#how to rich

[teffiebell]

[sheepydraws]

The secret Dungeon Meshi sauce that's getting people to eat better is that it's so non-judgmental. Senshi and the rest of the gang never talk about what not to eat besides things that taste bad and literal poison. They don't even talk about "health" that much besides the importance of a balanced diet. It's so much easier to eat well when you think of food simply as something your body needs, and that it's often worth the extra effort to make it taste good, especially when you understand how to connect "things your body needs" with "things that taste good"

[rambling-robot]

crazy that gravity falls was like, hey what if we made twin brothers, and one of them is the worse one. he gets bad grades, he likes to punch his problems, everyone thinks of him as “the other one.” he’s engulfed in a shadow that’s shaped like him. he doesn’t even have his own name—it’s derived of his brother’s name, the only one his parents planned on having and using. everything about him is derivative—imitative of another person (his twin brother) (the one everyone likes and wants) and is disapproved of for that reason (he isn’t just “bad at this thing,” he’s “not as good as his brother”). and then he ruins his brother’s science fair project (the one next to his own—no one noticed it because it’s not good, it’s almost stupid next to a “perpetual motion machine” made by a high schooler) (he tried to fix it) (he doesn’t know how; he’s not as smart as the guy who made it) and he gets kicked out. the potential of the money his twin could’ve made is enough to throw him onto the street, and he can’t go home until he makes that money back (the money that was never gained and therefore was never lost. he never had a chance of making enough). he took every job he could (his brother went to school). he got banned from multiple states (his brother bought a house). he traveled internationally and went to prison and had people try to hunt him down and kill him because he couldn’t make enough money (his brother’s house has three basements. he made them himself, as secure as can be). and when his twin finally summons him for help, things go wrong (he messed up this machine like the last one) (he doesn’t know how to fix it. he isn’t as smart as the guy who made it) (he tries to fix it) (he was never any good at reading and these blueprints are impossible, coded and fragmented and in a science that he didn’t know existed) (he tries to fix it). the townspeople ask who he is, and he doesn’t even say his own name (it was hardly his to begin with). and he invites them to a house that isn’t his to show off experiments that aren’t his because he needs to make money that can’t be his. everything he does for the next 30 years is in his twin’s name, for his twin’s sake. he had two funerals for himself and it isn’t even his body in the casket; he had to wear his brother’s name to both of them. if he had died before he fixed the portal, that funeral wouldn’t have been for him. we meet him as a funny and unique character, but in-universe, he’s only ever been defined by someone else.

and then they went, this is entirely in the background btw. most of that is going to be revealed in one episode and won’t be addressed again. he’s a primary comic relief, even. I’m ill about this.

[timereboot]

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[time-reboot]

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[alicentflorent]

The only reason I know Mari is dead is because I just know she would’ve written a tell all bestseller novel about surviving the wilderness followed by a reality show and an infamous Oprah interview that rivals Prince Harry’s

[neuro-psyche]

I think Dick and Jason would have multiple “what the actual fuck are you saying right now” with Tim and Damian when it comes to quality of life/monetary differences. Sure, Dick and Jason got used to Bruce’s “is $100 a good enough tip on a $30 bill?” shit, but hearing Tim talking about a new laptop he bought for $5000 literally is like a punch in the gut.

If they ever went on a cruise (which they totally wouldn’t because cruises are floating death traps), Jason and Dick would be in awe of the fancy amenities, where as Damian would be unsatisfied with the quality, since he grew up with every single amenity known to man. Tim would just feel like it’s all normal since the Drake’s were extravagant and travelled all over the planet.

Jason : My bedroom is bigger than my fucking apartment.

Dick : I could do a full gymnastics routine with the space in my room.

Tim :

Dick :

Tim : My room is normal sized…

Jason : You grew up in a mega mansion. I hardly think you’re the benchmark of a normal room-

Damian : I must agree with Drake. This room is frankly underwhelming.

Dick, staring wildly at him : What do you mean underwhelming- Dames there’s an aquarium wall in your room.

Damian : Yes. Underwhelming.

Jason :

Dick :

Jason : Do you want to-

Dick : Jump off the boat? Yes.

[swiggity-swexual-i-am-asexual]

We all know the semi-canonical ‘all the Robins know to hide/duck inside of Batman’s cape, even as adults’ thing.

We also know that Danny ‘is LITERALLY a ghost’ Fenton sucks at remembering his own intangibility while ALSO forgetting to look ahead of him.

All I’m saying is, Danny Fenton (or Phantom, if you’d really like) would absolutely SLAM into Batman on accident while running on roof tops and Bruce ‘Brooding Instinct’ Wayne doesn’t even think twice about letting the kid hide and scanning around for danger before there’s a record scratch of ‘wait who tf is this?’ kicks in.

[on-the-clear-blue]

Down in the streets of Gotham, in the side alley next to Express Urgent Care run by one Leslie Thompkins and that was funded by the Martha Wayne Foundation was a soup kitchen.

Well...a soup kitchen of sorts. Not in any way official but if you were hungry in Crime alley you knew that the food would be safe and warm...and it was a place where *you* could be safe and warm.

Danny had left a week after his parents found out that he was Phantom, a week after he had seen their grief, the regret and pain in their eyes. The week had been spent in suspense, he knew that they needed to talk about what had happened but neither of his parents were ever able to even start bringing it up before they were sobbing.

Danny knew his parents loved him, thst his father felt soul crushing guilt, that his mother spent hours staring at herself in the mirror, as if she didn't even know who was looking back at her.

And to spare them both, Danny left.

It wasn't hard to do, not when he could turn invisible and phase through walls, a final text to Sam and Tucker to say his good byes (he knew that they would break and tell his parents where he would be going) and a particularly hard hug to leave from Jazz, Danny flew off with only a back pack.

He had traveled across the US for a few months, occasionally snagging a post card from a super store to send off home, paying only when he had the excess funds (Sam's rants about mega rich corporate billionaires let him know just which stores wouldn't miss the few bucks the cards sold for)

He had met up with Dani a few times, when she was in the country, handing him Vlads credit card and telling him to keep it (though he never did) only ever using it to book a room for a few nights at a hotel to clean himself up and sleep in a real bed.

He settled in Gotham after a while, he had briefly stayed in Faucett but that place didn't have nearly enough ecto for him to live comfortably.

Gotham on the other hand? It had everything, cops that don't question why a teen is on the streets, natural ecto up the wazoo and well...a crime rate that would dissuade his parents ever looking for him there.

He had set up a more permanent shelter in an abandoned apartment building (after chasing out the low level drug dealers that were using it) and found that he kinda liked the vibes of the place under the blatant crimes being committed in broad day light.

Sure people could see you getting mugged and look the other way, but if you were still alive and there 5 minutes later, they would come back, hand you something to clean up your now bloody nose and point out the bodega that had the best sandwiches.

It was a sense of community that Danny didn't know he had missed for the many months he traveled.

His first "cook out" wasn't even supposed to be a cook out, his apartment building was mostly wood and he didn't trust himself to not burn it down, so he came outside, setting up a portable stove and setting up a pot filled with some, water to boil up a soup mix.

As he waited for it to come to temp, he saw the group of homeless rubbing their hands together, watching him with curiosity, though that quickly turned to hunger as the smell of the soup spilled out into the alley.

Instead of turning the others away Danny only shrugged, pulled out his spare paper bowls and handed them out, taking a few bites first to show that it was safe to eat.

What followed was a sort of tradition, Danny would come out a few times a day, take out his hot plate and pot and set up a soup, others started asking if they could pitch in, and well...Danny would have loved to keep providing it freely but his food was quickly dwindling.

So his soup got add in, some jerky that Crazy Tom had got tossed in, a few herbs (re:weeds) were added in by Miss O'Connor, and Danny didn't even know where Lady Dimond pulled out some spices from, but he wasn't about to question the her, he had learned never to question where the working girls hid their things.

And it sort of grew from there, who ever was around came by, some came out of their way to share a meal, but it became a meeting place of sorts "Come by the Kitchen at noon, Tom got his hands on some steak! And it ain't even smells bad!"

Sure gangs tried to pull up on the meeting place, tried to intimidate the people there or coerce them into doing something...well that was until the host, some punk teen with hair darker than black and blue eyes that were so light they were white came up, and dished out a heavy handed fist into their jaws and sent them packing.

And so the Kitchen became a safe space, if you were hungry, if you were in danger, come by the little alley way, right next to the Express Urgent Care, the Host will take care of you there, if your willing to share, to stay peaceful with the rest of the gathered people, then you were welcome to grab a bite and relax, because the Kitchen was always safe.

---

It would be a few years since the Kitchen started, since people had brought chairs and tables, since an old grill of questionable origin was left out side it, since tarps with only a few holes were hung up to keep the place dry when it rained, since rugs covered the ground and the the alley it was in was swept clean of any needles or cigarette butts.

But for one boy it had only been a few short days since his Mama died, since he had found her cold and dead in the bathroom, a belt tied around her arm and a needle still in her hand.

Jason was miserable, he had stayed with her for the a single day before he knew he would have to leave, the body of his mother would start to decompose soon, so he did what he had too, calling the police with his mother's phone that didn't have a lot of minutes left on it, telling them the address before hanging up and leaving it there so he couldn't be tracked.

He couldn't be there when the cops showed up, foster care would do shit for him, and at least his Mama would be buried, and not left to rot in their bath tub.

So a young Jason Todd, scared, alone and hungry came to the Kitchen, as his mother had told him to many times before, had told him to seek out it's Host if anything ever happened to her...and well...at the very least he would get something to eat...

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[anna-scribbles]

last one i promise(<—lie)

[egophiliac]

bring your son to work day

[luckthebard]

I know I’m being anti-fun and a wet blanket about this but -

While I find “if not friend why friend-shaped” about cute but dangerous animals to be a fun meme, I increasingly react with knee-jerk negativity to “if evil why hot” because while it’s not that serious when applied to fiction there is an extremely worrying real trend of people who think of themselves as progressive and enlightened who equate physical appearance to morality.

[k1d1c4rus]

thinking about how armand was turned bc he was dying from being stabbed by a scorned grown man who was in love with him. he nearly died from rejecting unwanted advances. its such a key explicit detail of his origin that teaches him yet again that what he wants is utterly unimportant and even deadly in the face of survival. everything about his character is informed by the fact that he adapts entirely to the situation he is forced into because that's the only way he can survive. he adopts the satanic doctrine for 200 years not because he believes in it but because he knows that is the only way he'll survive and as soon as lestat arrives he knows he can abandon it. for half a millenium he believes he can't get what he wants and also survive, he has to choose one or the other. God.

[theegh0st]

[rocketbirdie]

pharaoh atem redesign with some semblance of actual ancient egyptian high society fashion