@ask-youkokurama is such a mama's boy, I bet he wouldn't mind having 40 minute phone calls with his mom.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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"The Fall of the Starmaker"
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the great irony of early one piece antagonists believing zoro was the actual captain and using luffy as a puppet ... oda really threw us a bone and curb-stomped it right in our faces. yes, zoro could be a captain in his own right. yes, zoro could match luffy in strength. yes, zoro knows this perfectly well. and you know what? he chose luffy two years ago, and he will continue to choose luffy again and again. roronoa zoro, the pirate hunter, who followed a wannabe pirate with a nonexistent crew on a whim because luffy brought him his swords and made a half-assed attempt at a bargain. zoro, who made a vow to never lose again on both his and luffy's honor. zoro, who told luffy he'd make him commit harakiri if he got in the way of zoro's goal, only to turn around and be willing to sacrifice his dream if it means that luffy reaches his. zoro, who stood in place and took luffy's pain and told a warlord to take his head instead of luffy's, who got down on his knees before his supposed rival and begged mihawk to mentor him so that he could return strong enough to protect his captain. zoro, who has conqueror's haki- a natural born leader- but chooses to stay at the right hand of a man he has deemed greater than himself.
and the thing that luffy fears most? being alone. being rejected. being left behind. and what should have been his foil- the pirate hunter to his pirate king, the nonbeliever to his divine, the king of hell to his sun god- instead becomes his first and most devout follower; the one who demands to follow him to hell and back. oughhhggg i'm sick to my stomach
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Vlad meets Lex. He realizes some things.
Vlad meets Lex Luthor at a gala, and Lex is schmoozing hard.
Lex has heard about Vlad's weirdass business deals, knows something isn't right, and he want whatever untraceable power Vlad's got at his disposal.
Lex has done his research, and knows that Vlad got the equipment for cloning, but that no child was ever announced. So Lex starts bragging, going on and on about Kon and talking about the kid like he's a Thing.
And Vlad, listening to this, has some unfortunate realizations about how he was treating Ellie.
So Vlad excuses himself and does some digging of his own, and holy shit do the dead have a lot to gossip about regarding how Superman used to treat the boy, and Vlad...doesn't want to be compared to either of those buffoons.
He's better than both of them combined.
And he's gonna prove it.
He's gonna be the daddest dad that ever dadded.
He'll be way better than Jack, and if he's a better father than Jack then Daniel and Jasmine and Maddie will follow! He just has to learn how to be a good parent.
Easy.
He proceeds to buy every parenting book he can find, and signs himself up for parenting classes.
Ellie, minding her own business, feels a shiver go down her back.
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Jesus man, relax.
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delicious jade 😋yummy yummy 😍
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THIS THING IS SCUUUFFED AS HELL & ITS ALSO THE BEST THING I HAVE ANIMATED THUS FAR.
IM SO IN LOVE WITH EMIZEL. JUST WISH I GAVE HIM MORE STUPID TATTOOS. NEXT TIME THO. NEXT TIME. I ALSO LOVE VEX&VIV SOOOO MUCH. charlies flavor of Deranged is my FAVORITE!!
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seeing so many fellow creators' gifsets getting under 180 notes with an average reblog to like ratio of 1:3 is so disheartening. less and less people are putting out content cause it seems that no one cares anymore.
If you truly care about supporting creators at all, I encourage everyone to have a tracked tag in this economy whether you make content or not, you probably have mutuals who would love to share things with you and can't.
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Ok but Agent Curt Mega with long hair though?
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if tim and jason were allowed to be a villain duo I think the world would burn at their feet and I need a bucket of popcorn and a front row seat.
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Does
Does Barnaby
Does Barnaby tell the others to get off his lawn when he's angry
psh, who do you think he is, an old man? he'd Bark, like any lively young dog
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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the star of the show
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Prompt 299
Hear me out- Ghosts have wings. They have wings, which are affected by their cores, and can make them disappear from sight if they want or need to. You got that? Good.
Ecto-contaminated people? Don’t have wings. Liminals and Halfas, who have developed cores? Do have wings, and they can’t hide said wings, because unlike ghosts? Their bodies are physical living flesh.
Now Gotham? Ecto-contaminated, there’s no doubt about it. The amount of portals that have been opened there and death pits and death cults… yeah it’d be surprising if it wasn’t. But again, no one really notices, because at most? Most just get a bit of eyeshine.
The Bats however? Oh man are they freaking out when they wake up with aches in their back and feathers starting to poke through their skin. Curse? Nope! Welcome to Liminality, enjoy the second puberty of wings, emotion-sharing, fangs, claws, and whatever else you might develop- also enjoy the whole eating fear thing. (Wait, the what-)
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