#i really need to work on my perspective this year !!

[lunarcloak]

Blue Lock Chapter 262: Visual Storytelling

Can we talk about the visual imagery this chapter?? Kaneshiro is always cooking but Nomura cooked extra hard this time with his own illustrative storytelling

An almost entirely white panel. Except for the black spot of Kaiser's hunched figure. Almost as if he's the stain on an otherwise perfect game from BM right now. (He's thrown off balance.)

Here, in the first picture, this is Isagi's view of where Kaiser is right now. On top of a puzzle piece— a symbol of Isagi's power, and also a symbol of how off kilter he is. The second picture is part of a larger paneling of how he's being left on the ground as Isagi runs past him in a flurry of puzzle pieces. Almost as if Isagi's kicking the pieces of his perfect puzzle astray, leaving him to rebuild them from scratch. (The theme of this chapter.)

You can tell he's only barely listening. Eyes are always a huge indicator of visual storytelling— i picked this up from looking at BSD panels for too long. Here there's virtually no pupils, smaller, wider eyeballs because he's not listening to Ness's words. They're going in one ear out the other. Because Ness's words are superficial— He's trying to help, he is, but that is desperately NOT what Kaiser needs right now. He needs to figure out how to FIX this. Not to retreat back into the safety of his cocoon so that he can pretend he's still the star on the field.

NOTICE HOW EVERYTHING IN THE SECOND PANEL CAN DIRECTLY BE RELATED TO ISAGI. The offer from Reale— what if Yoichi gets it instead of me? The throne in this team— what if Isagi takes that, too? Am I about to lose everything I worked to get myself? The whole world is watching my worst performance in years. I can't lose here. I can't be defeated here. Not here, of all places, in Blue Lock.

Negative colouring. The previous, prominent memory I have of this is when Rin went to his "flow" state. It's specifically to emphasise the "HUMAN" wording. It's usually used to showcase a very prominent moment, in this case it's Kaiser realising exactly what the core of his worry is right now. It isn't the defeat, not beating Isagi, not anything. At the moment, he's afraid of losing the very humanity he had thought he clawed himself into. To emphasise this, the black and white being reversed are to indicate that time almost freezes, completely changing his perspective and line of thought at that moment.

Less dramatic, still negatively scaled panel. Emphasising how he's really digging into his psyche here and going "Oh, I'm scared. I'm afraid of losing everything I've got for myself." The last time this happened was when his secret money stash was found— he didn't care as much then, because there was nothing to lose that he hadn't already lost. But now? Now, it matters a lot more. Because he's built himself up on an entirely shaky foundation. Note how he's also sliding below here, losing his footing, like he's lost the stable ground he thought he had.

The angle of this panel makes it look like he's climbing upwards, and he's just lost his grip on the wall before him, and is in the process of falling. It's extremely well done.

Plenty people have already pointed this one out— yeah Isagi's just reached a height that's similar to Noa's. The position Kaiser thought he used to have, but now he's not even on the staircase to victory and the treasure he thought he would attain soon is now inching towards his most challenging rival to date.

You will never see him this tired, this defeated, or this melancholic ever again. At this point, his eyes are no longer that wide, shocked stare of not seeing. Now he's comprehended his stance, and he's come back into himself.

Each petal is a memory, a visual representation of the crumbling of the rose he once held. It's gone now, there's no rose in his hand anymore (nothing for him to hold onto anymore). When you have no roses in hand, you grow a new bouquet. When you have nothing, there's nothing to lose if you go reaching for something to hold onto again.

But HERE, the petals can be interpreted in two ways— either he's being reformed from the petals of a new rose (blank petals, not representative ones). OR, you can interpret it as those very petals dissipating from his being, leaving him as this black, blank slate to rebuild himself. Zero— as in no colour, no petals, no gardens to flourish anymore. Only way to move now is up.

Also I'd like to draw your attention to the negative paneling again— inverted this time, the exact opposite of the previously conveyed emotion. Now he's the one in the black, working to redefine himself. He's already redefined the external aspects.

Your Zero— Your Beginning. I LOVE this page, even if it's a repeat. It conveys so much. Kaneshiro and Nomura are such a GOOD TEAM

A black hand clasps around the core memory— the memory of when he truly had only his football. He can't let that petal float away, that's one he wants to keep. That's the idea he wants to hold onto. He crushes the petal into his hand, assimilating it into his new beginning. That's the one he'll hold onto, to recraft the person that is Michael Kaiser.

[the-case-book-of-fanfiction]

Love Bites {Masterlist}

With your memory spotty, you gravitate toward the first person you see—an old friend from a very old past. But Astarion is keeping plenty of secrets...and he's never been the best liar. How long will it take before his deceptions unravel? And what will you do when you realize just how much damage he's done?

Ship: Astarion Ancunin x fem!vampire spawn!elf!Tav/reader

Warnings: 18+ MDNI, vampire spawn!Tav, fem!Tav, manipulative but guilty/regretful Astarion, Astarion's sexual trauma, Cazador, vampire bite, reader is turned into a spawn, reader is technically one of Astarion's victims

18+ Warnings: vaginal sex, consensual sex, mirror sex, riding, fingering, oral, blood kink, bite kink, loving sex, non-descriptive noncon/dubcon (Astarion’s trauma), Astarion experimenting with his boundaries

Total Word Count: 46,933 words (85 pages)

Notes: The title of this fic (and some of its chapter titles) is heavily inspired by Def Leppard's song Love Bites.

Posting Schedule can be found on my {Updates Page}

CONTENT NOTE: Where Astarion's perspective comes into this fic, I tried writing his experience with his hurt that he has been treated this way along with his "this is what I do" mentality; he's very back and forth about the abuse he's endured and some of my writing reflects that. If that upsets you or makes you uncomfortable in anyway, I completely understand and I encourage you to leave the fic at any point. However, I do believe writing this perspective is necessary, as his blasé take on his sexual trauma is one that I myself have struggled with, as I am sure other survivors have as well.

☟ story parts linked below ☟

Best Unremembered {Chapter 1} Waking up with a spotty memory and the only person you do remember is jarring enough—but it only gets worse when the people who remember you are monsters and strangers.

Walking Corpses {Chapter 2} Astarion's night spent searching for prey is interrupted by an unwelcome feeling of familiarity. Your life is derailed by recognizing a long-dead friend.

Little Love {Chapter 3} Appearances can be deceiving, but they can also tell you everything you need to know. A second look at the elf you once called a friend is all you need to fill in the two-hundred year gap.

The Golden Elf {Chapter 4} Sometimes, vampires choose their spawn specifically. Sometimes, they're in the wrong place at the wrong time and are lost to their loved ones for centuries. These days, that's all you can think about.

Little Star, Little Sun {Chapter 5} A long-awaited reunion that doesn't go quite as planned can lead to many things, especially when two manipulators both lay their traps for one another. Though is it really a trap when all you want to do is spare your lover from yet another night of torment?

Love Bites {Chapter 6} Astarion remembers you, but it's already too late. He's bedded you and remembered the love and life you had together, two hundred years ago, and now he has to make a choice. Does he sacrifice himself, or does he sacrifice you?

Love Bleeds {Chapter 7} Fangs gleam in the shadows and a coffin lies open nearby. Vampire lords are nasty creatures; even a changed heart can do very little when there are claws around it.

On My Knees {Chapter 8} A betrayal so severe even centuries of love threaten to break beneath its weight. Yet you are no forgiveness, even if Astarion has not felt its kindness in two hundred years.

Second Chances {Epilogue} Home is a place and home is people. You have quite the large family now, and it's time to provide for them, however you may.

Love Bites Soundtrack — 3h50min

Chapter 1: tracks 1 - 6 Chapter 2: tracks 7 - 13 Chapter 3: tracks 14 - 19 Chapter 4: tracks 20 - 26 Chapter 5: tracks 27 - 32 Chapter 6: tracks 33 - 40 Chapter 7: tracks 41 - 46 Chapter 8: tracks 47 - 53 Epilogue: tracks 54 - 60

[Image Caption: I do not give permission to repost, translate, or publish my work on any other site or app by anyone except myself. I do not give permission for my work to be fed into AI (for audio, art, or writing).]

Baldur's Gate 3 // Astarion Ancunin

Taglist: {comment and let me know if you'd like to be added to the Astarion taglist!} @wayward-hel @cheeslyy @ofmyth-andmagicart @neetheslayer @whispering-depths @freesidexjunkie @lightsinmycity @the0ldmann @gobbodoggo @oooof-ifellforyou @beeblisss @fangboner @aquaarietes @fiercest-eigengrau-skies @niqhtfell @call-me-nyxx @lueji-m @ceres-xiv @tricksy-trinity @graynstairs @rosa-rubus @ynisthatyou @thegoodwitchs-blog @catching-fire-in-the-wind

[gachagon]

I love it when characters who were previously incredibly pompous and egotistical realize that the pedestal they've placed themselves on is actually worthless given the current situation they're now in.

Kaiser is realizing now that his idea of what it takes to be on top, to be the best striker is wrong and that it's probably been wrong for a while. And that's really got to suck, because while Kaiser has accomplished a lot of great things, ultimately his goal pales in comparison to the people he now has to go up against. Isagi and the other Blue Locker's aren't just there to rise up the ranks slowly, this is a last man standing program and Kaiser isn't strong enough to stand on his own.

He had become a great player, but he's not the best player. And he needs to be better in order to even have that position of acclaim in the first place. I am reminded of what Isagi taunted him with earlier, calling him a "Naked Emperor/King" which is an obvious reference to the "Emperor's New Clothes".

In that short story, a king orders himself new clothing that outshines everyone else and so the court creates "Invisible Clothing that only he can see" for the King. The king accepts the clothes and "wears" them, and so to him he is wearing the finest cloak imaginable, but to everyone else he is just a naked man making a fool of himself.

In a way, Kaiser ended up being the naked emperor in that he only came to the realization that his past achievements weren't good enough to stay in the team until this very game with Isagi.

I really think that fear of losing everything he worked for was always holding him back from really going above and beyond as well, because while he does have the support of a partner to do passes for him and he's able to read the field accurately, he doesn't take chances that tougher opponents hand him.

His backstory as a thief really puts this into perspective too because thieves wait for the right moment to strike instead of going out into the open to steal. And just like a thief, everything they get is "unearned" because they just take it from other people. In a way, you could almost say Kaiser's position as the best and the king was unearned because he hadn't actually done what needed to be done in order to get to that level.

And that's why I think this makes him so upset when Ness rattles off all of the thing's he's done, because ultimately none of those things will really amount to anything if he can't keep control of this team and be the best among them. It won't matter if he's scored a goal in every match, or if he's gotten offers from top teams, his goal is to be better than everyone and right now some dude from a no name prefecture in Japan is wiping the floor with him, and easily.

You really gotta feel sorry for Ness too, because he thinks of himself as one of Kaiser's "accomplishments" in a way, but Kaiser literally doesn't care about him enough. He just see's Ness as a tool to use, someone who's easily replaceable and loyal like a dog.

My moot (@miyamiwu) made a really good observation about how Ness might just leave Kaiser soon if he doesn't keep playing in that magical way that captured Ness in the first place, and I think that's true now especially since Kaiser himself seems to also realize it. When he's thinking about all of the achievements he could potentially lose if he doesn't win this, Ness is one of them.

"I thought I was becoming human." Is so sad too because I think deep down he really did think that by being close to Ness that he was truly becoming a normal player, that he was on the fast track to achieving his goals. But because he doesn't really know what that goal is anymore, the rug has been pulled from under him now and he has to literally reevaluate what is probably years worth of self reflection.

I also think this chapter is Kaiser ditching the rose as a symbol of his ego because he's truly looking back on things and realizing that the object that really gave him solace wasn't that symbol of the impossible, but the soccer ball itself. He is coming to terms with the fact that without soccer, he doesn't have anything at all, and that it is the only reason he was even able to get this far or have the courage to fight back against his abusive shitty dad.

Instead of the rose tattoo being here, we see there's a new tattoo that's prominent now and it's in the shape of a crown. And rather than being in a place where he's most vulnerable (his neck), the tattoo is on his hand, which I think symbolizes how he is able to take his own freedom and by extension his own place as a king with his own two hands.

Kaiser's solitude is something he really needs to become the best, because if he can't do it alone, than he can't do it at all. He is clinging desperately to the things he has managed to gather throughout these years, including Ness' loyalty and he's so afraid of losing even one of those things that it's making him a worse player.

However, whether or not being totally alone is what he needs to heal as a person is another thing entirely, which is ultimately why I don't think Kaiser will ever beat Isagi and that if he does it'd actually be the worst ending for him. Throughout this entire manga, Kaiser comes off as a really calculated person who's always thinking ten steps ahead, but inside he is just a damaged kid who is using soccer as his one means of coping with the trauma he faced as child.

And that phrasing "I thought I was becoming human" really just makes me feel so sad for Kaiser, because to him if he doesn't have soccer he is less than human and has nothing to give back to the world. He has never allowed himself any time to just be a normal teenager and just make friends in a healthy way, and the one friend he does have might just up and leave if he's not playing in a groundbreaking way. He thinks so lowly of himself that he hinges his entire identity around how other people perceive his abilities in the game, and if he's not the best at the game, he surely can't matter that much as a player, no matter how much Ness tries to placate him with words about how he's "already done enough".

Ego Jinpachi said it as well after Nagi made his really good goal, that some people are content with just being average and "good" instead of being great. And that it's because they're content with where they are in life, that they never advance at all. The idea that they are totally fine in their current position makes them lose the drive they normally would have if they weren't still thinking about trying to get better.

And Blue Lock's philosophy hinges on the player wanting to always get better and better and beat the other players on the field. Being "good" is never enough, hell being "Great" isn't enough at times, you need to be the best forever. You need to make it so that dethroning you is an uphill battle.

[hello-im-not-a-possum]

Writing in tags got a ball rolling and I'm thinking more and more about full ghost/bitter babysitter Vlad

Thinking about how Jazz and Danny grew up with ghost hunters as parents and a ghost as an uncle, the types of wrenches it throws into the family's relationships with each other...

Starting with the parents' perspective,

It's easy in the beginning to dismiss the paradoxical nature of ghost hunters having a ghost live with them, The Ghostbusters had Slimer, Fentonworks has V-Man. At the start, their tiny children can see and understand the difference between their friendly uncle Vlad (who at the start, looked like a pathetic wet kitten) and a 'real' dangerous ghost.

It's less easy when you and your old friend wind up in an arms race driven and perpetuated by both rational and irrational fear.

At the start when he looked human and his grudge was apparent but it was shown when he was passive-aggressively doing chores around the house and getting the kids ready for school, it was funny, guilt-trippy, sure, but also helpful. Now that the kids are teenagers and can do their own share of the chores and get themselves ready for school that grudge needs other ways to manifest and he can't break inventions and loom ominously on their bedroom ceiling forever.

"We're not *just* ghost hunters, there's more to our studies than dissection and having Vladdie around makes those other studies easier."

With time, turns into...

"Well, how would we know if our anti ghost forcefields and other ghost proofing gadgets work or not if we didn't have a ghost to test them on?"

With more time, turns into...

"This is the Fenton Ecto-Vaporizer, it turns every ghost caught in its rays into nothing but steam! Well, every ghost except the pesky patient because it grew immune to Blood Blossoms and effect amplifying serums 🙄"

And for the most part 'the ghost haunting our home for decades is immune to our shock collar and we need to make something stronger or he'll rip our spines out of our bodies and wear our skins like coats' is said in jest,

at the end of the day,

during those nights that SHOULD be silent but their guilty consciences make the whispers at the end of the bed recounting the day they not only killed, but dumped their best friend like garbage and fled the state that much louder as the bright red eyes of the vengeful spirit become their unwelcome night light...

They have to ask themselves will he kill them before or after the kids go to college?

From the kids' perspective... where do I even start?

Okay, good news is that they had a good tradeoff with a better childhood, I mean for starters their Christmases were a lot less nasty with Uncle Vlad and I strongly suspect that Little Danny's favorite Christmas story of all time was 'A Christmas Carol' as he'd love the christmas ghosts thanks to knowing his own 'christmas ghosts'.

And both kids grow up knowing that ghosts CAN be good people, they see their uncle lose his outer humanity over the years while they grow up and come to understand that just because a ghost can *look* mean and scary doesn't mean that they *are* mean.

Danny would likely have more 'tools' in his belt other than fighting. Sure, fighting's on the table if need be, but when it comes to different ghosts and their different issues, he'd likely stop and ask himself "Is this ghost who's screaming about a dance in need of a butt-kicking, or is she in need of some help?"

but as teenagers who can see that their family situation is NOT normal...

Jazz knows that there's more to Vlad's tragic story than 'I was really sick and your parents didn't visit me in the hospital :C'. She also knows he's not telling her.

Granted, nobody's really comfortable telling the girl one raised to adulthood that their parents murdered and abandoned them without a second thought,

But the whimsy and charm of 'oh look my uncle's a ghost' is lost when 1. you're not a kid anymore. and 2. getting him to be emotionally honest and upfront with you about his past is like pulling teeth.

Does Danny go to any of the adults when the accident happens? CAN he go to any of the adults when the accident happens?

It's established how he hates the idea of his parents getting a divorce, of losing his family, and at this point in time despite their attempts to hide it in front of him and Jazz, he can pick up that Vlad is not happy with or around his parents who in turn appear more and more uncomfortable with their old friend.

He knows that his mom and dad can put up with ghosts if they absolutely need to, but how will they take knowing that HE'S a ghost?

And how will Uncle Vlad himself take it?

He can trust him to teach him everything he knows about being a ghost, but at the same time, he's grown up watching Vlad destroy any and all inventions his parents make that seem too dangerous to them, so what would he do to his parents if he knew that 'their negligence killed him'?

[phyriaxi]

OC

[heybaetae]

hi

[nyxofdemons]

four years for this show...

[inkats]

instead of doing scholarships I drew the same thing twice.

[anotherpapercut]

How would one find work at a library when they just...aren't qualified or don't have the relevant experience? I'd love to work at one but I don't have a relevant degree or experience in the field (mostly because they keep rejecting my applications and then ghosting me). I know if given the opportunity I could learn how to do the various jobs at a library, I just have trouble getting into the field without a degree.

people ask me this quite a bit and I really don't know what to say because I don't have an MLIS and neither do most of my coworkers. only like 1/10th of our employees have it honestly. I only have an associates degree in mathematics. and honestly, I'm really sorry to say, the only other way to get your foot in the door really is to volunteer. I volunteered at the library that I now work for A LOT as a teenager so I was able to use the librarians I got to know as references when I started applying to library jobs, and I was able to speak to my experiences working within the library

basically the only other thing is starting at the absolute bottom of the totem poll, which I also did even with my volunteer experience. this is usually going to be a library page position. pages are generally the lowest paid, most manual labor job because they reshelve returned books. so it's a lot of lifting and pushing tens or hundreds of pounds of books around all day

unfortunately there's nothing else I can really tell you, there's not really a magic key to working here. volunteering and having a clean record (like, don't apply if you have a bunch of fines on your account) are really the only ways to get ahead at all. even having an MLIS isn't gonna help you much these days without having any experience like that

[tovaicas]

I literally can't believe you do not get a one-on-one section or conversation with estinien until the VERY END OF THE GODDAMN EXPAC

[james-stark-the-writer]

you know, i appreciate the work Susan Sontag has done for people appreciating Camp and stuff but i feel like if you are still using Susan Sontag as the authority on Camp in the year of your lord 2023, using notes that were written in 1964, as if the landscape of art and our relationship to art hasn't fundamentally changed since then,,, it's like, you need to catch up babes, a lot of those points are still really relevant, i'm not saying throw it out, but like update your understandings of Camp beyond that one authoritative text that's at this point almost 60 fucking years old. Susan Sontag is not the fundamental authority on what art today is or would be considered Campy, build off of those basics, please dear gods, evolve your understanding of what Campy art today actually looks like rather than trying to apply a prescriptive label from a text that can kinda boil down to 'Camp is whatever you feel like, and you'll know it when you see it because it won't be like traditional art' because the attempt to define it is so wide, calling every non-traditional piece of art campy is fucking pointless and not how anyone is obviously using the fucking label, people are very deliberately talking about one specific feeling they get from the piece of art, and it's got very little to do with aesthetics, at least as far as TV shows are concerned (movies are a different conversation), and much more about presentation and tone and intended effects and what the whole fucking point of the piece of art actually is, which is a lot more than what is afforded to most things considered Campy, like 90% of the shit people call campy at this point is just called campy and then it's left there, because it's a "oh you can't say anything about it because it's campy" like at this point it almost functions as a conversation ender because anyone you're talking to about any aspect can just go "yeah that's meant to be that way, it's campy" and it's like. okay, where do we go from here? should the piece of art not be analyzed as a work of art? does it not deserve to be evaluated in good faith and treated like any other piece of art? i understand the urge to defend the use of the term, as like "oh we're using it because people are misunderstanding art and what it's trying to be", and as a Riverdale-truther (as in genuinely love it as a piece of art and what it says and does, it's not fucking campy i swear to god, none of you fucking know what pulp art is!), and as a TASM2 truther (best Spidey movie after ITSV, and definitely best general movie after ITSV, and i don't care what your opinion is) i understand the urge to want to defend it as camp, but like, what's the piece of art actually doing and trying to say, what are the deeper layers at play? or are you really just satisfied saying something is Campy and stopping your analysis of the piece of art there? is your soul really okay correcting someone's interpretation of a show and saying it's campy and not doing anything beyond that? what does it being campy actually change? what the fuck does it actually do for the piece of art, if the piece of art is even campy at all?

[eleanorfenyxwrites]

WIP Wednesday

I haven’t worked on ‘You Are Of Their Ilk’ in a while because I didn’t feel happy with what I had, but reading back through it now I actually like it more than I remember, so maybe I’ll pick it back up again soon. For now, here’s a little bit of it 😌

—//—

In the depths of winter, a handful of days before the solstice, Lan Qiren wakes on the day of the anniversary of his sister-in-law’s death feeling heavy-hearted, as he has every year since her passing. He quietly checks on the children at breakfast, unsurprised to find that both of his nephews bear red-rimmed eyes and Wei Ying is sticking even closer to Wangji’s side than usual, looking worried.

He makes the executive decision then and there that, for the first time, he will not urge the children to go about their day as normal in the hopes that it will help them push through their grief. He gives his apologies to their teachers and leads his children back to their home, away from judging eyes, and sets about helping his nephews pay their respects to their mother.

His old guilt, a too-common companion of these last couple of years, begins creeping in again as his nephews look at each other, clearly startled by his open acknowledgement of their loss. As is always his practice, he feels it, breathes through it, and releases it again once it’s been acknowledged. He’s feeling it because he’s been inspired by it to do better, therefore it’s served its purpose and need not linger.

“Xichen, do you still remember the things she would play for you and Wangji on her guqin?” Lan Qiren asks his nephew as he tugs Wei Ying into his side where the boy is tentatively pulling on his robes to ask for a hug.

“Yes, Shufu.”

“You may play them if you and your brother wish to hear them, but do not feel forced if you do not wish to play.”

Xichen has grown big enough now to play on Lan Qiren’s guqin, and so after exchanging a few quick signs and glances with Wangji he approaches the low table on which it sits to begin checking its tuning and adjusting it accordingly, as it’s de-tuned slightly in the cold and the weeks since Lan Qiren has been able to find the time to play.

Lan Qiren settles on his usual meditation cushion across the room and rests his hands on his knees, posture open and relaxed. Within moments, as he’d intended, he has a lapful of Wangji and Wei Ying, the pair of them tumbling into the security of his embrace like they haven’t in a while, and Lan Qiren has to take a few deep breaths against the aching in his chest.

For all his faults, for all his failings, his children still love him.

Even little Wangji, who has, perhaps, suffered the most from Lan Qiren’s uncertain parenting. He’s such a particular child, stubborn and so full of strong, deep emotions Lan Qiren has failed to give him the tools to adequately express. He’s so much a mirror of Lan Qiren himself it seems ridiculous that he’s struggled so much to effectively parent the boy, but he supposes he wasn’t given an example to follow himself, either.

His father had infinitely preferred his brother, and had no qualms about expressing as much. He tries to imagine doing this as a child — trusting the man enough to display the casual affection that Wangji and Wei Ying both seem starved for and trust him to give — and finds himself recoiling from the idea so strongly it’s an effort to hold himself still to avoid dislodging Wangji and Wei Ying from where they’ve each latched around one of his arms to listen as Xichen begins to play.

[honeydots]

What do you think Siegbert’s relationship with Laslow and Soleil’s relationship with Xander are like particularly as they get older/teenagers.

anon you're enabling me i LOVE their parent/child relationships as they get older!!! read more cause this got looooong

for laslow and siegbert--well first off, i think laslow always can provide a particular brand of emotionally-based support that develops more as siegbert gets older. siegbert has his Anxiety Issues, and where laslow and xander both struggle w sociality as well, i think laslow can relate in a more... empathetic way? dealing with some of the emotional aftermath and letting feelings be feelings (this isn't to say siegbert doesn't go to xander or that xander doesn't help, i just think they're good at different things). on a more lighthearted note, i think laslow's really good at getting a giggle out of siegbert, and good at finding ways to alleviate pressure. he's been doing this for years with xander. and yes, xander and siegbert need different things, but laslow's good at pinpointing those things

something i rly like abt their relationship is that i think that where siegbert more openly shows his idolization of xander (like we see in-game), he still does something really similar with laslow. looking up to him, taking inspiration from him. it just comes out in different ways. for example, siegbert probably trusts laslow's opinions... a lot. considers his sometimes more than his own. and he's just fascinated by the stories he tells. even after laslow's married to xander, i like to think he still travels (and drags xander with him as often as he can--and also drags their kids along as often as he can hahaha), and those stories in particular really entrap siegbert. which is good for a budding prince, i think something laslow (and eventually siegbert and soleil) has that xander lacks is some open mindedness, and not being so narrowly nohr-centric in his perspective--esp in upbringing, if that makes sense. this is also why i like laslow taking xander traveling, cause ultimately i think it would do him good.

ONTO!!! soleil and xander!! ive mentioned before how much i like the grumpy-dad and peppy-daughter dynamic, but. to reiterate: i really really like it gjsjfjsnf soleil, similarly to laslow but probably even more, tends to go to xander and ramble about her girl successes and failures. just barging into his office like i hope you're not busy cause i have things to SAY!! and i don't think xander dismisses her, but he does make her wait sometimes, hahaha. i also think xander will often tell soleil what she needs to hear, rather than what she wants, and ultimately for her that's better than the alternative. he's not entirely harsh (though he can be and that's something to work on), but honest. he also dotes on her more than he should by a xander-standard LOL

i think soleil provides to xander a lot of brightness--it is NOT lost on me that they named her soleil, sun, in a place like nohr. i think surrounding xander with bright people is a fantastic idea. and just like laslow's doing with the traveling thing, soleil probably gets xander to socialize a little more, haha. he isn't a brick wall that can't talk to anybody, but--he does strike me as the kind of guy who has coworkers, but not friends, ya feel me. soleil's confident and full of energy, and tbh i think she's the type to really want attention from her parents, so asking xander to come along with her is a frequent request. and that eventually, naturally, leads to xander getting out more. she doesn't have the same setback as laslow that if he gets shy enough he'll retreat entirely while they're out, hahaha

and one final note to round this off: i like to think!! that xander and soleil are both cat people (xander = cabbit, and soleil has lines about owning kitten posters), where laslow and siegbert are dog people (i have many aus where laslow has a pet dog so this is more of a 'because i said so' kinda thing) (also you might be inclined to think cat for siegbert also but i need you to look inward. deeper. i think he'd like the enthusiasm...!!! i have more i could say but i'll leave it at that)

there you go!! :D

[tortademaracuya]

😥

[possiblytracker]

10?

10: What’s that one thing that inspired you to make drawing your consistant hobby?

I grew up drawing and painting a fair amount bc I have one grandparent who is a painter and used to let me and my siblings use his art supplies when we came to stay :) but honestly drawing only became a Regular hobby in primary school when people actually started complimenting me on my shitty doodles of dragons and i just went oh ok this is part of my personality now. and I never looked back

mostly art for me has always been an outlet for "i have too many thoughts in my brain and too little else to do", it has just always been there for me as both an ADHD coping skill and a social crutch even when i don't have the energy or time or focus to do something big and fancy with it. i'm pretty sure it'll Stay a hobby for as long as i can still hold a pen

[queen-vv]

Question: Did anyone here actually get taught anything in school art classes? I had to teach myself everything (and incompletely at that) despite taking art for literally my whole time in school, and I’m wondering how universal that is.