#he’s such an interesting character to me

[deerspherestudios]

Hi there! I just wanted to let you know that I love your games! Mushroom Oasis especially has an especially place in my heart. Mychael is such an interesting character and one of my favorite types of yanderes—not violent towards his object of affection but still manipulative and willing to cross lines even if he feels guilty about it. Thank you so much for the work you have done; it’s obvious this game is a labor of love and I am looking forward to see how the story progresses.

In the meantime, I have to ask, do you think there might be a future option where the player can cook for Mychael? Totally okay if that is a little too specific. Cooking is just a love of mine and I love to cook for people I love and I feel that is something that Mychael would appreciate.

Also—and forgive me if you have answered this already—but I was curious to see where Mychael’s affection lands on the scale you created by the end of day 3. Or would there be more than one answer since it seems actions taken on this day might start to split between the platonic and romantic routes.

Thank you again for your time and for creating this wonderful game. Your art is so lovely and you have a real knack for fun character design.

HELLO!! Thank you so much for the kind words!! For me personally I've never been a fan of "if I can't have you no one can <3" type yanderes so knowing that it's a shared sentiment means a lot!!

I actually have something of an idea where MC does something nice for Mychael for a change in Day 4!

It was closer to buying a gift and the players can choose what they'd get for him but adding a cooking/baking option (or a more diverse set of gifts rather than just shopping for it) seems like a good idea! As usual the script is still cooking so we'll see!

As for the charts, they're answered here and explained here!

Also,,, idk if you'll ever read the addition below but I'm holding back on gushing rn because uh, this is for you personally but it's basically an appreciation post for being one of my fave authors <3!!!:

AAAA A A 11 !! ??

I'm gonna try and articulate myself in the best way I can but I have been a FAN of your writing since??? Gosh, 2015??? I was following your blog back when the pfp was a torchic (and a treecko i think??) and the header was Swiggity swiff Gotta Yiff ?? Idk if you're comfortable with people knowing of your writing but let me know if I should edit anything here!!!

I LOVED your writing so much it was silly and witty but you can do drama and heart and spicy just as well it was a major inspiration!!! I genuinely though it was a little goof when I saw you were following my blog the other day and THEN YOU SEND ME AN ASK??? IM, , , THROUGH THE ROOF, I would mention my fav fics of yours by name but I'd be outing myself but the scope is huge <3

I've been thinking of how to respond to this all DAY and decided to just be honest but but just know I love what you do <3 Admittedly idk if you still write these days but either way I hope you're doing well!!!! <3

[pepurika]

what inspired you to tell the story of a character like jamis? was he one of the first characters you came up with, and was his character role/creation really tied to remy from the start? you've done a really wonderful job at showing his growth/arc so far, and it seems like jamis and remy grow really in tandem with each other, so I was wondering how you came up with them and their struggles (for example, if you've just always been drawn to those character archetypes or if someone you know/a character you like inspired you) sorry for the long question!! i really love tigers <3 you're such a good storyteller!!!

Jamis and Remy were very tied together from the start! I wrote this whole story with the thought that Ludo/luck and jamis/remy will be sort of different sides of the same coin- jamis and remys arc is... softer? to me, more about the social structures and relationship drama- while Ludo and luck are more explosive and adventurous, creepy and wild.

balancing between the two storylines has helped me so much staying interested in drawing this story for years, every now and then when I grew tired of either one I could always switch to the other. highly recommended trick for other webcomic makers with adhd lmao!!

anyway about jamis; I needed one character that was a counter balance for all the secrecy and plotting in remys life- he lives in the world of traders where he has to navigate a sea of lies and schemes, and jamis is the complete opposite of that world- even to a fault maybe! he always speaks his mind, and he is true to his feelings (even if he might not understand them himself...) summa summarum, I wanted to make a character that's easy to love and easy to forgive, and even if he makes a ton of mistakes, they don't come from a malicious place.

and about remys and jamis love story, I just really wanted to write something that felt kind of doomed from the start (from remys pov at least haha), but then slowly... there builds up a chance, that even if you live in this world where you have to hide your love, there is a possibility for a happy ending. and I wanted it to build up slowly until- well, you'll just have to wait until the end to see what I have planned!!

also, to me remy and Ludo are the duo-main characters of this story, Ludo on the front as the one who makes things happen, and jamis and luck are the supporting characters for their stories. so everything rotates around Ludo and remy!

[caprisunnydays]

Stardew Valley x Reader Bachelor Headcanons

Alex

Before you and Alex got together, you probably became long time friends

He was def like "damn they hot" but then when it became more than just that he was like "DAMN THEY'RE HOT"

It's been a bit since he's felt those silly little butterflies, it genuinely makes him nervous

Que him leaning against a wall like "Hey bbg" but he's sweating bullets

After his confession, he feels much better, and the nervous air that only you could really pick up on has disappeared

Very PDA, arm is always around you, probably not in the back pocket but if he's tipsy enough then boom it appears

Insists on going in the mines with you but saw a slime and wanted to dip so bad but you protected him <3

"Heh...I totally wasn't scared. Don't worry babe I'll protect you" nah boy

He feels his heart melt every time he sees you and Evelyn baking together, or her just acting like your grandma

Even George has become a grandpa figure, giving advice with alex or general things

Alex is secretly insecure about himself, but with you, he finds room to grow as a person and find that those worries are unwarranted

Though he doesn't say it often, you make him feel seen, and he truly appreciates that

Elliot

(Personal fav right now so I'm about to go OFF)

If you picked romance for his book he's imagining you both as the main characters

Not a complete parallel because he's like "can't be creepy" but a teensy bit

Speaking of "can't be creepy" he has written multiple sonnets about you since realizing his feelings

Unlike some of the other bachelors, he embraces his feelings more, using his passion to inspire his writing and other endeavors

Heavy on the gifts and courting stuff

Gives you love poems at least once a week he has so many piled up but he doesn't wanna go overboard

Says the sappiest things all the time with this love struck look in his eyes

PRETTIEST MANNNNN

Words of affirmation kinda guy, he's poetic like that

Leah pokes at him for being a simp but mans could not care less he's proud

Picks out pretty sea shells that wash up on the shore and gives them to you, and they're always intact!

Big fan of the flower dance and looks forward to getting to dance with you in front of the entire town! maybe your worst nightmare but he's just happy to show you off (and his dancing skills lol)

Speaking of which, mans is gonna teach you how to waltz and a bunch of other old timey dances

At some point he WILL show up in the pouring rain to profess his love, or give you flowers, or both

You're like "Elliot we're literally dating was this necessary and he's like "OF COURSE MY DEAR"

He'd love heartstopper

Harvey

Insert too sweet by Hozier

Silly little doctor guy tries to avoid you but can't help but be drawn to you

He sees you running around doing your daily tasks, and just watches you from afar from the window of the doctor's office

Maru notices and tells you to come in sometime cuz her boss ain't gonna get nowhere by himself

When you start coming in more often he can feel himself die of embarrassment when he fails to make interesting conversation

Is very worried about your health though and fusses when you pass out in the mines/street

He gets even more adamant about you taking care of yourself once he's confessed

Way less nervous though!

Looks at you with adoration eyes when you do anything

Tipsy Harvey is a cute Harvey because he starts spilling his guts on how often he thinks of you

Whenever you're not busy with work he appreciates you stopping by the office, just to talk about both of your days

He yaps to everyone about you btw

Doesn't mean to but when someone brings you up he's like "oh yes me and my partner love to-" or "my partner loves-" etc etc

I used to not be a fan but he's such a sweetiepie

Sam

"I just love a guy who plays guitar <3" - u @Sam

That's it

I JEST

Originally he's like "hey come and hang out with me, Sebastian, and Abigail"

Then you start coming over and it's just you both alone

He's not creepy about it, just wants to spend time with you one on one

Loves showing you the songs he works on and if you want he'll show you how to play guitar too!

He's also happy with how well you get along with Jodi, always trying to get you both to bond, it makes him feel nice that you feel like you're apart of the family

Once y'all are together he does sneak you in anytime he gets the chance

He'll text you like "come over" You : I've gotta be up at 6am Him : "PLZPLZPLZPLZ-"

OG golden retriever bf

You both go shopping at Joja at 3am for fun and goof off

Or go run around in the forest taking aesthetically pleasing pintrest photos

Sebastian

You can't tell me he's not an arctic monkeys kinda guy so insert R U Mine? By Arctic Monkeys

It took him time to warm up to you

When he did you became one of the few people he could hang out with after a long day of socializing and not feel drained around

I can see him doing things that aren't always super platonic and thinking he wants to do them because

"Platonically" holding your hand, cuddling, etc

At town events he stands all close to you, complaining about how much he hates it, but showing disappointment when you mention leaving

Everyone's like are y'all dating and he goes NO way too fast

When you both finally ARE together though he's actually much less affectionate and public, but it doubles when you're in the comfort of his basement room

Finds the most joy in keeping you trapped in his bed with him until noon when you say you should be working on your farm

Especially in the colder months, then you can also share his mom's pumpkin soup

He's almost catlike with his affection

Another guy you run around and take aesthetically pleasing pintrest photos with, but his are more grunge esk

"Accidentally" leaves his hoodies at your place but he likes seeing you in em

I imagine that the characters have those closets filled with the same outfit, so when you try and give him his stuff back he goes "nah" and whips out his 100th hoodie

Shane

PACK IT UP SAVIOUR COMPLEX I mean what who said that

After you rescue him from the depths of his depressive alcoholism, he feels guilty for having feelings for you

Part of it is because he's like "fuck do I actually like them or is it just cuz they basically saved my life" and partly because it feels painfully stereotypical

Not a lot changes, though he is a lot more open to you then he is with other people, even with Marnie

Helps out with your chickens when he has free time

Talks to them about his problems and once you almost walked in on him ranting about his feelings for you (bro was shook)

But once he's confessed, well, he's still insecure about some things, but accepts your help with stride

Jealous easily, but tries not to show it

Acts of service kinda guy, so if you need him to run an errand while you're swamped with farm work? He's on it

Pulls up to your farm with a bunch of snacks and a bag full of movies for you to pick from

He sets it up while you take a shower to wash all the grime and dirt off from a days work so you can just come and cozy up on the couch with him

You're also basically besties with Jas, such a sweet girl, always asks you to play jump rope with her

You both go "say no to drugs" to her l o l

Marnie is also now your bestie so even when she's not working you can get stuff from the shop #WIN

I loooooove stardew valley it's so cool so great

[gay-dorito-dust]

Hi 🙂 could you write a fic about Agatha and Rio both taking an interest in reader and competing for their attention. Who they end up with up to you. Xxx

I got issues w/ wanda stans which ultimately make me hate the character (I don’t want to but you freaks force my hand) by osmosis and I’ll just block you out cuz it’s honestly pathetic to listen to you speak.

You were cute, they both had to admit it, adorable even if they were kind enough to admit aloud. So congrats on being the object of desire of two very powerful and beautiful women. I’m jealous.

Neither Rio nor Agatha were exactly delighted to know that the other was also thriving for your affection and attention. Not. One.bit. They didn’t want to take civil either when it came to you and would boast rather loudly and confidently about how your heart was already taken as their possession.

‘You don’t have a heart to give, so why would you ever delude yourself to the idea that y/n would ever give you theirs on their own terms?’ Agatha said as Rio smirked and shrugged.

‘I do have a heart, it’s black and it beats for them as theirs does for mine, I just have to make them see that even if it means removing you from the picture.’ Rio replied but it only proved to make Agatha cackle as though she was told something funny rather than threatened. She’s had that be the case for a long, long time on multiple different accounts.

‘That’s cute but they were mine from the moment I stepped into Westview during Wanda’s…attempt to play house and acting as their wife,’ Agatha sighs. ‘Let’s just say I was given tastes of them which were sweeter than nectar.’ She smirks when she seeks the smirk on Rio’s lip was wiped off, replaced by a scowl as a perfect visual of jealously and anger overcame the face green witch.

‘Well we’re not in THAT Westview anymore my dearest Agatha,’ Rio began, ‘those memories you may try to hold over my head are long forgotten by them, besides it’s time they moved on with someone with more…potential.’ It was Agatha’s time to look annoyed and angry at Rio as she waves her hand. ‘Bye bye Aggie, we’ll be sure to send the marriage invite.’ She adds sarcastically before leaving.

Agatha, alone in the house she was trapped in for the past three or more years, took a deep breath to compose herself. If Rio wanted you, she’s going have to go through her first, after all you were hers first even if it was under the hex. You were always going to be hers before you were anyone else’s.

Agatha would try to woo you by doing things you supposedly liked during the hex, but once she realises that wasn’t the case anymore and the you in the hex was a charachuer of who you were. She knew that she had some actual work to do in order to win your heart before the black hearted Rio did.

She’d even console in Senior Scratch from time to time, tucking the rabbit in her arms and under her chin as she schemes about how she’s going to swoon you over to her.

‘Flowers did the charm once but it doesn’t exactly scream ‘ don’t make me the other woman in this relationship’ or ‘you chose me once, do that again because it’s the only correct answer.’ Agatha raised the rabbit to her eyes. ‘what do you think? Yay or nah.’

Senior scratch twitched his nose and flicked his ear.

‘You’re right, after Wanda traumatised this town, I doubt it’ll be easy getting to y/n anymore as it is getting a needle out of a haystack, but I’m not going to give them over to her.’ Agatha spat as he mind went to Rio earlier this morning, whispering rather flirty and somewhat vulgar things when told to someone with a particularly filthy mind, into your ear and smiling when you looked at her with wide eyes and a flustered face.

‘You know where to find me sweetheart, so don’t be shy.’ Rio then said as she locked eyes with Agatha as she kissed your cheek, leaving a perfect dark imprint of her lips there for anyone to see.

Rio on the other hand wasn’t afraid to saunter up to you and openly flirt with you while keeping her composure. It came to her as easily as breathing, and besides your reactions always made her smile in accomplishment, so she keeps doing it while handing you a special black rose that she conjured up just for you.

‘What’s this?’you asked.

‘A rose of course.’ Rio replied.

‘I know that but,’ you look from the flower to Rio, ‘what’s the occasion?’

Rio smiled as she walked up close to you, placing her hand over your own as she made you both squeeze the stem of the thornless rose. ‘No occasion, can I not be allowed to gift you something that will never wilt, never die, never look less perfect than the day I plucked it for you.’ Rio answered as she looked deeply into your eyes.

You smiled. ‘Thanks Rio, I promise to treasure it along with the lavenders that Agatha got me.’

Rio’s jaw twitched at the mention of the other witches name but didn’t let her annoyance be shown to you as she smiled tightly. ‘You take gifts from other women now? I’m hurt.’ You chuckled as you rested your hand on her shoulder, cussing a flicker of warmth to flow through her briefly.

‘I didn’t take Rio Vidal to be the jealous type.’ You joked, ‘besides it’s not like I can reject Agatha’s gifts, she can be very convincing.’ You add as Rio internally seethed.

‘Yes, very convincing.’ She chocked out through gritted teeth. Agatha was more of a pain in her ass than she originally thought.

‘Anyways I’ve got to go, Agatha invited me to her house for tea and snacks this afternoon but I’ll see you tomorrow for that abandoned botanical garden you told me about, see you later Rio.’ You bided the green with goodbye as you clutched the black rose to your chest as it emanated a brief green glow.

‘You think you’re winning this fight Agatha, but the wars only just begun.’ Rio spat as she watched Agatha welcome you with open arms, holding you close as she looks at Rio with a look of accomplishment.

‘Come on in dear, I have your favourites ready on the table. Senior Scratch has been missing you as of late.’ Agatha cooed as she booped you on the nose, her hand now sliding to your waist as she guides you into her home that felt familiar and smelled like lavender to ease you into a sense of comfort and warmth.

Who you end up with is up to you. (I’d want both but I’m a sucker for Kathryn Hahn and Aubrey Plaza)

[batmanisagatewaydrug]

Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.

hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.

I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.

"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.

like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.

and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."

and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.

(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)

this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?

my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.

I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.

if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough:

[darkficsyouneveraskedfor]

Mad Season 3

Warnings: non/dubcon, social anxiety, chronic illness, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Bucky Barnes, Peter Parker

Summary: a class project gets messy. (short!reader)

Note: happy weekend.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

“Hey, how’d you get in?” Peter rushes in, a tray of drinks in hand. 

You pop up on the stool, broken from your trance. Uncertain what else to do, you spent much of your time trying to distract yourself with his schematics. You twist to face him. 

“Um, Bucky,” you answer and cringe at home dumb you sound. “He helped.” 

“Bucky? Helpful?” He nears and puts the cardboard tray on the table, “I guess he can be.” He picks at the edge of the tray, “I got you a blueberry matcha. The place I hit didn’t have strawberry in season anymore.” 

“Oh, sounds... interesting, but you--” 

“Didn’t have to. I know, you always say so but I felt bad for being so late. I told may to get an airtag for her wallet. She can be so--” he stops himself and chuckles. “It’s whatever. She’s got a lot going on.” 

“Mhm,” you accept the cup he offers. “I was just looking over the plans. I think we could probably just go with yours. Makes more sense.” 

“What? Oh, no way,” he takes his iced whatever. It just looks like layers of sugar and cream. “I think we could easily bring together both. Take some of your features and mine. I don’t want to take over.” 

“Yeah, but...” 

“But nothing. Really. It’s a team project, not my project,” he insists as he hops up on the stool next to you, “so,” he swipes his hand in the air and a holographic screen appears. You flinch. “Let’s compare and redraw.” 

You gape as another floating rectangle appears before him. No wonder his look so much better than your Paint hack job. You want to sink down and disappear. You always figured you’re not interesting enough to be his friend but now you’re certain you might be too stupid and poor for him too. 

“So, I’m going to get logged in...” he mutters. 

“Um, Peter?” You murmur, “are you sure you wanna be my partner?” 

“Why... wouldn’t I?” He hovers his hand before the screen as he looks at you. 

“I dunno. I don’t... I don’t have much to offer. Not a lab, not all these cool computers...” 

“Oh this? No, it’s not—it's not a big deal. Dude, I'm so lucky Mr. Stark is letting me use this. I’m not ignorant, you know? I just thought it would be easier. I don’t think your roommates like me much and mine are so loud.” he explains as he lowers his arm, crossing both over the table as he leans on it. “Do you not want to be my partner?” 

“Nnnooo,” you drag the word out. “No, I do, but I want to contribute to and I don’t know how to use any of this.” 

“That’s cool. I’ll show you.” 

“Um, okay,” you nibble your lip sheepishly. “I guess...” 

“Did you try the tea? Is it good?” He changes the subject. He does that a lot. Pivots around before you can finish your thoughts. 

“Not yet,” you look down at the bright pink lid, “where did you get this?” 

“Some place called Berry? I don’t know. Everything was bright. You’d hate it,” he laughs again. “Oh,” he snaps his fingers as you blow into the lid cautiously. “Before I forget, I’m having a party. I know it’s not really your thing but it’s ‘my turn’,” he makes quotations with his fingers, “and I don’t really wanna but I also thought I'd invite you in case you wanted to not be there with me, too.” 

Your blink in surprise, “a party?” 

“I know, too much. Well, I didn’t wanna leave you out.” 

“Mmm,” you drone nervously. It is really nice of him to think of you and after everything else, you hate to say no. “No one ever invited me to a party.” 

“No?” His brow furrows, “really?” 

You shake your head, “I’ll come. Yeah. I’ll try. You know, it’s college and ...” you take a sip and clear your throat, “should I bring a dessert?” 

He laughs and gives you a playful grudge, “wow, I don’t think I’ve ever had anyone ask me that except my aunt’s friends. Nope, you can just come as you are. You can always bring some drinks for yourself but I’ll have more than enough to share.” 

“Oh, okay,” you nod. 

“The tea good?” He asks again. 

“Yeah, sweet,” you put the cup down. 

“Awesome!” He grins. “I really didn’t think you’d come. I’m so excited.” 

“Really?” You ask. 

“Well, duh. You’re so fucking cool. Like all my other friends, they try so hard. It’s all ‘let’s go do shots’ or ‘watch me do this dumb shit’. You don’t even try, you’re just you. It’s like people don’t realize they can just be nice and be cool for just that.” 

“I... yeah,” you don’t know what to say.  

It’s like he’s calling you boring but not. You know you are and you don’t mind but you can’t ever remember when you just felt like everyone else. Where you weren’t the odd one out. Despite trying to include you, Peter still manages to push you to the edges. 

You wince as you notice how he stares at you. You fidget and pick at the button on the front of your corduroy skirt. His eyes flick down to the nervous movement. 

“I like that,” he reaches to touch the ridged fabric, “blue. Oh, thick.” 

Your leg twitches in surprise, “uh, yeah... found it at the student thrift shop.” 

“Really?” His fingers brush over the hem and touch your coloured tights. They linger for a moment before he pulls away. “Cute. I’ve never been there.” 

“It’s not bad...” you cross your legs as you knee tingles from his touch. That was strange. 

“Well, anyway,” he waggles his fingers as he turns back to the table, “uh, where was I?” He squints at the screens and taps in the air. He pauses and looks at you. “Here, I’ll show you how it work, alright?”  

He reaches over again and you brace yourself. He grabs the underside of the stool seat and drags you closer. He it so easily, you gasp. He’s a lot stronger than he looks. He slides his hand around so his arm is diagonal around your back. 

“Right, so...” his shoulder presses to you as he points with his other arm, “you can just use your finger. I’ll have to add your prints to the program. Put your hands up.” 

You obey as he stays close. You’re overly away of it. The way he’s pressed to you. He doesn’t seem to notice at all. You try not to think of it and focus on his instructions. The project. That’s why you’re here. 

[nyaskitten]

One of my favorite qualities about Lloyd is how he is so inherently self-sacrificial, and to a horrific degree. He's always putting the mission before his own life, and it really sucks, but that's kinda just how he goes about life...

In s8 he was INSISTENT on fighting Garmadon that he pushed his friends away and nearly died, but even then was still bent on being able to stop his father.

In DRs1 he's 100% willing to accept whatever may change in his life and the divine powers of a Source Dragon to free the Imperium dragons, and then in s2 you had him trying to stay behind to fight Cinder, despite Nya's insistence that they have to leave. Then later on in the season he tries fighting Nokt in the Tournament despite his poor phsyical condition after . Y'know . Having a sword shattered on him and plummetting to the ground .

To me, Lloyd's whole thing is that he willingly gave up so much and it's often at the expense of his own well-being. While yes the other ninja are extremely self-sacrificial, I think it's so interesting just HOW much sacrifice is actually baked into Lloyd as a character.

[simptasia]

LOST: Season One

[cdbabymp3]

ur writing is so chefs kiss omggg 🤍 would love if you could expand on the part in your hc fic on where a sex scene comes up and hamzah gets super nervous omggg

MDNI 18+ expansion on my editor!reader hc's (tysm for the kind words !!!<3)

˚ ༘ ೀ⋆.˚ to be fair, both of you did not do research on the movie currently playing in front of you. it was rated R, but for what reasons neither of you cared to check. hamzah sort of just put it on and beckoned you to couch after you'd been editing for a majority of the day. it was smooth sailing for the first 45 minutes or so, until the two main love interests finally get each other alone. anticipating what's to come next, hamzah clears his throat and gets up to get more popcorn from the kitchen. he's gone for longer than he should and once he returns, the two characters finally start going at it.

"jesus christ..." he mumbles, pretending to check a notification on his phone as the two characters grind against each other.

it's graphic. not just a brief little love scene. no, god, no. the main girl whimpers and pants, riding the main with so much force that their bed rocks against the wall. the man grips her ass, spanking her roughly as she begs him for more.

your face feels like it's on fire and you can only imagine what hamzah must be feeling. he lets out a nervous, breathy laugh, adjusting his pajama pants not-so-discreetly.

"we can-um, we can watch something else if you want." you suggest, grabbing the remote and turning down the volume to the main girl isn't screeching in your ear.

hamzah shakes his head, mouth full of popcorn, "nah, it's fine. i'm sure it's almost done."

boy, was he wrong. the scene lasted about 5 minutes and little did you know, hamzah was internally a fucking wreck. being a single guy, was one thing. sure, he got horny pretty frequently. but, being a single guy living with a single girl who he thought was the hottest woman to ever grace his presence......it had him praying you couldn't read his mind in this moment. if you knew what he was imagining, the dirty fantasies of throwing you on the bed the way the characters did.....he doesn't even want to think about how much you'd probably hate him.

"are you okay?" you nudge his shoulder, snapping him out of his trance.

he blinks a couple times, swallowing the chewed popcorn that had just been sitting in mouth, "yeah, no-sorry. i was trying to disassociate so this damn scene would go by faster."

a lie. a blatant lie that he hopes you'll believe. but you don't. how are you supposed to believe him when he looks all flushed and awkward, scratching the back of his neck while he avoids eye contact. he's a terrible liar, you giggle to yourself. however, for the sake of your work relationship, you just shrug and lay back against the couch.

໒꒰ྀི´ ˘ ` ꒱ྀིა taglist ; @nativegirltapes @etherealval + let me know if u wanna be added !!!

[osiris-iii-bc]

I barely know anything about Necropolitus! Would like to know more about another actual canon character

Please, have a seat *prepares two cups of tea*.

Now, unfortunately we don’t know very much about the character of Bishop Necropolitus Cracoviensis II himself, we only know that he is the official Ministry’s artist, and he took care of the Ghost’s albums artworks since Infestissumam. 

We know from him that he knew Terzo since he was a cardinal in Krakow, that they studied Futurism together and liked to party, as he himself reveals in the following FB post. Plus,  we have some pics of him working on Meliora in his sacristy:

Among his Facebook posts, there’s also this presentation of the back cover for Prequelle, which I find interesting:

He signed also the Ghost-inspired cover of Noise magazine in 2015.

We also know that Terzo helped him sketch the cover for Popestar (since Tobias IS the Papas and the album is Terzo’s, I’m considering it part of the canon).

But most importantly, we can see a certain dedication from the Bishop to Terzo’s equipment…

Now, while he’s worked with almost all the Papas, he’s only spoken openly about Terzo. The main elements we have are:

The yearly 666 creampies Terzo used to “eat”.

Wild parties in the seminary attic.

Futurism manifestos study.

A shared passion for architecture/city planning. 

His admiration (or devotion…) for Terzo.

His Terzo’s nsfw fanarts.

TO ME, IT IS ENOUGH.

We have the artist and the muse, two clergymen bound by a shared passion for art, the life of the party, a power couple with aligned visions, who shared long and passionate conversations about art and most likely they used to hang out at cabarets and literary cafés together.

Necropolitus admired Terzo’s ambition, and Terzo admired his artistic talent.

Necropolitus loved hearing Terzo speak about his plans for the Papacy and trusted in his work completely.

To this day, Necropolitus still remembers him, remains devoted to him… he still holds on to his portraits, never letting the memory of him fade.

[gayaest]

if i may ask, have you made any ocs with ehlers danlos syndrome?

your art is always so wonderful to see when it crosses my dash, it makes me happy to see such colorful and honest art of disabled characters!! its a joy to see characters like me. the collei art you made made me so emotional! it was so wonderful to see a character i love drawn disabled like me <3

anyway, i hope you have a good day!! <3

Yes, I have!

Meet Lethabo!

He/They • Nonbinary • 21 Years Old

Hypermobile Ehlers Danlos • Autistic

His special interest is meteorology, and he travels from location to location because of it.

[yuri-is-online]

Bro floyd is so handsome-

And he's weirdly the only twst character that I can describe as handsome??? Like every other character I like is either cute or pretty. Trey and leona might have been handsome to me at one point but I'm just. Not attracted to them yk? Even Jade! Jade is very pretty! He's my evil little wife! But floyd is like. The only one that's actually handsome, like in the traditional sense. At least to me he is. Just like. His mannerisms I guess... idk man he's cool as hell and weirdly reminiscent of dark vintage americana. Weirdest fucking aesthetic I can connect him to but fuck you I'm connecting them (national anthem demo 1 by lana. I was reading the lyrics and also the overall vibe of that specific version of the song just kind of cemented for me)

Idk dude sometime I just go into you inbox and dump out my twst thoughts with no real purpose or structure and this is one of those times 🦵...also it's 2 am so that probably has something to do with it. Good night Yuri!

The prequel to this ask and also still goodnight because it is rather late here rn

Floyd is very much a mob boss, old Americana, guy you obviously should not be attracted to but still everyone kind of understands why type of guy. He's handsome in italics, in a way that you giggle about and exaggeratedly wag your eyes because hey you could be joking.

He's that sort of handsome where most interested parties would ditch him after a weekend. Handsome in a way that sparks but doesn't start a fire, like one of his bad moods that's strong, horrible, and will do so much damage but is gone as soon as it's come on. Like a man desperate for a real connection and can't quite get it, who is looking into your eyes while it rains outside not saying anything but really wanting you to know it's real. Handsome like the guy who doesn't get the girl but everyone knows if the writer was paying attention to their own characters would have been the better choice.

Handsome in a way that's stammered out without a technicality offered by someone small, vulnerable, and foreign to everything he knows in more ways than just the one obvious fact who ignores all of that stuff. Handsome enough for the spark to catch and the connection to wrap itself around your waist and drag you into the ocean without a single scream because the part those stories often ignore is that there are people who would look at an eel three times there size and still "would."

He laughs, dizzyingly loud and all the things he is at once because what he thinks of you is much simpler than all of that. He thinks you're cute~ so cute he could just eat you up.

[sototallynormaliswear]

I'm kinda bummed that more people don't care for Isaac and Stiles' canon dynamic

you put them anywhere near each other, they are already fighting, insulting everything about each other, the haircut the trauma the outfit, no bars held. Isaac puts his hand too close to Stiles' face, stiles bites him. they have a staring contest while Isaac slooooowly pushes all of his stuff to the ground

but Isaac is one of the only people to go "hey stiles I think you're really fucked up are you straight up dying??" and stiles refuses to answer so Isaac is immediately more on edge. and Isaac was trusted to finally trap the nogistune, which I imagine stiles would have some pretty heavy sway over.

also, the scene at the lunch table? "you could try being helpful for once" "for half my childhood I was locked in a freezer so being helpful is kinda new to me" "you still milking that?" it's so easy to read this as stiles being a dick (because he kinda is) but watching back season two, Isaac is actually fairly reluctant to talk about his father, even to people that FOR SURE know what happened. further more, stiles just doesn't care in the same way about the pack that other characters do, so the pack isn't trying to justify themselves to him. so Isaac doesn't want to talk about it and stiles isn't pressuring him, but suddenly its four months later and Isaac is bringing it up casually and stiles isn't surprised about ANY of that. and they both refuse to skate around it despite that fact that that is one of their strongest skills. whether or not Isaac actually uses his father's abuse as a way to get out it isn't QUITE as interesting as the way that the two of them seem comfortable talking about it, especially when everyone around them DOES seem visibly uncomfortable

anyway. those two are my favorite pair of angry cats. they would die for each other. last week Isaac ate Stiles' homework. about a month ago stiles broke into his house to hide his spoons. they got each other for secret santa, Isaac got him a box full of pennies and a bottle of his mom's perfume stiles got him bottles of dirt and a handknit scarf

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

[cuubism]

last year I saw this 1989 Dreamling art by @webonchin, became extremely obsessed with it, pondered and mulled over it for much time, and now ten whole months later I have a fic

--

my kingdom for a kiss upon your shoulder

Chapters: 1/3 Fandom: The Sandman (TV 2022) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Dream of the Endless | Morpheus/Hob Gadling, Dream of the Endless/Hob Gadling Characters: Dream of the Endless | Morpheus, Hob Gadling Additional Tags: Alternate Universe - Human, 1989 Hob Gadling and Dream of the Endless | Morpheus Meeting, Musician Dream of the Endless, Stockbroker Hob Gadling, Love at First Sight, Getting Together, New York City, Alternate Universe - 1980s, Queer Themes, Disillusionment, Explicit Sexual Content, Blow Jobs, Anal Sex, Recreational Drug Use, Depression, tfw you meet someone who makes you want to change up your whole life Summary:

Despite Hob's success on Wall Street, life is starting to feel meaningless. Limitless sex, drugs, and money should be endlessly entertaining but instead he's bored, he feels empty, like something's missing.

Something, maybe, like the beautiful, tragic musician he meets at a party, who opens more than one new door in Hob's life--and reawakens the buried longing in his heart.

--

Hob lies on the couch of the crowded apartment he’s found himself in for the evening, head tipped back over the arm. Pounding music thumps distantly around him. Dim lights. Warm bodies moving in blurs. He ignores it all. Picks up his vodka soda from the coffee table and takes a swig. Half of it runs over the side of his mouth instead of into it.

He’s… bored. What’s wrong with him that he’s bored surrounded by as much drugs, sex, and general debauchery as he could possibly want?

But he is. All that climbing for so long and now… he doesn’t know where he is. Why he’s doing any of it. The climb, the growth, was fun for a while. Chasing hunger, chasing more, that was fun. But now he has all of it. Supposedly.

He sighs. Pours the rest of his drink inelegantly into his mouth. If he wants another one he’s going to have to get up. He doesn’t really feel like getting up. He feels like merging himself with the couch instead.

The party spins on around him, as it always does. Not everyone’s feeling as burnt out on sex, drugs, and debauchery as Hob is.

He could go track down some coke, he thinks hazily. Someone here’ll have some. Maybe it would kick his energy back up.

He just feels kind of tired at the thought.

It says something bad about the point he’s reached in life that even cocaine isn’t doing it for him anymore.

“This is very dull,” says a low voice, and a man slumps down beside him, sitting on the floor and leaning back against the couch. He tilts his head back, looking up at Hob. “Do you think so?”

“Yeah,” Hob says, and then does a double take as he catches a proper look at the man.

Christ but he’s gorgeous. Nothing like the men Hob would normally see at a thing like this—nothing like Hob himself—with their fashionable suits, slick hair, slicker smiles. This man is lithe and sprawling, like a wild predator, stark black and white lines, spiky hair, dark makeup, studs flowing down his ears like raindrops. Clever eyes. Long fingers clutching a cocktail that he doesn’t seem particularly interested in.

Hob is instantly fucked.

“I was promised good drugs and better sex and I’m bored on both counts,” the man continues. He takes a sip of his drink, and grimaces.

“That why you’ve come over here?” Hob asks. “Because I looked equally bored?”

“Exactly.” He offers the drink to Hob. “You should try this.”

Hob takes it. It’s… very blue. “What the hell is this?”

“There was a girl working the bar… very drunk. She said she would make me her ‘special potion.’”

That sounds… questionable. Hob takes a sip, and chokes. “Christ.”

“I witnessed her pour in vodka, Prosecco, and tequila. Blue Curaçao—for color, of course. And maraschino cherries.” He plucks one out of the glass by the stem—there are about seven of them total—and eats it.

“What the fuck.” The stuff’s revolting. Hob takes another sip. “That’s alcohol poisoning in a glass.”

“It’s been one of the better parts of the night,” the man says.

Hob returns the glass, and the man tosses more of the drink back, his throat working. Hob’s just drunk enough to not attempt to stop staring like a creep. He wants to ask him if he wants to get out of here, or even just to steal away into one of the many spare bedrooms—it wouldn’t be out of place at a party like this, hell, Hob could drag him into his lap on the fucking couch, everyone’s far too drunk to care—but propositioning this creature for a mere hookup feels like wearing an Italian suit to mud wrestle. What a waste of a perfectly-made thing.

How did something like this wind up at this party?

“Who’d you come in with?” he asks, as the man plucks another cherry from the glass and delicately bites it off the stem.

“Someone who gave me a rather mediocre blowjob after a show,” he says. “I suppose I thought I would find better here, but I was mistaken.”

“Fifty-fifty shot on that, I’d say,” Hob says. Based on personal experience. Sometimes mediocre is good enough. Sometimes sex, regardless of quality, is good enough. For a while it has been. He’s not so sure anymore.

“I dislike betting,” says the man. Then stretches up a limp hand to shake Hob’s. “If we are to commiserate, perhaps names are in order. I am Morpheus.”

Morpheus. What kind of name. Though he had said at a show. A performer of some kind? “Hob,” says Hob, shaking his hand despite the awkward angle.

“Greetings,” says Morpheus solemnly. “You are the first man I’ve met tonight who has not tried to impress me with inanities. I am indebted to you.”

Hob tips his head back against the arm of the couch again with a sigh. “Too tired for bullshit. What’ve people been saying to you, then?”

“I have been taught much,” Morpheus says seriously. “Thrice I have been ‘educated’ on the great promise of ‘mortgage-backed securities.’ The reactions to my disinterest ranged from offense to outright concern for my sanity.”

“I think they were just trying to get in your pants,” Hob tells him.

Morpheus frowns. “The finance lecture was not helping their case. In fact, with each passing minute, I became more aggressively repelled.”

Hob laughs. “You’re on Wall Street, baby,” he says. It comes out kind of slurred. “Only thing more important than the size of a man’s dick is the size of his portfolio.”

Morpheus hums in consideration. “Neither of those has a direct correlation to talent.”

“Try telling them that,” Hob says.

Morpheus sits up straighter against the couch, leaning his head on his arm to study Hob. “I suppose I should ask about yours.”

“You’re too pretty for me to be tacky like that,” Hob says honestly. Maybe he’s a bit more drunk than he thought.

“Am I?” Morpheus seems pleased.

“So pretty.”

“Hmm.” Morpheus rests his cheek on the couch cushion. The tips of his hair brush Hob’s hip. His eyes are so liquid in this light. Hob wonders if he’s hallucinating his existence.

He reaches out, mesmerized, to touch Morpheus’s hair. Morpheus doesn’t stop him. He lets Hob pet him, eyes falling shut. His hair is tacky on the ends with hair spray, but soft underneath.

“I’ll tell you a secret,” Hob says, and Morpheus hums. “All those self-important stockbrokers trying to impress you with their convoluted financial instruments… they just want to hide that it’s all really a scam.”

“Is it now?” says Morpheus. “I was under the assumption it was legal.”

“Something can be a scam and technically legal. Oh, it’s all very clever. But it’s just building money on top of money with nothing real to support it. Kick out the base of the tower and it’ll all go into free fall.” He makes a whistling, falling sound, and Morpheus smirks.

“And I suppose you are better than all this.”

Hob chuckles. “Oh, no. I’m a money-grubbing little vermin, too. Just letting you in on the game. How it’s not so serious.”

“Hmm. I am a musician,” says Morpheus. As Hob figured, then. “I’m afraid it’s as serious as death.”

“Hence the all-black ensemble and the makeup,” Hob says.

“Indeed.”

Hob wants to hear Morpheus play. Or sing, or whatever it is he does. He bets he’d be exquisite. Divine. Hob can imagine those lips pressed to a microphone. Or those long fingers on guitar strings.

“Do you want something more interesting than alcohol?” says Morpheus.

“Why, you still bored?”

“Less and less so.” He pulls from his pocket a small bag of pills and hands it to Hob.

“You brought your own drugs to a party where you were promised drugs?”

“Promises cannot be counted on,” says Morpheus seriously.

“What is it?” Hob asks, then decides he doesn’t care, and takes a pill, chasing it with the watery last drops of his drink, which is a terrible idea, but then, he’s full of them.

“Ketamine,” says Morpheus. Oh, great, Hob thinks. Morpheus takes it back from him and takes a pill himself. “It occasionally makes me feel less like I am going to hurl myself from the balcony.”

He doesn’t seem to be joking. “Good for something, then,” Hob says. “Why do you want to jump off the balcony?” He still has his hand in Morpheus’s hair. He honestly can’t believe he hasn’t propositioned him yet. That’s not like him. These parties are usually only good for quick, casual sex. He even thinks Morpheus would probably agree, and yet.

“The state of things,” says Morpheus. He has such a deep, solemn voice. Hob wants to touch his mouth, or throat maybe. Okay, this is already not going so well. “And the state of my heart.”

Hob pets his hair again. Morpheus leans into the touch. “Writing songs about yearning and angst and stuff isn’t fixing it?” He can well enough guess what Morpheus’s music is probably like.

“No,” says Morpheus. He seems to really think about it. “I think it is making things worse. Perhaps I will try manipulating the financial markets instead. Is that giving you existential fulfillment?”

“There’s only so much money you can make before it starts feeling stupid,” Hob says. Maybe he should just throw all his cash out the window and go live in the woods or something. Carve figurines out of fallen trees. Probably do more good for the world, not that that’s ever been a focus of his. “Maybe it was always stupid.”

“No solution has been found for us yet, then,” says Morpheus. “Would you care to go outside? I find that if you are high enough, the city lights look like stars.”

“You’re not going to jump off the balcony, are you?” Hob asks, suspicious.

“This is not the right locale for my dramatic end.”

Somehow, Hob actually believes him. Morpheus wouldn’t truly kill himself unless it could have the right effect.

Hob levers himself up from the couch. Oh Jesus, now the room is spinning. The pounding music is starting to feel louder, starting to thud through him. Feels good, though. Everything being bright and hazy.

He helps Morpheus to his feet. Leads him, hand in hand, out to the balcony. They lean against the stone wall, looking down at the street, dizzyingly far below, cars poking along like lines of luminescent ants, distant horns crying. Then up, out at the collision of skyscrapers.

Morpheus was right. The lights are spinning and twinkling, just like stars. It reminds Hob of the first time he’d come to New York, when he was looking for adventure, and to get a little rich—or a lot rich—and everything had seemed like it was glowing and buzzing and flying.

The air is clearer up here than down on street level, and Morpheus tips his head up, breathing it in. His throat is so long, his shoulders and collarbone so angular. He looks like he’s been starving. But the stud in his ear at least looks from afar like a real ruby. Intentional, then, to be skin and bones.

“I think I am tired,” he admits, still looking up at the sky. “Do you know that… all I had ever wanted was for someone to like my music. And now I have that and it has not fixed anything.”

Hob takes his arm and pulls him close. He’s feeling very touchy-feely now, which could be the drugs but could also just be Morpheus. He’s so pretty and he looks so sad, and his sadness is beautiful and all the more terrible for that.

“I could kiss it better,” he offers. It’s still not a real proposition. Hob’d just kiss his hand if that’s what he wanted. Or the sharp bone of his sternum under those hanging necklaces. Or kneel at his feet and kiss his thigh—

Christ. Hob’ll be lucky if he survives the night, at this rate.

Morpheus looks at him, eyebrow raised. But Hob must look serious about it, because he says, “Okay.”

So Hob leans in and kisses his cheek. And Morpheus smiles, a bright, truly happy smile, just for a moment.

“Do you wish to dance?” he says. “I do not usually, but I feel I may fall over if I move from this wall without something to hold onto.”

Yeah, the floor is kind of moving. And Hob will certainly not turn down having Morpheus in his arms. “You wanna dance to this shit?”

They’re playing some godawful thumping grating song over the speakers now, and Hob doesn’t think either of them is up to the kind of bouncing thrashing dance that would call for.

“I will sing something different in your ear,” Morpheus says.

So Hob draws him in, wraps his arms around his waist. Morpheus plasters himself to Hob’s body, mouth to the shell of Hob’s ear. He starts humming a low, melancholic song. Hob shivers at the brush of his voice.

They sway together with very little coordination. Eventually Morpheus starts singing, though Hob’s brain isn’t capable at the moment of taking in many of the lyrics. It’s something about longing, and losing things in a terrible fire. Hob presumes it’s one of his songs. Morpheus’s voice is gorgeous, low and hypnotic, and Hob closes his eyes as it rumbles straight through him.

“You’re beautiful,” he murmurs eventually, filled with a sudden tragic pain about it. “Please don’t throw yourself off the balcony.”

Morpheus chuckles. “Another time, perhaps.”

“Never,” Hob says vehemently, and clutches his warm body close. He might cry about it. Fucking drugs. “We should go get food. You’re so fucking bony I think might you die of an overdose if we don’t sop it up. You had that wretched drink, too. Christ.”

“You are worried for me?” says Morpheus, sounding touched.

“Incredibly. Come on.” Hob finally pulls away from him, with chagrin, and takes his hand. “This party’s shit. I’ll take you to get pizza.”

“Pizza,” Morpheus repeats, with a tiny smile. It’s gorgeous on his face. “Very well.”

--

One dollar pizza is one of New York’s greatest inventions, in Hob’s opinion. They find some hole-in-the-wall place barely a block from the apartment building, and stand outside the door, eating incredibly greasy pizza off of paper plates, and it’s fucking heaven. It might be the best pizza Hob’s ever had in his life—granted he’s still very high.

Morpheus is scarfing his down like all pizza on earth is about to be chucked into space. Poor bony thing. Hob just wants to feed him up until he stops looking like a skeletal waif that’s about to drop dead at a cold breeze.

And wants to fuck him, too. Yeah, that’s still there, even with Morpheus licking grease off his fingertips. It’s actually getting worse because of that.

“Told you,” Hob says. “Needed some bread to soak up the fifteen shots in that drink.”

“I think I may throw up,” Morpheus says, with the careful articulation of someone who very well might. “But I am enjoying it nonetheless.”

“Let me know and I’ll find you a bin,” Hob says. He’s had worse nights than puking on the street corner.

“Now I owe you sexual favors in return for this generous meal,” says Morpheus, folding the empty paper plate with surprising precision, considering his enduring level of intoxication, and sliding it into a nearby trash bin.

It says something about Hob’s own level of intoxication that he barely responds to this statement. “Oh, yeah, the whole four dollars of it. What does that get me?”

Morpheus scrunches his nose in thought. “Two kisses,” he decides.

“We’ll save it for after you’ve decided if you’re going to throw up.”

Morpheus giggles. He’s so cute.

Hob tosses his own plate, and takes Morpheus by the arm. “Come on. You can come back with me. I don’t live that far.”

“Ah, now the proposition,” says Morpheus, but doesn’t sound unhappy about it.

“The ‘make sure my new friend doesn’t get hit by a cab effort’, more like, but sure.” He feels kind of responsible for Morpheus now. If Morpheus actually threw himself off a balcony Hob would never forgive himself.

“Friend,” repeats Morpheus, sounding pleased.

“See, isn’t this better?” Hob says.

“Better?”

“You got to eat pizza and didn’t even puke yet, isn’t that better than killing yourself?”

Morpheus huffs. “Quite a dichotomy. If you recall you too stated that you felt your efforts becoming meaningless.”

“Yeah, but I’m not gonna jump out a window about it.”

“Fortitude,” Morpheus says, and it sounds mocking but Hob doesn’t really mind. Maybe it is fortitude, he doesn’t know. Maybe to Morpheus fortitude is gullibility, continuing to play the game when it’s long lost its spark and its reward. Hob likes the game, though.

“What will you do about it, then?” Morpheus asks.

“Dunno.” It’s the first time Hob’s really thought about it. Up until now, it’s been about chasing. Always wanting more. But now— now he’s basically at the top. Where he wanted to be. And... there’s really nothing there at all. “Leave New York, maybe.”

The words surprise him, even as he says them. Midtown is so bright, even at four a.m. It’s something Hob once loved about the area. About the city. But now he’s staring into Morpheus’s darkness. Into the ink stain of his hair against the glowing storefront lights, the sway of his body, graceful even while swimming in dissociation. And everything feels different.

“To go where?” says Morpheus.

“Back to London, maybe.” He has enough money to go anywhere. And yet, it’s hard to feel a particular point to anywhere. Where’d his sense of adventure go? His ambition? Somewhere it all slipped, in the glut of the present.

“I grew up in London,” Morpheus says. “It is too personal there, now.”

So he’s chasing something too. Or running away.

“Tokyo, then,” Hob says, as if Morpheus coming with him is a key part of the decision. “Is’at the furthest city from New York? Gotta be close.”

“It’s Perth,” says Morpheus.

“You’ve looked it up?”

Morpheus nods solemnly. “And from London: Wellington.”

“It’s settled, then,” says Hob.

“I am coming with you?” says Morpheus.

“Course.” Hob’s not going across the world by himself. Not anymore. He bumps his shoulder with Morpheus’s, squeezes his arm where they’re leaning together. “You’re coming with me.”

“We should go further, then,” says Morpheus.

“Antarctica?”

“Mars.”

Hob finds himself giggling, mirth rising in him like champagne bubbles. Morpheus giggles, too. It’s truly a ridiculous sound in his deep voice.

“They don’t have cool jackets on Mars,” Hob says, poking at Morpheus’s studded blazer.

“Ah.” Morpheus frowns. “Maybe not, then.”

That only makes Hob laugh louder, leaning on Morpheus’s arm, and Morpheus sighs, irritated to be made fun of, but doesn’t push him away.

“Come on, I’m here,” Hob says, steering Morpheus into his apartment building as it comes up. They make their way across the lobby and to the elevator bank, only a little unsteady, and then slump against the wall once the elevator doors close.

“I think I am very sleepy,” Morpheus says, tipping his head back against the mirrored wall as they go up, up, up the insanely tall skyscraper Hob’s for some reason chosen to live in.

“You think you are?”

Morpheus squints at the infinite tunnel being created by the opposing mirrors on the walls. It’s dizzying, more so now, when they aren’t exactly sober. He shudders and closes his eyes. “I would have to be connected to my physical form to know for sure.”

Yeah, Hob’s feeling that too. The walls are kind of tipping in at him, which is particularly uncomfortable when they’re mirrored. “I’ll put you to bed, sweetie.” He still really, really wants to bed him, more specifically, but he might also be about to fall over. He’ll rue the missed opportunity in the morning, but it can’t be helped.

“Sweetie,” Morpheus echoes, with vague distaste, and tips his head against Hob’s shoulder.

The doors slide open, and they stumble out into the hall. Hob somehow manages to get his keys in the door and get them inside without dropping Morpheus, who’s now using him to support almost his entire weight, and then gets them into the bedroom.

What follows is a dreamlike whirlwind of undressing, where the floor keeps tipping under him, where he tries to hold Morpheus up as he slips out of his boots and his bloody complicated jacket, his skintight jeans and even tighter shirt, helps take each ring off his slim fingers to leave carefully on the nightstand, and the pendants too, and gives him a t-shirt to sleep in, and Morpheus says, “Wait— I must—” and flees to Hob’s adjoining bathroom to strip off his makeup with some makeup wipes scavenged from Hob’s cabinet, undoubtedly left behind by a prior hookup. The silly thing talks about killing himself but still puts effort into skincare. Hob just shakes his head, then regrets it as it makes the room spin.

He strips down to boxers and undershirt and climbs into bed, because he is actually about to fall over, and soon enough Morpheus stumbles back out and collapses into the sheets beside him. For a moment they just gaze at each other in the dark. Hob means to do something, to kiss him, maybe, claim one of the ones that was promised. But exhaustion claims him first. 

[darkficsyouneveraskedfor]

Just Friends: Big News

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Bucky Barnes

masterlist

Summary: You have a surprise for Bucky.

It’s giving

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

“Hey!” You bounce up to the table. It’s funny how Bucky can look so intent. So gloomy in the midst of the bustling cafe. He sits up as he puts his phone down on the table. “I’m sorry I’m late. I got great news!” 

“Oh?” His brows lower, “well, you’re double sugar frappa-whatever is melting.” 

He points across the table as you sit and roll your eyes. 

“If you tried it, you wouldn’t be making fun of me. They are delicious!” You put your purse in your lap and take a long slurp through the straw. You pop your lips off and let out and ‘ahhhhh’. You smile at him as he gives you that look. 

“I don’t take sugar in my coffee and you barely take coffee in your sugar,” he drones. 

You giggle. He's always so grumpy about the smallest things. 

“News?” He prompts dully. 

“Right,” you wiggle in your seat. “I got you a date!” 

He twitches and tilts his head, “a date?” He gives you a cautious look and shifts in his seat. “Uh...” 

“Yes! This lawyer lady I know. I met her at a trivia night way back and added her on Insta. Well, I saw her post the other day and I was like how did I not think of this before?” 

“Lawyer?” He mutters. “I... you’re setting me up with a stranger?” 

“It’s a blind date. It’s fun. She’s really established and smart and beautiful. Oh my god, she posted this picture of her in a bikini—I could never wear something like that.” You get your phone out and he sighs. 

“Wait, why did you do that?” He grits. 

You look above the screen at him, “well, you said the other day that you get lonely. That’s why you have Alpine, right? And she’s so sweeeeet,” you drag out the word in adoration, “but you need someone you can talk to. Who can talk back.” 

“We talk,” he insists. 

“Yes, but we’re friends. You need someone your own age. Or closer to.” 

“Wait, how old is she?” He wonders. 

“Aha, you’re interested,” you point at him accusatorily. 

“I’m asking questions.” 

“Right, she’s... fifty something? She doesn’t look it. Like you. You don’t look... uh... 1917... carry the one...”  

“Stop that,” he demands. “I know how goddamn old I am.” 

“Ha, yeah, sorry, I...” you scroll through your Insta friends. “Here!” You turn the phone to him and beam a smile in his direction. He glances at it for a split second and shrugs. He sits back and drinks his coffee.

“I’m not really... in that scene,” he says. 

“You should get out there! I mean, you can’t bring Sam and Steve to dinner all the time. You need someone--” 

“Is this what it’s about? Because I showed up at the restaurant?” He asks. 

“No, it’s-- I’m being a friend. You two are so alike and she loves old movies and motorcycles. I could never! I'd fall off or not tie my helmet right,” you chuckle. 

“Dreamy,” he growls. 

“Bucky,” you whine back. “You gotta get out and have some fun.” 

“We have fun,” he counters. 

“We do and that’s awesome—Oh, okay, how about, I got an idea! A double date.” 

“A double—you have... a boyfriend?” He taps the porcelain cup with his metal fingertip. 

“Ha, no way. But I could find someone to come along. Just so you’re not alone. There’s a few guys at the restaurant I’m sure would go for a free meal or I mean I know other cute girls. I’m not picky.” 

He closes his eyes and a line forms between his brows. He pinches his nose and squares his shoulders. “Where the hell did you come up with the idea that I wanted to date?” 

“I...” you sit back and your smile falls. His blue eyes flick open as he drops his hand. The dimple in his cheek ticks. “I’m sorry, I thought it was—I was... trying to be a good friend.” 

He stares at you and the stone slowly eases from his jaw. He looks down and back up. He huffs. 

“I’m sorry, dreamy,” he says, “it’s just been a while for me. Not that I haven’t thought of it, you know? But I don’t know if I’m ready for that.” He shakes his head and glances around the cafe. “The last time I dance with a dame was a goddamn USO tour in 1945.” 

That hits you like a sixteen-wheeler. You didn’t know that. You didn’t think of it. He’s been in this world for a while and he’s handsome and a superhero! You just though he’d have lots of people interested. Charlize sure seemed excited when you asked. 

“And now you’re looking at me like I’m a loser because I haven’t kissed a gal in 80 years--” 

“No, you’re not a loser. If you are, then I am.” 

“Come on, you don’t gotta--” 

“Really. I never kissed anyone. Not lying.” 

He shakes his head and scoffs, “oh no, you’re not lying to make me feel better.” 

You put on your most sober face, “Bucky, I swear,” your cheeks burn and you put your hands on your neck. “I mean... it would be nice I’m sure but it just never came up.” He looks at you quietly. You squirm. “I know you can hear that I’m telling the truth.” 

“Yeah, I know,” he accepts at last. He crosses his arms and clicks his tongue, “fine. If you’re going to suffer through it, I will too.” He looks away as his jaw tenses, “if you’re going to keep pulling that puppy dog face, one day, it’s gonna wear off.” 

“Yes! Bucky’s got a date! Bucky’s got a date!” You sing out of tune. 

“Stop,” he snarls and narrows his eyes at you. You wince and giggle.  

“Yay!” You put your hands up in a demure celebration and he tuts. 

“You’re so cheesy,” he sneers. 

“And you’re a party pooper. No moping on date night, got it?” You try to put on a stern face and he squints even harder. Finally, he cracks and gives a chuckle. 

“You’re ridiculous,” he sniffs. “You and tough, don’t go together.”