#i peaked when I answered this ask

[ironunderstands]

Would be waiting for acheron brainrot ramble here

Is it time for Acheron brainrot ramble? It’s time for Acheron brainrot ramble. Prepare for the most stream of consciousness post ever, I had so much fun writing this she has taken over my consciousness and puppeted me for my own ends, and commanded me to demonstrate how peak she really is. So enjoy, hopefully I can get others to love Acheron just as much as I do.

I think there are three reasons why I like Acheron 1) she’s really fucking cool 2) I love characters who guide/mentor others 3) She’s charming as hell.

Hoyo you aren’t allowed to make characters this good.

The music in her trailer, her aesthetic, the amount of fire fucking one liners. THE COLOR RED (I’ll get into it)

“Find me, your end, my origin.” Who cooked here who wrote this who’s the chef please where’s the restaurant I’m eating this up

“On the still waters of oblivion, I guide the wandering souls” GRAHAJDJWJKSSW YES YOU DO OH MY GOD I CANT PUT INTO WORDS HOW MUCH I LOVE THIS LINE SHUT UP EVERYONE SHUT UP. Like she literally is at the edge of existence fighting to help others find their future, I just. RAAAA

SHE CUTS A BLACK HOLE IN HALF?? HUHH AUGHH a black hole that’s the manifestation of meaninglessness in the universe, and she goes “nah” and fucking obliterates it?!!?

“I weep for the departed” Those who have died are gone, and slowly losing themselves even further. For decades, centuries, millennia, even, Acheron has witnessed this, and still cries for them, still guides them to the other side, even if the task itself is meaningless, because someone should do it, someone has to do it, and that someone is HER.

She saves Aventurine, she saves the Trailblazer, she saves the entirity of Penacony. Someone blessed by the manifestation of nonexistent dedicates her life to giving others a reason to live.

Aventurine asks her why people should bother living, if the dice are always weighted in a certain outcome, then why should we keep going? Aventurine asks her why people should bother living if the universe is meaningless?

He fully expects her to say people shouldn’t.

But Acheron doesn’t do that. The dice are weighted against us. Not just in game, but in reality itself. We will all die, you will die, the people you care about will die, I might die, it remains to be seen. However, before that inevitable ending, before the curtain finally closes, we have so many choices to make. If the ending is the same for everyone, it doesn’t matter, and Acheron tells Aventurine this.

Because the Nihility envelops everyone equally, the universe is equally meaningless for everyone, nobody is the special someone destined to have a destiny. Therefore, it doesn’t matter. Aventurine has no reason to live. And Aventurine has no reason not to live. She tells him his time hasn’t come, because it hasn’t. Until that dice roll, until his final breath, Aventurine can still make choices and he can still choose to live for himself, and that’s the answer Acheron gives him.

But she knows that’s not enough. Aventurine will still struggle to live for himself, after all he’s been through, after the mountain of expectations and hopes and dreams piled onto him. So she tells him his friend has already given him the answer. Aventurine pulls out the note written by Dr. Ratio. It doesn’t give him a plan, doesn’t inform him of what expectations he has for him, doesn’t list every single reason why Aventurine should keep going. Ratio tells Aventurine to stay alive and keep on living, because he doesn’t need anything more than that, there isn’t anything more than that. Her caring about Aventurine, Ratio caring about Aventurine, that’s enough to keep him going, because other peoples love is enough of a reason to exist, universe be damned.

existing. The Existence. AKSJAKKSNDKKWEN.

Like you don’t understand, you don’t understand. ACHERON IS ENVELOPED IN THE MEANINGLESSNESS OF THE UNIVERSE BEFORE SHE FINDS ITS EXISTENCE, ITS VALUE, ITS MEANING. Even if it can never be achieved, Acheron is willing to destroy herself completely as she walks farther and farther into the Nihility trying to find the Existence, even if it takes every from her she will find it. Only by giving up her existence can Acheron find the Existence and kill the Nihility. Only by sacrificing her own life and giving up her own meaning can she give it to others.

Red. She tells the trailblazer that when they can no longer see the world in anything but black and white, there will be a brief flash of Red for them.

Red is the Existence. Red is the color of her blade that allowed her to cut that black hole in half. Red is the only color left when she unsheathes her sword. Red is the color of the tears she cries. Red is the color of the words she speaks to us that truly matter.

Red is the color she cuts into reality. In a world of black and white, in which all the light has been swallowed by IX, and the path ahead is blurry, Acheron illuminates the universe’s future in bright red, creating color, creating life, creating Existence in a world devoid of it.

We will encounter the Nihility along our journey, just as we would encounter every other aeon. The world will seem meaningless, and it will be devoid of color, but when the Trailblazer needs it the most, there will be Red. A reason to keep going, a reason to exist, a reason to keep on Trailblazing, because the path of the Trailblaze’s end is also at the Existence, and we will meet Acheron there again. Whether that color will come from us or her remains to be seen, but it will be there for us when we need it.

However, I think we/the Trailblazer will be alone. As that flash of red isn’t the only thing Acheron tells the Trailblazer.

Only when left alone can people pick themselves up. Only when help is absent can people truly fight for themselves. Only when you are alone, can you truly understand your existence.

That doesn’t mean other people don’t matter, that you have to walk the world alone, that you can only exist devoid of others. Quite the opposite actually, other people can be your reason to exist, something to help keep you going. Acheron knows this, which is why she directs Aventurine to Ratio’s note. That’s the meaning he can find in a meaningless universe.

Moreover, people help each other, they provide the tools other people need to exist, the anchors that ground people in reality, the reason why you might want to wake up in the morning, they create the things and ideas that you need and enjoy. It’s when you are ripped of these comforts, stripped of the things that make you want to keep going, is when people fight for their existence. As in a world devoid of everything, can you truly appreciate the things you have, and acknowledge that since there is now nothing, you are the only something. When there is no one there to save them, fools pick themselves up, and that is Existence.

I love Acheron. I love her silly amnesiac tendencies, I love her beautiful design, I love that she’s a Mei counterpart, but most of all, I love what she stands for.

Acheron is the indomitable human spirit personified, she quite literally chooses to exist in the face of absolute nothing. When the world loses all color, does she paint reality in a bright red with her sword, writing her own destiny with each and every slash.

And for that, I will always adore her.

[necrotic-nephilim]

this is an invitation to ramble about slade/batboy ships: sladick, sladejay, sladetim, sladedami, and other batfam member/villain ships, especially jayroman and ra'stim :)

AAAAAA this is so delightful oh my god thank you. adding a read more just because this one is going to get Long to cover all the ships and all my opinions. because my god do i love Slade.

firstly, the original Robin/villain ship, SlaDick. Slade Wilson, literally created to be a Teen Titans villains, with the original Robin he cannot be normal about ever. i'm so sad there's not much interest in Slade aside from making him a generic Evil Guy who canonically likes teenagers because i think to just boil down his complex with Dick to 'weird attraction' robs them of SUCH nuance. Slade *trusts* Dick, he trusts Dick enough to ask Dick to train his own daughter Rose. and initially Slade's complex over Dick isn't sexual, it's seeing Dick as a replacement for his dead son, Grant. that's messy as hell and i love them for it. i don't think there's a single villain that has the respect for Dick that Slade has. i'm always of the opinion Dick's attraction to Slade is rooted in daddy issues and Slade's attraction to Dick is rooted in dead son issues. do i think they could end up as an old married couple? yes but only in a world where Dick is completely broken and feels alone. my favorite SlaDick flavor is post-Jason's death. Dick and Bruce are arguably at their worst during that era to begin with so Dick is pretty isolated and emotionally unstable. and Slade would take such advantage of that, swooping in to offer Dick emotional stability and fucked up sex to get out pent up emotions. (i'm big a big fan of Dick fucking out his feelings tbh) and Slade is just. this sort of bad habit Dick will kick for a year or two then come crawling back to. you can directly track how well Bruce and Dick are getting along based on how many times Dick has slept with Slade recently. and that's the prize, for Slade. knowing Dick will come back to him, eventually. it's all about patience. and if something really extreme happened to Dick (like Bruce's fake death) i think they'd even date briefly. it's not entirely impossible for Dick to date someone he disagrees with morally (see: his flings with Helena) and i think Dick would keep trying to 'save' Slade, using the upper hand he has of filling in this role of Slade's dead son to try to domesticate him. would it work? who knows but if anyone is going to try over and over, it's going to be Dick. it's practically self-harm for Dick yet the only thing keeping him sane. i love them.

SladeJay is... an interesting one for me. because i like the *potential*. but they have no significant interactions pre-Flashpoint. and while usually i can forgive New-52 and Rebirth for their grievances if it has ship fodder i just... can't do that for Jason. Judd Winick's Jason is the only Jason that exists to me so even Slade and Jason's canon interactions matter little to me because it's not the version of Jason i care for. the upside of that though, is it's more of a sandbox to explore what they could be and there are no limitations. i can just run wild. which is fun bc. you're telling me Slade wouldn't be so drawn in by the idea of a dead Robin who's come back and is now the antithesis of Bruce's morality? i think at some point Slade would want to poke the bear, really see what Red Hood is made of. do i see them working long-term? no but i do think Jason would have zero qualms working with Slade if he got something out of it. and if he could fuck with Bruce or Dick by having a short, fucked up relationship with Slade? that's even better. i don't think Slade could ever truly respect Jason, at the end of the day the Dick Grayson standard is too high and Slade would sneer at the idea of a legacy who fucked it up so bad he got blown up. but, he'd see that as Bruce's failure more than Jason's. and for Jason to have someone look him in the eye and say that Bruce *failed* him? i think that'd just *do* something to Jason. and Slade has lost a son, he knows what that loss feels like, how you feel you failed as a father. would he have interest in being fatherly to Jason? no but i think he'd have fun momentarily manipulating Jason and seeing what reactions he gets out of what jeers. Jason's been calling himself a failure this whole time, so to have someone else say it is no real big deal, but to have someone else say it's Bruce's fault and voice Jason's feelings? they'd have the most fucked up sex with the most unhealthy dirty talk that's both gentle and degrading. i don't think Jason would ever let himself get too close, he's far too emotionally guarded. but for a second, i think he'd fantasize about having even *half* the amount of attention that Slade gives Dick. bc what has Jason always been, but in Dick's shadow.

SladeTim. my two blorbos. in one place. somewhere in my drafts i have a half-started longfic about SladeTim that's one half really fucked up porn and one half slowburn feelings. arguably Tim and Slade don't have many canon interactions, but it's fun to me that when they do, Slade always seems sort of startled by how well Tim fights back and Tim's willingness to fight dirty in a way even Dick doesn't. and to me, that's the crux of this ship. as far as Robins go, Tim should sort of slip under the radar for Slade. he's not the dead one turned villain, he's not the grandson of Ra's al Ghul, hell he's not even the child of a second-rate villain like Steph, he's not *the* Dick Grayson, he's just... the other one. grew up pretty rich and normal and fell for all of Bruce's wax poetic nonsense. so when Tim puts himself on the map as a hero, makes himself a worthy opponent against Slade that's interesting. even to Tim, Slade isn't a particularly remarkable villain since Slade cares to stay more on Dick's radar. so when they cross paths there's a lot of unexpected. neither of them have thought about the other too hard. so there's this interest and intrigue about it i love. i'm a big fan of the idea Tim is a massive masochist, both physically and emotionally and Slade is The Sadist Ever so. i like them falling into bed together and having the most fucked up sex. like Tim just being a Weird Little Freak so fucked up even Slade raises an eyebrow. because this isn't what you *expect* of a kid like Tim, who's had a pretty easy life before tangling with vigilantes. he should be like a fish out of water, but instead he's matching Slade's energy in ways even Dick doesn't. and of course, how smart he is, that's an asset. it takes a special kind of kid to have the audacity to poison Lady Shiva with hotel chocolates and pull it *off* no less. it earns a begrudging respect, and it's rare to get Slade to respect someone. i really like the idea of Tim seeking Slade out only for fucked up sex and somehow Slade falls for this weird little freak who's cold and clinical outside of sex and keeps him guessing.

i'll be honest i've only considered SladeDami in the context of seeing antis say 'omg Slade has been predatory toward Damian ewww' and going 'no the fuck he hasn't but if you want that so bad i'll ship it just to spite you all' but their canon interactions do fascinate me. a lot of how they interact is predicated on Slade as a father, even more so than SlaDick. like Slade will fight Damian and then be like 'hey be good to your old man fathers need their sons' and fucking dip. and then with the whole Respawn thing and Shadow War? that was extra crunchy. for a brief moment Slade had a son who was a brother to Damian and then he goes and *dies*? talk about the complex that would give him with Damian, the spitting image of Respawn. Make Slade Weird About Batkids That Remind Him of His Son 2024. Damian holds an utter contempt for Slade that is simply unmatched. so Slade not leaving that kid alone because of his weird issues, making sure that Bruce doesn't screw up with Damian the way he screwed up with Respawn is very fun. and Damian slowly building up a tolerance to Slade's annoying antics could be fun. Damian is, at his core, still just a kid who needs the approval of something father-shaped and he will Take What He Can Get. are they ever healthy or long lasting? no but i do think Damian would cling to Slade during his teen years for something incredibly fucked up and codependent until either Slade dumped him or he forced himself to get over it.

JayRoman. i will not lie love these two but i don't think i've read many Black Mask comics when he's not interacting with Jason. which is funny because my entire conception of Roman is him just getting humiliated by Jason and really what more is there to know about the man. Jason is so unserious in how he handles Roman and the best part is you can tell it's truly because he doesn't see Roman as a threat. Roman's just a pawn in the game of getting Bruce's attention and sure, Jason is aiming to kill Roman by the end of it, but he'll always have bigger fish to fry. and that's so *infuriating* for Roman. this new guy who's *clearly* a fucking teenager shows up, owns you so badly it shatters your empire, and then you only live bc he seems to have gotten bored of you. JayRoman is my particular favorite ship for the flavor of 'the sub in bed is in control of every other aspect of their relationship and their submission is a gift that can be revoked at any time' which we don't get enough. fucked up power dynamics always have the sub being the one lacking control. and whilst i enjoy when Roman is able to absolutely control and manipulate Jason through various means, i think in canon, it makes far more sense he's pathetic and begging Jason for even a *chance*. and Jason very specifically picking who he subs for based on someone who he could kill or destroy at the drop of the hat if he needed to is a very Jason thing to do. there will never be trust between these two. they will fuck nasty and Roman will be in love with Jason. but they are both carrying a gun during sex. the gun is probably involved during the sex.

Ra'sTim. my everything. Red Robin (2009) you will always be famous to me. what *don't* they have. forced proximity. enemies to lovers. forced partnership. one-sided obsession. ridiculously large age gap. deep unforgivable betrayal. i will never evacuate these two from my brain dear god. Ra's is another one of those villains who gets painted with one broad stroke of being cartoonishly evil with no exploration of his interesting nuance. making him nothing but a villain is boring. where is the Ra's who loves so deeply and fully and has to lose his loved ones over and over and will not let that happen to Tim. he wants to consume Tim in a 'cannibalism as a metaphor for love but also probably literal cannibalism' way. the amount of trust put in Ra's in order for Tim to be able to betray him as spectacularly as he did? that's glorious. Tim had full unfiltered access to Ra's' computers even when he was advised against trusting Tim so much. and then Tim wins against Ra's and willingly lets Ra's kill him. (obviously Dick saves him, but I'm of the opinion Tim was just committed to dying in that moment and he was Okay With That) 'i will betray you if it's the last thing i do' as an act of love. Tim is to Ra's what Dick is to Slade. you will never convince me Tim and Ra's didn't hatefuck at least once during RR (2009) with a questionable level of consent. i'm so serious i will never shut up about them. the way Tim talks about working with Ra's as if he's making a deal with the devil and Ra's talks about Tim like he's the precious, once in a life time thing, one of the only people worthy to produce an heir for Ra's. how's that not gay. what other ship involved one of them literally trying to have the other's baby to raise as an heir. Ra's would probably carry the baby himself if he could. memes aside they're just so. they're so it. i love when Tim is forced into a Situation where he has to work with Ra's and confronts the darker aspects of himself that Ra's wants to bring out but Tim wants to squash. it is The corruption kink. whether Ra's succeeds or not in corrupting Tim doesn't even matter because the real crux of this ship is the chase. it's the way the heart pounds when they reach out for each other and you don't know if it's for a kiss or a killing blow. it's very Hannigram to me, in that i don't even need or want them to kiss to know they're in love. love to them is not true love's kiss, it's the thoughtful place they decide to stab the other in. be the sheath to my dagger type ship. hold all this bloody violence i know you're capable of inside of you. let me cut the violence out of you ship. what more can you ask for from a ship. Ra's would tie Tim down and torture him both as foreplay and as a love language and Tim would be too fucked up and self-sacrificial to stop him. always playing the dangerous game of how far will the other let them go until someone tries to die or kill. listen i think i lost the plot here but my point is they're unwell about each other. Tim will make Ra's regret the day he met Tim Drake not just for the betrayal but because Ra's can never go back to a time Before Tim. before knowing what the chase felt like. they're so. them.

[hekateinhell]

accidentally took somewhat of a vc fandom break for a while and i come back and it’s almost vamptember lol oops

[spilledmilkfkdies]

Hello! Would it be possible to see Musa x Gantlos for the ship bingo, please? I’d ask about Gantlos x Duman, as I think anyone that’s seen my page know I’m very much in love with the ship, but I saw you already did them, so I presume your feelings haven’t changed. Thank you very much, and it’s so exciting to see the return of the ship bingo; it’s so cool!

Um uh uhhh um- So uh. I think that like, because of how I personally enjoy Gantlos, in both drawing and writing (currently); grouchy aged man core, it's just

They just don't work for me. Tbh I'm not opposed to them just hanging out, because I do get the music and sound thing, but I'd prefer that to be fully platonic myself. If at all. Sorry I don't have a lot to say about them dgdhdj

Also yeah, Gantlos x Duman is still the same, mostly! Except for the bit where I say the only content I've seen for them is the questionable stuff ofc- There's simply more out there now. wink wink cough cough. The ship is still lower on my list in terms of wizard x wizard though, but I don't mind them.

[its-tortle]

can i ask about the captain america bachelor's thesis and the score you got for it

hi lorelei!! you absolutely may ask me!!

it was called "Steve Rogers and Captain America aren't always the same guy": Captain America Fanfiction as a Locus of Transformation, Identity Exploration, and Reclamation (a bit wordy, i know) and it basically outlined fanfiction conceptually and went into the history of cap as a character and political symbol to then analyze trends in cap fanfiction as forum for identity politics and fan reclamation. i think we stress so many of his identity markers in fandom that are played down or straight up erased in source material (esp the mcu) and i wanted to elaborate on the possible reasons for and effects of that. it was a lot of fun.

and i got a dutch 9/10!! which translated to an american A+ on my transcript, which is a bit crazy. i was lucky to have a super lovely and supportive thesis advisor :)

i can send it to you if you're interested!

[akkivee]

decided for my hypmic 7th anniversary post to list my fav song in each album, thinking it’d be easy enough, but i’m already stuck on the first mtr album what have i done to myself

[temeyes]

🚂❤️❤️❤️❤️❤️❤️❤️❤️ it's a love train! send this to all the blogs you love to let them know that their ocs and creations are neat! and don’t forget to spread the love! 💛 (no pressure to answer or send to others ♡ )

Extra note: YOU'RE THE COOLEST PERSON ALIVE! AND TO ADD THAT YOU ALSO LIKE JJK?? YOU'RE MUCH COOLER

AWWW ANON, UR TOO SWEET IM GONNA EAT YOU UP!!!! BACK AT YOU!! I LOVE YOU!! (and now i have the uncontrollable urge to abandon all fanart stuff and just go back to writing for my OCs 24/7 LOL)

and HIHIHI STOPP!!!! IM BLUSHING, and yeah im very much invested in JJK and im GIDDY AS HELL ABOUT IT cuz i love it to bits! manifesting i'll draw so much Jujutsu Kaisen stuff for the rest of the year! thank you for thinking im cool anon...... im gonna cry...... ur really too kind........!!

[not-poignant]

Love how efnisiens progression with his ability to accept affection being like "I will absolutely not move even an inch into this guy patting my head or I will end my own damn self" to [casually crawls into Gary's lap, much to the guys awe]

Meanwhile Gary's progression overtime with his possessiveness being like "if you do anything to upset him, we'll be having words" towards anton in the first few chapters then becoming "if you hurt him I'll kill you" towards temsen, its so fucking funny

I do appreciate the little sprinkles of possessiveness Gary showed from the beggining, its all very consistent, and makes it all the more satisfying when he finally does go all "peak alpha" about it

Hi hi anon!

I do think by the time we see the full weight of Gary's possessiveness / protectiveness instincts, we'll be like 'oh yeah I guess...this isn't actually that surprising.'

Although I still think Gary will be shocked by his own actions!

But Gary's protectiveness instincts will save lives. Sometimes it's good to have a peak alpha around :D

[beastsovrevelation]

I had another Good Omens fanfiction dream this morning.

Basically, Crowley was due to give birth. You might ask, Pestilence, what's with you and Crowley being pregnant?.. The answer is, I don't know, and neither does my therapist.

So, Crowley's due to give birth, he's scared and in pain. Beelzebub shows up, along with a few other demons (I guess I'll look through the Key of Solomon, I remember a few have to do with healing). She told him they'll support him. I have a feeling, the dream adhered to my idea that Crowley and Beelzebub are siblings (in spite Beelzebub looking like she does in S2, so Indian).

Crowley had to change to his snake form, because while his human form was male (so he couldn't give birth without surgery, which was too dangerous), his snake form was female. The demons put him in a whelping box (genius idea). Crowley gave birth to either 4 or 6 baby snakes (apparently, they're called snakelets). It was a live birth, which, fun fact, some snakes do give (i think boa constrictors, and snake Crowley kind of looks like one, aside from the colouring). The baby snakes then morphed to human form. I don't think Crowley nearly died, but he lost a lot of blood, and got extremely exhausted. No, it probably wasn't realistic to how snakes actually give birth.

(They were far larger, though)

Oh, and at some point, Aziraphale found out, but someone (possibly Beelzebub) forbade him from coming, because an angel's presence would distress the babies, and they wouldn't take human form. They could also die.

No, I don't think Aziraphale was the "father". The babies were demons, while, according to my headcanons, when an angel procreates with a demon, the baby's an angel, as it's the original form (though, they do retain some demonic features). Maybe, Crowley mated with an actual snake, or something... It would be very Greek and Norse god of him, but what the Heaven, dude... I guess, Beelzebub could act as the litter's she-father, once the two had reconciled. Which, is a word I use for maternal figures who, traditionally, would be considered more paternal. You know, kind of emotionally detached, more provider than carer, often absent, that sort of deal.

This is incoherent, but I only remember fragments. I guess, I will put it down in my notes for the future. I already did. (I'm kind of tempted to write the birth scene, I like writing birth scenes, they're brutal).

Don't you just have a love/hate relationship with when you are already swamped with WIPs, but the Fanfiction Gods send you another vision?..

Also, don't you just hate it when you give birth to a litter of snakelets, with the help of your coworkers, and your estranged sister.

What the Hell do you even name that many damn whelps...

[originalaccountname]

Nawy you don't have to answer this but i can see the shadows of homestuck in your art /not mean in anyway

huh what I don't see it

every time I try to draw hands with fingers in my little guys artstyle this post hovers right over my shoulder, reminding me of my past and letting me know I'm never gonna escape it

[octoagentmiles]

Try list any Octo-Agents and think of an Episode you Think give them a Shining Moment

W O O F this took a while– I was thinking long and hard about this because there are SO MANY good moments and episodes 😅, and so many agents– it was difficult, but I’m happy with my answers 👀

Ranger Marsh’s Shine Episode is definitely The Monitor Lizards. I LOVE this episode, it’s one of my favourites in the whole series so far—not just because of the events in it, but as a concept. I LOVE the callback to the Great Swamp Search!! I watched the 2nd season blind, and seeing all these familiar faces was SUCH a fun surprise. It’s good for Ranger Marsh as a character, because it actually shows him doing his job as a Ranger, not as an Octo-Agent. It also reinforces the fact that he truly cares for and is friends with these creatures, even if they are invasive, and that he's willing to travel to check in on them. This is another episode that also proves (to me) that the writers know they’re dealing with an older audience for the show, and are more likely to delve into solid lore and continuity. This episode makes me really hopeful for more of that.

Natquik’s Shine Episode, WITHOUT QUESTION, is The Red Fox. Honestly I feel like I don’t need to explain why, but I will because I like talking ✨: Natquik is my favourite Octo-Agent, but overall we haven’t actually gotten that many episodes dedicated to him yet. The Red Fox gives us a close and personal look into what Natquik is like by himself (I love episodes where characters are alone 👀), how he deals with problems (by ignoring them until they get worse—which is interesting... *stares at Barnacles*...), and even hints toward his family, by showing us his family portraits, and leaving us wondering, “Where are they?” – There are so many moments I love in this episode, from when he first discovers the kits, decides to help them stay warm, rushes to protect Barnacles, to his bittersweet goodbye at the end. It’s all so perfect.

Tracker absolutely shines in The Missing Lake. Honestly, he shines a LOT in Above and Beyond, considering he never got his own episode in the main series, and was only in Operation Deep Freeze for two scenes. AnB has been really good to Tracker, and I’m so grateful they decided to make him an Agent. The Missing Lake sticks out to me the most, because for the most part he is by himself (and I’ve already mentioned my love for that <3), and unlike all his other episodes, we get to really see him be responsible and use his Polar Scout skills in action. He’s often portrayed as a follower, who just goes along with whatever he's told to do, but he takes charge twice in this episode: when he offers to help Rowan, and when he stays behind to save Buck. Love that for him.

Calico Jack. Ohhhhhhhhhhhhhh, Calico Jack....... I could talk forever about this funky old cat man. He doesn’t just shine, he GLOWS in every episode he’s in—but alas, for the sake of this post I will be focusing on The Harlequin Duck. I love the showing of his gentle parental instincts in this episode, and his singing; since we know he canonically has a theme song, that I headcanon he wrote himself. I think far too much, and often, about how he legit panicked when he realized the egg was missing. How his first instinct was to hide that fact from Captain Barnacles. He was terrified, having a full blown panic attack on screen. He apologizes to the mother duck with such genuine solace, and promises to get it back “On [his] honour as a pirate!” ...Which is extremely significant to me, considering Kwazii was the first character to EVER say the phrase: “On me honour as an Octonaut!” in The Flying Fish after Inkling’s book was lost – and of course as a final touch, I adore seeing him work with Pete to get the egg back. The way he tosses the egg in the air, fully trusting that Pete will catch it... they’re so in sync, just as pirate and parrot are meant to be ;)

Paani... I feel like there’s so much more to him than what we’ve seen so far, it almost feels unfair to assign him a “Shine Episode”. So, instead of highlighting a single episode, I’ll quickly talk about three that stick out (PS: you might sense a theme 🤣):

The Barnacle Geese - Uncle Paani. I like the “I’ll be my own uncle” joke, and the Edgar Allen Poe reference. I think Paani’s determination to help the chick (who doesn’t seem to want help) is nice to watch, and helps to prove his worthiness as an Agent—which is always fun considering his hesitance when Barnacles tried to recruit him in S1E1. In a way, this episode also makes Paani seem more like Barnacles. See my old post analyzing the show’s intro. (*Stares at the episode title* 👁️👁️)

The Arabian Camels - Take a shot of cocoa every time I mention my love for episodes where characters are forced to be by themselves. This one is especially interesting to me though, because we know that Paani was alone, for a very long time, before he met the Octonauts. He has no trouble working and getting by alone, and we get to see him exhibiting that, while being out of his element (a dry desert) at the same time; and that’s really cool.

The Lonely Frog - ...Y’know how they constantly make the Octonauts/Agents meet creatures with similar issues to them? Yeah. *Stares at the episode title.* *Stares at the end scene where he says “Kinda like when I met you guys!” before obnoxiously jumping into the lake, in response to Shellington+Peso saying “They never even knew each other existed before! [...] and now it’s like they’ve known each other all their lives!”* *STARES MORE AT THE EPISODE TITLE,,* *wonders how long Paani was actually alone before becoming an Agent...*

Pinto, where art thou? He wasn’t in S2 at all, which was a bit disappointing since we just saw him get an Octowatch in S1. I would’ve expected him to be pressing that button every chance he got, giving us a “Penguin who cried Octoalert” episode. But anyway,, The Curious Penguin is the PERFECT episode for Pinto. It shows his personality really well, and I love how his distractions and the things he learns and discovers help him to save the day in the end. I think Pinto (just like Kwazii) is a good portrayal of ADHD, and how he just needs to be in the right environment to succeed. Each time Pinto messes up or loses focus, isn’t because he was left alone and couldn’t be trusted—it’s because he was left alone and understimulated. So when he’s thrown into a sudden high-stakes situation, all of his focus hones in on the moment, and he’s able to save Dashi and Paani by himself.

AND, because you didn’t say it had to be an Above and Beyond moment, I want to throw some love at The Oarfish episode from the main series. In this episode, Pinto no longer views Peso as “less” than an Octonaut, and is so excited to watch him do his job—it’s really cute!! His impulsivity is once again a positive thing—granted, it seems to annoy Peso a little, but when you think about it he kinda saved the day by being impulsive. He sounded the Octoalert without permission, which let the captain know to come back before their radio signal cut out, and by being unafraid of the “monster” and swimming outside, he was able to discover what the problem was so that Peso could help. He did good.

Pearl.... I love Pearl a lot, but I can’t think of one specific episode that comes to mind for her. I love The Pupfish because it introduces Peri to AnB, and I love how he teaches her how to tie a knot, so she can save the algae (and Glen). I like The Bison episode because it’s interesting watching her not doing something with algae for once, and The Pink Glacier because her and Kwazii’s dynamic was something I didn’t know I needed, but now I want more of (/p).

Ryla. Possibly controversial opinion: I liked Ryla in The Caves of Sac Actun, more than I like her now in Above and Beyond. I know she’s only gotten 3 episodes so far, but she’s really missing something. Sac Actun gave us lore on her right off the bat: she’s old friends with Dashi, she’s a skilled cave explorer, she’s spunky, she’s purple. AnB hasn’t given us much yet. So far her only shtick is caves, and that’s getting a bit repetitive. Consider every moment she has in Sac Actun as her “Shining Moment”, because honestly that whole movie is a 10/10.

Koshi,,,, she hasn't gotten that much yet, but I'm gonna say The Longfin Eels is her Shine Episode. I like the way she narrates the whole episode, because it's very in-character. Plus we know she’s literally writing about this adventure in her diary as she's telling it, as if it were a mystery book. She reminds me of narrators from 1920s film noirs, and that’s cool. Also! Honorary mention of the scene when she gets her Octowatch: I loved that for her <3

Min is below the cut, because my answer for her includes some very heavy SEASON 5 SPOILERS, including SCREENSHOTS:

All of Min's appearances so far are dear to my heart. However, my favourite has to be her own introductory episode: The Giant Chinese Salamander.

The Rainforest Rescue is another amazing episode for Min—she’s a wonderful character on her own, of course—but I think we can all agree that she and Inkling are very adorable together (no matter how you interpret their relationship).

When Above and Beyond aired on Netflix, there was a lot of confusion around Min, from the younger audience and other fans who hadn’t seen S5. The Giant Chinese Salamander introduces Min with a 20-minute special; showing her in high-stakes action with Kwazii, bonding with the Octonauts, being an all-around Cool Person™, and a flashback of how she met Inkling when they were younger.

She saved his life. He was thrown far inland by a rough storm, and was trapped until she found him. I honestly headcanon that Min partially (if not outright) inspired Inkling to form the Octonauts, and this moment could have literally sealed the fate of EVERYTHING we know.

But! Until S5 comes out, that's all I've got to say~ 👋💝

[thatswhatsushesaid]

was watching a stream where chat was arguing whether x/ch/ng or s/ngch/ng was the better ship... couldn't help but think of that meme that goes "they having a mid off"

i am not familiar with this meme but just judging by the vibes it extrudes into my mind, it fits lol

that said at least sangch3ng is based on a preexisting relationship between jc and nhs. like, their lan summer camp hijinks are very funny, esp in cql, so i can see why some people would enjoy it as a ship! it is just very much not my thing.

[acotars]

possibly an unpopular opinion but i feel like sjm’s writing/plotting have gone downhill, which is disappointing bc i enjoyed tog so much. i actually did like the first 4 acotar books and hoeab, but her most recent work feels like she’s trying to do too much with the maasverse and it’s not well thought out (i had so many issues with the larger world plot elements of acosf and the regression on bryce’s character arc in hosab…). it feels like as she’s gotten more and more popular, whoever her current editor is doesn’t do a good job at making her ideas work best for the overall story. i’m disappointed bc the premises have so much potential but haven’t lived up to it to me :/

send me your unpopular opinions and i’ll either let you in or not

[darcyolsson]

You were only 11 in 2013? Omg youre soo young.... How did someone ur age even find tumblr? I mean this website died when you were in like middle school.

am i insane or are we not on the "dead" website right now........ are you contacting me through ask box or ouija board

[unknownarmageddon]

a rumble in the earth and he knew he was there. wearing that expression he was fond of, with some kind of gift, judging from the eager pace of his scrambling steps.

he rolled over, the moss tugging free from the ground, from his joints, and the ground and the air and the world took a breath when he moved, parting from the ground to sit on his rear.

he was offering antlers to him again, and he accepted them, snorting softly.

there were new growths, from the ring of moss on his shoulder. perhaps it was time to pick them out again.

he skimmed his fingers over the surface of the lake, disturbing the pond life, sending the fish and tadpoles and frogs and waterbeetles darting away from what was, to them, drift wood dipping under the water.

get in.

water flew across the ground, rising higher, one foot, then another, then his body, and the short plants, the loose weeds were swept away in a shallow flood of lake water.

he doubted it would reach the forest line, and would just swamp up a good mile radius or so.

he flicked the drippy, fat blops of goo out of his way, the big mushroom cap nestling against the side of his spine, thin arms around his hips, and he got to work, picking lightly at the blanket of moss branching outwards from the source he'd planted in the other's grain.

the forest calmed around them. water sank into the earth. the birds sang again, fish nosing around the submerged limbs, nibbling at whatever was edible for them. he squirmed a few times, ticklish, and was scolded for it when water splashed too high again and drenched his precious cape of moss.

the evening sun was lovely that day.

-storytime anon

FTFTFTFTFTFTFTFTF

CHEERING CHEERING

[kelpiemomma]

I find it great that a lot of the fandom looked at two out of time, out of place characters. Ingo and Protagonist, two characters with similar origins and have so much to relate to and thus fans agree that it is criminal and inexcusable that Gamefreak barely interact in Canon.

Everyone literally said "Screw Canon, These two are found family, train guy is dad/uncle/friend now

Love your PLA fics of that dynamic. I don't know if you're still open to prompts. You don't have to do this if you don't feel it but here's a prompt I got for you.

Explore Ingo's and Akari's relationship that develops post-game.

Many fics have them bond during the main plot but not much do post game events.

(You could touch events that occured preplot or during plot and explore how characters felt before they met)

Ohhhh interesting interesting interesting..... I think that's because most of us find it easiest to maneuver them around in-game events, and I don't think I've done too much post-gaming myself (easily distracted, started two other playthroughs)

I am definitely intrigued by this idea though. Do you mean they have their basic interaction in canon, but the further relationship develops post game? And what are we counting as post game- calming all the nobles & fighting palkia and dialga, but pre-volo? Or is Volo still part of the main playthrough?

Because I can see (rolling in the dad direction, as I do, in various directions) Ingo being distantly friendly with the protagonist (let's say Akari, as is my usual :,D sorry) He provides training at the dojo with Zisu, sees Akari there mostly, but doesn't much interact with her otherwise. I truly can't imagine him seeing her kicked out of jubilife and not doing anything- moral-wise, at least, I feel like he would say or do something. Even if he felt it wasn't his place as someone not of Jubilife, I think that he (and most of us, I would hope) would protest kicking a kid out of a safe area. It's possible he either wasn't there (returned to the Highlands for a time) or saw it happening, but didn't see Akari's face and assumed she was just going out for another mission. By the time he does hear about it, or understand what happened, and goes looking Akari has already been picked up by Volo. Ingo asks Irida if she knows where Akari can be found and Irida promises she's somewhere safe but can't say more. So until she returns, all Ingo can do is be satisfied that Akari is safe. He no longer trusts Jubilife residents as he did, especially Kamado, and spends less time there. When Akari returns having tamed the two gods, Ingo decides that maybe it's a little fucked up that this kid has done all this on her own. She's still just like 15 at most, right?

He attempts to strike up conversations at the dojo without being creepy, because some part of him is well aware how it might seem if someone of his age shows too much interest in a teenager (the very thought turns his stomach in disgust. He feels regretful that he couldn't help earlier.) but thankfully Akari likes to talk about the Pokedex, and Ingo is a walking Pokedex as well in a way. There's no one able to battle quite like him, which actually helps Akari with her research. She starts searching him out more because he never requires anything or expects anything of her, and they can talk about pokemon or item crafting or food easily. In fact, she starts going to him when she finds strange pokemon in space-time rifts because Ingo almost always finds them familiar and has something to say about them. Sometimes they'll run into each other in the highlands and Ingo will take her somewhere cool, or just take her to a neat little meadow and tell her to chill out because she's spiraling in anxiety over the work she still has to do. They end up bonding over little things and helping each other, with Ingo gradually becoming the first person Akari goes to when she has news because his enthusiasm is always genuine and a little extra but it's nice.

They bond further after Akari battles Volo and comes down from the summit looking absolutely wrecked and in tears. She's been betrayed and had what she thought was a dear, close friendship destroyed. Ingo doesn't pry as much as he wants to- he's upset that she's upset, and he wants to know what happened because this time they're friendly. He cares for her as family and wants to hurt whoever hurt her. But Akari comes first, and so he takes her to his home and lets her wallow in her misery until she can tell him what happened. He asks if she wants him to track Volo down and take care of him, but Akari denies it and says he doesn't need to act like her dad when he isn't. Which kind of makes Ingo stop and think bc... Well. He doesn't have kids. Has never had much interest in having kids. But he likes Akari, and he thinks that she could use a father figure, and he wouldnt mind filling those shoes... So he accepts her request, but he tells her then and there that he doesn't mind acting as her father (figure) because he does genuinely care for her and her well being. Which isn't something Akari was expecting and she kind of stammers... Declines... Takes off. And it hurts but Ingo lets her go. It's her decision to accept or not, and he won't force her one way or another. He appreciates their friendship too much.

Akari avoids him for a couple weeks, which sucks but Ingo stands by his decision to not push. He continues his work in the Highlands, continues training at the dojo, until one day he finds himself standing in front of the photo parlor. He's gotten a picture of himself before, but he was alone and it didn't feel right. It felt like something was missing. Someone should've been by his side, at his back. He's lost in thought until he feels the wristband of his coat get tugged on and looks to see Akari standing beside him, shifty. She apologizes for running off and avoiding him, explains that she had to think, and he accepts her apology. Says he understands, because it was something he'd gradually come to realize and that he shouldn't have sprung it on her. And Akari is clearly Not Of This Time because she gets quiet and then asks him, really fast and kind of quiet, that he meant like being her DAD and not her DADDY right, because she REALLY didn't see him like that and- and Ingo immediately says NO ABSOLUTELY NOT. Just... Dad. Acting as a caretaker. Keeping her safe. Being a place of refuge. Platonic father feelings ONLY. And Akari looks relieved, and Ingo is also relieved because he definitely doesn't see her that way and is glad she now understands that. He shudders at the thought, and she laughs at him, and Ingo pretends to glare at her and scold her but she settles in a little closer.

She looks at the building with all the photos and paintings and asks what he was up to. He explains that he was wondering if he should try getting another picture done, that he'd had one taken before but had needed to throw it away because looking at it made him feel uncomfortable. Akari asks if he thinks it has something to do with the man in white and ingo... nods, because now that she mentioned it, yes. Because the man in white is not here, and Ingo is alone. Apparently he says that out loud, and Akari's face flushes as she takes his hand and drags him inside. Because Ingo's not alone anymore, she says, because they're family. So until the man in white is back, she's going to be where he was. And they take the picture, and it's not exactly perfect... She doesn't fit like he thinks she should, and the pose is weird and not quite correct, but as he looks at the photo she handed him before going to grab some of her gear to take up to the Highlands - there's something she needs to check on, she said, and since Ingo has decided she's his responsibility obviously her DAD needs to go with her! - he feels... Better. Not fixed, but still... Complete. He's not alone. He has family now.

He tucks the photo into his coat for safe keeping, and when Akari returns to his side (she said she'd see him as her father, would she call him dad? Should he call her his daughter? They'll need to talk about it.) he smiles, and she smiles back, and for now everything will be okay. He is not part of an incomplete set anymore.