#include microsoft visual

[theabstruseone]

I slept in and just woke up, so here's what I've been able to figure out while sipping coffee:

Twitter has officially rebranded to X just a day or two after the move was announced.

The official branding is that a tweet is now called "an X", for which there are too many jokes to make.

The official account is still @twitter because someone else owns @X and they didn't reclaim the username first.

The logo is 𝕏 which is the Unicode character Unicode U+1D54F so the logo cannot be copyrighted and it is highly likely that it cannot be protected as a trademark.

Outside the visual logo, the trademark for the use of the name "X" in social media is held by Meta/Facebook, while the trademark for "X" in finance/commerce is owned by Microsoft.

The rebranding has been stopped in Japan as the term "X Japan" is trademarked by the band X JAPAN.

Elon had workers taking down the "Twitter" name from the side of the building. He did not have any permits to do this. The building owner called the cops who stopped the crew midway through so the sign just says "er".

He still plans to call his streaming and media hosting branch of the company as "Xvideo". Nobody tell him.

This man wants you to give him control over all of your financial information.

Edit to add further developments:

Yes, this is all real. Check the notes and people have pictures. I understand the skepticism because it feels like a joke, but to the best of my knowledge, everything in the above is accurate.

Microsoft also owns the trademark on X for chatting and gaming because, y'know, X-box.

The logo came from a random podcaster who tweeted it at Musk.

The act of sending a tweet is now known as "Xeet". They even added a guide for how to Xeet.

The branding change is inconsistent. Some icons have changed, some have not, and the words "tweet" and "Twitter" are still all over the place on the site.

TweetDeck is currently unaffected and I hope it's because they forgot that it exists again. The complete negligence toward that tool and just leaving it the hell alone is the only thing that makes the site usable (and some of us are stuck on there for work).

This is likely because Musk was forced out of PayPal due to a failed credit line project and because he wanted to rename the site to "X-Paypal" and eventually just to "X".

This became a big deal behind the scenes as Musk paid over $1 million for the domain X.com and wanted to rebrand the company that already had the brand awareness people were using it as a verb to "pay online" (as in "I'll paypal you the money")

X.com is not currently owned by Musk. It is held by a domain registrar (I believe GoDaddy but I'm not entirely sure). Meaning as long as he's hung onto this idea of making X Corp a thing, he couldn't be arsed to pay the $15/year domain renewal.

Bloomberg estimates the rebranding wiped between $4 to $20 billion from the valuation of Twitter due to the loss of brand awareness.

The company was already worth less than half of the $44 billion Musk paid for it in the first place, meaning this may end up a worse deal than when Yahoo bought Tumblr.

One estimation (though this is with a grain of salt) said that Twitter is three months from defaulting on its loans taken out to buy the site. Those loans were secured with Tesla stock. Meaning the bank will seize that stock and, since it won't be enough to pay the debt (since it's worth around 50-75% of what it was at the time of the loan), they can start seizing personal assets of Elon Musk including the Twitter company itself and his interest in SpaceX.

Sesame Street's official accounts mocked the rebranding.

[lakemojave]

OOPSIE I HAVE TO CHANGE MY STREAMS UP A BIT!!!

With the release of the new oblivion remake it's come to my attention that Microsoft is a BDS boycott target, which includes its game publishing house and its subsidiary game studios like ZeniMax/Bethesda, Obsidian, and anything else that publishes through XGS. This means that not only will Halo streams be on hold, but so will anything connected to this year's releases such as South of Midnight, Avowed, and particularly Doom: The Dark Ages. I encourage my fellow streamers to hold off on these games as well, and anything that might give free hype and advertising to anything that Microsoft will profit from this year.

In the meantime, all future Doom 2016 and Doom: Eternal streams will be on hold, which means tonight I'll be doing more POKEMON ACADEMY LIFE FOREVER!!! Tonight's stream is a really big one actually, if you're at all curious about this wonderful fan project or just like Pokemon in general, I highly recommend tuning in tonight. Expect this silly little visual novel's plot to get really crazy and get ready for another crazy voice performance by one @brucebocchi. See y'all at 6 pacific!

[nondelphic]

creatives, please use alt text

one of the first things i learned in journalism school was how to write alt image descriptions.

at first, it felt tedious. every single photo or graphic required a description, and if we skipped it—or wrote a lazy one—our professors didn’t hesitate to fail us. at the time, i didn’t fully understand why it mattered. but now, i’m so grateful they drilled it into us. if i’d never gone to journalism school, i might have never known how vital alt text is.

for those unfamiliar, alt text (short for “alternative text”) is a written description of an image. it allows people who use screen readers to know what’s in an image, making content accessible to those who are blind, visually impaired, or have other disabilities that prevent them from viewing images. you're basically translating visual content into words.

as creatives, whether we’re writers, artists, photographers, or meme page admins, we have a responsibility to make our work accessible. after all, what’s the point of creating something if a huge portion of your audience can’t engage with it?

why alt text matters

it ensures accessibility - a visually impaired person using a screen reader should be able to understand the context of an image just as easily as a sighted person.

it’s inclusive - adding alt text isn’t just for people with disabilities. sometimes, images don’t load due to bad internet, and alt text helps everyone understand what’s missing.

it’s good practice - if your work exists online, you want it to be as widely understood as possible. accessibility makes your content stronger.

okay, but how do i write alt text?

writing alt text isn’t as hard as it might seem! here are some tips:

be concise but descriptive - describe the essential elements of the image. what would someone need to know to get the gist of it?

include context - if the image is part of a larger story, explain its relevance. for example, “a black cat sitting on a pumpkin, used to illustrate a halloween-themed story.”

don’t overthink it - you don’t need to describe every pixel. just focus on the most important details.

alt text and ai tools

in the era of chatgpt and microsoft copilot, we’ve got a major advantage: ai tools can now generate alt text for you!

while these tools aren’t perfect and often need a bit of tweaking, they’re a great starting point. platforms like adobe, microsoft, and even some social media apps have built-in options for generating descriptions. if you’re overwhelmed by the idea of writing alt text from scratch, let ai do the heavy lifting, and then refine it.

a creative responsibility

alt text isn’t just for journalists or big companies, it’s for all of us.

as creatives, we have the power to make the internet a more inclusive place. whether you’re posting a masterpiece, a meme, or a picture of your cat, take a moment to add alt text.

adding alt image description is SO EASY and quick and we all need to get better at adding it to our posts. i, myself, am not perfect. on here, for example, i've been really bad about writing alt image descriptions, and it's something i'm very disappointed in myself for. (i hereby pledge to do better, and please call me out for lacking in the future!)

writing alt text is not only about respecting your audience, but it's also about recognizing disabled people's right to engage with your work.

accessibility isn’t optional !!

[sphacelating]

What are your thoughts on TCOAAL mods? I tried watching one of Renee and Andrew but... I couldn't finish it due to the characters just not feeling like themselves anymore.

blatant plagiarism if you ask me, and probably would fall under that if nemlei decided to sue for copyright infringement. i have no interest in going near it. it’s taking nemlei’s story and her art and her characters and releasing an entirely different story, a version of the game where ashley’s sprite is replaced by renee’s and andrew wants to fuck his mom. nemlei herself seems a bit irked by it, judging by the piece of optional dialogue she included in the hallway scene:

so, simply put: i find these mods disrespectful because it’s certainly no longer nemlei’s story or nemlei’s characters as she wrote them in her game. and for what? to turn the game into meaningless “yay hot milf x her son” slop that doesn’t make any sense at all for the story?

no, it’s not the same as game mods that are, say, original cc and skins for your original character in dragon age or baldur’s gate. this is a visual novel, an interactive story, it’s the equivalent to dumping a pdf of a book into microsoft word, hitting ctrl+f and replacing “ashley” with “renee” (or your oc’s name, but at least that’s creating original fan content to some degree for your own enjoyment) and then publishing it online.

and no, it’s not comparable to fanfiction either, which is simply borrowing nemlei’s characters for writing purposes and creating original work— generally, in fandom, a way to show appreciation and with no lack of respect towards the original creator’s work.

all that said, i’m not the fbi, i really don’t care what people download onto their computer as long as it wouldn’t put you on a watch list.

[books]

Writer Spotlight: Jamie Beck

Jamie Beck is a photographer residing in Provence, France. Her Tumblr blog, From Me To You, became immensely successful shortly after launching in 2009. Soon after, Jamie, along with her partner Kevin Burg, pioneered the use of Cinemagraphs in creative storytelling for brands. Since then, she has produced marketing and advertising campaigns for companies like Google, Samsung, Netflix, Disney, Microsoft, Nike, Volvo, and MTV, and was included in Adweek Magazine’s “Creative 100” among the industry’s top Visual Artists. In 2022, she released her first book, An American in Provence, which became a NYT Bestseller and Amazon #1 book in multiple categories, and featured in publications such as Vogue, goop, Who What Wear, and Forbes. Flowers of Provence is Jamie’s second book.

Can you tell us about how The Flowers of Provence came to be?

I refer to Provence often as ‘The Garden of Eden’ for her harmonious seasons that bring an ever-changing floral bounty through the landscape. My greatest joy in life is telling her story of flowers through photography so that we may all enjoy them, their beauty, their symbolism, and their contribution to the harmony of this land just a bit longer. 

(Photograph: Jamie Beck)

How do your photography and writing work together? Do you write as part of your practice?

I constantly write small notations, which usually occur when I am alone in nature with the intention of creating a photograph or in my studio working alone on a still life. I write as I think in my head, so I have made it a very strict practice that when a thought or idea comes up, I stop and quickly write the text in the notes app on my phone or in a pocket journal I keep with me most of the time. If I don’t stop and write it down at that moment, I find it is gone forever. It is also the same practice for shooting flowers, especially in a place as seasonal as Provence. If I see something, I must capture it right away because it could be gone tomorrow. 

(Photograph: Jamie Beck)

You got your start in commercial photography. What’s something you learned in those fields that has served you well in your current creative direction?

I think my understanding of bridging art and commerce came from my commercial photography background. I can make beautiful photographs of flowers all day long, but how to make a living off your art is a completely different skill that I am fortunate enough to have learned by working with so many different creative brands and products in the past. 

(Photograph: Jamie Beck)

Do you remember your first photograph?

Absolutely! I was 13 years old. My mother gave me her old Pentax 35mm film camera to play with. When I looked through the viewfinder, it was as if the imaginary world in my head could finally come to life! I gave my best friend a makeover, put her in an evening gown in the backyard of my parents’ house in Texas, and made my first photograph, which I thought was so glamorous! So Vogue!

You situate your photographic work with an introduction that charts the seasons in Provence through flowers. Are there any authors from the fields of nature writing and writing place that inspire you?

I absolutely adore Monty Don! His writing, his shoes, and his ease with nature and flowers—that’s a world in which I want to live. I also love Floret Flowers, especially on social media, as a way to learn the science behind flowers and how to grow them. 

How did you decide on the order of the images within The Flowers of Provence?

Something I didn’t anticipate with a book deal is that I would actually be the one doing the layouts! I assumed I would hand over a folder of images, and an art director would decide the order. At first, it was overwhelming to sort through it all because the work is so personal, and I’m so visual. But in the end, it had to be me. It had to be my story and flow to be truly authentic. I tried to move through the seasons and colors of the landscape in a harmonious way that felt a bit magical, just as discovering Provence has felt to me. 

(Photograph: Jamie Beck)

How do you practice self-care when juggling work and life commitments alongside the creative process?

The creative process is typically a result that comes out of taking time for self-care. I get some of my best ideas for photographic projects or writing when I am in a bath or shower or go for a long (and restorative) walk in nature. Doing things for myself, such as how I dress or do my hair and makeup, is another form of creative expression that is satisfying. 

What’s a place or motif you’d like to photograph that you haven’t had a chance to yet?

I am really interested in discovering more formal gardens in France. I like the idea of garden portraiture, trying to really capture the essence and spirit of places where man and nature intertwine. 

Which artists do you return to for inspiration?

I’m absolutely obsessed with Édouard Manet—his color pallet and subject matter. 

What are three things you can’t live without as an artist?

My camera, the French light, and flowers, of course. 

What’s your favorite flower to photograph, and why?

I love roses. They remind me of my grandmother, who always grew roses and was my first teacher of nature. The perfume of roses and the vast variety of colors, names, and styles all make me totally crazy. I just love them. They simply bring me joy the same way seeing a rainbow in the sky does. 

(Photograph: Jamie Beck)

[yurimother]

Yuri Visual Novel 'Please Be Happy' Celebrates Console Release

On Friday, Studio Élan celebrated that its 2022 Yuri visual novel Please Be Happy is now available on PlayStation 5 & 4, Nintendo Switch, Xbox Series X|S, Xbox One, and the Microsoft Store as of February 21, 2025. The game was ported to consoles by Sometimes You, which also publishes the title on those platforms.

The developer describes the visual novel:

Please Be Happy is a comfy slice-of-life yuri romance visual novel set in a fictional version of Wellington, New Zealand. Born as a fox in the forest of Korea, Miho carries with her the memory of a traveler who showed her kindness and spoke of home. Now more human than fox, Miho has spent a long, long time searching for her person. She arrives by airship to Wellington, one of the jewels of the floating island of New Zealand. Despite her years spent observing humans, she still has a lot to learn about their culture and society. She's made a living so far as a thief, her heightened senses allowing her to easily take advantage of people. She's also seen a lot of the worst of what mankind has to offer. It's only after meeting Juliet, the owner of a small library, and Aspen, an aspiring novelist, that Miho starts to understand what kindness is, and that there's more than just the bad stuff when it comes to people

Please Be Happy was directed by adirosa. The visual novel includes a script of over 220,000 words from writer Josh Kaplan, with additional writing from adirosa and lovelandisle. It features character designs and CG artwork by artist Kobuta, with additional illustrations by adirosa. Players can explore two different romantic routes, each with two possible happy endings. The game includes full English voice acting and an original soundtrack composed by Sarah "Esselfortium" Mancuso, who also composed the music for Studio Élan's Heart of the Woods.

Please Be Happy was initially released by Studio Élan on November 21, 2022, on Steam and itchio. It currently has a "very positive" rating on Steam, with 99% positive ratings from over 250 reviews.

Studio Élan is a game development studio focusing on Yuri and LGBTQ+ visual novels that (mostly) focus on magic and fantasy. Their previous releases include Heart of the Woods and Highway Blossoms (originally from founder Josh Kaplan's previous group, Alienworks). The studio also publishes other developer's projects under its publishing wing, Bellhouse.

Please Be Happy is available now on PlayStation 5 & 4, Nintendo Switch, Xbox Series X|S, Xbox One, the Microsoft Store, Steam, and itchio for $19.99.

Source: Press Release

[not-your-bro]

what i did and didn't (but mostly didn't) like about until dawn remake's character trait changes

hello friends and fans. i am super excited to welcome all my pals back to the latest episode of Laura Yaps About Until Dawn Remake. i've talked about the prologue here and here, and i plan on talking about other elements of the game (visuals, gameplay, narrative changes) whenever life and time allows.

before i go off about the character traits, thanks to @claarria for posting this handy side-by-side of old vs new. super helpful! i'll be using those images here.

and generally speaking, let it be known that i think the font change is so fucking ugly 💖 like god bless but it is so bad 💖💖 and they've made the layout so much less dynamic by just listing all the traits straight down, bullet point style?? it is all very microsoft powerpoint core and it sucks. anyway. onto the characters, in order of appearance.

sam

off topic but very importantly, how did they fuck up sam's face THAT bad?? ballistic moon sapped the life out of her and now there is literally nothing behind those eyes. HOMEGIRL WAKE UP 👏👏

one trait change here: adventurous -> brave. not wrong, but super redundant, because brave is one of the character stats in the menu, so like. at any point when i'm playing her, i can pop in the menu and see exactly how brave she is. it's pointless to put it here.

chris

one change: methodical -> loyal. and honestly. this one slays i can't lie. like yeahhhh 🔥🔥🔥🔥🔥

i know everyone loves to hate on chris now, but he pushes to help sam even when it puts himself at risk and he goes to the shed to get josh even though josh just traumatized the hell out of him lmao. boy is loyal asf and i'm more than happy to see it replace methodical.

jess

big changes here. i'm not jazzed to see confident go. i always thought smg included it purposefully, because this is how jess is trying to come across, even though she's actually insecure.

and imo trusting fits her far better than, say, driven. based on em's comment about her grades (and the fact that jess doesn't deny it lmao), i don't think she has much drive or ambition at this point in her life. she's always struck me as the kind of person who doesn't have a big dream or passion, and as high school graduation approaches she would feel sort of aimless? like she doesn't know where to go next.

i don't mean these as negatives, btw. jess is a top 3 ud character for me. i just don't think she's driven. and i think she is irreverent. and that's fine. 💖

emily

one change: persuasive -> forthright. like sam's change, this isn't wrong. emily is definitely forthright. but i don't like that we're shifting her further from mike (more on that later), and this change makes her use of words seem less purposeful. like she says what she wants just for the sake of it, instead of: she knows what to say to get people to do what she wants.

matt

matt's trait changes make for a much different impression. motivated and ambitious have been swapped with obliging and dependable, which shifts the focus from himself to others. we're drawing attention to an agreeable, go-with-the-flow personality, rather than the fact that he's got big dreams for himself (get that scholarship, bud).

i'm not sure i'm the biggest fan, because it kind of makes him seem like a doormat? it's possible that he never talks to emily about how she treats him, and he does film the prank on hannah even though he doesn't seem like he would. still...i guess i wish there was more of a mix here. he can be obliging and dependable, but he doesn't have to be, depending on your choices, and this really makes him feel like everything he does is for the sake of others.

mike

i appreciate ballistic moon pulling these shots back a little - some of them were really, like, up the character's nose lmfao. but bro those traits are unreadable against mike's skin 😭😭

anyway, mikey gets a complete overhaul. i've been over brave with sam. it's a waste of a slot. and it's not that mike isn't driven or charismatic. i mean, he is definitely charismatic, given his popularity in fandom. even i have this feeling of 'man, i should not be charmed by him' <- is definitely charmed by him. but i think we're losing a lot by separating him from emily, with whom he used to share 2 out of 3 traits (intelligent and persuasive). i always thought that said a lot about why they would be drawn to each other and start a relationship - but also why that relationship wouldn't last.

if i were to give mike any new trait, it'd probably be impulsive, which i think is a great fit for him. mike may be intelligent, but when it comes to decisions, he's a man of action - a doer, not a thinker. which is just as likely to lead to a bad outcome as it is a good one.

ashley

one change here (forthright -> sensitive), but god does it fucking suck. SENSITIVE?????? be fr. is ashley sensitive or is she traumatized nonstop for eight hours? she was upset when she was chained to a wall and thought she was going to die! when she thought her friend died! when she thought her other dead friend's ghost was trying to communicate with them! when she was put in a life-or-death trap a second time! that sure was sensitive of her!

if i could revert only one trait change, it would be this one. 0/10.

josh

must be said that josh's shot is much better in the remake. it could not have been worse, like i will never understand how anyone looked at that half-closed eye and open mouth and was like yeah that's a good first impression LMAO. so, cool with that.

tbh i also like josh's trait changes? this is another total overhaul, but honestly, at the risk of getting booed offstage, i'm happy with this. if i'm being real, complex was always a waste of a slot. like...yeah? i hope so? all of your characters should be complex to some degree. it feels like a weird shade to the other characters to point out one guy, specifically, as complex. so the rest of them are simple, then? 🤨 it's not that i would argue against josh being the most complex - i do think he is (though i realize my stance on that means little because i'm up this man's ass). it's just weird to draw attention to it.

as for the other traits, yeah, josh is thoughtful and loving. for sure. but i feel like these are sort of...level 2 traits. ykwim? and the new traits are level 1. if you hung out with josh in a casual way, in a group setting, remake traits would be more likely to spring to mind, to match that initial impression. i think you'd have to look more closely or spend more time to clock that he's thoughtful and loving, because outside of his sisters, i don't think he's particularly straightforward or overt in the way he conveys those things, and he wouldn't draw attention to them. maybe i'm leaning too hard on the version of him i've fleshed out in my mind, but josh is the kind of guy who would, like, remember one offhand comment matt made about liking a specific brand of beer. months later, at the next lodge trip, it's there in the fridge, and josh says nothing about it. but he remembered, and he got it. that's josh's brand of thoughtfulness. in my opinion.

none of these six traits are wrong, i just think the new ones are better 'first impression' traits for him.

[it-crowd-unexpected-reboot]

Update #2: A New Outlining Method, Dropdown Plotter

I've been having a hard time conceptualizing how to plan out a novel lately. It used to come so easy to me. Now that I'm a real adult, it feels like there isn't enough space in my brain anymore for me to have my story all in my head without writing my ideas down somewhere.

So, good outlining methods, which can be hard to come by, are crucial for my writing process.

But, a lot of traditional methods don't work for me.

In my opinion, it's extremely important to have an outlining method that doesn't overwhelm you, and which feels creatively freeing. And when do I need to be more creatively free, than when writing an IT Crowd fanfiction?

So I've come up with a new outlining method that I'd love to share with you all! I call it Dropdown Plotter.

Dropdown Plotter uses the dropdown menu feature, which can be found in both Google Sheets and Microsoft Excel, to help you better visualize (and, most importantly, easily reorganize) the major aspects of each chapter of your story.

Basically, it's a spreadsheet that includes, at minimum, 8 columns.

Chapter Title

Plotlines

Included Character(s)

Perspective Character(s)

Location(s)

Chapter Story Description

Writing Stage

Due Date

Why keep track of these things? Balance. Basically, making sure your characters, plotlines, POVs, and important locations all get adequate page time.

It's a lot easier to conceptualize these things when you have it on a color-coded spreadsheet, zoomed out really far, and can see in a big picture way. For example, you might see that the red color indicating "Legolas" is in a scene, drops off after Chapter 17. You might see that the green-coded plot about his missing shoe is only important for 5 chapters in the middle of the story, or that we're spending almost the entire story in the bathroom and never in the evil lair.

So, how do you use the Dropdown Plotter?

First, you go into the dropdown menu, and you can see all the plots you've selected. There's a handy "search feature" for those writing the next Game of Thrones. You want to click the little pencil icon in the bottom right, which is the "edit" button.

On the right-hand side of your screen, a column will pop up called "Data Validation Rules." From here, you can edit the names and colors of each item in the dropdown menu, and add or delete things as you'd like.

Make sure to click "allow multiple selections" on the bottom of the data validation rules pop-up. This will allow you to select multiple characters, multiple locations, and multiple plots when you're in the dropdown menus.

Don't forget to click "Done" at the bottom!

On top of the dropdown menus, the nice thing about working in a spreadsheet is that you can always drag and drop the rows and columns. This makes it extremely easy to change the order of scenes around, in a way that feels very impermanent and easy.

Here is what my Dropdown Plotter looked like for the first three chapters of The Grant: An IT Crowd Fanfiction.

Looks pretty, right? And pretty outlines build confidence! Not only that, but what I like most about this outlining method is that it encourages me to be less precious with my ideas.

It's way less intimidating to overhaul major aspects of your story, such as the dominant POV, the main plot, etc., when all you have to do is click a little button in the dropdown menu to change everything. When I'm editing a little blurb in a spreadsheet versus an entire step outline, it reminds me that no writing problem is insurmountable, and nothing is ever really set in stone.

Again, it builds confidence.

Unfortunately, I've only built a Dropdown Plotter in Google Sheets, but I've provided a blank version to share with you all. The nice thing about spreadsheets is that you can add and delete things as you see fit. For example, some people might want to add...

More columns indicating multiple scenes within the same chapter!

A "Story Beat" column, to mark the specific plot beats each chapter follows (as in the Hero's Journey or the Blake Snyder Beat Sheet).

An "Important Info" column, to mark any worldbuilding or character details discussed or introduced in a certain chapter.

Literally anything your little heart desires!

Happy outlining and I hope you enjoy the Dropdown Plotter!

[satoshi-mochida]

Silent Hill f confirmed for PS5, Xbox Series, and PC; reveal trailer - Gematsu

Silent Hill f will be available for PlayStation 5, Xbox Series, and PC via Steam, Epic Games Store, and Microsoft Store when it launches, publisher Konami and developer NeoBards Entertainment announced. A release date was not announced.

Here is an overview of the game, via Konami:

About

In 1960s Japan, Shimizu Hinako’s secluded town of Ebisugaoka is consumed by a sudden fog, transforming her home into a haunting nightmare. As the town falls silent and the fog thickens, Hinako must navigate the twisted paths of Ebisugaoka, solving complex puzzles and confronting grotesque monsters to survive. Immerse yourself into Hinako’s world imagined by renowned author Ryukishi07, with entrancing music, including pieces by Akira Yamaoka, and beautiful visuals in a gripping tale of doubt, regret, and inescapable choices. Will Hinako embrace the beauty hidden within terror, or succumb to the madness that lies ahead? Discover a new chapter in the Silent Hill series, blending psychological horror with a haunting Japanese setting.

Story

In 1960s Japan, teenager Shimizu Hinako lives in the small, remote town of Ebisugaoka, nestled in a mountain pass. An average teen, she passes the time with nothing particularly special about her life. Until, that is, a deep fog descends on Ebisugaoka, and everything Hinako knows crumbles as she finds her once-familiar home infested with spreading danger, the town empty except for the horrors teeming in the fog. Now, as she navigates the twisting paths of Ebisugaoka, Hinako must solve puzzles and fight for her life in her struggle to survive. Her struggle to reach the inevitable decision that must be made. And her struggle to put an end to that which must be slain. Will she choose to embrace elegance and beauty? Or will her path lead her to madness and horror… A story of impossible decisions, of the beauty in terror, and terror from beauty.

Characters

Shimizu Hinako – The game’s main character. A teenage girl struggling under the pressure of expectations from her friends, family, and society. Cheerful and energetic as a child, she’s grown to become much more restrained, and now hardly smiles.

Staff Comments

Scriptwriter Ryukishi07 – “To this day, I remember the feeling of my first encounter with the suffocating and oppressive atmosphere of Silent Hill. It still deeply haunts me, and it still utterly fascinates me. It’s an honor to find myself involved with a series I have so many memories with. I’ve poured all my efforts into this story, so much so that I don’t think I would mind if it was the last thing I ever wrote. To me, the Silent Hill series is more than just a collection of stories, it’s a medium; an amazing, phenomenal way of exploring and experiencing a person’s heart and mind. It’s my hope that players out there will come to appreciate it in the same way. And to all of our overseas friends, I hope you’ll enjoy a look at what Silent Hill might be like if set somewhere a little different, like Japan.”

Creature and Character Designer kera – “I love the Silent Hill series, and it’s been a big influence on me. In particular, I am constantly remembering Silent Hill 2, and the messages on the walls, the music, and the monster designs. So, when it came to Silent Hill f, and bringing the setting to Japan, we had to come up with something that felt just a little different, and I had to really think about how to get that feeling. The monster designs were the hardest. I had to consider everything that’s come in Silent Hill before, and figure out how to take this game in a different direction, but still be Silent Hill. It might not be the exact same blood-smeared, rusting scenery, but I sincerely hope you’ll enjoy our vision and the world we’ve created.”

Composer Akira Yamaoka – “Although this is set in Japan, we focused on portraying it in a way that is based solely on the conception of Silent Hill. While incorporating plenty of Japan’s unique identity, we sublimated it as fiction and expressed this unique culture as entertainment. By doing so, we believe we were able to blend the charm of Japan in a new way into the unique worldview of Silent Hill. We hope that through this game, you will enjoy the look and feel of what makes this title truly Silent Hill.”

Composer Kensuke Inage – “The first time I played Silent Hill was about 20 years back. I’m extremely honored to have been offered such a great opportunity for a series with a rich history. I was in charge of composing the music for the Otherworld, known in this game as the ‘Dark Shrine.’ I have composed music for an unsettling yet beautiful world that uses imagery from shrines, blending ancient Japanese court music with ambient echoes. I wove in various techniques that will connect the player to the protagonist’s agony, internal conflict, fear, and other emotions. I hope you get to experience it for yourself in the game.”

*Other composers include dai and xaki.

Disclaimer

This game contains depictions of gender discrimination, child abuse, bullying, drug-induced hallucinations, torture, and graphic violence. This game is set in Japan in the 1960s and contains depictions based on the customs and culture of that time. These depictions do not reflect the opinions or values of the developers or any individuals involved. If you feel uncomfortable at any point while playing, please take a break from playing or speak to someone you trust.

Watch the reveal trailer and an archive of today’s Silent Hill Transmission below. View the first screenshots at the gallery. Visit the official website here.

Reveal Trailer

English

Japanese

Silent Hill Transmission: March 13, 2025

English

Japanese

[demifiendrsa]

Shin Megami Tensei V: Vengeance - Announce Trailer

Japanese version

Extended Cut

Extended Cut Japanese version

Special Program Spotlight

Shin Megami Tensei V: Vengeance will launch for PlayStation 5, Xbox Series X|S, PlayStation 4, Xbox One, Nintendo Switch, and PC (Steam, Microsoft Store) on June 21, 2024 worldwide. Pre-orders will open on February 27, 2024.

Shin Megami Tensei V: Vengeance is an enhanced version of Shin Megami Tensei V, which originally launched for Nintendo Switch in November 2021.

Title logo

Key visual

Overview

The latest title in the series, Shin Megami Tensei V: Vengeance allows players to enjoy the story of Shin Megami Tensei V in its entirety, with a new story path, untold in the original. Massively expanded with new areas, demons, and music, Shin Megami Tensei V: Vengeance features more accessible gameplay, an improved battle system, new demon experiences, and greater field exploration. Pre-orders for the Nintendo Switch family of systems (physical only), PlayStation 5, PlayStation 4, Steam, Xbox Series X|S, Xbox One and PC will begin on February 27, 2024. Details on digital pre-orders for Nintendo Switch will be announced at a later date. When a grisly murder scene in modern-day Tokyo blocks the protagonist’s walk home, an unplanned detour leaves him buried and unconscious. He finds himself in a wasteland ravaged by apocalypse now called Da’at. Before bloodthirsty demons can claim his life, a savior emerges, and they unite to become a mighty being, neither human nor demon: a Nahobino. Shin Megami Tensei V: Vengeance delivers a full-fledged RPG that can be enjoyed by existing and new fans. At the start of the game, players will choose between two paths: the story told in Shin Megami Tensei V, the Canon of Creation, or the brand-new Canon of Vengeance. This dramatic new tale of revenge introduces brand-new characters, an enigmatic cohort of demons called the Qadištu, a new dungeon and map to explore. Additionally, the original Shin Megami Tensei V battle system, demon merging and field exploration have been evolved and expanded in this newest entry in the series.

Further details

■ What is Shin Megami Tensei V: Vengeance?

Released in 2021, ATLUS’s renowned RPG Shin Megami Tensei V has sold more than one million copies worldwide.

This highly acclaimed game has evolved in every aspect, including the system and scenario, and will be available on multiple modern platforms!

At the beginning of the story, the player is presented between two routes. The story told in Shin Megami Tensei V, the Canon of Creation, and a brand-new route, Canon of Vengeance, a dramatic tale of revenge by the fallen.

The Canon of Vengeance follows the scenario of SMTV, but changes drastically from the latter half of the game. The outcome will be completely different. Enjoy the two divergent stories to your heart’s content.

The battle system, demon fusion, and field exploration have also evolved in depth with the addition of new elements. We are excited to deliver a full-fledged RPG that can be enjoyed by those who have already played SMTV, as well as those who are playing this series for the first time.

■ Story

Thou shalt be God—.

When a grisly murder scence in modern-day Tokyo blocks our protagonist’s walk home, an unplanned detour leaves him buried and unconscious. He awakens in a New Tokyo, a wasteland ravaged by apocalypse now called Da’at – but before bloodthirsty demons can claim his live, a savior emerges, and the two of them unite to become a mighty being, neither human nor demon: a Nahobino.

Revenge Awaits—.

Demons attack humans and seek to create a world of chaos.

Bethel, an organization that seeks to protect God’s order.

Caught up in the conflict between the two, while exploring Da’at, the protagonist meets and starts traveling with Yoko Hiromine.

Using magic, Yoko and the main character stand together on the front line.

The Qadistu, four female Demons stand in their way. “Found it, the Key of Resurrection…” A member of the Qadistu, Lilith calls protagonist the Key of Resurrection, and herself The Oppressed.

What is their purpose? A tale of revenge by the oppressed begins.

■ The Oppressed: The Qadistu

In the Canon of Vengeance, four female demons appear in front of the protagonist. Another story of creation told by new Demons.

■ Characters

Lilith (voiced by Katelyn Gault in English, Atsuko Tanaka in Japanese)

“I am Lilith of the Qadištu The one to restore the world to what it ought to be.”

A woman who is said to have been Adam’s first wife in the Old Testament. Later left Garden of Eden and turned into a demon.

Leader of the Qadištu. In order to achieve an unidentified goal, she stands in front of the protagonist.

Protagonist / Nahobino

A high school senior living in Tokyo. On his way back from school, he is involved in a tunnel collapse and wanders into an apocalyptic version of Tokyo, Da’at. His hobby is reading.

The protagonist fuses with Aogami and becomes a “Nahobino,” using this power to fight back demons.

The decision-making during the Nahobino state lies with the protagonist, and Aogami guides him with his voice.

Aogami (voiced by Damian Mills in English, Toshiyuki Morikawa in Japanese)

“Regardless of what may happen, rest assured that I will always protect you.”

A mysterious man who appears before the protagonist, who is being attacked by a demon in Da’at.

By taking the protagonist’s hand, he transforms into a condemned being, the Nahobino.

He seemingly participated in the war 18 years ago, but his memory of it has slipped away.

Yoko Hiromine (voiced by Erin Yvette in English, Chiwa Saitou in Japanese)

“With no one to save them, in the back of their mind, the victim desires only one thing: revenge against the assailant.”

She is a senior in high school at St. Marina Academy. Cool and somewhat mysterious.

She meets and works with the protagonist in Da’at. She has always possessed mysterious powers and was once called a “saint”. At the academy, she has been recognized for her power and learned exorcism magic. She also participates in the battles.

■ Over 270 Demons

In addition to existing demons, this title features more than 270 demons, including new demons newly drawn by the character designer Masayuki Doi. Enjoy an incredible demon experience!

■ Includes Shin Megami Tensei V Downloadable Content Demons and Quests!

The demons and quests that were available with Shin Megami Tensei V are included in this title as standard features! Experienced players are encouraged to try their hand at these challenging quests.

“A Goddess in Training”

“The Rage of a Queen”

“The Doctor’s Last Wish”

“Return of the True Demon”

■ Evolution in Depth!

Every system of Shin Megami Tensei V has been brushed up in detail and new elements have been added, including field exploration, demon conversations, battles, growth elements, and new demon experiences! Of course, with multiple endings—this is truly the definitive version of Shin Megami Tensei V.

Adding unique skills to all demons, new interactions with demons, and more… Many other new elements! Stay tuned for more information!

■ Additional Downloadable Content

Downloadable content featuring new demons will be distributed simultaneously on the release date.

Demon God Dagda from Shin Megami Tensei IV: Final and newly introduced is the demon Goddess Konohanasakuya, newly drawn by character designer Masayuki Doi!

Holy Will and Profane Dissent

When the protagonist goes to investigate a mysterious reaction, he meets Danu, the earth mother goddess, who claims to have come from a world that exists in another universe. Danu is apparently searching for his son, Dagda. The protagonist embarks on a search for Dagda with Danu. By completing the game, Dagda can be made an ally, and fusion will be unlocked.

Sakura Cinders of the East

Konohana Sakuya laments the turbulent world and searches for a hero who can pacify the world. She sees an image of a certain hero within the protagonist and challenges him. Winning the battle will allow you to make Konohana Sakuya your ally, and fusion will also be unlocked.

In addition, earning downloadable content that makes it easier to gain experience and in-game currency will be released at the same time.

[bluejayblueskies]

the lust of the flesh, the lust of the eyes, and the ambition of the world | phynoma

[ID: Two pictures of two hand-bound books, the first of which shows their front covers and the second of which shows their spines and part of their front covers at an angle. The leftmost book is bound in yellow bookcloth and has a hand-embroidered smiling mouth with bloody teeth on the bottom portion of the front and back cover. The title, "the lust of the flesh, the lust of the eyes, and the ambition of the world" is in the top right corner in black as well as the words "volume one" in maroon. The rightmost book is bound in red bookcloth and has a hand-embroidered ribcage on the lefthand side of the front cover and the righthand side of the back cover. The title, "the lust of the flesh, the lust of the eyes, and the ambition of the world" is in the top right corner in black as well as the words "volume two" in white. Both volumes have stitching across the spine that joins the embroidery on the front and back covers so that the design stretches across the spine. /End ID]

It's finally time to share the books I made for the 2023 Rusty Quill Big Bang, hosted by @pilesofnonsense! This year, I was paired with the wonderful @phynoma, who wrote a post-circus AU entitled the lust of the flesh, the lust of the eyes, and the ambition of the world where Jon is marked by an entity known as the Consuming that feeds off hunger and desire and focuses, in Jon's case, around sexual hunger and desire. It's a truly spectacular fic with excellent worldbuilding, spot-on characterization, and a wide variety of sexual encounters of all flavors, and I highly recommend it!

As this fic is written in transcript format, I wanted to go with an open-spine binding style that would have the advantage of both lying extremely flat when opened and giving the fic a more screenplay-like appearance. Also as a consequence of the transcript format, the final page count ended up being large enough that I split the fic into two volumes, the first of which covers season three and the second of which covers seasons four and five.

[ID: Two pictures of the same hand-bound books, the first of which shows volume one and the second of which shows volume two. Both books are fully open to display their front and back covers touching. We can see that the embroidered design, half of which is on the front cover and half of which is on the back, forms a complete picture when the book is fully open. /End ID]

Each volume has hand-embroidered front and back covers, with titles done in black, white, and maroon gel pen. The covers were designed so that when the book is fully open, the front and back cover designs come together to form one single cohesive image. Additionally, when the book is closed, the spine stitching was done so that the design stretches across the spine, thus making the full design complete whether the book is fully open or fully closed. I'm really proud of how these covers turned out, and even though the embroidery took much longer than I anticipated it taking, it's definitely something I would do again!

More description and pictures of the interior of the books are below the cut:

I went with a visually simple yet technically complex design for the typeset of this fic. Microsoft Word's styles were very much my friend, as well as its advanced find-and-replace feature, to automate a lot of the formatting for this fic. The most complex bits were the group chat excerpts and making sure all the profile pictures were positioned correctly, as well as the email chain excerpts in volume one. The text messages were done separately in an HTML workspace and then included via screenshots, and because I had an HTML/CSS text message code already sitting around from a previous project, those were relatively simple to format!

[ID: Eight pictures of the interior of the hand-bound books from previous photos. The first picture shows the title page of volume one, which has the title and author name in black and "volume one" in red, as well as a picture of a ginko tree. The second picture shows the title page of volume two, which has the title and author name in black and "volume two" in red, as well as a picture of a cherry blossom tree. The third picture shows the colophon and table of contents for volume two, highlighting the binder logos--a bluejay and a bookpress--and the faux-label table of contents title. The fourth picture shows the chapter header page for the chapter "voyeurism" in volume one, featuring brackets around the notes, content warnings, and pairings for the chapter as well as a quote from the confessions of augustine, which is separated from the warnings with an open eye graphic. The fifth picture shows the beginning of the chapter "hunger in the garden" in volume two, displaying the transcript formatting of the text as well as the faux-label chapter name on the top left. The sixth picture shows text messages in volume two, which are formatted the same as text messages on an iOS system with blue and gray bubbles and a name header that says "Jonathan Sims." The seventh picture shows some chapter text as well as a faux-office memo, done in a sans serif font, written from Elias Bouchard to the Archives team. The eighth picture shows on the left page faux emails, done in an iOS style with profile pictures for each email, and on the right page a faux-group message with profile pictures for each member and a header that labels the groupchat as the Snarkivists. /End ID]

The fonts used for this typeset were chosen based on those used for the unofficial Magnus Archives transcripts--DejaVu Sans Mono for the chapter intro pages and Libre Baskerville for the body text. I'm not 100% sure that those are the actual fonts used for the unofficial transcripts, but based on the reverse font search I did, those seem to be a close match for it.

This was a big project for me, and I'm so happy to finally see it to completion! Once again, a big thanks to Phynoma for being such a wonderful partner to work with--I'm excited to send you these books so you can see them in person 💜

[redo-rewind-if]

Hi, I wonder how are you creating your wip? Do you write it in google docs and then code it in Twine? I'm starting making my own and I'm looking for some technical tips

Hi! Thanks so much for the ask! It's always good to see new authors starting their own IFs. This might be a bit long so I'll put everything under a read more for those of you who aren't interested.

For me personally, I write in LibreOffice, which is a free alternative to Microsoft Office/Word. But, you can definitely use Google Docs or whatever other writing program you prefer!

As for coding, you can just code in Twine, but I like to code some as I write so I don't forget when to set certain variables. If you don't want to code anything in your draft, then I'd recommend at least leaving yourself reminders at places you'd like to add variables or when you want to have skill checks or anything else of the sort.

I should mention that a lot of people dislike coding in Twine, the code isn't set apart from the text visually and can be confusing for some, so if that's the case for you, I'd recommend checking out something like Notepad++ for coding and then copy and pasting everything into Twine once you're done.

If you do use Notepad++, and you're also using SugarCube, I'd highly recommend downloading and using this to add SugarCube as a custom language to the program so your code is easier to read. (You'll be able to select it as the coding language in Notepad++ after downloading and following the directions, though you may need to exit and restart the program before it shows up in the language list).

Some other great resources I use: The Twine Cookbook (of course), SugarCube Documentation or Harlowe (if you prefer), some templates (including the one I use!) [1] [2] [3], and w3schools tutorials for basics in CSS and JavaScript (assuming you don't know how to code in them already, if you do, that's great!)

If you have any more questions, feel free to ask! I'm no coding expert but I have taken a few classes on Web Dev stuff in college so I know a thing or two.

Best of luck to you on your project anon!😊

[ivory--raven]

my cat's CV

Relevant Experience

Teaching (mid-September to mid-October 2024)

being distracting and very cute on camera during class

Skills

Kitten management

Visual identification of prey species including anoles, geckos, and small passerine birds

Microsoft suite

Google suite

Other Certifications

Languages: English (conversational) French (conversational)

[graphypixllc]

Describe the Visual Identity: Making Your Brand Visually Memorable

The visual identity of your brand is the thing most people will notice first. Now, let’s go into detail about each element and explore what should be included in brand guidelines:

Brand Guidelines Logo

Your logo is the face of your brand. Outline when and how to deploy it. Include variations in format, such as horizontal or stacked. Mention minimum size and spacing requirements.

Example: Apple’s logo is iconic because it’s simple yet versatile.

It works equally well on product packaging, digital ads, and storefronts. A good mark helps people recognize your brand right away.

Color Palette

Choose primary and secondary colors that reflect your brand personality. Use tools like Pantone or HEX codes to ensure accuracy.

Example: Coca-Cola’s red evokes excitement and energy, while Tiffany & Co.’s Robin’s egg blue conveys elegance and exclusivity.

Colors evoke emotions and associations. Choosing the right palette strengthens your brand’s emotional impact.

Typography

Specify the selection of font types that match your brand’s personality. Include rules on headings, subheadings, body text, and other typographic elements.

Example: Google utilizes clean, sans-serif fonts to convey simplicity and approachability.

Typography informs both readability and perception. The wrong font undermines credibility.

Photography

Establish rules for imagery styles. Include candid shots and staged shots. Also specify filters or image treatment to utilize.

Example: Airbnb photography is about homes and actual experiences, therefore reinforcing their community-driven ethos.

Imagers tell stories, and continuing photography styles reinforce the brand narrative.

Iconography

If applicable, provide examples of approved icons and explain their role within your brand ecosystem.

Example: Microsoft’s Fluent Design System includes standardized icons that enhance the device user experience.

Icons simplify communication and improve usability, especially in digital interfaces.

By detailing these elements, you create a framework ensuring every piece of content aligns seamlessly with your overall aesthetic.

GraphyPix LLC offers multiple brand guidelines for your design. Investing in strong brand guideline templates is not just about looks. It’s about giving your audience a smooth experience. When done well, these documents are valuable tools. They empower teams, please customers, and boost growth.

[speakercrab666]

in every manner of speaking Brian David Gilbert is the hottest man alive. here is my evidence:

visually speaking? hoooo by golly by gum what a good lookin feller. hooooooooo BOYYYYYY what a handsome young man. MY eyes. are OPEN.

intellectually speaking? i am biting my lip to express my lust toward that wrinkly, wrinkly B-Brain (that’s Brian Brain). lemme at them ideas, boy. lemme root around in that think tank o yers.

comedically speaking? let me put it this way: in my favourite video of his he talks about Halo for 28 minutes. Halo is so incredibly objectively mid, and yet that is the video i look up when i want some of that sweet sweet BDG.

fashionably speaking? i love a man who knows his style, and i also love the buttons that blazers and waistcoats have, specifically. the buttons on button-up shirts and the little fly zips on dress pants are pretty good too. this is a harmonious and deeply sexy coincidence.

spiritually speaking? the way this man dances. speaks to me. ‘interpretive dance’ well shoot babygirl you best consider me INTERPRETING.

autistically speaking? once as a kid he ate pretty much only mushrooms for like a week and i can get behind that. also he rewrote the Pokérap to include an educational section condemning the US government’s approach to drugs (HOT!!!) and a dream ballet, and taught me the word Gesamtkunstwerk.

Microsoft Officely speaking? hi Mr Gilbert i couldn’t help but notice your frequent, meticulous, borderline religious use of Excel spreadsheets and Microsoft Word colour printed pictures with captions written in cool fonts. i like that in a man ;)

in conclusion, be the man you want to attract, boys. if you’ll excuse me, in an effort to do just that, i am going to don a crisp white button up and black dress pants, walk into the sea, and tip my rigid body forward and into the water.

[gaysheep]

Touching is Good: A Retrospective

My trusty Nintendo 3DS, which has held out since I was gifted it for my 15th birthday, has turned one decade old with my 25th birthday this past November. Given new life with custom firmware and nds-bootstrap via TWiLightMenu, the 3DS is stellar for visiting any past handheld title or console title up to (and somewhat including) the N64. (Quick plug for the CFW/hacking community for the less popular PS Vita, too, which has accomplished some pretty crazy-cool stuff this last year.) I use my 3DS more often than I use my Nintendo Switch most weeks.

The Nintendo DS (minus the three) launched in late 2004. The second display and stylus support were novel tools for developers to experiment with, and the NDS is best remembered for its robust catalogue of RPGs and visual novels. Where it lacked in power, narrative-focused games flourished under its technical limitations.

That being said, while browsing the ROM archives on Vimm's Lair to pick up some titles, I was reminded of what an interesting era the mid-to-late 2000s were for games. While Sony and Microsoft were fighting over the "core gamer" demographic, who had outgrown Nintendo mascots, Nintendo led a series of wildly successful marketing campaigns for its hardware after the light failure of the Gamecube, where the Nintendo DS and then the Wii were targeted at...everyone else.

[Image source. Image description in alt text.]

If you look at ads for the DS and the Wii, you'll see that adults are featured much more prominently than children, especially women and seniors. (This did not go unnoticed, as I found this ancient relic of misogyny while looking for images for this post.) A Nintendo handheld was already an easy sell to parents with small children (though I think it's also notable that ads which do focus on children often prominently feature girls. Munchlax is pretty hot...), but Nintendo's angle for the DS and Wii was that their hardware wasn't just for children. The Wii was a way to get up off the couch and to play board games with grandma. The DS was a great gadget for a working woman to keep in her pocketbook.

This worked. The Wii and DS were two of the best-selling consoles of all time. In particular, the DS's marketing campaign only worked because it came out in the perfect window of time. PDA-phone hybrids had been around since the 90s, and the Blackberry had been kicking around for a few years, but the iPhone wouldn't be introduced until 2007, and the 4G LTE standard wouldn't be released until 2009. While the Blackberry was popular with businesspeople and the PDA was out of style, smartphones were luxury toys for several years; they wouldn't become near-ubiquious until the mid-2010s. I didn't get my own smartphone until probably around the same time I got my 3DS, a full handheld generation later.

Browsing the software library for the Nintendo DS and DSi with that in mind is really interesting. Many titles released for the platform serve the same purposes that would be fulfilled by simple smartphone apps less than a decade later: planners and diaries, fitness trackers, calculators, language learning and SAT prep software, even a guide to the then-most-recent version of the driver's test in the UK. These proliferated with the release of the DSi's virtual store, but they existed even with the base model. You could go to a brick-and-mortar store and buy them on physical cartridges. (You might be wondering, "Why would you bother carrying those around over just buying a Blackberry?" You can't underestimate how expensive the service bills for a smartphone were before companies realized they were the most powerful spyware tool in history.)

There was never a time where every single businesswoman in New York carried a DS Lite, but adults did buy and use them, and a not insignificant portion of the DS's software library is aimed at a casual adult audience. Another niche covered mostly by smartphone games these days—games designed to be picked up and played in short sessions on-the-go, in places like waiting rooms and subway commutes.

Nintendo made crazy bank in the seventh console generation. Publications of the time talked about a console war between Sony, Microsoft, and Nintendo, but the real battle was between the PS3 and the Xbox 360 over the gamer demographic. Nintendo was producing hardware for a niche who would quietly disappear once smartphone sales began ballooning by hundreds of millions per year over the course of the early 2010s.

After the failure of the Wii U, Nintendo's marketing strategy pivoted again, though I doubt they'll ever completely abandon their family-friendly image. Currently beat out only by the PS2 and the DS, the Nintendo Switch may very well climb to a status as the best-selling console of all time before the end of its lifespan, but the "gamer" demographic is much bigger than it was two decades ago at the dawn of the DS. As more and more devices become consolidated into the Swiss army knife the smartphone has become, consoles can only carve out a role as dedicated gaming machines.

I'm not sure we'll ever see anything like the Nintendo DS or the Wii again. I think they're worth looking back on for their uniqueness in that way as much as they are for the more celebrated parts of their libraries.