#hell animation industry in general

[selfloathingextraordinaire]

I think MAPPA has ruined an entire generation of anime watchers.

Yeah.

People should NOT be expecting their level of animation when you have brutal scheduling and low budget. No, I'd say watching the TV series of Neon Genesis Evangelian should be mandatory, not for the story, but what to expect when a show is running out of money and time.

Yes, you should be expecting a "slide show", aka a bunch of stills when you give staff a month or less to complete an entire episode. There should be shots of still characters with their heads turned away from the camera so mouths aren't even animated when you give an animator a day to a week to get a shot done. There is a REASON limited animation is used. But now people expect more and more without there being a change to anime scheduling or pay. Like every episode needs to be full of sakuga every second or else.

People are getting burnt out and the whole damn industry is collapsing, y'all.

[chipistrate]

Me when I fall asleep! Hi bestie, I just wanna know... How do you draw hands?? You have a certain style to it, that makes it look so shaped yet still fluid like... I can't describe it, but what's your process when drawing ✨hands✨ (...of tiIIIME– sorry.)

Huh! Well I guess I never really thought about it... I kinda just auto-pilot when I draw hands now that I think of it, so I don't really have a "process" But I'll try to explain the best I can regardless!

Though not what I always do(sometimes I just wing it), I start with the usual shape base for the palm! Though sometimes I forget it's the palm and just use it as a base- and it's not a strict base! Don't gotta follow it 100%, if you gotta break it to make the pose work better, do it! I always have an idea of where the fingers will be when I draw the base, so I don't really map em out at all like others would with the circle thumb trick n all. (nothing wrong with that trick of course, just never worked for me)

More under cut!!

During the sketch I usually just vaguely map out the fingers like this, like mittens! And honestly, more often than not I keep em like that in the final product, lmao.

Don't be afraid to merge together two or more fingers if it helps get the pose across better! Just make it obvious it's not one huge finger by adding bumps or a line where the fingers would usually split.

I always add a curve to the base/fingers to make the poses less stiff! No matter the pose, I try to avoid straight lines on the hands! Even the slightest curve is enough for me. Though that doesn't always fit! Sometimes you gotta have a straight line or two, especially if it suits your style more! Nothing wrong with that.

Remember that the thumb and the index finger are attached! Try to make their lines flow together when possible.

Also, when I draw clutched hands, I make the index finger poke out a bit!

I don't usually draw hands with wrists attached now that I think about it(I like drawing long sleeves,,), but when I do, I make sure there's a clear dividing line between the wrist and the palm, so they don't look merged together!

Use reference pics when needed! Pinterest is usually my best bet for quick and easy hand ref pics of all kinds! Though you can also use your own hand! Whether by taking a pic or just posing it long enough. You are your own free model or something rejiagdlzf BUT if it's something simpler, I usually just pose my free hand under my desk and feel it out/imagine the hand and go from there.

And of course, the thing everyone says...

Practice makes perfect!

Though I suppose if I'm being completely fair, I never really followed that and just drew for 7 years and hoped something happened... I still struggle with hands ALLLL the time, but these are some things that I learned over the years that made em a bit easier! I guess my number 1 tip would be to just- not stress about it! I don't pay attention much when I draw hands and just let my brain go off while I think about I dunno Hatstache or something LMAO

But uh! Yeah! I hope that helped and was at least a bit comprehensible! Hope I didn't forget anything- If you need something a bit more specific then I could whip somethin up for ya real quick! Just ask! ^ This also goes for anyone reading- if I can be of any help, I'd love to try my best!

[makerscockandballs]

if you think vegan food is just shit like quinoa and imported "exotic" foods you dont know jackshit about veganism outside of movie stereotypes and animal agriculture industry propaganda (which is a real thing, big surprise. capitalism is full of industry propaganda) and should inform yourself outside of that. read a fucking cookbook at this point.

[lesbiten]

That’s technically not off the mark- except replace pets with livestock. There’s been a lot of news articles about how vets sign off / condone the unethical and unsanitary conditions of factory farming - and those vets who try to speak out against it find themselves blacklisted / subject to retaliation from their colleague

this is a very interesting topic but i was really just referring to dogs/how people have convinced themselves that vets who recommend kibble for dogs are evil and just want money

i do think the normalization and comfort surrounding factory farming in the animal industry is...horrifying to say the least. i've gotten the opportunity to be around a lot of people in said industry who see nothing wrong with the way large commercial farms are set up, all because it falls within animal welfare guidelines they created to be bare bones in the first place. its honestly sickening to see people boast their progress in animal welfare when i've seen first hand what they define as "welfare".

that's not to say some parts of it aren't improving - but like 90% of the industry is heavily resistant to seeing new opinions from young people who have the potential to change things for the better - a lot of which i can imagine are vets who want to do what they signed up for, helping animals.

overall small animal vets and large animal/livestock vets are like, entirely different areas of specialty and are filled with very different people. its not surprising to me that theres livestock vets who refuse to see change

[aroace-number-eight]

If I fail then I fail

But I also don't intend on getting myself back up

This is a dilemma I could care less about

[hellenhighwater]

Hi Hell, I wanted to get your thoughts on something. My friend who has been vegetarian for close to 30 years is thinking about becoming vegan. His main reason is that the pain and suffering of an animal in the large majority of the animal product industry is not worth the enjoyment he gets from cheese, milk, etc. He hypothesizes that most people are not vegan due to lack of education about the industry’s methods, and because eating meat is so normalized. I mostly agree, but something about what he’s saying makes me feel bad. Maybe because I don’t see myself ever becoming vegan, due to how much I love certain foods, but I like to think of myself as an empathetic and moral person. So I think I just feel quite selfish.

He is a very analytical and logical thinker, and says he wants to find more anti-vegan arguments before deciding for sure, but can’t seem to find many. What do you (and your followers) think? I was thinking you aren’t vegan, but I don’t actually know.

This is very much not my lane, but if you want my two cents then for me it comes down to a few things.

One: there is a basic mass of food that any human needs to consume in order to stay alive. That can be plants, it can be animals, it can be animal byproducts. For the a significant proportion of commercially produced food, there is a negative impact. It's hard to quantify; in some cases it is certainly direct, quality of life issues for animals. In other cases it's more broad environmental impact from commercial farming, or quality of life for the human laborers involved in harvesting etc. It's hard to come up with any objective measurement for harm when comparing individual animal suffering vs human quality of life vs large scale environmental issues. There's plenty of information out there on some of the vegan diet staples and how increases in farming things like quinoa have enormously detrimental effects on their native communities, if that's something your friend is not already aware.

Two: There is a degree of this that is just...unavoidable. Things eating other things is the way living creatures survive, and on a systematic level there's not a ton we individually can do to change things--and on a practical level, there's only so much you can afford to spend on food, and organic, cruelty free stuff is more expensive. There is a level of privilege in being able to choose to spend your money in that way that is not always an option for everyone.

I'm not vegan. I'm not vegetarian. I care deeply about animals, and I'm aware of what commercial husbandry looks like--it's pretty terrible. I still eat meat. I try to do so as ethically as I reasonably can.

I don't have an issue with eating other animals. It's a part of nature. To me, I see the obligation more to do our best to try to get meat (or byproducts) that have been raised as well as we can manage. Free range eggs are pretty easy to come by, if you live in the country. Same with locally made cheeses and butters, even farm fresh milk--some places have self-serve milking that allows cows to roam in pastures and then be milked at will. Price and availability will vary by where you are, but it's more and more common; as more and more people start to care about how the people and animals involved in making our food are treated, better options become more available.

It also should be noted that the animals involved in farming are almost universally completely domesticated. There's no alternative for these animals and their progeny except for life in human care. These breeds require human aid for their own health and safety, because we have been breeding them for (in many cases) thousands of years to rely on us and to develop traits that will not aid them in the wild. If everyone decided, tomorrow, to become vegan, then these animals would need to remain in human care for however many thousands of generations it would take to breed them back to the ability to survive without us, or we would have to sterilize them en mass and terminate these breeds through lack of reproduction. It is not an option to just release these farm animals into the wild. Domesticated animals require human care. Some of them, like pigeons, have gone feral when we abandoned them, but they are not like their wild cousins, and it shows.

Because of the selective breeding involved in domestion, most of these animals are producing byproducts--eggs, milk, honey, wool, etc--in quantities that they do not need. While some species have been bred to do that to their own detriment, most heritage breeds are fully capable of producing more than they need of these things, and there can be true symbiosis between these animals and their human caretakers. Some of these things they need to have removed for their own health. It's an ancient bargain--we keep them safe, and warm, and healthy, and protected, and they give us that which they have in abundance. The problem isn't the animal product, it's how it's produced commercially.

So yeah--veganism is one option, but it is, in my opinion, a narrow scope at an issue that is far more nuanced. I think it's equally ethical to aim for a diet that focuses on local, ethical farming practices--for growing crops, for caring for meat animals, for beekeeping, for chickens and sheep and whatever else we need. We've spent longer than any of us will live making these animals part of our world--discarding them and what they can give us is not going to benefit them. We just have to learn how to treat them respectfully.

[evilvillain123456789]

For the first 290,000 years of our species' existence, there was only "Pissing", and the state of human behavior remained static. But 10,000 years ago, "Shitting" was invented, catalysing a sort of, algorithmic explosion of innovation. The developed human animal became totally changed, unrecognizable to his primitive ancestors, with greater and greater behavioral mutations occurring in each passing generation.

Scientists have theorized that another quantum leap is possible-- another seismic shift in the very nature of humankind. Perhaps this transformation, could propel us beyond the confines of our planet, or render our bodies obsolete as we metamorphose into beings of pure, conscious energy. But, let's be realistic. The technologies that now surround us, for all the comfort and convenience they afford, also pose a terrible existential threat. In a world overburdened by remorselessly extractive industry, destroying ecologies and human bodies alike, such unprecedented development could create a hell on earth, now unfathomable to even our darkest imaginings-- it could even be our undoing.

Theoretical scientists, are calling this hypothetical third process, name of "Cumming". And, whetehr for good or ill, they now believe "Cumming", could be developed at any time.

[taffywabbit]

idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.

i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?

when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).

i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.

but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)

anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).

i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.

[dotster001]

Hi lovely! May I ask for the twisted wonderland dorm leaders reaction to piercings. (Nipples, septum, lip, industrial, bridge etc))

A/N: I wasn't sure if you meant on reader or them....so I did all of the above! Hopefully I hit what you were looking for 😂

3k masterlist

CW: religious fear in Riddle's part, but it's an if you know you know kind of thing 😂 😭

 In general, Riddle will always start out as anti piercing. His mother raised him that piercings are from the devil (or the devil equivalent in twst) and should be ever pierce his body with a needle, he would be thrown in the fiery flames for all eternity. So…he's anti piercing

That said, if he had to pick one he wanted, he'd go for a navel piercing. That way, the gods (and his mother) would never know he had it. He'd probably go for a simple ruby.

He doesn't react too much to piercings on other people. He just never thinks about it, even though he's always thinking about it for himself. So your piercings wouldn't phase him.

He's simplistic. A favorite piercing he'd have for you, is a simple nose stud. Maybe a ruby to match his hypothetical navel stud.

I'm totally blanking on what he looks like, but if he doesn't have piercings now, he will as soon as he's out of the public eye. Once Cheka is of age, he knows no one will care about the "delinquent second born" and he's free to do what he wants without judgment.

He'd go for a single stud on one side, a nose ring, a navel ring, and probably one lip piercing so that it glitters when he smirks.

He doesn't care if you have piercings. Obviously, it's sexy as hell if you do, but whatever, it's your life.

His favorite on you is, surprisingly, a basic earring. He likes to gently pull them with his teeth when he's feeling particularly flirty or needy.

He won't have piercings ever. It would affect his businessman facade. That said….if he ever got a piercing, he would want a single dangle earring so he can match the twins. Maybe a conch shell?

Another one who doesn't mind it on you. And his favorite one you? Tongue piercing. Not that he'll ever admit it…because it's his favorite due to him liking the feel against his tongue when your tongue is down his throat…the taste of iron filling his senses along with your signature smell….ahem. He uh he means he likes a typical earring on you. yup yup.

Pierced everywhere. He likes shiny things. There was no stopping him.

He would like you pierced top to bottom, so that he can shower you in even more gold and jewels. He loves to see you shimmer, and hear you jangle. Piercings just add to it. 

But if he had to choose a favorite spot, it's regular lobe and cartilage piercings on your ears. Then he can still see the shimmer 😁 he loves to decorate along your ears with chains and jewels, thinks it's so pretty

He has regular ear piercings. I'm sorry, a man who looks that hot in red heels is ready to wear a set of pearl drop earrings at a moments notice. He's modeled a hundred sexy looks in those hypothetical earrings, and you can't tell me otherwise. Maybe he takes them out for school so that when his fellow students decide to get in a fight, he doesn't have to hand them to Rook Everytime.

He wants you in pearl earrings to….just saying. He thinks you'll be so pretty, so professional, with a set of pearls; pearl choker, pearl bracelet, pearl earrings (does this feed into his desire to dress you like a doll? Maybe)

Out of everyone, he's the one who would get nipple piercings. Probably after watching some anime where the tough guy had gold nipple hoops. Subtle but enough of a character design that Idia snuck past Ortho to go get some himself.

He's gonna think any piercings you have are sexy. Nipple piercings? Bad ass. Navel? Show him that tummy. Lip piercing? Kiss him. I mean what?

Man wears black classy earrings. Doesn't really branch out, but that's fine. He looks hot.

He loves if you have piercings. It adds to his delusions about you, like "look at my rebellious little human". Mal Mal, it's just a nose ring? It's a common piercing in many cultures? Not a big deal? He's never gonna hear you over his delusions, babe

His fave on you? Navel and nipple. Because our Victorian man thinks seeing either is such a scandalous treat, and sends a thrill down his spine. Such intimate places, and he gets to see them! How thrilling! Humans are so brave these days!

[lno-x]

What about character design in Tristamp?

A person had a question for me, what is it about character designs in tristamp? It's like Vash from Tristamp and Vash from Trimax/98 adaptation are COMPLETELY different characters, and my answer to that is: they are REALLY DIFFERENT CHARACTERS, and I'll explain why right now.

To begin with, I would like to note that I have a great deal of trust in the Orange studio and its co-founder, Eiji Inomoto. Orange is one of the best CG studios in Japan, known for such acclaimed adaptations as "Beastars" and "Land of the Lustrous". These are not just some studio, but a really big guys, and by big I mean that Inomoto's experiments with the frame rate in the film adaptation of Lustrous at one time were a revolutionary thing in animation, which was picked up by the animators of the spiderverse and then that's all led to the beloved dynamic animation of the "Puss in Boots" sequel. I mean, these are THAT big guys. I'm not talking about the fact that Inomoto boosts the development of 3D in the anime industry as much as possible and literally shits from a high bell tower on the fact that everything is spitting with 3D animation purely out of principle.

Okay, the studio is cool, it is unlikely that they will make a bad product, we figured it out, but what about the designs? They don't even look like themselves! Vash does not look like a mop at all, he has lost his leather pants and berets, and looks like some kind of sucker in sweatpants and a windbreaker, and Meryl gives the impression of a schoolgirl who has strayed from the school excursion, instead of the stately lady in caprons, as we used to seeing her. Only Wolfwood hasn't changed much, except that he doesn't know how to tuck his shirt into his pants and has undergone whitewashing (which, by the way, I'm not ironically upset about). So, is that mean designs is bad as hell? Nope. Just because things look different doesn't mean it's inherently worse. Again, remember that tristamp is a REMAKE, and their task is not to stupidly repeat the same thing, but to breathe new life into the franchise, looking at it from a different angle. And I think they did a FUCKING GOOD job on it.

In interviews and at conventions, director Kenji Muto and producer Katsuhiro Takei have repeatedly said that they are big fans of the original manga and the film adaptation of 98, but it was important for them to touch and reveal those aspects of the story that their predecessors did not reach their hands on.

That is why, despite the fact that the Tristamp is very close to the original source (manga), the studio plays out many details differently or even saves them for later, so that the audience can fully experience the development of the characters. Therefore, in Tristamp, everyone looks much younger than their previous versions and / or very different from them.

The easiest way to prove this, however strange and unexpected it may seem, is by the example of Meryl. In the manga and anime 98, we immediately see her as a stately lady with a bunch of derringers under her cloak, but they don’t tell us how she came to this and what led to this. Yes, there is literally a page in the manga about some colleague who told her about self-defense and sort of taught her how to shoot, but finally he is drawn on one frame and, in general, we don’t give a shit about him.

While in Tristamp, this colleague has a name and is one of the most main characters - this is Roberto. Throughout the series, he acts as Meryl's senior mentor, protecting her whenever possible and pulling her out of trouble by the scruff of the neck like a kitten. That is why she looks so youthful and charmingly stupid compared to her previous version. Throughout the series, she literally hits herself with her heel in the chest, saying I AM!!! MERYL!!! STRIFE!!! I AM NOT NEWBIE!!! while Roberto calls her the same way, ignoring all her protests in this regard, and I think this was done for a reason. Specifically, in Tristamp we see her almost in the past, when she has not yet learned to protect herself and be fully responsible for her decisions, although she is very eager to do so. Although Roberto is a character, for the most part he is still a crutch and trigger for the development of Meryl. Through his death and the transfer of HIS gun to her, we see right before our eyes how she changes and from a shy "newbie" turns into the confident Meryl Strife. And after the timeskip, they generally show us the scene of exactly how she becomes the senior and takes Millie under her wing. And by the way, her image visually changes too.

I repeat once again, there was no such development of the character of Meryl in the manga, in the 1998 film adaptation nether.

Orange build her development completely differently and in their own way, despite the fact that she, in fact, is the same Meryl Strife no less than other versions of her. She just a little different character, which goes to the image already familiar to us, passing through kind of other events

The same thing happens with Vash! At first, he doesn't look like himself at all, but towards the end, we see how he takes on a more recognizable image. I think that in fact by the second season they will all mature and look much more "canonical", this can be seen from the concept art but in general

Tristump characters go a different way and get a different development, as happened with Meryl above, therefore, I I think we should perceive them rather as completely different characters that have common roots

And by the way, the studio Orange discussed everything very closely with Yasuhiro Nightou (author of the manga) and he gave her green light and creative freedom, because he saw how reverent people are about their job and want to develop the story. He even drew his and studio designs together!!!

All in all, the tristamp designs are really quite different from the original, but I don't think that's a bad thing, as the studio does it purposefully and cleverly to give them the development that the manga or the '98 film adaptation lacked.

Again, this is my personal opinion, and it’s worth notice here that I’m far from being an old fan and I flew into the fandom just a month and a half ago, so the character design initially did not cause me rejection, like many old fans.

But in this tirade, I tried to be as objective as possible and describe what was what, thanks to come in my ted talk

[admiral-mason]

I'm bored, random crossover time again

Recently I have gotten into a little shooter game known as Ultrakill.

For those who don't know: Ultrakill is basically a shooter game that combines elements from Titanfall, Doom Eternal, Devil May Cry, etc. You play as V1, a literal blood-powered combat robot that descends into Hell (from Dante's Inferno) to get more blood. On the way, you fight demons, angels, and other machines.

So? With my blog basically sporadically alive, let me revive it with another nonsensical crossover!

Gender neutral reader

SPOILERS AHEAD!

How these two games crossed over:

So you own both a PC and a phone/tablet. You would mostly play Genshin Impact on your mobile device while you played Ultrakill on your PC.

You've managed to complete both games and right now you tried obtaining all the alternate 'slab' weapons in Ultrakill. You have one already, simply called the slab revolver by many. Your next weapon to obtain is the sawblade launcher, located in stage 4-4 Clair de Soleil.

So, you did so. Whiplashing the blue skull from the right room after you used the first jump pad, the door opened and you shot your railcannon into the water. However, when you did so, the game decided to crash on you.

"What the hell??" You said before grumbling a little and trying to boot the game back up to no avail. Closing out the game, you bothered to play a little Genshin. However, within a few seconds of booting up the game, you got shocked and blacked out.

How you got to Teyvat:

After waking up, you found yourself in a plains area... and then you saw an anemo slime.

"Hey, you. You're finally awake." A voice that sounded like Microsoft Sam said from behind you.

(V1's voice from this program)

Turning around, you were greeted by the blue camera head himself.

"What the frick V1 how are you here??"

"I don't fucking know, one moment I touched the sawblade launcher, and now I'm here in what appears to be Limbo but not fake with the human who basically assisted me in murdering all of hell for blood. By the way, you perform really great shotgun yeets!*"

"Uh, thanks." You awkwardly responded.

"Now where the fuck can I get some blood?"

In Mondstadt:

The two of you ended up wandering around V1 had managed to kill a few wild animals for blood with his revolver. It didn't take long for someone to hear the sounds and approach you two afterward.

"You two! Stop right there!" Amber heard the sounds of V1's revolver shots as she ran towards you two. If it weren't for you rapidly telling V1 to not shoot her, she'd likely be on the floor in a pool of her own blood.

"...Hi there." You awkwardly said before she ended up tackling you to the ground in a hug with V1 just looking at the sight.

After Amber took you two to Mondstadt, word spread quickly of the Divine One and their blue angel-looking machine. The two of you managed to receive free housing with the Knights of Favonius alongside a tour of the city.

V1 abused his superior mobility to cross the entire city from one side to the other in less than a minute. This astonished the local citizens at this strange individual's movement skills. And then he accidentally crashes into a random citizen's cart.

"WHEEEEEEEEEEE"

"V1 don't you're gonna-!"

V1 crashes into a cart full of cabbages, toppling it

"..."

Everyone's also confused at his ability to seemingly generate coins... before shooting at them with that curved thing he holds in his hands and then it kills stuff. (I presume that most Mondstatians have never seen guns, the closest they have seen is probably a bow,)

Then he somehow pulls a giant double-barreled minigun?? Then a tube that shoots rockets??

Expect Klee to be all over him.

"Well see, this rocket launcher used to be an industrial tool, until some-"

"HOW BIG OF A BOOM CAN IT MAKE?!"

"...Let me demonstrate!"

V1 activated the freeze mode on his Freezeframe Rocket Launcher and fired a few rockets at a group of wolves...

...Safe to say, those wolves and their surroundings got blown up to high hell.

When Jean found the destructive duo, V1 just took Klee into his arms and proceeded to abuse his mobility yet again.

"BOING! Catch me now, bozo!"

"Get back here you blue thing-"

"I am not a blue thing thank you- BOING!"

Looking past shenanigans, Albedo and Sucrose have taken an interest in V1's lethal arsenal that's even far superior to Fatui tech. Noelle might ask to train with the machine after some introductions.

In Liyue

After a few days of staying in Mondstadt, you kinda wanted to see Liyue so you told everyone else and asked V1 to accompany you. Upon arrival though, you found out that Liyue prepared a celebration for the two of you. Turns out news can leak out quickly to the world even if you've only interacted with a part of it.

V1 found Liyue significantly more fun to traverse and navigate around. From mountainous marvels to spacious streets, the nation provided him with no short of tricks to pull off.

Everyone interacted with V1 normally until he started using the Whiplash to grab items from various vendors merely flipping a few coins at them in return. This led to a scuffle with the Millelith and he ended up shocking everyone by knocking all of the soldiers out with a mere punch to their chest.

Thankfully you managed to calm him down.

When he saw the Jade Chamber, he made it a personal challenge to ascend without using the proper way. He unfortunately did so while Ningguang was pleasantly talking with you.

"This, your grace, is-" You could then faintly hear rocket sounds in the distance, with Ningguang following suit shortly after. You both turned in the direction of the sound to see V1 flying on a rocket with his Freezeframe Rocket Launcher yet again before he jumped off and landed right next to the two of you.

"Hi friend I'm back! Mechanic abuse is funny!"

Ningguang just blinked at the sight of the combat machine that somehow stood on a small flying object to get up here without proper authorization. "...Your grace what the heck did that thing just do??"

"I AM NOT A THING-"

Part 2?

*Shotgun yeets refer to projectile boosts.

[flowerbloom-arts]

I suppose you could say they're a... Match made in hell........ (Design from Treehouse of Horror XXV, s26 ep4)

(Over-analysis of ChalmSkinn under the cut.)

Disclaimer: I know I'm overanalyzing silly gags and concepts from a silly animated sitcom that in its current state has what one could only describe as a rough approximation of continuity (and that the spooky anthology episodes in it are non-canon). Just let me exercise some media literacy for a bit.

Okay so like... What is it with Skinner, Chalmers, and being a two-headed creature? What is that meant to represent?? Once is a gag made in humor and twice is a little eyebrow raising, I think.

And it's not like they're using this as a gag because they have a kind of antagonistic relationship and it'd make for easy bickering jokes, it's actually the opposite! These representations of them with a shared body happen as a representation of them getting along!

ChalmSkinn Productions is their own production company that they originally used to submit films to the Sundance festival, and that episode was one where they got along the most, by far, as the two had a shared goal in being successful in the film industry.

(please ignore the video play bar at the bottom, thank you)

Now, the logo for the company when it got introduced as a concept was very different, it was a globe where Skinner and Chalmers' heads would spin on its surface (though, one could argue it's still their two heads attached to one thing which is roughly a similar idea to the shared body thing), but the association still applies. The company is the result of their two heads joining in an amicable way.

Demon ChalmSkinn (that's what I'm gonna call them) on the other hand is extremely fascinating to try and deconstruct into something of thematic implication.

They are... Technically not Skinner and Chalmers themselves? But they are a parallel version of them in this hell school dimension that Bart and Lisa discover and it's full of other demons that parallel characters from Springfield Elementary, so Demon ChalmSkinn might as well be Chalmers and Skinner for the purposes of this Treehouse of Horror segment.

And, given the vague idea of what Seymour Skinner and Gary Chalmers' relationship is like, you would expect the writers, when sticking their heads on the same body, to make them bicker, right? Have the Chalmers head yell at the Skinner had for some reason?

... They don't do that! They don't bicker at all! In fact, they are very much in sync in a non-hivemind sort of way, they don't interrupt eachother and they seem like very pleasant dudes in general (well, except for the part with they skinned Bart, that was a little uncool).

It's like... What are the writers trying to say with this, specifically? It almost feels like the fact they get along well is the joke.

You expect them to not get along? Well, they do. Their relationship in the regular world is so bad that it's better in hell.

And that's weird, right? If that's the joke then it sure as hell (heh) doesn't feel like it gets acknowledged as a joke. Why avoid such an opportunity for easy jokes? It clearly has to be some deliberate representation of something about their relationship, right? Why do they get along more when they're conjoined than when they're apart?

Maybe, just maybe this is saying something about the inseparability of Gary and Seymour, that they are unable to truly break apart from eachother and are actually far more miserable for it. No matter how many times Chalmers fires Skinner or plans on firing him or just gets annoyed at him for being a spineless kiss-ass around Gary, there's just no severing them. Perhaps a commentary on the status quo nature of the show.

One of my mutuals also suggested that these two would actually be happier if they were together instead of apart, that being stuck together makes them more whole and pleasant than just the sum of their parts.

Their relationship has been characterized by this great, invisible divide of some sort, where a blurry amalgamation of admiration and desperateness clash with an apathetic no-nonsense attitude. If they could just somehow bridge that divide and come to a deeper understanding of eachother then... they'll be happier for it, and maybe they'll be... Together. And inseparable.

If the episode Road to Cincinnati is of any indication, their relationship seems to be heading for a dynamic shift, almost definitely a positive one. Now that Chalmers finally sees Skinner as more earnest than placating, maybe we'll see a Chalmers and Skinner that will evolve into something more. Something metaphorically resembling that two-headed demon they are in hell.

[cheeseanonioncrisps]

I get that Helluva Boss and Hazbin don't and aren't planned to have much overlap, and for the most part I appreciate that separation and the way that it makes the world seem that bit larger.

The one exception being this: I am convinced that Angel Dust and Fizzarolli are at least acquaintances, and quite possibly friends.

No, listen, hear me out.

Angel supposedly died in the forties. We don't know exactly when he was picked up by Valentino, but I think it's fair to assume he's been working in Hell's sex work/stripping/porn scene for at least a few decades before he joins the Hotel.

Fizz's backstory is obviously more detailed. We know that he was either born in the Pride Ring or came there at a very young age, because he was already working there as a circus performer when he was a kid.

By the time Helluva Boss starts, however, he's obviously moved on to operating primarily in the Greed and Lust rings, as Mammon's star performer and Asmodeus's boyfriend platonic PA who he occasionally has totally unemotional bang-sessions with.

In between these two points is the accident, which seems to have happened when Fizz was in his late teens. The last time he saw Blitz before that night in Ozzies.

So, here's where the only concrete canon 'evidence' for my theory kicks in: in Oops, Blitz claims that he and Fizz have ���been in each other's relative vicinity twice in the last fifteen years” (referring to Ozzies and just now when they bumped into each other in Greed).

However in The-Mammon-Episode-With-Too-Long-A-Title, everyone can't stop talking about how Fizz has consistently won Mammon's clown pageant every time he's entered. For the past ten years.

That gives us five whole years of Fizz's life that are completely unaccounted for. We know that he started this period off in the Pride Ring with his circus destroyed and a brand-new permanent disability to get used to, and ended it in Greed working for Mammon, but we have no idea what happened in between.

So, here is where evidence ends and rampant speculation begins.

As a former child performer, Fizz is unlikely to have had much experience doing anything else. In fact, given that they were travelling with the circus, it seems unlikely that him and Blitz would even have ended up with a steady education.

Blitz obviously managed to found his own business after the accident, but Blitz had been dreaming of doing just that since he was a young child, and it was his Dad who was actually handling the business-side of the circus, so I don't think he's a fair comparison. Fizz probably spent his early years assuming he'd just keep performing forever, and so it makes sense that he'd go back to that.

On the other hand, Fizz had just lost all his limbs, and would have been having to adjust to his prosthetics. (Most likely lower quality prosthetics that he ended up with later, since those seem to be a gift from Ozzie.)

His clown act was mostly physical. Acrobatics require a sense of balance and spatial awareness. Balloon animals and juggling require fine motor control. Literally replacing all four of your limbs— even with magical Hell-prosthetics— is going to cause issues with all these skills, at least temporarily.

So. What industry in the Pride Ring is related to entertainment, but doesn't necessarily require any complex acrobatics, and would most likely welcome a fresh amputee with severe facial scarring? (For fetish reasons, if nothing else?)

I'm not saying Fizz would have done sex work, since he seems so uncomfortable with the idea, but stripping? Maybe doing some soft core porn? I could see that. He's clearly not too fussed about adult entertainment in general, because he's totally okay performing at Ozzies.

He's also probably insanely handsome by imp standards. Like, dude ends up becoming a major sex symbol throughout the rings and has the embodiment of Lust falling madly in love with him. (Plus, as a kid and teenager, he got more attention as a performer than Blitz— the guy who briefly dated a succubus pop-star and now has an ars-goetia prince begging him for a pity-fuck at every opportunity.)

So, given all that, and given his future success, it makes sense that he'd have been popular. Which immediately puts him in range of one of the Pride ring's other hugely popular adult performers: Angel Dust.

And I could see these two getting along. Since Angel is more of a sex worker whereas Fizz is more of a performer, and since Angel would probably be mainly catering to sinner demons and Fizz to hellborn (though no doubt there'd be some overlap), chances are they wouldn't be in direct competition with each other.

They have similar senses of humour and similar personalities. They both like small, cute animals. They both genuinely care about the quality of their performances, even in circumstances where they might not be expected to. They both have a tendency to mask their emotions with sex-related jokes.

Plus there's the fucking angst potential of Angel befriending Fizz when he was an independent performer, and then watching— helplessly— as his friend starts talking about this new job offer with Mammon.

Like people have already made posts about how Angel might feel watching Fizz's performance in Two Minutes Notice and comparing it to his own situation with Valentino, but fuck imagine it from the other end of Angel watching his friend fall into that situation.

Trying to talk him out of it during the initial love-bombing phase and getting told he's just jealous. Not even being able to visit Fizz when it all goes wrong because sinners aren't allowed to leave the Pride Ring.

Also, as a secondary detail, imagine Angel Dust finding out that his new friend's life-changing injuries were caused by Blitz, seemingly a pretty well-known figure in the Pride Ring.

Imagine Blitz finding out that Hell's most famous porn actor has genuine beef with him and having absolutely no idea why.

(Millie, Moxxie and Loona— based on the Verosika thing— all assume it was a bad breakup, despite Blitz insisting otherwise.)

[daystarvoyage]

The Dana Terrace Vs Vivienne Medrano, The Great Debate of Two Female Creators

Hello Starry Knights, This is the lovely Kyoko Cane, The Brown Sugah Queen, & cosplayer who performs and visits numerous cons throughout, while making blogs/vlogs on animated media & entertainment.

as you know or are new to this page, I am an artist who also dedicated my fashion in drag, on all my platforms along my artwork & discussions (be it anime or Western) that can affect real-life even fandoms, with a variety of videos.

the title of the post is about The two proclaimed talked about animators, Dana Terrace & Vivienne Medrano, I'll be critiquing how these two women of animation tackle the industry. This will have strong opinions from recent interview videos I've watched.

(I'll be calling Vivienne VIVI FOR SHORT & letting you know, if I were to watch ones in the future affecting my post come on the comments to ask freely, AND YES ALL PROJECTS AND TOPICS ARE NOT WITHOUT THEIR CRITIQUES, FLAWS IF YOU CAN'T HANDLE IT, CHECK OUT THE DAYSTAR VOYAGE, DON'T HATE, APPRECIATE! )

OK LETS GET STARTED In this 3-part segment

1. The Different Artstyles That Made Us Love These Shows.

Vivis work (Helluva Boss & Hazbin Hotel)

Now We all know as fans & lovers of animation when we hear a series that's greenlit after viewing on a television screen, in a magazine, or sponsored in commercials, right? As for these two,

The first time I heard of VIVI's work was on a YouTube ad commercial in line & premiered for the pilot, I was fully captivated by its groundbreaking story, from hazbin hotel to the comedy in helluva boss, along with its ghoulish Beetlejuice-inspired art style.

(which I'm a sucker for the niche, indie projects & gothic horror.)

observing her sketchbook on YouTube, I was drawn in by the captivated humanoid shapes she sketches, along with her fluid & flowing style.

the worldbuilding version of heaven & hell drew me in, after watching hazbin hotel. The pilot had a lot to offer from its dreary horrific turns/obstacles from its character debut, story & distorted beauty that there was a lot to tune Into along my first episode of Helluva Boss,

Now we are gonna get down to lore storytelling and character growth.

(and im fully aware of how the fandom treats the rest of the main & supporting cast not letting them flesh out including the females, btw)

Vivi has so much to offer, after watching the latest episode of Helluva Boss and finishing Hazbin Hotel, I see she has the potential to make a good show on drama & sell it, however with her controversy coming through I feel she needs to learn on how to perceive herself online, so makes it hard for me not to hate her series, be it art and her work.

(its truly good when it wants to be as for the writing ima get to that later. with the stolitz & lumity discourse on part 2)

The owl House by Dana terrace

Now you all know by now, I am a full-on Owl House fan regardless of its show ending early, and my many critics on Dana Terrace drew me in with her macabre art and full-on passionate skeletal pieces after looking at her socials and sketchbook online, as a debut showrunner who made her great stance on lgbt representation she has cemented herself as an acclaimed cartoon creator.

However, she does have her flaws ever since rewatching the series, and a lot to learn about the business, after rewatching The Show and yes I have notes written to prove them,

To add I felt if alex Hirsch wasn't on the project, everyone wouldn't watch that show since yall want it to be the next GRAVITY FALLS,

I love the fandoms that discuss the errors of these creators cause it give more insight on how to portray yourselves on in the real world, cause lemme tell you, it was all watered down I'm get to that in a minute

one problem i have with particularly since she's a good artist & creator is her depending on certain tropes to carry out her cast, cause some may be harmful & the writing be generic.

She needs work on being a better showrunner cause those skills need Cleaning up including writing certain characters on who gets the spotlight.

NEXT SEGMENT

2. The Good, Great, Bad & Ugly in Fandom Discourse,

Vivis Work (Wow Yall can be Wow)

Vivienne Has made her mark in the YouTube market ever since making her pilot debut on Kesha video & hazbin hotel pilot,

I'm so glad for her contributions towards the indie market making her way to showing great representation in the general audience for an adult show, yes an adult show and that's not without its controversy,

with her grand debate, I feel everyone took this woman's artwork turning it into something ugly, which is so uncool.

and I for one will not stand for the hate trains of now popular shows flip-flopping and then float back to it cause your series is acclaimed now, let's be real she deserves her crowns and laurels Just keeping it real, regardless cause its a fire show

The fandom has shown their love of the show cause it knocked down so many doors in many ways, but let's be real the audience is now geared toward children cause we all know, this generation can be doing some crazy things, cause they all need to tone down the language,

which I feel viv needs to work on the jokes I get, it's an adult show which is concerning and it's a Gen Z world where people have access to computers 247, which contributes to all the nasty discourse and crass behavior not to mention,

viv needs to calm down her fans when it comes down to her work and the way stoliz is perceived.l can be questionable, not to mention how the females are written which I do know the key word for this below.

cause i rarely do find the females are compelling, but yet to fleshed out like the rest of the male characters so misogynist comes into mind in this show and how it sells

there some moments it only aims to the infamous ship Stolitz (and doesn't let other characters breathe (this is a problem with the owl house which ill get to right now cause the pacing is wow smh)

(next to the owl house which I'll get to cause OMG)

THE OWL HOUSE FANDOM (GRRRR) lemme calm down

If you haven't seen my posts, including the bashing and discourse there's also a list I swear lemme quote

in the words of Biggie Small - if you don't know now ya know.

The owl house fandom i was on ride or die for the lumity however we all know how that ship got it start and built up cause they expected it to be this thing to say F you to Disney which is good cause disney had it coming howver, after the show ended

Yall have become the most foulest ugliest & disrespectful fandom ever since the Steven Universe, Voltron and miraculous incidents,

its sad to see how these two franchises fell into the worse cases, the two creators may come across not caring of there fandom acts cause there's a saying

The captain always goes down with his ship MEANING

A captain should not have to sacrifice their life simply because the vessel they are in control of is in distress

There’s two fandoms such as Steven universe & voltron fell from grace into toxicity down below that are prime examples

The Owl House fandom has got to be some of the most entitled, uppity if not (racist) fans!

yall clearly have not listened to other fans or can't take criticism, yes the show did make very feminist undertones and the male characters didn't shine at all in their titular episodes or moments, which doesn't help at all.

Since Dana drew inspiration from Powerpuff Girls

(which comes on and the writers being all female, is gonna have damaging effects)

Cause stifled the male characters in a way where there not as prominent or impactful,

So this word MISANDRY comes to mind

The fandom has gone down to the point of no return, I mean,

one fan from a webcam interview WANTED DANA's ADDRESS EWWW!

its not that the Disney drama was too blame for the project, (to an extent) which I'm proud for the fandom for banding together on animation, but need to take off the lgbt glasses cause boy the show's writing was pushed in favor of that.

CONGRATS You did at the cause of Harassment and bad behavior in fandoms,

NEXT TOPIC

3. Make The Business Makes Sense & epilogue

THE OWL HOUSE

Dana Terrace has the makings of doing good shows however when it comes down to an audience to kid she has some major damage control on how the fandom will come across,

i mean have we not learned from the Lilith and Camilla toxic issues, you can tell the show likes to demonize the adults which is unacceptable, and can damage storytelling and characters.

the truth i feel there needs to be proper staff on how to write POC, and ethnic and cultural representation In the show, Amphibia, Molly mcgee, Haileys on it and other break-out shows did it better,

hell yo had Amphibia doing those dishes in Frogworld, can you imagine the boiling isles taking on Hispanic cuisine.

Which i felt could've hit a mark on luz home life and culture if written & fleshed out,

Like the staff didn't know how to write those topics, they've coulda gone so far with it but unfortunately fail flat not to mention the fashion. UGH

sigh.

ViVI WORKS ( i try not to make this quick but e can discuss more on comments be NICE)

Vivienne Medrano has good fashion and business sense

its important to have that cause having a Cloud Nine franchise coming from nothing can do wonders for how you are perceived as an artist,

The discourse has come due to her take on the controversy on platforms talking on her many harsh topics

(in my opinions she too needs to work on controlling scenarios & damage control that can affect her

So tried but yeah

vivi is a dominant artist who takes her business seriously so I am glad to have her flourish in Spindlehorse,

butt just i wish i cant help but fall outta love with her work, knowing of the problems in today's animation comes certain things you can say even snowflakes can break under if heard by there favorite creators.

lets be honest these two can learn from each other. and vivi does sure know angles and promoting

very glad to get this written so I put some thought into this

i wish nothing for the best for these awesome artists and creators thank you all for coming so far and have a wonderful voyage thanks.

[lizardsfromspace]

The problem with discussing the impact of reality TV is that there were two booms of reality TV that were very different, and people conflate them

The first one from 1999 to the mid-2000s was mainly reality-competition shows, and mainly on broadcast networks. This was the one networks did as a ploy to replace writers with cheaper content. This wave was also dying or dead by the end of the 2000s. The biggest hits survived, but it became harder to launch new reality-competition shows, and all the smaller shows and specials that clogged up the schedule (and some famous ones, like Fear Factor) went extinct, a victim of oversaturation - something foreshadowed by the show that kicked off the boom, Who Wants to Be a Millionaire?, going from hottest thing in TV to cancelled as it expanded to five nights a week. Like, if you look them up, most of the big reality-competition shows now either started during these boom years, or are spin-offs of one that did (like the Gordon Ramsay shows all springing from Hell's Kitchen). The network's dream/the industry's fear of reality replacing scripted content never came to pass

It's actually a huge commitment to launch a new "the viewers at home vote!" reality show, since you have to assign a untested show two hours on one night for the live show and one hour on the next for the results show, and throughout the 2010s networks would look for ways to ditch the results show. In some countries you could do voting live (British reality shows do due to having just one timezone), but you can't in the US due to episodes airing on a delay on the West Coast

I don't think you even can do a show of American Idol's level anymore, since it thrived from a brief period of overlap: where phones & internet were common, but we still had some kind of a monoculture. My proof of this is that there's a new season of American Idol airing right now, in April 2023. Did you know it was still on? I didn't. Do you know who won last year? I'm not sure I could name a winner or even contestant since the Bush years. I never watched it, but everyone knew who won it in its early years, since it had a saturation you just can't get anymore, except with sports. Hell, at its peak everyone knew the names of people who didn't get past the auditions. This is not a growth industry, it is one crystalized around a few shambling forever-hits, and that one show where famous people sing in animal masks

The second boom is the one that took off around the time of the strike, which was made up of "personality" based reality shows. These were most common on basic cable channels, and crucially, basic cable channels that didn't really have scripted content. Keeping Up with the Kardashians didn't displace anything, because E! was a celebrity gossip channel that was all-reality from the beginning. The fears around this kind of reality show were more intangible, that Jersey Shore or the Kardashians were a kind of cultural downfall, though they weren't in any sense a new evil but just the latest manifestation of tabloid culture. In past generations the type of person to keep up with the Kardashians would've religiously bought the National Enquirer, and far before that they would've kept up with the society pages.

Anyway people act as if these two booms were the same when they were very different and treat the first one as if it's ongoing and not very firmly dead

[magicpotatoobsession]

GIVEN | Hiiragi Mix Thoughts Part 1

So I haven't been super active on this blog not because I don't love Given anymore, but any ounce of brain energy dedicated to Given means I have to feel the agony of waiting for the two movies to release. BUT ALAS the time has come because @aarinfantasy is the GOAT thank you thank you thank you~~~ Spoilers and screenshots below the cut 👇👇👇

GENERAL NOTES:

How can Mafuyu be animated even cuter than before? Like I don't even know how but how can he look even more adorable???!!

I love the intentional placement of sound and music in Hiiragi mix, moments of silence are so effective in highlighting tension, awkwardness, release, nervousness. Like even 1 minute into the movie, you hear the boys breathing as Uenoyama is tuning the guitar and Mafuyu is sitting beside him. It's those little details that show the atmosphere between characters perfectly.

I like the balance of Hiiragi/Shizu's storyline and Mafuyama's storyline, it's following the manga closely and shows the complexity and intertwining of their stories. It's a good way to juxtapose the different struggles between the two couples and what they needed from each other to overcome their miscommunication! I think the team took feedback from the Given Movie 1 2020 and OVA broken up into two parts when it should have worked better as one longer movie.

I saw on reddit I think that Hiiragi's VA is still relatively new to the industry but I saw a HUGE improvement in his voice acting in this movie, the range he gave to Hiiragi is amazing!

SCENE REACTIONS

This scene was so funny I CACKLED Uenoyama and Hiiragi with their catty energy I LOVE THEM

2. I fell off my couch at this scene HHAHAHA

While Uenoyama's face is funnier in the manga, something about the animated rocket launch from earth JUST GETS ME HAHHAHA. Ok serious talk though how did I not notice that when Uenoyama got confessed to and when Haruki told him he's about to debut, his brain turns into astronaut footage? I think it's a very smart way to illustrate that for Ue, music = love and one cannot exist without the other.

3. OMG Uenoyama's face HAHAH awww man I know he's bummed as hell at Mafuyu's "I'll think about it later" (to the debut proposal) but his face, Ueki and Itaya's faces send me straight to heaven

You know how Ue feels? Our munchkin cat feels like he just proposed to his lover and his lover said, hmnnn I'll think about it. 😭 Chemical, emotional, physical, psychological damage right here>>>

4. The voice acting here from Hiiragi's VA Fumiya Imai SLAPS SO HARD

It's definitely giving deja vu, similar energy to Uenoyama panicking about Mafuyu, gosh I love Hiiragi and Uenoyama's baby gay panics it's so cute.

5. Kageyama is that you?!

6. The sound design and use of silence in this entire scene....incredible, showstopping, amazing, impactful yes yes yes

7. This scene animating Shizu's flashback to childhood was really well done.

It's interesting that in the movie they didn't speak too much about Shizu being transferred from foster home to foster home, or what he had to do to get by. But also, in the manga, I'm pretty sure that they didn't have this scene of a child Shizu closing his hands over "precious stone" but I think it absolutely elevated my connection to Shizu as a character. It really shows that he believes he has been selfishly holding Hiiragi back and that he has been trapping Hiiragi all this time. It gives so much more context to what he did next which if it wasn't clear already, he tried to push Hiiragi away in order to free Hiiragi from him. 8. HOLY SHIT wow goddamn I would not want to live where Akihiko is living oh my 💀💀💀

Watching this scene animated with the noise of the highway really highlights how bad Akihiko's living conditions are. I flagged this because in the Given Manga sequel 10th mix [SPOILER AHEAD], there is this whole thing of Akiharu's disparity with their living conditions so....this is interesting....just putting it out there.....

I also don't remember this scene in the manga, but I really appreciate it, it shows the contrast of Akiharu in the first Given movie vs. this one and how their love and care for each other has evolved! Very cute! I'll make a part 2 soon!

____

My Given Metas