thing. She whispers to him in the night, with fury and flame on her tongue and a dynasty cradled in her arms, that life itself, as it exists in them, will cause the world to shudder and bow before them. (To be honest, he thinks that death is afraid of both of them.) (But when she kisses him, he also thinks that she might be right.) • Jon Snow complicates reality. Daenerys Targaryen simplifies it.
a shadow for the splendor (let the profane tremble to ask) Post-ADWD one-shot - can be read here
It is no wonder, the smallfolk will murmur later, that when the King of Winter met the Mother of Dragons, the world spun itself into a cataclysmic revolution of night and summer and every wonderful, terrible thing beneath the white, dispassionate sun. (But if one might ask the queen, the Targaryen witch whose reign is built on fire and shackles of ice, she’ll only shake her head. “You tell yourselves stories,” she chides—but there is a warning here: her husband is the wolf and she herself is the three-headed dragon and some stories must bear the weight of the truth.) • The dragon and the wolf sit on thrones made of iron and conquest. But every dream of spring is built on the ashes of winter, every reign made of duty has its secrets, and a fledgling love can be just as potent as lust.
where raging storms at midnight howl (this place is haunted) ASOIAF "Rhaegar Wins" one-shot AU - can be read here
There is ice in the mirror, and death too—the kiss and the shadow, the inferno and the chasm. She is the Silver Princess, the delight of the realm, and this reflection tells her of a world that cannot be, a world she cannot know. She wants to be comforted, but she cannot reach into that storm-silver surface to touch him and the comely young man with the grey eyes cannot step through to embrace her. His voice is a dream and it is half a memory. It is all her desires and hopes and fears and she wants and wants and wants. • In 283 AC, those who rebelled against the dragons were defeated on the Trident. This is the world Daenerys Targaryen knows, a world where her brother rules over a fractious realm and the dragons still sit on the Iron Throne, a world where the Baratheons and the Lannisters never rose to power. So who is this haunting boy in the frozen winter mirror who tells her otherwise, who tells her that the world she knows is a dream, a lie? And which side of the mirror is the truth?
the one shots Unrelated one-shots in the Game of Thrones/HOTD showverse
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interlude: la danse d'hiver (the winter dance) Game of Thrones S7/S8 missing scenes/alternate ending - can be read here
It is the beginning that is the most important, isn’t it? There are many beginnings to this story but in the end, this tale starts with winter and the dragons, as they all do. If you know the stories by heart—and I know you do, little one—you must remember that all stories start with ice and fire. • As the frost-blue darkness of winter embraces Westeros and fires crackle merrily in homes from Winterfell to Dorne, a mother tells stories to her child of the Dragon Queen and the King in the North.
never let me go Game of Thrones S7 canon divergence - can be read here
This is only a dream of a maybe, a pantomime of what-if. Whatever it was that had started to burn between them, whatever could have been…all of it died beyond the Wall with him. • When the King in the North never returns from beyond the Wall, Daenerys Targaryen’s dreams start to become filled with visions of drowning. In the sea, she is haunted by her failure to save a man she may have loved, a man she has certainly lost. But through the abyss of the deep, she still hears him. She still feels his warm touch on her skin. There is a memory of a kiss she cannot and should not remember. She tells herself: Jon Snow is gone... ...isn’t he?
the horns of jericho House of the Dragon S1 missing scenes - can be read here
“I want you,” she declares into the breath of a kiss as she climbs onto his lap. His breath is hot against her lips, and unsteady. “That is what I can give you. But you have to promise me—promise me—that you will not ask for more than this.” • None of this is what Rhaenyra wanted. Yet somehow it has become her burden to bear—this sham marriage, consummated by death, and the queen's vicious whispers and suspicions trailing after her like a cloak. It is a lonely, burdensome road to walk. But Ser Harwin offers something different, something sweeter, something that she may even call joy and friendship. And many things can change in the span of ten years.
#chase writes things#jonerys#jonerys fanfic#jon x dany#jon x daenerys#game of thrones fanfic#valyrianscrolls#asoiaf fanfic#snowstorm
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i'm glad no one was home because i screamed when i realized just who grabbed each bouquet
unreal
#qsmp#q!bbh#q!forever#4halo#bbh#badboyhalo#foreverplayer#the fanfic writes itself i swear its not even me#WHAT WERE THE ODDS FOR FUCKING REAL I WAS MID SCOFFING LIKE 'heh imagine if-'#THEN IT HAPPENED#and then Forever chased Phil but sshhh#loving my new thing of throwing a minecraft screenshot in the bg#gen thinks it looks so cute#digital#colored#finalized#qsmp bbh#qsmp forever#xuh art
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hoo tweets as things my friends said pt 2 — cookie thread
shoutout to my friends for saying the funniest shti ever 🔥🔥





#kailyn writes ౨ৎ#pjo#pjo hoo toa#pjo smau#pjo as things my friends said#percy jackson and the olympians#percy jackson#annabeth chase#jason grace#piper mclean#leo valdez#hazel levesque#frank zhang#pjo tweets
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ja’marr after mike’s griddy: I want to ban him from doing it
tee’marr after joe’s griddy: IT LOOKED GOOD!!!
please😭😭😭 just say ur in love with your boyfriend already
i'm cryinggg why are these grown men coming to him asking him to grade their (awful) attempt at his celly 😭 the burden of being gorgeous and talented and popular i suppose 🙂
truly the BIASSSSS it's hilarious mike stay strong buddy my personal hc because i Notice Stuff is that mike has a harmless stupid little crush on ja'marr lmao bc mike constantly mentions ja'marr (his bengals breakdown vid. the whole griddy pointing at ja'marr thing. that bengals christmas wish vid literally the only one to mention ja'marr saying merry christmas for whatever reason. just. really cute stuff to think of.) and honestly joe too tbh (makes sense star players inescapable charisma talent drop dead gorgeous etc).
but ANYWAYS did you know that one of the bengals articles described joemarr's connection as 'some kind of six-year Cajun ESP' LMAOOOOOO and then they went on to highlight joe and mike's thing as some sort of jersey connect at first sight thing 😭 man sometimes bengals writers are just. like us. gay shippers. you know. i feel like they would really enjoy being here if they suspend just the slightest of disbelief.

#ask#mike gesicki#joe burrow#ja’marr chase#joemarr#bengals harem at this point#truly adoreeee the bengals how did it get to this pointtttt dear lordddddddd#two beautiful (big dicked 🙂) men coming to him doing his dance peacocking asking if they did okay. alright sure.#i don't even have to lift a finger this entire thing writes itselffffff#ALSO recency bias or something i did NOT remember mikes griddy being that bad holy shit 😭#what's worse guys mikes stiff hips or joes floppy arms.....somebody save ja'marr goodness.........
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Stobin headcanon that after everything both Steve and Robin go into law enforcement and become a pretty solid detective partnership. They have a really high close rate for all their cases because they’re stubborn and smart and they’ve seen some shit ™️
The only problem is that they like to do the whole good cop & Bad cop shtick during interrogations except they always forget who is supposed to be playing what role and they’re just both bad cop more often than not and now the suspect is crying (they always make the suspects cry because steve has a mean girl attitude and Robin just likes the drama of slamming her hands on the table)
And their poor chief is in the background with a headache, on the phone BEGGING hopper to take them back. And hopper has zero sympathy. He gave them a glowing recommendation for a reason. They’re good kids and great detectives but they give him ulcers.
#platonic stobin#robin buckley#steve harrington#stranger things#Stobin#jim hopper#I have so many head canons about this#about all of the party sticking together like this#Nancy wheeler is always chasing the story#Erica Sinclair is a lawyer. the best lawyer.#Will Byers is a psychologist#eleven Jane hopper works in dispatch#Maxine mayfield works in social services#Jonathan Byers is forensic photographer#Dustin Henderson and Mike wheeler both go into forensics but specialize in different areas#Lucas Sinclair I feel like would either be an outlier and be famous and just there sometimes and people are confused because ?? holy shit#that’s Lucas Sinclair how do all you dorks know him??#OR he would be working on his medical degree to become a surgeon#maybe a bit of both because if my boy is famous then he’s making MONEYYY and his degree is paid off#also I like the idea of max being super chill about her husband and calling him a dork or a nerd when talking about him to other people and#and then Lucas Sinclair shows up. snd max is like ugh what a loser but it’s sad SO lovingly.#oof I did not mean to spiral so hard in my own tags.#LLG#LLG writes
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Hi are you up for a messy scene analysis thing

Ofc it's this scene who do you think I am
I've been wanting to do this for God knows how long but I never had the balls and neither the words to (still don't) but I wanna try to properly talk about this scene. My primal instinct is to sit here and tell you how much this 30 second scene changed the trajectory of these characters in the next movies, how it made their friendship grow and develop and how much of a storytelling lesson it is (oh the so so deep understanding you need to have of your characters to have them say things so vaguely and still express exactly what they mean). I could also go down the emotional and subjective road and ramble about how much it means to me and how I resonate with it, but I've done that at least 837382 times and I think everyone knows it by now 😭 so!!! Let's get to the real thing
(I'm trying to keep it as analytical and straightforward as possible but please note that this is my favorite scene that's ever existed so neutrality is not really a possibility)
Rocket is a brat. He's restless, he's loud, he's always puffing up his chest and yelling at someone and picking fights with the wind cuz it was blowing in a way he didn't like and he's just an overall bastard. In this scene, though, we see him inside out. His head is low, his shoulders are slumped, he has his tail between his knees and he looks tired. He speaks quietly (curiously like he doesn't want anybody else to hear him), he's not deliberately insulting anyone and he's just..... defeated??
Up until that point I don't think we ever got to see Rocket like that. From what the movies have shown us he'd never had to. But in the past few days that led to this, Rocket had stolen batteries for no apparent reason (which we'll later learn why💀), ruined their ship, got literally kidnapped by Ravagers, blew up a creepy planet-guy-thing and oh my god attended his friend's dad's funeral. At least half of these things were directly or indirectly his fault and he knows it.
I don't think he ever doubted it was (we see it earlier in the movie when the Guardians leave to "The Chain" by Fleetwood Mac and Rocket scowls and winces like he either stepped in a pile of shit or got hit in the face by regret), but he still argued with Peter even knowing he was in the wrong just to keep up apparences or hold on to a little thread of pride when he was already feeling ashamed for being caught red-handed stealing shit he didn't need AND destroying their ship etc etc, and he just kinda fucked up big time. And I think that's (besides the general exhaustion of parenting a tree and fighting a planet and Yondu's death) is what got him so devastated in that scene.
Ofc Yondu played an extremely important role in that. He was the one to open Rocket's eyes, to give him some sort of reality check and show him the only thing isolation is ever gonna bring him is regret and bitterness (or, in other words, Yondu). Rocket is most of all hopeless and tired and just sad like that because he knows he hurt his friends. He knows he's chasing them away, that he yells at them, that he's always mean and that he steals batteries he doesn't need. He knows he's not awesome to put up with and seeing what happened to Yondu and his former friends probably made him terrified it'd happen to him and the Guardians too. He's stuck in this cycle of pushing them away with everything he can (and we could get into all his trauma regarding betrayal and death and literally endless other things but it's all very clear at this point) and he knows patience doesn't last forever. He's just scared, he feels bad and he's tired.

Now on the other hand we have Quill. He's also destroyed, he lost two fathers (3 if you count what Ego could've been, what he wanted him to be), basically relived his mother's death and had to watch literally every single one of them die. He's also scared and tired, yes, but all he has left is this unstable family of weird idiots who are learning how to show care and he's... pretty much fine with it. He wants it.
And when what Rocket's saying clicks, when he realizes who he's talking about, Quill, who's usually all smirks and teasing and bickering and name-calling, looks at his best friend like this,

because

(From vol 2 script!! Won't even try to comment on that last part before Quill's last line but I also really like that Peter just "shakes his head" over and over like he's just barely listening until he realizes what Rocket really means cuz it also shows a lot about his character. He's naturally a little slow and downright stupid when it comes to this kind of hidden emotional thing and he's also exhausted and depressed from everything that happened and STILL he stops and just. Sees Rocket, and sees Yondu.)
He's not doing well. He's probably sore and hurt and sad and miserable and yet he takes his sweet time to look down at Rocket, let go of his resentment from before and see right through him. In order to understand this scene it's important to remember he most likely doesn't know what Yondu told Rocket at all, he doesn't know anything they said to each other and how Yondu showed him they're mirrors. He doesn't know any of that. He just knows his best friend and his father and how much they resemble each other. He puts up with Rocket's bullshit because he knows how to deal with Yondu.
He could've just ignored him or pretended he didn't know what he was talking about. He could've made Rocket swallow his pride and "teach him a lesson" by making him say what he means without hiding behind metaphors and vague self-deprecation, because Rocket was probably vulnerable and defeated enough to be honest in that moment. And yet, he just looks at his friend, who's usually a loud and mean and restless brat, and is now staring at the floor with his ears droopy and his tail between his knees, and just says, as a form of reassurance and tenderness that's just as subtle and shy as Rocket's insecurities, "Well, of course not."

(The kind and soft and sweet DETERMINATION on his face tho like no!!! No we're not ditching you even though you suck I'm!!! Serious!!!!)
#this is#this is about a 28 second scene#and it has eight p EIGHT PAGES???!!!!???#people dont say “i like this thing” anymore no they write 8 page essays abt it#also i love Quill's not just like “oh nah man”#its a full on OF COURSE not. like undoubtedly and unquestionably youre NOT chasing us away and we dont hate you#normal behavior of a normal person (who is me because i am very normal)#gotg#rocket raccoon#peter quill#yondu udonta#guardians of the galaxy#rocky and pete#BATTERIES!!!
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