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#i'm just expressing my own thoughts and feelings that come from personal experience with exploring these things
themthistles · 1 year
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i think that while micro labels can seem useful and affirming ultimately they're isolating and kind of an obstacle to your understanding of self. that's because you can never find a word specific enough. there will never be a label or two labels or even ten, twenty of them to perfectly capture and describe all of your thoughts, feelings, experiences, preferences, needs, interests, identities, etc. because you learn more and more about yourself every day and then you change and your wants and needs change with you. having to hop between labels, fearing that you don't 'fit' into a label anymore (both in your own and others eyes), worrying how soon your current label will wear out, questioning if you'll ever fully fit a single one. all that causes a lot of uncertainty and anxiety which could be avoided by just picking a more general thing and molding it according to what it means to YOU. because words will always mean different things to different people, you will never be understood immediately and maybe never completely by anyone but yourself and that's fine
#another thing is that micro labels often feel like they fracture the community unnecessarily#idk how many times i've seen fighting over hyperspecific ace labels and what they mean and if people described in them even belong#and honestly i think this discourse wouldn't be so vile and neverending if people accepted the idea of falling under general umbrella#and accepted that you can't describe complicated weird and wonderful act of human existence with a couple of words#you don't need to explain yourself to anyone#i know in our present pronouns/sexuality/gender in bio carrd era it feels like you have to but you really don't#people aren't entitled to a short summary of your inner world and you can't speed run connection#also feel the need to say: i have nothing against people who use micro labels#if you feel like your micro label describes you perfectly? i'm really glad and happy for you#i'm just expressing my own thoughts and feelings that come from personal experience with exploring these things#at some point i started doubting if i could call myself a lesbian#i thought oh i'm not exactly what a lot of people generally think of when they hear that word#oh they'll misunderstand and i'm not being my 'true self' i'll find a word that fits me exactly if i just keep looking#and then i found out being aroace is a thing and boy did that add a lot of anxiety and confusion to the pot#i didn't feel like i fit in with both communities wasn't lesbian enough wasn't aroace enough#but at some point i just got tired of trying to justify myself to others and to myself#identities aren't houses you live in they're more like seas or rivers flowing into one another#and spaces where they intersect are vague and hard to define and they shift and change and this metaphor is getting away from me#basically#words are complicated#but they're the only direct way we humans can communicate#it is what it is#so make art#a lot of it#oh also unrelated but if you ever tell older queer folks that they're using wrong words to describe themselves i am going to jump you
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zedecksiew · 2 months
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(Don't) Incentivise Ethical Behaviour
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In the ongoing project of rescuing useful thoughts off Xwitter, here's another hot take of mine, reheated:
"Being good for a reward isn’t being good---it’s just optimal play."
The quote comes from Luke Gearing and his excellent post "Against Incentive", to which I had been reacting.
My thread was mainly intended as a fulsome nodding along to one of Luke's points. It was posted in 2021, and extended in 2023 after Sidney Icarus posed a question to it. So it is two threads.
Here they are, properly paragraphed, hopefully more cleanly expressed:
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(Don't) Incentivise Ethical Behaviour
This is my main problem with mechanically rewarding pro-social play: a character's ethical choice is rendered mercenary.
As Luke Gearing puts it:
"Being good for a reward isn’t being good---it’s just optimal play."
Bear in mind that I'm not saying that pro-social play can't have rewarding outcomes for players. Any decision should have consequences in the fiction. It serves the ideal of portraying a living, world to have these consequences rendered diegetic:
The townsfolk are thankful; the goblins remember your mercy; pamphlets appear, quoting from your revolutionary speech.
What I am saying is that rewarding abstract mechanical benefits (XP tickets, metacurrency points, etc) for ethical decisions stinks.
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A subtle but absolutely essential distinction, when it comes to portraying and exploring ethics / morality, in roleplaying games.
Say you reward bonus XP for sparing goblins.
Are your players making a decisions based on how much they value life / the personhood of goblins? Or are they making a decision based on how much they want XP?
Say you declare: "If you help the villagers, the party receives a +1 attitude modifier in this village."
Are your players assisting the community because it is the right thing to do, or are they playing optimally, for a +1 effect?
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XP As Currency
XP is the ur-example of incentive in TTRPGs. It began with D&D's gold-for-XP, and has never strayed far from that logic.
XP is still currency. Do things the GM / game designer wants you to do? Get paid.
Players use XP to buy better mechanical tools (levels, skills, abilities)---which they can then in turn use to better perform the actions that will net them XP.
Like using gold you stole from goblins to buy a sword, so you can now rob orcs.
I genuinely feel that such systems are valuable. They are models that illuminate the drives fuelling amoral / unethical behaviour.
Material gain is the drive of land-grabbing and colonialism. Logger-barons and empires do get wealthier and more privileged, as a reward for their terrible actions.
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If you want to present an ethical choice in play, congruent to our real-life dilemmas, there is value in asking:
"Hey, if you kill the goblins you can grab their treasure, and you will get richer. There's no reward for sparing their lives, except that they are thankful."
Which is another way of asking:
"Does your commitment to the ideal of preserving life outweigh the guaranteed material incentives for taking life?"
The ethical choice is the difficult choice, precisely because it involves---as it often does, in real life---sacrificing personal growth and gain. Doling out an XP bounty for doing the right thing makes the ethical choice moot.
"I as the player am making a mechanically optimal choice, but my character is making an ethical choice!"
A cop-out. Owning your cake and eating it too. The fictional fig-leaf of empathy over a calculated a decision to make profit.
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Sidney Icarus asks a question which I will quote here:
"... those who hold to their beliefs of good behaviour don't feel rewarded, and therefore feel punished. And that's not a good feeling. It's an unpleasant experience to play a game where the righteous players are in rags, and the mercenary fucks have crowns and sceptres. So, what's the design opportunity? How do we make doing the right thing feel pleasant without making it mercenary? Or, like reality, do we acknowledge that ethical acts are valuable only intrinsically and philosophically? I have no idea how to reconcile this."
I would suggest that the above dichotomy---"righteous players in rags, mercs in crowns"---is true if property is recognised as the only true incentive.
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Friends As Property
Modern games try to solve the righteous-players-in-rags "problem" in various ways. Virtue might not net you treasure or XP, but may give you:
Contact or ally slots, which you can fill in;
Relationship meters you can watch tick up;
Favour points you can cash in later;
etc.
How different are these mechanical incentives from treasure or XP, really?
Your relationships with supposedly living, breathing beings are transformed into abilities for your character: skills you can train; powers you can reliably proc. Pump your relationship score with the orc tribe until calling on them for reinforcements becomes a once-per-month ability.
Relationships become contracts. Regard becomes debt. Put your friend in an ally slot, so they become a tool.
If this is what you want play to be---totally fine! As stated previously, games say powerful things when they portray the engines of profit and property.
But I personally don't think game designers should design employer-employee relationships and disguise these as instances of mutual aid.
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Friends As Friends
In the OSR campaigns I'm part of, I keep forgetting to record money. Which is usually a big deal in such games, seeing as they are in the grand tradition of gold-for-XP?
In both games, my characters are still 1st-Level pukes, though it's been months.
I'm having a blast, anyway.
My GMs, by virtue of running organic, reactive worlds, have made play rewarding for me. NPCs / geographies remember the party's previous actions, and respond accordingly.
I've been given gills from a river god, after constant prayer;
I've befriended a village of monsters, where we now live;
I've parleyed with the witch of a whole forest, where we may now tread;
I've a boon from the touch of wood wose, after answering his summons.
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I cannot count on the wood wose showing up. He is a character in the world, not a power I control. Calling on the wood wose might become a whole adventure.
Little of this stuff is codified my stats or abilities or equipment list. They are mostly all under "misc notes".
Diegetic growth. Narrative change that spirals into more play.
This is the design opportunity, to me:
How do we shape TTRPG play culture in such a way that the "misc notes" gaps in our games are as fun as the systemised bits? What kinds of orientation tools must we provide? What should we say, in our advice sections?
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A Note About Trust
The reason why it is so hard to imagine play beyond conventional incentive structures has a lot to do with trust.
Sidney again:
One of the core issues is the "low trust table". I'm not designing just for myself but for my audience. For a product. How much can I ask purchasers and their friends to codesign this part with me?
Nerds love numbers and things we can write down in inventories or slots because they are sureties. We've learned to fear fiat or player discretion, traumatised as we are by Problem GMs or That Guys.
The reason why the poverty in Sidney's hypothetical ("righteous players are in rags") sounds so bad is because in truth it represents risk at the game table. If you don't participate in the mechanics legible to your ruleset (the XP and gear to do more game things), you risk gradually being excluded from play.
You have no assurance your fellow players will know how hold space for you; be considerate; work together to portray a living world where NPCs react in meaningful ways---in ways that will be fun and rewarding for everybody playing.
You are giving up the guarantee of mechanical relevance for the possibility of fun interactions and creative social play.
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The "low trust table" is learned behaviour--the cruft of gamer culture and trauma.
When I game with folks new to TTRPGs, they tend to be decent, considerate. I think there's enough anecdotal evidence from folks playing with school kids / newcomers / etc to suggest my experience is not unique.
If the "low trust table" is indeed learned behaviour, it can be unlearned.
Which rules conventions, now part of the hobby mainstream, were the result of designers designing defensively---shadowboxing against terrible players and the spectre of "unfairness"?
How can we "undesign" such conventions?
Lack of trust is a problem that we have to address in play culture, not rulesets. You cannot cook a dish so good it forces diners to have good table manners.
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This is too long already. I'll end with an observation:
Elfgames are not praxis, but doesn't this specific dilemma in the microcosm of our silly elfgames ultimately mirror real-world ethics?
To be moral is to trust in a better world; to be amoral / immoral is to hedge against the guarantee of a worse one.
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Further Reading
Some words from around the TTRPG community about incentive and advancement in games:
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However, the reason there is a big debate about this is that behavioural incentives in games clearly do work, either entirely or at various levels. This applies outside gaming, as well. Why do advertising companies and retail business use "rewards" structures to convince people to buy more of their products? Why do people chase after "Likes" on social media?
A comment by Paul_T to "A Hypothesis on Behavioral Incentives" from a discussion on Story-Games.com
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the structure and symbolism of the D&D game align with certain structures and values of patriarchy. The game is designed to last infinitely by shifting goalposts of character experience in terms of increasing amounts of gold pieces acquired; this resembles the modus operandi of phallic desire which seeks out object after object (most typically, women) in order to quench a lack which always reasserts itself.
D&D's Obsession With Phallic Desire from Traverse Fantasy
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In short, my feeling is that rewarding players with character improvement in return for achieving goals in a specific way impedes some of the key strengths of TTRPGs for little or no benefit in return. 
Incentives from Bastionland
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When good deeds arise naturally out of the players choices, especially when players rejected other options that were more beneficial to them, it is immensely satisfying. Far more than if players are just assumed to be heroic by default. It gives agency and meaning to player choice.
Make Players Choose To Be Kind from Cosmic Orrery
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Much has been made about 1 GP = 1 XP as the core gameplay loop driver of TSR D+D. But XP for gold retrieved also winds up being something of a de facto capitalistic outlook as well. Success is driven by accumulation of individual wealth -- by an adventuring company, even! So what's a new framework that can be used for underpinning a leftist OSR campaign?
A Spectre (7+3 HD) Is Haunting the Flaeness: Towards a Leftist OSR from Legacy of the Bieth
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Growth should be tied to a specific experience occurring in the fiction. It is more important for a PC to grow more interesting than more skilled or capable. PCs experience growth not necessarily because they’ve gotten more skill and experience, but because they are changed in a significant way.
Cairn FAQ from Cairn RPG / Yochai Gal
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Thank you Ram for the Story-Games.com deep cut!
( Image sources: https://knowyourmeme.com/memes/neuron-activation https://en.wikipedia.org/wiki/Majesty:_The_Fantasy_Kingdom_Sim https://www.economist.com/sites/default/files/special-reports-pdfs/10490978.pdf https://varnam.my/34311/untold-tales-of-indian-labourers-from-rubber-plantations-during-pre-independence-malaya/ https://nobonzo.com/ )
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PS: used with permission from Sandro, art by Maxa', a reminder to self:
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meanbossart · 3 months
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I appreciate how you write Astarion so, SO much. I feel like way too many fic writers infantilize him to a point where I honestly start wondering if I'm the one who misinterpreted him so badly.
I'd love to know more about what you think of his character and his arc. Personally I saw him and immediately went "oh god this guy is gonna be the irritating tumblr sexyman of the year🙄" and it took me until Araj basically to warm up to him. What were your initial thoughts and did they change much while playing the game?
OH thank you so much!!! That's a shame if it's the case, and a little surprising to me, to be honest! While he's definitely written be an aloof jerk a lot of the time, I always found him to be surprisingly mature and introspective whenever he's not dishing out witty remarks. He comes off to me as the kind of person who learned to benefit from seeming dumber than he actually is, overall.
HAHA I had a VERY similar experience, not just towards Astarion but all the characters, really (I really disliked Shadowheart at the beginning, too). I had only seen pictures of him and pretty much expected a vapid character that was being carried to stardom because of a talented VA - and because people go nuts for anne rice style vampires lol.
While I was definitely enjoying his voice lines from the start (Again kudos to Neil) I definitely wasn't expecting much else. He piqued my interest after so devastatingly turning my character down at the tiefling party without me even having inquired, and that's when I, the gamer, was like "well, alright, I GOTTA fuck this guy now" (this is also where DU drow's personality began to come out as you can probably guess)
Obviously, if you have two neurons to rub together you can gather pretty quickly that he's not trying to woo you because you're so interesting and wonderful, so I started getting curious! With that dynamic being so different from what you usually expect of romances in these types of games, plus the charming way in which he is written, I started being won over.
I think what really did it was how gradually his attitude changed when responding to new, mostly trivial dialogue options and doing his greetings as you earned his trust, and ESPECIALLY with how he responds to your tav when you express any kind of fear or insecurity during his romance - which was with a lot of sincerity and confidence in his resolve to support you, and in you as a person, a complete 180 from his usual front - Which, again, makes me all the more surprised to hear that he's often painted with such an immature brush.
And obviously he has a DEEPLY ugly side to him (if you've read ANE, hopefully it's clear that I know this, and that I like to explore it just as much as anything else lmao) but it's very interesting to me how it seem to always come in the form of outbursts, rather than a constant evil-streak, usually followed by a glimpse of self-awareness. It feels very much in line with someone who's actually making a great deal of effort to manage their RAMPANT emotions and going through a lot of internal conflict in the process.
GAH. Yeah if you can't tell by this friggin' thesis I just wrote, I love the way they wrote this character a lot and I was definitely proven PROFOUNDLY wrong in my first impression of him - which, if that's not irony at it's finest I don't know what is.
And as an aside! I also very much appreciate that he's a "queer" coded character who's effeminate (in the Old Homo kind of way, but I digress) and flamboyant, but taken Dead Fucking Seriously. With as much progress as we've made in LGBT rep in media, I still often feel like gay men will only get that kind of treatment for as long as they "Aren't That Gay" (I know Astarion doesn't have a set sexuality - But lets not mince words: stereotypes exist, and he fits into most of them) and as a thin-wristed gay guy who's a little too found of linen shirts, I can honestly say that experiencing a character like that helped me with my own confidence.
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alexandraisyes · 4 months
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Eclipse Character Analysis (Sun and Moon Show)
Alternate Title: Why I'm 95% sure Eclipse is a sociopath EDITED TITLE: An Analysis of how Eclipse's ASPD is reflected in his character
A hopefully unnecessary disclaimer: - One, hi, hello I am a sociopath, I do know what I'm talking about. This also means that a lot of what I notice and will describe about Eclipse are similar or the same as my own experiences living life in this mortal realm. What I will touch on in the "redemption" section is heavily based on the kind of intensive treatment I had to get in order to improve my behavior when I was younger, so it's important to note that while Eclipse will never be able to change his personality (like how I can't change mine, and you can't change yours), he can change his thought patterns, mentality, and behavior. The saying that "sociopaths can't change" is specifically talking about how we can't change our personality, which is true for everyone. That doesn't mean we can't learn to function better in civilized society or be taught emotional awareness and morals. - Two, hi, hello this is just what I've noticed and does not mean it's canon unless Reed or Davis themselves come onto my Tumblr and go "Yes, this, this is what is correct", and even then, you're allowed to have your own opinions and views on these characters. I'm just theorizing here EDIT: Reed and Davis confirmed that Eclipse is indeed a sociopath a day after I posted this here, and a week after my initial post in their server that is basically this but slightly messier. - Three, hi, hello I'm also a psychology student so I also know what I'm talking about in that regard too. I've been studying psychology and general medicine for three and a half years now, so I like to think I have some idea of what I'm talking about - Four, I use the terms sociopath, ASPD, sociopathic disorder, and anti-social personality disorder interchangeably since they all describe the same personality disorder - Five, this analysis is long, I cover the basics, an in depth, some potential scenarios, a redemption arc possibility, and some other thoughts I have about him. - Six, I made this disclaimer to address any potential misunderstandings, or harmful stereotypes that I tend to be confronted with any time I talk about ASPD. Now onto the good stuff!
Too Long; Won't Read - Here's a Summary
Attachment and Pride: Eclipse initially cared about Lunar, and his reaction to Lunar leaving suggests a fragile pride. His inability to connect with others is evident in his strained relationships with KC and Bloodmoon.
Masking Emotions: Eclipse keeps his darker thoughts to himself at the beginning, and throughout the show as well. He masks both his emotions, and his intentions throughout the show, and is careful not to show when people have upset or offended him. This behavior stems from a learned experience that letting his guard down leads to resentment.
Manipulation and Brash Communication: Eclipse is straightforward and brash when expressing thoughts, feelings, or opinions. He employs manipulation when needed but is mostly disinterested in others.
Boredom and Stimulation: He seeks reactions from people, often causing chaos for entertainment. Boredom, especially when stuck as an AI, prompts him to instigate situations for amusement.
Lack of Empathy: He also appears to lack empathy, as evidenced by his inability to understand emotions and his focus on getting reactions rather than connecting with others.
Touch Aversion: Eclipse's lack of physical affection aligns with the common aversion to touch seen in individuals with ASPD.
Remorse and Growth: Eclipse shows remorse only in instances where he hurts Lunar in the beginning of the show, indicating a potential area for growth. A redemption arc could explore his struggles without completely erasing his apparent sociopathic nature.
Writer's note: A thoughtful portrayal of Eclipse's sociopathy, should my theory touch on the truth, if continued in a storyline, could provide an authentic exploration of mental health challenges and personal growth. Care should be taken to avoid stereotypes (DON'T USE GOOGLE FOR INFORMATION ABOUT THIS I BEG)
Putting Him Under a Microscope - Full Analysis
1. Attachment and Pride:
Eclipse's initial connection with Lunar suggests a potential attachment, a notable aspect in individuals with ASPD who can form (highly) selective bonds. However, Lunar's departure significantly impacts Eclipse's pride. This reaction aligns with the fragile self-esteem often observed in those with ASPD. The departure becomes a perceived personal betrayal, triggering Eclipse's defensive response.
In individuals with ASPD, relationships often serve specific purposes, and Eclipse's attachment to Lunar may have been driven by a combination of genuine connection but also very clearly the utility Lunar provided in fulfilling certain needs or desires. (Which was helping Eclipse get the star of course)
Moreover, Eclipse's struggle with connecting to others, evident in strained relationships with KC and Bloodmoon, is a characteristic of ASPD. Individuals with this disorder often face challenges in forming and maintaining meaningful relationships due to their limited capacity for empathy and understanding of emotional nuances.
2. Masking Emotions:
Eclipse's tendency to keep darker thoughts to himself reflects a common coping mechanism associated with ASPD. Individuals with this disorder often learn to conceal their true emotions early on due to negative experiences when expressing genuine feelings. This learned behavior serves as a protective measure against potential backlash or social rejection.
The fear of vulnerability and subsequent consequences aligns with the interpersonal difficulties faced by those with ASPD. Eclipse's decision to hide his less socially acceptable thoughts is a strategic choice aimed at avoiding conflict and maintaining control over his image.
Professionally, the concealment of darker thoughts is recognized as a defense mechanism in individuals with ASPD. This protective facade, or 'mask,' becomes an integral part of their social interactions, allowing them to navigate social situations with greater ease. However, this constant need to mask one's true feelings can contribute to internal struggles and further isolate individuals with ASPD from genuine emotional connections.
One may ask, what 'darker thoughts' did Eclipse show, or receive backlash for? Well, let's see, when he was stuck in Sun for the beginning of his life, he was first confused, a bit scared, and completely disoriented. He was forgotten, and during the first parts we can see him trying to reconnect with Moon, however, his delivery, as individuals with ASPD tend to do, was brash. It didn't sugar coat what he wanted, and considering his earlier transgressions previously, they weren't taken well in the slightest. Instead of Moon trying to genuinely talk and explain, all he provided Eclipse with was "I changed, and you didn't." and in general was very annoyed and irate with Eclipse. There were several times during the beginning of Eclipse, where there could have been progress made with him, to help him work through his issues, his internalized fear of being forgotten again, and the accidental neglect, that just… didn't happen. Because Sun and Moon saw him as a virus.
Moon because Moon saw himself as a virus, so what else would he think of something that originated in his code, and acted like he used to? Acted like he still sometimes did, parts of himself that he didn't like about himself, living and breathing once again in the mind of his brother. Corrupting him.
And of course, Sun because he was just so tired and hurt and he finally thought he could have something only for this ball of code to make itself known? This peice of his brother that was left behind, that was formed from Moon's killcode? That was constructed from Moon's literal need to lash out, hurt others, and kill. I'm honestly a little horrified that this is never touched on in the show, because people aren't just born to be awful, that's not how this works. There were so many opportunities where toxic and awful behavior could have been stopped if it was handled properly.
Of course, I'm not blaming Sun and Moon. It's hard to help someone who doesn't understand they need help, and as a result the person won't want help either. Plus, they've said it themselves in the episodes where Lunar had returned from the dead. They were never programmed to understand mental health issues, and they have a hard enough time grasping the concepts of their own mental health issues to deal with other peoples. Especially other people who are actively hurting them, it's hard to feel sympathy for someone who causes you harm as far as I'm aware. (I personally wouldn't know)
But back to my main point, there absolutely were times in the beginning where Eclipse was just honest about his wants and desires, and was shown disgust and hatred for it. Which would absolutely make him be prone to masking, which he does a lot in the show from what I can tell.
3. Manipulation and Brash Communication:
Eclipse's communication style, characterized by being brash and straightforward, aligns with the speech patterns and tendencies often associated with ASPD. When he's not trying to pull a fast one over someone, he's very blunt, and he doesn't beat around the bush. Individuals with this disorder may utilize manipulation as a means to achieve personal goals or navigate social situations, but without a reason to sugar coat, they won't. Although sometimes not sugar coating is also employed as a manipulation tactic, which makes it tricky navigating conversation at times with sociopaths. Eclipse's lack of hesitation in employing manipulation reflects the calculated nature of his interactions, as we see him smoothly switch between fronts, acts he puts on to get people to agree with him.
His disinterest in others, apart from exploiting them for personal gain, is consistent with the self-serving behaviors commonly observed in sociopaths. The use of manipulation as a tool for control and amusement is a manifestation of the disorder's impact on interpersonal dynamics. When he contacts Moon for help with Killcode, even then he has his own motives that are only helped by Moon being distracted with Killcode, as well as having KC out of the picture.
Professionally, manipulation is recognized as a prominent feature of ASPD. Individuals with this disorder may lack the ability to form genuine emotional connections and, instead, view relationships as transactional opportunities. Eclipse's interactions, particularly with Sun and Moon, exemplify this transactional approach, where he derives amusement from creating chaos. This last bit (amusment) is important, and I'll cover it next.
Before I pop on over, this is where I'd like to touch on Servant Eclipse. He is very crafty, and very manipulative, but it doesn't fool Lunar, who he clearly cares about to some degree. (Again, will say it as many times as needed, people with ASPD can care about people, it's just a lot of effort at first, doesn't come naturally, and is reserved for a select few). Lunar in this reality probably knows Eclipse inside and out, and isn't fooled by the not very convincing "I'm just a husk now" act Eclipse is playing out with. I suspect that Eclipse also is aware the Lunar isn't fooled, but it amuses him to some degree to keep up the game. I can only imagine serving a "Lord Lunar" is a fairly excitable life, and it's unlikely he's extensively bored. He's also just as brash as the OG Eclipse, and doesn't sugar coat the truth, or tries to ease Gregory into topics.
4. Boredom and Stimulation:
Eclipse's constant quest for stimulation and amusement, even at the expense of creating chaos, reflects a key characteristic of individuals with ASPD. Boredom intolerance is common in this population, leading to a perpetual need for excitement and novel experiences. (Can speak from experience, I spend about 4-6 hours every day bored out of my freaking mind and it's absolutely torture - which is why I draw so much)
The portrayal of Eclipse as being "bored out of his mind" when stuck as an AI in KC's base underscores the challenge individuals with ASPD face in mundane or monotonous situations. The need for stimulation is a driving force behind their impulsive and sometimes risky behaviors. There's a certain kind of restlessness, and impulsivity associated with ASPD, very much an act before you think, get defensive when confronted, and maybe think about it two days later on the very small chance it triggers a sense of morals/remorse. (Then probably forget it happened, cause we are very good at not caring enough to remember half the stuff we do. This isn't a choice, by the way, people with sociopathic disorder just aren't wired to feel strong emotions like guilt and shame.)
Professionally, this behavior aligns with the clinical understanding of ASPD. Individuals with the disorder often engage in sensation-seeking activities to counteract feelings of boredom and emotional emptiness. Eclipse's enjoyment in hacking Moon's computer, causing reactions from Moon and Lunar, serves as an outlet for his need for stimulation and disruption, as well as fulfills other purposes in starting a conversation with Moon about KC.
And of course, now I get to touch on my two favorite things that just drill this in. When OG Eclipse gets the star… what does he do? He torments Sun and Moon instead of wiping everything away, and I'm aware this is mostly because he doens't have mastery over the star. But what does Sun say, when Eclipse shows up to torment them on top of the play structure. Something along the lines of, You're just bored at this point? Is that it?
And what does Eclipse do? He leaves. Because Sun is absolutely right, and it probably stings his ego to have someone he so fully has convinced himself of hating to be right about him. Even before he gets the star… just how much effort did he really put into getting the star? Sure, he had this big plan, but I think he was aware that the 'perfect world' would never make him happy to start with; he just felt the need to be something larger than life, so of course you must set the largest goals to achieve in order to be that. He could have gotten the star so much faster lets be honest. I fully believe he was just having too much fun messing with Sun and Moon, because it gave a reaction, and the reactions to his actions were exciting, breaking his boredom. He was bored a lot, stuck in Sun's head, stuck in Sun's body and pretending to be Sun, stuck as an AI, stuck with Solar Flare's AI fighting him, stuck being unable to use the star…….. seeing a pattern yet?
And of course, my second favorite thing. Lord Eclipse. Moon full out calls him out on how bored Eclipse is, and Eclipse first tries to deny it, then sees no tactical advantage to denying it, and admits that yeah, he is bored. He's been bored for ages and Moon is the first exciting thing in what feels like forever. He's not happy in his perfect world, but he isn't going to change is because that would cut his pride for Sun and Moon to be right about what he wants and needs after so many years. So many years of his Moon being dead. Of having Sun as an obedient servant, bound to his beck and call. He's bored, and it shows, and he knows that it shows.
5. Lack of Empathy:
Eclipse's consistent inability to understand and empathize with the emotions of others aligns with a central feature of Antisocial Personality Disorder (ASPD). Individuals with ASPD often struggle with recognizing and comprehending the feelings of those around them.
His focus on getting reactions rather than forming genuine connections reflects the hallmark trait of lacking empathy. Eclipse's interactions with Sun, Moon, and Lunar highlight his detached and indifferent approach, as he manipulates situations purely for personal amusement without regard for the emotional impact on others.
Professionally, the deficit in empathy is a well-documented aspect of ASPD. Those with the disorder may comprehend others' situations on a cognitive level but struggle to grasp the emotional nuances involved. Eclipse's inability to understand why Lunar is upset and his constant pursuit of reactions underscore the emotional disconnect inherent in individuals with ASPD.
Eclipse's interactions with Lunar provide a poignant illustration of his consistent lack of empathy. Despite a seemingly genuine attachment to Lunar in the beginning, Eclipse's emotional disconnect becomes evident as Lunar leaves. The impact of Lunar's departure on Eclipse's pride and subsequent defensive reaction highlights the absence of genuine understanding of Lunar's emotions. Eclipse struggles to comprehend the significance of Lunar's departure beyond a perceived personal betrayal, showcasing a lack of empathy toward Lunar's perspective.
Moreover, Eclipse's manipulation and attempts to provoke reactions from Lunar, even after Lunar has left, underscore his disregard for the emotional toll on Lunar. This behavior aligns with the typical patterns seen in individuals with ASPD, where the pursuit of personal amusement takes precedence over the emotional well-being of others.
Eclipse's inability to process and acknowledge his own damaged ego resulting from Lunar's departure further emphasizes his lack of emothional understanding. He doesn't want to admit that Lunar hurt him, so instead he just continues to shut it down, bottle it up, and let it churn into hatred instead of looking at what he did wrong. His resentment and refusal to acknowledge the emotional impact on Lunar highlight the emotional blindness inherent in individuals with ASPD, especially in the context of complex interpersonal relationships.
6. Touch Aversion:
Eclipse's noticeable lack of physical affection, as both seen throughout the show, and mentioned when Lunar clings to Sun and states that Eclipse never showed him physical affection, aligns with a common trait among individuals with ASPD. Touch aversion is a characteristic feature, as those with the disorder often lack the intrinsic desire for physical closeness or intimacy.
Eclipse's minimal physical interaction, even in what could be perceived as emotionally charged moments, is consistent with the general pattern observed in individuals with ASPD. The absence of hugging or comforting gestures suggests a limited appreciation for the emotional needs of others.
Professionally, touch aversion is recognized as part of the interpersonal challenges associated with ASPD. Individuals with this disorder may not instinctively seek physical connection unless it serves a specific purpose, such as manipulation or personal gain. Eclipse's avoidance of physical affection adds a layer to his character, illustrating how his interpersonal behaviors align with the clinical understanding of ASPD.
This aspect of Eclipse's character contributes to a nuanced portrayal of the disorder, showcasing how the lack of tactile expression can impact the dynamics of his relationships, particularly in situations where emotional support is expected. (Like seriously, even Sun and Moon hug when one of them are having an awful day, but Eclipse? He literally doesn't seem to understand why Lunar craves positive physical touch so bad, because he just… doesn't feel the need himself. You can never fully understand something you experience, and it's not like people were explaining these basic needs and wants to Eclipse… ever.)
7. Remorse and Growth:
Eclipse's occasional display of remorse, particularly in instances where he has harmed Lunar, offers a glimpse into a facet of his character that deviates from the (BAD DOWNRIGHT AWFUL) stereotypical image associated with ASPD. While individuals with ASPD are often poorly and harmfully characterized/stereotyped by a complete lack of guilt or remorse, Eclipse's moments of internal conflict suggest a degree of emotional complexity.
Professionally, the intermittent remorse aligns with the recognition that individuals with ASPD may experience moments of internal conflict, especially in relationships that hold personal significance. Eclipse's struggle with whether to apologize after hitting Lunar reveals a brief internal debate, questioning the severity of his actions against Lunar's emotional response.
However, Eclipse's ultimate decision not to apologize, driven by his failure to perceive the significance of Lunar's distress, reinforces the inherent challenges in navigating emotional landscapes for those with ASPD. This internal conflict and eventual dismissal of remorse contribute to a more realistic portrayal of the disorder, highlighting the ongoing tension between impulsive actions and moments of potential introspection.
Should Eclipse undergo a redemption arc, these moments of internal conflict could serve as a foundation for growth, illustrating that while individuals with ASPD may grapple with moments of remorse, their ability to sustain lasting change remains a complex and challenging journey. Of course, I'm going to cover this as well.
Redemption and Recovery
Eclipse's potential redemption could be approached with an understanding that a complete overhaul of his personality is near impossible, because as psychology has shown, you don't just change your personality. However, nuanced growth and positive change within the framework of his behaviors and thought patterns can be explored.
Increased Self-Awareness: Eclipse could undergo a process of heightened self-awareness, acknowledging the impact of his actions on others. This could involve introspection into the motivations behind his behaviors and the consequences they entail. This won't be something he does on his own, he's going to need someone behind him, pushing him to be better. Preferably someone who has no majorly poor history with him for the best results.
Therapeutic Support: In a realistic redemption arc, Eclipse might engage in therapy tailored to individuals with ASPD. This could involve developing coping mechanisms, enhancing emotional intelligence, and learning healthier ways to navigate interpersonal relationships. Cognitive Behavioral Therapy (CBT) is a very affective type of therapy for people with personality disorders, or collections of disorders that combined provide the complications of a personality disorder.
Recognizing the Value of Relationships: Eclipse could gradually come to recognize the value of genuine connections beyond their utility. This may involve acknowledging the significance of relationships for emotional support and personal growth. This is going to be a process, and he will mess up. He will forget. It's something he will have to choose to work with in order for it to work, and even then he will make mistakes. It will be important to have patience with him, and instead of lashing out (cause that can cause a spiral back into poor behavior), working on these slip ups with him, and helping him relearn the significance of correcting it when he messes up.
Empathy Development: A full restoration of empathy is be unrealistic, Eclipse could work on developing cognitive empathy—understanding others' perspectives intellectually, even if not emotionally. This could improve his ability to navigate social situations more effectively. (This is what I do! <:happy_stim:867544047735275521>)
Establishing Boundaries: He should learn to set healthy boundaries in his relationships, understanding that manipulating and exploiting others for personal gain may provide short-term satisfaction but is detrimental in the long run.
Contributing Positively: As part of his redemption, he could find avenues to contribute positively to others' lives. This could involve utilizing his unique skills for constructive purposes, fostering a sense of accomplishment outside of manipulative endeavors.
Maintaining Accountability: Eclipse's growth would involve a commitment to being accountable for his actions. This includes acknowledging mistakes, making amends where possible, and actively working towards minimizing harm to others.
Embracing Personal Growth: Eclipse's redemption arc could focus on embracing personal growth within the constraints of his personality. It's about acknowledging that while he may not fundamentally change, he can adapt and evolve to lead a more balanced and fulfilling life.
Potential Future Scenario: Eclipse Apologizes
Brought to you by someone saying that Lunar would refuse Eclipse trying to apologize, but I respectfully disagree, and here's why.
I think that if Eclipse ever does apologize to Lunar, Lunar would have literally no choice but to accept, because we’ve seen early on that he does not apologize
To genuinely apologize and acknowledge his wrongdoing would be major character development that would take a lot of time and struggle to get to that point, based on my theories/analysis about him
So by the time he can actually, truthfully apologize, there would be evidence to prove his struggle with his own twisted nature, and probably how he failed at times during the journey, and had set backs and road bumps. The others would have most likely seen the effects and effort it takes to learn to change for him, and would most likely acknowledge that he’s being truthful.
If Lunar doesn’t accept at that point, if it ever got to that point, Lunar would be acting irrationally due to emotional complications, would probably just hurt Eclipse when he’s trying to be better for his brother, and would most likely set him back. There’s a very destructive pattern of thought when it comes to personality stuff (which is what I think Eclipse struggles with, a specific personality disorder I’m writing a comic thingy about), because you can’t change your personality. You can’t will yourself to be a certain way, and so it’s very easy to destroy progress people make on self improvement. So lunar refusing the apology would most likely not only hurt Eclipse’s pride (like it was hurt when Lunar left his side the first time) but would also further his belief of “why bother if they won’t accept the fact I’m trying for them” that he’d probably struggle with throughout a period of character growth.
Lunar’s smart, and pretty emotionally aware. He can be petty, but if Eclipse were to get to that point, I don’t think Lunar would refuse it because he would have already seen the struggle and effort Eclipse had put through just to get to that point
Logically, Solar would be the best person to help Eclipse, not Earth
This is partly copied/pasted from some conversations and does analyze Solar a bit as well
I really honestly doubt that Earth is going to be able to help him, if he comes back, and I’m suspecting that Solar would do a better job because he’s the only who can understand, properly, the absolute hell that was waking up inside of Sun’s mind with no idea what’s going on and how he got there. Earth can be sympathetic and show him pity, but that’s not going to help him very much at the end of the day. He doesn’t want sympathy, he doesn’t want pity because he has associated that with being weak and out of control. He needs some one who will understand him, and who will fully understand how one small thing changed so much due to the snow ball effect. Which Solar would understand. He’s “nice eclipse” after all, aka just an Eclipse without such bad formative trauma. So he never spiraled, but he’s just as blunt and analytical as Eclipse tends to be, and would be able to actually communicate with Eclipse about his issues since it’s a situation he could have easily been in had things gone slightly different
Solar is probably the only one who can understand, and I mean properly understand, Eclipse’s trauma and bottled up emotions. And I think that if they’re going to give Eclipse someone who will support him, they should do Solar. He’s got all boxes checked
The ability to fully understand Eclipse
No bad history with Eclipse that would really affect how Eclipse treats him (It’s not like Eclipse knows he built the satellite)
Similar base personality, his just wanted warped and twisted in the start, but if you strip away Eclipse’s issues, they’re practically the same person… for obvious reasons
The willingness to say what needs to be said, and not try to sugar coat. Earth would try to let Eclipse down easy about stuff, ease him into it, and he’s gonna see that as her being manipulative because that’s how he manipulates people. He needs someone who is just going to lay things out on the table
And of course, Solar most likely wouldn’t think Eclipse is too far gone to change. Because how do you think that of yourself? And they are the same person, just from different perspectives. It’s a similar dilemma I have to just writing off Eclipse, when I take him apart and see myself staring back at me. But I was able to improve, it just took work, and it took a situation dire enough to get me to realize that if I didn’t want to ruin the few things I cared about, I needed to get my crap together. And that’s probably what he’s gonna need to, something that threatens what he cares about to the point he realizes that this can’t go on. (And I’m suspecting that something will be control over his own life, just like it was for me.) We saw at the end of his life, that he was starting to self reflect and realize that he needs to change somehow, and this was because his control over his own life was being threatened I suspect.
Extra, Smaller Analysis on Solar and Eclipse
It is important to note that Solar doesn't have this issue (ASPD), and I believe it's because he didn't suffer the same beginning that Eclipse did. They resolved the Solar issue when he popped into existance very quickly from what we can tell, and so he wasn't left in the dark for months on end, left to stew in his own agony and emotions. Personality issues are caused by trauma, and specifically ASPD is directly tied to neglect during the most crucial formative stages in development. Sun and Moon had no idea Eclipse was there, and didn't mean to abandon him, because they didn't know he existed. But this complete, and utter abandoment, what is probably internalized as a personal betrayal because I can imagine Eclipse being destroyed by the idea that Moon left him behind on purpose. Which is just… not a good thought for my man to have, because that leads to feelings of worthlessness, and self-hatred for not being 'good enough' to keep/take care of/help. Which then just snowballs into other negative emotions, that gets him all worked up, and then he's fuming at the fact that they left him. That they decided he wasn't worth keeping around, and how dare they make that decision about him for him?!
You can see how it gets out of hand quickly, as he realizes the neglect he's suffering from, the abandonment he's facing, and the fact that he's now trapped. That Moon got to escape, but he can't and it's not fair. This is the perfect breeding ground for that funny little disorder called sociopathy, and boy, there's almost nothing at this point that can convince me that he doesn't have it because it's all just a little too perfect. And the worst part?
I really really doubt it was done on purpose, but holy heck it would be so cool if it was. Not just because of how beautifully crafted it is in his character, how it's so consistent and real, but also because if it was done on purpose, it would show that the writers took the time to do real research about a disorder that is so often done so poorly, and is commonly confused with a completely different issue (psychopathic disorder). Even knowing that it probably wasn't done on purpose, I'm still gonna just cling to him because I love him and I want him to get the happy ending he deserves. And I mean that genuinely, people who are suffering and lashing out because they're drowing in hate due to unfortunate circumstances that were really out of their control deserve to be given the tools to improve themselves and their lives, and it would be wonderful to see this sentiment reflected in the show.
Wrap-Up Ramble/Writer's Notes
This is, of course, my own personal observations, and it is definitely a lot to read. I had a lot of fun constructing this thread, because it is so rare to find a character that I feel I can properly connect to. I've struggled with a lot of the patterns Eclipse has shown in the show that I've called out, and I've had to go through the steps in the 'redemption arc' section myself. It's not an easy process, and as I mentioned, him realistically improving is going to be a process that is going to be draining on himself, and the people around him. He will have to wake up and choose to go against the walls he's thrown up around himself every single day if he's going to have a realistic redemption, and it's going to be exhausting. But I do genuinely believe that he can change, and improve, because I was able to change and improve as a person. It took time, years of intensive self examination and cognitive based therapy, and it required a strong support system. Which hopefully, if he comes back to the show, he can obtain, because otherwise he will continue to drown in his own bitter stew of resentment for others and himself. And that's no fun, that's just depressing.
A lot of people look at Eclipse and think the villain, but I just can't. His actions make him a bad person, but taking apart the psychology behind him, and seeing how glaringly similar a character is to you that is supposed to be the 'bad guy'… I want him to be able, if he comes back, to get the proper 'recovery arc' that he deserves, and I really hope that if they do try to save him from his own demons, they do it properly, instead of giving him a complete 180. Because you can't change your personality, and Davis and Reed seem to be aware of that with Moon. Even when old Moon tried to be better, he was still an awful person. And the 'new' Moon is still eerily similar to the old one, and as the time goes on, he just becomes more and more like the old one. Because it's the same AI, he just lost his memories. He didn't do a whole personality change because he got his memory card wiped, because he's the same person where it counts. He just has the benefit of not having all of the pain his past self was carrying. He's free of the hurt, and trauma, and self hatred old Moon carried, but he's still Moon.
So I'm really hoping that they continue to accurately display psychology in their characters if they bring Eclipse back, because it is such an immersive show due to the fact that it makes sense. These things make sense psychology wise, their behaviors, actions, patterns of thinking and speech. And I really am looking forward to seeing if they bring Eclipse back because he's such a beautifully constructed character.
You Made It
This is the end of my massive post. Congratulations if you made it this far. If you did, uh, the password is Dorito. Leave it in the comments/reblogs to let me know you made it, haha.
I'd love to see people's thoughts on this and on him, so feel free to leave your thoughts as well in comments/reblogs. I'll try to reply to every single one I see. Again, I love his character so much, it's so well crafted, and it was so fun to take this apart.
Edit: I have been asked about where to find the thread/join in on the convo, etc a few times: I have a thread in the SAMS server here if you want to join the conversation
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leezlelatch · 3 months
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There seems to be some discourse lately about content, the kind of content, and the community as a whole. Now, the last thing I want to do is stir up anything, but I had some thoughts that I'd like to type out, and I appreciate whomever decides to read it.
The purpose of this band is to make us happy. You've heard it time and time again, as long as we go home at the end of that show feeling just a little better, then TF is satisfied. And it seems like lately that happiness is hard to achieve here, on twitter, or wherever else one is active.
On Headcanon
Were you sitting at work today? Home? And suddenly that thought popped into your head, a little scene playing out about Copia, or Terzo, or Secondo, or Primo. A thought that filled you with excitement, butterflies dancing in your belly, which had you smiling because yes, in the world that makes you happy, that is what they are like. That is what they do. That is what they say. It's an amazing thing and it's good and okay, and you should be excited about it. Because you just added another chapter to the amazing story in your head. And you decide to post about it, but...someone left you an anon. Someone left you a comment. Someone vague posted. And it hurt.
This is happening far too often across tumblr, and it needs to come to a close. I understand that we all have vastly different ideas of who the Papas are and how the Ministry works, but that does not give a single one of you an excuse to say anything untoward or foul to anyone else on this platform. And this isn't talking about any particular group because more often than not, posts like this are used to justify the actions of others. You do not have permission to use this to further your agenda. Be kind. Choose to ignore that fic. Choose to stay off that person's blog. Stop making posts at the expense of others just because you don't like a particular aspect of their world.
I promise you'll still be able to sleep at night.
On F! Reader and x Reader Fic
I have seen many posts since I joined tumblr to write for the Ghost fandom that express a dislike toward reader fics, and in particular f! reader fics. I can't speak for anyone else, but I'd like to just reflect on my own thoughts on the matter, and once again, I appreciate the time taken to read and perhaps understand where I'm coming from, and know that it is a place of care.
I am a woman. When I write fic, I am writing it to satisfy my own little world in my head. So naturally, I am going to make the reader female, because the universal you is not only the friends I share it with or those kind enough to read, but the you is me. Every sweet word whispered, or gentle touch from a Papa is something I wish would happen to me.
I do not have the right to invade someone else's perspective. I do not understand what it is to be a gay man. I do not understand what a trans person experiences every day, and therefore, I do not feel like it is my place to write these perspectives in an x reader fic, or more so than that, in smut. And otherwise, I'm just not comfortable in doing so. I know my experience, and isn't the first step of writing, writing what you know?
I want there to be inclusivity in writing, but that doesn't start with attacking other authors for writing from their own perspective. It doesn't start with making hostile posts about reader fics, because what's the outcome? You just end up with some people very hurt and unwilling to post their stories because they think it's unwanted.
If you feel comfortable exploring these topics, talk to your mutuals. Say hey, what can I do to gain a better understanding of the content that I'm writing? What can I do to ensure that I'm not fetishizing due to my lack of knowledge? Be a community, and help each other out.
On Notes and Reblogs
A note is not the value of your writing. Whether you receive just a few or hundreds, you have impacted someone. Someone loved your story. Someone is thinking about your story all day. Someone was able to make it through because that one thing line you wrote spoke volumes to them.
We put so much of our energy into worrying about notes that the reason we started writing in the first place is lost. It becomes a chore. There are a hundred WIPs sitting in our folders because it becomes so goddamn painful just to work on one.
No one owes you a reblog. No one owes you a like. And even though it's nice, and it's gratifying to see nice comments on something you worked hard on, notes cannot be used as a currency between followers or mutuals. It just becomes a poison. Your entire tumblr experience is going to be marred by the constant worry that you aren't good enough just based on a number.
Learn to appreciate the ones who do read. Allow your story to make you feel good because there it is! That thing you've been thinking about. It's written down. You brought it to life. That is far more valuable than a tumblr note.
If you've reached this point, thank you. Everything you're feeling is good, and okay, and we're gonna get through. Because even now? When it feels like things are more hostile than happy? You still have Ghost. And you still have everything.
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catgirlbussy · 10 months
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im gonna do a lil sadpost, as a treat. if u dun wanna read that or interact or anything there's no harm done <3 it kinda feels nice sayin stuff into the void tbh, cause i know as i look out ill always see myself at minimum, and im still thankful. im alive. if someone can relate or whatever then thats a neat bonus ★
I'm not super sure how to formulate these thoughts, cause lots of it is just incompressible /feeling/. I've been on HRT for close to two years now, and modifying my internal physical landscape alongside the work I put in with the ways I've learned sharing benefit so far, like therapy and self-directed exploration of my emotions and the simple but vital practice of being more open with others about how I'm feeling, has uncovered a lot.
It's been overwhelmingly positive in so many ways. I don't have any regrets for starting this set of changes, even with full knowledge of the difficulties I've had rise as a result and that more are on the horizon, and also full awareness in that I will need to continue putting in the *good* work to care for myself and learn how to navigate the parts in my mind I'd kept hidden or obscured for so long. It's not /bad/, I feel so grateful to have this opportunity at all and I feel bounteous joys in this trove of beautiful experiences that, up 'till not too long ago, I never thought I'd be able to experience -- though I absolutely still dreamed of having them so vividly.
I have a lot of good graces in my life re: my transition. In a lot of ways I feel I've been exceedingly lucky. Canada has its fair share of problems without a doubt, but I also know full well there are a lot more places on our planet where it's much more difficult to be openly trans, let alone dangerous or lethal. I don't take that as an opportunity to rest, either, because having cracks forming in the firmament, letting in light to my dream of a world where trans experiences are accepted (and to note most thoroughly, I'm learning more of a lot of cultures in days gone by, /including some aspects of my own heritage/, having extended gender representations ingrained in their societal norms, some as far even to revere the dynamic and unique experience of existing beyond the gender binary in whatever way they saw as such) for **everyone** spurs in me an even deeper and impassioned drive to work in the ways I'm able to foster communication and connection while rebuking hostility so more and more beautiful, valid trans folks can experience respite and respect and safety as well.
I'm not wanting necessarily to change minds and upend the posture of society with this particular post, though, and so I hope you'll forgive me in my expressing my small, localised set of emotions in this moment. At the root of everything I experience I'm starting to get better at reminding myself that I'm a valid *individual person* in addition to being a contributor in the push for good and kindness for all.
It's probably telling that I feel the need to offer ~4 paragraphs as a disclaimer that I spend time learning about the global scale and am effortful in enacting progress there before just getting on with what I'm even feeling sad about. I don't see myself as a holy martyr for being nervous about expressing myself, but it seems more and more common evidently rather than by my hypothesis alone that many trans individuals would get by prior to exploring their gendered identity with burgeoning self-acceptance with a marked self-exclusionary behaviour when it came to opening themselves to emotional experience, regardless of any given instance being gendered or not. Until it becomes unmanageable, it feels easier to lock away senses of joy, sadness, etc. cause you can keep gettin on by in a sort of functional state and you tell yourself thats enough.
This is far from the worst thing I've come across so far, but I am feeling confused and the confusion is unique in its own way to the extent that I'm not even able to pin down how I /feel/ about feeling it. At its heart I can't seem to muster the right formulation of words to explain to others these particular experiences I'm having in my transition. Painting in broad strokes can be such disservice to the nuance for any individual's cluster of experiences, but tumblr if anything *for me* has brought much happiness in finding threads of commonality with others. Stark contrasts to my feelings of loneliness and seclusion from the world around me give me so much hope. I'm writing this partly in hopes that there is another one of those threads people might appreciate seeing. I do more than my fair share of journaling, but this one feels special and worth sharing right now, and so decadently I write these words for a community beyond myself.
To be blunted, perhaps I might phrase it by saying 'i feel sad about being happy.' It's that sort of absurdist perspective that helps me wrap my head around it a little better with how little sense it makes to my normal machinations. I'm not sad that I am having these new and thrilling experiences of adding or or changing parts of myself to live in the way I best see fit for who I am, but I feel sad because I don't know how to.
I get locked up at the slightest things. Someone compliments my nails, and its so hard to communicate efficiently the impossibly depthed importance this literally surficial act has for me. They aren't even painted well, but I painted them /myself/, I felt catharsis in exploring my love of artistic expression in the choice of colours, I rode high on the thrill of watching this new skill form in my own hands. The coat is uneven and I can't quite keep myself from getting knicks in places as they dry yet and I'm still practicing the nail care associated with maintaining healthy and resilient nails, but if I can be so bold to say, god forbid women do anything.
This person obviously wasn't chastising me for partaking in a traditionally "femininely-associated act", let alone that so thoroughly most things people take for gendered in no way innately are, the whole binary supposition is a damned myth. But because of how I was brought up and the mindset I was taught to have before I fought to think for myself instead, this was a joy I'd always admired but felt I was abhorrent for wanting to partake in. Absolutely anyone who feels otherwise can irrevocably go fuck themselves if they aren't willing to examine the falsity of the foundational thoughts they 'think' they have leading them to ever want someone to abstain from such a viscerally unobstructive and innocuous form of self exploration and creativity bexause it's "for girls". This goes for anything. For anyone. Idc who you are or what label you wanna use at any given moment, go explore. Live life. God fuck do we need people to just experience joy in some ways so we aren't so incorrigible and hostile towards eachother.
But you don't stop whoever took 15 seconds out of their say to mention to you they like the colour and wanted you to know to discurse at length upon the structural bastardisation of who people are allowed to be, cause more than any of that I just want to feel happy about it.
I literally stutter out whatever form of thanks my malformed emotionally-communicative faculties can muster in this surprise and try not to start sobbing in the grocery store aisle or whatever. It's so /good/, and it's so frustrating that I don't even know how to just process and appreciate that it is.
I was so much an absentee in my own bodied self that I could not fathom an understanding of what gender euphoria was until it snuck up smashed me in the teeth. I didn't have any basis of understanding for what it was really like to be happy about some part of myself.
Despite my loneliness I have still had the experiences of friendships, people caring about me, and relationships where a partner genuinely appreciated parts of me, physical, mental, emotional, whatever. More now than ever I am having those experiences as I learn to come out of my cloister inside my head. But this time I'm not just numb to everything. Sure, as I'm learning to not just be unilaterally numb until my bastion of self-isolation fails and I break there is abundance of pain, but the pain I honestly prefer. It's more vivid than it's ever been before, but I can benchmark that I'm still alive by its contrast to neutrality. It's familiar, and my mechanisms of clutching my emotions into my soul can still carry me forward as I try to figure things out. But fuck me is it ever hard to have a happy experience and not know how to communicate that it tore my sense of stability in those moments to shreds. To lose the composure that carried me for so many years because someone sought to share something with me they thought I'd appreciate because they care about me feels so counterproductive to just enjoying the absolute gift that experience is.
Abstractly, as I'm wont to do to a remarkably self-apparent fault, I can tell myself that these things take time. Human emotion is so complex, and its panoply of shifting lights glinting as the facets move their positioning relative to the light of being alive is what drives me to do art, and it always has been, contradictory so fully to my desire to lock everything away. I can't circumnavigate multiple decades of trauma and be free and unfettered in my senses in an instant just because I'm aware it's possible. And so I try so fucking hard not to just sit down and cry in that grocery store aisle, cause it hurts so bad to be happy.
How dare I find glints of good in the polluted landscape we live in. But that mindset helps nothing. People striving to live amidst turmoil is what makes life worth living. There will always be strife, but there will always be the possibility for hope alongside it.
Without fail, each night I'll self-soothe myself into a mode of somewhat-restfulness imagining what it would be like to trust myself enough to be imperfect and let someone hold me. It's the only thing I do anymore. It even backfires sometimes and I just waking-dream my way through countless blissful scenarios about what it would be like if that cute girl I've been starting to become friends with mentioned she wanted to hold my hand for hours until the sun comes up and I know I won't have any sleep at all. It's so goddamn worth it. I revel in it, because at least in the theatre of my mind I can find small ways of letting myself feel those joys. They aren't really happening. It's my own hand rubbing a thumb gently along my collarbone in a faux affection. But it's the only way I've found that's not so obstructively blinding in intensity for me to practice what it would be like to be close to others.
I still lose my sense of self so often. I find bruises from where I bumped into things and wholesale didn't notice until the tiredness sets in and I can't autonomously ignore how sore I am. I dive effortlessly into the placid waters of dissociation when someone gives me a hug, despite that being what I have dreamed of for so many years during my self-imposed isolation. Someone tells me they like an art piece I've made and I stopper any sense of pride or appreciation for their kind words despite pouring however much time channeling my slowly uncoiling understanding of reality into every particle of it and wishing that my experiences could convey any amount of any feeling whatsoever to another living being with the entirely selfish act of wanting that I feel like I had a real connection.
I can't get by with chainsmoking and shelf-set pain medications and blind ignorance any more. I can't ignore how badly I want to feel. I am figuring it out instant by instant and it scares me horribly. One day my yearnings for closeness will be actualised because I'll be ready to open when they come. My selfsense-extracted mutterings of the hypothetical joys of being pressed down into sheets and kissed because someone deigned to gift me with attention for they hold appreciation of this newly forming, ill-configured, but ultimately revelatory feminine self I'm becoming will no longer be fiction and prose but the rawness of experience that I, once, and then more, can lose myself into without terror thay I'm inadequate and never truly worth it. Someone will touch my breasts and love me for loving them myself and I'll give in to the annihilating instant where I am no longer a sense of self but just am. This body is not me but my, and I will scrape and fight however I can muster to live vicariously thru it because that is what I am meant to do by being here alive at all. If anything ever again I want to feel what love is like.
I'm not even reading this back to see if it conveys properly let alone makes sense at all. I'm exhausted and in so much pain. If you read this, thanks, and, if you can, go hug someone you love today.
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perplexingluciddreams · 5 months
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An exploration of gender as a nonverbal autistic
This is going to be an attempt at expressing my feelings about my own gender and queerness, as a nonverbal autistic with language difficulties, low awareness of the world around me, barely any sense of self, and so many other things that affect my ability to understand and be aware of the concept of gender and sexuality to begin with.
I tried to write this like a properly structured essay, but because my thoughts are so disorganised in general (and I have so many thoughts on this topic), I couldn’t manage that. So, I have decided to present this as if it is a collection of journal entries; that is basically what this is, in truth! You will just have to experience the disorganisation in a similar way to how I experience my own mind. The most organising I was able to do was split it up into some categories, to make it slightly easier for you, reading this. Some things that I wrote could fit into more than one category, but this is how I chose to divide it up.
I have written a lot about the words I use to describe the way I feel, how I choose those words, and how that has changed over time. My delays in certain areas of development, and the other ways my various disabilities affect me, have a significant impact on the ways I have come to understand my gender identity and the internal (and partially external) process I went through to get to where I am now.
I have no doubt that things will continue to shift and change and as a result, the way I define myself in different contexts will also change. This is just my first attempt at getting a lot of this out of my brain and into words, for other people to read.
I wrote this is many fragments, so it doesn’t flow or connect, and there may be some repetition. Each paragraph may have been written at a completely different time, and therefore doesn’t relate to the last paragraph, or the next. Some of this is just stand-alone statements, some is longer examinations of my feelings. But all of it is true to my experience of the world and of queerness.
I have never been able to express the majority of this before, so I think it is pretty good for a first attempt!
**Note: I make a reference to having speech at a point in my life. I am nonverbal due to late autism regression, and grew up semiverbal with very unreliable speech, and language issues. I had very poor communication.**
Here we go!
I am inserting a “read more” here because this is very long. Really, very long.
Part 1 - The Words
I don't really think of myself as a man or a woman, or a boy or a girl. I have called myself a transsexual man before, simply because that is the clearest way to explain to someone where I'm coming from and where I'm headed. But I don't particularly like the word "man" to describe myself. I like the word boy, just because the word is nice. But that doesn't mean I am insistent on people calling me a boy. 
I choose the words I use for myself simply from what I like the sound or feel of the most. The last thing I want is to be boxed in, though. I only use labels as descriptors, to explain to other people - they are a tool to communicate something, not a set of limits and boundaries to put on myself.
I know a lot of people might read this and think "that sounds like nonbinary", but I don't use that word. Again, simply because I don't like the way it sounds or feels when i read/write/hear it. And yes, I suppose I do exist outside the conventional binary, but that would be the case regardless of whether I was transsexual or not, because of my autism. So that is not something that needs to be labeled in my opinion (for me personally). Because the conventional binary is not something that exists in my experience of the world.
I hate that there's one set of accepted terminology to label queerness - such a fluid and complex piece of identity - and that I am even more "other" if I choose to say that I AM female, I WAS a girl. I don't like the word transgender unless it is being used as a verb - transing gender. I like the word transsexual because it describes something I will DO (top surgery, eventually). And partly because of how it sounds and the pattern of typing it on a keyboard.
My gender is what I DO, not what I AM. Gender as a verb.
Socially, changing my name and pronouns is much more connected to my barely-there sense of self, and past trauma. I needed to start again, because I felt that my life had changed completely (and it *had*). I like he/him pronouns because they sound different to how i was always referred to growing up. And they simply sound nicer. 
Even though I don't understand most of the social stuff that comes with gender stuff, I still have positive and negative connections to certain gender-related things. And relating to the way I was raised - it still affects me, even though I can't grasp the complexity of how and why.
I enjoy the fact that I am fucking with gender, fucking with expectations. I am a female that is also a boy. I love the contradiction.
I still call myself female, because if people really mean it when they say "gender and sex is separate", then "female" does not mean "girl" or "woman".
Most words I used to describe myself as a child were put on me by other people. I used to repeat them over and over in my mind, as if to explain to myself that that's what I am. Especially my own name. I felt that if I just repeated it enough then maybe those words would stick and feel real. They never did. I don't know what words I would use to describe myself now, but I don't think I need to know. I'm just me. No words are needed for that.
When I just exist as myself in the world, words are barely relevant. My world is so sensory-based and rich in sensations that there's no point even trying to put words to it.
I don't think there's anything wrong with creating new words for things that already have words to describe them, language is constantly evolving and different people will have different experiences that they want to describe in different ways. However, I don't think it is useful to argue for stopping the usage of "outdated" terms, as there are always going to be people who prefer those terms. Not all people are going to agree on a word that they find most fitting or appropriate, even in one community.
I try my best to examine my feelings about myself and what causes a good reaction in me and what causes bad reaction in me. And then I use whatever words I have to try and explain it as best as I can.
Often the words I have are not enough and either I cannot communicate something at all, or I try and it is inaccurate and/or inadequate.
It is very difficult for me to put such abstract thoughts/concepts/feelings into words, I lack the language for that and often also the awareness - there is so many steps to communicating something for me. For example, most people have the automatic urge to communicate things, and know that option is always there. For me, it takes mental work to even remember other people exist and I am capable of interaction with them. And of course after that follows so much more work to do the actual communicating.
For years I thought of the words "transgender" and "transsexual" as off limits. "Those are the things I am not allowed to be".
A lot of words have shaky definitions and that makes it hard for me to even understand what they mean, never mind use them to describe myself.
I would often rather use a phrase, or a paragraph, to describe myself, rather than a singular word. I really don't want to be misunderstood. 
I think that the way I experience gender cannot be put into words, and it certainly can't be labeled with one thing. I'm just grateful to have the opportunity to even try and communicate these things, and to explore it openly in the first place. Because of course I would still explore it inside my own head, even if I didn't have the words or couldn't tell anybody - I was already doing that, before I had access to all this new language.
I know a lot of people don't like the word "tomboy", but since I was a kid I've always really liked it. It brings to mind a mental image of young girls (in a time when clothing for men and women was much more separated) dressing up in boys clothes, boys school uniform, and the feeling of freedom from that. I always wished people would call me a tomboy when I was a kid.
I had a feeling of "oh, that's what I want to be when I grow up", when I first learnt of what butch is. Even though I am not sure at all of my sexuality, because that relates to other people and I am never sure how I relate to other people, or if that’s even possible, especially in a romantic or sexual way.
The words I use will always be slightly "out of date", or "not right", because of the time it takes my brain to catch up with everything. I will never find words to properly describe myself in a way that feels fully correct. I live in a world of my own that doesn't need words, only the acknowledgement of a feeling inside my own head. However, that is not very useful when trying to communicate things to other people.
Some words just taste and sound like defiance.
Part 2 - My Physical Existence
With puberty, I had so much discomfort with the change in my body, not only because it felt as if I was developing wrong, but also because of age and developmental stage - I felt it was too early, I was not ready for that. Big changes are bad.
I do have dysphoria, but only really around my chest, and the way people refer to me (which is also complicated and related to trauma). And other than that, I don't care a lot about how I am viewed, as long as I feel free to express myself however I want.
Aside from my chest, I am comfortable being female. I like having a vulva (as much as it intrigues me about what having a penis is like), I don't want to change that about my body. I don't mind having a uterus (apart from menstruation, which is not fun, but it's not the worst thing ever and it doesn't make me feel overly dysphoric).
I recognise that I have a physical form. I did have to develop the awareness of that, but I do not see that as ME. I am just a floating mass of thoughts and feelings and experiences.
My body was made for me, it wasn't made wrong. There are things I need to change about this body to make it more comfortable to exist in, but that doesn’t necessarily mean it was made wrong to begin with, despite feeling that way sometimes.
Disabled bodies inherently break the rules.
Many times I have wondered, perhaps, if my chest were much smaller, I wouldn’t have a problem with it. The main thing I struggle with due to my very large chest, is the physical discomfort. It aggravates my sensory issues in a massive way, it causes back and rib pain from the weight and pressure. The ways that having a large chest increases symptoms of my disabilities are the biggest reason for needing top surgery. Gender wise, I think I would be unbothered by a more “neutral” body, where I could easily forget about my birth sex. If/when I get top surgery, I will be removing my entire chest - the end result being a flat chest - however if I naturally had very small breasts I wonder whether I would pursue top surgery at all. I’m not sure of the answer to this, I can’t imagine hypothetical situations well, but it’s something I think about often.
I find relief in having physical reminders that it is different now (to when I was a child) and I won't get hurt again, I am safe now. I now have a buzzcut that I touch every time I am scared and remember it is not like when my hair was long, not anymore.
Sensory issues and physical limitations affect my physical appearance. And, my mannerisms are affected. I cannot look how I WANT to look. How I WISH I looked. As a result, my perception of myself and my external appearance, are even further divided. My generally low awareness and weak sense of self comes into play here as well. There is such a disconnect.
Part 3 - Awareness and Understanding
I can't stick labels on myself because in order to do that, I need to perceive myself as a person first. If other people want to use certain words to describe the way I am and the way I try to find joy and comfort in this confusing and scary world, that's absolutely fine by me - words are important and helpful and useful. But I don't know enough about the character that other people see and perceive, to say those things about "me".
I don't understand the concept of gender at all really. For me being trans is just about having more of the things that make me happier and more comfortable. I don't know what it means to BE a boy, versus being a girl - just that, out of the two, I would much rather be a boy. It is complicated, having such strong feelings towards and/or against things that I barely grasp the concept of.
My (lack of) understanding of gender and awareness of the world and myself definitely impact the way I define my identity. I would like to say that I am not bothered about labels much. That, to me the human experience is too complex and varied and colourful to be fit into black and white labels, I am just somewhere on the spectrum of human, but as descriptors they can be useful. And all of that is true, however, I do have intense preferences on which words I and others use to refer to me, even if I don’t at all understand why. Those preferences have shifted over time, as well, which sparks a period of questioning and examination, every time I hear someone use a word I previously preferred and find myself physically recoiling from the discomfort.
I cannot understand social constructs such as gender and gender roles. It just add to the confusion that surrounds my brain every day of my life.
If someone views me as a woman (or a girl), nowadays I am okay with that. It definitely would have bothered younger me, because I couldn't yet wrap my head around the complexity and fluidity of identity, and how it can't always be described by words with strict definitions. But as long as people use the name I chose for myself, and refer to me in the the way I ask, I am okay with any assumptions they may make about me based on my outward appearance. Because it's me, and how I define my own identity, that matters. Not how I look to other people. And my appearance is not something I have much control over at all, anyway. The first thing people notice about me is that I’m disabled.
Part 4 - Growing Up
The stages to breaking down my identity enough to identify it as a trans experience, for me, were this. First, it was necessary to understand what gender and sex is, and that there’s a difference between the two. Then, to understand social roles assigned to male and female that create "girl" and "boy" expectations. Thirdly, to have enough awareness of myself and understand my individual experience (and be able to compare my experience to others’) enough to figure out how I feel about gender. Lastly, to finally get communication skills and the control over my life to be able to TELL anyone. This last step is a work in progress!
The way I see it, I was by default a girl when I was younger. Because I had no control then, and that's what was assigned to me. I really couldn't say what I wanted almost at all until I was about 16 years old. And one of the first complex things I finally could communicate (at a very basic level, just scraping the surface) was the gender stuff. I attempted this a lot of times before 16 but I simply didn’t have the language, the understanding, the awareness, the communication skills, etc. to get my point across. The first time I tried to tell another person about experiencing queerness, I only had the words “gay” and “lesbian” to use. I knew that these were not right, but that was all I had. The only words I could use were ones I had read or heard, from other people, and that greatly, greatly limited my ability to express my unique internal experiences. Instead of trying to find other words, I instead became very insistent upon being gay/lesbian, only because I knew it was more than that.
I have a lot of memories of scary experiences where my unreliable speech took over and blurted out scripts (delayed echolalia) about being queer (using words I wouldn’t choose), simply because I was trying to learn and understand my feelings about queerness better with watching/reading media from other people. And that lead to ridicule and more exposure than I was ready for or wanted. I didn’t want other people to know, at that stage. I wasn’t done with the processing, and I needed it to stay internal. Unfortunately, I didn’t have a choice in the matter.
I was one of those people where it was always obvious I am queer, or at least “different” in just about every respect. I have never had a choice to hide it. I mourn the fact that I was never allowed the chance to inform other people of this part of my identity in my own time, with my own words. I am grateful that I even have the privilege of writing this, but there is a reason that there’s so much to write here in one go. There is so much I haven’t had the ability to say at all, until now, and even more that I haven’t had the chance to say right.
Sometimes I have the feeling that, even in the queer community, with the accepted labels and identities, I don't fit. It makes me sad sometimes, that I couldn't fit an accepted “role” or label. I have come to an understanding that that is not what being queer is about at all, which helps. I think part of the reason this upsets me, is because I am so disabled that I will never “fit” in any real queer space with other real queer people. I am left outside, watching from the edges. I am outside of everything. 
But - It comforts me that there have always been people like me, just existing in the world. We have always been here. When I was younger and had all these thoughts and feelings about gender that I didn't understand yet, had no context for, couldn't express and didn't have proof of anyone else who had the same experience - it comforted me to think "if i am feeling this, then statistically another human at some point in time must've felt the same way".
When I was younger I used to believe - queer is what people say when they mean "dirty" and "wrong". It’s what people say when they mean something worse but don't have a word for it.
My identity of being trans is simply my identity of being me.
When I think about "passing" and wishing things to be easier for me, I don't think "I wish I passed as a boy", I find myself wishing I was just a girl, and then my life would be so much less complicated. But, of course, it will always be complicated for me, because of how others perceive my autism first, before anything else. I feel I struggle to be seen as a whole human with a complex human experience, because to so many people I am just my autism. Then also lacking of awareness of gender and only knowing my own feelings - even if I was a girl, I would still have this difficulty! - but still, in this situation, I think "I wish I didn't have these feelings to begin with". I think that shows it is more about the difficulty of coping, rather than other people's view and opinion based on my appearance and outward expression.
When using words to refer to my younger self, those experiences and the way they were labeled and explained at the time does not cease to exist just because I choose to use different words for my present-day self. I am more accepting of this now, I used to really struggle with the fact that it had changed over time and my black-and-white thinking of “one or the other is true”, made it very challenging.
When I was younger, the only way I knew how to make everything “wrong” with me (autism, physical disabilities, queerness, lack of faith in God, etc.) an understandable concept, was to come up with the overall explanation that “my brain is broken”. I just thought that must be the only answer. It was the only way I could process how many things I thought were completely and utterly wrong about me.
It feels like two facts colliding when I see my birth name, and it makes my brain hurt and my understanding of the world shatter.
Part 5 - The Choice
When people misgender me, it is more upsetting to me that people ignore my choice than that they perceive me "wrong" or make the wrong assumption. I actually don’t mind assumptions much, if someone looks at me and thinks I’m a woman that’s okay with me nowadays - I understand that I appear female, because I am, and a lot of people connect female with woman (or girl, as I am often also assumed to be quite young). But I also can easily forget that someone might not know my pronouns straight away, simply because of struggles with theory of mind - I forget that other people don't automatically know what I know, that they can't read my mind.
It is upsetting only because my choice is not being respected or understood or seen, from my brain’s point of view. Having the ability and opportunity to choose the way I am addressed, the way I identify, the way I talk about myself and want others to talk about me, is incredibly valuable to me. For so long I have only had other people’s words, both for them to freely put onto me, and to use in my laboured attempts at communication. Attempting to grab onto the closest words to my true meaning and piecing them together like jigsaw pieces from different puzzles that don’t quite fit.
Now that I can write something like this, with so many words that are mostly my own, to have someone go against that (whether it is intentional or not - it doesn’t change things because of my low theory of mind, I can’t think from another’s perspective and understand that they don’t know what I know) is spirit breaking.
A lot of the parts of my transition can be (partially) attributed to different things, different reasons. I changed my name partly because I had no connection to my birth name, and struggled to remember to respond to it. It also reminded me of bad memories that I don’t want to relive every day. Having a new name was part of a necessary process of changing every part of my life so it never feels the same way it used to - at least, not in the ways that I can control. I already wrote about how I need top surgery for reasons including but not limited to dysphoria, pain, sensory issues, and so on. I love having my hair buzzed (as much as I have the occasional urge to grow it), because it feels like me. It feel different to when I was younger, and it’s a physical reminder that I am safe now, every time I touch my head or catch a glance of myself in the mirror.
Technically, with these other reasons to attribute many parts of my transition to, I could choose not to identify the way I do. If I didn’t feel a strong connection to queerness, I don’t think I would spend so much time trying to sift through thoughts and feelings and experiences and memories and holding them up against different words to see how it fits. I have basically no awareness of gender outside of myself, I can’t figure out my sexuality because I don’t know how I can even relate to other people. I could put a mental block between me and this topic, and never call myself queer or trans or anything like that ever again.
But - I DO choose to collect these parts of me, and spend the time holding them up to the light and squinting at them from every direction, to come to align them with these words. That is my choice.
I am the same person I always have been, I just get to choose now. I have the power and control.
Thank you for reading, if you got to the end! I love to know that my words are seen by other people.
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whathorselegs · 2 months
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A Comparison of No Longer Human's Yozo and Bungou Stray Dogs' Dazai, Part 1
Disclaimer: I'm just a person with a keyboard, a book and a passion for stories, I don't have a degree, I'm just having fun and making connections where I see them. If you don't agree that's fine, but don't come for me.
An exploration of what I think are shared themes, symbols and character roles surrounding Yozo's life in No Longer Human and Dazai's in Bungou Stray Dogs.
Spoilers for BSD main timeline, Fifteen and Dark Era. And Spoilers for No Longer Human
Yozo’s Childhood and Dazai Disconnect From People
For the most part Dazai’s childhood is completely unknown in BSD, so we can’t directly compare Dazai’s and Yozo’s childhood experiences, but Yozo’s childhood could help explain some of Dazai’s mentality when interacting with other people.
In No Longer Human we learn that Yozo has felt emotionally disconnected from the people around him for as long as he can remember, that disconnect formed a constant fear of others, of making them angry with him and of the idea they would hurt him. He copes with this by becoming a ‘clown’, making himself laughable and therefore not suspicious in hopes of being accepted.
‘This was how I happened to invent my clowning. It was the last quest for love I was to direct at human beings.’ - Yozo, No Longer Human ‘I thought, “As long as I can make them laugh, it doesn’t matter how, I’ll be alright. If I succeed in that, the human beings probably won’t mind it too much if I remain outside their lives.’ - Yozo, No Longer Human
In the early manga/anime of Bungou Stray Dogs, though we don’t see Dazai express specifically a fear of other people, we see he uses humour as a way to compensate, telling jokes that often feel out of place because he doesn’t know how else to express himself. He makes light of situations not because he doesn’t care, but it’s how he connects.
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In his attempts to help Atsushi, who has no money to buy his own food, Dazai offers to buy him whatever he wants, but he makes a joke about Atsushi's choice. He's clowning here because he doesn't know how to simply offer earnest help.
Although, unlike Yozo who is terrified of people being angry with him, Dazai has no problem using his humour to agitate and get under people's skin, like the way he is constantly poking fun at Kunikida. I still think this one of Dazai's unfortunate ways of connecting with people as he is mostly shown messing with people close to him and engages less in such behaviours with people he doesn't.
When Dazai doesn’t know how to make light of the situation he goes quiet, often getting a serious look on his face. Like in the warehouse scene when Atsushi is talking about himself negatively, Dazai reacts by not reacting. He clearly wants to say something to him, but doesn't know how. He’s processing, he wants to bridge that gap but he doesn’t know what to do, at least not in the beginning of the manga/anime.
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Dazai also react similarly to this when Nikolai is mourning Fyodor. Him listening without commenting is how he shows sympathy
We see him slowly evolve from his terrible attempt to comfort Atsushi after dispelling Q’s ability, to him eventually making Sigma believe in both him and the Agency. He's still learning how to connect with people throughout the story.
This comedic act could also hint at why Dazai left his home as a child. In NLH Yozo’s high school is situated away from his hometown and family, he lives with a distant relative whilst attending it. He finds himself more at ease there because strangers more naturally believe his clowning and lies. Unless we are given an actual backstory we may never know why Dazai was so depressed when he met Mori or why he willingly went with him, but being able to essentially reinvent himself and having his lies more easily believed may have fed into it.
It something he also does when he joins the Agency. He doesn't want to acknowledge his past if he can help it.
Family is something Yozo feared and perhaps it was for Dazai too.
‘An actor dreads most the audience in his home town; I imagine the greatest actor in the world would be quite paralyzed in a room where all his family and relatives were gathered to watch him.’ - Yozo, No Longer Human
We do get to witness Dazai’s fear of others later in the manga through his present day relationship with Ango. The betrayal he experienced through Ango has left him emotionally scarred to the point he holds back when forming new friendships, keeping everyone at far more of a distance than he did Ango or Oda. It’s a betrayal he can neither come to terms with or walk away from. He still takes his pain out on Ango, but then creates scenarios where he’s dependent on him too. He simultaneously fears losing Ango for good and being open enough to get hurt by him again (and others as well).
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Dazai is relying on his connection with Ango for this plan. It's shown in BSD that Fukuzawa has connections that could have helped them here, but Dazai wanted to go to Ango, he wanted to create a scenario where they needed each other.
Kyouka’s entrance exam and Dazai’s connection to the outside world in Meursault are both plans that wouldn’t have worked without Ango. He’s still someone Dazai feels strongly about and respects.
Though, a respected man isn’t something to be admired or envied in Yozo’s eyes. They are a clever liar who has succeeded in tricking their audience and gaining their trust. Someone to be exposed and weary of becoming. Someone who will betray you, just like Ango did to Dazai. The plans Dazai involves Ango in usually require him to lie to/manipulate/or betray his current organization. Dazai still sees him as inherently deceitful, he just uses it to his advantage now.
‘My definition of a “respected” man was one who had succeeded almost completely in hoodwinking people, but who was finally seen through by some omniscient, omnipotent person who ruined him and made him suffer a shame worse than death.’ - Yozo, No Longer Human ‘What would be the wrath and vengeance of those who realised how they had been tricked!’ - Yozo, No Longer Human.
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It is heavily implied Dazai is the reason Ango's air bag didn't work. Just one part of his vengeance upon the respected man who betrayed him.
This definition of a respected man might also be why Dazai slacks off so much around work. Yozo, whilst being the smartest student in his class, fears that reputation and uses his clownery to maintain popularity amongst his peers and his unassuming appearance. He doesn’t want to stand out as a respected individual and neither does Dazai. He actively seems to discourage Atsushi from thinking that way about him by fooling around, even though it doesn’t work because Atsushi still greatly admires him.
The other pivotal experience that relates to Dazai from Yozo’s childhood is his friend, Takeichi. 
Takeichi is an interesting character because he starts out as someone Yozo is afraid of. He’s a student who sees through Yozo’s class clown act and calls him out on it. Yozo then proceeds to essentially stalk Takeichi out of fear of being exposed as a fraud, only to end up inviting Takeichi to his home and spending time together. They become friends, he’s the only person Yozo actually opens up to, in a meaningful way. Takeichi symbolises a genuine human connection for Yozo, a way into the regular world, but as they grow older they are separated and Yozo grows distant from people again.
Takeichi for me is both Oda and Ango. 
Oda and Ango are Dazai’s first friends. Dazai forming his connection with them his first step into the light, into connecting with other people rather than sitting on the outside. As Children Takeichi and Yozo discover their love of impressionist art. Yozo starts to paint self-portraits inspired by Van Gogh, they are a glimpse of his innermost self, which he shows to solely Takeichi. This mirrors how Oda and Ango create that safe space for Dazai to be himself in the Lupin Bar. That bar is their canvas where they are free to paint their souls without fear. They don’t judge and shun Dazai the way the rest of the world seems to have.
‘The pictures I drew were so heart-rending as to stupefy even myself. Here was the true self I had so desperately hidden. I had smiled cheerfully; I had made others laugh; but this was the harrowing reality.’ - Yozo, No Longer Human ‘Naturally I did not show my pictures to anyone except Takeichi. I disliked the thought that I might suddenly be subjected to [other people’s] suspicious vigilance … On the other hand I was equally afraid that they might not recognise my true self when they saw it’ - Yozo, No Longer Human ‘To Takeichi (and to him alone) I could display my easily wounded sensibilities, and I did not hesitate to show him my self-portraits.’ - Yozo, No Longer Human
In fact when Dazai leans too hard into his clowning act Ango is the one trying to discourage him from it. There's a genuine care for Dazai's mental health and safety shown in these moments.
Though just like Yozo and Takeichi in NLH, Dazai, Oda and Ango are separated. For Dazai it doesn’t symbolise a descent back into the darkness, but perhaps a journey cut short. Instead of the three of them coming into the light at their own pace, Dazai is thrust ahead, ill prepared and alone. Oda is dead and he can’t rely on Ango because of his betrayal. Dazai is stuck in a liminal space with no one to guide him on how to become 'more human'.
Before Takeichi and Yozo are separated, Takeichi makes what Yozo refers to as prophecies about Yozo’s life. That he’ll be popular with girls and a great artist. To some extent both of these end up true, Yozo has many girlfriends and he does become a paid cartoonist, but his relationships are chaotic and unhealthy, and his job is unreliable and he hates it. The prophecies are also curses. This to me, is like Oda’s last request of Dazai, he tells Dazai to be a good man and to help people. He does this in an attempt to save Dazai from his own spiraling and give his life some future meaning. Dazai chooses to live by these words, we constantly see him struggle to do so, Oda’s words haunt him as much as they guide him. His promise and his curse.
And that's it for Part 1! If you read all this way then thank you very much for your time, I hope you enjoyed it! I don't know when Part 2 will be out because I'm making notes as I re-read through NLH, but hopefully it won't be too long!
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yasubloodly · 6 months
Text
Just Us
Chapter 1: Bentley's Owner
Good Omens x GN Reader
Sypnosis: Moving into a new place will never be easy but making new friends especially with an angel and a demon?
Who knows.
A/N: Decided to post it here too. Uh this is my first time posting here.
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(Y/N) - Your Name
(H/C) - Hair Color
(E/C) - Eyes Color 
(Y/F/N) - Your Full Name
(S/C) - Skin Color
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Over the years, Soho evolved and adapted. It became a haven for the creative minds that flocked to its streets. Musicians, writers, and artists found solace and inspiration in its coffeehouses and underground clubs. The melodies of jazz, soul, and rock 'n' roll filled the air, drawing both the curious locals and the adventurous tourists to its lively margins.
Beyond its artistic allure, Soho pulsates with culinary delights. From hidden speakeasies to renowned Michelin-starred restaurants, its diverse array of flavors tantalizes the taste buds. Soho is an epicurean's paradise, inviting food enthusiasts from all walks of life to explore its gastronomic offerings.
The neighborhood cherishes its working-class heritage, weaving the stories of the past with the energetic rhythm of the present. Traditional pubs frequented by laborers still stand proudly on street corners, their wooden interiors echoing with laughter and tales of days gone by.
Soho may be a small corner of London, but its spirit is immeasurable. It is a place where creativity knows no bounds, a hub of artistic expression and cultural revolution. The legacy it leaves on those who venture through its vibrant streets is one of inspiration and acceptance.
(Y/N) has been living in a big city their whole life, so moving to Soho was a dream come true. Even though they were excited, the hustle and bustle of the city was intimidating and overwhelming. They started to wander around and got lost in the busy street.
As they were trying to orient themselves , something caught their eye. It was a grand old Bentley, parked across the street. (Y/N) was mesmerized by it. The car was sleek and elegant, totally different from anything they ever owned and different from anything they’ve seen before.
The Bentley’s owner was leaning against the car, with his fiery red hair and a black jacket. He remained stern-faced despite the chaos brewing in his mind as he leaned against his sleek Bentley, his gaze fixed at the vintage little bookshop across the street. Even though (Y/N) had made eye contact with the Bentley owner twice, the person never responded which made them feel like they weren’t welcomed.
(Y/N) couldn’t peel their eyes away from the beauty of the Bentley. To them, the car was much more than a vehicle, it was a symbol of adventure. With that car they could travel the world, explore different places and meet people from all kinds of backgrounds. It was a dream come true.
(Y/N) already knew that living in Soho was going to be an amazing experience. They simply had to take this opportunity and make something of it. With that thought in their head, (Y/N) smiled.
"What?" The man spat out impolitely. 
(Y/N) flinched.
"Excuse me...hello, I'm really sorry for staring. You have such a lovely Bentley, I can't help but to stare" (Y/N) awkwardly stumbled not only on their words but on the steps too, talking to a stranger in a place you don't know can be dangerous. Slowly, (Y/N) walks to him but stay a few feets away from him.
"Oh, also I'm new around here so I don't actually know what to do besides walking around..umm" (Y/N) whispered to themselves, Crowley could barely hear them. 
(Y/N) does not want to make a weird first impression to Crowley. Their soft (H/C) hair bounce from every steps they are taking. 
Crowley was bored and a bit hungry. But the human seemed rather polite. (Y/N) had that innocent puppy dog look on their face. Maybe the human wasn't so bad after all, especially because they admired his car. 
He raised an eyebrow at them, wondering why they were approaching him. He didn't want to be bothered by someone looking for directions or something similar. 
However, he still asked, "Are you lost?" Maybe he could give them false directions, he smirked internally.
"Oh! No no... I'm not lost actually. I'm new to this area. I'm just hanging around here. I did visit some shops and uhh that coffee shop behind me, it was good! " (Y/N) directed their finger towards the coffee shop behind them. 
Their bright (E/C) eyes squinted, they smiled awkwardly or perhaps nervously. Their shoulders dropped as both of their hands are at the sides. 
"Hmm, new here. I don't know anyone that looks quite like you," Crowley muttered, looking them up and down. Their nervousness amused him, he was sure he could annoy them even more. 
He looked at them with a serious expression on his face, "What's your name?"
"Oh, I forgot to introduce myself! I'm (Y/F/N) , pleasure meeting you umm... " (Y/N) trailed off, trying to get Crowley to tell his own name. 
"Crowley." He said his name with a straight face, even though he was slightly entertained by the conversation.
Then he smirked, and his voice rang with a bit of sarcasm, "Pleasure is all mine," he said, even though he didn't really think that. "Oh, and are you some kind of exotic tourist around here, (Y/N) ?"
He knew (Y/N) just move into here since they mentioned it earlier but he decided to tease them even more. 
Flush creeps across their (S/C) cheeks. Their (E/C) eyes widen for a second before shifting glances all around the streets. "Uh... I'm a freelancer, I move into this neighborhood just to get some fresh air. It looks nice here" They flashes a smile to Crowley as they nervously tucked one hair behind their ear. 
"How about you Mr. Crowley? What are you doing here, I guess you're not new here like me since you look like you're seems to park your car here every days" questioned (Y/N) . 
"Oh, are you trying to figure out my secrets?" He asked with a smirk. "I've got some time to kill, so I thought I'd come and see if my best friend is in the shop."
He gestured in the direction of the shop. "I'm never far from him," he said with a little smile. "I have nothing better to do. I'm so bored. I wish I could fall through a crack in the world to a more exciting world." 
He looked at (Y/N) with a bit of curiosity. "Are you enjoying this part of the world?"
It was indeed a strange question, someone that you don't even know and meeting them for only a few seconds just ask you that. What does he wants? Is he trying to be friendly or just curious. 
(Y/N) glances at the bookshop Crowley gestured to, their eyes sparked as soon as they saw the shop. "Ohh! I would love to visit the bookshop, I was supposed to go there just to look around and introduce myself but I'm taking my time out here. Probably just me been nervous" (Y/N) chuckled. 
They turned back to look at Crowley "I do actually enjoy the world, there's a lot of stuff to be discovered! I get to do things that I enjoy too! " beamed (Y/N). Their smile widen at the thought of enjoying life with everything that they have. 
"It just so happens that my best friend works in that very charming little bookshop." He couldn't help himself, and grinned at (Y/N)'s excitement about the bookshop. 
"Is it really that exciting for you?" He asked, a bit amused. 
"Are you perhaps a fan of books, then?" Crowley wondered, because he himself enjoyed a good book every once in a while. But he was sure that there were many things more entertaining to do than reading. Or so he thought.
"I love books! It's just the smell of books got me feeling gleeful. Besides reading books, I also love listening to music especially when I'm drawing or reading. How about you Mr. Crowley, do you enjoy them as well? "  curiously, they look at Crowley in anticipation. 
"Hmm, you seem like a bit of a nerd," he teased. 
"Yes, I might enjoy books and music too," he said with a small smile. His grin widened, and he glanced at (Y/N) in a way that made they feel as if he was looking right through them. He always found it amusing to see someone blush, and he was sure (Y/N)'s face was starting to get a little pink. 
He took a breath and then asked, "Speaking of music, what kind of music do you like?"
(Y/N) let out a soft breathe laugh "To be honest, I love music like Queen but not a lot of people seems to enjoy it. Quite rare if I must say" They crossed their arms as they crinkles their nose. 
Crowley grinned when (Y/N) started to talk about their favorite band. He loved Queen, and he was actually quite surprised that they mentioned them.
"Queen? Really?" He asked. "I also really enjoy them, they're one of my all time favorites!"
The demon gave a loud laughter and then said, "I never thought that I would ever find someone in a place like this that enjoys music even half as much as I do!"
He looked at (Y/N) , and then added with a flirtatious edge in his voice, "Perhaps you and I aren't so different after all."
(Y/N) giggles, they hums a bit " Perhaps we aren't, Mr. Crowley " they winked. 
"Well, it was nice meeting you Mr. Crowley. I guess... I better go now. That bookshop of your good friend has been intriguing me for almost hours" They look down at their black leather watch, wrapping nicely around their left wrist. 
(Y/N) look up back to Crowley, smiling softly "Unless you wouldn't mind to walk me there and introduce me to your friend? " 
Crowley was surprised by their sudden flirtatiousness. Were they really flirting with him? A human, flirting with him? He liked it. 
"Of course I don't mind," he said with a smirk. "I don't want you to get lost. And it makes me happy to make you happy by introducing you to my friend," he replied with a charming smile. 
He started to walk towards the bookshop. It was almost time for closing, and he was hoping that his best friend was still around.
Before they could even reach to the bookshop. Crowley halted. He was hit by a strong sense of urgency, his heart rate increasing rapidly. He immediately stopped walking, turning to look at (Y/N) with a serious expression on his face.
(Y/N) looked at Crowley in concerned " Is something ma-"
"Something is wrong," he said in a low voice. "I have to go back."
He knew that something important had to happen to disturb him, but as always, his curiosity got the better of him. He decided to at least have a look, maybe it'd be worth it.
He quickly started to walk in the opposite direction, trying to ignore all of the people staring at him and wondering what the heck was going on.
Crowley let out a sigh. "Oh, for Go- ugh, what is it now?!" His face suddenly changed to an angry, annoyed gaze. 
Crowley stopped for a moment and turned to (Y/N). They seemed confused about his abrupt behavior, but there was really nothing he could do about it.
He said, "I'm sorry for taking up your time, but something urgent has come up, something I can't ignore."
Crowley then turned and ran as fast as he could, disappearing out of sight around the corner and leaving (Y/N) all by themselves with no idea what the heck just happened.
(Y/N) watched Crowley's Bentley disappeared as he drives away from there. They already at the bookshop door so they don't mind at all. Crowley business seems rather urgent so they don't really want to bother him. Crowley was an interesting man, wearing all black and his red colored hair stood out even more. 
(Y/N) shook their head, turning around to face the fascinating bookshop that they have been wanting to go inside. They took a deep breath, they look through the glass on the door, trying to find the mentioned friend of Crowley.
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A/N: I'm so sorry that they might be a bit OOC but I've been dying on creating a GO fanfic and finally after 2 seasons 😭 decided to write one. Anyways, reader is non binary,
I'll update new chapter whenever I can so please do not put too much hope on me. At first I wanted to write this as one shots but decided to make it a series. Thank you for reading it!
I might not be a big fan of Queen but I love them🧡
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temporalhiccup · 1 year
Text
As creators, we cannot help but plant the seeds of our inner truth, even if we're unable to see it in the moment.
I say this because, many times, I wrote about being trans masc before I realized that's who I was.
I think the clearest example of this is The Doll, one of the characters you can play in Our Haunt. I wrote the first version of the game in 2019.
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Our Haunt is a creepy-cozy game of a found family of ghosts, and the haunted rooms they have claimed for themselves. You decide if you want to attempt to reconnect to the painful memories of when you were alive, or create new ones with your new family.
Here's the description of The Doll playbook:
The Doll
You wake up feeling constricted, suffocated. The world around you is suddenly so large, wide, overwhelming. But your body is not your own, and your small voice is strange and terrifying. You’ve woken up in the body of a doll, and don’t remember how you got here.
Did you come into this body willingly? Or did someone force you into this strange vessel? Your best chance at leaving this prison is by working with the other ghosts of your Haunt.
I wrote the doll to be any kind of haunted toy really, not necessarily a femme doll. But looking at some of the character creation options, it's crystal clear to me in hindsight. The Doll speaks to my experiences as being conditioned by society to perform femme. I was assigned female at birth, and so female I must perform by exacting standards, and fail miserably all my life.
I add additional themes, narrative and emotional layers to explore, for each playbook. For The Doll, I didn't question at the time why I thought lies, infantilization, and bodily transformation were the right themes to go with. I mostly write from a place of intuition, that looks like stream of consciousness writing to the casual observer.
There are many telling things: such as a look option of porcelain falling from my face, a memory of a mirror showing a dark reflection behind me, the yearning to make my body more pleasing to me.
Of course, as the Doll, you have access to moves like tell a lie someone else wants to believe and change your body in a spooky manner. There's a lot more in the playbook, oh boy.
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In one of those "Rae should have realized something was going on" moments, a similar incident would occur almost every time I playtested Our Haunt with folks. Different folks! Different groups! And almost every single time, a trans person would pick up the Doll and say, "It's amazing how well you captured the trans experience in this playbook."
And I, utterly clueless, would respond along the lines of, "Wow, that's so strange, I'm not trans!"
One time I said that, and the discord call got very quiet. There were a few seconds of an incredibly distinctive pause. At the time, I wondered if I had said something offensive, by misspeaking in a trans space (hah!). But now I realize that at least one person (if not all of them) were thinking, "Ah, an egg. Well, who are we to crack it before it's ready?"
The thing is, I played the Doll a lot. I even remember thinking, "It's funny how this is the easiest playbook for me to play, I'm not drawn to this archetype at all" (HAH!!)
The Doll is just one example of my heart and soul finding its way to express itself before I could stumble unto the truth. I think it's one of the many amazing gifts that art, and the act of its creation, can give us:
The gift of the truth, even before we're ready for it. A moment in the past, surrounded by layers of clarity, waiting to be unearthed by our future selves.
I'm very proud of Our Haunt, and it's the first of my games to actually get published and printed! It came out earlier this year, and is one of the brightest lights in what has been a dark time. I can't believe you can find my game alongside other wonderful titles by Possum Creek Games!
If you do pick it up, I give you full permission to flip through The Doll and have a little chuckle, at my expense. I promise I'm a very good sport at being such a tough egg to crack.
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P.S. The Doll, and all the art of Our Haunt, was created by Habil Firdaus.
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pinchofhoney · 9 months
Note
HIII
I cannot express how proud I am to be your mutual. I remember stumbling across your first fic and being ABSOLUTELY awestruck. Now here we are, 400 followers later with such a wide variety of amazing writing by your amazing self. You deserve every follower to come.
So obviously, I decided to take part in your fluff alphabet. Can you do c and z for either Ben or Sirius Black? Either both for one of them or c for Sirius, and z for Ben.
Again, I am super happy and super proud! Love ya loads <3
hii, bby<33 you're litellary the cutest, and thank you for your sweet words!! they mean a lot to me! i decided to write both of them with sirius and i hope you don't mind my choice. lately the weather outside has turned crappy, and whenever it's grey and rainy my love for the harry potter world returns and brings me comfort~~of course let me know your thoughts!! as always i am curious to hear your opinion<3
» fluff alphabet event
» special events masterlist
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c: cuddles do they like to cuddle? how would they cuddle?
Oh, Sirius is the biggest cuddler you've ever met. While he may try to hide his affection for it from others by restricting himself to putting his arm around your shoulders, the truth is that he adores cuddling beyond measure. If you were to ask him directly about his love for cuddles, he might playfully dismiss the idea or be a bit shy about revealing his true feelings. However, when you find yourselves in a cozy, private setting, you'll get to experience just how much he enjoys it.
Sirius has a unique way of cuddling that's very sweet and comforting. When it's just the two of you, he becomes incredibly affectionate and attentive. His touch is warm and tender, making you feel safe and peaceful. Each cuddle creates an unspoken connection, as if he's pouring all his love and care into that moment.
What makes his cuddles extra special is how well he understands your needs, because Sirius doesn't cuddle just for himself; he takes great joy in making others feel loved and cherished through cuddling. Whether you prefer a tight cuddle for security or a gentler touch to relax, Sirius has a natural ability to sense what you want. He holds you just right, making sure you feel good.
z: zzz what is a sleep habits of theirs? this section is placed after hogwarts, as the dormitories in school are split by gender
Oof, listen… I don't know how to tell you this. Sirius may be the biggest cuddler in the entire world, no doubt about that, but when it's time to hit the hay, he needs an ample amount of room to get his beauty sleep. Once he drift off to dreamland, he transforms into a sleep-time Picasso of spatial mastery. His arms and legs seem to have a mind of their own as they stretch and sprawl in every direction, like sleep-induced contortionists claiming their kingdom on the bed.
The concept of "personal space" is seemingly foreign to Sirius during sleep. He enters a sleep cocoon of epic proportions, demanding a vast expanse of sleeping real estate. Snuggling becomes a distant memory, as he ventures into uncharted territories of the mattress, exploring the hidden corners of dreamland.
But I'm afraid there's more.
I feel like when the night falls, Sirius might just surprise you with a symphony of snores and nighttime chatter. Yes, you read that right – he's a sleep-time talker, sharing the deepest secrets of his subconscious in a language only dreams can decipher.
As he sails through the dream seas, expect occasional rumbles and melodic snores that could rival a choir of slumbering hippogryphs. He might even have conversations with invisible dream beings, providing an entertaining bedtime performance that leaves you wondering what extraordinary adventures he's experiencing in his dreamscapes this time, but when you ask him what he dreamt the next morning, of course he remembers none of it.
Sleeping with Sirius is like living in a dreamland sitcom, where cuddling meets elbow wedged between the ribs and snores blend with sleepy conversations. It's a one-of-a-kind experience that sometimes gives you a hard time and you're really close to move into the couch.
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chickpea0 · 18 days
Text
Going to be real for a sec, just thinking outloud because I know this is a safe place and I need to get thoughts out. Veeerry long! Not a vent just a brain dump. do not bother reading this unless youre really reallyyy into biographies lol this is literally 1,915 words
I'm stuck inbetween minds at the moment. I keep asking myself if regression, or dreaming, isn't really for me. I found agere and petre when I was very young, about 14; it piqued my interest because I'm a very curious person, interested in different lifestyles and ways to explore the self but I also think that because I was just coming out of childhood even though I thought my childhood had ended years before. I was just growing out of being a tween and at that stage in life, it's really startling going from childhood to seemingly adulthood overnight and it's quite natural and common for people to want to cling onto things when everything is being shaken up like that.
Intamacy with people, vulnerability and emotional closeness is always somethign I've struggled with and felt like it was just out of reach so the idea of allowing myself to be back at a stage where I was raw, authentic and less closed up was really really appealing. Plus, the idea of people understanding that and guiding me and just being around me would mean they *really* like me and they're not just there because they have to be, even though I've never had a caregiver though I have had like 2 online friendships where I could be baby around them which felt quite good but I never quite felt satisfied. probably because it was online and neither laster over 3 months. I'm practically always masking and the idea of being weird (I mean this without negative connotation) and expressive really sounded amazing. I have also always always always wanted to be apart of a community but I just never have. No clubs or hobbies that made me feel welcome growing up, no proper friend groups that made made me feel at home, I think I've been in a lot of fandom/online community spaces just because I wanted to feel apart of something though because I was never able to contribute it just felt like a one-way mirror.
So!! I find a lovely community like this! With a focus on mental health, togetherness, working through things and taking time to appriciate things, it's great! I love you guys! I can even make moodboards and little posts and I have a cg blog and a slightly bigger blog where I help boost creators on here. I have mutuals!!!!! People follow me!!! We talk on tags and comments!!! I feel like I have insider knowledge and experience because I've had a lot of oppertuinty to reflect on life and mental health and even on regression itself. But thing is I do not regress often at all. When I do it's for split seconds. When I'm really sleepy, when I'm allowing myself to be vulnerable, if I'm having a weird spacey day. I'm not sure if it's more dissociation or a sudden wave of emotion or what. I think I'm just generally an immature person some times. I haven't grown up yet, I'm only an adolescent. It's not something I want to force because forcing things like this, especially if it is dissociation, can be pretty bad for your brain. Age dreaming is a different thing though.
For me I'm between a rock and a hardplace. I do not feel like I regress organically enough to be on here nearly as much as I am. I'm so tense that I feel like I can't relax or open up enough to enjoy even age dreaming. Brainfog, sure! But it's not regression. I also do not want to edge too far and go into maladaptive nostalgia terratory. I feel, lately, like I kind of need to say goodbye and thank you to my childhood but it's over now and that doesn't have to be a bad thing. I think there's such a focus- everywhere online not just here- on "how good" the old days were. People making heart wrenching nostalgia edits with slowed minecraft music and ambient noise just to rake in veiws and to pull at your own heartstrings. It's natural to seek solace and yearn for something that was so familiar and safe especially at a time where not only is daily life changing for the individual but also for society at large. But rose tinted glasses are not accurate and can be dangerous. Nostalgia should be something that makes you feel light and refreshed. When you hear a song that you haven't heard in years and go 'oh! I remeber! I remember what my brain was like back then' and smile and move on. Maybe taking inspiration from it.
But.
I feel like my nervous system is so fried that making any progess is really draining and proper healthy coping mechanisms never seem to stick. I also feel very isolated, having no irl friends at the moment and not having any purpose like education, work, volonteering, passions, whatever. These are all things I have experienced for well over a decade which is... obviously a very large chunk of my life so far. So I really do need something to fill my life with, a familer space with familiar ideals and stuff. You guys are great. You have such refreshing takes and it just feels so calm and kind here. At the end of the day despite feeling a bit repetative at this point for me, I do enjoy looking at life through this lense. This place has not changed much at all since I started my blog in 2021. It's honestly one of the most consistant things in my day to day life! God. even the streets are changing but it's nice to know I can log on here if I need some reliability.
And thing is, I don't know if it's related to my ASD or my trauma or lack of experience in the world or none of those but I just feel a few steps behind my peers. They are all acting on their life plans or getting out and being social or enjoying new relationships. And I'm perfectly fine taking things at my own pace and growing in my own way but I just don't fit in really. I genuinely feel like I'll hit my stride in my mid twenties or older. Not because I'll have more qualifications or be high up in a career, I just feel like that is when I'll really start knowing and feeling like myself. That's the age when people generally start to figure things out. Basically, I like it here because I feel like I'm in a more similar life state. my focus is on getting through the day and making my own steps. I'm fine as long as I'm growing even if I'm burnt out lmao. Healing for over a decade drains you and I feel like my mental capacity is so small at the moment because of it. Like. I can't pick up a book or a new hobby or a job whatever because ALL of my bodily, mental, spiritual, emotional energies are going into mending and stuff. I feel like a 29 year old preschooler lol. 5 o'clock shadow and a sippy cup. haha. I like it here because it's like easy mode. it's like a holiday for your brain.
I'm honestly not sure what the point I started off with was. I have sooo many thoughts swirling in my head. At the end of the day I feel so burnt out and like I said, with such a small bandwidth that I feel like even regressing or dreaming or even just thinking about it is too much. Like. I used to cope and regulate by imagining scenarios in my head, like fanfics in my brain when I needed a little comfort but now I just can't! I can't imagine myself with a dream job or in a fantasy world or kissing someone cute, I just don't have it in me. It's not like I'm super low or anything, I'm actually generally pretty stable at the moment. I think what I want right now is to not feel alone. I don't want a relationship per se, not sure if it'd be fair to start something with someone but having a nice social circle would be a big relief. I can't remember ever really... having that. I guess I'm esoteric, with a full plate. I had a nice group of friends in college for about 2 years but thats dead now, we got on each others nerves at the end. But it was nice while it lasted. Imaging having a caregiver or being one is one of the only ways I can barely scratch that itch of wanting to rely on someone. Like. It's so deep at the moment, wanting comfort and all that, that "normal" soloutions to that just don't hit hard enough. Like I could imagine having a really nice friend group but irl I would need to be in a healthy friendship for quite a while before it started fulfilling that need, so imagining someone coddling me like I am a child, like I am something to be cherished, not just valued but cherished, that hits harder. thats nicer to think about. also also also co regulation + company is something i really desire.
I feel like I am so entwined with this community, more than anything else these days. It's sort of got a grip on me. and i dont know how i feel about that. none of you guys know me. i have mutuals, nice mutuals and people who are in my notes but none of you actually know me. i think maybe this place is more of a fantasy than a reality for me. and that tells me i need to distance myself but what else do i have?
I've tried taking a break before, you might remember, it only ended up being a few months but it was nice to come back.
right thats basically it. I assume if you've made it this far, seeing as I'm not even writing to anyone I'm just emptying my brain, I assume you're a very curious person. Someone who likes to feel involved. Like meeee. If anyone has any advice or sage wisdom or anything you want to say at all, please go ahead. This post is basically a bunch of thoughts with little resolve. This isn't really something I want to bring up with my therapist because onneee, I'm embarrassed, twwwooo she has most likely no idea of what age regression this, in this context. like. the age regression they talk about in regard to mental and psychological contexts, its pretty different to all this. anyway. i have other things in therapy to talk about lol maybe one day ill bring up that i feel like a small child in certain situations but let her lead that conversation. ah so.
yeah like. yeah. hi. if this resonates, im glad you found that. yeah. yeahhh i dont know. i have a lot of stuff going on. nothing in my life is straight forward. hence the... want to simplify things. I'm really tired now, wow!
to conclude, I'm a baby not necessarily a regessor. I'm running on fumes. i have a weird relationship with agere and im very hot and cold about it. goo goo ga ga but also i want to be respected and seen as a capable adult. i need a hobby. i need to rest but blehhhhh.
Here's a puppy as a treat for reading it all
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bluest-planet · 10 months
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Miguel O'Hara Analysis from a First Gen Latine Perspective; Crab in a Bucket.
Alright, I'm gonna start this by saying this: I am definitely not the most articulated person when it comes to explaining my thoughts. Most of this is just putting my heart on the page by relating what I saw in Miguel's behavior and just one outlook out of many layered analyses.
Anyways, here's my analysis of Miguel O'Hara and how his internalized racism and generational trauma/jealousy stands out to me, especially as a first gen mixed Latine.
Let's lay some groundwork for my perspective first! Hey, you can call me Moonie or Blue. I use it/they pronouns, proud to be queer! I'm a highschool dropout, and both of my parents were immigrants from rural and abusive families. Mexican and Salvadoran/Salvi to be clear. Have lived in poverty my entire life, and been whitewashed and forced to assimilate to keep up appearances for a good chunk of life.
I've heard bits and pieces about Miguel's comic origin, but haven't read them myself so apologies if I get some things wrong. I have seen Spiderverse 5 times so I feel like that's good enough. Anyways here's a story anecdote;
I went to Mexico not that long ago, to learn a trade from some family. Real blue collar, labor intensive, factory work. I was there for a while, and really got to marinate in what it's like to live in a country where you're not the minority anymore. I'm not targeted, I wasn't (entirely) racialized anymore. I was able to explore my family's culture more. Not that I've ever been entirely separated from it. But growing up in a white school where knowing Spanish forces you to go to English classes even though I had proved myself multiple times does something to you.
You assimilate, you're taken away from your culture. Anyone like you. It's lonely. And when you do find someone else like you, even if it's not the same country, but just latine, it's usually a fun experience to share our lives. Like a little secret between us no one else has. But as you grow and see more people, you realize how separate you are from the rest. I can't exactly relate to the latine-american experience (tm) like others do. I don't call myself Mexican or Salvi American, I don't like to. I didn't grow up that way. Ive always preferred to use the first generation. Or child of immigrants.
Miguel O'Hara is a mixed Mexican/Irish man. And from what I've seen; not all that attached to his Mexican identity either. It's made more prevalent in the movie however. He doesn't have a strong accent, he has the high cheekbones and eyes I'd recognize on a cousin. But the strong jawline and sunken face of a mixed man who's certainly not taking care of himself.
He reminds me of my cousins. Or my uncles.
He displayed a familiar rage to my own; lashing out and stressed. But it's got some sinister machismo underlaid in it. When he yells at Miles, all I see is my dad yelling at me, or myself yelling at my dad. Bc anger is the only way we knew how to communicate and express ourselves living under so much scrutiny all the damn time.
Bc yes; the spiderverse is amazingly diverse, and anyone can be the mask. But Miguel obviously doesn't really see it that way. There are exceptions. It's always come off to me how most of the maskless spiders we see have black and brown faces. And while I'm sure it's not all white. The amount of Peter Parkers. I'm sure they are the large majority. Or at least it feels like that.
Maybe he sees the spiders that aren't peters as straddling a thin line. A tenuous canonicity in a sea of Parkers. They don't break canon, but they're outliers. It just reminds me of the few black kids or brown kids I'd see in my white school. Maybe one or two in my own classes. And none of us reached out to each other often. We were left alone.
And left to be scrutinized by our white peers and teachers and school staff.
They might not say anything; but you feel that weight. That gaze on you at all times. I was lucky for being light skinned and ambiguous in my appearance. Some confused me for the few East Asian kids even. A more 'model' minority and free from more gazes able to 'pass'. Miguel is darker, but he's conventionally attractive, tall with straight hair and a sharp jawline instead of short, chubby cheeks, round face and curly hair.
I get praised for being light skinned and largely unblemished, for being skinnier than my siblings and having a more traditionally feminine fashion and hobbies. But my anger, temper, and lack of 'respect' downgrades me. My lack of education? More so.
My uncles would say;
"Well! Since you won't finish school, you might as well get a job wherever you can and support your family!"
"Yes, I'm trying my best, but I don't want to work for pennies and bad hours. A lot of places don't want to compensate me."
"How ungrateful! When we were your age, back in our day none of us were blessed to be in your position! You live in America, where you ungratefully gave up such great education and life! We were lucky to even go to elementary school! Your grandfather had us working in the fields, or fishing instead. And when we could work? We took what we could! It didn't matter if the company treated us right, paid us good, or gave us good hours, we did what we had to for the family! Your generation knows nothing of hard work!"
"But how can you have pride in that? How can you not understand how exploitative that was? Letting them work you like mules and destroy your bodies? Why did you not fight? Why would you want to suffer like that?"
"We know we were not treated right. But we have the guts to do work no one else wants to do! We're men! It's our duty to take pride in providing for the family. We break our bodies for our children and love– your parents did not do the same for you to copy our hardships. But if you won't take that opportunity given to you– then you'll face the consequences and learn your place. The companies will never treat us better; you should've been better sso you wouldn't have to face the same as us."
"So you agree? They won't change and they'll keep exploiting you or anyone else who doesn't exceed great expectations? That these companies are taking advantage of people as desperate as you to get away with it and shrugging off any attempts to unionize and make things better? They're enslaving our people. And you're just going to go along with it? Because that suffering makes you feel prideful, meaningful? Do you really just accept this shitty undeserving position in your life? All because you feel like you deserve it for the outcome of your life you had no control over?"
That is to say. My relatives could not understand why I do not fit their perception of America. Even in Mexico, where although they are poor and the majority; they idolize the US. They boast about working illegally in the US under exploitive companies to bring the mighty American dollar home. They scoff at the notion of unions, government aid and compensation bc they think those that live in the US and work in blue collar jobs are undeserving of the scraps we get for being undereducated or face institutional racism at every corner. Even in their position it reeks of classism. For them the US is a temporary shitty job to work in order to make themselves richer bc the dollar is worth more than the peso. They can't empathize with their struggling relatives across the border bc hey! The US, is amazing. Nevermind it's the exact reason why their own country and many others face the hardships that they do.
They don't realize the internalized racism in their pride. Feeling as if their lack of education and standing makes them only deserving of the worst jobs. That it's the only thing they can do right and are worth for. That anyone who doesn't succeed even after getting a better chance only deserves the same pain in order to uplift someone else's worth and has a chance. You become a lost cause; your only worth is a cog in the system and uphold the status quo. Never to question it, never to try to reach above your station after you missed your chance.
Like crabs in a bucket, they want to drag you down with them. Out of jealousy and misdirected anger. And for not meeting expectations. And for your own good, to learn your place.
Older relatives, and even immigrant parents often become extremely jealous of their children. For getting better lives they tried so hard to secure for them and for having the things they never had; or for not going through their own hardships. So they try to live vicariously through their children. Giving them great expectations to live up to bc they don't know how to compartmentalize all the racist trauma it took for them to get there and the real faceless enemy that put them through it. But their children have faces, their children are theirs– not people but property says America, and Catholic/Christian culture.
Immigrant parents love to pull the card of how indebted their children are to them, guilt trip them with their own pasts and current struggles. God forbid if you try to fight back and question the one authority and control they have over you.
Not all parents of course; But Miguel reflects this too me.
He may be more coded as being whitewashed and excluded from his culture. But he tries to fit in a curated collection he doesn't fit with. He puts up appearances as a strict, competent leader, but since he has an unremovable aspect to him that separates him from the rest- he wasn't bitten, he was mutated with a spider- which everyone makes clear to you.
Everyone makes it clear that you're not white, even when white culture is all you know having been so sanitized, defanged and removed from your own. That you wont ever fit in and must grovel for the rest of your life to make up for it. Even if it's all you've ever known.
Miguel is a spider, but he wasn't bitten so he's not a 'true' spider he tells himself. He's othered as well with what I interpret as unintentional microaggressions.
"He's like a ninja vampire but a good guy."
"you're just gonna have to shut up and trust me, I'm a good guy!" "You don't look like a good guy."
"You're like the only spiderman who isn't funny!"
"Dude are you sure you're even spiderman?"
-
"You're like a feisty Latina!"
"Wait, you were born here?"
"You don't look Latina!"
"Are you sure you're even Mexican if you can't speak it?"
He uses English more often, and Spanish as a quick add in. English is obviously preferred due to the fact his accent isn't all that strong and uses short repeated words or phrases.
He's violent when he first meets Miles. Throwing a trash can at him, rejecting his food, and admonishing him for something that wasn't necessarily his fault. But he does 'cool down'.
Him throwing the can reminds me of machismo, and how violent Latino men can get. It's a bad stereotype but for the movie- this struck me more as a critique of it. Enforcing some weird dominance and need to be aggressive to follow that weird expectation and allowances but also– it feels in line with who he is.
I have had more than a few rough patches being physically violent to express my anger when I couldn't win something or felt too small and had to lash out to make myself feel heard. Hitting someone, slamming doors, breaking things, yelling, and destroying things. I moved past that stage as I grew older and wasn't a child anymore. But hell. I've don't things I'm not proud of yet can't help because all my life you're told to be the model brown person. To never express rage and seem like the monster everyone is waiting for you to show. To it lies festering until you can use it behind closed doors. Latina girls aren't allowed to be visibly angry like that- and while it's expected from Latino boys, and feared when Latino men express it. Most of the time, we're not allowed to spread anger at all. Otherwise it does make us unreasonable, angry monsters.
You're not allowed to be angry or frustrated. Which only makes it worse.
I'm not excusing his actions. But his rage reminds me of my father or a relative, or even my own lashing out on a younger family member because it's so normalized to do it only to family and the young- the only excusable people to express it at without repercussions.
But then he cools down, he gets quieter, when Peter B walks in. And reminds himself of his audience and a fellow adult.
He then tried to be more rational and explains to Miles what he believes he did wrong. Tries to even relate his own trauma to convince and prep him to not put up a fight when he inevitably tells him the truth of what's to come.
"you can't ask me to just let my dad die!"
"I'm not asking."
It's a familiar emotion. When an adult, a father, a mother, an aunt, an uncle, or even a sibling tells you that something is going to happen whether you like it or not. Enforcing that will onto you for 'your own good.' Or because it's what 'has to happen."
Miguel is jealous of Miles. He got bit, he's more traditional in origin than Miguel, but he won't follow the expectations and 'bright future' he's been set up for. For 'wasting' his chance. A chance Miguel would die for. One similar to his own. As an anomaly that replaced/continued the mantle of spiderman after their original perished.
Because why would Miguel only mess with Miles now, instead of when he had a chance? If he had all this time and knew about him, why wouldn't he just cut the problem from the root earlier? Why would he let Miles live and work so hard just to restrain him for the canon even of his dad dying to pass? Why would he let Miles be this 'Original' Anomaly and run free?
Bc he knows on some level, he's spiderman too. More than he is. Miles still fulfills his position as spiderman in his verse. There's no need for Miguel to kill him or do anything other than make sure the canon still happens in that verse and then never let him escape his own world again. Nor does he likely really want to hurt/kill Miles. Honestly, it seems if Miguel had it his way from the start; Miles would have been left completely alone and isolated from ever knowing about the Spider Society at large and let him be Spiderman of his world. If he didn't know about the society he wouldn't know about the canon even and try to circumvent it and everything would have been smooth.
Bc what happens if Miguel won and kept Miles at HQ? His dad died and he's sent back to being Spiderman forever excluded from HQ? He never tries to get rid of him. And it's obvious; he never did anything to help the 42! Miles' universe beforehand either. Content to just let it be before Miles gets there. It doesn't seem like he has any plans to actually do anything about a verse missing a spiderman so long as it's not destabilizing.
He's mad that now there has to be a spiderman that took the place of one that didn't need to die; but that world still needed a spiderman Miles fulfilled. Now there's one without a spiderman too, but he can't take the spiderman from one world to the other– not when, although it's in shambles, it is still intact. He doesn't need to intervene. He just need to uphold the status quo and never question it.
He's jealous that Miles got to be a more traditional spiderman, but none of the hardship because he feels like Miles didn't do anything to deserve becoming spiderman in the first place. But if he's going to be one, then he better fit his exact mold to make it up to him. To prove he has worth in the cog. Accept the shitty hand he's been dealt and take pride in the awful like he has bc that's the only way to make him feel like he has any worth too anymore.
Miguel tried to rise above his station, he aimed for that better life. And what did it get him? Nothing. Everything was taken away from him. It was just proof by the universe telling him he did not deserve a better life than the shitty one he was dealt. He's just like my uncles, traumatized from working hard for pennies, and thinks he's deserving of it, because he wasn't educated/a traditional spiderman. And that anyone else who doesn't take the better opportunities needs to be taken down with him in shared suffering.
He sees Miles: another mixed kid, optimistic and worthy, confusingly rejecting every opportunity in the face of a little short term pain. Giving it all up bc of one small hiccup. He thinks Miles is ungrateful and greedy, wanting it all; after all he's seen what happens when you try to have it all.
In a twisted way. He thinks having his father die is the lesser evil, the smaller pain. A singular familial death is a small piece to pay for an entire stable universe and the glory spiderman brings. That by showing this reasoning to Miles, not giving him a choice and just enforcing it like he knows better than an ignorant child will save him the pain and effort. He's teaching Miles his internalized racism and trauma. Passing it down to him like it's a survival lesson. Telling him to swallow it like a bitter pill that will make him feel better. He treats Miles like getting bit was a moral failure and that he has to make up for it.
But like me to my Uncles. And Miles to Miguel, he tells him it isn't right. That thinking is wrong. This system isn't my fault. It's a bad system that needs to change so this never happens again. You don't have to suffer to succeed and survive. You don't have to accept scraps when you can reach for the full meal. You have to try for something better, no matter how hard, and fight to make things better.
Don't let sleeping dogs lie. Miguel can wallow for all Miles cares, but he isn't going to let himself lose that same fire for doing what's right and aiming for a life that he wants for himself and his friends that they actually deserve.
Elders let the status quo remain, they often feel like nothing will change, but we can't accept that otherwise nothing will actually get better, never going out of that system that beat them down. Constantly expecting the younger generation to bend to their will and experiences. Miles and Hobie make it a point to show that no, they can put up a fight and they should and shame everyone else for just accepting that false narrative blindly.
There's so much more I could get into but this is long. Like how he contradicts himself to better suit his argument and what not. I have so much to say but this was all what I've been rotating since watching the movie a ton of times. None of this even low-key touched on my issues on how he's viewed and portrayed by fans but- I hope this outlook kinda helps to humanize him? Like. Of course I know he's being unreasonable and violent/aggressive towards a kid. But at the same time, I feel like most people just see him as this angry violent person who is just on some self righteous power trip asshole instead of a complex character and TO ME- a reflection on latine elders and yet also what it's like to grow up whitewashed/undervalued and trying to bestow that trauma to a younger Latino boy as a bad way of teaching a life lesson, to assimilate him. It comes from a bad place of… not love, but just. Wanting to prepare someone for hardship and yet not questioning why he have to deal with that hardship in the first place.
Anyways good night! It's 3:30 am dear God excuse any mistakes I needed this out of my system.
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utilitycaster · 7 months
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Hello!!! I am new-ish to Dungeons & Dragons and would like to play a cleric. Seeing some of the responses to the gods in campaign 3, I'd really like to avoid some of those same attitudes from the anti-fc anti-god crowd, and just in general try to keep my own feelings on Christianity out of it. Do you have any tips?
So the underlying concepts of this are very difficult to answer, and I’ll talk about why. I also think that, to be totally honest, if you’re playing a character yourself, you will necessarily feel empathy towards them and prioritize their perspective, and in doing so, will not fall into those patterns I described re: FCG. The whole thing with FCG is immensely complicated in that it’s tied up in both very black-and-white anti-religious behavior, but also, on another level, profound resentment towards a character who many people believed earlier on was to be little more than a robot butler in Imogen and Laudna’s dream cottage, but instead ended up having a full character arc of their own.
The question of “how do I engage with cleric if I have complicated and at times negative feelings about religion” is a good one, but also, a very broad one, and I don't know if I'm the best person to answer because while I do have complicated and at times negative feelings about religion, I think this is very personal and situational depending on your specific issues and my experience may not apply. I’ve put some thoughts on how you can, well, interrogate that thought process below the cut. On a practical level, some starting points; feel free to ask me if you have more specific questions since this is necessarily very general.
The first thing to do is talk with your DM. If they have a world in mind, with gods and means of worship, that may inform you. It might be that your DM wants to show a world in which the gods or religious institutions are ill-intentioned or harmful (see: gods in The Silt Verses, The Trust in Midst, the Orzhov Syndicate in the Ravnica setting) and playing a cleric who either is perpetuating that harm, or who is themselves conflicted, would be totally reasonable for the story! The three works I mention above all have churches that are heavily tied into government and economy and are incredibly exploitative (as religious institutions can be in real life!) but also explore why someone with good intentions might be drawn to those institutions nonetheless. It’s your table. My thoughts on Critical Role don’t necessarily apply.
If you do want to play a character engaging with religion in good faith (pun unintended), then my advice is really just normal character creation advice. Why does your character find religion meaningful? Are they part of a larger institutionalized tradition, or are they practicing independently? If the source of their powers is a god, how did they find this god, or did their god find them? How do they feel about their god? If the source of the powers is conceptual, how did they come to worship this concept? Again, go back to your DM: how do they see the gods in this world? What is their role?
The even more general stuff below the cut:
The biggest ways to avoid falling into the hateful pitfalls I’ve talked about is to recognize that not all religion is the one in which you were raised (which you’ve done, which is, frankly, more than a lot of people do!), and that your personal experience is valid but not universal, and that for many people, including many Christians, religious expression is often heavily tied into their cultural heritage, sometimes in complicated ways. This is easy to talk about in relation to Judaism and Islam and indigenous spiritual practices, but I think it is also important to realize that, for example, the majority of African Americans descended from enslaved people are Christian and this is incredibly important to them culturally, even though the reason they’re Christian is due to it being forced upon their ancestors. This is also true about Catholicism among many people from countries formerly colonized by Catholic powers: since we’re talking about Sam’s character, it’s worth noting that, it was important for his wife, who is Vietnamese, that he convert to Catholicism, even though Catholicism was introduced to Vietnam via colonialism. (If you are yourself a nonwhite former Christian then apologies for explaining it; the attitudes towards religion I’ve found particularly difficult this campaign have primarily come from white Americans who were raised in a strict right-wing Christian background.)
Basically: religion is like politics: it’s a neutral system that exists, like or not. There’s ways to abuse power and use it in terrible ways; there's also ways to use it to help people. On its own, it is a concept without context. Or more bluntly, as a Jewish person, whether it’s the Spanish Inquisition forcing Catholicism, or the Soviet Union forcing non-religion, the result to Jewish people under this control was similar: assimilate or die.
Within Critical Role, we’ve seen religion as the oppressor (Hearthdell) and the oppressed (Schuester family). Destroying a temple can draw comparisons to tearing down the chapel of a residential school; but it can also draw comparisons to the Selma church bombings. Framing and context is absolutely everything.
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lucky-draws · 7 months
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scholarly article: maria silent hill.
uhhmm i feel like ive got a lot of maria thoughts that have been floating in my head for ages and they need to escape captivity. this isn't structured analysis though this is just me trying to explain why i like her in a rambling and disorganised manner. (and sort of hoping it might help me to do some art or something.)
the obvious thing that makes maria such an interesting character is that she's not Real...she's the product of james' imagination (at least, that's one interpretation..) ...she's an idea, a symbolism, a hallucination, a ghost, whatever. but in born from a wish, you get to play as her, you get to hear her thoughts, you experience her and she feels as "real" as any other playable character, and it's like. its just so so good, because she's a self-aware unalive girl and there's so much to explore regarding her sense of self, and her sense of identity. like.
she has no past, no memories. or does she? does she have mary's memories, or tastes, or habits, or was she "born" as a blank slate? there's so many different ways to think of her, but in the case of her being a product of james' mind as a kind of idealised version of mary/expression of his sexual repression, i like to think that some of james' desires manifest in her, like maybe she has this kind of restless energy, a restless hunger/desire that she can't really control or finds it hard to suppress. idk its hard to articulate. ( listen to sister of night by depeche mode if you like because that is a song that makes me think hoh....this is maria ! )
and the whole thing of her knowing that she only exists in james mind/because of james. she tries to cling on to him, tries to convince him that "i'm always here for you, james!" because she knows that as a figment of his imagination, if he decides he doesn't want her anymore, she will just cease to exist. james is her "creator" basically. she's at his mercy.which is a horrible and tasty dynamic. and i just enjoy the whole thing of can she break free of him; can she break free of her connection to him, to mary, can she develop thoughts and feelings and desires that are entirely her own. could she become a "real" person. does she want to? she knows she's a ghost; but when she decides not to kill herself, is that out of a desire to live or resignation to the fact that she can't die? she's an incredibly lonely character.
(also if you've ever seen tarkovskys solaris or read the book maybe you will understand me when i compare her to the character of hari i.e. an apparition/hallucination who possibly becomes/believes she becomes real. idk. unalive girls who become alive even though its sort of not possible. i just enjoy them. )
i also have a very specific sort of canon-divergence flavour of idea related to the rebirth ending and in a sort of maria x mary way; my vague imagining is that james succeeds in bringing mary back to life, through the ancient Powers of the town or whatever. but there's a catch, so to speak; maybe the town demands that for a life to be reborn, a life has to be taken, and so james um. conveniently for shipping purposes. dies. but mary lives, and so does maria, because the mysterious and tricky town considers her to be inseperable from mary/kind of the same person, so they both end up alive and in silent hill. which opens up so many issues like. how does maria come to terms with looking at someone who is her copy (and vice versa.).
does mary even want to be alive? maybe she isn't "properly" alive; maybe she's just a ghost like maria. maybe james isn't really dead; maybe they're both existing as products of both his imagination and the town's influence; either way, now there's two unalive girls in an empty, monster-filled town. and it's like do they hate each other are they just sad ghosts together do they have gay sex sometimes we just dont know. i wanted/still kind of want to write fic about this idea in some form or other but so far i just haven't really managed to find time or braincells but maybe i still can at some point.
of course, there are other ways of interpreting maria; i've seen the theory that actually, she's the product of mary's desires; she's who mary wants to be, an idealised mary who isn't sick. and maybe she felt some kind of repression or opression being with james. and it certainly fits the "born from a wish" title very well; a wish to be healthy, a wish to be free. who knows. that idea is equally tasty and fascinating, really, but i only have room in my tiny mind for one interpretation so im kind of just leaning for now towards her being born from james' mind intstead . so uhm.
conclusion: she's just so so fascinating to me and she rotates in the back of my mind 24/7. i love sh2 and i looove born from a wish its sooo interesting to be able to play as someone like maria.
also she's sexy .
the end.
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punksocks · 3 months
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Hii I hope you’re having a good day! What are your thoughts on my big three? Gemini Sun, Aries Moon, Libra Rising?
Hi! I love your questions, you're so sweet! I'm so sorry it takes me so long to reply lol :,0 Ok anyway
Libra Ascendant: This is a very charming and balanced placement to have. You're able to approach all of the situations you're in and the people you meet with a balanced perspective. Others find you really charming, sociable, and attractive (in both a conventional sense and an abstract way, your vibe puts others at ease and they like being around you.) You really enjoy harmonious environments and experiences as well, you like being around people that are creative and peaceable by default. With whole signs, essentially all of your houses have their opposite like exalted rulers, so you tend to have to learn lessons of balance throughout your life and experiences as well. A lot of Libra risings are naturally inclined to seek out romance and partnerships as well. With Venus as your chart ruler you may feel more "whole" when you're in a balanced partnership, when you have at least one person that balances you out in your day to day life. You are also inclined to be creative, you could really enjoy expressing yourself artistically and find that you are naturally drawn to the arts in general.
Gemini Sun (in 9th): (-I did my best whole signs math with your Libra rising lol, if I'm wrong let me know !) With Gemini Sun, you are a smart individual. In general I find that a lot of air signs are inclined to seek some sort of balance with duplicity (libras and partnership, aquarius and community) and that's especially emphasized with Geminis imo. Geminis tend to be known for their duplicity (it's almost a meme now lol), but there's a lot of complexity here. I notice that Gemini suns identify a lot with their mind, their thought process, and being intellectually stimulated. So the duplicity you often seek out can be with opinions and knowledge outside of your own. Your sister sign, Sagittarius, will often do this on a large cultural/existential/philosophical scale, while Geminis tend to have a much more personal and intimate journey with knowledge. School, books, subjects based more in hard facts, etc- Geminis tend to pair their knowledge with what is written, essentially. A big theme in your identity and attention to self can come into play with your school years and your personal community in general (especially siblings, cousins, childhood friends/neighbors, etc). Aside from this sort of learning journey you tend to be invested in excitement with your mental stimulation. You have a contagious sense of humor, and can be kind of a trickster at times. Puzzles are what I think of, you tend to figure out how others tick more easily but you're like a puzzle- you can be a challenge to figure out. In 9th you may find yourself expressing your identity through Sagittarius themes. Higher education (college & post secondary), exploration of cultures outside of your own, travel, and religion could all impact your sense of self and what you identify with.
Aries Moon (in 7th): With an Aries Moon, you are emotionally independent and straight forward. The moon shows who we are and what we need on the most intimate level of ourselves. So at your core, you tend to express your emotions in an upfront and honest way. You may have a sort of blunt way of expressing your anger especially. But you tend to be jovial and optimistic overall. You may come off as self focused, but personally I find that Aries moons are the least selfish of Aries personal placements (when developed). You defend your loved ones furiously, and can be very protective of those you care about. You can come across as rather emotionally impulsive; when you fall for someone you fall in love hard and fast, when you get angry you blow up and are over it just as quickly, etc. You may use exercise or some sort of physical activity to blow off steam as well. I also feel like developed Aries moons tend to have a healthy relationship to their inner child, i.e. at your core you understand your comforts and what makes you truly happy and you don't hesitate to go after these things. Also, you tend to get emotional fulfillment from chasing things you want and achieving them. I would also assume that you prefer to express certain emotions alone and on your own time, but in general if a feeling takes you you won't hesitate to act it out. In 7th you may have Libra themes come up with your moon, so you may handle your
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