Sam Coe Headcanon 2/??
SFW - I can think of these things too (surprisingly)
Spoilers probably.
Was thinking about what his life may have been like between leaving Lillian and finding Constellation. Obviously this is a huge time gap and more to come, but my mind was focused on their ship, support and financial stability.
In regards to the ship him and Cora always flew on, it would be 100% small and only repaired when necessary and with discount parts (I think of those cars with different colored panels from repairs)
Cora is given the only cot as her 'room'.
Sam either sleeps on the floor or in his pilot seat
The cockpit of their ship has 2 pilot seats so that Cora can be a co-pilot (truly) and for Sam to teach her how to fly.
She will have a few photos of her mom and even maybe one of Jacob - Sam hates it but doesn't want to push his issues onto his daughter so he just tries to not look in that area
At ANY given time, Cora has atleast 2 tools that are on the floor or her 'repairs & upgrades' are sometimes left half finished
Cora's desire to repair and upgrade the ship also came from their tight budget (and cause less spent on repairs = more book money)
As far as financial aid - no way in hell Lillian is sending child support money. Probably claiming that with Sam always putting Cora in danger, and living a life she doesn't approve of, that she won't help support it.
Also Jacob would, without a doubt, hold access to the Coe generational wealth hostage due to Sam 'keeping his granddaughter away from him'
I would think that, at a ridiculous hit against his pride, Sam would go to Jacob for money when they were in a bind and that is how Cora has (through brief moments) had some relationship with her Grandpa.
He hates every fucking second of those meetings
Sam is a lot more perceptive and intelligent than he lets in
He also easily falls into a habit of being willfully oblivious to things he doesn't want to accept; think Lillian beating a heartless cunt, Cora being way more capable than he things, how lonely he really is.
Cause a man with a heart as big and soft as his has to be lonely without having a partner to help him through the daily moments of life
The only time he is aware of this feeling is when he thinks he is failing being a parent for Cora; as he obviously has to pick up the role and responsibility for Lillian.
On an absolutely different note, kinda. I fucking hate Lillian (if you couldn't tell) and hats off to anybody who can find a single redeeming quality about her.
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got him off-balance!
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re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"
this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?
some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.
take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.
and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.
people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.
that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis
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Favorite part of The Dead Boy Detectives for sure is Edwin pulling literally every single age appropriate male character he interacted with. The absolute cunt ever
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So...... Loop and Odile huh?
v THE OTHER RESPONSE I DOODLED v
yeagh
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“stop calling jason todd a silly guy” has it ever occurred to you that he is a silly guy? he is FOR SURE a murderer and can be so, so cruel, but he still has his moments. he can still be killing people while quoting books he read in high school. he can still be torturing people while humming mitski songs. he can still haunt gotham while making fun of his siblings. let the guy be silly!
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@val-the-bun hits me with a padded sledge hammer in the feels with the wereharpy vaggie au thanks for that once again i inflict this ask on others as a coping mechanism >:C
val-the-bun asked:
Charlie can see the claw marks on Vaggie's side, golden blood, *angel* blood, dripping onto the floor... Her grip on the spear is shaking.
'Did you ever believe in me, Vaggie?'
Another shriek, weak and *crackling* is her only answer. Vaggie's talons fall, and she almost *leans* into the point of the spear. She can see the tears streaming down Vaggie's face.
The spear slips out of charlie's fingers. Her hands are shaking too much. She grabs Vaggie by the feathers, glaring up at her.
'Do you?'
Vaggie is *shaking*, taloned hands curling around Charlie with a *whimper*.
Charlie is clinging to Vaggie as the monster *buckles* around her. She lets out another whimper, nuzzling against her face. She cant keep her tail from curling around Vaggie, burying her face in those feathers she knows so well.
'Oh Vaggie...'
I am picturing a lot of comfort after this
Like just
Vaggie all bandaged up
And just curled up with Charlie in the lobby. And she's just gently brushing Vaggie's feathers.
'So uh, does anybody wanna explain why Vaggie Tales is doin' a heavenly werebird in hell?'
'I... I dont know. Maybe this is just... Maybe this is what happens if an exorcist stays down here?'
Eventually Vaggie starts changing back. Which, ya know, yay!
Aaaand also oh shit. Because uh. *She kind of shredded her outfit in her transformation*. And her spare one is back in what's left of the room she was holed up in.
'Oh, fuck. Uh. Blanket? Quick? PLEASE???'
Queue a very embarrassed and kind of ashamed Vaggie curled up in a *huge* blanket. But...Charlie's holding her. Vaggie may not think she deserves it, but she is.
'Please tell me I didnt try to eat anybody...'
'Oh, no my dear. Shreading on the other hand!'
Charlie gives Alastor a glare that surprisingly shuts him up. Meanwhile Vaggie has basically disappeared into the blanket, save the barest hint of white hair.
'Dont worry about it Vags, your aim was pretty shit.'
Queue a jab in the side from Husk.
'What! It's true! She missed!'
(Aaand that's all i got for this for now. Might do more in the future. Might write a fic. Who knows!)
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Thinking about the Dawnfather. A god of light, a god of harvest, a god of the sun itself. Good but not nice, kind but not soft. Life-giving but also scorching. Protective, warm, and kind, but also stern, harsh, and abrasive. His light can foster growth, can protect and guide, but it can also scorch and burn. The sun is warm and nurturing but don’t stare at it too long, child, it’ll blind you.
Was he always so hard? Did he always hide his face with the harsh light of the sun? Or was there a time when he smiled and laughed, let others see him as he truly was?
Thinking about the Schism. Was the Dawnfather close to the Betrayer Gods before they turned? He must have been, Asmodeus wouldn’t be so hung up on him if he wasn’t. Speaking of Asmodeus, he was once a being of light, like the Dawnfather and the Everlight are now. Were they closer than the others? When the Gods came to Exandria, did they come from the same place or were they scattered, a ragtag group of survivors fleeing from predators seeking to devour them? And if the latter is true, did these three beings of light come from the same place? Siblings, born from the same stuff, forever tied to one another?
If this was the case, then, what was their relationship before the Schism? Did they call each other “Brother” and “Sister”? Did they hold each other when they were scared, dry each other’s tears, laugh and joke and tease and fight and make up because they were siblings and they’d always be together, and they loved each other with every fiber of their being and they only had each other. When Predathos came, when it devoured two of their newfound siblings, did the Dawnfather hold them both and promise them that everything was going to be okay because he was their brother and he was going to protect them, all of them. The gods, mortals, the world itself, they would not be devoured, they would not be destroyed, because he was there and would fight until his very last breath to keep them safe.
Wondering then, was that the moment when Asmodeus truly grew to hate their creations? Seeing his brother and sister and siblings risk their lives just to protect some mewling mortal wretches when they could just leave it all behind and start somewhere new. Was that the moment when he realized that mortals had done something to them, changed them when they were not supposed to change. Why else would they risk being devoured by Predathos, why else would they suffer through war with the Primordials? Why else would they choose them over him!? Was this the moment when he decided to conspire with the Primordials and the other Betrayer Gods? To destroy this world and the mortals on it so they could finally leave. And they would leave, of course, because the Dawnfather was his brother and the Everlight was his sister and the Gods were a family, and at the end of the day, they would always be together, and once the corrupting influence of those mortals was gone, they would surely all see reason.
And when the Dawnfather discovered this betrayal, when all the Prime Deities did, he must have been furious. How could they!? His kin, his brother, who had always been by his side through everything, how could they turn around and destroy their creations, their children. And so he and the other Primes took up arms and fought against their own family to protect this world they had created, and their children who inhabited it. Those battles must have been brutal, bonds of comradery broken, kin clashing against kin, screaming curses as they tore each other apart.
During those final battles of the Schism, when the Dawnfather clashed against Asmodeus, did they scream at each other in rage? A twisted reflection of previous squabbles, different because this time it was real, this time there is no forgiveness, no making up. When the Dawnfather knocked Asmodeus down, crushed his throat under his foot and banished him to the Hells, was he yelling when he disowned him? Or was he quiet when he did it, his voice going into a low growl, deadly calm as he told him that he was not his brother anymore. And moments previously, when the Dawnfather could have easily killed him, did he look into Asmodeus’s eyes and see his brother? Scared and hurt by his hands, hands that once held him and swore to protect him. In that moment, did the Dawnfather realize he couldn’t kill him? Because that was his brother and despite everything, he still loved him, and hurting him brought him more grief and pain than he could ever imagine. So instead, he banished him, locked him and all the other Betrayers away because he and the other Primes couldn’t bring themselves to kill their family, but they also couldn’t let them free.
Was this when the Dawnfather obscured his face? Hardened his heart because otherwise he would break, and he cannot break, because the other gods need him to be strong, because Exandria needs him to be strong. And so he stayed strong, despite the grief, despite the guilt, despite the pain of heartbreak, of hurting the ones he loved to protect the ones he loved. And this hardening must have continued, running himself ragged during Calamity, beating back Tharizdun, protecting Ioun after she almost died, sheltering the Everlight after Asmodeus once again betrayed her, stabbed her in the back and left her broken and weak when all she wanted was to do was get her brother back, to save him from his own wrath. Failure after failure after failure to protect those he cared about, to protect his siblings and mortals and Exandria itself. The guilt of his failures must be overwhelming, and these are his failures: Predathos devoured his siblings under his watch, his siblings betrayed them under his watch, Calamity ravaged Exandria under his watch, and even now, the threat of Predathos has once again returned under his watch.
No wonder he is so harsh now, so controlling now: because every time he has failed in his vigilance the world has suffered for it. He can’t fail again; he can’t lose any more siblings. And so, he continues hardening his heart, continues fighting, because the sun must always rise again in the morning, no matter what.
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Marty McFly VS The Doc-pocalypse or smth like that idk
I put way too much effort into what was supposed to be a stupid doodle so uh. Have this Tumblr. I really don’t have a better explanation for this other than I got two more Doc Pop! Figures today, which leaves me with a growing army of 3 Docs and one singular Marty, and I keep laughing every time I look at them in my display case so here we have Marty dealing with multiple Docs from different times that have all somehow ended up in the garage in 1986. Four dimensional thinking has never been his strong suit, and trying to figure this out is not helping. He’s got two hours of sleep, a bajillion positive encouraging post-it notes from the Doc of the present telling him to sleep, hot chocolate, and four very enthusiastic Emmetts crowding the lab. Send help. And caffeine. And maybe Clara cause he’s not so sure he can keep them from blowing something up for much longer.
Picture of the inspiration under the cut :)
Behold, my growing Doc army and my one single Marty McFly left to deal with them
At least Marty has his tunes. That might help him stay a little sane
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Joel getting to Jackson and going from job to job, exhausting himself deeply. Extra time means more time to think, and the more he thinks the more his deep buried grief resurfaces, because this life is too much like what it had been before. Tommy thinks it's just Joel being Joel, he was like this before the outbreak too, but it's Maria who notices that Joels running from something, and casually tries inviting him over to help with the baby, she casually tries to talk about her own process with grief, and it gets to Joel who shakes his head, and she tries to get to him. Telling him that he has to feel it, he has to let it out... which results in Joel silently shaking with the baby in his arms.
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i have never felt this uniquely insane about a character <3 i cant get a read on him
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Just gonna post this thread i made here because people are being really nasty about this child.
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I feel some sympathy for Aegon. Doesn't mean I support him.... But I feel sorry for him.
I feel sorry for the boy that run away when he learned that his father died.
I feel sorry for the boy that never wanted to be king & would have left the continent & everything behind.
I feel sorry for the boy who never feeled like he is enough.
I feel sorry for the boy who knew his own father never wanted him to be king.
I feel sorry for the boy who feels like nothing could please his mohher.
I feel sorry for the boy who lost his son in an terrible way.
I feel sorry for the boy who feels useless.
I feel sorry for the boy got burned by his own brother.
I feel sorry for the boy that lost his dragon.
I feel sorry for him.
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