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writers-potion · 4 months

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Let's Talk About Magic Systems.

There are two broad ways you can establish magic in your story world - work with existing concepts, or adapting it for something new.

Pick a System

High Magic vs. Low Magic

This distinction existes mostly in the western wrld from the Middle Ages onwards. In non-western cultures, this distinct often doesn't exist.

High magic requires magicians to study from books, ingredients are expensive and instruments elaborate and hard to get. The typical practioner of High Magic is of the upper class, highly educated, and rich. They serve in King's courts and have high social standing thanks to their knowledge.

Among the lower classes and women, Low Magic is ore common. It is taught orally and doesn't require reading skills and uses everyday objects and ingredients.

Black vs. White Magic

"White" magic is often associated with good, and "Black" with the evil. However, what really matters is the magicians intension, not the magic system that they work with.

The term "black magic" is often associated with working with the dead. It can also be used by an individual/group who just wants to appear more menacing.

Ceremonial Magic

This kind of magic involves lots of ritual, recitation and prayer, often in ancient langauges such as Latin, Aramaic and Sanskrit.

Most of the time, it's High Magic and practiced by religious figures.

The typical practioner is educated, has great confidence and a good memory.

Natural Magic

It involves ingredients from nature, such as herbs and water.

It may be practiced outdoor, in a kitchen, or in a laboratory.

The rituals are simple and short, and the practioner will watch out for the turning of seasons, phases of the moon, etc.

Religious Magic

This is a diety working through a magician. The magician prays and asks her god to work the miracle.

Most religions have their own form of magic, and the kind of miracles that the magicians can bring can be limited.

Wiccan Witchcraft and Voodoo are largely religious magic.

The typical practioner would be spiritual and devout, often suspicious of other religions.

Alchemy

Alchemy is both High and Low Magic, and it can incorporate religious, spiritual, philosophical and mythological elements.

In a modern setting, alchemy can also be portrayed as "science gone too far".

The typical practioner would be patient, methodious, educated and driven. The tools includes laboratory equipment, astronomical charts, writing materials, and an unsuspecting roommate(?) for testing.

Traditional Witchcraft

Traditional Witchcraft is a form of Low Magic. In early historic periods, the witch played an important role in village life, often old women who owned apothecaries and helped out other villagers.

The typical practioner would be female, uneducated, illiterate, practical, resourceful and poor. She will have a good memory and well-developed senses.

Tools used would be simple household implements - a cauldron, a broom, knife, etc. that can evade the Inquisitor's suspicions.

Wiccan Witchcraft

If you write contemporary fiction, this is the system your character is most likely to use. It's modern witchcraft, based on the religion of Wicca.

Wiccan witchcraft mostly developed in the second half of the twentieth centruy. It is a form of bothe Natural Magic and Religious Magic.

Based on nature worship and the polarity between male and female, the magician often begins a Wiccan ritual with an invocation to a God/Godess. The Lady (Godess) is depicted as having three aspects: Maiden, Mother and Brone. The Lord (God) may be depicted with horns.

The focus of Wiccan magic is often on healing, with an emphasis of ethical consequences of what is being performed.

It is often practiced outdoors, sometimes naked (which they call 'skyclad'). Wiccan witchcraft uses the phases of the moon to amplify its effects.

Wiccan like to gather in groups called 'covens' or to meet once a month or for major festivals. The coven leader may be called 'high piestess/priest'.

Typical tools include a chalice, a knife (called 'athame'), a wand, candles, herbs, crystals, and essential oils.

Necromancy

The magician summons a dead person, either ghost or spirit, sometimes bodily. The dead are enlisted to grant the magicians with favors or are questioned for information.

It may be related to Shamanism, as well as to some forms of psychic work such as channelling and Spiritualist seances.

The typical practitioner is psychally gisted, strong-willed and courageous.

Shamnism

Shamnism is a Low Magic system. The shaman intercedes between the human and spirit world by communicating with spirits, often to obtain information or provide healing.

Shamans may travel to the spirit world to seek answered, with some level of danger. They use drums, chanting, dancing and drugs to alter their consciousness and communicate with spirits.

Practicing shamans often work alone, but they choose a successor to train. The apprentice is supposed to accept the calling.

The typical shaman is musical, sensitive with a strong sense of rhythm and the psychic.

Tools include drums, bells, a costume, herbs, bones, smoke and mind-altering drugs.

Ancient Egyptian Magic

Ancient Eyptian Magic ovelaps with Religious magic, medicine and with psychic work. The deities most frequently evoked are Selket, Aset for raising the dead, and the gof Thoth for anything to do with sickness and healing.

The emphasis of Ancient Egyptian Magic is protection, often done throgugh an amulet or talisman. The circle or oval is the most important shape that has protective qualities.

The precise wording of a spell is important, as well as the colors that are involved. For magic to affect someone the magicians must know that person's true name.

The typical practitioner is male, literate, often a priest attached to a emple.

Folk Magic

This is a form of Low Magic practiced by amateurs.

This includes housekeepers who can keep the rats out, farmers who can ripen fruit before the height of the season, and scullions who can make water boil faster.

This people would only know a handful of spells, ans pass them in to memebers of their family.

Voodoo

Voodoo is religious magic and low magic.

The rituals are held in private, and may involve communication with spirits, especially the spirits of ancestors and saints.

Commonly used to cure aliments, confound enemies, and obtain desires.

Invent a System

Choosing the Right Words

If your character is clearly a witch, shaman, a necromancer, etc. with a specialty, use that term. Otherwise, the word "magician", or "mage" would be most appropriate.

The term "magus" (plural magi) refers to practitioners of the ancient Zoroastrian faith.

Strictly speaking, witches and wizards are practitioners of two very different magic systems, so your female character can be a wizard, and vice versa.

'Warlock' really means 'oath-breaker' or 'traitor' and doesn't describe a magician.

'Conjurer' is someone who can creae effects to impress an audience, not really magical in itself. The more modern temr would be 'illusionist'

A group of magicians may be called a 'coven' (though it applies mostly to Wiccan magic). A magician working alone would be a 'solitary'.

Magic vs. Magick

Normally, "magic" is the correct spelling.

However, "magick" may be used, especially by insiders, to emphasize that they refer to the real thing, not conjuring or other trick of the eye.

The magic systems are sometimes capitalized, sometimes not. When it involves a religion, nationaliy, or a particular family line, it is capitalized. Just make sure to keep it consistent throughout your book.

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scribbles-ink · 11 months

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im just thinking what if mike schmidt is the son of the movie's equivalent of henry emily. i had this thought on the way home from the movie at like. 10 pm so at the time it was incoherrent, but im going to expand on it here.

point 1- garrett played a similar role to charlie emily, in that despite being watched over they were both killed by william afton.

p2- in the flashbacks, its very obvious that the entire family is in a place away from society. they're literally in a forest. it wouldn't make sense for william of all people to be there if he wasn't close to the family.

p3- the books and the game mirror eachother, so there is a chance that schmidt could be another fake name, one william recognized because, again, he was a family friend.

p4-what happens when your kid goes missing? idk probaly witness protection or an urge to seperate yourself from the incident, both reasons for the name change.

p5-(kinds joke reason) abby rhymes with charlie and looks similar to her (brown hair, brown eyes)

p6-i argue that abby also took on the role of the puppet/charlie at the end of the movie. she didn't necessarily give them life, not like what was done in the game, she shoeed them how they died. she reminded the children of the life they had before, and of who really took it. by doing that, in a way, she gave them that life back. she gave them their real personality back, one not influenced by william. she cut them from his influence, she gave them the gift (the picture) and it gave them life (their memories)

p7- in the movie, mike says his father 'couldnt deal with it' and left after his mother died. yk what that sounds similar to? book henry emily killing himself in despair. maybe mike's dad is alive maybe he's dead, we dont know. but it is similar enough, an act of completely removing himself from the equation.

p8-book henry has a sister named jen, yk what name that sounds like? jane. who was mike and abby's aunt, and we dont know which parent she was related to.

p9-'but wouldn't mike know about the pizzaria if william was a family friend?' honestly, probably. but theres also a high chance that he wouldnt. if the family lived in nebraska, (which im pretty sure they did) they wouldn't have a need to go to utah, not even for a friend's restaurant. sure, he might know that his dad's friend had a restaurant, but not that it had animatronics or anything. the family probaly moved to utah after garrett's disappearance and after freddy's closed down.

p10-'wouldn't mike know vanessa? theyre similar in age' if they didnt live in the same state, probaly not. william in the movie was a, suprise suprise, shitty father, even foregoing the stabbing of his kid. i doubt hed care enough to take her with him on like. a short out of state trip.

p11(edit)- in the books aunt jane was killed by evil charlie to get to charlie, yk what that sounds like? the animatronics killing aunt jen to get to charlie

p12(edit)-the words at the end of the movie say 'come find me' and the music playong at the end is the puppets song so i think garrett is the puppet which is. again. an emily thing

p13(edit)- mikes dad looks like a mechanic shown in the training videos [cough henry emily cough]

if i think of anything else ill add it but anywys this is why i think the schmidts in the movie are the emilys equivalent. also check out the notes on this post because theres a lot of replies n reblogs that support my theory

#scribbles' post #scribbles' theories #thats a new tag #fnaf theory #fnaf #five nights at freddy's #fnaf movie #mike schmidt #abby schmidt #garret schmidt #heniry emily #charlotte emily #charlie emily

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dozhdevik · 5 months

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Maybe it's just my speculation, but it seems to me that AFO has a soft spot for a certain type of person.

That moment when Mineta talks AFO out of stealing Tokoyami's quirk always struck me as very strange. AFO really had no reason to pass up the opportunity to steal a powerful quirk, but he looked into Mineta's tear-stained eyes, while also remembering Jirou's tear-stained face, and suddenly changed his mind. We don't know what AFO was thinking at that moment. All we see is a meaningful "…", after which he leaves, because "every precious second counts now".

Although, to be honest, it seems to me that this whole situation looked like he was looking for an excuse for himself not to steal Tokoyami's quirk. He pretended that he just didn't have time to get a quirk, but I think that's bullshit. AFO is definitely fast enough to steal multiple people's Quirks in a matter of seconds. He had already done something similar when Eri's quirk first started affecting him.

He definitely could have taken Tokoyami's quirk, but he decided not to.

I suspect that the students reminded him of Yoichi when he was still a child: a weakling with tear-stained eyes. The reminder of his brother made him feel uncomfortable, so he hurried away.

Maybe this weakness for people who remind him of Yoichi will play a role in the near future. After all, Izuku has a lot in common with Yoichi: Izuku is small and weak/worthless (according to AFO), but more importantly, Izuku is very stubborn and he is hopelessly kind, just like Yoichi. Izuku, like Yoichi, is a gentle person, but he has strong moral principles that he will stand up for if he has to. They have similar personalities, and I think Izuku is really very similar to little Yoichi.

I don't expect AFO to get redemption or anything like that. Unlike Tomura, who was manipulated from his birth, AFO committed evil knowingly and deliberately. AFO is the real villain and after everything he's done, he doesn't deserve to be forgiven. However, I believe that until AFO accepts his brother's death and admits that he regrets the way he treated him, he will not leave Japan alone. Even now that AFO has accepted that Yoichi's death has left a hole in his soul, he still views his brother's death as a tool for achieving power. "It is tragedy that makes people stronger" is what he said.

But at the same time, AFO spent nearly a century trying to bring back his dead brother, only to lose him again, this time perhaps for good. Regardless of what AFO says, this is indeed a major blow to him. And as long as this wound bleeds, he will be a threat to heroic society. Someone needs to help him heal this wound so he can leave.

I'm guessing that Yoichi might return at some point to talk to his brother one last time, but I'm not sure how that could happen considering Eri's quirk failed to return OFA to Izuku.

Even if Yoichi doesn't end up coming back, I think Izuku will still make an attempt to talk to AFO to help him. Whether this attempt will be successful or not.

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a-dauntless-daffodil · 7 months

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and it's the chaggie ladyhawke AU with the steel chair!!!!!

A knight by day and beast by knight, a hawk who's lady only in moonlight: two lovers cursed to be always parted even when when they're never apart-

-and the quest to undo this curse before it, and their separation, becomes permanent >:)

Extra twists I'd add to the original film canon:

Ironic Curses - Charlie, who never wanted to hurt anyone and used her noble title to speak up for the downtrodden, turns into a monstrous wolf creature filled with bloodlust that goes on the rampage every night (except for the hour directly after sunset and before sunrise, when she is tame around Vaggie) - Vaggie, ex-guard who was more loyal to Charlie than to the corrupt officials who paid her enforce their cruel laws, each day turns into a wild hawk desperate to escape (except for the hour right after sunrise and before sunset, when she is fiercely protective of Charlie and refuses to fly out of sight from her)

Extra Suffering - Hawk!Vaggie won't take food from people, or leave long enough to hunt when she's more herself at dawn and dusk, so Charlie has to repeatedly risk losing her forever by taking off her hood and setting her loose- then desperately chasing after her- trying keep track of her long enough for the sun to start setting again ---- Sometimes Charlie can't find her before nightfall and Vaggie wakes up alone in the woods to the sound of a distant inhuman howl of despair (not fun, but, it makes it easier to get back to Beast! Charlie) - Beast!Charlie spends most of the night trying to kill everyone and everything around her- so if she wasn't able to lock herself away before sundown, Vaggie has to grab her spear and do her best to keep Charlie from doing murder- by fighting her, leading her on long chases until sunrise, or trapping her ---- Sometimes Charlie wakes up at dawn to find Hawk!Vaggie crumpled next to her in a nest of bloody rag bandages, and the first thing she does before anything else is try her best to at least rebandage the wounds she gave her

They Go Around Rescuing People (against the law) - Vaggie mainly does this by not letting Beast!Charlie eat people as midnight snacks - During the day, a guilt wracked Charlie goes out of her way to free imprisoned people, save them from punishments, and fight Vaggie's former fellow guards every chance she gets ---- she gets this chance A Lot, since the reason they have to keep traveling is there's a warrant out for her head and the dead body of her hawk

The Other Roles Go To - Evil Bishop Guy: split between Adam and Lute, with Adam pissed that one of HIS guards got with the daughter of the woman who turned him down, and Lute wanting Vaggie to suffer and die for leaving the exorcist guards - Nice Monk: Emily is the one who accidently let slip about chaggie to Sera, who told Adam, who did the curse thing on them. After that all happened, Emily left her comfy position and locked herself up with all the old texts she could find, searching for a cure to the curse. She finds one, yay! - Loveable Rouge Who Helps: All the hotel crew. Charlie rescues / helps them each in turn, and they tag along with her for protection (meaning Vaggie then has to protect THEM from HER)

after the gang is assemble, the film plot plays out as expected

blah blah blah, holy shit the bird just got hit by an arrow, what the fuck the knight lady is REALLY freaking out about that, oh no it's almost sunset- uhhh lady knight says leave her here take her horse and the hawk and ride to the nearby abandoned tower where someone named Emily should be, because Emily can help the hawk.

AHHH the bird turned into a woman!!! A woman with the same injury as the hawk?

AAAAH that monster thing from before is outside howling and screaming, kill it-! Nope, never mind, the injured lady says she'll stab us if we hurt the big scary monster thing, and Emily says to leave it alone it'll be gone by sunrise.

blah blah blah, during the next eclipse, if chaggie can make Adam and Lute look at them standing together as themselves during the few moments they'll both be human at the same time, the curse will be broken! If this fails, they both stay in their cursed forms forever! Great!

.... how are we getting inside the castle for that? Oh right. Chaggie has been adopted by a rag tag band of criminals. This should be fun.

#hazbin hotel #chaggie #charlie morningstar #vaggie #fanart #my art #chaggie ladyhawke AU #nostalgia hit me like a gay truck #im not complaining #i like it when chaggie suffers lots but gets a happy ending <3

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doctor-cowboy · 1 month

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Just got around to watching Holly's Chronicles of Benry stream. It's great and everything I wanted. I love viewing it through the lens of it being Benrey's personal playing-with-dolls recreation of his fantasized life, where he imagines himself to be a relatable Normal Person who can be sympathized with because his life has been sooo hard (and normal). Favorite moments along with my interpretation of them: -The introduction of Emmet Calhoun. I love characters that barely exist and Emmet is no exception. I think we should let him be real -When Benrey is talking about the boss battle, he calls Xen his home -He talks about getting shot with the "Gordon gun" and being killed, and then says "I never forgive him, and he's my best friend, so I gotta forgive him". He's still mad about what happened but he likes Gordon enough that he "has to" forgive him -After his death, he is trapped in gm_construct and not allowed to leave -Constantly talking about how happy he is, how he doesn't have any friends but it's ok, how he's dead but it's ok, and how he can do anything he wants. From the perspective of this being his fantasy world, (and with all context), it can be assumed the opposite is true -Everyone in his fantasy perceives him as very funny, smart, kind, and helpful. I think the whole section with the cow friend says a lot about how Benrey sees himself in relation to others- mostly about how he thinks others should see him -^He tells the cow that he can do "bad stuff" with his powers. She responds by saying everyone is capable of good and evil, and that she thinks Benrey is good. Despite everything, Benrey wants to be a good person, or at least perceived as one -^After saying this, Benrey says that she reminds him of his friend Tommy. The cow then says "he sounds like a fine man, and its really cool when you know him." Benrey and Tommy are best friends -When he was on the phone with Dr. Coomer or Emmet, he insulted them once or twice. They responded by laughing. Could be interpreted that when he's being randomly mean to someone, he thinks he's being funny rather than an asshole -Claims now that he has died, he can't die ever again -Every part with Gordon is important. Gordon's 2 roles in this are being a damsel in distress- with a high-pitch voice and everything-begging Benrey to help him (which he does, because he's so nice and cool), or Gordon talking about how happy and proud they all are of Benrey's performance in "the videos" -^Gordon tells Benrey he's not mad about the "arm stuff" anymore because he has his arm back now. Benrey wants Gordon to forgive him too, and thinks he deserves forgiveness because of the perceived impermanence of what he did. It *is* hypocritical, since Benrey is still mad at Gordon for killing him, despite him being "alive" now -Overall implication that Benrey is not only self-aware as an AI but self-aware as a show character. Talks about "the videos" a lot. If you couple it with the idea that Gordon was streaming the game in-universe to justin.tv, I think that could be really interesting

Conclusion: I love to take a joke so real and serious. This stream is only tangentially related to canon, but in a comedy series, "canon" means a lot less. Which means that anything about it can be real if you want it to be. Or not. But I enjoyed the stream and thinking really hard about it, and I encourage everyone who hasn't watched it yet to check it out!!!

#hlvrai #hlvrai benrey #benrey #I am posting this mostly for myself #but also i love reading other peoples interpretations of the characters and everything #so I hope someone will find this interesting lol

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celestialtarot11 · 8 months

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The Imprisonment of The Soul- The Moon

Hi friends! Today we’re discussing the imprisonment of the soul through esoteric astrology. I found this to be incredibly interesting. But I wanted to combine it with the wisdom traditional astrology offers 🤗🤍

The moon represents the stifling of our soul, in esoteric astrology. What holds our souls ability to channel itself. But in traditional astrology, where the moon is can place insight to channel our emotional wisdom.

🤍The Fire Signs🤍

Aries moon 🥀🤍- Aries represents the exalted form of the sun. Leo is domicile, but since Aries is exalted, the ego plays a big role in the natives life. Fear, doubt, mental imprisonment is more likely for the native to experience (although honestly any one can! Just remember) The stifling begins with the ego since in esoteric astrology, Aries rules the first process of a mans metaphorical death. The ego must dissolve, burn and turn into ashes. Without this process it’s easy for the native to live through the ego as a way to escape. The ego is what first blocks the process of healing. Ego doesn’t necessarily mean jealousy, hatred or evil. It’s our fears, the narrative we replay and repeat, the experiences we cling onto that are unhealthy! Look to the sun sign placements and sign itself to tell you how you stifle yourself. For example Aries moon, sun in the 12h, you stifle yourself by self undoing. You relive old experiences and patterns as a way to maintain safety, especially abandonment. 12h: this will continue to play out as mental health crisis or mental health issues.

Leo moon 🍵🤍- In esoteric astrology, Leo is the King. The giver of life. The sun and moon balance here can actually create imbalance if the native is not aware of the stifling and how it begins. When positioned with the moon, the endings, death, and what must be left behind (esoteric teachings) the Sun will always bring back the dead. It’s easy for Leo moon to relive the past and stay stuck is nostalgia, as Leo finds themselves craving that part of them in that experience. They cling onto one version, instead of the multifaceted truth they are. Sounds like my cancer moon babies for sure 😂 but back on track! Leo also represents the soul consciousness, the achievement of the soul. In esoteric astrology, the stifling begins when the native pursues to live in the ego, abandoning the soul work. Shadow work. Much like Aries, Leo also has to learn to work with the ego, but not live through it. Implementing soul practices, rituals and shadow work can help the native. Leo also rules the role we play in society so its easy for Leo to feel like a puppet, entertainer, or fall under social pressures and that stifles the self. The growth of the soul. Leo is multifaceted and has many roles in people’s lives, including themselves, so playing only one can easily block growth. Look to where the sun falls for further information on how it contributes to this placements. For example, sun in the 6h: Stifling begins by overworking the self, perfectionist tendencies, and not caring for the physical!

Sagittarius moon 🫧🧖‍♀️🤍- The stifling of Sagittarius begins with the mind, imprisonment and relying only on materialistic desires to grow. Most of you are aware of the famous bow and arrow depicting Sagittarius. In esoteric astrology, the bow and arrow represents direction, thought, and with the man holding it, he is the willpower and awareness. Pure consciousness. The stifling begins when man isn’t aware of the power of his mind. The power of intention, thought, and action. The stifling begins as the native refuses to look within themself for direction, answer and willpower. The native ends up traveling outwardly, relying on materialistic gains as a position of power. Or on others opinion for direction, neglecting their own needs. When Sagittarius loses focus, their direction and willpower dims and eventually they get tunnel vision. They don’t know where they belong. In esoteric astrology, Sagittarius is the seat of intuition, before climbing a mountain to reach a point of completion (Capricorn) Sagittarius must get in touch with itself. Before reaching the point of intuition, Sagittarius must go through metaphoric death in Scorpio. Where all materialistic ideals, desires, ego is diminished and buried for better growth. What stifles this process, is resistance. Resistance to inner work, avoidance of the self. Over indulgence in external reality, as Sagittarius is ruled by Jupiter. Look to where Jupiter is to see what you overly rely on, and how it can contribute to neglect of the soul. For example, Jupiter in the 5h, excessive limerence (self regulating through romantic obsession) attachment to friends/social status.

🥀The Air Signs🥀

Aquarius moon 🌞🫧- Many of you are aware of the water bearer, Aquarius. And its usual image depiction of the vase with water flowing, or the water being held. Contained. The stifling begins when Aquarius is sucking in the metaphorical death of all, and not releasing what isn’t theirs. I say this because Aquarius is a sign of intuition, deep connection with the mass consciousness. Aquarius is sensitive to the energies around, therefore can mold themselves into what people need, which contributes to their multifaceted self. However, since its the water bearer, it can hold onto the many wounds and pains of others easily, and feel they are carrying the weight of the world. Their energy can easily remain stuck, blocked and struggle to flow in their body, mind and soul. Most of the time, Aquarius will realize they are working through others pain, not necessarily themselves. When it’s in the position of the moon, Aquarius can imprison their energy to others, imprison themselves based on expectations set by others, and stifle their uniqueness. Aquarius is associated with the Spring in esoteric astrology, it’s meant to give life, nurture and bring together. Aquarius has the ability to stifle their growth, set limitations, and yet surpass them as they heal. They have the ability to decay, grow, and thrive. Ruled by Saturn in traditional astrology, Aquarius has the ability to sustain life, connection and inner peace for as long as they transmute their pain. What stifles Aquarius is staying within the boundaries of the mind. Lots of Aquarius can easily manifest because when they step out the rigidity of the mind, they step into higher consciousness and awareness, therefore accessing higher energies. Check where Saturn is in your chart to see how your energy remains blocked, stifled and in which areas of your life you need dedication & effort.

Libra moon ✨☁️- With only one ray of constellation depicting libra, the constellation of intelligence, Libras are highly in touch with the workings of their mind. Their stifling also begins in the mind. Mind vs heart. Libra is known for its love and romance yet in esoteric astrology, not ruled by any love related constellations. In another post, I talked about Libras being exalted by Saturn, and how they are meant to meet themselves in order to meet others. Their connection comes from the self. The stifling begins in the mind where Libra enjoys setting rules, and wanting a sense of control and mastery. But Libras can only meet others as much as they met themselves. Their detachment and sense of restriction in relationships and personally, can contribute to their stifle. Holding themselves emotionally at a distance with others, and not allowing themselves to open up truly to the natural flow and rhythm of cycles, Libras remain trapped. Libras are also known for balance within themselves, through opposing forces comes balance. Not neglecting one for the other. Libras must embrace all truths, selves, and cycles. Their descendant is ruled by Aries, so Libras must learn to balance the side of them that experiences ego death in relationships. Through relationships they meet themselves. The scales are incredibly important to this sign, in Esoteric astrology Libra swings back and forth from realizing the soul, to repeating old ways and patterns as a way to remain safe. Remaining comfortable and safe is another way in which Libra stifles the soul. Look to where Venus is to see where you become complacent, comfortable and where codependent patterns still exist. For example, Venus 7h, attachment to connections. You love who you are with others, and want to hold onto that part of you so tightly, you forget to let go of unhealthy connections. You crave that part of you, who you are with people. Maintain balance!

Gemini moon 🍵☁️- The sign in which Venus feels comfortable in esoteric astrology. The stifling begins when Gemini moons deny their own process of reaching the self. Geminis are incredibly intelligent, they also have an active mind. Which is what stifles the nature of their soul. Overthinking, controlling and analyzing the soul process. It’s not one for the logical mind, Gemini’s need to gather trust in their body. Trust that what path they’re on whether they understand it logically or not, is for their soul. The stifling also takes place when Gemini isn’t understood and they have to translate their soul in connections that are unhealthy, unstable and ignorant of healing. Ruled by Venus in esoteric astrology, Gemini’s are great communicators and are able to give what their friends or partners need, but the stifling begins when they don’t receive that in return. When Gemini rejects the multifaceted self, the parts unloved, stuck and hurt, it creates a disconnect in the self. Usually the sign is represented by duality, two faces. One is the hurt, the other is the evolved. Together, they must become one. What stifles the moon is relying on the mind to create love only. Through the heart, there can be other ways to generate, receive and experience love too. Check where Mercury is to see how you can communicate love to yourself, and open yourself up to higher consciousness. For example, Mercury in the 8h: shadow work, occult studies, implementing your wisdom & knowledge in your spiritual practices, deep meditation. Stay committed to your deepest parts.

🌊 The Water Signs🌊

Cancer moon 🌆✨- In esoteric astrology, the first incarnations happened in the sign of Cancer. The cosmic mother. If you ever felt you were a young soul, it’s possible you were at the beginning stages of your healing when you thought that. That’s because Cancer moon requires the native to travel into and upwards in the self, to realize they are grown, and are growing. Constantly evolving, gathering wisdom. Cancer moons stifle when they stay in one time period, in one consciousness, in one past experience. Replaying the pain of the past, and recreating those scenarios. What also stifles cancer moon is a sense of having no home, no belonging, and creating disconnection and abandonment as a way to feel safe. A way to predict the end, which gives them comfort. When cancers embody their intuition and ability to recognize others moods, energies and tap into the cosmic world, they feel at home and much more connected. Not necessarily biologically, but cosmically they feel at home. They feel like the child of the universe when they tap into the wisdom it offers. Without the dissolution of boundaries, fears and the past, Cancer may feel held at arms length with the Universe and in their community, as they don’t feel secure in themselves. In esoteric astrology, Cancer is ruled by Neptune. The dissolver of boundaries, the feeler, the seer and visionary. If cancer stifles their intuitive exploration in the world and themselves, there wouldn’t be a dissolvent of the ego, and therefore, no feeling of liberation, resolve, or freedom Neptune brings. Look to see where Neptune is and where you are the most intuitive with yourself & others, and how you can learn to integrate those sensitive energies. It’s also related to the solar plexus, build confidence in that area and security. For example cancer 10h will be intuitive in their career path, in establishing a family life, choosing a spouse, and establishing their business. Also could have to do with picking up their father’s intuitive gifts.

Scorpio moon 🗣️🚬- In the process of healing, Scorpio represents the burial. The rotting in the graveyard, and silence of the death of the soul. Scorpio’s process begins in Aries, a fiery, out of control ego death, eventually settling deep in the earth where the ashes reside. In esoteric astrology they are represented by the harmony constellation, which is interesting for a sign of death. The stifling begins with Scorpio cannot find a resolution and acceptance after their metaphorical death. Their lack of inner peace & compassion is what leads to their stifle. What they repress also leads to disconnect, detachment, and separation in oneself. Often, scorpio repeats patterns in the subconscious in relationships, and in their own lives. If there is no shadow work, there is no awareness, therefore the wounds never existed to the Scorpio to be healed. Their emotional memory is strong, if Scorpio recreates the pain of their past, eventually they’ll only look for that same cycle and pattern, because its all that ingrained in them. So its important for Scorpios to allow themselves to discover themselves beyond the scope of pain, destruction and suffering. To transmute those feelings and past energies. Ruled by Mars, Scorpios have the ability to see beyond the surface level and fight for their passions. They also have the ability to continue to stay in unhealthy patterns and relationships, thinking of it as a sense or control. When they retreat is when they realize their greatest control & potential comes from within. Check your mars sign to see where your subconscious wounds need attention, and how you replay certain past events. For example Mars in the 1h: you replay your past traumatic events that victimized you, kept you stuck, and conflicted.

Pisces moon 🌊☁️- Their stifling begins when Pisces neglects their soul process. Pisces is the beginning of a cycle, and the end. Their stifle comes from undisciplined emotional responses to the self. Not having a ritual, a sanctuary and a routine for meeting their emotional and spiritual needs spirals into anxiety, neglect and ego. When Pisces becomes enthralled by materialistic desires and the surface level reality, they neglect the art of their inner world, and the power their inner world can provide and create. Pisces is meant to orient themselves with universal love and compassion, without this, Pisces overstimulates themselves with escapism. Pisces soul centered ruler in Esoteric astrology is Pluto. Leaning into destructive, chaotic and disruptive forces is what allows the native to fall into the ego. Throwing themselves into the void is what causes Pisces to remain unbalanced. What helps them tune inward and create flow and balance, is by finding illumination within those scenarios, truth and power. Beyond the ego. The power of Neptune plays, as now Pisces sees beyond illusion, and now finds truth in their experience. Pisces is ruled by Jupiter in traditional astrology, the exoteric wisdom Pisces can cultivate is limitless. Jupiter is the guidance we need to fall into spirituality as well, so look to Jupiter to see what hobby/what you can pay attention to in your life to begin your spiritual journey. Look to Pluto to see where you can find your souls power (Pluto because it rules the soul in esoteric astrology) by transmuting the past. For example, Pluto 10h can find soul centered power by releasing father wounds, and finding a stable solid ground within oneself.

⭐️ The Earth Signs ⭐️

Taurus moon 🌙🤍- Ruled by Vulcan in esoteric astrology, Taurus moon individuals have a strong and self righteous mind. Powerful and impactful individuals. But what stifles this sign is creating conflict within themselves and others as a way to maintain control, to prove themselves as right in their ego. Self sabotage tendencies run deep, as these individuals may fall into ego traps to maintain control of themselves, if they cannot control external factors. What stifles this sign is also being aware of their desires, as ruled by Venus, and creating conflict in their awareness by falling into the narrative of what they don’t have. Comparison leads to inner neglect. Taurus moon may feel without materialistic desires and needs being met, they are unfulfilled internally which causes the stifling. Attributing their worth to materialistic values only is what creates neglect. It holds them back from channeling their Vulcan nature, which is their willpower, the illumination of what hinders them internally. Without the inner awareness of their worthiness, Taurus may feel anything they touch simply dies or does not nurture. When tapped in to their Vulcan nature, Taurus feels what they touch materializes beautifully, but also on a spiritual level. Their spiritual prosperity is everywhere they go. The native feels their self interests are challenged with their spirituality. Taurus feels stifled when what they want is also out of their reach, but simultaneously create narratives to feed into that helplessness. Look to where Venus is to see what your deepest desires are, and what themes of codependency surround those desires or negative beliefs. For example, Venus 11h may want a group of friends, a beautiful social status, or to be see and recognized widely, but may struggle with feeling like the black sheep from childhood. Eventually, they may reject a social circle as a way to maintain control and to feel comfortable in their narratives.

Capricorn moon ❤️❄️- Baggage is what truly stifles these beings. In esoteric astrology, Capricorn is represented by the mountain, in order to climb a mountain you have to have willpower, strength and stamina. But you also cannot carry a house with you. Capricorns must learn what is essential to take with them in this lifetime, versus what their fearful tendencies want them to indulge in. In esoteric astrology, Capricorn is the sign of conclusion, finality and death. The mountain tops also represents the point in which we cannot ascend anymore, thus we must go down, and continue the cycle again. There must be a descent into pain, suffering, and healing to reach the top once again. The stifle begins when Capricorns find resistance in going down, when in reality it’s another opportunity to heal and get closer to oneself. Capricorns may enjoy being at the top, where it’s comfortable, where they have an advantage of seeing, and knowing, but once it’s time to head down, the fear of the unknown follows them. This can hinder Capricorn moons soul growth, and imprison the soul. The resistance to death, resistance to endings contribute to the imprisonment. As a way to foster security, Capricorns can get attached to material items to feel ‘’at the top,’’ to recreate that mountain top feeling. And when without, they feel left out, abandoned, in repetition of the old. Capricorns must constantly reach point of inner closure, truth, and awareness of their past to welcome to new, hence the suffering, pain, and fear of the unknown. Ruled by Saturn, the native must accept the discipline needed to derive closure from their past, or difficult experiences. Create that sense of safety, security, and open a new door. Saturn is also about spiritual opportunity through spiritual responsibility, so as the native heals consciously, Saturn rewards with spiritual expansion, and beautiful opportunity. Look to where Saturn is to see what and how you can generate closure from your past, and heal from, and what needs your discipline. Saturn can also tell you where life will continually improve. For example, Saturn 4h will experience wounding from the mother and family, early childhood experiences were lonely, traumatic possibly, and expected the native to grow up faster. The more the native heals this, their family life and sense of family will improve. Not necessarily their own biological family, but the native could go on to create their own sense of family and community.

Virgo moon ❤️‍🩹🌲- What stifles these moon signs is doing a disservice to themselves. Not setting appropriate intentions, boundaries, and uprooting themselves before something beautiful can harvest. Neglecting their health is a common sign of doing a disservice to themselves. These moon signs can neglect themselves in order to be of service to others, and experience codependency early in their lifetime. Virgos are also the gateway to consciousness in esoteric astrology as ruled by Mercury. The visionary, the seer, and conscious of the self. Mercury rules communication and when Virgos are not in touch with themselves, they lose awareness, they lose sight of higher consciousness. When faith is blocked, or their sense of universal connection or religious, Virgos feel unseen and stifled. They have no way of accessing their higher consciousness if the path is blocked by internal wounding and external matters. Mercury also extends into the physical form after higher consciousness is made, elevating Virgos health. Without higher awareness, Virgos can feel their health declining, or their energy is congested spiritually. Virgo can feel stifled when they are not present in their body as well, in order to develop strong awareness to the higher consciousness, Virgo needs somatic awareness. They need their body to speak to them. Virgos experience love not only through their mind, but their heart and body. Virgo also represents synthesis of receiving spiritual information, so without the proper internal care, space and time, Virgos can feel they are neglected. Virgos can overthink as well, and that leads to the stifling. Analyzing their spiritual process too much, leads to an excess of worry and takes them out their somatic body experience, leading to a lack of higher consciousness. Look to Mercury to see how you can better connect to your spiritual experiences, and what spiritual messages may be waiting for you. For example, Mercury 6h your health, routine, and body will help you access your spiritual roots. Listen to your body, ground into it. Nurture it. Keep your body healthy, it’ll keep your energy healthy too.

Omg big post! I learned so much by putting this baby together 😂 Thank ya’ll for reading this, please support this blog by any means possible! 💗🤗 as always please let me know your feedback, and thoughts! Like comment and reblog!

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sorcerersandskillusers · 4 months

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Fyodor and the Devil: Analysis of Fyodor's motives and role in the narrative

Asagiri has stated that he based Fyodor not on Dostoyevsky the author but on a specific scene from one of his books The Brothers Karamazov where Ivan Karamazov confronts “the devil” in his room.

(It's a really good book, you should read it if you have time. Also. fun fact, Fyodor and the devil wear the same hat, “His soft fluffy white hat was out of keeping with the season.”)

Having read the book and gone over this scene, I realized that this could be used to find out a lot more about Fyodor as a character than we see in the story, including a potential glimpse at his real motivations.

A bit of context for the scene. Ivan Kramazov is a clever but deeply trouble man who has struggling with the concept of God and rationalising him with the cruelty of humanity, at one point while very sick, Ivan starts seeing a man in his room who claims to be “the devil”. Their conversation is a fascinating look at morality and why evil exists in the world, and if you look at it closely it reveals a lot about the role of a “villain” in a story.

This line from “the devil” is really interesting to me, and seems to explain a lot about Fyodor’s character, as well as align perfectly with how Asagiri has described Fyodor in interviews:

Before time was, by some decree which I could never make out, I

was predestined 'to deny' and yet I am genuinely good-hearted and not at all inclined to negation.

'No, you must go and deny, without denial there's no criticism and what would a journal be without a column of criticism?'

Without criticism it would be nothing but one 'hosannah.' But nothing but hosannah is not enough for life, the hosannah must be tried in the crucible of doubt and so on, in the same style. But I don't meddle in that, I didn't create it, I am not answerable for it. Well, they've chosen their scapegoat, they've made me write the column of criticism and so life was made possible.

Basically the devil is saying that he was created because without evil then good means nothing, if everything was perfect then nothing would happen or change, life couldn’t exist, so he was forced to be that evil even though he never wanted to be.

This is so similar to how Fyodor is described in the BSD exposition 2020:

Fyodor is the antagonist, he is the villain of the story, that is the role he plays. This explains why he chooses to commit so many atrocities in the name of “following God's plan”. It even connects to his line in The Dead Apple, and his ability name. He is both crime and punishment, as “crime” or sin originates with the devil, but it's also the devil who punishes sinners.

(I mean the title of the episode he is introduced in is literally “My Ill Deeds Are the Work of God” by committing evil acts he is fulfilling God's purpose for him.)

And if Fyodor is really based on “the devil” it's very likely he also either does or used to wish for release from this role that was assigned to him, but he knows that he cannot stray from his path or the story will cease to exist. My evidence for Fyodor wanting to be free of his mission is just one interaction, when he kills Karma.

Look at Fyodor's expression here, this is the only time in the entire series where we see him look truly sad. This isn't an act, there is no one there for him to trick, he simply says a quiet prayer for the life of a boy who's only purpose was to suffer and die.

This next part of “the devils” speech actually seems to fit very well for Dazai, it's interesting since he is the narrative foil to Fyodor and clearly is a very similar character.

We understand that comedy; I, for instance, simply ask for annihilation. No, live, I am told, for there'd be nothing without you.

If everything in the universe were sensible, nothing would happen. There would be no events without you, and there must be events. So against the grain I serve to produce events and do what's irrational because I am commanded to.

For all their indisputable intelligence,men take this farce as something serious, and that is their tragedy. They suffer, of course... but then they live, they live a real life, not a fantastic one, for suffering is life. Without suffering what would be the pleasure of it? It would be transformed into an endless church service; it would be holy, but tedious. But what about me? I suffer, but still, I don't live. I am x in an indeterminate equation. I am a sort of phantom in life who has lost all beginning and end, and who has even forgotten his own name.

This ties perfectly into Dazai and Fyodor’s debate on the nature of God in the sky casino arc.

Dazai here points out that it's not perfection and harmony that make the world move, it's the irrational, it's the foolishness and stupidity of humans who charges into life making a million mistakes but always finding ways to fight on through it. Here Dazai and Fyodor represent the conflicting sides of “the devil” with Fyodor embodying his mission to drive the world and Dazai embodying his secret love for, and wish to join, humanity.

“I love men genuinely, I've been greatly calumniated! Here when I stay withyou from time to time, my life gains a kind of reality and that's what I like most of all. Yousee, like you, I suffer from the fantastic and so I love the realism of earth. Here, with you, everything is circumscribed, here all is formulated and geometrical, while we have nothing but indeterminate equations! I wander about here dreaming. I like dreaming. Besides, on earth I become superstitious. Please don't laugh, that's just what I like, to become superstitious. I adopt all your habits here: I've grown fond of going to the public baths, would you believe it?

And I go and steam myself with merchants and priests. What I dream of is becoming incarnate once for all and irrevocably in the form of some merchant's wife weighing eighteen stone, and of believing all she believes. My ideal is to go to church and offer a candle in simple-hearted faith, upon my word it is. Then there would be an end to my sufferings.”

“"Why not, if I sometimes put on fleshly form? I put on fleshly form and I take the consequences. Satan sum et nihil humanum a me alienum puto."*

* I am Satan, and deem nothing human alien to me.”

This piece from the devil feels like it could be a description of Dazai’s character, his wish above all else to find happiness and love as a human despite believing he is a demon. Both Dazai and Fyodor have strong ties to the Devil, both of them are often described as demonic or inhuman, with emphasis placed on the darkness of their souls and the isolation they feel due to their minds.

But the difference between them is how they dealt with it, Fyodor chose to embrace it and fully commit to his role in the story as the ultimate evil for the greater good, but Dazai has always shown a fasciation with humans and has spent his life trying to connect to them and find meaning in his existence.

Finally, let's look at what we can learn about Fyodor’s motivation. Fyodor is the villain, he is the final obstacle the protagonist has to overcome, he is the driving force behind so much of Atsushi’s life and the reason so much of the series has played out at all. He sent Shibusawa to torture Atsushi as a child, he was an informant to the guild who put the bounty on Atsushi making the mafia turn on him, he was involved in the guild invasion, and obviously he was the master mind behind cannibalism and Decay of Angles.

If he is aware of his position as the antagonist, then he also is probably aware Atsushi is the protagonist, he knew he was the “envy of all ability users” after all, so he knows Atsushi has some significance to the world as a whole.

Atsushi is also the “guide to the book” which is seemingly Fyodor’s end goal, so even though Fyodor doesn’t seem to be focused on Atsushi, he has been indirectly influencing his whole journey up to this point. This also explains why Fyodor is only moving actively now, because the protagonist has appeared and his role as the villain can finally be fulfilled and he, like “the devil” can finally get the “annihilation” he asked for. Hence, Fyodor’s true goal is to erase himself from the narrative.

There is actually quite a lot of evidence for this. The obvious part is that Fyodor wants to rid the world of ability users while he himself is an ability user, he cannot exist in his perfect world.

Then there’s the fact that in the Dead Apple, Fyodor calls himself “crime” if Fyodor is “crime” or “sin” then a world free of sin would not contain him at all

Even when Fyodor talks about sin, he says how humans are easily manipulated into killing each other, while he constantly manipulates characters into killing each other, he is the cause of the sin he fights.

A really strong bit of evidence is this interview with Asagiri and Harukawa

Not only does Asagiri reiterate Fyodors role as the person who moves the story, Harukawa specifically mentions that Fyodor might be trying to create a world without ability users because he thought it was a “bad thing to do” aka the action a villain would take that would lead to a hero stopping them.

“Dos-san is the biggest villain in the story so far, but I have continued to draw him with spaced out eyes that are neither righteous nor evil for a long time. The only time I drew his eyes completely white was when he said he would create a world without skill users. It was because, in reality, we would decide what is evil or not by our own scales, but I wasn't sure if he himself was doing it because he thought that was a bad thing to do.”

This also connects to how Fyodor was able to understand Gogol when no one else could, Gogol is chooses to fight against the way the world is to prove to himself that he truly is free. Fyodor, who is bound to play a part in a narrative, would understand that feeling and that longing to be truly free.

To be clear, I don’t think that Fyodor is really a good person whose just been trapped in an awful position against his will, we see many times that Fyodor revels in his cruelty and enjoys killing and torturing others. Its the same with “the devil” in the book, although he hates the job he was given, he tells Ivan stories of the people he’s corrupted and seems very proud of himself for it.

My personal interpretation is that the sadistic zelot personality Fyodor displays is a mixture of a mask and a coping mechanism, kind of similar to Yosano developing a sadistic side to help her deal with the guilt of half killing people in order to heal them. I think it makes sense that after centuries of cruelty and manipulation a person would become detached and stop really caring about the lives he destroys.

This analysis is partially unfinshed but I wanted to post it now and see what other people think of it.

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seraphdesire · 12 days

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Regarding Donna Beneviento and her characterisation in the fandom, I think it's important to note that she really isn't the shy awkward adorable blushing mess that everyone depicts her as being.

This got long but I did a mildly extensive read on her character under the break! :)

Here are the notes I took a screencap of, written by Mother Miranda, which talks about the suitability of Donna being a vessel for Eva:

There's the evidence you need that she is severely mentally ill, so babying her just feels... wrong anyway, all things considered.

Note - "and has divided her Cadou among her dolls in order to control them from a distance." While I'm on my 3rd replay of re8 I still don't fully get how the Cadou works, but what I think is essentially happening is Donna is literally splitting off parts of herself and putting them in her dolls.

The main one being Angie, of course.

I always used to consider Angie a separate character entirely but she's linked deeply to Donna on a very personal level. Considering what she's like and what all the other dolls are like - loud, funny, sarcastic, rude, etc - and how Donna is literally the one directly controlling Angie (that's the only way she moves lol, because Donna is carrying her places. Which is also why, when you kill Angie, the illusion melts away to reveal that you've actually killed Donna), I think it's safe to say that's what her actual personality is like.

Also, her only spoken line of dialogue? Please listen to it. For those who are hard of hearing, like me, she says: "don't leave... I can't let you."

Bearing in mind the way she speaks? Her tone? She sounds confident imo. Determined. And perhaps even a little angry at Ethan for thinking he can escape her.

Just a last addition as well, can I say that her abilities as one of the Four Lourds is genuinely evil? Everyone else has physical intimidation - Alcina has her height and her claws and mutation, Heisenberg has his ability to control magnetic fields and metal, and Moreau can mutate into that huge fish-with-legs thing that vomits something akin to acid? Oh yeah and he can swallow you whole too.

Donna, on the other hand, doesn't have physical intimidation like that. She only has the threat of psychological damage (which makes sense considering she's severely mentally unwell). When Ethan goes through her gardens and has to solve the puzzles in the house, she makes him hallucinate about his wife whom he thinks is dead, and about his baby who is somewhere in this unknown country with a bunch of mutants who only have bad intentions.

It's even worse in the Shadows of Rose DLC imo. As Rose, Donna makes her hallucinate the bullies from back home, being called a freak and a weirdo, made to relive the worst moments of her life. And the puzzles too? Hell. Having to actually recreate the scenes of her bullying with wooden fucking dolls. I remember feeling really sorry for Rose while playing through that part.

And yet Donna is still "the uwu baby" because what? I don't know. People love to declaw female villains just because they're attractive (looking at Lady Dimitrescu here). They love to reduce the characters down to their looks and not consider their actual lore or background or the role they play in the franchise (looking at Leon especially...)

Which, ya know, of course people are allowed their headcanons for characters and Donna doesn't get enough screentime to really have her personality even thought of, let alone to be made canon. But I think it's fair to say that Angie and Donna are basically one and the same because they're literally the same Cadou.

This is a quick reminder that you are, of course, allowed to disagree with me. Everyone has their own opinions and that's fine. If you would like to politely debate about this in my comments or in my DMs, or even in my asks, then you're more than welcome to! Please remember debating and arguing are two different things though.

If it really irks you that bad then please scroll, it's not hard. If you don't want to do that then feel free to block me - the button is free of charge after all and should be used more to cultivate your feed to your liking.

#resident evil #resident evil village #resident evil 8 #re village #re8 #donna beneviento #resident evil donna #re8 donna

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the-auris · 2 years

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The Auris is a Dead By Daylight Role Play discord server welcoming new members!

✧ 18+ server

✧ friendly community with game and movie nights

✧ absolutely no tolerance for bigotry or drama

✧ literate RP in threads and quick-chat options

✧ ERP friendly, in its own optional category

✧ custom maps and always expanding lore

✧ bi-monthly RP events

✧ cross-over characters from horror media allowed

If you are interested feel free to check out our blog to see the rules, lore and character roster as well as an invite link!

See you soon! ♡

#dbd rp #dead by daylight #role play #discord #silent hill #resident evil

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soapyghostie · 5 months

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Hi! It's the Chucky anon! Here's my request <3

Chucky has murdered reader, but now she is stuck following him around as a ghost. She isn't like... an unstoppable evil, she just messes with him since she has no other option. Something like...

Chucky, whispering: "Don't you fucking dare..."

Reader, looking at him dead in the eye: (shatters a vase alerting the potential victim)

She has a lot of fun teasing him even when he is not out for the kill, so they end up warming up to each other during the moments where she doesn't try to frustrate his schemes

Thank you again! <3

Sorry for when I had to reject your request because my inbox was closed at the time. Also, I’m sorry you had to wait so long for me to write your request Chucky Anon. I’ve been so busy with finals and finishing up the Track and Field season that I haven’t had time to write. 😫 However, I hope this was worth the wait. Hope you enjoy!

Charles ‘Chucky’ Lee Ray

It’s been several weeks since Chucky killed you. The police had already uncovered your body, ran tests, identified that it was a murder, sent you off to the morgue to get you cleaned up for your funeral, and buried in the ground. Now here you are in all your glory, haunting his ass for all eternity. At first your ghostly presence initially terrified him. You can’t blame him because wouldn’t every killer’s worst nightmare be getting haunted by their victims??? Anyways, however, as time goes on, he begrudgingly starts to enjoy your company, finding it less lonely than being on his own.

When you discover that you have the power to manipulate objects, it’s all over for Chucky. You are constantly pulling pranks on him, like rearranging his possessions or making strange noises at night. Chucky would be like: “I’m pretty sure I left my knife right here… where the hell did it go???” While you are snickering, knowing damn well where you hid it (on top of the cabinet where his short midget ass can’t even reach it).

You often play tricks on Chucky to prevent him from completing his kills. This sometimes even inadvertently saves his potential victims in the process. Such as when you accompanied him on one of his killing sprees and he caught you staring at a vase, knowing exactly what you were thinking. “Don’t you fucking dare…” Chucky whispered threateningly and you just stare him dead ass in the face, shattering the vase anyways. Let’s just say that his victim got away that day.

Although you reluctantly accomplice Chucky and assist him in his schemes, you love to sabotage them for fun. However, You often feel guilty about the innocent lives Chucky takes and you struggle with your role in enabling his actions. Due to that, you sabotage his schemes whenever you can (you have fun at the same time doing it though).

Despite all the pranks and tricks, you and Chucky develop an odd bond through shared experiences and a dark sense of humor. He’ll often find himself venting his frustrations and insecurities to you while seeking your advice and your companionship in moments of loneliness.

Despite the close bond you and Chucky created, you secretly long for peace and closure, hoping to find a way to move on from your ghostly existence. Due to that, there will always be tension between you two, as you never forgot that Chucky is ultimately responsible for your death.

#slashers #slasher x reader #slashers x reader #dead by daylight x reader #dead by deadlight #dbd killer #chucky x reader #chucky #childs play #chucky series #charles lee ray x reader #charles lee ray #sophi ghostie writes #dead by daylight

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whencyclopedia · 2 months

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Bastet

Bastet is the Egyptian goddess of the home, domesticity, women's secrets, cats, fertility, and childbirth. She protected the home from evil spirits and disease, especially diseases associated with women and children. As with many deities in Egyptian religion, she also played a role in the afterlife.

She is sometimes depicted as a guide and helper to the dead although this was not one of her primary duties. She was the daughter of the sun god Ra and is associated with the concept of the Eye of Ra (the all-seeing eye) and the Distant Goddess (a female deity who leaves Ra and returns to bring transfromation). Bastet was one of the most popular deities of ancient Egypt as she was the protector of everyone's home and family.

Meaning of Bastet's Name

Her name was originally B'sst which became Ubaste, then Bast, then Bastet; the meaning of this name is not known or, at least, not universally agreed upon. Geraldine Pinch claims that "her name probably means She of the Ointment Jar" as she was associated with protection and protective ointments (115). The Greeks associated her closely with their goddess Artemis and believed that, as Artemis had a twin brother (Apollo) so should Bast. They associated Apollo with Horus, the son of Isis (Heru-sa-Aset) and so called the goddess known as Bast ba'Aset (Soul of Isis) which would be the literal translation of her name with the addition of the second 'T' to denote the feminine (Aset being among the Egyptian names for Isis).

Bastet, however, was also sometimes linked with the god of perfume and sweet smells, Nefertum, who was thought to be her son and this further links the meaning of her name to the ointment jar. The most obvious understanding would be that, originally, the name meant something like She of the Ointment Jar (Ubaste) and the Greeks changed the meaning to Soul of Isis as they associated her with the most popular goddess in Egypt. Even so, scholars have come to no agreement on the meaning of her name.

#History #178 #Artemis #Bast #WHE #[#]

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stairain · 1 year

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Wrong Move You're Dead.

Spencer was never shy about his obsession for you, but you don't know just how far he'd go to prove you belong to him.

Warnings: Switch Spencer, Possessive/Obsessive Spencer, mild mommy kink, knife play (only running against skin and tearing clothing), praise, scent kink, female oral, handcuffs, leg grinding, crying, he cums too quick.

WC: 3.5K

Your chest rose and fell as the cold metal of the chair sent a shiver up your spine. The skin of your wrists were being rubbed raw as the cuffs Spencer had placed on you tightly bound you to the arms of the chair.

Just as you try to escape once more, he walks in. His expression is stoic, and in his hands he holds a knife. The blade glistens in the faint light as he circles you, like a shark to its prey.

He was always one to get possessive whenever anyone talked to you, so it was no surprise that the second he had seen you talking to another man, he dragged you back home and made sure it wouldn’t happen again.

As he walks closer to you, you look up at him with pleading eyes.

"Spencer, baby.. Please let me go."

Your lover shakes his head, almost apologetically. His grip on the knife only tightened as he shook slightly, as if trying to control himself. As he speaks, his voice is shaky and gravelly.

“I'm sorry, sweetheart. I never would want to hurt you.. but you don't understand. I need to protect you because I care about you. I love you too much to let things get messed up. It's the same reason I can't let you have other friends.”

Spencer turns his back to you and for a short moment you lean your head back against the chair and silently curse.

“If I don't get you to myself.. that could lead to some serious problems. And I’m sure neither of us want that. You understand, right? Right?”

You swallow as he trudges closer to you, he lifts the knife and runs his fingers over the dull edge, as if to frighten you. His voice sounds desperate, almost like he was trying to appeal to that soft spot you have for him.

"Baby I'm serious. Let me go, and put down the knife."

He seems to ignore your words, just slowly walking closer and closer to you. “I will never hurt you. But I will never let you leave me. I would do anything for you, because I love you. I can't live without you. You mean everything to me. You are my life.

He gets a soft look in his eyes and his voice wavers as he speaks, his emotions getting the better of him as tears start to spring in his eyes.

“I would kill for you. If that's not true love, then I don't know what is.”

Squeezing your eyes shut, you shake your head. It wasn't often he got like this, despite fitting into the role so well. Your breaths come out in shallow huffs as you try to reason with him.

"I won't leave you, Spence. Just–please, let me go and we can talk about this, alright?"

An evil smile spreads across his face and it makes you all the more nervous.

“Oh, trust me. I know you won’t ever leave me. I’ll make sure of it.”

He abruptly points the knife at you, and you shrink into yourself away from the blade. Your fear seems to only drive him on.

“But I need you to swear that you will never be with any other man, ever, as long as you live.”

You feel the tip of the knife press against your jaw, and there's a slight tremble in your skin. You can feel his heaving breathing against your face, and you try your best to look up at him. His curly hair falling in front of his face, the heavy huffs from his mouth making the locks sway between the two of you.

"I–I promise.”

Despite your confession, he doesn't move away from you, in fact, he begins to drag the knife lightly down your jaw, a sadistic smile plastered on his face. The shake in his hands allows for the blade to stagger against your skin. He pushed it gently to the side, so the flat side was flush with your sweaty skin. .

“You understand how important this is, right? If you make one mistake with this, it could ruin everything.”

His grip on the knife tightens, and he’s breathing so heavily that the metal of the knife is starting to fog up.

“You must promise to never, ever, ever think of any other man than me. You may never go out with a male friend. You shouldn’t even have male friends. You may never interact with a male in a way outside of business. I must always come first. Do you understand?”

Turning your head to the side so as to not get cut, he trails the blade against your skin. He's not pressing nearly hard enough to hurt you, but the cold metal against your face has you shuddering under his touch.

"You're my priority always, Spence. You know that." You try your hardest to say your words with a confident tone, but the break in your voice gives away just how terrified you are.

“Say it again. Say it again, baby, please.”

Spencer seems to be enjoying himself, making you feel so much fear. His tone is serious, and he doesn't seem like he'll stop until you tell him what he wants to hear.

“Tell me I'm the only important thing to you, and that I come first no matter what.”

As he speaks, he's slowly running the point of the knife to your chin. His grip on the handle only tightens as he watches with a wicked grin at the way you're trembling.

"Y-You come first no matter what, baby."

But despite the sincerity in your voice, his expression doesn't soften at all. He bites his lip for a moment before moving the tip of the knife to the bottom of your chin and lifting it a bit, so you're forced to look at him.

"I don't believe you." He says, his soft voice dripping with a cold and malicious tone as the look in his eyes darkens. Your heart pounds impossibly faster as he mutters these words to you, and it takes everything in you to not try and break free once more.

“Tell me, again. Tell me I'm more important than everything. No matter what it is, I come first. Nothing and no one will ever take priority over me.”

"You always come first, Spence. No one is as important as you are."

Your voice is uneasy, but he ignores your words. He’s moving the blade down your throat, the slight scratch has your breath hitching. As soon as he reaches the collar of your shirt, he gives you one last look before he's cutting through the fabric, beginning to tear the clothing that covers you. You gasp, and try to move away from him.

"Spence–stop it."

He lets out a slight laugh and drags the edge further down your top, the crude noise of cotton tearing filling your ears.

“It's too late to stop it, my love. It's already been done. Your collar’s already cut up, I can just take it all off and make you sit here with every inch of you exposed. How about that? Does that sound fun to you?”

His voice is borderline primal at this point, shaking with the primitive instinct to mark you as his forever and ever, and to never let you go again. You were completely and utterly his, and he planned on making sure you’d never forget.

You shake your head, but the arousal rushing through your body betrays you. As he drags the knife down your chest, ripping through your shirt inch by inch, you can't help the feeling of how turned on you were.

“Oh, baby.. Looks like I cut your shirt too much, you’re all exposed for me.. How could that be? I'm very, very upset.”

His tone makes it clear that he's being sarcastic. As the remnants of your top fall to the ground, absolutely shredded and torn to pieces from his actions, your skin raises with goosebumps as you're only left in your bra and pants. You look up at him and swallow, knowing better than to reply to him.

“You look so cold. I mean, you might as well not be wearing anything at all at this point. Why don't I just take this off too?”

His tone is taunting as he scrapes the blade against the lacy material of your bra. The both of you can see just how labored your breathing is, meeting the knife halfway in the air with each greedy breath of air you took.

"Spence, please."

Even though your words sound pleading for him to just let you go, you don't tell him to stop. You don't want him to. You rub your thighs together in arousal as he traces the wire of your bra with the knife.

There’s a shameful amount of slick pooling in your panties right now, and you just hoped he’d stop now to spare you from embarrassment when he sees just how much you’ve soaked through your underwear.

Spencer cuts the strap and watches you as it falls to the floor. His eyes never leave you as his hands skillfully make work of stripping your upper half, and your skin runs hot as his gaze doesn’t break, even for a moment. He knew exactly what he was doing, he knew exactly how to work you.

“God, look at you. This all for me?”

The cocky tone in his voice just spurs you on further, and you shake your head slightly. You had no other choice but to let him do whatever he wanted to you, just the way you liked it.

Once your breasts were left exposed to him, and you were surrounded by shreds of fabric, he backs away from you and drops to his knees. Your eyes follow him, and you subtly press your thighs together in attempt for the littlest bit of friction.

“You know, baby, you're very beautiful. I wouldn't have ever imagined when I met you that I would get someone this beautiful. And not only are you pretty, but you're kind. You're so sweet and caring, and you've helped me through so much.”

Spencer leans forward and presses his cheek into your clothed thigh, taking a deep breath. And as if a shark were to smell fresh blood, his pupils dilated almost immediately upon smelling your arousal and slick through your pants. His mouth parts in a silent moan and a burning hot blush washes over your face at the noise.

“Which is why I love you.. No matter what happens, I will never be able to replace you. I could never replace my dear, sweet girl.”

He takes another deep inhale and you can hear just how much he was filling his lungs with you. His eyes involuntarily roll back into his head and he sighs.

“You smell so fucking good..”

The otherwise forgotten knife lifts in his fist, and he takes the handle between his lips as his now free hands move to unbutton and unzip your pants. You lift your ass a bit to help him pull them off of you, and soon enough the moment you were dreading is face to face with you.

Through the mouthful of the knife, you watch as a cocky smile appears on his face. His eyes flash up to you for a short moment as he pulls your jeans down your calves and discards them. Taking the blade out of his mouth, he licks his lips once before he’s firmly grasping the weapon again.

The sharp tip presses against your hip, just barely above where the dainty straps of your panties laid. Spencer absentmindedly traces your hip bones with the knife.

“You know, maybe I should just keep you here forever.. All spread out for me, have your scent fill the room and make sure no one else gets to see you but me. How’s that sound?”

He gives you those dreaded puppy dog eyes as he desperately waits for your answer. You swallow and shake your head.

“No, baby.”

Spencer’s face falls almost immediately and he drags the knife down the strap, effectively slicing through it without a problem. Your eyes squeeze shut at the abrupt action, and he goes to do the same on the other side of your hip.

“Why?”

Your panties fall off your body with ease, exposing the soaked surface where your drenched cunt sat. You can hear the loud clatter of the blade hitting the ground, and you almost scream in relief.

His cold hands slither up your legs, then spread your thighs open to reveal yourself even more to him. As he parts your legs, the folds of your pussy are coated with slick. Stringy arousal connecting from your cunt and thighs that has him dizzy.

“I’m all you need. I’m all you’ll ever need. You don’t think the same?”

The man leans forward and nudges his nose directly on your clit, making your thighs clench and mouth drop in a soft moan. He breathes in your raw scent and lets out a guttural groan.

He presses a small kiss to your dripping hole before licking his lips and sitting back on his calves. He looks up at you needily, head slightly tilted to the side in confusion.

Your eyes quickly flitter to the discarded knife and you just pray he’ll keep his hands in his lap as they are now. He’s sporting a painful looking bulge. It’s straining against the fabric of his dress pants, begging to be freed and drained.

“Don’t you love me?”

His eyebrows are furrowed, eyes wide and waiting. You sigh and extend your leg out so it’s nudging against his erection. His breath hitches at the stimulation, and he can’t help the way his hips hump against you.

“I do love you, baby. But you can’t keep me here forever, you know that.”

Your tone is comforting and warm, trying your best not to upset him now. He doesn’t protest, too engrossed in what little pleasure you’re granting him. He moves his body closer to you once again, your leg still slotted between his thighs as he comes face to face with your cunt.

“Love? Do you think you can let me out of these cuffs?”

Now that he had seemingly calmed down a bit, it was worth a shot to ask. He cranes his neck up a bit to look at you, and looks to the side for a moment as if to contemplate it. With a sigh, he reaches into his pocket and pulls out a small key.

He’s quick to free you from your binds, hands trembling as he pulls them off of you. His voice is quiet when he decides he wants to speak.

“I’m sorry, mommy..”

You twist your wrists to get the blood flowing back through them, and you shake them out for a quick moment before you reach out to run a hand through his messy hair. You card your fingers through his locks as he looks up at you in apology.

“It’s alright, baby. Just–please listen to me next time, alright?”

The calf he’s nestled upon presses closer to him, and his lips drop in a gentle whimper. Spencer nods and starts to grind himself against you as he leans forward and licks a broad stripe up your cunt.

His hands snake around your thighs to spread them open and hold you down as he begins to licks and suck at your folds and clit. Loud moans soar from you as he tastes everything you have to offer him. He’s letting out small whines, not only from the taste and smell of you, but also from the way he’s getting off by humping at your leg like some pathetic dog.

With each thrust of his hips, he’s rubbing the weeping head of his cock against the rough fabric of his pants that’s stationed right against your leg. He’s already dangerously close, but he wouldn’t stop until he was positive he had drunk up everything you gave him.

His large nose bumps against your sensitive clit, while his long hot tongue slithers into your hole. It scrapes against the insides of your walls, letting you gush on the muscle as it licks over every surface it possibly can.

The hand in his hair twists as your grip tightens, urging him closer to your core, despite being so deep inside of you already. He’s noisily slurping at your sopping cunt, swallowing down each little spurt of slick you offer to him. Incessant moans spill from his mouth, vibrating against your folds as he pushes himself closer and closer over his edge.

“You’re doing such a good job, baby..”

He tries his hardest to hold himself back, but as he relishes in your praise, the push of his hips only speeds up, and the friction is simply too irresistible for him. He lets out a pathetic whimper before his entire body stills for a moment. Shaking his head against your thighs, he whines into your cunt.

“No, no, no.. Fuck–Fuck I-I’m sorry, mommy..”

Spencer’s voice shakes and his eyes involuntarily cross in his skull as his orgasm makes him fill his boxers with his thick warm release. You can feel the warmth of his cum spurting against his garments, and stroke his hair.

“It’s okay baby, It’s okay..”

You try to comfort him in which he just shakes his head. His lower body is twitching unceasingly, and you can feel hot tears spill from his eyes, running down the expanse of your inner thighs.

As he cries into your core, you bite your lip and try to pull him back to comfort him more. But he stays glued to your thighs and cunt as he sniffles and speaks.

“P-Please.. Please let me make it up to you, I’m so sorry.”

You can do nothing but give him a shaky nod, relaxing against the chair as he dives back down and plunges his tongue right back into you. The feeling of him fucking you with his mouth has you keeling over him, hands gripping his thick locks, lifting your ass off the chair to grind against his nose.

His tongue swirls around against your deliciously drenched folds as his lips encompass your pulsing clit. You throw your head back against the top rail of the chair and squeeze your eyes shut. His premature orgasm seemed to only fuel him, wanting to make you cum on his tongue and scream out for him and only him even more than before.

Spencer’s chin is absolutely drenched at this point, you were so wet that it was dripping down his neck and soaking his skin. Through his ministrations to your pussy, you could feel just how desperately he was begging for you to give him what he wanted so badly.

As his tongue pistoned in and out of you like a jackhammer, and with how he relentlessly sucked at your clit, you knew you could only keep your composure for so long. When you look down you almost choke on your moan, he was already staring at you. Wide hazel eyes boring into your figure like you were the only thing that mattered to him.

And you are.

Your gaze never tears from his, your eyes locked in on each other as he shoves you towards your orgasm. Through a broken whimper and slur of praises, you’re bursting in his mouth. Streams of your arousal gush against his tongue, and he’s eager to swallow and drink down everything he can.

Spencer moans and tries his very best to guide you through your release, battling whether or not to gently coax you through your orgasm until you stop shaking, or to greedily suck on your folds until you give him a second helping of your juices.

Thankfully, he doesn’t go for the latter.

Your thighs tremble around where he’s buried between them, and the hand in his hair gripping for dear life slowly loosens as your moans begin to die down. He’s still attached to your clit like a man starved, and after a few minutes of him being latched on, you pull him off of you.

He lets out a small noise of discontentment of being interrupted, and you almost laugh at how positively soaked his face is. His lips glistening and nose shining with your slick, chin almost dripping with your release. Licking over his lips and wiping his mouth, he smiles up at you.

You push the fallen sweat covered hair out of his face as you even out your breathing. And he’s just about on the same boat as you, panting and chest heaving as if he had been holding his breath the entire time. You wouldn’t be surprised if he had.

“Feel like you’ve proved your point?”

You cradle his jaw in your wavering hands, eyes hooded and mouth dry. Spencer lets out a small huff of a laugh and sighs.

“Not quite yet. Your neck is far too empty for my liking..”

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