#i enjoy rants

[emmashouldbewriting]

Emma, since you're a writer I'm wondering about your opinion on Spare's style. I just started it and I find the constant breaking of the fourth wall (is that term used in literature?) tremendously annoying and quite childish. Also the constant use of Pa, Willy, and never my father or William. But I'm not used to reading memories so I don't know if that's normal. Oh, and the chapters, 26 is literally half a page! Is very annoying. Thank you, and sorry for the mini rant 😅😊

I haven't read the book - nor will I subject myself to such mental torment, so kudos to you, anon - so my opinion is based on the excerpts and snippets I've seen.

Breaking the fourth wall is something that should be done sparingly and at the right moments. It's a really tough thing to do. I have done it and I can largely get away with it because it's always a really quirky comment to the reader that wouldn't quite have the same effect otherwise. I don't do it in every book and even if I do, it doesn't happen often. (Which is the correct way to use it.)

Generally it's good to be consistent in using names for people, but calling him Willy repeatedly is just juvenile and his way of diminishing his brother in his mind. 'Pa' not so much because if he were using 'Dad' it probably wouldn't be so annoying - but if Pa isn't a term you're as familiar with, I can see how it would be jarring.

I've written extremely short chapters like that - they're usually punchy, emotional ones. Chapters can be any length, so it depends on the content I guess?

Also don't apologise! Rant away.

[nipuni]

Casanova sketches!

[queerdraws]

projecting on luffy again. get bited.

[sariphantom]

Rise April 2024 Days 1, 2, and 3: Trick, Fashion, and Crossover

Technically... Usagi counts as crossover, considering he's from a different show.

[acornered]

I've never really self-identifed as butch because my style sensibility leans more toward effeminate gay man/eccentric grandparent but while my girlfriend was visiting, the clasps that held the shoulder strap of her handbag kept breaking (thanks temu), and finally I got fed up and fixed it by

a) wrenching off the old clasps with a pair of plyers and

b) replacing them with the only clasps I had on hand, which were 2 giant carabiners

and yeah, now that I think about it, that is incredibly butch lesbian behavior.

[calicostorms]

"Wyll is boring" 😑 he is literally the fairy tale prince archetype, you guys just are not interested all the sudden bc he's a black man instead of a white blonde

[dollya-robinprotector]

Dress me up, make it tight, I'm your dolly You're my doll, rock'n'roll, feel the glamour in pink Kiss me here, touch me there, hanky panky~

Inspired from This post of @just-dol-headshots and this ask from @hakusins. Don't worry I'm still aiming for your ass Haku-Dean :) References and something under the cut

We all have to agree Bully Robin should have some softer and caring sides. When there's only them two and no one else is around to judge, he can let loose and slip back into that kinda of "Original Robin" we know and I love. I mean, that's what JDOLH made that got me into these swap messes from the beginning jsjkhskjhd you knowww the HUG!!

Reference: Barbie Girl (Aqua) and this cute ecchi Clamp Chobit piece

All in all I'm a pink bietch and Dollya won't be losing her V-card anytime soon that I can promise so hang in there okay mr.Bully.

edit: OMG THIS IS MY 1000TH POST TTOTT)) JKSDJLASKJKDLA

SELF-INDULGENT HERE WE GO

[matchakuracat]

"You're so lucky! I wish I could just stay at home all day instead of going to school or working"

I have to go to school/work just as much as anyone else does, the difference is that I physically can't. Not having the same choice as abled people does not make me lucky. Staying at home because I can't go to school or work does not mean I get to do whatever I want. Staying at home every day without being able to do anything is not fun. Not being able to do anything but lay down in bed or on the couch gets boring really fast. That's not even taking the chronic pain I endure into account.

Being chronically ill is not being lazy. It's not a choice, or something anyone would choose. It's a disability.

[hauntingsofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[too0bsessedformyowngood]

Okay so I’ve been reading a lot of reverse robin AUs recently and I have a hot take. Duke Thomas should be the Dick Grayson parallel instead of Damian.

Hear me out. So bare bones Duke was the last to join in cannon, so he should be the first to join for reverse robins. But to get deeper into it Duke lost both of his parents at the same time setting him down a path of becoming a vigilante. He becomes Bruce’s ward instead of being adopted because he already was raised with two good parents and doesn’t want them to be replaced. He also created his own mantle that was the opposite to Batman, the light to Batman’s dark, inspiring hope against Batman’s fear. He’s friendly and works well and inspires others, but also extremely sharp and smart which people often forget.

Damian would work well as a batgirl parallel more. He would join after Duke but be a few years older, got there already trained and immediately jumping into crime fighting. Covering the areas that Bruce and Duke don’t fill. While Duke takes up his own name Damian would use a name more inspired by Batman himself.

I just think this dynamic of Bruce and Duke being the first dynamic duo would fit so well (also get to spotlight Duke who so often gets overlooked).

[dizzybizz]

lapdog yoko lapdog yoko lapdog yoko

[slugpup2]

still feeling sick, here's a vid of all the covers of pass on (as of now) playing at the same time i made a while ago

[farshootergotme]

Controversial opinion, but I don't think I like good dad Bruce Wayne.

Now, don't get me wrong, I'm not saying I don't like Bruce being a good dad, but it is hard for me to enjoy it when he's like that all the time. When he suddenly knows how to communicate, or what to do when there's an emotional issue, or that he's now smiling and reassuring his children so easily.

Is just too abrupt after what we've seen so far of him as a parent.

I can't buy this new version of Bruce without any deserved development or previous arc that triggered this drastic change in the way he acts, specially towards his kids. And I get it's usually like an alternative self, and he's always been like that in that kind of universes, but it just feels too easy.

Is like working so hard for something only to be given it without a chance of showing off all the work you've done to get there. Is not fulfilling or satisfying (to me).

And I get the hype, I do, but there's also so much history of the characters that wouldn't have happened had Bruce been truly that great and supportive dad that some portray. It erases too much for me to fully like it.

So, yeah, good dad Bruce I can only enjoy when he's had the proper growth as a character that doesn't erase everything he's done before and instead shows the long journey he had to go through as a person to get to that point.

[xx-sketchy-xx]

*grumble grumble* my photos are being annoying

LOOK AT THE COOL DUDES, I feel like Jax would try and make Wally commit as many crimes as possible with his eye eating powers

[aconfusedkitten]

okay, as someone on both the ace and aro spectrums, there is nothing wrong with shipping aroace characters.

it is a Spectrum, and just like there are sex favorable aces, sex neutral ones, and sex averse ones (or people like myself who are somewhere in between!), there is more than one way to identify as aro. for fucks sake, please stop harassing people in fandom for shipping things because it doesn't fit your definition of what being aroace means.

[moth-nocturna]

dumping south park sketches lol