listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.
Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.
writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.
so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.
she's the reason Claudia exists.
she's also the reason Claudia cannot be saved.
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"Eventually, I will no longer drown from the overflowing of an empty cup"
Pre-Morrison Talia would be the kind of love poets would write for.
Talia al Ghul, with all her history, faults, and flaws, have no means to have had so much love for the people she cherish. But she does...she does.
"We are immortals, Habibi. When others say they love forever, they lie. But we don't have the same luxury. For people like us, forever means eternity, beyond death and even after. It is a curse, my heart. Our curse. For such promise meant to taint such noble feelings—
And yet, I will never apologize for loving you."
"Boy Wonder" (2024) #4 by Juni Ba.
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That viral post that's going around about how people who write "book quality" mlm fic are too "normal" to publish and have real jobs so only "weird" people publish their "shitty" fanfic is so completely out of touch with reality and I am giving a massive side eye to everyone reblogging it.
Not only is it completely, easily verifiably untrue (you cannot enter any professional writing space without tripping over a dozen grizzled scifi writers who got their start by filing off the serial numbers and publishing their Star Trek fanfic even going back decades ago??? it's a whole thing?? plus how can you look at the mlm category on Amazon right now and say with a straight face that people aren't publishing shitty Spirk and Stucky fanfic??? Oh, honey...) it's also the perfect example of this kind of sneering elitism that true artists would never sully themselves by seeking profit, they do it only for the purity of the thing that always somehow leads back to, "no one should be paid to make art, actually."
The only reason you're seeing more published fanfic right now has nothing to do with the idealistic purity of your hypothetical government employee written smut of the past vs the debased scribbles of those awful straights of today and everything to do with the fact that a) self-publishing has created a voracious readership that wants a ton of content so it's become a viable, flexible income stream for many, especially disabled people b) anyone can publish now with self-publishing tools so there are less gatekeepers and c) lockdown got a lot of people into fandom and therefore writing who never tried it before.
And if you really think there's no "shitty" published mlm and no "book-quality" m/f writing out there that started as fanfic, then you are clearly not a reader so why are you even talking about this?
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[ID: Bruce Wayne and Minhkhoa Khan breaking up in the rain. Bruce is in normal civilian clothes while Khoa has a white cloak on and a mask that hides his eyes. Khoa persuades, “We'll start in a small city in Southeast Asia, and systematically dismantle its criminal underworld. Out all the corrupt politicians. And then we'll go to the next, and the next. We'll build a high-tech base of operations that moves with us. We'll live well off the coffers of the gangs we dismantle. We'll expand from there. In time, maybe we could even tackle a city like Gotham. Not like boys, but like men at the peak of our skills.” Bruce simply tells him, “No.” Minhkhoa points an accusatory finger at him as his angry response has been edited to be a post by @/egirlbutternubs that reads, “But babe you love being gaslit.” END ID]
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Me: *tells a roomful of people about my adventures in marketing my books, which includes an enthusiastic description of my time on Tumblr*
Me: *wonders an hour later what I've reblogged recently, in case they look me up*
My Tumblr: "All good, boss. Aliens, words, fae bargains and humans being weird about food."
Me: "Oh good."
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I want you to hate me. Because I truly love proving myself right.
I love satisfying the sick whispers of self loathing and controlling the narrative of how this love will end, in time.
Because I know how to hurt you and sometimes I do it without even trying, I’ve got this bitter guilt and this ever-quick poisonous bite.
I am not loveable or cute or the girl everyone wants to fawn over, I am the girl people compare to hurricanes because it’s a promise that I will destroy everything in sight.
It’s an imposter, a facade, some type of trick of the light, this version of me you love has never aligned with the one that whispers harsh truths to me late at night.
No, I’m not her, and I don’t deserve any of your love, because given the chance I’m still that sharp tongued snake always ready to poison the ones who take a selfless step in the murky waters to try to hold my head above.
So I’ll push you so far away, to the point that you stop understanding why you ever even contemplated fighting to stay.
Because honestly, I truly love being right.
Letting you think I’m a monster means you’re finally meeting the dark voice who’s been whispering words of hatred to me every night.
The self fulfilling prophecy - t.k.o
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something something something loki's love for sylvie more appropriately manifesting as platonic rather than romantic because his love for her is a lesson in healing--particularly the inner child that still holds resentment towards a lying, unaffectionate father. loki's heart breaks for sylvie because it breaks for him too. he sees her and views the version of himself that is still angry and deeply, deeply wounded. his affection stems from the empathy of understanding what it is to have had a narrative for their life controlled/manipulated for them. in their sameness, loki offers the compassion he wishes he would've gotten or would've been able to receive. and because to turn back on her would be to turn back on himself. loki allows himself to be something other than the trickster god he made himself out to be in a desperate plea at taking back control. it is mobius that tells him he can be other than what he was and offers him another mode of survival, all of it a lesson in love. sylvie teaches loki radical self-love, how to show up for himself and others, and mobius is the conduit through which loki practices this healthier way of loving.
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