#i dont feel like repeating it all

[autisticlee]

sometimes I think about how being autistic can be one of the loneliest and most isolating things...

[carnivalcarriondiscarded]

the artblock be hitteth Harder than normal, for tis not normal artblock. woe. Wally be upon ye

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

[tobisiksi]

tw: suicide mention-emotional maipulation

I refuse to believe that kusuo never tried to lose on purpose in one of kusukes games

a lot of people say that he probably was too egocentric to lose but man, ku gives up on things without thinking twice just for the sake of the others

just like when he gave up on satou when he and hii got together (the only example I can come with rn but there is a lot more)

and don't get me wrong, kusuo IS egocentric, but he knows where to trace a line he has a moral code and the principal rule is "don't be an inconvenience to the others"

so there is no way he didn't tried before

kusuke saw through his facade?

kusuke is insane and a masoquist and he has some suicidal behaviour aaand

I can see him telling kusuo to never try to fake a lost again or else he will off himself

idk he just yk, he's emotionally abusive and he's too obsessed with the idea of kusuo and him playing deathly games

TOO obsessed

he even took himself as hostage and he also kidnapped and brainwashed one of his brothers friends

he would say something like that

but I also believe that he wasn't aware of the heigh of those words

(I believe that he isn't aware of the heigh of all his actions, he just have a really twisted view of what is wrong and right)

I see this kind of scenario happening when they were young, when kusuo stopped copying his older brother (the motorcycle, the little cardboard robot, rock papper scissors, guys he was copying his older brother cuz he thought he was cool) and started to feel some resentment or even pity towards him

kusuke wouldn't take pityness very well, resentment? dont care, being hated? kay whatever but feeling any form of empathy or pity?????

it makes him sick

so he would say something like that but the thing is that he sees his brother as a God who is superior to every other living being

so he thinks that it isn't a big deal because his God had more important things to take care of

wrooooong, your God it's your baby bro who is just a child who used to admire you a lot before you started to get more and more insane progressively and the thing you just said it's fucking up his head because the love and hate he has for you were the strongest feelings his baby brain could feel and now he cannot come up with a way to make you stop envying or feeling resentful cuz of his powers (that he did not choose to born with in the first place) without making you have a meltdown that will end up with you killing yourself

[slavhew]

Hello!

If you're not too busy, would you mind listing some of the things you think count as death flags for Mr. Spender?

There's the obvious fact that he's the "old" mentor to group of young protagonists, but what else do you think would count?

OHH BOY ok so I'd think I'm a crackpot for this but since we're talking about Zack "Foreshadowing" Morrison. I have some thoughts

No harm in leading with the (chronologically) first thing that jumped out at me:

This one IMMEDIATELY made me antsy whenever I came back to it after my initial read, and considering Zack has referred to it on twitter in the past as one of their favorite jokes it's definitely not been forgotten about.

Second, the sheer amounts of near-misses, jokey or not, of Spender narrowly avoiding specifically lightning

Again, not much, but it's weird that it happened thrice, latter two of which had real gravitas rather than an one-off joke.

And third, Spender himself. He's repeatedly shown himself to be kind of a self sacrificing idiot, as well as prideful to a fault. Granted, it's both him and Mina trying to take on all the responsibility of saving Mayview and its inhabitants from their fate.. But Spender is exactly that right measure of doesn't-value-himself-enough (chest footprint aftercare or lack thereof), having an obscene amount of power (enables his loner act + pride) and poor judgement that has the capacity to put him at great risk. And it has!

Spender has not only shown low enough self-esteem to view himself as the de-facto scapegoat for the safety of the town, but also prideful enough to make very bad calls that end up in people, often himself, hurt (COUGH FORGE INCIDENT COUGH)

This is all conjecture, but it's definitely enough to make me worried about him :') Even if all this doesn't mean he'll necessarily die he's definitely getting (even more) seriously injured at some point. I love the guy but he's so far doing a horrible job of convincing me he wants to live bad enough to circumvent at least that

[skunkes]

toss, turn eleven times

[icewindandboringhorror]

sneeping with his legs up over his head for some reason... weird boye

[themyscirah]

Amanda... I miss her.

But I don't trust a single person to write her other than Ostrander/Yale. Like I don't trust them to do it right. Because like it's easy to write her being shady and manipulative and involved in secret government conspiracies. That's what she does. But it feels so hollow once you've seen her character in the way Ostrander describes it. Like she is a woman who is desperate and trying to do what she thinks is right. She has found a place of power (as a fat Black woman in the 1980s) and is doing anything she can to fight and hold onto it as powerful and ambitious men try and steal it from her. So she doubles down. She doubles down on the shady deals and the broken promises and the violence and she destroys her enemies, and loses a part of her soul in the process. And then some other ambitious politician rises up and the process repeats itself over and over and over again as each time she loses more of her morality and more of her soul and more of the respect her colleagues had for her. In place of that she gains more power, she gains fear, and an even more badass reputation. Until by the end of the book the villains begin to understand/sympathize with her more than the heroes ever will. Like THAT is who Amanda Waller is. It may happen subtly, it may happen over a longer period of time but that descent is a critical part of her character! She is a tragic character! And I feel like every perception of Suicide Squad I've seen outside of the original has her as this static villainous snapshot which is just untrue to her core imo. Like she is not a hero. But she is also not JUST a villain. She is a highly flawed character who is always descending farther and farther into villainy as she is led there by what she believes is right.

[kagoutiss]

zelink in your au or nah?

i would say there’s about as much zelink in my au as there is in the game, so…like it’s there but it’s also probably sad and doomed lol. link also isn’t there for the large majority of it, so a lot it comes down to how sheik remembers him while he’s sealed in the sacred realm and how she feels about their whole situation over a period of years. it’s kinda hard to say how their relationship is when one of them isn’t there for so much of it, and the other is constantly thinking and mulling over just their memories of them and what they could’ve done differently. but that’s also part of the reason they’re so interesting and heartbreaking to me. im blabbin but basically there isn’t NOT zelink, but it’s complicated and still sad and not necessarily the main focus

[doomedclockworkdotmp3]

ahaaa. redraw of this oldass drawing

[moomeecore]

all the people behind the "it's not that bad you're just being dramatic" posts abt the new episodeesss. i wish i was you. i am being so dramatic right now but it is against my will. i tried SO hard to like them. this is why i have fallen into a state of disrepair upon realizing that i really, genuinely, don't.

[unwellwoman]

i know my family doesnt mean any harm but i wish the tendency to make fun of someone was less. like is it a joke really....

[applejongho]

haven't rly commented on this but clearly we can complain all we want about the tour being so fucking early but guess who's still gonna show up anyway and give them all the money they want. us, the fucking fans.

[soldier-poet-king]

'im doing so well! I'm never happy or motivated in January!'

I was soon to realize the folly of this hubris however....

[quirinah]

how do you get your colors to look so nice and your lineart so red and vibrant? i love it

omg anon thank you!! 😭 im going 2 be honest I am Not Great with color theory... but i like having my sketch pages look cohesive to me...

BUCKLE UP this is going to need a readmore bc i like talking.

I always sketch in neon colors it's a habit i picked up from an old teacher but I'll think of a color usually on a whim and draw with that. and then if i want to draw something else ill pick another color that i think goes well with the page. usually most of my color schemes r analogous (colors right next to each other on the wheel)

yanked this from recent dunmesh post; i kept most of my colors within the pink/red/orange range.

i wouldn't recommend doing everything in monochrome or analogous palettes though because it's sort of a guilty crutch of mine XD.

sometimes when im coloring ill change the layer mode of the sketch. color burn gets you either very very bright or very very deep colors depending on the color of the flats underneath. multiply and linear burn do the same thing but they're a lot tamer and generally always return darker colors. im sure there's some technical bits behind this though. ill either color my lineart afterward to compliment the color of the flats, leave it as is, or mess with layer modes if i feel like it. my favorite trick is color burn + linear burn + some combination of two lineart layers and just fiddling until i get a nice burn effect.

mithrun was done with crimson red on color burn.

coloring... like 999% of this is relative color which is like. kind of the idea that colors look different when placed next to each other. if you eyeball it a bit it's pretty noticeable.

what i used to do a bit ago was i would fill in the area i wanted to color with one big mask of color, make a new layer that has a clipping mask down to the flat layer of color, and then draw my actual flat colors. the color of the mask helped me pick my flat colors bc if I picked a color i think stood out too much next to the mask i could kind of just adjust it until it looked a little more cohesive.

old ish drawing next 2 a canon reference. i ignore local color a lot...mea culpa....but my overall color palette here was a light pink, so the shirt here is actually a desaturated pink? or violet i believe. if you shift sort of that purple color far enough into the gray area of your color wheel it can take on a blueish or even greenish hue. it being next to a lot of warm pinks/fuschias helps.

a neat thing that kind of helps is that if you desaturate or saturate certain colors they can kind of take on a certain hue? not sure if this makes sense. sort of how orange here turns tealish blue the grayer it gets. so if im drawing something that's predominantly orange and i have a blue color i can just take an orange color and desaturate it until i get a color that sort of looks like blue. and that way it kind of looks more harmonious? at least to me XD

shading. i don't apply serious lighting to a lot of my drawings, but a helpful bit is that the shadows tend to be the opposite of whatever color the lighting is? i try to think first about the "mood" or the main color i want to go for in the drawing and then i pick a shadow color opposite of that. so for here, i wanted the lighting to be a coolish magenta so the shadows r lime green. if there's anything off i fiddle around until i get something i like. the shadows on the skin here were too green initially so i shifted them a little more orange.

there's a "band" of color going on between the transition of the shadows to the light. generally this could be for a lot of reasons and i tend to use it differently (core shadow? overexposure? etc etc). but this is a color post so ill try not to go too off track.

but generally digital doesn't "mix" colors the same way traditional colors do if you use RGB (cmyk is a bit better with this but is kind of a pain to get used to), so to make blending a little less muddy, i sometimes add an intermediate color to smooth things out a little. for example, mixing digitally blue n yellow tends to get you gray, but generally, blue + yellow makes green, so if im making a blue->yellow transition ill slap some green color in the middle so it flows a little better.

I do a lot more cel shading nowadays. if you've been on here for a while earlier this year i have another style of coloring but it's not really accurate to how shadows really work so i wouldn't recommend looking at it. it's mostly to add zest and texture to the underlying flat colors.

coloring your lineart does a TON to helping your colors look vibrant, though its like the garnish on a dish to me (same with shadows). i think it's good to try and play with your flat colors and try to make sure those look in order first before adding flourishes. usually ill leave it a dark, saturated color that again matches my overall palette but sometimes i go in and color them by alpha locking my lineart layer and picking a color that matches the flat colors underneath? not sure how to explain it properly.

i used a darkish purple for shuro's ponytail to match the dull red of the flat colors (more relative color! trying to simulate a black/brown while keeping the pink palette there) but a lighter crimson for laios's blond. the light was this super intense like blush pink so i thought it might be cool to add this neon salmon red in the areas of that light to really give off that vibe of a very bright intense rim light.

sometimes you could also tweak with gradient maps or color balance, which adjusts hue based on how light or dark a color is. these r fun to mess with as a final touch but i need to watch using them because they can become crutches real fast XD but those are also just tools to help you. in the end just developing a good sense of how color works and how you want to use it is the best place to start.

LONGASS ramble but yeah. tldr just kind of train ur eye for color and look at what you like best. which is unhelpful and a little sucky but it really is just observation and practice and maybe some personal zest.

happy drawing!