#echoing-interests

[nightfury-2001]

Just watched the new trailer for the live action httyd... it's utterly baffling how they copied so much from the original completely, just beat for beat, line for line. It makes the whole thing so utterly pointless and hollow to me. Like, sure, revisit a movie, put in a new medium, retell the story and update it or put a new spin on it, whatever, but this??? This is nothing. I've never been a fan of disney live action remakes, but at least there's usually something different in them. The httyd remake isn't even trying. They're just taking a great film, stealing it's script, and sucking anything else good and creative out of it to present a bland and sterile version of it. It's pathetic and honestly kind of heart wrenching because the original film is so special to me, it hurts to see this new version shit all over everything I love. Sucks ass.

Okay anyways, I just needed to rant for a minute and get this off my chest lol. Thanks for listening. Hope you're doing well.

HTTYD is still my favorite movie. It means so much to me too and just......yeah. The live-action seems to be almost the exact same movie but worse. It's literally "What if HTTYD but with shit cinematography, crap character designs, etc. etc."

And yeah, while nobody is forcing me to watch this thing and the original will always be there (and it's not even like, a canon/official part of the HTTYD universe like THW) it hurts to see my literal favorite film get shit on like this. We deserved better.

(Thanks for the ask - I'm doing okay considering my current situation lol)

[aprofessionalwithoutstandards]

Miss Pauling for the ask game 👀?

favorite thing about them She's just adorable I think her design is really really cute. I love "little lady who kills people" as a trope and the kind of "geekiness" she brings to it is so fun

least favorite thing about them I don't like how she isn't allowed to be friends with any other women :( it's just misogynistic character writing, I think she should have some kind of positive relationship with another woman at some point, even if it's just a friendship and not a romantic thing

favorite line The one where she's like Saddle! Engie, saddle 'em! Saddle 'em up!

brOTP I really really really think she and Sniper hanging out is so funny. Her hanging out with any of the mercs is funny but I think she'd jibe especially well with Sniper, who also likes guns and is weird socially and in my heart of hearts is also kind of a nerd (in a very 1960s prog rock and acid sort of way)

OTP She should fuck that old Administrator

nOTP Scoutpauling but yall knew that already

random headcanon This is a weird choice for this one but to me she's in her mid-thirties. She's definitely older than Scout to me, older than Sniper, maybe about Demo's age

unpopular opinion Idk I have a lot of them I feel like? I don't like her and Scout but I also don't like her and Zhanna. I think she would be Attracted to Zhanna but not pursue her romantically, and Zhanna would sacrifice her in a heartbeat before the group even really needs to resort to cannibalism so it just wouldn't work out

song i associate with them Hmm...... she kind of has I Monster - Back Seat of My Car (Sticky Black Vinyl Mix) energy. Don't question my vision

favorite picture of them

I love her in this whole comic in general but especially as she's hiding bodies. She's just so cute

[ID: Two panels from the Meet the Director comic of Pauling on the phone with Admin, one where she is hefting up a bag of Mann Co. "corpse-grade quicklime" and the other where she is loading bullets into a revolver. End ID]

[imminent-danger-came]

Gimme shadowpeach shipping bingo my man pretty please

God. These two monkeys. Sometimes with a ship you have to ask "where's the drama"—that is not even a little bit of a problem with these two. They are. Oh boy. "Fine, just leave! Like you always do!" "No that's you! You're the one always running off, chasing for more power or more sources of immortality—you're the one who wouldn't quit while we were ahead! Not the great Sage, he has to drag everyone else into his mess!"

Like YES. YEAAASSSSSSS.

[antilocaprine]

If you're still accepting those fake fic titles, how about "Hey Moon, Please Forget to Fall Down" (Line from an old ass panic at the disco song I like a lot)?

As with any song lyrics, I had to look up the song - and I have heard this before, though it's been a while. I read the lyrics before I listened to it again, and the lyrics are interesting - I get a mythical/fairy tale kind of vibe from them. And then the song itself sounds very summery. That combination makes me think of some kind of faerieland AU Frenrey fic where Gordon stumbles into the fae realm on Midsummer, when the borders between worlds are thin and passage is easier, even accidental. He meets Benrey, another lost soul, who assures Gordon he's not human - but c'mon, he clearly is. Especially compared to the beings who find them almost immediately: Tommy is a bright-shining dandelion spirit, who appears free-floating and almost naively positive, but can also turn on a dime and break through concrete. Coomer is an oak dryad, powerful and sturdy, but kind enough to let anyone rest in the shade of his tree's branches. And Bubby is a fire spirit, living in symbiosis with Coomer's oak woodlands, but liable to flare up into an inferno at any slight.

The other three are acting weird about Benrey attaching himself to Gordon and following him through the fae realm as he tries to get home, but they end up helping (with varying levels of enthusiasm). Eventually, Gordon finds himself standing before the shining ranks of the Summer Court, carrying the spoils of his various quests in a bid to be allowed to return to the mortal realm. The Green Man (who is dressed in midnight blue and has icy blue eyes, so Gordon doesn't get what THAT'S about) passes judgement that Gordon will not be allowed to return - it is no longer Midsummer, and opening a way through would take too much energy. He'll have to wait for a year until next Midsummer. But Gordon knows time passes differently in the fae realm, and a year there could be a century in the mortal realm. Plus he'd be forced to eat or drink if he stayed there for a year, which would mean he's stuck regardless.

Just as Gordon is about to fall into despair, the ground rumbles and the Summer Court straighten and glance about fearfully. The Green Man's eyes flash brighter and he says carefully "...but perhaps...we should consult the Captain...of the Guard..."

And then Benrey steps forward and shrugs. "Yeah, I think he can leave? He's not, uh, he's not supposed to be here, anyway, so...I mean, you're the G-Man, you can do what you want, but, uh, it might not turn out...great. For you."

Then Tommy moves out of the throng to sling an arm around Gordon's shoulders and grins up at the fuming Green Man, who deflates at the sight of his golden-bright son taking the human's side. A prince of the Summer Court should not consort with mortals, but this one didn't have much choice when his granite-soul guard captain took a shine to the lost human. The thing about stone is that it can change, just on a different timescale than plants and animals. And every stone remembers when it was once living magma. Very few stone spirits end up in the fae courts, but when they do, they are unnervingly powerful, with the capability to tear the ground out from under dryads or split the earth beneath a lake, draining it of water and life. As soon as the earth grumbled with the threat of a quake, Benrey was holding the whole of the Summer Court in his hand, as if he'd grown to the size of a mountain and scooped them into his palm.

And then Gordon gets to decide if he wants to go home or stay and ends up accidentally becoming an honorary member of the Summer Court anyway because he's under Benrey's (and Tommy's) protection. The end.

send me a made-up fic title and i’ll tell you what i would write to go with it

[silverstreams]

Trick or treat!

Happy Halloween!! Here u go:

[tide-locked]

i feel like people forget that sometimes characters in fic are written like that because it's a reflection of real life.

people have sex without setting boundaries. people have unprotected sex without talking about their sexual histories or producing recent sti tests. people play with kink without discussing it ahead of time or establishing a safeword. they have anal without 'enough' prep or lube—they may even prefer it like that.

and none of this is really a fantasy. it's all pretty normal. you can feel that it's inappropriately normalised, and you'd probably be right! but it is normalised: one study found that 58% of female undergraduate students on the campus studied had been choked during sex. 20% of those students said that they'd never been asked if it was ok; another 30% said they'd only sometimes been asked if they consented. fully half! (non-paywalled journal article on choking during sex here, including these numbers.) despite a rise in stis of all sorts, condom use is declining. (pdf link to the full text of this study about declining condom use in the us; aidsmap article about an australian study with similar results.)

even when people do talk about things—sex or anything else—they communicate imperfectly. 'yeah, but don't go too far' is consenting and setting a boundary, and also relying that the person you're talking to has the same metric for 'too far' that you do. for some people, 'the trash needs to go out' is a neutral, factual observation; for others, it's a request that the person they're speaking to take out the trash.

even when people understand each other perfectly, people react unpredictably to things sometimes! we behave irrationally! people laugh uncontrollably at funerals, or get angry at the straw that broke their back rather than the enormous load they were already carrying. they get scared and lash out at people trying to help them. when hurt, most people do not instinctively reach for therapy-approved grounding exercises and 'i feel' statements.

pretty much any bad choice that characters could conceivably make is a choice that people make in real life, on purpose, all the time. people do things that can have catastrophic, life-changing effects because it felt like a good idea at the time, or they're leaning into the vibe, or they just didn't think about it all that much, or an infinite number of other reasons.

fiction isn't intended as a guide on the best, safest, and most responsible ways to live your life, and fanfic isn't any different. it's not a narrative flaw to let characters do things that are messy or harmful or downright stupid—it's a reflection of what people are actually like, and not something that authors should feel they have to apologise for.

[loz-furbies]

Ready for the new Zelda!

[poorly-drawn-mdzs]

The girls are back (from the grave)

[First] Prev <–-> Next

[starry-bi-sky]

Out of Context Stuff for a Danyal Al Ghul au i haven't posted - Pit Beast Danyal

Damian, 13: Look, Danyal, -- I am so sorry for everything that happened between us in the League, I hope you can forgive me.

Danny, 10 (allegedly): (has been secretly plotting to murder Damian this whole time, is still gonna do it obvs, but is going to make it significantly less painful now)

Danny: I-- of course, older brother. :]

--------

Bruce: what do you have there, Damian?

Damian:

Danny: (a hulking 10ft pit beast standing beside him, growling idly with ram horns gouging out his eyes and a second set of horns jutting into the air, spines down his back, and a long, spiked tail with an animalistic, skull-like face)

Damian, who smuggled him in (they've made amends): a smoothie, father

----------

Damian: this is my little brother Danyal, i murdered him when he was five. He festered in rage for the last half-a decade, took over a League mountain base in Switzerland, murdered everyone inside and then tried to murder me when I went to investigate with Drake.

Danny: hello!

Damian: we're cool now

----------

Damian: thoughts on resurrection

Danny, (a full ghost): i will succeed in murdering you if you try it

Damian: we'll put a pin in it then

----------

Danny (still instilled with League values): why don't we just murder him??

Damian, on patrol (Danny followed him): we don't murder people, Danyal

Danyal:,,,,are you sick, Dami?? Have you been possessed? Why not!?

(There is raucous laughing through the comms)

----------

Danny, five, pre-death: Dami! :D

Danny, dead, vengeful: Older brother (:

Danny, post-forgiveness: Dami! :]

-------

For some actual context: Danny is fully dead in this au, its a result of the classic DPxDC Demon Twins "death duel" trope but instead of Danny getting revived, he stays fully dead. Danny was five, Damian was seven. His ghost lingered though, and due to the proximity of the pits his ghost steadily absorbed the ambient energy it was letting off. The pits are not corrupted ectoplasm in this au, it's just liquid ecto.

Which means Danny's corruption from an angry and hurt little ghost boy to an unrecognizable monster is from his own doing. It's a result of him stewing in his hurt and anger for years, it physically warped him. He's very powerful. Danny can travel between League Bases but chose a small, out-of-the-way base in the Swiss mountains to fester in and then just. Never Left.

His influence steeped into the very foundations of the building, allowing him to transform and warp the rooms and hallways for his own bidding, Meaning he could turn it into a seemingly unending labyrinth if he so wished to, and block the entrance.

Eventually, blinded (both metaphorically and physically) by his own rage, Danny grew powerful enough to appear physically in the living realm and attacked everyone in the base, slaughtering them all and leaving the base abandoned. He attacks anyone who dares enter -- whether that be other league members, or the unfortunate hiker who stumbled across the base. His conscious is steeped into every nook and cranny of the building, there is nowhere you can hide where he can't find. Nobody leaves without his explicit say so. Nobody ever does.

Him appearing as ten years old before Damian in the skits above is his own physical doing. First it was to prevent Damian from being suspicious of him. Damian initially thought Danny was revived with the pits, he was too busy with his own training afterwards to notice that Danny never showed up again, and when he did notice, he assumed it was because Danny was too ashamed of his loss to face him. He'd always forget to ask about him.

Then it becomes a personal choice to appear as ten. It's how old he would've been had he been alive.

danny forgiving Damian is kinda for an offshoot branch of the main au. Whereas the main au takes the form of a ps4 first person horror game where Damian and Tim are investigating the Base for Plot Reasons. There's no sign of the rumored "monster" living inside until the end, where Danny, who was found inside the Base and has been happily "helping" them look around, manages to persuade Damian into splitting off from Tim in order to "show him something."

This something turns out to be Danny revealing that he never really forgave Damian for that fight, and he reveals through a horrifying transformation, that he was the monster the whole time. Which the game subtly hints at throughout as Danny's strange behavior becomes harder to ignore.

First from his insistence to only refer to Damian as "older brother" (when before the duel he always called him Damian or Dami), to him right off the bat denying the existence of a monster when questioned. ("There's no monster here, older brother. It's just me.") To other various things, like his knowledge of the outside world not matching up to modern times or things going on with the league outside of the base, or what happened to the other league members.

This whole idea was inspired by the song "Scylla" from Epic the Musical, with Danyal being the voice of Scylla as well as Odysseus, while Damian stands as Eurylochus. The instrumentals after Scylla says "hello" is him turning into the pit beast, and Scylla's "drown in your sorrow and fears" part is danny, as the pit beast, snarling at Damian while he attacks him.

There's a Good Ending, a Bad Ending, and a True Ending. The Bad Ending results in Damian being killed by Danny, it happens when Damian decides not to question or suspect Danny and treats him kindly. The Bad Ending is a cutscene, where Danny kills Damian quick and painlessly.

Meanwhile the Good Ending is Damian killing Danny. This is a boss fight, and it happens when Damian treats Danny coldly and suspiciously the whole time. Danny as a result, decides to make Damian's death painful as he had planned to, which is why it's a boss fight because it only causes him to double down on his anger.

The True Ending is Damian escapes with Tim. It happens when you treat Danny warmly up until the last minute, where when Danny proposes to Damian that he wants to show him something, Damian goes to talk to Tim and finally, reluctantly agrees that something is off with Danny, and that he'll be careful going in. It starts off with the boss fight until a third through, where it then changes to a cutscene where Tim manages to get the door open and Damian escapes out. It's then a chase scene down a never-ending hallway as the building actively works to keep you trapped inside. But you eventually make it to the exit so long as you avoid all the projectiles and doors.

Remember when I mentioned that Danny only lets people leave when he wants them to? That's where the treating Danny kindly throughout the game comes into play. It causes him to second guess himself and, eventually, reawaken and strengthen the love and admiration he had for Damian prior to his murder. It's why in the Bad Ending he kills Damian quickly -- because by then, he loves him enough that he doesn't want him to suffer, but is still so consumed by his rage and need for vengeance that he kills him anyways. That quiet part is what allows Damian (and Tim) to find the exit, because some part of Danny still loves Damian enough that he wants him to live.

The True Ending ends with a cutscene of Damian and Tim tumbling out into the snow/grass outside of the base. Damian looks up back to the entrance to see Danny standing there. But rather than a ten year old boy, there's a little five year old Danyal Al Ghul instead. He stares at Damian emotionlessly, blood seeping from his chest, staining his clothes, and little, bloody sword in his hands and tearstains on his cheeks, before he turns away and disappears back into the building.

[sapphorror]

The Narrator's perspective only gets more horrifying the longer you think about it. Like, imagine being an Echo of yourself—one of many, all made to serve a very particular purpose and knowingly living on borrowed time, if 'living' is even the right word for your current state of pseudo-existence.

You've inherited the mission of a dead man—it's literally the only thing left that you can do before fading, so you sure as hell better believe in it; the alternative would be unbearable. Only you keep failing. With every loop that you don't remember, your lack of agency in this situation becomes starker—you can influence small things, sure, but it becomes increasingly clear that you have no real power, no matter how personally invested you are in the events unfolding in front of you. You are, after all, only an Echo. You've forfeited the right to meaningfully engage with the world.

Worse—every loop you're made aware of is another time you've failed, with unimaginable consequences, though you had no control over these previous iterations of yourself and can't even learn from their mistakes. Everyone around you is operating on a shared perception of reality that you are not part of, will never be part of. After a few repetitions, you are, ironically, the least informed person in the room. All you have left to go on is an evidently outdated script. At the same time, everyone else is experiencing a contiguous version of you, comprised of parts that are, in some sense, also you, while at the same time existing at a complete remove from your current perception of self. Whatever you don't know you did—that's you now. You are, after all, only an Echo. You've forfeited the right to define your own identity, never mind know what it is.

Even worse—this has trapped you within a stagnant hell of your own creation. Nothing you say or do really matters in terms of your own self (the rest of the world is a separate issue entirely). Anything you've come to believe—say, for totally hypothetical example, that you were wrong actually and your envisioned paradise is really a hell beyond any you had the capacity to envision—has about as much permanence as a drawing in the sand. 'You' will continue, exactly as you were, no matter how much you might like to change your behavior. Every possible future has already been set in stone. You are, after all, only an Echo. You've forfeited the right to say anything you haven't already said.

For some reason, no part of any of this has made you feel more comfortable and at peace with the general concept of finality.

The really, truly absolute worst part, though?

There is no one for you to blame but yourself. And that's exactly what turns your story into such a tragedy.

[theecholegend]

A strange unfinished messy drawing I did forever ago

[hopelessfandomfreak]

the way agatha and rio smirk at each other before agatha shows the coven her scar, and the way agatha immediately says “no you don’t” when rio claims she has a scar…like of course they know exactly what each other’s bodies look like, and it’s equally soft and hot how obvious they make it

[quartzitedeca]

Listen..... don't you ever think about how integrated sound is into Hearthian culture?

Unlike the Nomai who operate with sight or the Owlks who operate with light, the Hearthians rely on their ears to listen out to sound. The proto-Hearthians didn't have as big ears in the mural, but now their ears are one of the most pronounced attributes of their species.

We can assume most Hearthians have some musical skill with Gneiss saying how the orchestra gets smaller with each astronaut that leaves. And out of all the things to check whether an astronaut is okay, Hearthians use their signalscopes to hear the electromagnetic signals from the travelers' instruments.

Could you imagine what type of music they would passed down? Would they have music created with the ripples of water? Would they be able to hear frequencies we never could? How much do they rely on music to identify if someone or something okay?

Sound shines through every part of the Hearthians' lifestyle that it transcends space.

[tangents-within-tangents]

Hot take:

Crosshair does not have the Imperial disillusionment and redemption arc of The Bad Batch

Emerie does.

Crosshair has an arc for sure yes but it's not that.

I was thinking about this scene:

and how it got right what this scene kinda didn't:

(It was so close but then bad writing decided to undercut the moment with a joke rip)

And I think it's really interesting that these characters who were more or less raised into the Empire/First Order and chose to leave it are all directly asked why.

But take a look at Crosshair's answers in comparison:

Different context for the asking, yes, but still, compare that to clones like Howzer, Cody, Slip and Cade who left or turned against the Empire because they knew what the Empire is doing is wrong and they weren't just going to blindly follow orders:

Crosshair - Loyalty, Purpose, and Survival

Crosshair didn't choose to join the Empire (though the show isn't very clear or consistent about how much control the inhibitor chips have) but he did, for whatever reason, choose to stay. By the end of S1 we know his chip has been removed and as he definitively says "This is who I am." There were likely still other influences on his decision, but listen to how he talks about the Empire in the S1 finale:

Hunter: Crosshair, I've seen what the Empire is doing. Occupying planets and silencing anyone who stands against them. You know it's not right. Crosshair: You still don’t see the bigger picture, but you will. Hunter: Can't you see they're using you?

Crosshair: We’re not like the regs, we never have been. We’re superior. The Empire can’t protect the galaxy without strength, this is what we were made for. Think of all we could do, together!

Crosshair: You all are meant for more than drifting through the galaxy. It’s time to stop running. Join the Empire, and you will have purpose again.

Hunter: They destroyed an entire city! Crosshair: They did what needed to be done. Kamino, regs, the Republic, that time is over. The Empire will control the entire galaxy, and I am going to be a part of it. Hunter: Don't fool yourself. All you'll ever be to them is a number.

He undeniably knows what the Empire is doing, but he does not care. In fact it sure sounds like he actually supports it and finds self-meaning in it. Hunter spends those episodes trying to convince him it's wrong, he doesn't change his mind. In the end they offer him an out and he doesn't take it.

Wrecker: You coming with us? Crosshair: None of this changes anything. Hunter: You offered us a chance, Crosshair. This is yours. Crosshair: I made my decision.

The next we see Crosshair in "The Solitary Clone" (S2:E3) he follows orders and shoots the Desix governor, right after Cody heartbreakingly tries to do what's right and find a peaceful solution.

Cody: Tell me something, Crosshair. This new Empire, are we making the galaxy better? Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

After this (glorious!) conversation, Crosshair stays. Maybe this began to seed some doubts, but he actually smiles a few scenes later when Rampart assigns him another mission. It seems like for him it truly is as he said in S1:E1 (chip not enhanced yet but still influencing him enough for his brothers to notice he's acting strange):

Crosshair: Republic, Empire... what's the difference.

Crosshair: Orders are orders.

This unethical mission that finally pushed Cody over the edge does not change Crosshair's mind about the Empire, at least not enough for him to take action.

But what does?

Mayday: And here we are, the survivors. Combat troopers stuck babysitting cargo shipments. Crosshair: Mission’s a mission. Mayday: Yeah, I used to say the same thing.

Mayday: After all the clones have done, all we’ve sacrificed. We’re good soldiers, we followed orders. And for what?

This mission has nothing to do with how the fascist Empire treats the galaxy, it's about how they treat their soldiers. It's about how Mayday loyally fought and served his whole life and Lieutenant Nolan let him die

Lt Nolan: He served his purpose as a soldier of the Empire. Crosshair: You could have saved him! Lt Nolan: Perhaps you didn’t hear me, he is expendable, as are you.

Crosshair thought he could find purpose within the Empire, and Nolan shows him exactly what that will be.

His turning point is accompanied with this powerful visual of the ice vulture, a symbol (and threat) of death, and also set up within the episode a symbol of survival:

Mayday: Vicious creatures, but you have to admire ‘em. They find a way to survive.

This critical moment (that gives me chills, oof this episode is a masterpiece!) comes right after Nolan calls him expendable and directly threatens him:

Lt Nolan: And if you speak to me again with such disrespect I'll see to it you meet a similar fate, clone.

then Crosshair sees the vulture's shadow and turns to Mayday's dead body (ahh visual storytelling my beloved) then makes his decision:

Crosshair turns against the Empire not because he believes Hunter was right about this:

Hunter: I've seen what the Empire is doing ... You know it's not right.

but because he was right about this:

Hunter: All you'll ever be to them is a number.

Redemption (both in fiction and irl in my humble opinion) comes with making amends and reparations (which is why death 'redemptions' bother me so much but that's a rant for another time). Unlike Emerie, Crosshair never explicitly denounces the Empire or his own actions within it. He never says anything to specifically show if and how his views have changed from what he said on Kamino. He makes amends with his family (sending the warning message, helping Omega escape, making up with Hunter) but that's about it. The most we get in terms of acknowledgement is this:

Crosshair: I thought I knew what I was getting into with the Empire. I thought I was being a good soldier. Hunter: Nobody really understood what was happening back then. Crosshair: I’ve... done things. I’ve made mistakes. Hunter: I have regrets too, Crosshair. All we can do is keep trying to be better, and who knows there just might be hope for us yet.

Which is nice and all but it's more about them making up as brothers so it's way too excusing tbh ("no one knew what was happening back then" ummm? "The Empire will control the entire galaxy, and I am going to be a part of it" remember? And even if at first Crosshair was being controlled by the chip, the fact that he chose to stay after it was removed* means he condones and is therefore still accountable for those actions).

There's also a bit of self-destructive guilt:

Crosshair: Omega, don't risk anything for me. I belong in here.

Crosshair: Omega needs you both. So I’m doing this alone, it’s what I deserve. Hunter: Don’t even think about plan 99, Crosshair. Omega needs all of us.

(which thank you Hunter for pushing back on the death redemption bs and oh look is that a wrap up for the purpose thing?)

But there's no action taken on his part to make up for what he's done or to stand against the Empire (aside from the bare minimum of help with Tantiss, only after it became personally relevant, which like yeah he had trauma to deal with but still).

While I do think the implications/follow-up of Crosshair's turn should have been handled better in S3 (like rip Howzer! he deserved an apology, but that's a rant for another time), I don't necessarily** think this arc is a bad writing choice. It's just saying different things than we expect:

Maybe Crosshair's story is not about standing up against an unjust system, like we see with many other characters (who deserved more screen time but that's a rant for another timeeee). Maybe his story is about how even those who are loyal to the Empire, who actually believe in it, still suffer under and within it's rule. Not to garner sympathy, but to show that there is no winning.

Crosshair has another 'so what changed' convo in S3:E14 with Rampart, in which they draw parallels to each other:

Rampart: You used to believe good soldiers followed orders. Crosshair: Depends on who's giving them. The Empire betrayed us both. Rampart: And you think you can fight them? That's not you. You're like me, loyal to no one but yourself. Crosshair: I've changed.

(note how he says who's giving the orders, not what the orders are)

"Loyal to no one but yourself" describes Rampart much more than Crosshair, since we often saw Crosshair pride himself as a loyal soldier of the Empire whereas we saw Rampart abuse power to be self-serving within the Empire (like when he killed Wilco to save face). But they were both betrayed either way. Vice Admiral Rampart, snively Imperial opportunist through-and-through, shouts "I was following orders!" as he is arrested for the Empire's purposes. (Edit: and where Crosshair rejected the Empire and found new purpose fighting for his family, Rampart was still self-serving in the finale. He still tries to gain power for himself and he gets his comeuppance).

Even Hemlock, the final boss immoral Imperial scientist, who has to be benefiting the most from this system, echoes the expendability idea:

Hemlock: What I am working on is beyond your understanding. Something so vital to the Empire it makes me indispensable.

Then there's CX-2, also set up as a parallel/foil to Crosshair (fight me), who in the end is discarded as no more than a weapon, a tool that served it's purpose, showing us what would have become of Crosshair if he had stayed.

There is no winning in the Empire. Loyalty is not rewarded, it "doesn't go both ways." Everyone has to fight for their value. Even high ranking individuals** who for a time benefit from the injustice, in the end are just pawns to be used up and cast aside at a whim for the Emperor's gain. Even people who are motivated by self-interest alone cannot survive within this system, the only viable option in this galaxy is to fight the Empire and dismantle that system. (unless you conveniently find a magically safe island to hide away on but that's a rAnT fOr AnOtHeR tImE)

Which brings us back to...

Emerie - Cooperation, Compassion, and Choice

(Okay this post has already gotten away from me but I still want to talk about her to show the contrasts.)

Emerie may not have been given a lot of screen time to really flesh out her development, but there is a lot that is pretty clearly implied with her:

Crosshair: They’ll never turn her [Omega] over. Hemlock: They don’t have a choice. She is a clone, and therefore Imperial property. *Camera cuts to an angle more centered on Emerie’s face*

Crosshair: Give me your access card! Emerie: It won’t get you outside!

Emerie: I tried to warn him what would happen if he did not cooperate with the Doctor.

Emerie: Prisoner? Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there.

Emerie: You should go back to your room. Crosshair: You mean her cell?

Emerie: Why children? Hemlock: Children are easier to attain and more agreeable to the subjugations. They are unaware of why they are here and what they possess.

Emerie: They're children. Like I was... Was your plan to discard them too? Nala Se: The Empire will keep them in order to control them.

We don't know a lot about Emerie's background, but it's clear that she had a lot less choice than Crosshair and less opportunity or ability to leave. Unlike Crosshair, we never directly hear Emerie's views of the Empire (and she was most likely 'taken under Hemlock's wing' before the Empire even came to power), but lets look at how she talks about the Tantiss:

"Remain calm. Cooperate and you might survive."

"Don't make this worse, Crosshair! There is no escape!"

"All of us serve a purpose here."

"The Doctor will inform me, if it's necessary."

"It's best not to ask questions."

"Escape is not possible, Omega. This is for your own good."

She honestly does the best she can within the system she is also trapped in. She tries to help Crosshair, Omega, and the vault kids in the only way she knows how (warns Crosshair about the hounds and security, tries to protect Omega from Hemlock, tells Scorch his "actions were extreme" with Jax, insists on overseeing Bayrn's retrieval, double checks his m-count (to give him an out), and tries to find out where he came from). When she gives Omega, and later Eva, the doll, I think it shows just how little she really is able to do here (and it's kinda heartbreaking imo).

The framing of this shot especially (after Jax's escape attempt) visually shows how Emerie herself is trapped/imprisoned:

Despite the fact that very little of this is Emerie's fault, she has very little power and she is doing all she can, the narrative does not excuse her role in the Empire:

Nala Se: What will you do, Emerie? Emerie: There is nothing I can do. I don't have that kind of power. Nala Se: Don't you?

Emerie: I- I was doing my job. Echo: Yeah, I’ve heard that before. You’re a clone. How can you be part of this?

These fighting-the-Bystander-Effect conversations parallel these exchanges:

Hunter: We made a choice, and so did you. Crosshair: Soldiers follow orders. Hunter: Blind allegiance makes you a pawn.

Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

which did not change Crosshair's mind. And honestly, all respect to Echo's disappointed mom glare™ but I think it's clear Emerie had already made her decision, she just needed help to actually be able to do anything about it. When she stopped Echo, with her voice wavering on the verge of tears (ahhh v good voice acting), she clearly had no intention of turning him in. She's on her own in the Empire's most secure facility with very little resources, if she had tried anything on her own she most likely would have failed and been killed

Omega: Emerie, you don't have to do this. Emerie: (sigh) I’m sorry, but I do.

but as soon as she is enabled by an ally, she immediately turns around to help: giving information and getting Echo through security, helping the kids escape, and giving Omega the tablet that allows them to free the other clone prisoners.

Where Crosshair's turn is accompanied by the symbolic imagery of the ice vulture, Emerie's is the removal of her (literally rose-tinted!) glasses:

Symbolizing how she has shed her previous views/indoctrination that altered her perception of the Empire and blinded her to it's wrongs. It's disillusionment.

Emerie's story shows us that even those who are raised and indoctrinated into this system can, should, and will escape (with needed help). Even those who did not choose to be apart of the Empire and are not making the decisions still have the responsibility and ability to act on what they know is right.

Emerie, whose name means 'Home strength' 'Brave' and 'Powerful', and "reflects the importance of leadership and authority in the workplace".***

While Emerie is only in one more scene after her turn, so the wrap up is a bit rushed, she still very simply does what Crosshair does not:

Emerie: Because I was wrong about this place. And I'm trying to do the right thing.

Echo: I’m sure Senator Chuchi would find what you have to say very helpful for our cause. Emerie: I have a lot to make up for. I’d like to help out however I can.

She admits wrong, takes accountability, commits to making amends, and leaves with Echo to go take on the Empire (which hopefully we will get to actually see more of some day).

So, in short, she's showing us how redemption is done right!

---

Notes:

*Whether this writing choice was good/logical/in-character or not is another discussion entirely, but I'm going off of what we were given, what the show is presenting in the canon text and (reasonably inferred/intentional) subtext. Crosshair is pretty multifaceted and I could only touch on so much here. There's a lot of ways to interpret his character/choices, but I tried to avoid the realm of speculation or fanon explanations (even if they sometimes make more sense lol).

**History and political theory are not my area of expertise at all, so I have NO idea how well this aligns with real-world fascism stuff and therefore what implications this storytelling choice could have. I think the message of like 'if you think you could survive or gain power by doing what the Empire/fascist system wants you are wrong' could be good (like how everyone is actually harmed by the patriarchy type of a thing), but I hesitate bc maybe there are those who would benefit, since it's a hierarchal system, right? If anyone more knowledgeable than me has incite to share, by all means

Either way, I do think it works in-story and in-universe though. It's just in the execution. The main problem (even from a strictly theme/character arc stand point) is the lacking follow-up/consequences for Crosshair in S3. Like you gave your character accountability by removing the chip and I think that's great setup for an arc but you gotta follow through with that and actually hold him accountable!

***I'm always curious when clones have 'normal' names, like why did they chose the name Emerie of all things? So I looked it up. Idk how reliable sources are for name meanings so take it with a grain of salt but it's still fun. Fits pretty well, and clones names have definitely had significant meanings in the past (like how Rex and Jesse both mean 'king') so I'm pretty sure it was intentional.

Anyway, thanks for coming to my tedtalk

[edenspoem]

i was NOT kidding

[essektheylyss]

Because I'm going to be thinking about this forever, I do want to talk about how Caleb speaks, because I think there's something to be said for how his protectiveness (in general) actually presents itself.

Caleb uses epithets and allusions a lot. He refers to Nott as "my goblin friend," to Jester as "my blue friend," to Yasha as "my barbarian friend." Yussa is at one point "our wizard friend," and Essek is "my Kryn friend," in the two-shot.

He is also, notably, paranoid about being surveiled. He wears the amulet of nondetection for most of the campaign, and it's not unwarranted, given that Trent locates him and nearly burns down the Blooming Grove the moment he's able to get a lock on them. Trent in fact has been shown to use any and all information he can get ahold of about or from Caleb against him, to a truly extreme level. His seemingly single-minded goal is expressed to be to ensure that not a single aspect of Caleb's life and loved ones is safe at any moment, to perpetuate the threat of harm from any direction in order to essentially control and monopolize Caleb's every thought.

In Echoes of the Solstice, Caleb does suggest that he is not concerned with Trent being able to surveil him any longer, but Trent is not the only threat, and, timey-wimey plot nonsense aside, the Hells' inability to scry on him since then suggests that he is likely wearing an amulet at least by that point in the timeline.

The extent of Trent's focus on him and his ensuing paranoia is extreme, and even beyond when he may no longer feel that Trent is a threat to him, he seems unwilling to allow him to pose a threat to others, and people he cares about in particular.

Within that context, it's not difficult to read his use of epithets, particularly in referring to people who are not currently present (rather than using their name aloud), as a form of protection. Some of his manner of speaking implicitly or explicitly presumes that he is being surveiled, even outside of the context of protectiveness; after Vess Derogna's death, he frequently refers to Lucian only by epithets, most often, "our old friend," and at one point establishes "Lady D," (to Jester's glee) as a code name for Vess Derogna for the specific purposes of countersurveilance.

This method of protection, I would imagine, goes double for Essek; not only does Caleb have the habit of worrying over those who would use his loved ones against him, which is of course borne out in Echoes of the Solstice, but he also must consider that Essek has his own enemies, and a stray mention of his name in the wrong company or setting could get his partner killed. It seems even in that gifset, when Caleb says, "I am worried for Essek," after the encounter with Trent at Vergessen, that he first considers obfuscating, stumbling over allusory phrasing before acknowledging that Trent already has the information he needs, and at that point Trent is their only real concern about who might care, given Lucien is far too focused on reaching the Astral Sea to worry about hostages.

When Caleb answers Jester's, "And he's going to hurt Essek," with a silence and an oblique reply, it feels most to me like a further measure of protection, knowing that knowledge is power that can be used against him and his loved ones, and silence is the weapon he has against it.