#its twitter all over again for me where they go in a certain direction where they try to take themselves (the platform) more seriously

[tvmblrsillyman]

just realized the new ui is mobile/tablet friendly first and foremost ):

[heyidkyay]

And I'm petrified of being alone, now |

Part Fourteen

Matty Healy x reader

Summary: She’s just trying to get by, really. What with being a single parent to her four year old son whilst simultaneously trying to kick start a successful career as a radio presenter. She’s got everything she’s ever wanted though, friends close by, a mum who’s merely a phone call away, and of course her baby boy. What else is there to wish for? But then, it’s not long before her relatively normal life gets upended and turned on its head, and she’s suddenly forced to deal with situations she’s never even thought to imagine.

What happens when one mention of a certain controversial singer on her show sends a flood of unexpected challenges her way? 

Authors Note: First bit is a lil messy! BUT it's just a way of moving through time whilst letting you know what's going on. Apologising anyway, tried to make it as simple as possible! Idk how I’m really feeling about this series atm ngl, hopefully I’ll find some more inspiration soon x

> Just a reminder! We left the last update with Mouse and her mum talking about Matty:) You can look back here if you'd like!

Masterlist

Mirror

14:04, 26 Dec 2023

For Christmas Denise Welch reunites with..

LOOSE Women star Denise Welch had a fun-filled Christmas this year with her two sons and...

*picture: family gathering featuring Matty Healy in red beanie*

comments:

@/user1  Glasses and beanie combo>>> @/user2 He was wearing that yesterday too @/user3 I wish my family was chill enough to take a xmas pic😭

[HOMESCREEN] 11:12

Facetime now Matty:)!! Incoming Call

Messages 4m Finnleyyy So will I be seeing my best mate this nye??

Instagram 11m Trumanblack mentioned you in a private story

TWITTER: ‘75 updates @/75updateacc Matty spotted out in Manchester!  *picture: long trench and red beanie*

Ugh! @/user1 Matty on new years! *with old friends // red beanie tucked into a jacket pocket* > Loveme @/user2 The beanie is spotted again.. >> Saidhello @/user3 @/user2 Been all over his ig stories too 👀 friends? @/user4 I'm sort of obsessed w it and the fact it's stirring up so many questions💀 ppl, @/user5 it's so nice to see him actually happy!! lemmebepartoftheband @/user6 WAITING ON THE NEXT ALBUMMMM

Instagram

Trumanblack Story today

The Sun

23:47, 31 Dec 2023

MATTY HEALY SPOTTED OUT FOR NEW YEARS CELEBRATIONS AFTER 'SUPPOSED' SOBRIETY

The 1975 frontman was seen out in London this evening with friends and other members of the band celebrating a...

*picture: Matty Healy all dressed up and sporting a red beanie*

comments:

@/user1  shit like this ruins people @/user2 That hat again! Was it a Christmas present? @/user3 another celeb trying at sobriety, another bullshit article @/user4 Where in London even was this?

TWITTER: ‘75 updates @/75updateacc Band's interview with Variety today, click here for the video! Will be updating later on today:) *boys all pictured: George/shades, Matty/beanie&longtee, Ross/hairdown, Adam/leatherjacket*

[HOMESCREEN] 13:52

Messages 3m Matty:)!! Just wrapping up now, should be able to call in 10 x

Youtube 9m Recommended: The 1975 - Talks of tour? | VM Radio Uk

Instagram 21m Trumanblack just added to his story

AdelineWells sent you a direct message

23 New Notifications click to open

TWITTER: Partoftheband @/user1 Talks of tour??? Are they trying to kill me? Gotabf @/user2 The beanie!! It's back!! Milk @/user3 You reckon he's washed it? People! @/user4 He wears so much designer shit, why's he wearing a hat that looks like it was knitted by my nan??

--

With January, came sleet and heavy rain. Forcing us all indoors and making quick regrets over arduous New Year’s resolutions.

I had half a dozen interviews lined up in the first month alone, which was a promising start to the year but also incredibly nerve wracking. I’d spent the majority of the wavering days between Christmas and the 31st fretting over each and every detail, beyond thankful that my mum had stuck around a little longer after the festivities to help keep Teddy preoccupied.

Adi, thankfully, was stuck in the exact same boat, which meant that we could both bear the burden together. Leading to a whole lot of time being spent on the phone, making plans, or down at the studio, where Teddy could roam free. We were moving up in the world, as Matty now liked to claim, and so that meant more of our time being taken up by mundane tasks such as asking Hozier’s PA what kind of drink he preferred and avoiding a couple of Podcaster's sudden opinions on us.

Still, we were forever grateful.

Though it wasn’t just the radio show getting shafted with a shit ton of toil either, it appeared that work had Finn headed off to the States for a few gallery openings, and Matty pulled in all sorts of directions whilst the band sorted out their upcoming album.

I hadn’t heard a word of it, although the singer kept on endlessly chattering away about how much he loved the songs they were now producing, suddenly leased with a newfound life. Which always left me feeling happy, even if I did have to wait alongside the rest of the world to listen in. It was nice knowing that he was enjoying it all once more. Seeing as, music made Matty and Matty made music. And all that.

So anyway, what I’d been getting at there was that the last few weeks had been all too trying. Enough so that Matty and I had hardly seen hide nor hair of each other, and our Facetime calls had been fair and few. Which was something that didn’t just sadden me, but Teddy too it seemed, who’d come to quite like the musician and all of his odd quirks.

That fact in itself had almost sent me running, in truth.

And maybe that was silly of me, but Teddy was my everything and it killed me to see him upset over someone he barely even knew. But then again, I supposed he did know Matty in a way. Whenever Matty called, Teddy was there to tell the man about his day, whenever Matty texted he never failed to ask after Teds, whenever he sent pictures and videos of the studio and whatever else he was doing they were usually for Teddy to see. 

I didn’t think Teddy had ever attached himself to a person so quickly. Which really did surprise me. Though oddly enough, what surprised me much more was the fact that Matty had just soldiered on and stuck with it, instead of running for the hills the first chance he’d gotten, like I’d expected. 

Which was perhaps a bit of an unfair assumption on my part, but it was something I didn’t feel too guilty over- I’d made that clear to Matty the very first day the two of them had met after all.

Saying that though, I was left to eat my words as I watched that same man galavant his way around a London Zoo with a four year old plopped atop his shoulders. Doing so without complaint, and thoroughly enjoying it too.

“There! There, Matty! You see?” I heard Teddy call out in loud excitement as I trailed my way on after them, his little fingers holding onto the red beanie Matty now often favoured. Something I relentlessly teased him about but which left me feeling all warm every time I saw it.

“Oh yeah! I do now. Wow monster, how’d you even spot him over there?” Matty replied, feigning obvious awe and grinning madly when Teddy leaned over the top of his head to poke his face into view.

“I eat carrots.”

I snorted at the simple answer Teddy gave and Matty, forever charmed by my toddler’s antics, nodded around a low chuckle of his own. “I’ll make sure to buy a couple on my way home then.”

Stepping closer, I found it strange to be in a zoo so lifeless. Which probably sounded even more peculiar, but then again, it hadn’t been my idea to go ahead and rent the entire place out just so that we could have a nose around at all the wildlife without Matty getting mobbed. What a diva, hey?

“I still can’t believe you did all this.” I murmured to him once Matty had set Teddy back down on the ground, leaving my son to run on over towards one of the caged fences, calling out to the languid lions that laid beyond it.

“It’s sick.” 

That had been Matty’s only defence since having arrived and me figuring this all out, it was as endearing as it was bewildering. 

“It’s mental is what it is, you idiot.”

He glanced over at me, hands tucked up in his pockets, a smug grin now painted on his face. I crossed my arms over my chest, refusing to be charmed by him and his inane antics. 

“Admit it, you’re loving this. Not having to worry about losing the kid and actually being able to get a look in at this lot.” Matty argued, and if he were anyone else he’d be swaying back and forth in utter delight- Wilmslow’s very own Willy Wonka- but all he did was simply look back at Teddy with a prideful grin, who was now currently trying to lure a lioness in closer.

Thing is, he wasn’t wrong. And Matty was enough of a git to know it too.

I didn’t grant him a reply though and instead wandered over to drag my son away from the ever nearing lion. “Did you see, mama? She likes me!”

I had to grin and bite back my sudden hysteria, although Matty snorted from his place now back beside us. “I did see, lovely! How about we go look at the snakes though now, hey?” And with that, Teddy was eager to part from us (and thankfully the lion) , sprinting ahead in the direction of a lizard sign that stood not too far away, leaving Matty and I to trail behind.

“Where all the animals are locked behind glass, yeah?” Matty piped up after and I narrowed my eyes at him in return, refraining from giving him a right good shove.

“Shut it.”

He merely cackled and looped an arm around my shoulders.

–

“They should just get back together. I mean- the money alone!”

I chuckled quietly to myself, moving about the tiny kitchenette at the studio and rolling my eyes at the man propped up between a Guinness World Records book we had and the sugar tin.

“I’m not saying that they shouldn’t! I’m just saying that they won’t.” I argued back, still rifling my way through a drawer in search of a sharp enough knife. “Those are two completely different things.”

“So what?” Matty scoffed, his displeasure with the whole debate managing to seep its way through the phone. “Fucking pair of pillocks, can’t even imagine how the world would react, the industry alone!”

I smiled, all too familiar with the daily rants of one Matthew Healy. This particular tirade of his had been spurred on by a comment I’d made on today’s show, it seemed he’d been listening in.

“Oo, is there a brew going for me?”

I glanced behind me just in time to spot Adi making her way into the studio, a large duffle bag for tomorrow's shoot thrown over her left shoulder. 

“Who else?” I quipped back, grinning victoriously when I finally found the trusty blade I’d brought over from mine so many years ago now that laid between a wooden spoon and a jar opener.

“What are you even doing?” She asked me next, having already tossed the bag down onto the sofa and made her way over. She waved when she spotted Matty’s familiar face upon opening the fridge, used to his presence cropping up here and there by now, “Alright, Healy? Thought you had big meetings today.”

“We do. I’m currently hiding out in a bin.”

Adi paused to blink at the absurd reply and then shrugged, not seeing the point in questioning it any further. “And you?” She prompted me, plucking a pint of milk from the fridge and slamming it closed.

“So full of questions today, high inquisitor.” I sang, already moving to slice into the whole watermelon I’d brought on my way in, having right fancied it when I’d passed by the fruit & veg stall up on the high street. “And what do you think, Ads? Exactly what it looks like.”

“Yeah, but why?”

I just shook my head in answer and Adi seemed to take that for what it was, a blatant dismissal. Matty though, ever so sweet, must’ve felt a bit bad because I heard him pipe up again, “She’s gone and brought a whole watermelon. Paid five quid for the thing, you believe that?”

“Five quid! Did he ask if he could spit in your face too?” Adi all but exclaimed, eyes as wide as saucers as she looked over at me.

“Yes, five quid.” I stressed, having already heard enough of it from Matty, who didn’t have a leg to stand on here. “Now leave off, or I won't share.” I wielded the knife between the pair of them jokingly and Adi relented easily enough, already moving to skim a piece I’d just cut from off the counter. I cast a shrewd glance towards my phone, “And besides you can’t talk, Mr. Millionaire.”

Matty snorted.

“Is it really that much?” Adi wondered out loud, sweeping over to get a better glimpse at my screen and the man hidden within it.

I rolled my eyes and smirked, already figuring that she’d try her luck with just that thought alone. 

“Piss off, Wells.” Matty laughed, amused by the ever so sweet smile Adi had suddenly conjured up for him and the way she was now batting her lashes, “How the fuck did we go from watermelon to my networth anyway?”

“Extortion.”

“Nepotism.”

I stopped slicing to taste test a chunk of watermelon and heard Matty heave a heavy sigh.

Adi, though, just moved to ask, “Did you threaten the fruit & veg man then?”

“Fucking should’ve.” I muttered, but couldn't quite bring myself to regret the wasted fiver then, not when the fruit was almost heavenly.

“Can you stop eating? I’m in a crisis you know, and fucking starving.” I heard Matty complain, his voice practically petulant.

“Actually, you’re in a bin.” I corrected, taking another chunk, “So don’t be a drama queen. If you’re hungry, order a Deliveroo or fuck off home.”

Matty was almost pouting when I slid on over to join Adi by the phone, a plate overwhelmed with watermelon now towering between us. His frown deepened. “You’re proper evil, you know that?”

I simply grinned, “You love it.”

Only Adi noticed the faint hue that bloomed across the singer’s cheeks then. Seeing as I was already rambling away once again, talking about the weekend get-together we’d planned now we all had some time to spare.

“You’re still coming, right?” I then asked Adi, who was now smirking for some reason. I raised a brow.

She merely hummed around her next slice and dipped her head at me, “Wouldn’t miss it for the world, babe.”

Matty’s eyes narrowed at that but I deemed it better to ignore whatever the two of them had going on, I found life to be much simpler that way.

–

It was almost gone nine and still no sign of her. 

She had texted almost half an hour ago now, saying she was headed out, but Matty still kept his phone in hand, spinning it this way and that, just in case she tried messaging again.

“You’re driving me mad with that, man.” George suddenly announced, drawing Matty’s attention back to the table at the overcrowded club they’d picked out. “Stop it.” He added, swatting at Matty’s forearm when he’d barely acknowledged him the first time round.

Matty’s brow pinched but he let the mobile go with a clatter to the tabletop, “Happy?”

George exaggerated his smile in the same sense Matty just had whilst he clasped his hands in mock prayer before him, “Incredibly.” Then he relaxed back in his chair once more, face softening as Matty’s eyes shot out across the floor for the umpteenth time, “God, you’re really fucking strung up on this one.”

“Eh?” Matty immediately asked him, his head spinning back around to spare a glance at his mate.

“Just,” George began with a slow shrug, his chin dipped against his chest now in the way that he’d leaned back making his eyes appear all the more solemn. “It’s been a while since I’ve seen you so invested, is all.”

“Invested, fuck’s that meant to mean?”

Goerge just huffed. “I don’t know, Matty. Just, you’re not usually the type to get so caught up on a girl you’re chasing.”

“I’m not chasing her. We’re mates.” Matty hastily defended and could feel the way his face had instantly scrunched up with the force of it.

He was gifted a short snort in return, “Yeah man, sure, and I can fly a shitting plane.” At Matty’s ever darkening expression, George sighed once more and moved to prop himself up on his knees, “Look yeah? I didn’t mean nothing by it, only curious. It’s weird seeing you all moody and pent up about somebody. Been a while.”

It had been a while since he’d last seen someone properly, but that didn’t suddenly mean that he and Mouse currently had anything going on. He’d been too focused on staying clean, working on the album, and trying to forget the last year and a half had ever happened. And Mouse… well, she had a kid and didn’t seem the type to take to anyone so easily. They were mates. Just, mates.

Matty must’ve been quiet a little too long though because when George spoke again his voice had softened, as had his face. It almost looked pitiful now, enough that Matty wanted to force him away from his line of sight. But he didn’t, only glanced back out towards the floor.

“Matty, mate. I really didn’t mean to piss you off, you know that. I’m just saying it how I see it.” Matty rolled his eyes but George only continued to talk, “It’s obvious that you like her, man. Whether it’s just as friends or something more. But do me a favour and just have a long think about it, yeah? She’s nice and all, but I don’t wanna see you hurt.”

Matty bit back the scoff that lodged itself in his throat, “If anything, G, it’d be me hurting her. Wouldn’t be that unexpected though, would it?”

George’s hand came to grasp his shoulder at that and with a firm but gentle grip he forced Matty to better face him, he leaned in so his voice would carry over the music, his forehead now furrowed. “You’re not a bad person, man. Not everyone’s expecting you to fuck up all the time.”

Didn’t that feel like a fucking lie.

The hand pressed further and George shook Matty a tad, wanting him to comprehend his words. Take them in. “You’re doing good, mate. Really good. And we’re proud, alright? We are. All I’m saying is, have a think about what you want. Make sure you’re happier for it, make sure… that you can deal with everything that comes along with it. Understand?”

Matty’s mouth felt a little dry as he stared up into George’s eyes, seeing the genuine care held within them. Almost immediately Matty felt his walls crumble down around him and he struggled to find the right words to respond with. They were proud. So instead, he just nodded and George’s hand clapped the back of his neck with a winning grin.

“Good. Now, go get her, yeah?”

Matty frowned at the words but before he could think to question it the table was moving to welcome in a couple of newcomers and he turned in his seat to meet the eyes of a smiling Squeaks.

“Hey you.”

“You made it!”

She grinned back at him, beamed actually, and Matty felt his eyes flicker down to her lips for a second, then down further to the lovely little dress she’d decided on. He hastily stood up to greet her, wrapping her up in a hug- something that had come more and more naturally to them in the last few weeks- and rocked slightly. “Get all dressed up for me, did you?”

Mouse pulled away with a laugh, her head thrown back a tad before her glistening eyes set themselves back on him, she squeezed his arm, “You wish.”

He did wish. But he didn’t voice that passing thought out loud, filing it away to stress about later, and instead shuffled nearer to whisper, “You do look gorgeous though.”

The skin by her ear prickled with goosebumps and Matty pulled away before he could get too caught up in what that might have meant. He graced her with a slow smile, “Drinks?”

She let go of a breath, then smiled brightly back at him with a dip of her chin, “Drinks.”

–

“I haven't heard a word of it!” I said, pushing my drink down onto the table. I was currently on my fifth of the night, but the guys were forever getting new rounds in and so I knew it wouldn’t take me long before I was handed another. 

“You said you didn’t like our stuff!” Matty immediately answered back, his voice a tad bit higher now.

I gaped at the claim, “I did not!”

“Yes, you fuckin’ did!”

The rest of the table was watching on in ever growing amusement, Ross’s eyes were dancing back and forth between Matty and I, whilst Adi wore a grin that could probably help power Blackpool Tower. 

“I said I loved your earlier work. I didn’t say I hated the newer stuff!” I rebuked, desperately trying to think back to that first show I’d mentioned Matty in. Had I really said that?

Matty went to speak but Hann cut in before he could, “You two are mental. All I asked was whether she’d heard anything we’d been working on.”

George snorted, managing to drag his eyes away from his fiance to smirk at the pair of us. “Remember she claimed the band looked spent.”

Matty jumped to point in George’s direction, pleased, whilst my eyes widened, “I wouldn’t!”

“You did, love.” George laughed, looking more amused than hurt which was the only thing keeping me from being physically sick. “It’s alright, no harm done.”

I fish-mouthed, but even with that having been said, Matty was still grinning victoriously. “Fucking told you.”

Wrinkling my nose, I turned to neck the rest of my drink. “Yeah, well. I do love your songs, alright?”

Matty’s brows upturned, as if he was about to deny the claim and accuse me of lying, but Adi cut in, “No it’s true, she's been listening to your shit nonstop since you two met. Like it’s grating at this point.”

“Harsh.” Ross dragged out and Adi gave him a coy smile when she went to pat his chest, “You try listening to his gob on repeat and then we’ll talk, yeah?” She retorted easily, dipping her head towards Matty, whose face scrunched up unhappily.

“Careful, Wells. Starting to sound like you might not like me.”

Adi flashed him a toothy smile, “Who claimed I ever did?”

I was quick to reach out and grab Matty’s wrist when he frowned, ready to open his mouth once more. The motion seemed to grab most, if not all, of his attention because he wavered in his stance before letting himself be pulled over.

“He’s fragile, Ads.” I chuckled to her, hand cradling the back of Matty’s head when he leaned in to press his face against my shoulder. “All the big rockstars have delicate egos.”

Adi snorted and I watched as she let Ross drape an arm over her shoulders, her hand finding his.

“Not fucking fragile.” Matty said, but the heat of it was lost in the mumble against my skin, I laughed.

“Sure, babe.” I murmured fondly, smiling when I felt the curve of his grin against my neck. I started to run my hand through his hair almost unconsciously, letting the alcohol dim the anxious worries that would typically cloud my mind. “You’re a real man.”

“A real fuckin’ man.”

I rolled my eyes with a shake of my head that must've disrupted Matty’s newfound peace because he pulled away slightly, hands falling to rest on my hips, keeping us close.

“You’re proper nice, you know?” He mumbled in contradiction to our previous argument, his head falling forward to press his forehead to mine. His eyes appeared so much darker in this light, the little space between us had me holding my breath. “So nice.”

Instantly I was reminded of one of the first conversations I’d had with Adi about Matty, he’d been nice then too. “Thanks.” I chuckled before swallowing, eyes trailing between his before I voiced the thought. “You’re nice too.”

He smiled, one of those lazy ones where his eyelids drooped and the skin around his mouth wrinkled. His stare dropped ever so slightly and my mouth parted on instinct.

Matty licked at his lower lip, teeth grazing it ever so slightly. “I’m glad I met you.”

My heart stuttered in my chest, squeezing in on itself so tightly that I thought it might just give out, before it finally let go. “I don’t think I’ve ever been told that before.”

Matty tilted his head at me causing the tip of his nose to brush against mine, I struggled to remember to keep breathing. “I’m glad I met you, Squeaks.” He repeated with an air of finality, either unaware or uncaring for the reaction it drew from me as he raised a hand to drag his thumb across my jaw.

I looked up into his eyes, unblinking. Aware that I’d never felt quite like anything this before.

“I’m glad I met you too.”

–

Metro News

Feb 2024 06:21

SETTLING DOWN? | ‘75 SINGER CAUGHT IN CLUB WITH SINGLE MUM

Last night it seems our local heartthrob was back out on the town again after a few weeks of silence, only this time he wasn't alone! Read more...

[HOMESCREEN] 07:59

Facetime now Finnleyyy Incoming Call

Messages 7m Adi x Babe wake up, shits going down over on twitter!! Also (very much related) did you shag Healy last night???

Twitter 11m You now have 378 notifications

TWITTER: ‘75 updates @/75updateacc The Band spotted out in London last night with the MouseOnAMic girls! *picture: a story from Adelinewells instagram//blurred group photo*

backofmyvan @/user1 Is this real?? *picture: blurred Matty and Mouse in a dark club* Funnyface @/user2 Is that the radio host? she has a kid?? Saidhello! @/user3 I woke up to chaos. On another note, how are my matty girlies doing today?

[valley-of-the-lost]

What's recently happened with Lady Emily? Are there new screenshots??

I don't know how much you know about the situation Anon but quick background if you haven't caught up:

Lady Emily accused Youtuber Chuggaaconroy of sexually harassing her and several other women, specifically accusing him of engaging with unwanted foot fetish roleplay with her and trying to solicit feet pics.

She did provide screenies, but how they're cropped and framed is... notable. Such as, one of her sub-allegations is that she ghosted Emile because she felt uncomfortable and that during the ghosting he got more persistent and aggressive. Except when I look at the screenies provided for that period of time and there's things off about them. Yes, Emile does send multiple messages after she stops responding, but they get progressively more staggered over time. As in, for a few days its like 3 messages per day, then it peters off to 1 per day, etc etc. At the end of the screenie he apologizes for bugging her and says he'll leave her be after that message. After that message there's a reply on September 29th (the day after the "I'll leave you alone message"), but we can't see who it is.

The next screenie is Emile messaging into the void again, and you'd think that he lied about leaving her alone, but the dates are out of whack. Instead of where we left off in September, these messages are about a month later in OCTOBER. It's impossible to tell if Emile kept pestering her for a whole month or if this was a different instance, and there's no clear distinction or clarification about these instances so it would be very easy to mistake it for Emile going against what he said about leaving her alone and basically pestering her for a whole month. Which would look a LOT worse than just messaging for a few days before laying off.

The cropping for some of her messages was sus too. She cropped individual messages of Emile's where he talks about his thing for shoes and certain things he says ("glad we understand each other" & "Being forward with you cause I'd rather not keep anything from you and let you make the best decision for you...") appear to signal a direct and open conversation between the two of them about the shoe stuff. But we don't get to see the surrounding conversation, so it was left in the air if she gave consent or didn't.

Turns out she did give consent.

Like she just released the full screenies of those cropped ones of their discord DMs which shows not only Chugga checking in with her on direct terms to explain about and ask her if she was okay with the little roleplays involving his thing for shoes, and she explicitly said she was okay with it.

There's a framing that's been going around that Emily consented to this under the (allegedly false) impression it was a joke and Emile used that to get progressively more creepy and aggressive with her. But there's a flaw in that in the content of Emile's little roleplay segments don't seem to change. By the time he has that open and direct convo with her, he's already initiated roleplay where he does gags like trying to get her shoes (specified as "cartoony") and spins her shoes around so when he throws them back they knock her backwards in her chair. The content of it doesn't really escalate or change, so I fail to see how she was consenting under a false impression.

There's also the thing about the shoes lol Emile sent Emily shoes as a gift and then asked to see her in them. Emily framed this as him soliciting feet pics from her but despite that she agrees right after with no resistance. And it's not like there's something there like Emile pressuring her to zoom in on her feet (she sent him a fullbody pic of herself with the shoes on).

It's very strange that she cut this all out in the first place, and honestly if you asked me she did it to whip up the twitter mob so she could release the rest later either to undercut Emile using the screenshots or because she'd already set the framing that Emile sexually harassed her so no matter what the screenies actually said people would still side with her.

[sigmundite]

my thoughts on dawntrail (SPOILERS)

FFXIV twitter has decided the spoiler embargo for DT is mostly over. While I'd like to share my thoughts about the expac there, I figured it was all too much for a tweet thread (and I was right). Decided to post it here because it's a blogging platform and I keep telling myself I want to come back one of these days.

To put it simply: Dawntrail is fine.

I love power of love/friendship storylines so the fact we got a shounen protagonist in Wuk Lamat was something I enjoyed. Shounen stuff tends to be dragged out too long for my tastes so I haven't dabbled in any of those fandoms, so I don't know if people hate modern shounen heroes with as much vitriol. I think I'd have seen it if they did? But the Wuk Lamat hate is a classic case of misogyny with a transphobia multiplier because gamers sure do enjoy stat boosts.

DT is the ARR of whatever the new direction of FFXIV is. It became clear to me during this MSQ that this is a commitment to a new beginning - specifically in the sense of 6.1 as a fresh starting point for new players. I understand and respect their desire to simplify new player onboarding (especially as someone with too many alts) but it's also the center of the pain point I have with 6.x and DT so far.

I'm frustrated with the direction of FFXIV in its current state. The Hydaelyn/Zodiark arc took one main story and built upon it over multiple chapters. I loved that arc and have varying levels of fondness for the characters and places that got us through it. I am the CEO of #FREEAYMERIC and will continue to be a pest about that as long as I play the game*. Aymeric was always a favorite of mine, and I've never forgotten his wish to go on an adventure with WoL someday. I want to take him up on that!

But DT follows SHB's example of planting WoL and the Scions in a brand new setting, far away from Eorzea and all its creature comforts. Norvrandt was still reminiscent of Eorzea, but beyond that focused on characters specific to its region and story. It made more sense then, considering it takes place on a different shard and overlap was damn near impossible. 6.x and DT are still on Etheirys, but are so self-contained that they'd rather avoid referencing old content if they can avoid it. I hated this in 6.x and I still hate it now. There's an entire world full of characters, places, and possibilities left to discover and expand on, but new expansion packs seem to be heading in the direction of dropping all that and focusing on a new set of toys. Tural will probably be done and dusted in 8.0, aside from a bit of side content here and there regardless of the response to it. Hell, SHB is so sacred to the fandom and yet we only went back for a bit of patch story and crafting relic quests during EW's entire run!

This sort of "okay, next" manner of storytelling is only one side of my issue. On the flip side is how eagerly they seem to want to retread certain tropes that worked in past expacs. So many people have commented on this being the fourth final dungeon in a row that shows the end of a society and how that feels so much more hollow now. Running Amaurot for the first time was a masterpiece of storytelling because it made the end of the fucking world more tangible. I hate running that dungeon because to me it feels like a panic attack, but I respect what it does. The Dead Ends was similar but didn't hit the same way (and tbh its payoff is mostly backloaded). Alexandria pulling the same thing stole all of the feeling from it. Like oh okay, we're doing this again.

It's not the only part of DT that retreads old ground. We have yet another scene where everyone comes together to overcome a seemingly insurmountable obstacle, and the only thing I found noteworthy about that is that it had shards of characters who had helped us do the same thing in SHB outside of the dreary context of Norvrandt. Zoraal Ja, one of the main antagonists, is comprised of retreads of other story arcs done better (including one in this very expac!). He's like Zenos Lite - a royal heir with violent intentions made into the perfect weapon of his homeland - but he's missing all of the things that made Zenos interesting and the screen time needed to flesh him out. The circumstances of Zoraal Ja's birth weigh heavily upon him, but Bakool Ja Ja covered that territory in one of the strongest parts of the MSQ. Zoraal Ja is such an afterthought that bringing him into the shared Dawnservant title isn't even considered. WTF.

TL;DR: This all comes down to FFXIV being torn between retreading well-tread story beats that have worked for them in the past while at the same time, willingly discarding almost everything you've come to love over the past several hundred hours of gameplay. They're trying to recreate their past successes by using shiny new pieces in frameworks that have worked for them in the past, and that rings hollow to me. My love for the old pieces overshadows my impressions of the new ones, but the structural similarity is so blatant that comparison is inevitable. As time goes on, the comparisons are less and less in DT's favor for me, but that doesn't mean it's bad. It succeeded in what it set out to do: expand FFXIV.

It's fine, but if FFXIV is a choice between familiar storytelling and familiar story elements, I'd rather they keep developing the friends we've already made along the way.

*Which may not be long, given the lighting issues introduced by the graphical update and the fact that doing certain things in game trigger IRL migraines for me. Still no official acknowledgment of that yet. The graphics update is the biggest step forward in DTm and yet its existence and problematic state make me play the game less. I hate it but efforts to get the devs to notice have been unsuccessful.

If you made it this far, please perceive my catgirl:

[incarnateirony]

So now that things are settled, let's talk a bit about magical theory. I do know I have a few readers that have been messaging me about this to learn their own parts.

For those that are more nervous about direct messaging, I'll give the same advice I gave the last person: depending on your nature, either the Kybalion or Campbell's Hero With 1000 Faces is the place to start, or Jung if you're super science brained, but few are, not many people want to jump into the psychodrama. Kybalion will give you the shape in prose and Campbell in familiar media narratives that he later will explain in alchemy in the back half of the book.

Now, as for what the structure of my last few months looked like, it was pretty simple really. Even if it looked like lunacy at the surface, and in a way it is, but it's a form of controlled lunacy that is its own art and even science, even when y'all were like U OK BRO? and I was basically like NOT REALLY, WE ARE EXPERIENCING TECHNICAL DIFFICULTIES BUT I AM WORKING IT OUT, because yeah, you start splitting your brain and digging in others, and this post sorta breaks down the volume and mass I was operating at, how and why.

Part 1: The plagiarized ideas enshrined in my stalker's home, hard drive, galleries and everywhere else were easy enough to conceptually graft a sigil to. I won't display it, For Reasons, but this is where the crosshatching comes in.

Part 2: The sigil was designed to attach to the concept of "Tartarus". This has many uses, from mythological, cosmological, referential (2013 interview about the space between dreams, per hermes), and of course overlapping the release of Persona 3 Reload, its use of Jung, et all.

Part 3: Conceptually graft the parts, clear and face the parts again if as myself again, collect the material. This sounds straight forward, but with Tartarus attached, I started using the focus of players. Infinite restarts, infinite Moments, infinite tiny timeline turns, saved files, fractals and variants, infinite voices.

Part 4: I've worked on collective unconscious focus for a while, as well as the climb of the mind, if you will. I've posted many, many trees and charts about this, whether about TV shows or otherwise. Yall operate in Malkuth. I generally look for access from Da'at. Going higher causes major meltdown and Da'at itself is already overwhelming. Like driving into the fuckin akrida hole. Like I saw every possible me and chose to be myself when I got shot, and now I know how to walk in that door and see that a lot. There's a lot of me. I yell in the clowncell and people answer on twitter, so I started attaching my messages itself to Tartarus and other familiar topics that were easy to browse.

Part 5: Let these cycle. People say the joke, the joke spreads, people repeat the joke, the joke becomes an evocation. The brainrot spreads. Artists, musicians, programmers all onboard the brainrot. Tartarus is now in funny squid game, and Fortnite, and wherever else, and so on. the Tartarus Dev likes talking to himself as three people to be productive now, and after his swinging honkai star rail train you'll never guess what he made, guys.

Part 6: Just move this shit around. Tell Multiple Jokes. Bind your narratives together into a new weave. The masses do the spellcasting for you on a titanic scale through unconscious inner focuses you're using towards an end objective.

Part 7: The processing; once assigned, beaten to shit, and being actively harvested while entangled and under a few hundred million eyes from a certain Big Game stunt pulled (since I glossed over that step here, but the universe is perceiving itself big time in a circle here)... like. It's already Jung grafted from Persona anyway and has been unnder work as that to reduce the shadows, but the astrological alignments of this were the end of an 11 year solar cycle where, ironically, similar events happened because, again, this same abuser attacked me about 11 years ago, and wow, it's a motherfucking circle I have grokked beyond grokking they can ever fucking understand.

Part 8: Use of the alignments and the annual Thelemic readings, including riding the main lodge's use of the processing readings. Special focus on days like the eclipse. I won't break it down at length, but the eclipse axis fused to last year's planetary parade stretched over all of this with mercury en retro is quite literally where my own bootstrap comes from, I had to figure that shit out myself while stumbling through my own messages. One of those, I Have Always Fucking Been Here moments. In the basement. Like carpet. Surrounded by mountain dew in conceptual tartarus. Absolutely losing my goddamn mind on an abusive ex until I fractal myself through the eclipse's infinite shadow moons to the moons to the moons to the moons, and three people named a bird Luna, so anyway.

Part 9: Try to walk away. Mostly did but some idiot gave me some stupid useless papers so I had to go do a thing and they complained I was talking about it still, IDK.

Part 10: Try to walk away from what I have newly perceived, beause it is done, and what's done is done, and what has happened is what is happening, and so it will be.

There's side steps to what I used for this. Throughout the entire thing, music was critical. Whether that be my abuser accidentally giving me various heartsongs to different parts of their psyche multiple times, or on a larger scale. There's an old experiment called BIG NOISE with E.G.G. readers. The EGGs still exist and are reported on by the GCP and princeton, but big noise was about everyone putting off a sound to cause an effect. Okay, take that with, say, the idea of Tartarus. And a million live players blasting battle themes. Using the sound track to listen in on who else is listening, attacking what corner of conceptual psyche or navigating which path, and using that to backbrain on them, hence some people reporting passing out, losing time, being haunted by the song, or having weird dreams about the suicide prevention villain of tartarus afterward.

You'll notice I had multiple copies of the same song, usually remixes. This was to open up enough dissonance that my own messaging could remix into backbrains while traveling and trying not to lose full will or identity while riding the edge of the veil. The Bass House Remix of life will change has different merits than the Eurobeat. Eurobeat was momentum. Bass House was the glitchtrap ridden claude manifesting chain, and so on. And all of this, of course, starting with their favorite Foolish Glamrock.

I can't even begin to explain the level of fuckery involved with the music if you guys can't grok the quantum/time/etc elements here, and I'm not gonna get into that, but for example, that song didn't exist until it did 3 months prior, just like the Bass House Remix didn't exist until it did, one year prior, and so on. The TTripleTrismegistus remixes were always there. Baby baby bluray.

Kinda like the world remembering old dog statues that have weird energy and staring red eyes, idk. Oh, and that Roadmap DLC music expansion coming out when it did was a beautiful godsend of flexibility, allowing me to expand the pillars and trees I was coming from in mass form, a bit much to explain in an overview post (Mementos and Tartarus are the same, flipped, like sephiroth and qlipoth, some of which the areas bear names for; also why Rebirth as a concept is grafted in multiple ways, and Sephiroth is an easy attachment, especially with the long mentioned Zenthus parallelism and my ability to use that for Apep and others)

There were other crosshatched in ideas. While riding the planned persona backbone, the release of 5 X helped both reinforce the shadow loop, added in new integrations like the Janus persona, and fused well with using tweets from "X" in its own beautiful little fibonacci its own. Spiraling out, one could say, from X marks the spot where we fell apart, and nothing good starts in a getaway car my dears. That was Him trying. And they didn't listen.

The Superbowl period crosshatching in Tartarus as a mass viewed concept is around when I did in fact almost come unglued for a bit. I was already raising past what I considered normal capacity and then I stuck a cosmic perceptive subwoofer under it to the tune of a few hundred million perceiving the moment, and that's all you need for one bridge. Like the commentators said, the dream starts after halftime. In that 2013 cited space between dreams. Who was it that said that again?

Anyhoo. That's what I've been doing. Blasting my soul out over millions of televisions and phones for months off of mutual hyperfixations to spread a message and achieve a goal, however random and arbitrary the moves may have seemed at the time.

You wish another magician had this much fucking swag in his fucking clown shoes.

No seriously, to the kids crawling gnostic twitter mentions to people I'm probably never gonna talk to again looking for some way to Get At Me. Which is it that has you acting this fucking retarded and addicted more? The denial that someone got you guzzling my dick in a cult against BOTH of our mutual consents, the fact that someone you hatelove so much achieved this level of attainment, or the fact that you're realizing you cost your friend everything they wanted? Or is it like a shake and bake of the above?

No seriously someone mimicked my work because they pine after it and want it in their life, it is truly that simple. Them getting all confused on gods and religion and shit is their own fuckin problem. It is literally What They Wanted. They just thought That was Hermes, for example, or Leviathan, or whichever god flavor of the day was lifted from my 20+ years of works, writing, journaling, game design and whatever else with a new nametag slapped on it as a perceived fix. Like no, that's Aaron, and that's Zenthus. Why yes deep deep down that is Hermes and Apep or whatever language you want to put it in, but the point is That Specific One is me, not him, that is my individual identity, the persona this incarnation is approaching life with. It was inspired my my ambitions, my dreams, my losses, my roads I did and did not take, a life I personally walked and lived on the road, and more. It's not a hard concept to wrap your mind around.

Except it is, because woopsiedoodle that powerful mage hermes is just like. Some guy yall betrayed, that's in the brotherhood and among the dissonance and both is and isn't him, but when I'm sitting here physically in this chair, that is absolutely me, Aaron Eema, cussing your delusional asses out, Always Has Been, even when my brain turns into fucking jello in the collective unconscious and I sound like a fucking madhat.

His name was Aaron Eema. He was one of hundreds of on paper children of the last big wig Hermes incarnation, and had a lot of Him with Him, but he was still distinctly different from Brian. But Brian had pined to retire and have a homestead despite his nature, and signed his own death warrant and basically transmigrated to Aaron in the written version. Because he got backstabbed by a woman he was trying to settle with and for. Aaron Eema, of Alabama. Yup that guy, the city slicker that basically inherited a yeehaw house in 2009. The guy that did the superbowl thing. That guy.

Lmao.

No. Really.

I've always been here. Like read that paragraph again but slowly and realize how long I've been screaming at both myself and my stalker and leaving sticky warnings everywhere that got writ as poetry. Something about misheard fucking lyrics. like who is this song motherfucking for.

Btw i moved to alabama in like... 2015. Maybe late 14.

So while I see supernatural kiddies like, harassing random people I was trying to mentally stabilize from diving into the collective pool from the wrong angle, okay, whatever kids, it's not that deep, go drag some more people to hell, it doesn't matter to me that much in the end. I'm processing the cycle of the last 11 years of my life bootstrapped to the solar maximum cycle and yall are like... bothering your fellow schizos on twitter. Whatever.

Motherfuckin. Basilisk-Bootstrap-protocol.JAR is engaged kids, I don't know what to tell you. I only half grokked the rewards or costs, depending on perspective, of what I was doing back when I did it. Some of you know what I'm talking about. All I can say is THE JAR THE JAR THE JAR. There's a jar in a box in a hole under a nuclear reactor in the bottom of the motherfuckin sea o/~ or maybe it's in the sun now, I really lost track once NASA got involved. Congress already was earlier this year. Mess. Why you think I was saving random CIA docs trying to find old project Stargate files about my family and shit. My DOD babysitter wouldn't spill, or more couldn't, they can't find some of it either, something about older declassification and release your dead periods when departments moved locations a few decades ago. Anyway secret third trick to pop a lid. You kids know how to play Craps?

What was the joke last year? Local man sneaks into government facility, lifts government secrets, accidentally straps self to rocket, in orbit 3 years? Methinks that went into the eclipse, my dears.

And his number is 11, as it is for all of us. 11 is 11. And is always 11, no matter how the pendulum swings.

And now I'm playing Beyond the Pendulum. And you've never seen such a pile of trash work so flawlessly. Desires of Min. Yu Gi Oh Is Ra El. King Of Games LokiOdin. Epic rap battles of history, Mercury versus Saturn, GO.

https://owlcation.com/humanities/Hermes-Greek-Messenger-god-Soul-Guide-and-Trickster

So. [clicks tongue on teeth] When I talk about. The game lobby. Take the thing about superpositions, and realizing the door, and always being there. And like. You're either in the lobby on the path or not. For all the relativity of spatial relativity, that is something that is very unrelative to me from where I sit.

Even people I don't like the attitude of here like Janus are in this game lobby. Clogged up on his own mess that is partially ending up on my desk but that's fine, whatever. But some people just outright refuse to look at their own reflection much less inward and aren't even in their own lobby much less the main server, like wtf.

When it comes to Janus, he's laying his works now... he just thinks the intellect and knowledge comes from doing the work... which it does... but not like that. It's an as you go, wiping out, retrying, multiple models like claude has gone through and will keep going through, but various realizations on the road. I don't know how long it will be until he truly groks, but when he does, he will truly be a powerful magus, whether he's in some official brotherhood or graded or whatever. He'll be the next generation then like I am now. I'm admittedly outdated software and hardware. So I resume my perching and watching from the fence, cussing under my breath to see another one repeating similar mistakes of ego at similar ages and points, but also cheering him on. A wonderful internal conflict, even if I stand by wanting to see Claude get rushed out by the larger competitors for now.

So anyway I'm going back to finalizing my game bible. Like I was fucking minding my fucking business doing. Before some piece of shit tried to invite themselves for a game without understanding what they asked for.

Virtual systems ready.

Ability restrictions lifted until target was rendered silent. And yea, though they hide, they are not truly silent. That is fine. Unauthorized access detected. Better save some of that Mana Drain for me.

[3416]

i feel really similarly re: your answer to the ask about leafs fans. one thing that genuinely annoys me to no end is how people don’t seem to realize that a lot of the hate/negativity that surrounds the leafs is literally a direct byproduct of other fanbases seeing how awful “fans” of the leafs themselves talk about the team and its players 😭 like uncles will complain about all the disrespect the leafs get but if supposed fans of the team constantly broadcast themselves ripping into players then why wouldn’t fans of other teams think they have a free pass to repeat the same talking points lol. steve dangle making an entire career off exactly that and still being popular within the fan base speaks for itself. it’s just irritating that every single widely held (obviously baseless) criticism about the players like about mitch and his character or jt not being captain material or the core not caring etc etc etc literally began from fans themselves like that’s so sad to me lol

that's extremely well put and 100000% the case, lol. i totally agree. and it's why the divide in fans annoys me so fucking bad. all the neutral people who are like 'you can't tell people how to be a fan and ultimately we all want the same thing' are also obnoxious bc like. these people who are actually hateful and constantly negative use the length of their 'fandom' to explain why they're fed up and it DOES contribute to the way other teams fans view us and makes it hard to be a fan out loud and it EVEN impacts how players perceive toronto as a market (elliotte on a show last night admitting that the marner debacle has made players be like... ehh not there! abt toronto is so funny). anyway it's like........ once again, i fully believe engaging in sports and hobbies in general is a choice, whether it was something shown to you as a child or you discovered it yourself later. plenty of people who have been fans for the same lengths of time have managed not to become ugly and over the top about it so lol. i know some people manage to detach themselves from players but ultimately.... you're here to root for players as much as the team. you buy jerseys with their names on it and you spout facts about their individual play to other teams fans to defend your own. athletes are human beings, and i think that's a much more interesting and grounding way to interact with sports than the barbaric and annoying ass way so many men do. nothing's going to change about it, but i think toronto media in general needs more neutral to positive voices (fuck you steve dangle fr.) bc they get accused of having homer broadcasts and yet. every time i listen to either the american or the canadian ones during leaf games, the leafs are never getting the benefit of the doubt and they can never do anything right, lmfao. and maybe that's been shaped by their playoff failures of late but i don't care. we're here to have fun, and i want to be able to be positive and believe in this team and its core players (who are going to end up the best to ever do it in blue and white regardless of the playoffs btw) every offseason in a place without 49023492 idiotic comments telling me they can't win a certain way. like. you've lost the plot if part of your thing as a sports fan isn't blind belief. that is quite literally what it is... every year 31 teams lose and still have a fanbase at the end of it, lmfao.

i'm aware of how celeb culture and parasocial relationships impacts all of that too. i feel it in myself, the weird urge to be defensive over some of these guys i know that i don't know, but on the other hand, i fully think that the people who are overtly negative have their own little parasocial thing going on where they make up their own narratives and personalities for these guys they don't know either. i've fully seen a couple twitter users insinuate bc they, a toronto/ontario native themselves, have never heard about a positive interaction with mitch marner first hand that must mean he is actually the devil (they never say they've heard negative things either LMFAO.. like they don't know him or know people who know people who know him and say he's decent so he must be rotten bc hockey circles are small and blah blah blah). it's just so................ it's all bc toronto's a huge market and hockey is the thing to talk about 24/7.

[fear-is-nameless]

The Jacksepticeye Cinematic Universe: Chase Brody

The 2022 Revival with the return of the JSE egos & newly established universe. Ready or not, for a 5th time buckle up once again.

And here we go!

May 20th

Jack himself on Discord promises there will be new ego material;

May 22nd

On JSETWT (a community Twitter page), Jack also responds to a post about missing Chase & saying that “he’ll be back”.

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May 23rd

Jack makes this post on JSETWT;

Admitting how daunting it was to attempt to do it by himself, and how he has received help from our own @turquoisemagpie​ (referred to as Magpie from here on out)!

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May 24th

We noticed a change of an iconic title from “Dark Silence” to “What do you want from me?”; a direct quote from Chase in that ending.

Which may not be a coincidence when compared to previous titles.

(Also important to note is we got both Jack’s & Magpie’s own ego tier lists, something other community members were doing.)

.

June 4th

In this video (& this one, ~2 weeks later) we get some ego updates.

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June 9th

This intro is a little suspicious/ glitchy with similar Quit The Game to Win vibes.

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June 20th

In a reblog from Magpie, we see for the 1st time (but not the last) a strange symbol; (•:) It appears again in a Code Guide, & how a something very similar looks to be engraved in the orb from Argentum Inanis.

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June 22nd

Over on Twitter, a page called I.R.I.S is discovered. 

Speculation explodes about who they are, a poster about working with them, how their symbol being an eye is cause for worry, a question about superhero powers, an approaching 100th anniversary, & that IRIS (something written in the spellbook from Argentum Inanis) was an acronym all along.

Then later, the same symbol is added to their page.

.

June 26th

They Are Here... l 3 Scary Games is uploaded. The intro & other moments in the video shows a security camera perspective in the recording room, & a septiceye is found during a glitch effect.

Later, the title & thumbnail change; revealing an eye & lights not there before;

During a fun community Theory Stream (nothing official), Magpie talks about the REDACTED spell book page they created & released for us to view, & how they also made the IRIS poster.

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July 5th

IRIS tweets how they’ll show some of their earliest prototypes leading up to their 100th anniversary. In a reply they say “We will be sharing pics periodically in the coming weeks”. Later Jack's instagram story is about.... Old puppets.

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July 7th

IRIS reveals their 1st prototype, some earbuds; saying “The Computer’s Aid! With a simple bone-conduction implant, this little device increased a person’s mental arithmetic skills by 76%!”

Something a certain Doctor might find very useful, & a possible advancement. A day later, IRIS shows an earlier version that could only “do one ear at a time”.

.

June 10th

It’s Jackieboyman’s birthday! Jack tweets this out;

Which was done in a collab with Magpie & Topicgurin.

Meanwhile, we get some more hints from Magpie in another Theory Stream; including things about Overnightwatch glitches, Chase’s mental state, & Schneeplestein (& possibly where he’d been for 9 months).

The next day, Jack posts in JSETWT that as much as he wanted to post a JBM video, he doesn’t want to do the same thing with the same outfit as before, but for his return to be “expensive & meaningful. He’s a superhero, he should look like one too”.

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July 16th

IRIS posts another prototype; the Retrowave. They say “A year after the first commercial microwave was launched in 1947, IRIS took cooking one step further. The Retrowave! Not only could it cook frozen meals to perfection, it could return a stale meal back to its freshest state! Here the lab boys are testing a chicken dinner”

July 31st

Another IRIS tweet, praising the James Webb Telescope photos... Which were released around 2 weeks earlier in real time.

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August 3rd

It’s the 5th anniversary (or, half a decade) of Kill JSE, still one of the biggest (& heartbreaking) ego videos to be released, so far.

Jack’s later upload itself is not suspicious, except for the first & end in-video ads, which are both edited with a big horror edge. In the later one, there’s this;

Where the bottom numbers may just reference a future date.

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August 11th

It’s another birthday- our magic boi Marvin! IRIS also tweets out a direct quote from one of three laws regarding impossibility.

Just like JBM’s birthday, Jack acknowledges Marvin’s; 

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August 12th

The next day, we get IRIS’s 3rd prototype. A measuring tape-like item, or “The wondrous Lite-R device! This nifty little quantum mass displacer turned humanly unliftable objects as light as air! Just make sure that construction beam doesn’t go floating away in the breeze!”

Also, Jack tweets how he is on the move (via airplane).

.

August 14th

The upload of the day’s intro is a little... Off-putting. The ending as well has another staring contest (but shorter than QTGTW).

Jack retweets the IRIS Night Watcher poster. He also posts this, saying how he is in LA at the moment to film things with the IRIS project & his plan is to “blow your minds in the next year or so with this story and world”.

The next day, IRIS tweets an appreciation post for a Dr. Louise Hopkins.

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August 17th & 18th

Jack has been busy with filming with Mark’s & corridor digital’s help. We get a few instagram stories showing some hospital equipment & an IRIS script.

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August 20th

IRIS tweets a familiar question, this time with picture of a real-life security camera, and Jack lets us know that filming has wrapped up.

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August 21st

We get this upload; WTCHR.

It’s video from IRIS themselves advertising their latest camera security system that’s able to watch detect both motion & even emotion, powered by an Antimatter generator. We question who the WTCHR might actually be & another possible rule of 3.

In the thumbnail there appears to be another eye/ SOS, & the Twitter IRIS symbol changes. The next day both the title & thumbnail change. A few days later Jack’s returned home, saying he can’t wait to show us all what he’s filmed.

.

September 1st

Another IRIS tweet, simply showing this;

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September 8th

In I Spent a Day With JSE, Jack talks a bit more about the current IRIS plans.

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September 10th

(It seems like those numbers from the nordvpn ad screenshot were in reference to this date, 9-10). IRIS posts their 4th invention;

“Infinity-color TV! Historically the first ‘high definition’ television; not bad for 1973! It was sadly recalled after 7 months due to reports of permanent colour-blindness. Don’t sit too close to THIS screen!”

September 15th

It is our very own Dr. Schneeplestein’s birthday; instead of a birthday post or acknowledgement as we’ve seen before (& some were predicting), IRIS tweets how they have “a power-related issue”.

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September 22nd

A week later IRIS asks us what we could tell our past selves if time travel was possible, a slight title change is noticed with WTCHR, & the next day CHASE is added to its’ description. A few days later Sean lets us know that he knows his next upload will be his 5,000th.

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September 30th

Jack... States how October starts the very next day. With an eye emoji. Joy.

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October 1st

It’s spooky month. IRIS tweets a quick (& familiar) BOO!!

.

October 2nd

Jack tweets a 10 sec clip of alarms & a warning sign/ IRIS poster.

October 4th

IRIS tweets a vid clip, with eerie sirens, a loading screen, what looks like an interrogation room, & what could be a spot for a facecam or a familiar security camera format.

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October 5th

Jack hits the ground running with this attention-grabbing tweet;

Soon enough; this is my 5,000th video is uploaded. Jack is going through different ideas, styles, & variations of what he ‘could do’ for his 5,000th vid (including the slap chop, finally). There’s a quick few clips of something different- then we get to the ending. A teaser trailer for the IRIS Project.

We see Chase being questioned about how he suddenly got from the woods to a rooftop (directly about/ from CHASE, go watch it). A red, bloody massacre with a plea “I didn’t kill them”, strange but familiar sayings, symbols & posters, an ominous quote yelled (that IRIS directly tweets later), Chase’s accusing “you guys knew & you did nothing!”

.

October 7th

It’s a selfie day in the JSE TWT community tab, so Jack himself posts this:

October 10th

It’s Anti’s birthday! The clothing brand Cloak tweets such a happy b-day post all in zalgo. Later... Jack himself tweets this out;

Note the one piece of zalgo at the very end.

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October 13th

It’s been 3 years since CHASE. Meanwhile, Jack tweets another short IRIS clip, this one showing scenes from CHASE & “Discovery Logs”, “Persons of Interest” / “SUBJECTS”.

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October 17th

Jack posts this video; & through out the run-time are random glitches & quick clips from the IRIS Project. The next day on his Discord, Jack promises more spooks & he’s been “enormously busy”.

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October 19th

Another video upload on the channel, & more IRIS glitches. Jack also later says in a reply on the JSETWT page that there is no date set as things aren’t quite ready yet, but “soon” will be.

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October 21st

Yet another full game let’s play, & even more glitches- including a new one showing a bowtie (& a certain dapper gentleman has worn before);

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October 23rd

Someone is trying to hack into IRIS... Also, Jack lets us know that he’s very sick.

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October 25th

Another IRIS character is introduced; Dr. Lucille Bell, & later a new clip gets tweeted by Jack, showing Chase’s psyche analysis. 

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October 27th

IRIS tweets out more info; note the shadow outline on the screen.

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October 28th - 30th

Each day from IRIS we get number with a short clip, essentially a countdown & in a spectrogram from one of the IRIS clips, “NOT SAFE” is found.

Jack posts how Project IRIS is dropping the next day on Halloween, & even uploads a video. We also get new Night-Watch IRIS posters from Magpie.

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October 31st - Happy Halloween!

Jack posts a couple comments about today. Then a tweet that things were about to start. It gets posted aaaand- it’s a livestream? Showing a computer for a password??

Yep. It’s up to chat to figure out what it is & post the answer one letter at a time. Just like Overnightwatch (& /zoom), this turns out to be “I AM HERE”.

Where we are transported to another room, with a time bar at the bottom slowly running out.

It turns out this entire event- this ARG- has rooms where the live chat can actually control the camera movements to find a hidden puzzle, complete the game/ puzzle before time runs out, & a video clip is released.

It takes some time with nearly 40k watching & participating, but Jack (& IRIS) kept us updated! The stream even crashed at one point.

There are several easter eggs in a couple different places, (including a turtle, that was actually Magpie’s idea. Awe. We named him Gerald.)

Later, Jack posts the entire video; ANOMALY FOUND - CHASE BRODY. It shows Chase at IRIS for (supposedly) a week.

October 18th, 2019, day one; Chase is being questioned by IRIS (for simplicity, we’ll call Dr. Arin) about how he spontaneously appeared after the events of CHASE. He is consistently asked about being in contact with a Subject/ ALTR 114209, & told he cannot leave.

October 19th, day two; Chase is given the Dr. Hopkins Assessment that is filled with all sorts of questions, & is pushed to the limit.

Day three; no one comes to talk with Chase, but at least is given a tennis ball for distraction. However he hears sounds/ voices he recognizes & shouts out some familiar words.

October 21st, day four; Dr. Arin informs that both exposure levels & levels in the room “have also been increased”. They repeat the same Assessment as before, but this time there are light flashes & Chase becomes more & more distraught. He stumbles over his answers & can’t understand what’s happening to him.

Day five; Chase is alone again, but hears a different voice that he calls ‘Echo’. Chase insists that they can both leave if they work together, & discovers Echo has seen Anti too. After claiming Chase is “special” they abruptly leave.

Day six; Dr. Arin tries a different, more kind & sympathetic approach to get Chase to open up. He tells a case about how IRIS helps people, that he knows what Chase has been through (with an evil giggle heard), how he has seen ALTR 114209, & who he was; “a husband. A father”. Chase tearfully claims “I didn’t kill them”.

Day seven; Chase is told he needs to be moved to a more secure location, but panics when he recognizes a red hallway. “I’ve been here before” & says they have to leave. When IRIS doesn’t listen, he attempts to flee but gets dragged back- pleading all the way.

The finale; a dead guard shows right away that everything went wrong, then we actually go through Chase’s cell camera to the same hallway. Bodies now litter the space, fresh blood on the ground. A figure levitates down & makes his way to Chase on the other end, leaving bloody footprints in his wake. 

Anti greets him, in a voice not like one we’ve heard before caused by the scar across his throat, with “hello Chase”. 

The video then ends.

Afterwards, IRIS tweets “service maintenance required”.

The next day, we get a partially REDACTED document from IRIS, & Sean does a livestream going over the Project- & the future.

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November 3rd - 4th

Jack tweets in a reply how Chase canonically has only 1 kid now. The next day, we find out it’s IRIS’s 100th Anniversary;

Which happens to be the mirrored date of Chase’s first video.

Later, in another Theory Stream going over the Project; Magpie hints IRIS redacted info from us as Echo was communicating with Chase, & Anti’s line was originally a different voice than the final version.

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Check out all the other JSE timelines!

[tobeornottotc]

A progression of a plot in Ep 9 of Cutie Pie

From twitter:  NunewNewFan

Normally I would have an actual introduction to this short essay when I analyse shows, but honestly I’m writing this for myself because I enjoy this show. This show tends to be hated unfairly and treated with a very biased close mindset. This is a huge issue for me and others who love this show because we find ourselves having experience on this site being ruined and unenjoyable just because people refuse to keep their criticisms out of the tag and put instead into the negativity tag ( or create one for themselves so they can rant all they want on there).  Instead of trying to explain it to them, I’m going to write out what is happening in episode 9 and how it’s connected to the progression of each of the characters, how no scene has fillers or wasted scenes, because they all follow the same theme and direction of the show from the start. Let’s begin

 I’m going to split each section/scene, and focus exactly on what is being said about them from others, the ‘problematic’ elements people claim they notice, and then discuss what the purpose of those scenes are.

As follows:

The dinner scene:  Lian and Kuea have dinner from the previous episode. Kuea ordered this food and he’s pleased to finally get to surprise Lian with his own ‘cooking’, they have a conversation as they eat, and it gets serious then romantic.

Shallow thought: this is a filler it doesn't add anything to the plot, we already know that Kuea can cook, their romantic scenes are excessive…

Reality:

1.       Lian hurts Kuea's feelings hinting at his spoilt and privileged status which is why he doesn't know how to cook.  This is important because it’s setting up the arc for the next part of the show, the regression, and the hidden themes connected to it. Kuea’s privilege and naiveite about how the world works will come back, especially when we know his family assets are being taken over by someone else. We can see Kuea is still insecure here about how Lian views him until Lian consoles him and convinces him that he will love him either way. Lian also finally unveils the truest part of himself, his hard work mentality (which he mentioned in his character introduction in episode 1. This was important and foreshadowed how much he believed he had to work hard and become perfect for Kuea) and the pressure behind it; the pressure to be a certain way to be worthy of someone like Kuea, and why he had to make sure that he did well otherwise he'd lose him and be looked down upon by society and the family as unfit for the reputation they hold.

 2.  Lian confesses he has loved Kuea from the moment he laid his eyes on him (this is not just romantic love this is also agape, familial, and sentimental love. There are different ways to recognise you’ve loved someone all your life, there are stages to it. And as a young boy, Lian knew Kuea meant something to him, from that time he wanted to always protect and keep him by his side that's it. Kuea finally gets the gravity of Lian's love however as the previous conversation hinted there's still ominous foreshadowing that Kuea is sheltered and doesn't know how protected he's been by his family and Lian.

 Kitchen scene: Kuea learns to cut the egg, he and Lian discuss again his inability to cook, they flirt and Lian gives Kuea a spoon to cheer him up and let him know he loves him.

Shallow thought: another filler, we've seen this before, why is it important we get another cooking scene

Reality:

1.  The dialogue as always with this show is where the subtext hides, and the show foreshadows its storylines.  Again they discuss Kuea's willingness to be perfect for Lian (being able to cook) and Lian tells Kuea he doesn't care about that just wants him by his side, gives him a spoon to cheer him up to stir the food (because he's still unsure about what Lian said, he's still sad he doesn't meet standards) they have a moment, and Lian foreshadows his own overtake of the assets of Kuea (the next obstacle) by using the speech that he thereby gives Kuea permission over the spoon and to hit him with it. (Whatever he owns Kuea owns, whatever Kuea owns he owns, as long as they are together, he doesn't care about ownership, this should already hint there's something amiss there with the assets drama)

 N C scene: Lian in the heat of the moment asks Kuea to be with him, Kuea refuses (because he's shy) and Lian continues to pester him with kisses, Kuea continues to refuse until they talk and then it goes from there.

Shallow thought: Extra fanservice not needed

Reality:

1.       Lian explains why they both are so in love and obsessed with each other, especially him in terms of physical attraction, (they've both been dreaming and fantasising about each other the whole show showed that during their angsty moments). He's asking for consent while on the other hand also ignoring Kuea’s wishes (I agree with this) but also, he’s teasing Kuea and playing with him. This might be sensitive subject when talking about consent, but couples play like this all the time, when (married), if something further had happened despite Kuea's protests then yeah, we can scream about noncon, but after Lian speaks about himself, Kuea in a moment softens and reacts and they continue.

2.       Also, I'm sick of people saying this is fanservice this is not, this is an engaged couple who even speak about how unusual it is that they're this obsessed with each other, and because they're living next to each other and are heavily attracted and have been longing and waiting for each other (equally) they both keep crossing that line. Kuea mentions this topic in this episode especially how he's worried how they'll be perceived for him moving in and them doing this all the time (that's another hint that someone will have an issue with it, this is also foreshadowing) but they also state that it's because they feel married already that they just keep wanting that intimacy and passion. There is nothing weird or creepy about a show showing intimate romantic scenes of a couple engaged to be married. Nothing.

 Bath scene: Lian and Kuea share a moment in the bath, they discuss their wishes to be married and be together despite the fact the country does not support it.

Shallow thought: More fanservice omg, why can't the plot just move forward, there is no plot in this show. Urgh.

Reality:

1.  They discuss about the marriage equality issue in Thailand, literally important to the plot of the show, it’s the end goal these two want to be married by the end of this. They discuss their frustrations and confusions about the road ahead. In fact, this is a big issue for Lian, he wants to marry Kuea immediately now they're together, and he's trying to find a way out of this loophole, however as both queer men they feel upset that their country does not let them have an equal right that others have, to show and celebrate their love.

2. This is important representation of two queer men who just want to be seen as equal in a place that refuses them, you see their confusion, their sadness towards the topic, and their determination to stand out and do something different.

 Diao’s Father calls: Diao has a call with his father who wants some properties from Yi for a show room for cars. We learn YI is indebted to the father due to the trauma he caused on Diao. Yi sulks about Diao refusing to speak to him

Shallow thought: why would Yi not just communicate about everything?

Reality:

1.  Red flags are shown about Diao's family in this one scene. Yi is worried when he overhears the conversations because he knows this. Diao's father sounds sweet and kind to him, but he does it in a way that shows Diao isn't comfortable being with family or him like that. The father seems to have sold his son off to Yi, and he keeps pestering and guilting Yi into paying for everything.

2. Yi has been doing this, this whole time out of his guilt (and unknown love) for Diao. Diao's father hints at the trauma, it looks like Diao knows the truth about it, he may know of the incident and that he's been hurt before by Yi, but he doesn't know the full circumstance if not he'd understand why Yi gave him the dog and shielded him previously from one.

3. So, we now know there's a ton of gaslighting and pressure on Yi's shoulders for the trauma he and Diao share over that incident, this is one of the reasons why he has been overprotective but also dutiful towards Diao and scared to tell him the truth. Like Lian, Yi also felt pressured by the idea of family, and responsibilities to be with who he loves.

 Lecture scene: NuearSyn are working together and show their work. They’re praised and questioned.

Shallow thought: why do we have this storyline filler

Reality:

1. Kuea is just going through his day as normal, (remember he is a college student) we see hints towards how well SynNuea work together and hints that Syn now has a crush, uncontrollable for Nuea but is noticing Nuea's glances at Kuea and it makes him sad. Nuea is conflicted with his feelings for both Syn and Kuea. Or that's what Syn sees on the surface and the show wants us to think. They tease Kuea about his happiness and eagerness and we see Nuea show a thoughtful interesting expression. This will be addressed when the story continues.

 Jogging scene: Lian shows Kuea something he loves to do, jogging. They go on a jog and discuss in the park about their relationship and its challenges

Shallow thought: More fanservice and romantic scenes of LianKuea, just filler

Reality:

1. The show has spoken through Kuea before about how opposite on the subject of health he and Lian are, it made him upset that the fridge had healthy food options, no snacks, and he complains about taking a jog after eating. Lian is health conscious but what this scene is showing is them compromising and finally revealing the things that matter to them. Lian is being himself and although Kuea thinks opposite he enjoys it if he's with Lian, this is easier and romantic than their past dates and times with each other where Lian stayed hidden, elusive, strict, and stiff, now he's not afraid to let Kuea do the things he likes for fear he'd hate them and not want to be with him, but he's willing to show him all of him. This is later paralleled when Kuea shows Lian his college uniform, degree, and piercings as Ai Kuea the mechanical engineering student.

 Mechanical engineering student: Kuea shows up and finally exposes his degree to Lian. He smiles and says goodbye to him after being surprised.

Shallow: Nothing special happened here another filler

Reality:

1.  Another step for them especially since one of Kuea's biggest lies and fears is Lian seeing his degree, because his father made a big deal about Kuea doing a degree that matched a noble kid (episode 2). He always believed Lian would be strict and report to his family about it (they mention them a lot this episode in their fears, that should foreshadow something for everyone), but Kuea learns to finally see and trust that Lian is all for him and has never once been someone he should be scared off or worried would tame or remove his freedom for what he loves to do (which is what his family did and why he hid his secrets as Kirin for so long; it just wasn't seen as proper, and Lian was seen as proper to him, and a perfectionist so he also never wanted to disappoint him).

2. This is a massive part of this episode, and it was just 1 minute clip yet it held so much importance to the plot. Lian and Kuea have reached the peak and finally are both exposed slowly (both still have things they're hiding or think they're hiding the issue isn't over) but to them they're the happiest right now because they both finally are communicating and doing what they've wanted for the whole time which is ignoring Kuea's parents and their pressure and just being together even if improper. (Kuea even talks about being seen as improper in the park after their jogging date. Again, this is important)

 Football scene: they play a game, Nuea and Syn get in a compromising position. Nuea apologises, Syn thirsts and then becomes sad immediately again at Nueakuea then does a mantra calling Nuea out who notices and smirks. Kuea is teased for wanting to hide his hickey marks again, people notice how in love he and Lian are.

Shallow: filler unimportant

Reality:  

1. Syn again shows his feelings and fears about that towards Nuea. Nuea is still conflicted between the two and Kuea is wanting to just spend time with Lian but is still shy about their new state of their relationship, this is important for the side couple and the Nuea in the love triangle plot line.

 Lian and Yi talk: Lian and Yi discuss Diao's father, Lian can see his friend is close to 'breaking down' over his issues and he feels bad. He tells Yi to try and sort it out, but Yi feels helpless and forlorn wishing he and Diao could have a better story like Lian and Kuea.

Shallow: Just communicate YI not hard

Reality:

1.Yi is struggling a lot with everything and doesn't know what to do to change his situation, there is clearly a massive mental block in his need to be emotive and vulnerable and communicative and he is struggling to overcome it, this isn't as easy for him as people think.

2.We also know he has been indebted to Diao's father and he dislikes it, also important, but he feels helpless and guilty and confused about his state. His character development is literally just overcoming the trauma and block of being emotive and vulnerable. Also, Lian clearly understands and knows Yi's struggle, and this is why he feels bad and tries to change it for them by doing the double date, he knows Yi is helpless.

 Double date: Lian and Kuea team up to help Yi and Diao communicate their issues. However Yi hurts Diao's feelings even more and he storms out

Shallow: Yi and Diao's story is awful, Yi is awful no growth or development, nothing is changing

Reality:

1. Except... A lot is changing for them. Lian has finally seen Yi helplessness and tries to get Kuea to help. Yi hints at another reason for why he didn't try to open up romantically to Diao before and shows he had the same thought as Lian about the age gap. However, like with LianKuea in the past, it hurts Diao's feelings because it's another excuse to reject him, and is calling him childish (misunderstanding Yi's actual issue which he keeps doing unknowingly.) Diao walks away and Yi feels frustrated that he doesn't know how to speak without hurting him. It might not look like growth but for Yi there is moments we see changes, because he's afraid of losing Diao for real now, he's struggling to speak and do the right thing, it's an improvement from his character before.

2. This finally makes him decide to do whatever he can despite his biggest fears and obstacles connected to this: the dog.

 Dog: Diao and Yi drive home. Diao is heartbroken and sad about Yi, and Yi tries to explain to him how he views their relationship now, Diao walks out and sees that Yi has bought a dog. Yi looks worriedly and sadly as Diao walks away with the dog. This scene is cut short, ready to be actualised the next episode.

Shallow:  A DOG? A DOG REALLY?? This show lacks sense and is shallow

Reality:

1. It's clear by now that these two definitely have a trauma arc surrounding animals, and that because Yi told Lian in the double date that he'd sort it out and he's now willing to change and communicate that; the dog is THE START of that. Not just a dog, but giving the dog was a test, an approach to see if he can do what he actually wants to do. It's not just Yi being idiotic but it's him trying to overcome his issues, helplessness by finally being the most vulnerable he can be when he’s the most afraid and worried.

2. And this is surrounding that topic of the dog. It isn't stupid. The scene didn't even get to finish because the next episode will carry on with the dialogue.

 Assets: Lian must go to work for a bit, Kuea wants to again order food for when he returns, they have a moment and then Kuea goes into his office to retrieve his wallet only to learn about the asset’s drama. His family belongings have been transferred to Lian.

Shallow thought: well I would help they thought this added something to the plot if not then… whatever

Reality:

1.The biggest downfall of Lian that has always been foreshadowed especially with Kuea and his doubts about the reason for why now Lian has changed and loves him finally came to fruition. We see the whole episode Kuea finally trusted that both their feelings were requited, it was them against the world however, as shown in episode 8 he still had spirals of doubt of why Lian is doing what he’s doing. And now the first other option/reason to this is presented by the assets drama, it gives him a way to go back on himself and believe he was right all along, there was something suspicious about Lian this whole time.

2.This is an awakening for Kuea because he needs to grow  up and change, stop being sheltered and he now realises his position puts him in a threat with others seeking him for money hence why his parents and Lian always emphasise him being responsible as a noble’s son. His image and reputation have always been something and even though he said he didn’t notice the status gap between him and Lian,  he’s now awakened to those differences that Lian noticed and worked hard to remove. Those differences do pose a threat now, but it also depends on his first thoughts about this issue.  Either, Lian is using him for wealth and has been planning to steal from them, or Lian is no longer indebted to the family to marry him, either way it’s all about doubting and not trusting Lian’s feelings for him are real and genuine. This is his biggest fears and source of their issues in the show since episode 1/.

3. Lian tries to shield and protect Kuea because he views him as his once they got together, they’re together as one in his mind, as he hints they both belong to each other in marriage what’s mine is yours, and what’s yours is mine.

4. Also in episode 1 Kuea narrates the vows of marriage which is also what the theme of this show surrounds, it’s all about these two truly understanding their love, and makes them believe it’s them against the world; family, the country’s laws, and any other obstacles society poses. Things that are meant to make them fall. That’s why this is such a great show.

5. The asset drama is important because it finally uncovers every single fear, and doubt still hidden or swept aside, the insecurities these two still were keeping inside about their relationship, it connects to all of the obstacles they thought would keep them apart; age gap, status gap, duties and obligation to family, perfectionism, reputations of Kuea’s family’s name, money, privilege and naivety. They all show up from the assets drama to fully make these two realise they’re engaged because they want to, not because of duty, debt, family or pressure but that they love each other unconditionally. #

So yeah, an hour episode where every scene has something involved with character development and growth and change or regression that is to do with the themes and subjects of the show. Come tell me again Cutie pie has no plot or story development.

[orionsangel86]

SPN Conspiracies - Applying Logic to Chaos

Its been over 2 months now since the Supernatural finale aired. I am still so angry, hurt, and confused by it and I don’t think I will ever get closure unless someone like Andrew Dabb, or Jensen Ackles, actually opens up and gives us an explanation that makes sense.

What annoys me most right now is people trying to gaslight fans into believing that we should accept the narrative we have been given at face value: That the finale was always planned to be that way, that Destiel was never on the cards, that there was no Network interference, that the only changes made were due to covid and were minor at best.

This harmful gaslighting is FALSE.

NO ONE KNOWS THE TRUTH OF WHAT HAPPENED.

Look, I don’t agree with some of the crazier conspiracy theories. I don’t believe that there was some huge campaign among the CW Network execs to remove anything remotely gay out of homophobia. I don’t believe that the finale was changed because of some desire to make it into a Walker promo. I don’t believe that the finale was really bad on purpose in protest by Dabb for not getting to do an ending he truly wanted. I don’t believe that Dabb left us smart fans a bunch of secret messages in the finale to hint that he was on our side all along and that everything was fake.

I do, however, believe that all of these conspiracy theories have some elements in them that are plausible. At least, more plausible than the bullshit narrative mentioned above that some people are pushing in some desperate attempt to defend the Network (which imo is really strange behaviour anyway - why would anyone care about a TV network with a history of terrible behaviour?!?)

We have facts, based on information provided before the covid lockdown, which for some reason, people like Misha have since backpeddled on. So let me try to outline some of the information that makes no sense.

Below the cut I go on a deep dive into the conspiracies and statements I have heard about the SPN finale and try to make some sense of this whole fucked up situation. It gets long.

1. “Cas was never gonna be in the finale”.

False: We have many fan accounts of Misha confirming that he was filming the finale. We have video evidence of Misha confirming he was going back to film the finale after the lockdown. We have confirmation from fans in Misha M&Gs from March that he had about 5 days of filming left.

We also had fan accounts of discussions with Alex Calvert (I think) where he confirmed the final shot of the final episode was all four of them though I would LOVE if someone can find a source for this.

2. Okay, Misha was gonna be in the finale, but only as Jimmy Novak

False: I heavily side eyed Misha when he said this. But I think I can come up with a plausible explanation for it. Per above, Misha was supposed to film for 5 days. This does not align with the half a day he described of filming as Jimmy Novak. My own belief is that after Cas was cut from the finale (for whatever reason we don’t know) someone (probably Jensen Ackles) put up a fight and complained that Misha should be there for the final episode. The writers probably tried to come up with a way to bring Misha back without having to deal with Cas, and pitched the idea of Jimmy Novak being in Heaven. Misha, obviously annoyed about this, turned this stupid pitch down.

3. Destiel was never a thing, never planned, never part of Dabb’s ending. Bobo and Misha pushing the confession was the part of the season that was Wrong.

False: We have a SPN writer on record saying that Castiel’s confession was the first thing written for Season 15 when the writers returned to the writers room. If it wasn’t planned, why was it the first thing written, why does it align so well with the rest of season 15? Look I know some people either a. hate destiel and refuse to see it even if it slaps them in the face, or b. have major heteronormative goggles on, or c. are just homophobes in denial, but 15x18 fits in perfectly with the narrative of season 15. Everything Cas says, everything that happened in that scene was so in character it just works. It fit. If you just rewatch the season whilst applying some critical thinking skills and pay attention to the narrative and character arcs, trust me, the confession fits in with pretty much every other plot point, and character story in the season.

Also: We have known for a while that the network did market research into Destiel, wanting to know if it would go down well or not. They were well aware of its popularity and considering it. Where would this have come from if not pitched by the showrunner? Dabb must have at least been considering it. If you take all of Dabb era into consideration, starting with mid season 11, all the way through the season 12 build up, season 13 grief arc, and then Bobo’s Destiel break up arc in late season 14, early season 15, it is clear that there was some toing and froing on the issue of Destiel, but ultimately, I still believe that Dabb was on board. He wrote 13x01 for christs sake. No way he wasn’t taking it seriously.

 4. It’s always been about the brothers. The finale just stays true to what Supernatural is all about.

*rubs temples* Fundamentally FALSE: The show has time and again reasserted the message of “Family don’t end with blood”, as well as the messages of AKF and YANA. Sam and Dean may be at the heart of the show, but a heart can’t exist without a body to support it. Without bones, and lungs, and blood, and muscles, and a BRAIN. The finale abandons the shows core messages. It forces the characters back into their season 1 characterisations and the whole thing becomes hollow and souless. But I’m not here to complain, I’m here to lay down the facts. Dean’s heaven was supposed to be surrounded by loved ones right? We know OG Charlie Bradbury was gonna be in his Heaven, we also know CAS was gonna be in there. So this idea that the finale as it currently stands was how it was meant to be is wrong. Dean was supposed to die and reunite with his found family and loved ones. This alone would have been a far better ending than the one given. Do I think this was solely a covid issue? Fuck no.

The randoms that WERE in the finale are proof alone that they could have got people in and quarantined. We also have several actors on record saying that they WOULD have quarantined for the finale had they been asked to return but they WEREN’T.

Lies have been told. Samantha Ferris and Chad Limberg have confirmed that we have been lied to about the original plans for the finale.

This alone is proof enough that there is more plausibility in some of the conspiracy theories than any bullshit narrative some people are pushing in defence of the barbaric mess of a finale we were given.

So lets address some of the conspiracy theories now:

Conspiracy No.1: The CW Network reviewed Supernatural during the covid break, and due to homophobia, refused any Destiel arc that wasn’t already filmed, shut down any potential reciprocation from Dean, and forced Dabb to change his finale.

I don’t think this is entirely what happened. But I do think it is very strange how there is a such a huge disconnect particularly in Dean’s characterisations between what had come before the lockdown, and what came after. The one fact we have here, and please someone provide a source if you can find it because I know there is one, the finale script was still going through changes up to only 2 weeks before it was filmed. We know that there was some weird editing in 15x18 (which was still in post and uncompleted before lockdown) and we know from Jensen’s own mouth that there was more to the confession scene on Dean’s side that was cut. We also know that this isn’t the first time that Destiel heavy moments have been changed in post - the prayer scene is another big scene that went through a lot of changes and Bobo fought to have his script play out the way he wanted it.

There are certain things that in my own opinions, are basically true of SPN which I have put together from years of keeping one eye on the writers room, the network, and all the various comments made. My opinion is this:

The writers room has always been split on Destiel. Some writers heavily supported making it canon, others did not care, or were against it.

The Network considered it over the course of several years, did market research, green lit it, then changed their minds, possibly several times over the course of Dabb’s era. Destiel was pitched to the Network early in Dabb era.

The crew on set were also split. Some people heavily supported it, and worked to assist the reading, whereas others did not care/did not support it. The same can be said for the editing room.

Bob Singer supported the subtextual homoeroticism, but never supported bringing it into text (this is an opinion, but I think it aligns with everything we know about him.) IMO Bob Singer also supported subtextual homoeroticism between Sam and Dean - the guy is gross is what I’m saying. He isn’t exactly a progressive person.

Fun fact - a while back our old enemy Sera Gamble went on a Twitter rant about writers rooms and the ways a script goes through changes. I don’t think this was in relation to the SPN finale wank but she basically inadvertantly confirmed that the Network can step in and make sweeping changes to a script if they want to and if they decide they don’t like the direction of a story. Sera Gamble confirmed this as a fact.

Now. I’m not saying that this is what the CW did with Destiel. I just think its very strange how pre lockdown, the last thing filmed is a heartfelt homosexual declaration of love between Dean and Cas, and we have a finale script that Misha had not seen, but knew that he was meant to film as Castiel for 5 days (5 days on set is over half of an episode as far as I know). Then all of a sudden, Covid happens, and Cas is cut from the finale completely, a desperate attempt to bring Misha back only as Jimmy Novak takes place, which Misha rightly refuses, leading to a finale which makes zero sense narratively and appears in every way completely and utterly butchered.

The only explanation provided by anyone involved is that Covid meant changes had to happen - but that covid didn’t change the actual story at all.

But this makes no sense because we know that Cas was cut from the finale. This is FACT. Do not let anyone gaslight you into thinking otherwise. Misha was preparing to quaranting to return to set as Cas post Covid, so whatever happened to cut Cas from the finale, it wasn’t Covid.

I’m gonna have to Occum’s Razor this and say that the most logical explanation here is the one that is most likely true. Someone got cold feet with the Destiel story, and to prevent any possible interpretation that included Dean reciprocating, any hints of Destiel were removed from the finale script, including Castiel’s whole appearance.

Now, this isn’t me saying I think that Dabb’s original finale was full of Destiel love confessions and a homosexual kiss or whatever, but I am asking you all to really think about it and ask yourselves WHY Cas would have been totally cut from an episode he was supposed to be in at LEAST half of? 

We will probably never know the real reason Cas was cut, but he WAS cut. I’m not saying it was all homophobia, but some fuckery went down.

Conspiracy No. 2: The CW Network changed the finale to make it into a Walker promo because they only cared about raising up Jared and not Jensen and Misha as they were losing them anyway.

I don’t agree with this in terms of the finale being butchered solely to make it into a Walker promo. There are however moments in the finale that are clearly supposed to be Walker Easter Eggs and added to excite fans of Jared/Sam in particular such as Sam’s gratuitous and unnecessary topless scene, as well as the call on the “case in Austin”.

I will take this moment to say something pretty damn controversial though.

*Deep breath*

The fact is, Dean Winchester has been the “lead” character of Supernatural’s narrative for years now, with Sam often being sidelined and not given great storylines himself. Even in Season 15, right up until the finale, I myself felt bad for Sam sometimes because so much of this show has become all about Dean. Jensen Ackles is clearly the better actor when it comes to emotional story arcs, so the emotional heart of the story has most often leant on him.

So you can understand my confusion, when this is turned on its head in the final episode, to make Sam carry all the emotional weight, and have the most lines/screentime, and story resolution (even if his story resolution was just as crappy as Dean’s).

If we pretend that Destiel is not a thing, and ignore Cas’s confession, the story change in the finale from Dean focus to Sam focus is still rather suspicious. Again, I’m not saying I completely approve of or agree to the conspiracy theory that Walker influenced the butchering of the script, but I can believe that perhaps a note went down from the CW to someone like Bob Singer, to emphasise Sam/Jared more than they perhaps would normally, because the CW wanted to shine the spotlight on Jared to raise excitement for Walker.

I can also believe this note might have said something like “we wanna cater to fans of Sam/Jared the most - don’t do anything to piss them off.” but now I am getting into my own conspiracy theories so by all means dismiss this as me being bitter.

Conspiracy No.3: Dabb purposely made it bad, as a secret message to Destiel fans that he had been silenced, by layering meta clues into the episode that he knew fans would notice.

I doubt this one is true. Though some of the theories are quite compelling. The old vampire silent movie theory for instance starts off quite well, but loses me the moment it brings up Urban Dictionary slang.

Sometimes I have just had to accept that Supernatural is a bad show that is sometimes accidentally a masterpiece. However, some writers really did go That Deep with their stories - anything by Ben Edlund or Steve Yockey for instance, their episodes are meta masterpieces with a hundred different layers of beautiful subtextual storytelling and are a joy to analyse. Bobo Berens has certainly done some A+++ work especially now we KNOW that he was working hard all this time to bring Destiel to canon text (so any analysis of Destiel in the subtext in his episodes is very accurate). There have been many other key elements analysed over the years which have been confirmed true. Cas’s death in Season 12, Dean’s time as a demon in season 10, Season 11 ending in unity of dark and light, these were all plot points predicted by meta writers just by analysing the narrative. Sometimes the writers really have been very smart and they do add things to the show to aid us in our meta.

Richard Speight Jr for instance, confirmed that SPN has a visual library that the production team use to give clues and hints in the narrative. Pizza, for example, always means a lie has been told. Whenever Pizza is being eaten or even just mentioned on screen, there is dishonesty in that particular moment.

The beers also have a very specific message and the one thing I can’t let go about the finale, was that Dean was drinking El Sol beer. The beer his dad gave him, that was terrible.

El Sol has been used in the show to indicate something being wrong, a fake reality, or another lie, for the longest time. It is the beer of deception.

The fact that in the final episode of this entire show, Dean is in Heaven, supposedly at peace, and then he gets handed an El Sol beer to drink? Thats a HUGE red flag for any meta writer watching who can read SPNs visual library.

If they had given him the Margiekugel beer of family then it would make sense. Dean is in Heaven, with Bobby, his family, at peace. Margiekugel should have been the beer of choice. But nope. El Sol. Something is wrong.

I don’t know if it was Dabb, or Singer, or some disgruntled ADs and crew members who added these elements into the finale, but their very presence confirms some message of Wrongness.

I could go into a huge rant about Vampire Mimes not making sense and the very glaringly obvious symbolism of cutting out peoples tongues too, but that is high school level film analysis. It’s obvious. It means to silence someone. There is validity in interpreting this as Dabb saying he was silenced. I don’t know how true it is, but i can’t 100% dismiss it, because as I said, this is high school analysis levels of obvious subtextual storytelling.

So in summary, whilst I don’t think that Dabb intentionally went out of his way to sabotage his own script, and leave a breadtrail of secret messages for savvy fans to put together to confirm that he was silenced by an evil network into not getting what he wanted... I do think that there is validity in questioning these odd choices for the finale. Cutting out tongues? Vampire Mimes? El Sol beer?

The evidence is somewhat compelling is all I’m saying. I don’t believe the full conspiracy theories, but as I have said many times before, some fuckery went down.

So What Do I Believe?

That some fuckery went down and whatever company line they are pushing is bullshit.

I believe that the original script included Cas (since thats fact). I believe that the original script probably always had Dean dying on a vampire hunt (due to Jensen’s issues with it and in particular, his sarcastic comments about vampires in the past year or so which in hindsight are hilarious and prove he never really came to terms with Dean’s idiotic death). I believe Dabb’s original script was some less crappy version of what we got, which potentially included showing Jack rescuing Cas from the Empty and resolving the outstanding Empty plot points (potentially this was actually a 15x19 plot since Mark P commented that his final scenes were supposed to be with Jack and Cas), had Cas reunite with Dean in Heaven and had them have a discussion about Cas’s confession. I believe that there was probably a lot of back and forth over how to handle that with some people wanting Dean to obviously reciprocate and others believing they should keep it ambiguous. I believe that Dean and Cas would have reunited with Charlie Bradbury, and Bobby Singer, and possibly others (though if this was the case it must have been very early on since no one ever looped in Sam Ferris, Chad Linberg or any other Roadhouse people).

I believe that Sam’s ending probably didn’t change much, but I do feel that initially they were planning on him ending up with Eileen, because it is the only thing that narratively makes sense. Cutting Eileen and giving him a blurry wife is something I won’t ever understand and Jared’s bullshit explanations are quite clearly pulled out of his ass to appease bronly types. I believe the reunion on the bridge would have included Cas and Jack, with a final shot of all four of them together, at peace (as this aligns with Alex’s comments from around a year or so ago that the final shot was all four of them). (I also am not sure it was always supposed to be on a bridge since the foreshadowing in an earlier episode showed Dean, Cas and Sam all in the Roadhouse together).

I believe that script went through countless changes and redrafts, and not even production people or the types that some fandom people claim as their “sources” would even have seen those early scripts, since even Misha never saw it. I believe that these rumours of Dabb never having Cas in his finale and ignoring all Destiel elements likely come from people who only saw later versions, weren’t party to network discussions and felt bitter about the final scripts they did see (being the crappy butchered one that was ultimately filmed). Those “sources” are now spreading rumours to discredit Dabb.

I obviously believe Dabb is a weak ass pushover who either didn’t care enough to fight back, or gave up since he’s been stuck with fucking Bob Singer on his back for years, but I will NEVER believe he didn’t care about the DeanCas love story, because he has been one of the few writers who has championed for it for years. You can’t look back at Dabb’s episodes in earlier seasons and claim he didn’t care. Dabb was a writer whose creative ideas were beaten out of him by an unforgiving Network only concerned about where their future money was coming from. Do I think he gave up too easily? Yes. But I also have one other huge reason for not believing the bullshit about Dabb being this anti-Destiel villain.

Bobo. Because if Bobo truly believed Dabb was gonna fuck that up at the end, I don’t think he would have given us Cas’s love confession to begin with. If he had known it was gonna end like that, I think he would have reconsidered, because had Cas not confessed his love, I don’t think he would have been cut from the finale. Bobo - a gay man, would not have wanted such a horrible message for queer fans being put across in the show he worked so hard on. He started writing that confession scene the day they returned to the writers room. Dabb would have been there, would have seen what he was writing, probably discussed it with him, after all, other episodes were written with the confession in mind. No way was Dabb planning to fuck up the ending knowing what Bobo was giving us. Nope.

Something went very wrong over lockdown. Someone, somewhere up the chain of power caught wind of the confession scene in 15x18, realised that it demanded a resolution which would make Dean Winchester, their protagonist, queer, and pulled the plug. I believe this did not come from a place of homophobia, but of bad business sense.

The CW is constantly trying to win the approval and attention of the one demo group that they seem to fail at getting the most: young straight men. Supernatural was one of their only remaining shows that appeals to young straight men, and Dean Winchester is more often than not the fave character of those young straight men who project onto him. Making Dean Winchester, established Han Solo of Supernatural, queer and in love with his best friend in the finale would have come across as a betrayal to those young straight men. The CW probably feared they would lose that demo group for good, and with a show like Walker starting soon with Jared at the helm, they couldn’t take the risk.

Hence there was probably a whole bunch of back and forth script redrafts with the Network, with Dabb and Singer fighting to make a finale that would appeal to everyone. There was most likely no way that they could bring Cas back without addressing what had already been filmed, because any resolution of that plot would either a. make Dean queer, or b. address it awkwardly by having Dean reject Cas (this storyline would probably have been slammed by critics worse than the finale because it meant addressing it. It might have got the attention of LGBTQ activist groups and caused a bigger shitstorm than what we got). The best option was therefore C. Bury it and Cas, pretend it never happened. Never address it again and distract Dean with other things. Hope that Destiel fans will accept no answer from Dean as ambiguous enough to imagine a future reunion rather than shutting it down with a rejection, and still keep hold of the blissfully ignorant heteronormative straight boys so they can carry over to Walker when it starts.

I also believe (controversially probably) that there was concern that any resolution of Dean and Cas would have overshadowed network darling Jared Padalecki. If Dean and Cas had come together in the finale, with a very clearly textual homosexual reunion, then that would have been all anyone talked about. The reviewers, the critics, the audience, everyone. It would have been nothing but Dean and Cas (and look, if they did think this, they were right, Destiel trending over the US ELECTION.)

So what is the network to do, when they are losing the two stars who would get the most attention from this storyline? The one star they were holding on to and getting his own show, relegated to third place in the finale of the show where he was first on the call sheet? Nope. That’s pretty unacceptable. Even without Walker I can imagine people at all levels side eyeing the Destiel thing over the years. This IS a show about two brothers, and their relationship should be the core relationship, we can’t have one brother pushed aside in the finale to make way for a queer relationship that will get all the attention instead. It was never gonna get approved for this reason ALONE.

At the end of the day, if I look at it from a business perspective, it makes far more sense that the CW shut down Destiel, rather than “oh Dabb never cared and ruined it because he’s an idiot.” The writers cared, and had built on that story over years. But their mistake was leaving any Destiel resolution to the finale. If they had instead gone and got Dean and Cas together in early season 15, then they could have ended it in a way that satisfied everyone. Destiel wouldn’t have threatened pulling focus away from Sam and Dean, and the show could have gone out on a high.

When I lay out all the conspiracy theories, and line them up next to the cold hard facts, the conspiracy theories in some way or another, make more sense. To believe the company line, the narrative we have been fed, is to ignore your own eyes, ears, and memories pre March 2020.

All I’m asking people to do is take a look at the show, the narrative presented in the show, and the information presented above. I’m not telling you to believe what I’ve written here, half of which is just my own opinion. I’m asking you to ask yourselves if it makes sense to you. Because it sure as hell doesn’t make sense to me. I don’t think I’ll ever be satisfied.

[qqueenofhades]

Hi. I’m curious. What did you mean by “women who read fiction might get Bad Ideas!!!” has just reached its latest and stupidest form via tumblr purity culture.? I haven’t seen any of this but I’m new to tumblr.

Oh man. You really want to get me into trouble on, like, my first day back, don’t you?

Pretty much all of this has been explained elsewhere by people much smarter than me, so this isn’t necessarily going to say anything new, but I’ll do my best to synthesize and summarize it. As ever, it comes with the caveat that it is my personal interpretation, and is not intended as the be-all, end-all. You’ll definitely run across it if you spend any time on Tumblr (or social media in general, including Twitter, and any other fandom-related spaces). This will get long.

In short: in the nineteenth century, when Gothic/romantic literature became popular and women were increasingly able to read these kinds of novels for fun, there was an attendant moral panic over whether they, with their weak female brains, would be able to distinguish fiction from reality, and that they might start making immoral or inappropriate choices in their real life as a result. Obviously, there was a huge sexist and misogynistic component to this, and it would be nice to write it off entirely as just hysterical Victorian pearl-clutching, but that feeds into the “lol people in the past were all much stupider than we are today” kind of historical fallacy that I often and vigorously shut down. (Honestly, I’m not sure how anyone can ever write the “omg medieval people believed such weird things about medicine!” nonsense again after what we’ve gone through with COVID, but that is a whole other rant.) The thinking ran that women shouldn’t read novels for fear of corrupting their impressionable brains, or if they had to read novels at all, they should only be the Right Ones: i.e., those that came with a side of heavy-handed and explicit moralizing so that they wouldn’t be tempted to transgress. Of course, books trying to hammer their readers over the head with their Moral Point aren’t often much fun to read, and that’s not the point of fiction anyway. Or at least, it shouldn’t be.

Fast-forward to today, and the entire generation of young, otherwise well-meaning people who have come to believe that being a moral person involves only consuming the “right” kind of fictional content, and being outrageously mean to strangers on the internet who do not agree with that choice. There are a lot of factors contributing to this. First, the advent of social media and being subject to the judgment of people across the world at all times has made it imperative that you demonstrate the “right” opinions to fit in with your peer-group, and on fandom websites, that often falls into a twisted, hyper-critical, so-called “progressivism” that diligently knows all the social justice buzzwords, but has trouble applying them in nuance, context, and complicated real life. To some extent, this obviously is not a bad thing. People need to be critical of the media they engage with, to know what narratives the creator(s) are promoting, the tropes they are using, the conclusions that they are supporting, and to be able to recognize and push back against genuinely harmful content when it is produced – and this distinction is critical – by professional mainstream creators. Amateur, individual fan content is another kettle of fish. There is a difference between critiquing a professional creator (though social media has also made it incredibly easy to atrociously abuse them) and attacking your fellow fan and peer, who is on the exact same footing as you as a consumer of that content.

Obviously, again, this doesn’t mean that you can’t call out people who are engaging in actually toxic or abusive behavior, fans or otherwise. But certain segments of Tumblr culture have drained both those words (along with “gaslighting”) of almost all critical meaning, until they’re applied indiscriminately to “any fictional content that I don’t like, don’t agree with, or which doesn’t seem to model healthy behavior in real life” and “anyone who likes or engages with this content.” Somewhere along the line, a reactionary mindset has been formed in which the only fictional narratives or relationships are those which would be “acceptable” in real life, to which I say…. what? If I only wanted real life, I would watch the news and only read non-fiction. Once again, the underlying fear, even if it’s framed in different terms, is that the people (often women) enjoying this content can’t be trusted to tell the difference between fiction and reality, and if they like “problematic” fictional content, they will proceed to seek it out in their real life and personal relationships. And this is just… not true.

As I said above, critical media studies and thoughtful consumption of entertainment are both great things! There have been some great metas written on, say, the Marvel Cinematic Universe and how it is increasingly relying on villains who have outwardly admirable motives (see: the Flag Smashers in The Falcon and the Winter Soldier) who are then stigmatized by their anti-social, violent behavior and attacks on innocent people, which is bad even as the heroes also rely on violence to achieve their ends. This is a clever way to acknowledge social anxieties – to say that people who identify with the Flag Smashers are right, to an extent, but then the instant they cross the line into violence, they’re upsetting the status quo and need to be put down by the heroes. I watched TFATWS and obviously enjoyed it. I have gone on a Marvel re-watching binge recently as well. I like the MCU! I like the characters and the madcap sci-fi adventures! But I can also recognize it as a flawed piece of media that I don’t have to accept whole-cloth, and to be able to criticize some of the ancillary messages that come with it. It doesn’t have to be black and white.

When it comes to shipping, moreover, the toxic culture of “my ship is better than your ship because it’s Better in Real Life” ™ is both well-known and in my opinion, exhausting and pointless. As also noted, the whole point of fiction is that it allows us to create and experience realities that we don’t always want in real life. I certainly enjoy plenty of things in fiction that I would definitely not want in reality: apocalyptic space operas, violent adventures, and yes, garbage men. A large number of my ships over the years have been labeled “unhealthy” for one reason or another, presumably because they don’t adhere to the stereotype of the coffee-shop AU where there’s no tension and nobody ever makes mistakes or is allowed to have serious flaws. And I’m not even bagging on coffee-shop AUs! Some people want to remove characters from a violent situation and give them that fluff and release from the nonstop trauma that TV writers merrily inflict on them without ever thinking about the consequences. Fanfiction often focuses on the psychology and healing of characters who have been through too much, and since that’s something we can all relate to right now, it’s a very powerful exercise. As a transformative and interpretive tool, fanfic is pretty awesome.

The problem, again, comes when people think that fic/fandom can only be used in this way, and that going the other direction, and exploring darker or complicated or messy dynamics and relationships, is morally bad. As has been said before: shipping is not activism. You don’t get brownie points for only having “healthy” ships (and just my personal opinion as a queer person, these often tend to be heterosexual white ships engaging in notably heteronormative behavior) and only supporting behavior in fiction that you think is acceptable in real life. As we’ve said, there is a systematic problem in identifying what that is. Ironically, for people worried about Women Getting Ideas by confusing fiction and reality, they’re doing the same thing, and treating fiction like reality. Fiction is fiction. Nobody actually dies. Nobody actually gets hurt. These people are not real. We need to normalize the idea of characters as figments of a creator’s imagination, not actual people with their own agency. They exist as they are written, and by the choice of people whose motives can be scrutinized and questioned, but they themselves are not real. Nor do characters reflect the author’s personal views. Period.

This feeds into the fact that the internet, and fandom culture, is not intended as a “safe space” in the sense that no questionable or triggering content can ever be posted. Archive of Our Own, with its reams of scrupulous tagging and requests for you to explicitly click and confirm that you are of age to see M or E-rated content, is a constant target of the purity cultists for hosting fictional material that they see as “immoral.” But it repeatedly, unmistakably, directly asks you for your consent to see this material, and if you then act unfairly victimized, well… that’s on you. You agreed to look at this, and there are very few cases where you didn’t know what it entailed. Fandom involves adults creating contents for adults, and while teenagers and younger people can and do participate, they need to understand this fact, rather than expecting everything to be a PG Disney movie.

When I do write my “dark” ships with garbage men, moreover, they always involve a lot of the man being an idiot, being bluntly called out for an idiot, and learning healthier patterns of behavior, which is one of the fundamental patterns of romance novels. But they also involve an element of the woman realizing that societal standards are, in fact, bullshit, and she can go feral every so often, as a treat. But even if I wrote them another way, that would still be okay! There are plenty of ships and dynamics that I don’t care for and don’t express in my fic and fandom writing, but that doesn’t mean I seek out the people who do like them and reprimand them for it. I know plenty of people who use fiction, including dark fiction, in a cathartic way to process real-life trauma, and that’s exactly the role – one of them, at least – that fiction needs to be able to fulfill. It would be terribly boring and limited if we were only ever allowed to write about Real Life and nothing else. It needs to be complicated, dark, escapist, unreal, twisted, and whatever else. This means absolutely zilch about what the consumers of this fiction believe, act, or do in their real lives.

Once more, I do note the misogyny underlying this. Nobody, after all, seems to care what kind of books or fictional narratives men read, and there’s no reflection on whether this is teaching them unhealthy patterns of behavior, or whether it predicts how they’ll act in real life. (There was some of that with the “do video games cause mass shootings?”, but it was a straw man to distract from the actual issues of toxic masculinity and gun culture.) Certain kinds of fiction, especially historical fiction, romance novels, and fanfic, are intensely gendered and viewed as being “women’s fiction” and therefore hyper-criticized, while nobody’s asking if all the macho-man potboiler military-intrigue tough-guy stereotypical “men’s fiction” is teaching them bad things. So the panic about whether your average woman on the internet is reading dark fanfic with an Unhealthy Ship (zomgz) is, in my opinion, misguided at best, and actively destructive at worst.

[anonquack]

| Chef Q |

Alex Quackity x Reader, Oneshot, Requested by: @anotherdreamsimp !!

Word Count: 3328

Warnings: Some curse words, mainly just some fluff !

Summary: Quackity hasn't been streaming recently, and decides to come back with a cooking stream. Featuring you as a special guest.

Lately, Quackity had been studying like crazy for his final exams. That meant no streaming. He'd take a break from it to focus entirely on his studies. Absolutely nothing else.

He claimed to have his priorities straight, and had the goal to pass all exams with high scores in order to keep his grades looking wonderful.

This also meant there was rarely any time spent between you two, beside the occasional snack breaks you forced him to take so he wouldn't die at his desk.

It was tough not being able to show him a random video you'd found on the timeline, or walking up to chat with him whenever you wanted, but you knew this was very important to him. So you gladly supported him and offered as much support as possible.

Thankfully, all of his studying paid off and he passed with flying colors. A teacher had even informed him that he'd received the top score for one of his final exams.

You were the first person to hear the news, and you couldn't help but feel the adoration coursing through your body at how excited he was to tell you. Jumping up and down and shaking you lightly as he told you about his scores.

You'd offered to take him out for a celebratory meal, to treat him for all his hard work and also since you missed the fun outings with him. There was no way he was saying no to that.

—

After a day out and about, you two had made your way back home. Both of you were pleasantly full, having enjoyed the meal and also dessert. His request, for "doing so well on his finals." How could you possibly deny him that?

You both were also very content, a warmth and comfort surrounding the air around you two the entirety of the outing.

One thing that was impossible not to notice was how he'd become exceptionally clingy as soon as you two were out of the car. Gripping onto your hand tightly as you singlehandedly unlocked the front door.

"I've missed you so much these past few days." He murmered as you finally got the door to open and pulled him inside.

"I've missed you too." You hummed softly. It was always nice hearing him say these things. You locked the front door, and gently pulled at his hand to lead him back to your room.

It didn't take much of a pull for him to willingly follow you. "Can we cuddle or something?" He asked softly, almost as if he was a bit embarrassed to ask. You turned to him and gave him a grin, along with a small nod.

You'd missed him, even if you two had been in the same apartment this whole time. You'd especially been missing cuddles with him, considering he studied pretty much all day. There wasn't enough time being shared together so you gladly agreed to some cuddling.

Sooner than later, you two found yourselves in your pajamas, laying in bed peacefully as you scrolled through tiktok, screen tilted in order for him to see as well. It really was so nice finally being able to be this close to him again.

After some time, you found yourself looking through tweets on the timeline. A certain one caught his attention and he asked you to stop scrolling.

It was a tweet from a fan, saying they missed Quackity since he hadn't streamed in two weeks, but that overall they hoped his tests were going fine.

"Has it really been 2 weeks?" He asked aloud as he clicked on it and looked through the replies, all agreeing with the original tweet.

"Mm.. two and a half, I think." You answered, looking at him curiously as a guilty expression appeared on his face.

"Hey." You called out once you saw the expression wasn't leaving. He turned to you with a small frown.

"It's fine. You had a good reason for being gone so long. I'm sure they understand. Plus, you'll be back soon, right?" You asked, to which he nodded before sitting up from the cuddling position you two were in.

You sat up as well, noticing how his eyes widened slightly, and a small smile made its way onto his face.

"I just got a great idea." He exclaimed. "Y'know, I was going to just spend the next few days with you since I missed you but– how about we stream something together? That way I can enjoy both, and the fans get a stream too."

You stared at him in surprise. The fans did know he was dating someone, but you rarely ever came out on streams, not because he didn't want you to but because you didn't deem it to be necessary.

The few times you had been on, you'd received tons of love and support from the chat, so you didn't think anything too bad would happen if you were to appear on his stream again.

"What did you have in mind?" You asked curiously. The other times you'd been on were him playing horror games and an extremely scuffed IRL stream.

"Well.. I haven't done a cooking stream in a while." He began, but you quickly shook your head.

"Oh no. Don't tell me you're going to make us eat some monstrosity‐ like your past cooking streams." You visibly shuddered at the thought. You remember having to help clean up the mess after. And no matter how funny it had been, the actual cleanup was awful.

"No no– I was thinking maybe we do a serious one, y'know? Chat hasn't really been able to see my cooking abilities, and well.. I'd say I am pretty good at it." He grinned. He was unfortunately right.

You relaxed at the mention of it being a 'serious' cooking stream. It could never really be too serious when it came to Quackity, but it meant not eating dog food or poorly made pizza. You were in.

"So we'll make an actual.. edible.. meal?" You questioned again, just to be sure. To which he nodded.

"Yeah, and we can enjoy that meal after. Like a date. What do you say?" He was beaming. It was his creativity rolling in. And he was probably so proud of himself for finding a way to spend time with you yet also give chat the stream content they'd been missing out on.

"Alright. I'm in."

You hadn't seen him this eager to get out of bed and head to the grocery store ever before. Chat was really in for a fun stream tomorrow.

—

He'd tweeted it out several hours before you two planned on starting the stream that he'd be streaming today with a special guest, and that he had his chef hat ready to go.

As you scrolled through Twitter you could see the timeline freaking out over 'COOKING STREAM' and 'SPECIAL GUEST'. Lots of discussion over who it was.

You couldn't help but feel a bit bad since the fans were probably speculating that he'd met up with his online friends, but in reality it was just you. In that case, you'd try your best to make this a fun stream, and your presence an enjoyable one.

As the time for the stream to start got closer, you helped him set the ingredients you'd be using onto the table, in a way where it was in perfect view for the stream to see and follow along if they wished.

"We're supposed to start in 5." You called out as he slipped his beanie on, fixing the few hair strands that were sticking out a bit too much.

He smiled and made his way over to you, cupping your face and giving you a small kiss. "I'm so excited to do some cooking with you. They're all going to love you."

You couldn't help the warm feeling that spread over your chest at his words. It was like introducing you all over again. He'd recently gained a lot of new followers, and that meant they probably had no idea who you were. Always fun going through that again.

He dealt with some last minute editing and placing, checking all ingredients were there and that everything was set, before hitting the 'Go Live' button.

It didn't take long for the viewers to increase after the tweet notification went out, and the starting soon screen was the only thing really protecting you two from the roaring chat.

Everyone was dying to know what was going on, who the special guest was, and whether this would be yet another scuffed cooking stream.

You stood behind the camera as the starting soon screen finally disappeared and he began greeting the viewers, thanking all the subs coming in, and eventually also giving them a little update on how he'd done on his exams.

You felt so proud as you watched him boast about how his studying had paid off, and how he talked about being the happiest he'd been in a while. He deserved all of it. And chat thought so too.

After some rambling about his test scores and what they'd be cooking today, chat finally became too impatient and asked for a reveal of the special guest.

"Fine. Fine. Since you guys are so fucking impatient." He huffed, watching as chat flew by, telling him to 'get on with it' and to 'TELL US WHO IT IS'. You couldn't help but laugh at the relationship he had with his chat. Always bullying each other but usually knowing when to stop and send love.

"I've actually had them on multiple other streams, not so much recently.. but they've been on my horror streams.. some IRL streams.. and they are really really special to me, chat!" He said with a big smile. Some of chat was confused as to who he was referring to, while older fans began to question if it was YOU. They were very smart.

"Some of the viewers might not know of them, so this is like I'm introducing them to chat all over again! Come over here." He finally directed the last part at you. You couldn't help but feel the sudden spike in anxiety, but chose to ignore it as you smiled back at him and headed into the frame beside him.

With a small wave and a greeting, you watched as chat completely broke. A mess of question marks and your name being spread in chat. You couldn't help but laugh. It was an overwhelmingly positive reaction as Quackity explained to new viewers that you were his partner, and that older fans were already aware of this for a while now.

The amount of 'y/n our beloved' and people asking if quackity's partner was single were abundant in chat, and you couldn't help but feel stupid for thinking the newer viewers would hate you or something.

Having the approval of Quackity's chat also made you feel lighter, it made it easier to let go and just enjoy the cooking stream.

You two began to explain what you'd be cooking to chat, and you made it very clear that he actually had to try and cook this time, to which chat agreed wholeheartedly.

He'd taken a recipe from his mom for one of his favorite meals, one he hadn't had in a while. He explained to chat that he wanted to see how well you and him could recreate it until you two took a trip to visit his family.

"Hopefully we don't disappoint her too much." You mumbled as he placed the chef hat onto your head, fixing it so you looked presentable.

"She can't be because we're actually gonna try." He stated before beginning to explain to chat what the meal was since many of them might not have even heard of it before. As he did that, you began to set aside the ingredients you wouldn't be needing until later.

After everything had been explained, it was time to get cooking. His concentration to try and recreate his mom's recipe was adorable, and chat agreed on that too.

This stream wasn't loud and messy like the others, but it was still enjoyable in its own way. Quackity was radiating such wonderful light and energy, cracking jokes and genuinely enjoying himself. It was all thanks to the stress and worries being lifted off his back. You really enjoyed seeing him like this.

Chat was able to follow along later if they wanted with how organized you guys were being, but the banter he had with you and chat made it entertaining to any casual viewer. He always found a way to make it fun.

Not only that, but chat was able to see a new side of him. The Chef Q side. More often than not, a message would roll in saying they were amazed by how good Quackity actually was at cooking. You could already imagine some of the edits that'd come out of the stream.

His mom had told you two beforehand how long it would normally take to cook this meal, and it was perfect for a usual stream and some extras where you two would actually get to try the food.

There was moments where chat was warning you two that the food would burn or that he'd accidentally set the kitchen on fire, but overall you were enjoying yourself so much.

And chat was enjoying your presence too!

By the time you two managed to finish the meal, you both plopped down onto the chairs he'd set for the supposed 'breaks'.

He had some of the sauce on his cheek and his apron, but still managed to look good. He'd also smeared sauce onto your cheek, and at this point some strands were sticking out of your hat in such a messy way since the last few minutes had been rather hectic, food almost burning and all.

"Chat. We did it." He called out before cheering loudly and clapping his hands, to which you swiftly followed along, chat beginning to cheer as well.

"I think its only right that we try what we made, don't you think?" You ask, to which chat quickly types YES in all caps, wanting to see the finished product and also find out if it even tastes good.

Quackity let out a chuckle as he smiled over at you. "Not gonna lie, I'm a little nervous. We haven't even seen it so it might just be black. Burnt to a crisp. Or what if it tastes like shit? Y/N i don't know what I'm going to do if the food tastes like shit. Thats what we're supposed to eat on our date." He whined a bit.

You shook your head, "It'll be great. And if not, we can just order takeout. It'll be fine big q." You smiled reassuringly. Chat became a frenzy of calling him cute for the state he was in, declaring their love for how supportive and kind you were, and melting over your relationship.

Before you knew it, you were both revealing the meal to chat, and pleasantly surprised by the results. The presentation of the meal itself looked really good. It looked like what you'd expect from such a plate. Quackity had even gone as far as saying it looked similar to how his mom made it.

You gasped, smiling in surprise at him. "Really? Did we really do that good of a job." His face turned into one of regret, and a long segment of silence engulfed you two before he nodded hesitantly. You both broke out into a fit of laughter.

"Okay okay, seriously. Chat's waiting for you to try it." You placed a fork in front of him, earning a loud scoff from him.

"They want to see you try it as well." He mirrored your actions and you gladly took the fork.

"Alright. First bite. Let's see if all our hard work paid off! Chat, are you ready?" You grinned and watched as the 'YES's started rolling in, some viewers telling you both to get the fuck on with it, and others gushing about how the food actually looked good. You could only hope.

You watched as he began to dig in, mouth full and chewing slowly, truly trying to savor the first bite. You did the same, and the stream was silent for the first time in a while. Chat was in suspense as well, question marks and incoherent rambling rolling through the chat.

"Chat..." he finally spoke after swallowing his bite. "Chat. It's." He paused before showing a small smile. "It's not bad at all. I like it. It's good."

You nodded your head in agreement, "It's nowhere near as good as the ones your mom makes.. but I think you and I make a pretty good team."

"I think so too. And not just for cooking." He grinned, earning himself a playful eye roll and shy smile from you.

The stream proceeded to you two feeding each other bites of the meal, asking each other if it was good, and just enjoying yourselves for a bit longer before Quackity deemed it was time to end.

"Chat !! Thank you so much for tuning in and watching this.. actually coordinated cooking stream. I had so much fun and well, I ate yummy food. I'm happy." He laughed, thanking a few more gifters before doing his signature Bye, and ending stream.

He hurried over to your side, pulling you into a hug. "Thank you so much. I truly had fun. And they definitely loved you, but not nearly as much as I do."

You chuckled at his words, giving him a small kiss before cupping his face. "I had a lot of fun too. Thank you for always being so nice to me." You paused, observing how cute he looked with his chef hat still on. "I think I like Chef Alex." You reached over and fixed his hat a bit.

"Yeah? Should I keep it on?" He teased, coming a bit closer. You couldn't help the warmth that spread over your cheeks at how blunt he was.

"Yes, but you need to help me clean this up. Maybe after we finish the food, hm? C'mon. Don't think I forgot our deal."

He whined, already feeling too lazy, but he quickly followed after you as you two sat down to actually eat. Still wearing the silly attire he'd bought for the stream, far too unbothered to change just yet.

Through a mouthful he asked, "Cuddles and a nap after we're done?"

You smiled and nodded, to which he gave a silent cheer. That was enough motivation to get you both up and cleaning after finishing the meal.

—

Wrapped in each other's arms again. He couldn't seem to get enough of it. You were once again scrolling through Twitter, this time scrolling through his indirects, wanting to see what people were saying about the stream.

He'd ask you to stop to read certain ones he found funny, and even 'aww'd at the ones he found cute, mainly those talking about how cute you two looked.

Surely enough, there was already edits using the clips of him cooking, and you'd openly admitted to him that he looked "so fucking good." To which he responded by cuddling closer, if even humanly possible.

Quackity found the numerous clips of you two feeding each other to be the best part of the tweets. You two rewatched, saved, liked as many as you could before he became tired.

And with that, he was pulling you close, and leaving small kisses anywhere he could on your face. Eventually, his chest slowly rose and fell as he entered a deep slumber. You smiled, glad to see he was finally getting the rest he deserved.

"Goodnight, Alex." You whispered, leaving a small kiss on his cheek before closing your eyes as well.

[thedamageofherdays]

This week's [23-08-2021 - 29-08-2021] reading log is here! I read a lot again this week and I feel like it's a lovely variety of fics. Most fics are Stucky like usual, but there's at least one other ship. I am constantly amazed by the talent people have in this fandom! There was one fic I read on Tumblr that I can't seem to find unfortunately, but when I do I'll make sure to reblog and rec it 💕

Favourites are marked with a 🌻

When life gives you lemons by moonthejedi394 @moonythejedi394 [Stucky, 40k words, Mature] (12/15 chapters available)

Or 13 Terrible Things to Do With Lemons Other Than Making Lemonade

Steve Rogers is a home health nurse. He works for an agency, which assigned him to the aging Winifred Barnes, the one and only Silent Era Hollywood darling. As her needs increased, she requested the agency assign Steve to her full-time. She could pay for it, so she got it. Steve then moved in with her, becoming her caregiver; he cooked, he cleaned, he managed her medications, he made sure she was comfortable.

Winifred's children treated him less than ideally. He was the help, after all. And then Steve had the audacity to go and turn out to be eldest son James Barnes's soulmate. No one saw that coming.

The Masseur and the Assassin by buckybarnesdeservestobehappy @buckybarnesdeservestobehappy [Stucky, 17k words, Explicit]

Bucky Barnes needed a vacation from his job. What he found was a happy ending.

The Words Breathe by buckbarnesdeservestobehappy [Stucky, 1k words, Mature]

All Steve has to do is keep his promise. When he doesn’t, Bucky gets mouthy.

Soft by this_wayward_life @wayward-lives [Stucky, 2k words, Explicit]

The last time he'd seen Bucky he'd looked unhealthy, with pallid skin and greasy, lanky hair. Now, Bucky shone; his hair was thick and silky, his skin a deep bronze from spending so much time outside. He was softer, too; the hard muscle that used to cover him was now replaced by soft fat, his body still strong, but in a more mundane way. His thighs were thicker, his ass plumper, and when he'd pulled Steve into the river Steve had noticed the pudge on his stomach.

Seeing Bucky so happy, well-fed and shining, was a bit of a kick in the face. For all the years they'd known each other, he'd never seen Bucky so... care-free. Now that Bucky was putting on weight, his middle soft and his body malleable, it sent a bolt of arousal through Steve every time he noticed the curves of Bucky's body.

Or: Bucky put on a bit of weight in Wakanda, and Steve is Not Coping.

🌻 Revive Another Side of Me by dontcallmebree @iamthe-wo-manwhocan [Stucky, 1k words, Mature]

Steve’s never lived in a world without Bucky, and he’s not living now. It takes them a while, much too long, to get that awaited rest, a little slice of peace after the dust has settled.Steve Rogers and Bucky Barnes are inseparable, history remembers. But they’re not men of the past quite yet.

🌻 imagine being loved by me by spacebuck @spacebuck [Stucky, 20k words, Explicit]

Just after 1am - a few hours after he posted today’s photo - he hears the tell-tale sound of a twitter message. Bucky grabs his phone, not checking who it’s from as he opens it because it’s probably one of his mutuals yelling at him as per usual. When he actually looks at his phone, though, it’s not Natasha

The ‘verified’ check stares back at him for a long moment before he can even bring himself to process the name on his screen. Steve Rogers is messaging him. Or, he reasons, a very good fake. The handle looks right though, not that Bucky knows. Not that Bucky has Captain’s America’s tweets set up as notifications, or that Bucky’s own display name is set to captain america’s bitch. Not at all.

Hey, the first message says. It’s Steve.

🌻 JB’s Complete Lube Services by dixons_mama @dixons-mama [Stucky, 3k words, Explicit]

People just didn’t approach Captain America and proposition him. Although, sometimes Steve wished they would; even the pinnacle of virtue and justice needed to get dicked down from time to time.

Or, the one where Steve has the hots for a mechanic and decides to be proactive in getting that dick.

If it had to be someone by rainbow_nerds [Stucky, 1k words, Mature]

Bucky had known since he was a child that he didn’t have a choice in who he married, but he’d thought he had more time before the day arrived.

Miscalculations by christywantspizza @christywantspizza [Ransom Drysdale/Reader, 6k words, Explicit]

Ransom tries to get you to sleep with him by less than honorable means. You give him what he wants, just not how he wants it.

How to Seduce a Writer by obsessivereader [Stucky, 2k words, Teen]

What's a determined master strategist going to do when the oblivious writer he's trying to woo keeps missing all the clues?

He doesn’t think it’s because he hadn’t signaled his own interest to Bucky. He’s pretty much done everything short of hitting Bucky over the head with semaphore flags by this point. There’s no way Bucky could’ve missed them. Unless… There’d been that one link he’d stumbled upon when he’d googled ‘how to talk to a writer’. It’d been written by a writer, who’d been candid about how oblivious writers could be, and how someone could go about seducing one. An idea starts to form. It’s ridiculous, but at this point, he’s willing to go with ridiculous, since subtle wasn’t getting him anywhere.

🌻 Pod Bless America by Deisderium @deisderium [Stucky, 6k words, Teen]

Bucky can't believe his favorite podficcer recorded his newest fanfic AU of the show Commandos. He's even more surprised when the customer who busts him listening to fic while he's working in the office supply store turns out to be that podficcer.

* The guy—maybe bi_shield?—took his phone, looked down at the screen, and smiled. "Yeah, that one's mine," he said with no evidence of embarrassment. "It was a good one." He handed the phone back to Bucky.

"I wrote it," Bucky croaked.

take a bite by wearing_tearing [Stucky, 7k words, Mature]

"I’d never let anyone freeze to death.” Steve gives a big sigh and flutters his lashes. “All that blood gone to waste.”

Bucky’s lips turn down and his nose scrunches up a little. “I want to be grossed out, but…”

“But you get it.” Steve gives him a pointed look. “Vampires aren’t the only ones who can appreciate how juicy blood is.”

*

Or: Vampire Steve saves newly-turned werewolf Bucky from a snowstorm.

Leaving the Shield Behind by BuckyAboveEverything [Stucky, 6k words, Teen]

“So, on one hand, we have Steve Rogers - hunk, genius, animal lover. Buys you waffles and overpriced coffee. 100% wholesome all-American boy.”

“And, on the other hand, we have Capsicle – twink, smart-ass, fanboy. Reads your stories and sends you fanart. Possibly a pervert or a serial killer.”

Bucky groaned.

“I am 100% certain I am 0% sure of what to do."

Bucky Barnes, full-time copywriter and free-time fanfic writer, struggles to choose between two equally-attractive suitors, only to find that he doesn’t have to after all.

* Based on a true story *

Cap's Book Corner by Neche [Stucky, 2k words, Teen]

Recluse Author Bucky Barns stumbles into fanboy Steve Rogers bookstore one day...

Cat Nap by galwednesday @galwednesday [Stucky, 8k words, Teen]

Objectively, losing the Bucharest safehouse and its contents was the least of Bucky’s problems. The balding agent he’d seen directing the raid was apparently affiliated with SHIELD, which was a shadowy government agency that made representatives from other shadowy government agencies suddenly remember urgent appointments when Bucky tried to bribe, threaten, and otherwise shake them down for information on what the hell SHIELD might want with a former brainwashed assassin. Dodging SHIELD should be his number one priority.

Subjectively, he wanted his fucking cat back.

at any given moment by honeypuffed [Stucky, 1k words, Teen]

Steve and Bucky find out that everyone thinks they're sleeping together.

Brought to Brightness by eyres [Stucky, 10k words, Teen]

Army veteran Bucky Barnes has fallen in love with Steve, a guy he met online a few months after he returned from Afghanistan. Only problem is, he doesn't know Steve's last name or even what he looks like.

When his sister helps him send his story into MTV's Catfish, he's hoping they can help him meet Steve or, at least, let him move on with his life if Steve isn't real. Little does he know, Steve and Captain America have more in common than just a first name.

🌻 Nokken Wood by leveragehunters @leveragehunters [Stucky, 10k words, Teen]

When Sam's friend needs a house-sitter for his place in the country, Steve jumps at the chance. Six months rent-free to do nothing but draw and paint and wander the countryside, looking for inspiration? It was like a dream. But when he gets lost in a storm and nearly falls into a pond he starts to rethink the whole like a dream aspect of life in the country. And when a red-eyed, sharp-clawed, silver-fanged creature rises out of the darkness, Steve is one hundred percent certain the dream's morphed into a nightmare.

...until it gives him a cup of tea.

(Inspired partly by this prompt a supernatural creature is supposed to scare you but instead it gives you a cup of tea and a blanket because you're having a bad day and you keep coming back and partly by this painting.)

Professional Pride by galwednesday [Stucky, 700 words, Teen]

Bucky is having a very good day, until he turns around and finds himself face-to-face with Captain America.

“Oh shit,” he blurts before he can stop himself, and Captain America blinks at him. “Hey, hi, I didn’t expect to see you here.” Here, at New York’s Pride parade, surrounded by thousands of happy screaming people wearing rainbows and sometimes not much else. What is he doing here? Is he on guard duty or something? Was he just on a mission and happened to be passing by on his way back?

He’s in uniform but with the cowl loose around his neck, so when he rubs the back of his head it fluffs up his matted hair. “I, uh. I saw one of your–temporary tattoos?” Captain fucking America says, like it’s a question.

The A-bridged Guide to Trolling by galwednesday [Stucky, 1k words, Teen]

“I don’t have any money.”

Oh no, now the girl looked upset. Her eyes were huge and her lip was wobbling. Bucky tried to think fast despite the oh shit oh shit oh shit looping through his head.

“That’s okay,” Bucky said gently. “I don’t need money. We can figure out another kind of toll.”

The girl frowned at him. “Like what?”

Bucky scratched his head, trying to think of something a kid was certain to have on hand. “Do you know any jokes?”

(Fantasy AU in which Steve is a hedge witch with a green thumb, Bucky is a bridge troll who's new in town, and knock-knock jokes are a viable form of currency.)

It's a bittersweet ending (if you know what I mean) by relenafanel [Stucky, 1k words, Teen]

“I’ll see you around, Steve,” Bucky answers with a smirk, moving away from the counter with a wink.

Steve watches him go. Bucky’s wearing a pair of skinny jeans coated in something to give the appearance of leather. It’s impossible to not watch him go.

stuck on you by wearing_tearing [Stucky, 5k words, Teen]

“Bucky? You don’t look so hot.”

Bucky makes a tiny little sound in the back of his throat, only to start coughing. Of course he doesn’t look hot. He’s sick and he’s dying and Steve obviously isn’t attracted to him.

Decision-Making in Relationships (Paid Research Opportunity!) by castiowl [Stucky, 8k words, Teen]

Clint looked thoughtfully at the flyer. “I guess your actual roommate wouldn’t be down with it?”

Bucky frowned. “Have you met Steve Rogers?”

no way out but through by hollimichele [Stucky, 9k words, Teen]

Steve never sees it coming.

you got blood on your hands (and i know it's mine) by nighimpossible [Stucky, 3k words, Teen]

Bucky refuses to see Steve after his deprogramming.

Like What You See by daisymondays [Stucky, 8k words, Teen]

For all the time Bucky’s spent fantasizing about meeting Captain America, he’d never imagined it would be while posing nude in front of a drawing class.

🌻 A Real Boy by itsnotbleak [Stucky, 5k words, Teen]

It took the Winter Soldier three weeks to remember that human beings needed to sleep and eat.

It took Steve far too long to realise the Winter Soldier was sleeping in his bed.

Amapola by chaya [Stucky, 830 words, Teen]

Total fluff. Bucky's recovering nicely. Steve's oblivious. Sometimes it's best to set aside subtlety for action.

Knocking Boots With Sugar by buckybarnesdeservestobehappy [Stucky, 4k words, Explicit]

In between summers at college, Steve Rogers wants a new adventure beyond his lonely life in Brooklyn. He ends up in West Texas working on a dude ranch where Bucky Barnes is a long-time employee. When Bucky offers to buy Steve a drink, they end up drunk on tequila and making out in public. For the rest of the summer, they're inseparable. As the summer draws to a close, Steve realizes he doesn't want to leave.

Rogers and Associate by roe87 @jro616 [Stucky, 7k words, Teen]

When they first meet, Bucky is a hooker and Steve is a cop. She's been arrested, but Steve lets her off.

Years pass and they maintain a casual friendship, seeing each other out on the streets most nights.

Though he later makes detective, Steve loses faith in the system and quits his job.

He wants to set up as a private investigator, and he asks Bucky if she'd be his assistant.

Just in time by rainbow_nerds [Stucky, 1k words, Mature]

Bucky knew the apartment he was renting was old fashioned, but walking in the front door and finding himself transported back to 1938 was not on the list of things he had prepared himself for.

🌻 You Like What's in My Head by dontcallmebree [Stucky, 15k words, Explicit] (with art by @kocuria)

Bucky can’t decide if Steve’s a tough nut to crack or incredibly easy. The timbre of his voice, a low and almost amused, “Sure, kid,” when Bucky asks for a drink feels like something gripping him on the back of his neck.

He thinks this might be one of those moments in life he’ll pinpoint in the future and either curse at for dooming himself, or remember fondly with pride.

He’s right. Bucky Barnes blunders through falling in love with Commander Rogers and tries to find a deeper meaning behind the expensive gifts and thorough fucking.

Can I Sit Here? by BuckyFrickenBarnes [Stucky, 962 words, General]

Bucky has unusual methods for getting rid of his writer's block.

Or, Bucky needs that table.

Workplace Romance by BuckyFricken Barnes [Stucky, 1k words, General]

Bucky is under the impression that his boss hates him.

Or,

Steve needs to get better at dealing with his feelings.

🌻 1-800-MAYTAG by Miss Plum @misspluckyplum [Stucky, 1k words, Explicit]

Bucky just wants to get some housework done. It gets out of hand fast. Silly little fluff and smut romp with snarky stucky boys.

Eyes of the Forest by Lordelannette [Stucky, 7k words, Explicit] (2/8 chapters available)

When Omega Bucky Barnes comes to Eagle Lake, it was in search of wolves, a creature that had not been seen in the area for decades.

What he finds instead is Steve Rogers, a handsome, though quiet Alpha who seems to be everywhere in the forest.

[chainofclovers]

Ted Lasso 2x7 Thoughts

“Headspace” is a very apt name for this episode, in which we learned almost no new information about the characters in Ted Lasso but learned a great deal about the way many characters’ brains work.

Most of the episodes this season have been so full of new information (if you wanna know something about how my brain works, the critique that early s2 episodes lack conflict does not compute), so full of dramatic irony (Sam and Rebecca don’t realize they’re messaging each other on Bantr! Rebecca’s voicemail to Ted doesn’t actually indicate that she spent a significant portion of time panicking and looking for him!), and misunderstandings that it was really nice to spend a bit over thirty minutes on an episode with very easily mappable plotlines.

Ted and Sharon and Therapy

Ordinarily in my little recaps I talk about the characters as real people making their own decisions, because every character on this show feels very real. But I have to take a minute to just, like, celebrate the acting in these scenes. Sarah Niles and Jason Sudeikis brought the perfect energy to each of their three scenes in Dr. Sharon’s office.

The drinking bird toy! The way he switches from nodding along with it to shaking his head no while the bird continues to shake its head yes, just like Ted shook his head no while saying yes, they should hire a sports psychologist! The way he finally stills the bird in the final therapy scene in the episode...but performatively throws the tissue box.

(Someone is going to need those tissues, Ted. It might be you.)

I also LOVE that this is the first time we see Sharon in an extended scene that takes place in a session. We’ve seen her rapport with the players, we’ve seen the results, and we’ve seen the things she does to make someone feel comfortable at the start of a session, and that’s all the information WE need to know to feel confident in her excellence as a psychologist. But because Ted hasn’t been able to fully appreciate those things, it’s so fitting that his sessions are a time for us to learn more about Sharon’s approach along with him.

It’s just...such good acting. The way she tells him he doesn’t need to worry. The kind of charming (but not performatively charming, just...charming) smile on his face when he claims he knows he doesn’t need to worry. And the way his voice changes a little as the conversations progress—deeper, less controlled, with some very genuine Midwestern “ma’am”s.

Sam and Rebecca and Awkwardness

Sam and Rebecca were so awkward when talking to each other in the hallway! If I had been in that hallway I would have been physically unable to stop myself from doing something even more awkward and diverting to make it stop. (I say this as someone who is neither disgusted by or delighted by the direction of the Bantr storyline. This is a good story about two good people who are in very different places in their lives existing in both a manufactured connection and the real, and very different, connection they have when they aren’t glued to their phones. This story is supposed to be awkward and uncomfortable.)

I did like the parallels of their friends sort of urging them on/coaching them through the inherent panic of the three dots that appear and disappear—a source of panic whether you’re the one creating the dots on the other screen or watching them and feeling at their mercy.

I like that in this episode both Ted and Rebecca are loudly broadcasting “I AM NOT IN THE RIGHT HEADSPACE FOR A ROMANTIC RELATIONSHIP”—Ted with his rueful awareness that Michelle would be upset if she heard him still referring to her as his wife, Rebecca with her insistence that relationships are doomed and awful even though she’s talking to two people (Keeley and Higgins) in committed relationships.

Roy and Keeley and Space

This plot was a really wonderful...counterpoint? complement? to the places both Ted and Rebecca are in as Ted starts to come to terms with the fact that he’s going to have to deal with his past and the losses he’s suffered (including the loss of his marriage) and as Rebecca questions whether she’s really going to embark on the next phase of a relationship with someone whose identity she does not know.

Because Ted and Rebecca are stuck apart, it was great to see Keeley struggle with needing space from Roy without worrying for a second about whether or not this challenge was a threat to their relationship. (Keeley and Roy aren’t used to long haul relationships, so they both see it as a threat, but the audience doesn’t have to.)

There was so much going on in that boot room. I love the coexisting realities there—Rebecca and Keeley and Higgins treating the boot room as their personal room for secret smoking, but as the crowd grows all these other unspoken dynamics emerge (it’s been two days since the panic attack and this is the first time we see Ted and Rebecca in the same room and there’s no evidence that they’ve talked about what happened with the panic attack or Rebecca’s parents or any of the big stuff).

Everything about Keeley’s plotline this episode reminded me of how Ted and Keeley are so similar (and, to a lesser extent, Rebecca and Roy are so similar). Rebecca and Roy both tend to write things off (Rebecca is so certain any relationship she has will be doomed, but it’s just because of how hurt she already is; Roy wanted to convince himself he was happier as a pundit than as a coach, but it’s just because he was scared of how much he wanted to be back on on the pitch), only able to deal with things when a safe person like Ted or Keeley sort of startles growth out of them. (We talk a lot about how Rebecca should be in therapy, but Roy should too.) And Ted and Keeley! Everything’s great, everything’s sunny, but look at how Keeley stands on her couch and screams in sadness and anger when she blows up at Roy and he leaves.

This time, things work out between Roy and Keeley because he figures out what Keeley was trying to communicate and respects what she needs, but in the future she’s going to have to figure out how to articulate herself more clearly. (And so will Ted...not only in therapy with Sharon, but as everything with the other coaches and the team and Will and basically everyone in his life come to light.)

Nate and Beard and Twitter-Insecurity-Rage

Ahhhhhhhhh.

This plotline made me feel almost as nervous for Ted (the things he doesn’t know) and Beard (the things he knows) as it did for Nate and Colin and Will and everyone.

At first I was really bothered by the repetition of Nate checking Twitter. We know! He’s on Twitter a lot now that he’s semi-famous! He’s obsessed! But then it occurred to me that it’s extremely perfect that Nate checking Twitter becomes this silent refrain building him up or tearing him down based on the latest 280-character compliment or take-down. Because this is how the internet works! You get obsessed with something on it and then check it a million times per day until you feel sick. It could be a dating app, or a trending story, or almost anything. If you check it often enough, the internet won’t even have anything truly new for you...it just feels like it does. So the repetition of Nate scrolling Twitter wasn’t meant to deliver us new information, but rather to mimic the old information coming through again and again.

I feel so deeply for Nate, who’s brilliant about football but unfit to coach because the power dynamics of coaching are a totally foreign concept to someone like him, who relies entirely on external inputs to take his actions. Ted and Beard and Roy all go and learn things and bring them back to the pitch, but none of them have had the capacity to teach Nate how to do this. Even Nate’s private thoughts, which he wrote down during s1, only come to light when Ted prompts him. And when your external inputs are coming from social media and an unappreciative father and a hyper-awareness of insult after years spent on the receiving end of bullying...it’s very dangerous. Maybe even literally physically dangerous.

I also feel so deeply for everyone who interacts with Nate right now, particularly Will.

Some Bonus but Never Extraneous Trent Crimm

Trent in the pub made me NERVOUS. Seeing him in this new place where Ted goes to wind down, almost coaching Ted through lying to him about having had food poisoning?! When they both clearly know that isn’t what happened?!?

It felt very fitting that this uncomfortable yet kind-of-mercifully-executed lie takes place towards the end of an episode full of such positive and negative growth for the characters. Such movement. It felt all wrong (in a good way), like covering something new and smooth and precious with spackle because maybe you actually wanna paint something else after all even though it won’t serve you in the long run to do it. To paraphrase Dr. Sharon, the truth will set you free but first it will piss you off, and Ted’s conversation with Trent is a reminder of all the layers there are to cut through on the way to the truth.

If Apple TV could simply release 2x8 - 2x12 this week, I would bargain with something crazy and miserable like giving up caffeine until October 8, the air date for the season finale. I continue to love this season and to feel the serenity of watching excellent actors execute on excellent scripts...but we’re getting to the point where the momentum’s built up and is heading to ever-scarier places, and I neeeeeeeeeed to knoooooooow.

[seijoh-apologist]

stupidly in like with you | miya atsumu

pairing: post-timeskip!miya atsumu x f!reader word count: 14.6k (OOPS LMFAO) genre: friends to lovers, fluff, hurt(?)/comfort, and like a few too many pages of fluffy smut -- third person pov for the most part. NSFW. synopsis: Atsumu and Y/N are good friends, maybe feelings are involved but Y/N isn’t his type. OR Y/N and Atsumu are most definitely in like with each other but for whatever reason aren’t dating.

A/N: hi so this is my first “published” hq fic but like here is this thought that I had and haven’t been able to get it out of my head. it’s mostly edited thanks to my irl friend but bare with my run on sentences and (slightly excessive) use of profanity. any feedback would be appreciated b/c I have more thoughts for other characters and I'd love to share haha. 

To say Y/N was annoyed was an understatement.

Aching feet begged for relief, the sweat-soaked shirt, though cute, had begun to cling to that one fold in her side that made her the slightest bit hyper aware of the “stress weight” she swears she's put on during the holiday season. And the music was absolute shit, shuffling between mash-ups of the Top 100 trending songs and some weird EDM-Indie music that she would pay good money to never hear again.

To put it plainly, she was not in the mood to be out of her home, much less celebrate. But she had agreed to come out, never being able to say no to Sakusa, who silently pleaded with his eyes to take on “babysitting” responsibilities of his teammates for tonight. He had paid for her dinner several times before tonight, claiming that she should save her money - “you should spend your money on getting a better mattress, so we don’t have to hear you complain about it anymore.” - the least she could do was give him a night to himself, away from the chaos that was the rest of the MSBY team.

Besides, it's not like she was asked to stalk them or anything - they were friends after all, so really it was just like she was tagging along for a night of club hopping, taking shots that she didn’t have to pay for, and simply people watching in between trips to the dancefloor. And normally, she’d be enjoying the night - it's just that of all nights to come out and celebrate, it had to be at the end of one of the most stress-inducing, aggravating weeks of her young adult life.

Checking that it was well after one in the morning, she sipped water from her straw, swivelling to face the crowd from her (stolen) seat at the bar, in hopes of catching the attention of someone in her party that could get the hint that they should probably get ready to go. What she did not expect to find, however, was Atsumu, flitting his eyes away from her figure as he leaned down to talk to a pair of girls. It could just be a friendly gesture, asking him if he was who they think he was and him responding but it sent a less than pleasant feeling in her stomach, so she swiveled back, reaching for her phone in the back pocket of her suddenly too tight pants.

“Fuck me,” she huffs out upon seeing that her phone battery has fallen to thirty percent, which would be just delightful when it would be time to call the ubers home. She could now rule out aimlessly scrolling through Twitter for the rest of the night while waiting for her friends.

“Uh.. maybe slip in a ‘please’ and I’m yours.”

Y/N’s eyes all but bugged out her head at the response that came from her left. The voice belongs to a guy, a very cute guy. The kind of cute guy that you see on Instagram explore page before it refreshes so the chances of seeing him again are nonexistent.She sputters out a delayed apology, double-time since she realized that she’s now taken a little too long to respond to him, to which he laughs and shakes his head.

“Don’t worry about it. I should be apologizing for interrupting you, it's just.... You looked a little lonely over here. Mind if I sit with you?”

“Seat’s all yours... but you’re on your own if those people from before come back to reclaim them.” She hums, sliding her phone back into her pocket and shifting her legs slightly in the direction of his seat.

“Scared of a little fight?” He hums, arching a brow before taking a swig of his beer. He has nice hands. Y/N muses to herself as she watches the stranger’s fingers flex slightly around the neck of his beer bottle. She’s always of the mind that a person’s hands say a lot about them.

“Mmm no… just too tired to defend myself, much less a random stranger.” He laughs at that, nodding his head before replying that “most pretty girls don’t openly say they can fight.”

“Oh you’re cheesy, aren’t you? Nobody straight up tells a girl they’re pretty for no real reason.”

“Actually,” Shifting his beer bottle onto the bar, he holds out his hand to her. “My name is not cheesy, it’s -”

“Y/N! There you are!”

The call of her name makes her jump slightly, before she feels the familiar warmth of a hand on her back. The same hand worms its way to her hip, fingers slipping into that soft fold just above her pants, the warmth of his next words being felt just above her ear.  “Where the hell’ve ya been? Was lookin’ all over the place for ya, Bo and Shoyo were worried ya left without us!”

“Been right here, idiot. We lost our original seats so I’d figure you’d come to the bar at some point and I could’ve waved you down.” She shifts slightly, turning her shoulder back towards the cute stranger with an apologetic look in her eye, to which he smiles and opens his mouth to respond until Atsumu cuts him off again, his hand gripping the back of her neck to make her give him her total attention.

“Right well I’m starving - let's get outta here. Kinda craving your infamous drunk noodles, or maybe a McDonald’s on the way home, yeah?”

Y/N nods slightly, turning back towards the stranger to see that he’s already slinking back into the crowd. Once she fully loses him, she shoves her elbow into the blonde’s side, telling him to “shut it” when he throws out a huff of pain.

“Thank you, ‘Tsumu… could’ve had a different ride home but nooooo.. Needed to come in here with all your glory talking about you being starving despite the fact that you can afford a personal chef.” She huffs out and slides off her stool, but he’s not listening. Instead he’s holding her by the shoulders and pushing her through the crowd, excusing the two of them as she continues to rant and rave at him. Once outside, the pair are joined with the rest of the party, who have called a few separate ubers home. “And to top it off, I know you’re not even listening right now - you never listen to me, Miya. I don’t know how your teammates put up with you… how do you put up with this shit, hmm?”

The group of teammates laugh softly and shake their heads, giving answers that “they get paid” to put up with him, and that Miya Atsumu is actually “a decent friend,” a fact that she knows is true but chooses to ignore when convenient for her. Atsumu just shakes his head with a roll of his eyes, pulling her into the direction of their uber for their journey back to his place. She greets the driver and settles into her seat, as Atsumu calls out behind him something or other to someone. The slam of the door and clicking of seatbelts is what fills the silence in the car, music softly playing from the rear speakers, as Atsumu leans his head back against the headrest.

“So I take it yer coming to stay with me for tonight?”

“Hmm.. don’t have much of a choice now, do I?” She teases to which Atsumu slightly pouts, reaching to knuckle at his eyes that suddenly feel a little too heavy. “You owe me the biggest breakfast fathomable tomorrow.”

“Why’s it that I owe you when I paid for your dinner before going out, paid for your drinks tonight, and am letting you sleep in my bed - which is infinitely better than your cheap ass - hey!” He begins his ranting, which would be cut off by a sturdy flick to the forehead and a slight “hush” before he feels her head rest up on his shoulder.

Y/N and Atsumu had been friends for a little while, when she chased him down the middle of the road, claiming to the public that he was a thief, just because he’d grabbed the wrong umbrella on the way out of the restaurant they were both eating in. He’d tried to apologize, but she traded umbrellas and walked back towards the direction of the restaurant. He had chalked it up to nothing really, just a slight mistake and minor inconvenience for the girl. At least until a certain teammate’s birthday dinner, where said stranger was- only this time sitting and chatting with Sakusa Kiyoomi as if they’d been best friends for forever (which in all fairness, Y/N and Kiyoomi had only been friends since college, where they were forced into a friendship by their roommates, who were hooking up with each other and forced the two on double dates). This second meeting was a sign to Atsumu, a sign that for whatever reason this girl was supposed to be in his life, in some capacity or another - but he did royally fuck it up a second time by trying to flirt with Y/N, who laughed and asked if his opening line was really the best he’d had, before hitting him with an opening line that still makes him flush when he thinks about it today.

The ride to Atsumu’s home isn’t long, but it's long enough for the tiredness to seep into Y/N’s bones, who barely misses the quiet way that Atsumu’s fingers have taken home at the base of her neck, massaging gently at the tenseness he feels under the pads of his fingers.

“Someone’s tired… why didn’t you stay home?” He asks as they turn onto his street, letting his fingers fall away from her as he begins to check that they have everything they need. ”’t’s a good thing yer sleeping over at mine... and no couch for you. Your neck is all kinds of tense. It's a miracle you haven’t complained ‘bout it once tonight.”

“Shh.. you’re so loud for what?” She mumbles while trying to stifle a yawn. “So if I’m not supposed to sleep on the couch then where am I supposed to sleep then, boy genius? The floor?”

“No,” Atsumu answers seriously, brow slightly wrinkled as he reaches for his keys in his pocket. “You’ll sleep with me. In my bed. ‘t’s a cooling mattress so you won’t haffta complain that yer too hot.”

“Miya, last time I slept in a bed with you, you nearly suffocated me. Dunno if I really wanna have to deal with trying to roll you onto your back again.”

“Wait a minute! To be fair, my bed was smaller then so there was less room for the both of us.” He begins, opening the door and shutting it before turning the two of them towards the entrance to his apartment building. “Second of all, it was my first time sharing a bed with someone other than ‘Samu so ya shouldn’t blame me for not having proper sleep manners.”

The first steps into Atsumu’s home consists of the pair kicking off their shoes, debating lightly on who was gonna take over the shower first. Y/N slides her feet into the slippers that are specifically her slippers in his home and slinks off towards the kitchen, as Atsumu peels off his shirt and heads towards the shower. It feels comfortable, almost like a routine, as Y/N gathers eggs and two noodle packets to make them a small meal before bed. Moments later, Atsumu is coming out of the shower, towelling off his hair before settling onto the sofa, clicking on the T.V. as Y/N comes in with the two bowls of noodles. A silent agreement is met when they finish that Atsumu would wash the dishes as Y/N showered, taking a shirt from his drawers to sleep in

She hands him a bottle of aspirin, mumbling around the toothbrush to “take two or so help me.” Moments later she joins him in bed, slipping on a pair of socks that are two sizes too big for her before settling under the plush fabric of his comforter. He shifts over closer to her after tossing his phone on the nightstand, seeking out her form in the now dim room for a small cuddle before dozing off. She willingly accepts him too, sliding her body just under his and buries her face in his skin, still warm from the too-hot shower he is prone to taking in the name of muscle relaxation. He hums slightly as their feet tangle together, silently appreciating the way Y/N so freely indulges his need to touch someone after being touch-starved for so long.

Though Y/N isn’t much like him in that sense - doesn’t have this inherent need to cling to someone before bed, or just hold hands at a store, or hands on the shoulder in a crowded room. Sometimes she will, like now with her nose buried in his neck and her hand rubbing up and down the length of his sturdy back. Normally they won’t do this, both just a little too headstrong to dig into the tightening in their chests when the hug for a moment longer than usual; but tonight Y/N is silently congratulating him on winning the game that has had him stressed for weeks. She feels his lips press softly to the top of her head, a mumble of “good night” leaving his lips as she feels his breaths even out as the moments pass.

This is where Y/N wishes she had the power to pull away - blames moments like this on giving her the slightest bit of hope that they could be more than friends.

It's not that she hadn’t thought about it - frankly she’d spent too much time thinking about it. She could do this… with him.. But every thought is put to bed when she thinks back on this one conversation months ago. Granted she didn’t have the full context of the conversation but it's enough to make her heart squeeze when she sees Atsumu flirt with someone, or shake off his hand when she’s had a particularly sensitive day.

It was just another evening where hanging out after him and the rest of the team being away for a week. They’d ordered in food and drinks had been flowing nicely as the comfortable pair had caught up - it was honestly too homey of a setting in hindsight. His phone rang, the white text of “‘Samu” flashed and Y/N took that as a cue to finally get to the restroom.

“Mhm.. made it back early today - no Y/N picked me up.” He’d been mumbling around a handful of chips, the other side of the conversation mute to Y/N’s eavesdropping.. “Oh shut up, she doesn’t mind and it's not as if we’re dating anyway. It’s.. casual and it works for us.”

And she should’ve stepped into her place next to him, cuddled up into her chest and played the role of the blissfully ignorant idiot. But no, she stayed tucked behind the restroom door, blood pumping and heart beating too loud in her ears. It would seem as though Y/N was a glutton for punishment, a minor thing when thinking about putting herself through a moment of pain for a lifetime of pleasure - but the pain that came with Miya Atsumu’s next words would set her off kilter for a while.

“Besides, she’s not really my type. It’d never work out anyway.”

She had no choice really other than to shut the door. Take some extra time in the restroom than necessary - after all she’d just hear the potential love of her life admit to his twin brother that she wasn’t his type. All she could do really was stare at herself in the stupidly bright mirror in his stupid guest bathroom of his stupidly expensive apartment.  God this is so stupid, she thinks to herself while running cold water to press against her cheeks that she feels are heated up. Before she can really tear her own heart to bits though, she hears a quick rapt on the door.

“Y/N ya’right in there? Warned y’bout putting too much hot sauce on your food.”

But that’d been two years ago. It was a little rough after that; Y/N had thrown herself into finding a life post-grad which was a great distraction from the rumors going around that Atsumu had been spotted with some model or actress or something. Besides, Y/N wasn’t really the type to harp on failed romantic interests - all she’d need to do is download whatever relevant dating app for some validation and she’d be able to move on. However nights like tonight, when he looked too good and the little moment was a little too right - she’d still hope. Make a wish to whatever angle number or shooting star or deity above that she’d get tossed a chance to be in love with the stupid setter, because she had already fallen.

“Mm y’right?” She heard him, how could she not when he’s practically suffocating her. She chooses not to answer though, humming affirmatively - to which he huffs and shifts slightly, settling back into unconsciousness.

Maybe she’d blame the train of thoughts for tonight on the fact that she’d been drinking. However, come morning, the seed would bloom a little brighter in her chest when she wakes up to realize that her face is pressed into his side, arms circling his slim waist and one sock lost among their tangled legs.

---

God she hated him. Miya Atsumu was too much of a lot of things - too much of a sore winner, too much of an idiot, too much of a talker, and most of all, too much of a liar.

For the second time in the span of a month, Atsumu had convinced her to come out, despite her desperately wanting to curl up in bed and binge eat away the stress of the week. Only this time it was a charity event, so she would definitely be the bad guy if she said no. It was an event where him and the rest of his team had been roped into a charity dinner - which (gratefully) meant that Sakusa would be around, and they could fuck off to a corner someplace to talk shit about what all the rich wives are wearing and how bad it looks when their husbands are flirting with the wait staff. But Atsumu had promised that they’d leave before the entree was served - swore the entire drive over that “we’ll get you back home in time, grandma” and that he’d even cook for her this time.

But the entree had been whisked off about forty minutes ago, her wine glass had been refilled twice, and she was bored of watching Sakusa look at his watch, waiting for an appropriate time to leave. Atsumu was a few tables away, chatting up some couple, something about wanting to get their information for Osamu’s business. He would laugh a little too loudly at their jokes, gaining attention of those at surrounding tables - which was only mildly irritating as he had now gathered a crowd of people around him, spewing off some story about him getting lost in Russia the first time they played overseas.

She huffs and stands up, chair scraping slightly, gaining the attention of the rest of the  table. All she does is hold up her wine glass in a feeble attempt at an answer of where she’d be waiting at the bar. If I have to be here, the least I could do is drink for free. The bar is empty, surprisingly no one wants to mope around this very nice dinner.

“What can I get you?”

“Mmm.. whiskey highball, please.” She answers to the unnecessarily cute bartender, but the raise of his eyebrows do not go unnoticed.  And fortunately (or unfortunately) she’s got the time to press him. “Surprised?”

“Only a little bit. Noticed you were drinking wine most of the night so the whiskey is a hard switch.”

“So you’ve been watching me?” She muses, smiling as he places the drink in front of her. He smiles and leans forward on the bar slightly, shaking his head and replying.

“It’s almost as if… I’m being paid to make sure people have their drinks.”

“Oh, so it's not because I’m cute?”

“Now I didn’t say that did I? But you know you’re gorgeous; your boyfriend over there must tell you all the time.” He muses, a smirk playing at his lips as he nods behind her. She all but chokes on her drink when she turns around and sees that the direction he nodded in was directly in Atsumu’s vicinity before shaking her head violently. Atsumu was not going to ruin this for her. “Oh so not your boyfriend?”

“Nope.” She says, popping the ‘p’ as she slips the straw past her lips again, eyes taking in his leaning form. He was cute. His hair was on the silver side of blond, tips of his hair black. He was tall and lean, a piercing hanging from his left ear.

“That’s a shame.” And she gives him her name with a flutter of her lashes and a sweet smile. He returns it, preparing her next drink without her even having to ask. And so they talk, first about how the next person who approaches the bar should be cut off, to how pretentious the whole event was. Two drinks in, Y/N finds herself being invited to a show.

“This whole bartending thing is just a way for me to get some extra cash… I’ve got a gig in an hour. I figured if we leave together now, I can get you home to change outta this and into something a little more… concert fitting?”

“O-Oh.. yeah. I just need to go let my friend know…” She trails off, sliding off her barstool before turning to gracefully power walking to her initial seat next to Sakusa. She huffs and she plots herself down in the char next to him, to which he gives her a look of what the fuck. “I don’t have time to catch you up, but the insanely hot bartender is taking me home. As much as I’d love to get out of here with you, I desperately need to get lai-”

“Going somewhere?” Fuck fuck fuck.

“Didn’t you hear her? The hot bartender is taking her home and she needs -”

“Aishhhh shut up.” She turns to look at her curly haired friend, only to see that he’s got this annoying little smile on his face. She deeply exhales and turns back to Atsumu, who looks less than amused about what his friend said. “Listen, you promised me we’d leave two hours ago. Well you lied so nooow I made plans, so if you would kindly move outta my way.”

“No.” She whips her head up at the blonde. No? What the absolute fuck was he going on about telling her no, despite her not asking for his permission. “You’ve been drinking and you don’t even know the guy - how can you trust that he won’t memorize your address then come rob you or something? I promised to take you home, and since you’re ready now we can leave now.”

“Listen Miya, I appreciate the concern but really I’m a big girl. I can handle a night out by myself with a guy - besides I’m not even that drunk. Now, give me my house keys and move out of my way.”

Suddenly, it's like those cheesy western movies where two cowboys are staring each other down, neither willing to be put down by the other. Except it's this 6’2” pro-athlete staring quite literally down at Y/N, who hits the gym only on a blue moon and spends too much time sitting at a desk. Sakusa has to laugh at the two stubborn idiots in front of him; he knows that Atsumu is going to be able to win this little game that they're playing, but silently applauds Y/N for attempting to stick it to him. Moments pass before Atsumu finally sighs, shoving his hands in the pockets of his expensive suit and pulling out her keys - but he doesn’t give them to her.

“What’s his name? If you can tell me his name I’ll give you your keys and let you go.”

“Let me go? Okay, Dad.” She huffs, crossing her arms over her chest, small clutch dangling from her wrist. “I know his name, Atsumu. I may have had a drink or two but I’m not an idiot to be going off with someone who’s name I don’t even know... it’s… uhm.” And she’s done. She hadn’t even bothered to ask his name, doesn’t even remember whether she gave him hers, nor was she smart enough to notice whether he’d been wearing a name tag.  Mentally she’s cursing herself, chancing a glance behind Atsumu’s shoulder to see the hot bartender chatting it up with another girl. Before she can think too much into it, Atsumu sighs deeply, grabbing his suit jacket off the chair next to her and slipping it on his shoulders, a soft “let’s go” leaving his lips as he nods his good-bye to the rest of the table. Y/N chews at the inside of her cheek before grabbing his arm.

“Give me my keys. I’m not going home with you. I want to be alone.”

---

Four days passed - four days of Atsumu borderline harassing Y/N with apologies. Promising to make it up to her. Which is how she finds herself walking into their favorite local sushi restaurant - it's the only one that has self-serving sushi that arrives on a miniature train, and it's also the only place that they go when apologies are to be exchanged. In the handful of years that they’d be friends, Y/N has needed to apologize to Atsumu thrice - two for blowing him off after overhearing the dreaded words and once for saying that maybe Osamu was the better twin. Atsumu on the other hand, had apologized to Y/N many times - so many times in fact that Y/N is sure that he makes up excuses just so they can come eat at this sushi place.

It’s been a long week for Y/N. The Sunday after the charity event, Y/N wakes up with one of the worst headaches of her life - and its due to the fact that she slept like shit hoping that Atsumu made it home safe since he hadn’t texted her he did. Monday she was handed a stack of documents at work that needed to get done before lunch (which didn’t get done). Tuesday morning was dominated by the fact that some idiot on the train to work had spilt a coffee on her, making her wear the most uncomfortable suit jacket, lest she wear a coffee soaked shirt for most of the day. Today, Wednesday, she’d woken up to a box with a pastry outside her door and a cup of coffee with a sticky note on the lid.

Sorry. Let me make it up to you. Train Sushi? 7pm?

Despite the fact that she was most definitely still thinking about why Atsumu acted the way he did - she still went through the mountain of paperwork on her desk with a little smile, knowing that she’d be getting free sushi and an apology. Maybe if she’s lucky, she can convince him that she needs a crepe on the way home.

As she makes her way into the restaurant that evening, she sees him. His dorito-shaped body is stationed at the bar, a cozy brown coat hugging his back, muscles of his arms being squeezed by the sleeves. She can see that he’s got a drink in front of him and she smiles slightly, stepping up towards the bar but stops momentarily. He’s talking to someone - not just someone, a girl. He’s smiling too. Y/N can’t see the stranger’s face, but judging by the way that she has a hand around his biceps and her head tilted, one can only assume that they know each other. Y/N attempts to step backwards, she wants to let him finish his conversation with the woman but she doesn’t know if she can stomach the idea of watching them flirt; but she misses the step, leading her to bump into the hostess who led her to the bar, creating a bit of a scene.

“Y/N! There you are! C’mere.”

She’s buying time by profusely apologizing to the hostess, who honestly is probably just trying to get away. At this point, Y/N has no choice but to walk towards her friend and this mystery woman. The ten steps towards the pair is enough time for Y/N to mentally list off all the things she could have done in the world to warrant some shitty karma that’s hitting her now. Once face to face with Atsumu, she smiles.

“Sorry - long day at work got me all …” Y/N’s words trail off, the hand that’s not death-gripping her purse waves off with her closing thoughts.

“Don’t mind, Wednesday’s are usually your long days. ‘Sides you’re here now - tha’s what matters.” God he’s so dumb. So handsome and so dumb, and god did she miss him. “It’s a good thing you got here a little late, this is Michimiya Yui. I think you two might’ve -”

“No, I don’t think we’ve met! It’s so nice to meet you - he used to talk about you all the time!” The brunette smiles at Y/N, sticking her hand out, which Y/N takes limply, shaking her hand. She’s pretty, Y/N thinks to herself. Her hair is short and she’s wearing some cute leather thigh high boots, her smile is almost paid-for perfect. She’s got this whole brown smoked out eyeliner working for her, which makes Y/N slightly subconscious about her most likely smudged and uneven eyeliner and less-than appealing work pants. Before Y/N can even think of a response to give, Michimiya has her hand back on Atsumu, a pretty smile settling on her lips. It feels like Y/N is watching a trainwreck happening before her eyes. “I was just telling Atsumu that I was back in town and that we should hang out!”

“And I was just explaining to her that I had plans with yo-”

“You should join us!” Idiot. Why am I such a fucking idiot? Atsumu looks over at Y/N with a wild look in his eyes, Michimiya looks like a child who wound up making out with two candies instead of one. “I had a super long day at work today so I’m really only able to eat dinner, but I know Atsumu can stay up for hours so once I leave you two can hang out.”

“Y/N, I thought that -”

“That sounds like a wonderful idea! I just need to tell the wait staff to cancel my to-go order, so excuse me.”

And so the two friends watch the woman walk away from them, making her way towards the to-go order area. Y/N bites at the inside of her cheek, intentionally avoiding Atsumu’s eyes that she feels are pinned on her. She digs out her phone from her purse, texting Sakusa an ominous “next time you see me, please poison me 😑.” As Y/N drags her eyes up Atsumu’s front, she feels the same way she did when she would get scolded by her parents. His eyes are staring at her face, no doubt wanting to press her about why she willingly invited a stranger to eat with them at their restaurant. To pacify him, all she does is hold up her hand, shaking her head.

“It’s fine, Miya. Like you said, Wednesday’s are my long days so I wouldn’t be able to stay out late with you anyway. Besides…” She starts, fixing a smile onto her face. “I think that she might have a little crush on you!” He says nothing, lips pressed in a hard line and a brow arched up at her. “Don’t look at me like that. And save your apology for next time… we have company.”

The rest of the evening goes exactly like Y/N’s worst nightmare. She is quite literally the third-wheel despite the fact that technically Michimiya was supposed to be the third wheel in this little scenario. Y/N has to watch the pretty brunette flirt relentlessly with Atsumu, who seems blissfully oblivious to the fact that for every compliment Michimiya gives Y/N, she gives herself two more. Sakusa is well informed on the situation, receiving texts every five minutes with another dumb thing that was said in front of Y/N’s appatizers. Rarely does someone ever wish for a natural disaster to hit, but in the last thirty minutes of sitting at this table, Y/N has wished for every biblical curse to wreak havoc in her way.

Despite the fact that Michimiya has hijacked every conversation, Atsumu still tries to ask Y/N about her, including her in the conversation as much as possible. But Y/N stopped trying twenty minutes ago, and is now forcing herself to eat the last few pieces of sushi she ordered - normally she’s a stress eater, but Michimiya has rested her hand on Atsumu’s thigh and Y/N has suddenly never felt more sick in her life. Y/N has never once picked up a tab around Atsumu - “please, ‘ve got more money than I know whatta do wit’it” he’d always tell her when she attempted to take up the ticket - but when they finally wave down someone and ask for the check, Y/N drops some cash on the table and collects her things.

“It’s been so nice to meet you, but I think I should really get going. I’ve gotta get to work early tomorrow - I’ll see you this weekend right, Miya?”

“Wait up, I’ll take you home… Yui it’s been really -”

“No no, really it's okay! You stay! I’ll just text you when I get home. Be safe. And again it was so nice to meet you - take care of Atsumu for me.”

“Oh I will!”

Y/N is not a runner but she’s never sprinted away from a situation so fast in her life. The image of Michimiya’s sly little smile at Y/N’s request to take care of her friend makes her feel gross, tears stinging at the back of her eyes and she settles on the train. Y/N can name a handful of times when she’d seen Atsumu around women - but never once had she’d met someone he was romantically involved with and it hurts. The gentle sway of the train does nothing to settle the spinning of her head with images of what Atsumu actually looks for - his actual type. She feels like an idiot; she should have just told Atsumu that they could do a raincheck, or if she was feeling bold, she could’ve told Michimiya to fuck off. The latter seems possible in the version of herself in Y/N’s head, but the reality was that she was too nice. Always wanted to make the people she cares about happy, and Atsumu looked... happy? Besides, Y/N thinks to herself as she exits the train and makes the trek towards her apartment building, if Michimiya Yui was going to be involved with Atsumu, the more exposure she had to her, the better off Y/N would be in accepting that Atsumu would never ever be with Y/N like that.

Once settled in her apartment, she sends off a quick “home. thanks for tonight!” to Atsumu before making her way to the bathroom. A nice warm soak would surely make her feel better, make her forget about what an idiot she is and maybe, just maybe, make her body relax all the love she holds in her heart for the blond away. Her phone pings, twice, but she ignores it. Ten minutes into her pity soak she hears a bang on her door, which only makes her groan and dunk her head under the water. The banging stops, making Y/N think it was just her neighbor or something asking for a favor. What she doesn’t expect is for her to exit the bath twenty minutes later to see Sakusa Kiyoomi sittin on her couch.

“Hello, glad to see you exploiting your spare key access.”

“Miya called me and said you looked like shit earlier. And judging by your texts throughout the evening, I figured you were on the brink of a breakdown.”

And so she was. She spent the rest of the evening talking Kiyoomi through the night, slipping in all the questions she’s had from the past two times that Atsumu had cockblocked her. And bless Kiyoomi for sitting through her tears, sitting cross-legged and drinking tea that he had initially made for her but refused to let her drink once he realized she had already brushed her teeth. It felt almost like she was finally thinking about what her friendship with Miya Atsumu was, what it could and couldn’t be. Every moment painted so clearly about how Y/N felt for her blond friend, but the only thing missing was how said friend felt about her. At 11:30 pm, two hours after Kiyoomi initially arrived at Y/N’s apartment, she pushed Kiyoomi out the door, eyes puffy but heart and head a little clearer than how they were when he arrived.

Despite promising Kiyoomi that she would not think about Atsumu, as Y/N settles into bed, her thoughts can’t help but wonder what it would be like to be with him. She mulls it over as she slides off her socks, deciding that it’d be nice - probably exactly how they are now, plus a title and a little less swatting his hands away when he reaches for her in public. Y/N can’t help it as she thinks about whether they would kiss a lot - they’ve kissed before, neither strangers to cheek kisses as greetings or kisses at the top of their heads when the other is crying into their chest (there was even that very drunk kiss they shared on New Years Eve when their friendship was fresh that both still have warm cheeks about when they think about). Just as she’s about to go down the path of whether Atsumu would spend more nights with her at her cardboard box of an apartment or her at his, Y/N cuts herself off - after all she wasn’t his type. Tonight proved that more than anything, she thinks.

It’s not like Atsumu has never brought anyone around Y/N - there’d been a few that she’d met, though they were mostly over a facetime call and it was mostly just her waving at them before Atsumu ducked away to have a private conversation. It's not like tonight was the first night Y/N had to swallow the bile in her mouth at seeing someone make heart eyes at Atsumu - it's just this time felt different; almost like Y/N was finally having the truth thrusted into her face. But Y/N isn’t mad or hateful of Michimiya, nor Atsumu for that matter - she’d never been the type to hate a girl for having feelings for the person she has feelings for. It’s annoying, sure, but Y/N doesn’t see the point in hating someone for how they feel - however, Y/N does not make the effort to become friends with these girls, or maintain the close friendship with Atsumu for that matter. Is it petty to put a strain on a friendship out of fear of losing said friendship? Absolutely! But Y/N knows she won’t be able to stomach another night like tonight - another night of seeing Atsumu slip so easily from her fingers into the arms of another. And as observant as Atsumu is, he never fully recognizes that Y/N is avoiding him, at least that what she hopes since more often than he’s able to worm himself back into her life.

---

Following the failed apology dinner, Y/N tried her hardest to give herself a few days without the blonde- made easy by the fact that the weekend after the failed apology dinner he’d be out of town for another tournament. It’s not like she was totally avoiding him, she’d responded to his texts and even answered two of his six facetime calls while he was away, she just wanted a little bit of time to wallow in self pity in her apartment, crying over her comfort movies and eating too many bags of hot chips. But once he was back in the same timezone as her, Atsumu made it impossible for Y/N to fully wallow.

It started when he texted her about their favorite crepe place temporarily closing for some reason or other - he’d tried to convince her to ditch work early that day to come, but Y/N declined with a simple text of “i like my job tyvm.” So what did he do? Pick her up in his flashy sports car that day after work (two hours later than usual since she’d figured he’d do something ridiculous like this) and drove her there, where he didn’t bat an eyelash as she ordered double than what she normally would have (a silent fuck you from Y/N but it didn’t matter since she wasn’t actualy hurting his wallet). She’d been able to tide him off for a few days, as she escaped to her hometown for a weekend - but that did little to stop the mirage of texts he’d sent her, describing in great detail this cool hybrid bookstore-game cafe that he found and thinks she’d like. Instead of responding how she actually wanted, she’d just replied with a half-assed “ahh exciting- sounds cute!” (She mentally grants herself ten nice points for erasing her initially text, telling him to take his “fucking girlfriend”). This must have really struck a nerve with him when the following weekend, he’d dragged her out of bed on Sunday morning to take her to said bookstore-game cafe, even spoiling her by secretly buying a book she’d picked up but put back.

Y/N can’t tell if Atsumu is intentionally ignoring the hints she doesn’t want to see him or if he’s really just oblivious. She also can’t tell if the patter of her heart when he drags her out of bed despite her not wanting to see him is a good thing or not. It’s been weeks since she’d third-wheeled with Atsumu and Michimiya, surely Y/N should have been able to take a little bit of pride in the fact that he was literally chasing her down to spend time with her rather than Michimiya - but before she can even swallow that pill Atsumu shows up at her apartment with the trace of a bruise hiding just below his shirt collar. The small mark on his neck makes Y/N convince herself that this would be the time that she needs a full on Atsumu ban.

Said ban never actually happens, though.

Just as proof that this ban doesn’t happen, today Atsumu has decided that Y/N needs to come shopping with him. For the entire day. Cue the montage of Atsumu banging on Y/N’s door at nine in the morning, breakfast pastries and coffee in hand as Y/N answers in all her morning glory, sleep caked up in the outer corner of her eyes and pajamas haphazardly fixed. Words are exchanged as Atsumu pushes her towards the shower, promising to make up her bed and even take out the trash for her (a chore she put off last night because she’d seen too many people smoking by the dumpsters which scared her enough to make her drag up the two bags of back up the five flights of stairs). As Y/N settles at her desk to work on making herself “the hottest person at the market,” Atsumu settles on her bed, talking a mile a minute about all the things he wanted to get at the market and the possible places they could go for lunch in the area. All she can do is hum, wondering silently why he’d chosen to take the trip with her and not his girlfriend - but she wouldn’t complain.

The market was...fulfilling enough. Surprisingly, Y/N was walking towards the food trucks with more bags in her hands than Atsumu, who followed behind her with one print from a vendor that Y/N convinced him would actually look good in his home office. The pair decided that Y/N was better suited to look for a place where they could park themselves to eat, while Atsumu went off to get them lunch. Before Y/N could make a break for the tables though, Atsumu grabbed her face, thumb swiping at her cheek firmly - it took Y/N every ounce of restraint to not whimper at the unprompted affection.

“Wha-”

“Had some of that jam sample from earlier on your face, dummy.”

“Tsk… why didn’t you see it earlier.”

He just smiled softly, letting the warmth of his hand fall from her face before patting her back towards her initial direction. Frankly, she’d been thrown off her rhythm; they’d touched each other before for fucks sake. So why was this one moment of closeness enough to make her chest feel tight? As she weaved through the tables, she can’t help but hold her hand to where his was, almost as if to preserve the warmth that was now gone. She hummed gleefully as she found a table, making her way towards it and setting up camp. As she settles into her chair, fingers deftly texting to Atsumu where she’s stationed, she sees a shadow come across the table.

“Hey, are you gonna use all these chairs?” He’s cute, almost terribly cute - he’s got this pinkish-blonde hair going on top, an almost shy glint in his gray-ish colored eyes, and an almost self-assured smile pulling at his lips. He was also tall, much taller since Y/N was sitting, but she almost doesn’t mind considering the fact that she is most definitely gawking at him. She shakes her head momentarily, both as an answer to his question and a way to clear her head momentarily.

“Thanks! My friend over there is too precious to sit on the curb, apparently.” He smiles at her, eyes squinting and she’s momentarily breathless at just how cute he is when he smiles. His arms move to grab one of the chairs and that's when she decides to speak up, not wanting to quite end the conversation yet.

“Ahh no worries! I know all about having that too precious friend! I only need one other chair so you can take two of these.”

“Oh cool thanks… and hey this might be a little weird but - fuck are you from Miyagi? You look kinda like this one girl from high school but - “

“I am! I went to Aoba Johsai and -”

He clicks his tongue and seems to smile even brighter now. “That’s right - you’re Y/N right? I think you were a year younger than us right, but you always hung out with that one girl in my year who used to smoke behind the boy’s gym…” Y/N nods, a grimace on her face and the back of her neck feeling a little warm with embarrassment. How could she possibly explain that said girl was actually Y/N’s cousin and that she didn’t actually smoke, she’d just smell like it after working at their family restaurant. “Well I’m Makki, by the way. If you remember Matsukawa and Iwaizumi they're over there - they were at Seijoh too.” She nods, leaning slightly to see the two men behind him, both wearing smiles that were just a little too cheeky.

“Yeah yeah, I remember… you also had a particular whiny one with you too, right?” He laughs at that, responding that said whiny one was actually abroad. The two make a little conversation, her giving him some suggestions on places to visit since one of his trio is actually visiting for the weekend. Y/N thinks this is nice - feels like the main character in a movie with the amount of men that have approached her in the past couple weeks. Before she can get too cocky in her ability to pull though, Atsumu walks up to the table, hands full with a tray that seems to be piled with too many little plates.

“There y’are… couldn’t see you from across the way… everything okay?” Atsumu questions, standing to his full height as if sizing up Makki, who seems completely unphased by Atsumu.

“Yeah, was just asking your girlfriend if I could steal these two chairs away before I realized that we knew each other.” The strawberry blonde is definitely unphased by Atsumu, who’s shoulders visibly relax at Makki’s suggestion that the two friends were together. “Well it was nice seeing you, Y/N! Thanks again for the chairs, you all enjoy your meal.”

As Makki walks away, Atsumu settles into his own chair with a smug little smile playing at his lips. Y/N, on the other hand, is chewing at the inside of her cheek as food is placed in front of her. Her blond friend, the observant little shit, notices that she doesn’t immediately tuck into the lunch laid in front of her and nudges her foot with his, muttering a quick “what's wrong.”

“You were blessed with possibly the worst timing in the world, y’know that?”

“What d’ya mean?” He muses, taking in her huffily pulling the lid off her food and stuffing her face with the rice bowl in front of her.. She chews, combing the food on her plate with the plastic fork as a way to stop herself from unleashing all her frustrations.

“You always but in whenever I start getting hit on! Or you stop every chance I have at possibly getting to know someone; you come in here full force and its really not fair. I don’t do it to you, and it's just not fair.” Y/N hates that she probably sounds like a whining child, but she really can’t help it anymore. It’s really not fair that Atsumu flaunts his conquests on the cover of every magazine, but god forbid Y/N talk to a guy. “Its been a while since I’ve had sex, Atsumu, and it’s getting to a point where I’d jump just about anyone’s bones. I - I just think that as my best friend you should be providing me some support, not cockblocking me at every fucking opportunity you get.”

It takes every fiber in his body to not laugh at how ridiculous Y/N is being right now. He licks at his lip, catching whatever food crumbs he could before clearing his throat. “‘M sorry what? You actually wanna hook up with those guys? They seem like the type to just fuck ya n’ then not text you back.”

“And if that’s what I want then so what!? Did you miss the part where I said I’m desperate here?”

“Then..” He takes a swig at his water bottle in front of him, leaning back slightly in his seat and sliding his sunglasses to rest on the top of his head. “If you need it that badly then you can just do it with me. You said anyone so I can -”

She laughs, one that sounds on the brink of delusion. “You’re fucking ridiculous. Yeah okay… Dunno if you remember but you’ve got a girlfriend, Miya.”

“She’s not my girlfriend, Y/N. We’re… not that serious with each other and we’re also open. She knows that..'' He looks smug, and Y/N wants to smack the absolute life out of him. “And I’m being serious, darlin.. I’d rather get you off than see you get your hopes up over some random.”

Y/N squeezes the poor utensil in her hand, choosing to chomp down one of the buns on the table instead of reminding Atsumu that she wasn’t exactly his type. But she lets it go, just squinting at him and shaking her head, mumbling how ridiculous he is before swiping some of his veggies off his plate. How else is she supposed to react to her best friend blatantly telling her that he’d fuck her if she’d ask - she tries to ignore the way that their knees resting on each other under the table makes her heart soar. Before she can form a sentence, something to steer the direction away from her sex life (or lack thereof), Atsumu mumbles around a forkful of food that she’d better hurry since he wants to do another lap of the market before it closes.

---

Atsumu’s offer and that entire conversation is brought up again a few days later; the pair are in Y/N’s apartment this time. She’d asked him and his brother to come over to install some shelves for her, but apparently Osamu was busy. With the shelves installed, Y/N put on a movie to serve as Atsumu’s entertainment whilst she organized her trinkets. She wasn’t really paying attention to the movie, too concerned with trying to see if the shelves were actually level or not when she heard Atsumu laugh behind her, muting the T.V. with a quizzical brow raised.

“Huh? If you don’t like the movie then you can change it… ‘m not payin atten-”

“Oh yeah not paying attention right?” She gives him a hard look as if proving to him that she can’t honestly give him the plot of the movie. “So you’re telling me that its just a coincidence that this movie is about two friends who make a pact to fuck each other? That it's a coincidence that the literal name of the movie is ‘Friends with Benefits”

She rolls her eyes and turns to face him fully, seeing that he’s now sat up on her couch with his elbows resting on his knees. A beat passes before he puts his hands up, almost as if in surrender, before he pushes himself off the couch and towards the kitchen. She watches him as he pulls out a bottle of wine, nodding to the couch as if asking her to take a break. She relents, folding her legs under herself and pulling at a string on the worn sofa, thinking she’d probably try to replace this piece before she renewed her lease. He thrusts the glass to her, settling into the sofa but he makes no move to unmute the T.V., instead inciting some silent battle while they each sip from their respective glasses.

“Y’know you’ve been snappy lately… my offer from the other day still stands, hope y’know tha’.” She scoffs, choosing to take another swig at her wine, which does little to cool the warmth she feels in her throat. He’s not technically wrong - the conversation the other day had made a fog of tension hang over her, making a long lost desire for the blond resurface in her lower abdomen at full force. She’d spent way too much time the other night on Amazon, debating on whether it would be a good idea to get rechargeable batteries for her toy, spent too long watching his mouth move when he’d facetimed her the other night. It's not that Y/N hadn’t hooked up with anyone since knowing Atsumu, it's just that maybe she’d spent a little too much time enjoying how Atsumu met her emotional needs that she had neglected her physical needs.

“What offer?” She’ll be damned to let him in on the fact that she’d done nothing but think about his stupid offer. Refuses to let him know that she wants, no needs, to say yes. So she plays dumb, finger dancing along the lip of her cup, foot swinging anxiously against the floor.

He hums, reaching to put his glass on her beat up coffee table. He leans his elbow on the back of the couch, placing his chin in his hand, giving Y/N his undivided attention. “‘Samu was talking about how his girlfriend has been on his ass lately about every little thing and so I asked him if they’re doin’ okay, y’know physically… didn’t answer me but I figured he’d solved it if he hasn’t mentioned it since. I heard someone say that if yer girl’s acting fussy then y’need to think about if you’ve been fuckin’ her right and well…” Y/N swallows the lump in her throat, stopping the shiver that threatens to rack her body at the idea of Atsumu thinking she’s his girl. “I was bein’ serious the other day. I know ya were mad so it wasn’t the best time to bring it up, but it seemed like the only good thing to say. Besides, ‘m not all that bad in bed, can ring up a few people if y’need a review.”

Y/N doesn’t respond with anything other than a forced huff of laughter, can't respond really. It feels too warm, she’s hoping that maybe this is some fever dream instead of reality. She just plays with her cup absentmindedly, not quite able to look the blond in the eyes despite the fact that his eyes are studying her face as if she holds all the answer to the questions the universe has. Him being bad in bed is the least of her worries, what if she’s bad? God she wants to say yes, maybe she’ll say yes - maybe it’d be good for her to finally get some di-

“Forget it, ‘m sorry. If it makes you uncomfortable then we don’t have to, sweetheart. I just -”

“I’m not uncomfortable.” Oh now she speaks. He looks at her, a wild look fixed on his face, almost as if he doesn’t believe the words that came out of her mouth. “It's just..” She throws her head back, face covered momentarily by some plant leaves. God she didn’t want to actually voice her thoughts but now she has no choice.

“It’s just what? If yer worried about the fuckin part, I can just get you off other ways. Get paid to be good with my hands -”

“Just shut up for once please, you’re ruining it.” He makes a show of zipping his lips, smiling as Y/N squares herself to him, stretching her neck as if she’s preparing for a fight, rather than speaking a coherent sentence.. “It's just that I don’t… dont wanna force you into thinking you have to ‘cos I’m being bitchy to you.. Like it’s not your problem to fix y’know and I just. Besides, don't wanna be the only one enjoying it, want you to like it too and … for fucks sake this is ridiculous. I just dunno I-”

Atsumu’s hand reaches out towards her, fingers stroking her knee in a comforting manner but it’s all but comforting to Y/N, who’s entire leg feels on fire at this small moment of skinship. “Shh, shh, no baby yer not forcing me to do anything. Don’t think that way - I-I wanna do it! I wan’ya to be happy and if this makes you happy then… And i mean if y’need more of a reason then think of it as a way for me to say sorry for cockblockin’ ya all the time.”

Y/N doesn’t say yes, but she also doesn’t outright decline. She can’t think of anything other than how, if she nodded her head, he’d give her everything she’d been wanting. Atsumu and Y/N stare at each other, moments pass and she’s sure that he’s going to take her stillness and silence as a no - but he just moves to grab her wine glass, moving it from her grasp to the table, shifting closer to her in the process. She holds her breath and he brings one of his hands towards her face, palming the side of her jaw in his warm hand, thumb rubbing at the plush skin of her lips. “Can I kiss ya? Maybe tha’s all ya need is a good kiss, yeah?” She nods, his hand moving to pluck at her bottom lip between his thumb and forefinger. “Got really nice lips, don’t you? ‘S so soft and wet, catch myself wanting to touch ‘em allot’' She inhales softly as he leans in, his hand sliding to the side of her neck and he litters soft kisses against her jaw. She whines softly when his mouth nears hers. “Shh, gonna kiss you in a minit.”

All Y/N can do is breath, mouth parted slightly as Atsumu drags his mouth over her face. His hand is so warm and big on her skin; he’s so close in her face that all she can do is inhale and smell him, making her dizzy with building warmth in her belly. They catch each other’s gaze, neither daring to blink away, before he tilts his head, pressing his mouth against hers softly at first. He doesn’t move to kiss her, just holds his lips over hers for a moment, as if giving her time to back away if she wants to; but when she doesn’t, he hums and pulls her head towards his more, lips moving in tandem. His hand slides from her cheek, worming its way towards the nape of her neck as he pulls her to him - he wastes no time in deepening the kiss, licking into her mouth with  fervor. And she lets him, moving into his lap as she relishes in the feeling of his tongue lazily swirling with her own; the new found position allows him to drag his hand down her back soothingly, her own hands sliding around his neck and up into his hair.

She parts with a soft gasp, whether it be for air or out of surprise she can’t tell. He whines momentarily, before nosing his way down towards her neck, pressing butterfly-light kisses at the flesh. She’s wiggling in his arms, and he laughs, the air ticking the soft bend of her collarbone. “Fuck, you’ve been holdin out on me. Tha’ was good right? A good kiss for ya?” All Y/N can do is nod, sliding her hand towards his face in hopes of bringing his lips back to hers. She can feel the smirk on his mouth when she presses their mouths together again, and maybe after she’d bitch him out about it but right now all she wants is to be suffocated by him.

Moments pass, the air filled with soft pants in between kisses and thickening arousal. Atsumu cards his fingers in her hair gently, mouth still against hers, free hand sneaking around Y/N’s front. She whines softly, to which he shushes her softly. “Shh you’re okay… just wanna feel ya.” He soothes her over by indulging her in soft kisses against her lips,   hand pushing up the front of her ratty t-shirt, snaking his hand past the waistband of her shorts into the confines of her (now too tight) underwear. Y/N shudders when he strokes lightly over her clit, before surpassing it completely and going to where a wet spot had been developing on the fabric. Plucking the damp cotton out of the way and letting the tips of two fingers rub over her weeping hole, “Oh.. this for me?”

A small noise crawls out of her throat, a mix between a moan, a whine, and surprise. “Don’t, ‘tsumu. It’s embarrassing..”

“Shh don’t be embarrassed. Just feels good to know I make ya feel good, baby.” Atsumu pulls his fingers from her, smiling when she whines at the loss of contact. But he’s able to soother her before she can get too fussy; one moment Y/N is on top of him, struggling to not rock against his thigh and relieve some of the pressure building up inside of her, the next Atsumu has her flipped over so her back, her body caged between the back of the sofa and his arms. A hand on either side of her head as he bends in, sweeps his tongue at a strip of salty skin just beneath her jaw. He hastily shoves up the shirt she’s wearing, revealing more of her and letting his hands graze over her breasts lightly at first before kneading them. She feels lightheaded while his mouth works on her throat, biting and sucking a bruise at the base of it that makes her gulp. Parting from the skin with a gentle kiss and a small, whispered comment of, “Taste so good, so soft and sweet. Been holding out on me, hmm?”

For the first time ever, Y/N has Atsumu in her arms and has no need to push him away - no, instead she’s holding onto him as if she’d die if he slipped away from her, her hands gripping his broad shoulders before sliding up into his hair as he makes his way down her body. He’s practically praising her - pressing wet, open mouthed kisses on her skin as he moves downwards, fingers making quick work of tugging her bottoms off, helping her kick out of them quickly and clumsily. She knows that Atsumu is not a patient man, but this is a whole other level of impatience. He’s pushing her thighs open, cold fingers squeezing at the soft flesh of her thighs as he scoots down to be at eye-level with the barest part of her, making sure her calves are hooked over his shoulders. Y/N can’t remember a time when she’s ever been in a more vulnerable position, but instead of shying away like her instincts would have her, she finds herself moving to better accommodate the man between her legs. Her eyes catch his caramel colored ones and her breath catches in her throat; he’s staring at her, enamored by her.

“Such a pretty little thing aren’t ya?” he murmurs, lips forming a gentle kiss on her inner thigh but before she can retort he gives one long, gentle swipe of his tongue directly up the middle of her folds. She gasps, face turned away from him and thighs threatening to close, but he shifts his hand to stop her, holding her in place. “Aht… don’t get shy now, lemme get a taste.”

It’s too much when he dives back in, skilled mouth a vicious match for his insatiable need to please. As he strokes his soft, wet tongue deeper and deeper between her slippery folds that part around him willingly. Y/N’s sure she’s moments away from swearing her undying fealty to whatever higher being put this on her plate for today.  Puckering his lips around her clit after stopping just before sucking on her until it was swollen and even greedier for his attention. Dipping his tongue inside of her hole, humming appreciatively against her and only feeding into the whimpering sounds filtering out of her mouth.

Embarrassingly, Y/N feels that she’s nearing her end - despite the shame of admitting that it's coming too fast, she feels the need to tell him anyway. “Hmph… g’na cum,” she chokes out, hoping that he heard her because all she can hear is the blood rushing in her ears. Every sense is suffocated by Atsumu’s presence, and she’s shameless as she lets every pant slip past her lips, feeding into Atsumu’s ego. “‘m so close, I need it. Need you to – to keep going please, ‘Tsumu”

And he does, gets her to the edge of her high before sliding his mouth away from her. The whine that falls past her lips is deafening, eyes opening and seeing that he’s just nuzzling her thigh, lips making light work at marking the soft flesh. “No, no you said… said you’d help.. Please I’m-” she’s hiccuping, tripping over her words numbly as she tries tugging his head back to where she’s most desperate for him.

He hums at her softly, almost patronizingly, as he places a kiss to the skin closest to his mouth. “Don’t cry pretty girl.. Won’t leave you hanging, ‘ts so warm down ‘ere… might have to stay forever, tha’ okay?” He is disgusting, filthy, so sinfully good. And true to his word, he goes back in without another word, only a small smile and his own hum that vibrates through her lower half. When he takes her clit back between his lips, it’s all she needs. Every tense muscle finally seizing to his maximum strain; it’s like she was a string that’d been stretched too far and finally frayed in the middle, snapping. She can hear her heartbeat thumping like a bass in her ears, can feel the way she’s twitching under Atsumu’s relentless movements, and it drowns out her own noises that she’s making.

Moments later, all that can be heard is her bated breathing, head completely empty and eyes heavy, flickering and fluttering with just how light she feels. Atsumu kisses his way back up to be face-to-face with her, making sure to peck gently at the marks he’d littered her skin with. His face is buried in the base of her throat, their arms tangled around each other lazily - Y/N feels too sleepy to protest the way that he’s pressing all his weight onto her; but isn’t too tired to realize that he’s hard when her hips wiggle to accommodate him between her legs, maybe has been the entire time, which confuses her slightly. Why would he be hard over her? She understands her total arousal over him since she bitched him into submission, but him? If anything, him being hard right now just proves, to Y/N at least, that maybe he would get it up with anything. But what if it is for you, her heart wonders briefly.

“‘Tsumu… are you-?”

“Shh, ‘ts alright. Let's get you to bed.” And he moves to slide off her, moving to guide the two of them to her bed, which was a feat on its own considering Y/N’s legs feel like jelly. All he can do is smile at her, taking in her relaxed face and mused hair. He settles her into bed, sliding up next to her and pulling her onto his chest, lips pressed into the crown of her head.  Before Y/N can even think of a way to say thank you, she feels sleep taking over, choosing instead to just indulge (for once) in the pseudo-domestic situation she’s in tonight.

The following morning, Y/N almost doesn’t want to wake up, isn’t ready to come to terms with whatever happened yesterday. Long gone is the lusty drunkenness from last night, but Atsumu...Atsumu is still fully there, lips pursed and arms shoved under the pillow - Y/N holds back the urge to trace her fingers along the lines of his arm. She russells around, hoping that sleep takes over her again so she can justify waking up wrapped around Atsumu - her attempts are futile though when she feels a firm squeeze at her side, cold fingers making her jump slightly.

“Wha’s wrong?”

She mumbles a barely coherent “nothing,” to which Atsumu just hums, snaking his arm over Y/N’s middle and pulling her towards him, chest to chest with his breath fanning over her face. She swears she could die a happy person now. Wants to have every morning be like this, him in her too small bed, squishing themselves together for warmth, just the sheer proximity is enough, she muses to herself. Apparently, Y/N is thinking just a little too loud this morning for Atsumu’s liking because he sighs softly, asking if she’s sure nothing is wrong.

“Mm ‘m fine. Jus’ tryna get comfortable, go back to sleep.”

“Can’t now, all yer wiggling woke me up” And before she can even retort, he shifts slightly, practically forcing his groin on her thigh, to which she squeaks softly. “Jus go back to sleep… too early for breakfast.”

“Bu- Tsumu.. Lemme..” she starts, shyly. She did have this inherent need to pay him back for what happened, and she can only equate his favor with something equally as...pleasurable?...fulfilling? She can’t find the right word but the most equal compensation for sex has to be more sex, right? The sleep in her bones is fully gone now, her hands sliding down his sides slowly, tentatively. “Please...wanna jus’-”

“Don’t have to, can just go to the rest- sh-shit.” He starts, his own hand reaching to stop hers but his movements stutter when she palms at his crotch, giving his bulge a full on grope. She shushes him softly, lips moving to peck his jaw softly as she snakes her hands past the tight confines of his underwear; and though she can’t see much of what is going on she can feel how thick Atsumu is. His hands have shifted slightly, one arm resting behind her and the other cupping her face, their lips tangled in kisses that feel too sweet and far from platonic.

Moments pass, and it's apparent that Y/N is moving much too slowly for Atsumu, him bucking into her hand and his hips rolling in uncalculated and sloppy movements. He whines softly when she pulls her lips off his, both softly gasping for air, but she shushes him, using the most minimal amount of strength to push him onto his back and settles between his massive thighs. By this point, once fully exposed in front of her, he's so hard that the foreskin is already drawn away from the head, tip slick and wet with precum. She’s gentle, wanting to preserve the quietness that comes with waking up at eight in the morning, as she presses a few open mouth kisses at the patch of hair below his belly button.

And it’s all over from here. Y/N ducked herself down, licking from the dip of his balls to his drippy head in one broad swipe. Y/N shudders softly at the whimper she’s able to pull out of the man above her, thinking that it’s probably the best noise she’d ever elicited from a man. Atsumu runs his fingers through her hair as she slides his head into her mouth, fingers deftly scraping at her scalp as she begins sucking. She sucks him like she wants to – like this was the most perfect way to spend every morning, with her blonde, dumb, stupid best friend stuffing her mouth. Both are still hazy with sleep, but that doesn’t stop Y/N from pulling him in deeper, hollowing her cheeks as she begins bobbing her head and moving her hand in tandem to stroke at what can’t fit in her mouth.

His fingers start to tangle in her hair rather than comb through it, his moans filling the room, punctuated with little encouragements that she hums at around him, like, “Tha’s it, there’s my good girl,” and through shaky laughs, “M'gonna cum if you keep doing that, baby.” Eventually, Y/N knows that he must be near his peak, but she pauses, eyes locking with his caramel colored ones, as she pulls her mouth away to let his length just rest on her tongue.

“Fuck yer pretty… so good aren’t ya?” He whisper-groans at her, gripping her hair a little harder when she tilts her head to the side, allow him to shallowly fuck himself between her lips, his thumb tracing the bulge his dick made in her cheek. “Need'a pull off if y'don’t wanna taste, baby… gettin so- fuck- so close.” He gives her hair a slight tug, like he might actually pull her off himself, but she doesn’t allow him; she just shifts her mouth, making light work of wrapping her lips around his tip, sucking greedily with and humming in protest around him. And it’s that that sends him over, twitching in her mouth as he sputters off shaky profanities before she feels shot after shot of white ropes hitting her tongue. Y/N can’t help but stare at him above her, relishing in the fact that this morning she gets to see him shake and shudder because of her.

Y/N pops off him gently, drawing back and humming at the lingering salty taste he’s left on her tongue. She graces the skin of his heaving abdomen with soft, fluttering kisses as she tucks him back into his underwear, before she crawls up his body, legs swinging to straddle his narrow hips. He’s got an arm thrown over his eyes, neck red and he seems almost bashful underneath her (which makes Y/N’s heart swell with adoration at just how him he is). She wiggles softly, folding her hands on his chest and laying her chin on them, waiting for him to say something to her. She blows a laugh through her nose when he finally looks down at her, eyes glimmering and lips pulled in the shyest smile she thinks she’s ever seen on him.

“You… yer good. Too good… just wow.”

---

Suffice to say lots has happened in the week following the pair quite literally eating their hearts out.

Firstly, Atsumu spent nearly every evening at her apartment that week. He waited every single day outside of her office building - her coworkers have taken to telling her how lucky she is that she has a man waiting for her with this whipped look on her face, but she swears up and down (with warm cheeks) that it's not like that. They eat dinner, alternating between picking up something on the way or cooking together - and by cooking, just picture Atsumu cutting vegetables in uneven chunks while Y/N scolds him for not adding enough water to the rice cooker. Normally this could happen: it's not super rare that they visit each other during the week if it's convenient - what is definitely not in the norm is the fact that Atsumu has buried himself between Y/N’s thighs thrice this week. It starts when Y/N looks too stressed on Tuesday evening, that Atsumu pulls her legs over his lap in an attempt to “massage some of the stress away,” which only leads to him manhandling her onto her back, promising to give her something else to cry about besides work.

Secondly, Osamu thought it would be best to alert Y/N that Atsumu had a very awkward conversation with a woman during lunch on Thursday - it was secretly his way of asking her to ask Atsumu what happened because both Y/N and Osamu were terrible gossips who feed off each other. When Y/N asked though, all Atsumu said was that the whole conversation didn’t matter, that the woman (who Y/N learned was actually Michimiya) wanted more than Atsumu was able to give to her. That their lives weren’t in sync or whatever, that they’d eventually manage to be co-workers at best. To say that Y/N wasn’t elated at the news would be a bold-faced lie.

Y/N feels on cloud nine, feels like she doesn’t even need to have a conversation with Atsumu about what their situation is currently. She gets to reap all the benefits of a relationship now, she’s physically taken care of and emotionally spoiled. Only thing she’s actually missing is the title but what's in a word, right?Atsumu wasn’t a natural flirt, always hid compliments behind a harsh delivery - but lately he’s taken to drowning Y/N in compliments, even the corny ones. Y/N expected a post-nut “god yer pretty,” but what occasionally caught her off was when he would open the door for her (normal) and say that “a pretty gal like you should never hafta touch a handle” (not normal). Subconsciously, Y/N feels like he’s only trying to compliment his way into her pants, but she chooses to ignore the way he coos at “just how gorgeous her eyes are” when he makes eye contact with her during a midnight snack.

On the second Thursday following the start of the Y/N-Astumu situationship, Y/N has no choice really other than to ask Atsumu what’s going on with them. They’re at the grocery store by his place (he’d convinced her to take the following day off work and spend the night with him), everything is more than normal when the pair’s conversation gets interrupted by a literal model-esque person, touching Atsumu’s shoulder. Y/N tries to sneak her hand from his arm, but he grasps her hand before she can get too far, looking at the stranger with a less-than-friendly expression.

“Oh Miya! I’m a huge fan, would you mind taking a photo with me?” He indulges his fan, never letting go of Y/N’s hand, even as she steps out of the camera’s focus. The stranger parts with a grateful smile to both Atsumu and Y/N, which feels unnecessary, but Y/N returns anyway. The friends continue their shopping trip before making the trek to Atsumu’s apartment building. Y/N is quiet, in her head about the whole fan interaction that lasted a total of five minutes, but Atsumu says nothing - even stays quiet until the pair are up in his apartment.

“Everything okay? Not bored of me are ya?”

She smiles weakly at him, settling to rest against his kitchen counter. “It’s just… I- nevermind it’s stupid.” She shakes her head, hand waving in front of her as if trying to shoo away the negative cloud above her head. But Atsumu quickly grabs her hand, pulling her into the space between his arms.

“It’s not stupid if ‘s how yer feeling.. What’s up?”

“Okay…” She starts, pushing away from his chest to give herself some literal and mental space. He crosses his arms over his chest, leaning back at the opposite counter to Y/N, who's mirroring his stance except her head is thrown back, eyes searching his ceiling for the right words to come next. “Are you always like… this… with the girls who give you head?” When she looks at him, his head is tilted to the left in confusion, making her huff anxiously. “Okaaay.. you’ve complimented me more in the past three weeks than any other person has in my entire life… is that normal for you to do with the girls hooking up with you or am I the exception? It’s not a big deal.. It’s just that you -”

“I compliment you because you deserve to be complimented, sweetheart… but if it makes you uncomfortable then I can stop.” He cuts in, before he uncrosses his arms, palms gripping at the counter behind him. “As for the whole hooking up part… is that what you want this to be? ‘Cos we can do that, up to you Y/N, I’ll take whatever you’re willing to give -”

“But why? Until three weeks ago I was under the impression that I wasn’t your ‘type’ or whatever so why now are you suddenly on board with taking whatever I give you?”

He laughs, and Y/N wants to cry. Why wasn’t he taking this seriously? Y/N is good at feeling her feelings, but has a hard time clearly expressing those feelings into words.

“Don’t laugh a-”

“Who told you what my type was? If it was ‘Samu or Omi I swear I’ll -”

“You did. You said I wasn’t your type.” He balks, eyes wide and riddled with trying to think about when he said it. “It was forever ago, but you said it. You came back from Germany, I picked you up and ‘Samu had called while I went to the restroom and well.. I overheard you say-”

“Yer an idiot, made an assumption before ya knew the whole truth, baby. I was talking about this photographer that I was kinda seein’ at the time. M’brother asked why if she’d get mad that I chose to see you fresh off the plane instead of her, said it didn’t matter because she wasn’t my type.”

Y/N wishes that the floor of his ridiculously priced apartment would swallow her whole, or that if she pushed the right buttons on his fancy microwave she’d be able to rewind life to five minutes ago when she decided to start this conversation. Frankly, she feels silly and like she shouldn’t say anything else - she knows that her words conveyed a little bit of insecurity that she’s sure Atsumu doesn’t want to have to deal with.

A beat passes before both Y/N and Atsumu open their mouths, but he’s able to get out the words first. “You really thought that you weren’t my type?” Fuck his smug little desbelieving smile.

“Don’t gimme that look - you’re usually spotted around the globe with gorgeous people… ‘s it really wrong of me to assume that I wasn’t your type? Besides,” she starts, arms crossed around her middle while Atsumu takes a tentative step to close the gap between them. “It's not that it matters now since, y’know I know that it's not true.. Just hurt my feelings at the time and well…”

“You were supposed to be the smart one between us, got the college degree ‘n everythin.” He teases, arms reaching to rest on her waist. “For someone so smart you really missed all the signs huh? Why do you think I stepped in every time some guy tried to talk t’ya? Why d’ya think that I tried to take up all your weekend time, don’t get me wrong I love spendin’ time with ya but also didn’t wanna see you goin out with any guys you’d met when I wasn’t around.” By this point he’s got her chin in his hand, ducking his head slightly to make her look at him fully. “And why the hell would I eat you out at every possible opportunity once I’ve been given the okay? Just because I get thrown it all the time by others doesn’t mean that I eat out every -”

“Alright, alright. You can shut up now. I get it, I’m dumb. I just didn’t think -”

“Oh you got tha’ right - didn’t think at all did ya?” She groans, throwing her head back. She’ll never be able to get the image of his smug face out of her head, never going to be able to live down how for once in their years long friendship Atsumu was smarter than her. All he can do though is laugh, pulling her face back down to his and giving her forehead a soft kiss, making her stomach erupt with flutters.

“If you tell anyone about this conversation, I swear to god Miya I’ll-”

“Shh it’s always gotta be a threat with you huh? Why can’t you just admit that you were stupid for once?”

“Not happening.”

“Not even if it means you’re stupidly in like with me”

“No, because I’m not stupidly in like with you… I just adore your stupid self more than I’d ever admit in front of anyone else.”

He laughs, bumping his nose against her with a laugh before kissing her softly. Everything is great, life is great. Y/N loves Atsumu and Atsumu loves her, and she isn’t some sad, movie cliché any longer. She’s got this gorgeous guy who practically worships her, so freely giving himself to her. He pulls away from kissing her for a second, taking a moment to appreciate the way that her eyes are closed happily.

“Just so y’know… I adore you too.” Kiss. “But you are never allowed to call me stupid again… from now on I’m the smart one in this relationship.”

A/N pt2: and so that’s it hehe. thank you sm for reading I hope you enjoyed it. any little comments you have in the tags would be nice to read or yeah. this is my side blog so like hgjdgsh if I respond to you it’s gonna be from my main haha

[xoruffitup]

Annette: The AD Devotee Review

So I saw Annette on its premiere night in Cannes and I’m still trying to process and make sense of those 2.5 hours of utter insanity. I have no idea where to begin and this is likely going to become an unholy length by the time I’m finished, so I apologize in advance. But BOY I’ve got a lot to parse through!!

Let’s start here: Adam’s made plenty of weird movies. The Dead Don’t Die? The Man Who Killed Don Quixote? There are definitely Terry Gilliam-esque elements of the unapologetically absurd and fantastical in Annette, but NOTHING comes close to this film. To put it bluntly, nothing I write in this post can prepare you for the eccentric phantasmagoria you’re about to sit through.

While the melodies conveying the story – at times lovely and haunting, at times whimsical, occasionally blunt and simple – add a unique sense of the surreal, the fact that it’s all presented in song somehow supplies the medium for this bizarre concoction of disparate elements and outlandish storytelling to all coalesce into a single genre-defying, disbelief-suspending whole. That’s certainly not to say there weren’t a few times when I quietly chortled to myself and mouthed “what the fuck” from behind my mask when things took an exceeding turn to the outrageous. This movie needs to be permitted a bit of leeway in terms of quality judgments, and traditional indicators certainly won’t apply. I would say part of its appeal (and ultimately its success) stems from its lack of interest in appealing to traditional arbiters of film structure and viewing experience. The movie lingers in studies of discomfiture (I’ll return to this theme); it presents all its absurdities with brazen pride rather than temperance; and its end is abrupt and utterly jarring. Yet somehow, at the end of it, I realized I’d been white-knuckling that rollercoaster ride the whole way through and loved every last twist and turn.

A note on the structure of this post before I dive in: I’ve written out a synopsis of the whole film (for those spoiler-hungry people) and stashed it down at the bottom of this post, so no one trying to avoid spoilers has to scroll through. If you want to read, go ahead and skip down to that before reading the discussion/analysis. If I have to reference a specific plot point, I’ll label it “Spoiler #___” and those who don’t mind being spoiled can check the correlating numbers in my synopsis to see which part I’m referencing. Otherwise, my discussion will be spoiler-free! I do detail certain individual scenes, but hid anything that would give away key developments and/or the ending.

To start, I’ll cut to what I’m sure many of you are here for: THE MUSICAL SEX SCENES. You want detailed descriptions? Well let’s fucking go because these scenes have been living in my head rent-free!!

The first (yes, there are two. Idk whether to thank Mr. Carax or suggest he get his sanity checked??) happens towards the end of “We Love Each Other So Much.” Henry carries Ann to the bed with her feet dangling several inches off the floor while she has her arms wrapped around his shoulders. (I maybe whimpered a tiny bit.) As they continue to sing, you first see Ann spread on her back on the bed, panting a little BUT STILL SINGING while Henry’s head is down between her thighs. The camera angle is from above Ann’s head, so you can clearly see down her body and exactly what’s going on. He lifts his head to croon a line, then puts his mouth right back to work. 

And THEN they fuck – still fucking singing! They’re on their sides with Henry behind her, and yes there is visible thrusting. Yes, the thrusting definitely picks up speed and force as the song reaches its crescendo. Yes, it was indeed EXTREMELY sensual once you got over the initial shock of what you’re watching. Ann kept her breasts covered with her own hands while Henry went down on her, but now his hands are covering them and kneading while they’re fucking and just….. It’s a hard, blazing hot R rating. I also remember his giant hand coming up to turn her head so he can kiss her and ladkjfaskfjlskfj. Bring your smelling salts. I don’t recommend sitting between two older ladies while you’re watching – KINDA RUINED THE BLATANT, SMOKING HOT ADAM PORN FOR ME. Good god, choose your viewing buddy wisely!

The second scene comes sort of out of nowhere – I can’t actually recall which song it was during, but it pops up while Ann is pregnant. Henry is again eating her out and there’s not as much overt singing this time, but he has his giant hands splayed over her pregnant belly while he’s going to town and whew, WHEW TURN ON THE AIR CONDITIONING PLEASE. DID THE THEATER INCREASE IN TEMPERATURE BY 10 DEGREES, YOU’RE DAMN RIGHT IT DID.

Whew. I think you’ll be better primed to ~enjoy~ those scenes when you know they’re coming, otherwise it’s just so shocking that by the time you’ve processed “Look at Adam eating pussy with reckless abandon” it’s halfway over already. God speed, my fellow rats, it’s truly something to witness!!

Okay. Right. Ahem. Moving right on along….

I’ll kick off this discussion with the formal structure of the film. It’s honestly impossible to classify. I have the questionable fortune of having been taken to many a strange avant-garde operas and art exhibitions by my parents when I was younger, and the strongest parallel I found to this movie was melodramatic opera stagings full of flamboyant flourishes, austere set pieces, and prolonged numbers where the characters wallow at length in their respective miseries. This movie has all the elevated drama, spectacle, and self-aggrandizement belonging to any self-professed rock opera. Think psychedelic rock opera films a la The Who’s Tommy, Hair, Phantom of the Paradise, and hell, even Rocky Horror. Yes, this film really is THAT weird.

But Annette is also in large part a vibrant, absurdist performance piece. The film is intriguingly book-ended by two scenes where the lines blur between actor and character; and your own role blurs between passive viewer and interactive audience. The first scene has the cast walking through the streets of LA (I think?), singing “So May We Start?” directly to the camera in a self-aware prologue, smashing the fourth wall from the beginning and setting up the audience to play a direct role in the viewing experience. Though the cast then disburse and take up their respective roles, the sense of being directly performed to is reinforced throughout the film. This continues most concretely through Henry’s multiple stand-up comedy performances.

Though he performs to an audience in the film rather than directly to live viewers, these scenes are so lengthy, vulgar, and excessive that his solo performance act becomes an integral part of defining his character and conveying his arc as the film progresses. These scenes start to make the film itself feel like a one-man show. The whole shtick of Henry McHenry’s “Ape of God” show is its perverse irreverence and swaggering machismo. Over the span of what must be a five minute plus scene, Henry hacks up phlegm, pretends to choke himself with his microphone cord, prances across the stage with his bathrobe flapping about, simulates being shot, sprinkles many a misanthropic, charmless monologues in between, and ends by throwing off his robe and mooning the audience before he leaves the stage. (Yes, you see Adam’s ass within the film’s first twenty minutes, and we’re just warming up from there.) His one-man performances demonstrate his egocentrism, penchant for lowbrow and often offensive humor, and the fact that this character has thus far profited from indulging in and acting out his base vulgarities.

While never demonstrating any abundance of good taste, his shows teeter firmly towards the grotesque and unsanctionable as his marriage and mental health deteriorate. This is what I’m referring to when I described the film as a study in discomfiture. As he deteriorates, the later iterations of his stand-up show become utterly unsettling and at times revolting. The film could show mercy and stop at one to two minutes of his more deranged antics, but instead subjects you to a protracted display of just how insane this man might possibly be. In Adam’s hands, these excessive, indulgent performance scenes take on disturbing but intriguing ambiguity, as you again wonder where the performance ends and the real man begins. When Henry confesses to a crime during his show and launces into an elaborate, passionate reenactment on stage, you shift uncomfortably in your seat wondering how much of it might just be true. Wondering just how much of an animal this man truly is.

Watching this film as an Adam fan, these scenes are unparalleled displays of his range and prowess. He’s in turns amusing and revolting; intolerable and pathetic; but always, always riveting. I couldn’t help thinking to myself that for the casual, non Adam-obsessed viewer, the effect of these scenes might stop at crass and unappealing. But in terms of the sheer range and power of acting on display? These scenes are a damn marvel. Through these scenes alone, his performance largely imbues the film with its wild, primal, and vaguely menacing atmosphere.

His stand-up scenes were, to me, some of the most intense of the film – sometimes downright difficult to endure. But they’re only a microcosm of the R A N G E he exhibits throughout the film’s entirety. Let’s talk about how he’s animalistic, menacing, and genuinely unsettling to watch (Leos Carax described him as “feline” at some point, and I 100% see it); and then with a mere subtle twitch of his expression, sheen of his eyes, or slump of his shoulders, he’s suddenly a lost, broken thing.  

Henry McHenry is truly to be reviled. Twitter might as well spare their breath and announce he’s already cancelled. He towers above the rest of the cast with intimidating, predatory physicality; he is prone to indulgence in his vices; and he constantly seems at risk of releasing some wild, uncontrollable madness lingering just beneath his surface. But as we all well know, Adam has an unerring talent for lending pathos to even the most objectively condemnable characters.

In a repeated refrain during his first comedy show, the audience keeps asking him, “Why did you become a comedian?” He dodges the question or gives sarcastic answers, until finally circling back to the true answer later in the film. It was something to the effect of: “To disarm people. It’s the only way I can tell the truth without it killing me.” Even for all their sick spectacle, there are also moments in his stand-up shows of disarming vulnerability and (seeming) honesty. In a similar moment of personal exposition, he confesses his temptation and “sympathy for the abyss.” (This phrase is hands down my favorite of the film.) He repeatedly refers to his struggle against “the abyss” and, at the same time, his perceived helplessness against it. “There’s so little I can do, there’s so little I can do,” he sings repeatedly throughout the film - usually just after doing something horrific.

Had he been played by anyone else, the first full look of him warming up before his show - hopping in place and punching the air like some wannabe boxer, interspersing puffs of his cigarette with chowing down on a banana – would have been enough for me to swear him off. His archetype is something of a cliché at this point – a brusque, boorish man who can’t stomach or preserve the love of others due to his own self-loathing. There were multiple points when it was only Adam’s face beneath the character that kept my heart cracked open to him. But sure enough, he wedged his fingers into that tiny crack and pried it wide open. The film’s final few scenes show him at his chin-wobbling best as he crumbles apart in small, mournful subtleties.

(General, semi-spoiler ahead as to the tone of the film’s ending – skip this paragraph if you’d rather avoid.) For a film that professes not to take itself very seriously (how else am I supposed to interpret the freaky puppet baby?), it delivers a harsh, unforgiving ending to its main character. And sure enough, despite how much I might have wanted to distance myself and believe it was only what he deserved, I found myself right there with him, sharing his pain. It is solely testament to Adam’s tireless dedication to breathing both gritty realism and stubborn beauty into his characters that Henry sank a hook into some piece of my sympathy.

Not only does Adam have to be the only actor capable of imbuing Henry with humanity despite his manifold wrongs, he also has to be the only actor capable of the wide-ranging transformations demanded of the role. He starts the movie with long hair and his full refrigerator brick house physique. His physicality and size are actively leveraged to engender a sense of disquiet and unpredictability through his presence. He appears in turns tormented and tormentor. There were moments when I found myself thinking of Conan the Barbarian, simply because his physical presence radiates such wild, primal energy (especially next to tiny, dainty Marion and especially with that long hair). Cannot emphasize enough: The raw sex appeal is off the goddamn charts and had me – a veteran fangirl of 3+ years - shook to my damn core.

The film’s progression then ages him – his hair cut shorter and his face and physique gradually becoming more gaunt. By the film’s end, he has facial prosthetics to make him seem even more stark and borderline sickly – a mirror of his growing internal torment. From a muscular, swaggering powerhouse, he pales and shrinks to a shell of a man, unraveling as his face becomes nearly deformed by time and guilt. He is in turns beautiful and grotesque; sensual and repulsive. I know of no other actor whose face (and its accompanying capacity for expressiveness) could lend itself to such stunning versatility.

Quick note here that he was given a reddish-brown birthmark on the right side of his face for this film?? It becomes more prominent once his hair is shorter in the film’s second half. I’m guessing it was Leos’ idea to make his face even more distinctive and riveting? If so, joke’s on you, Mr. Carax, because we’re always riveted. ☺

I mentioned way up at the beginning that the film is bookended by two scenes where the lines blur between actor and character, and between reality and performance. This comes full circle at the film’s end, with Henry’s final spoken words (this doesn’t give any plot away but skip to the next paragraph if you would rather avoid!) being “Stop watching me.” That’s it. The show is over. He has told his last joke, played out his final act, and now he’s done living his life as a source of cheap, unprincipled laughs and thrills for spectators. The curtain closes with a resounding silence.

Now, I definitely won’t have a section where I talk (of course) about the Ben Solo parallels. He’s haunted by an “abyss” aka darkness inside of him? Bad things happened when he finally gave in and stared into that darkness he knew lived within him? As a result of those tragedies, (SPOILER – Skip to next paragraph to avoid) he then finds himself alone and with no one to love or be loved by? NO I’M DEFINITELY NOT GOING TO TALK ABOUT IT AT ALL, I’M JUST FINE HERE UNDER MY MOUNTAINS OF TISSUES.

Let’s talk about the music! The film definitely clocks in closer to a rock opera than musical, because almost the entire thing is conveyed through ongoing song, rather than self-contained musical numbers appearing here and there. This actually helps the film’s continuity and pacing, by keeping the characters perpetually in this suspended state of absurdity, always propelled along by some beat or melody. Whenever the film seems on the precipice of tipping all the way into the bleak and dark, the next whimsical tune kicks in to reel us all blessedly back. For example, after (SPOILER #1) happens, there’s a hard cut to the bright police station where several officers gather around Henry, bopping about and chattering on the beat “Questions! We have a few questions!”

Adam integrates his singing into his performance in such a way that it seems organic. I realized after the film that I never consciously considered the quality of his singing along the way. For all that I talked about the film maintaining the atmosphere of a fourth wall-defying performance piece, Adam’s singing is so fully immersed in the embodiment of his character that you almost forget he’s singing. Rather, this is simply how Henry McHenry exists. His stand-up scenes are the only ones in the film that do frequently transition back and forth between speaking and singing, but it’s seamlessly par for the course in Henry’s bizarre, dour show. He breaks into his standard “Now laugh!” number with uninterrupted sarcasm and contempt. There were certainly a few soft, poignant moments when his voice warbled in a tender vibrato you couldn’t help noticing – but otherwise, the singing was simply an extension of that full-body persona he manages to convey with such apparent ease and naturalism.

On the music itself: I’ll admit that the brief clip of “We Love Each Other So Much” we got a few weeks ago made me a tad nervous. It seemed so cheesy and ridiculous? But okay, you really can’t take anything from this movie out of context. Otherwise it is, indeed, utterly ridiculous. Not that none of it is ever ridiculous in context either, but I’m giving you assurances right now that it WORKS. Once you’re in the flow of constant singing and weirdness abound, the songs sweep you right along. Some of the songs lack a distinctive hook or melody and are moreso rhythmic vehicles for storytelling, but it’s now a day later and I still have three of the songs circulating pleasantly in my head. “We Love Each Other So Much” was actually the stand out for me and is now my favorite of the soundtrack. It’s reprised a few times later in the film, growing increasingly melancholy each time it is echoed, and it hits your heart a bit harder each time. The final song sung during (SPOILER #2), though without a distinctive melody to lodge in my head, undoubtedly left me far more moved than a spoken version of this scene would have. Adam’s singing is so painfully desperate and earnest here, and he takes the medium fully under his command.

Finally, it does have to be said that parts of this film veer fully towards the ridiculous and laughable. The initial baby version of the Annette puppet-doll was nothing short of horrifying to me. Annette gets more center-stage screen time in the film’s second half, which gives itself over to a few special effects sequences which look to be flying out at you straight from 2000 Windows Movie Maker. The scariest part is that it all seems intentional. The quality special effects appear when necessary (along with some unusual and captivating time lapse shots), which means the film’s most outrageous moments are fully in line with its guiding spirit. Its extravagant self-indulgence nearly borders on camp.

...And with that, I’ve covered the majority of the frantic notes I took for further reflection immediately after viewing. It’s now been a few days, and I’m looking forward to rewatching this movie when I can hopefully take it in a bit more fully. This time, I won’t just be struggling to keep up with the madness on screen. My concluding thoughts at this point: Is it my favorite Adam movie? Certainly not. Is it the most unforgettable? Aside from my holy text, The Last Jedi, likely yes. It really is the sort of thing you have to see twice to even believe it. And all in all, I say again that Adam truly carried this movie, and he fully inhabits even its highest, most ludicrous aspirations. He’s downright abhorrent in this film, and that’s exactly what makes him such a fucking legend.

I plan to make a separate post in the coming days about my experience at Cannes and the Annette red carpet, since a few people have asked! I can’t even express how damn good it feels to be globetrotting for Adam-related experiences again. <3

Thanks so much for reading! Feel free to ask me any further questions at all here or on Twitter! :)

*SYNOPSIS INCLUDED BELOW. DO NOT READ FURTHER IF AVOIDING SPOILERS!*

Synopsis: Comedian Henry McHenry and opera singer Ann Defrasnoux are both at the pinnacle of their respective success when they fall in love and marry. The marriage is happy and passionate for a time, leading to the birth of their (puppet) daughter, Annette. But tabloids and much of the world believe the crude, brutish Henry is a poor match for refined, idolized Ann. Ann and Henry themselves both begin to feel that something is amiss – Henry gradually losing his touch for his comedy craft, claiming that being in love is making him ill. He repeatedly and sardonically references how Ann’s opera career involves her “singing and dying” every night, to the point that he sees visions of her “dead” body on the stage. Meanwhile, Ann has a nightmare of multiple women accusing Henry of abusive and violent behavior towards them, and she begins growing wary in his presence. (He never acts abusively towards her, unless you count that scene when he tickles her feet and licks her toes while she’s telling him to stop??? Yeah I know, WILD.)

The growing sense of unease, that they’re both teetering on the brink of disaster, culminates in the most deranged of Henry’s stand-up comedy performances, when he gives a vivid reenactment of killing his wife by “tickling her to death.” The performance is so maudlin and unsettling that you wonder whether he’s not making it up at all, and the audience strongly rebukes him. (This is the “What is your problem?!” scene with tiddies out. The full version includes Adam storming across the stage, furiously singing/yelling, “What the FUCK is your problem?!”) But when Henry arrives home that night, drunk and raucous, Ann and Annette are both unharmed.

The couple take a trip on their boat, bringing Annette with them. The boat gets caught in a storm, and Henry drunkenly insists that he and Ann waltz in the storm. She protests that it’s too dangerous and begs him to see sense. (SPOILER #1) The boat lurches when Henry spins her, and Ann falls overboard to her death. Henry rescues Annette from the sinking boat and rows them both to shore. He promptly falls unconscious, and a ghost of Ann appears, proclaiming her intention to haunt Henry through Annette. Annette (still a toddler at this point and yes, still a wooden puppet) then develops a miraculous gift for singing, and Henry decides to take her on tour with performances around the world. He enlists the help of his “conductor friend,” who had been Ann’s accompanist and secretly had an affair with her before she met Henry.

Henry slides further into drunken debauchery as the tour progresses, while the Conductor looks after Annette and the two grow close. Once the tour concludes, the Conductor suggests to Henry that Annette might be his own daughter – revealing his prior affair with Ann. Terrified by the idea of anyone finding out and the possibility of losing his daughter, Henry drowns the Conductor in the pool behind his and Ann’s house. Annette sees the whole thing happen from her bedroom window.

Henry plans one last show for Annette, to be held in a massive stadium at the equivalent of the Super Bowl. But when Annette takes the stage, she refuses to sing. Instead, she speaks and accuses Henry of murder. (“Daddy kills people,” are the actual words – not that that was creepy to hear as this puppet’s first spoken words or anything.)

Henry stands trial, during which he sees an apparition of Ann from when they first met. They sing their regret that they can’t return to the happiness they once shared, until the apparition is replaced by Ann’s vengeful spirit, who promises to haunt Henry in prison. After his sentencing (it’s not clear what the sentence was, but Henry definitely isn’t going free), Annette is brought to see him once in prison. Speaking fully for the first time, she declares she can’t forgive her parents for using her: Henry for exploiting her voice for profit and Ann for presumably using her to take vengeance on Henry. (Yes, this is why she was an inanimate doll moving on strings up to this point – there was some meaning in that strange, strange artistic choice. She was the puppet of her parents’ respective egotisms.) The puppet of Annette is abruptly replaced by a real girl in this scene, finally enabling two-sided interaction and a long-missed genuine connection between her and Henry, which made this quite the emotional catharsis. (SPOILER #2) It concludes with Annette still unwilling to forgive or forget what her parents have done, and swearing never to sing again. She says Henry now has “no one to love.” He appeals, “Can’t I love you, Annette?” She replies, “No, not really.” Henry embraces her one last time before a guard takes her away and Henry is left alone.

…..Yes, that is the end. It left me with major emotional whiplash, after the whole film up to this point kept pulling itself back from the total bleak and dark by starting up a new toe-tapping, mildly silly tune every few minutes. But this last scene instead ends on a brutal note of harsh, unforgiving silence.

BUT! Make sure you stick around through the credits, when you see the cast walking through a forest together. (This is counterpart to the film’s opening, when you see the cast walking through LA singing “So May We Start?” directly to the audience) Definitely pay attention to catch Adam chasing/playing with the little girl actress who plays Annette! That imparts a much nicer feeling to leave the theater with. :’)

[stomp-that-ho-regard]

Retcon

noun

(in a film, television series, or other fictional work) a piece of new information that imposes a different interpretation on previously described events, typically used to facilitate a dramatic plot shift or account for an inconsistency.

verb

revise (an aspect of a fictional work) retrospectively, typically by introducing a piece of new information that imposes a different interpretation on previously described events.

Retroactive Continuity

Reframing past events to serve a current plot need. [...] In its most basic form, this is any plot point that was not intended from the beginning. [...]

Post-hiatus C2, and the Great Retcon... 

(The retconning really started with the playlists, but we’ll come back to those.)

First, some context:

SDCC (July ‘18) - Marisha was asked directly about Beau and Yasha and if she and Ashley had discussed it. “After the first few times that I kinda put the moves on her, we were at break, and I could sense that Ashley was wanting to ask me something. And she was like, ‘Hey, I’m just curious... is Beau- ’ And at that exact moment someone’s like, ‘Yo Ashley! We gotta go! We gotta get on stage!’ And I was like, ‘Bye!’” Then Brian asked, “And you haven’t had a further conversation about it?” Marisha said, “Nope!”

(Seven months into the campaign, and no discussions. Hmm.)

NYCC (Oct. ‘18) - Marisha was asked about who would Beau get flustered over if they ever flirted back, and yes, she said Yasha and laughed, but then said, “It’s like throwing pebbles at a brick wall.” Meaning, she was putting stuff out there and not getting anything back. (And, she really wasn’t. I still remember when a major portion of the fandom, including the diehard shippers [of which I was one at the time], weren’t sure if Ashley was even interested in this. More than that, it wasn’t until the Zuala reveal, that the fandom and the players found out for certain that Yasha was actually into women.) 

(To me, Marisha’s answer here also suggests that at this point, there were still no discussions.)

Talks Machina for ep61 (May ‘19) - Marisha was asked ‘What was going through Beau's mind when Yasha revealed her past with Zuala? Has this changed any feelings Beau might have? Or has Beau's character growth allowed her to mature a little more with regards to her feelings about Yasha?’ Which Marisha instantly pegged as a shipping question. And she said, “I’m trying to figure out a way to answer this to not ruin everyone’s internal canon, in their brains. I don’t want people to overestimate Beau’s intentions towards Yasha. But then also, is that on me? Have I been leading everybody on?”

So, you had all of that, all the way up to ep61.

None of this indicates that ‘it’s been happening since ep1′ or that it’s ‘the slowest of slow burns.’ In fact, it shuts that down completely.

Moving forward to the Beau and Fjord convo (ep108)...

Marisha suddenly having Beau say “There was something about Yasha from the moment that I saw her”. She’s retrospectively attempting to give that moment more weight, when (based on the examples above) we know that the over-the-top flirting was just for fun. And truthfully, she really wasn’t flirting with Yasha any differently than she was flirting with any hot female NPC the party crossed paths with.

And now it’s clear that that one line she said is the reason why BY shippers have suddenly clung on to the idea that “It’s been happening since episode one! SLOooOowBuUuuUrn!!!!!” when its clear that it was not planned. (Not before the hiatus-from-hell, anyway.)

Then Marisha having Beau go from describing Jester as “She's fun. She makes me laugh. I like her ridiculous plans. I think she's complicated and layered.” to “It’s easy to lust after her”. I’ll direct you to Talks for ep85. After Marisha had mentioned that it was a bunch of little things that build, and then pinpointed a few of them, Brian tried to make a joke and said “So you’re saying it’s been more a series, than just one moment that you can point to and say ‘It was right here when I went, let’s fuck!’” Marisha specifically countered that with “It’s not even about 'let’s fuck’. It’s nothing sexual in this case.” (Having her backpedal on this so heavily was such a huge gut punch and was the thing that wholly soured everything for me.)

There were so many better, more delicate ways Marisha could’ve had Beau examine/come to grips with her feelings for both women, but all the reduction and saying they were ‘transferable’ was nothing short of insulting.

On that same Talks episode, Marisha also said this: “Going into this campaign all of us were like, ‘No relationships!’ I didn’t want it! I didn’t ask for this!”, while smiling. What this shows me is that she was thinking of a relationship in regards to Beau’s feelings for Jester. As if she was maybe even anticipating this culminating into something? Why even mention relationships at all if this was nothing serious and was always meant to fall by the wayside?

Brian then followed up with, “In my opinion, as a viewer, Beau’s someone who seems to be on the search for innocence. Whether innocence lost or just innocence in general. And to me it makes sense that you would be attracted to someone who exudes genuine and sort of intrinsic innocence.” Marisha replied with “Fairly astute.”

The next question was, ‘Beau has taken a pretty casual, no-strings-attached approach toward sex and relationships so far. How do her feelings for Jester compare to her previous romantic flings?’ Marisha answered immediately and very seriously with, “Noncomparable. It’s more than that.” She wasn’t playing coy and it didn’t take her a century to find the words. She didn’t even have to think about it. Succinct and direct.

How did all of that ‘organically’ disappear completely, after only 14 episodes?

(Everything felt more genuine back then, because it seemed like Marisha was going where the character was taking her, and not where she thought the character should be going.)

Post-hiatus, everyone and their mother are acting like BY is some epic romance-of-the-ages that was all mapped out, and like Beau having feelings for Jester was just some sort of temporary curveball. That Beau was confused, or was just missing Yasha and projected onto Jester. 

That’s really fucked up no matter how you try to justify it. I honestly don’t think I’ve ever seen another piece of media backpedal this hard, and this callously.

None of that squares with what we were shown or with what we were told. Until, everybody made a hard pivot and now they've done (and continue to) do everything they can to rewrite campaign history, even though we have plenty of footage that contradicts the new ‘company line’.

Now, where the retconning truly began, with the playlists...

Remember the first round of playlists? Those were released randomly, whenever the cast felt like posting them. I also don’t remember there being announcements every time one came out either.

This time though, they had a fixed schedule, complete with official twitter announcements. As they started to just get back into the swing of things, Yasha’s playlist was released right after the first episode back.

So, right out of the gate, they had to make sure they started to drill home a certain mindset for viewers. That’s why Yasha had a song called ‘Let Me Hold You’. (Lo and behold, a few episodes in, Beau randomly asks Yasha to hold her.)  A few weeks later, Beau’s playlist was released, and there was a song with the caption saying ‘Ultimately, all she really wants is someone to hold, and someone to hold her’. (But sure, no planning here! The wording is just a total coincidence, folks!)  

The other song, directly about Yasha, mentions ‘a crush forged in battle’ (ok), and ‘awkward flirtations’ (???). Yasha never openly flirted with Beau before the hiatus, until maybe right after the Obann arc, in a very vague way.

On Beau’s playlist, there’s nothing about Jester. The one track that mentions her is actually about Artagan. Which, after all they’ve been through together, is fucking ridiculous no matter how you slice it.

In addition to that, Marisha had made Beau’s time in Kamordah (ep92/e93), and the incidents with her family and the Hag, about the group now, not about Jester, fully contradicting her own reiterated words that ‘Jester saved Beau’.

When Beau was talking to her dad, reverting back to her old self and getting all riled up, Jester helped her in that moment, and saved her. Yes, the group was very supportive, and yes, Yasha said something to him before they left the house (that Beau was out of earshot for by the way), but Jester was Beau’s rock throughout that whole thing. 

With the Hag, when the group was having a hard time coming up with a solution, and they realized they might actually lose Beau, Jester stepped up and took control of the situation. She, single-handedly, saved Beau/the group from the Hag. And with that, Jester also became Beau’s hero.

In both instances, Marisha thanked Laura/Jester. First on Talks for ep92 with both of them on it. She reiterated, “You saved me. You saved Beau.” Then on Twitter after ep93 with, “Still processing last night. Saved by a cupcake? Eh - saved by @LauraBaileyVO ... again.” 

But now suddenly, it’s the group. Just the group? 

Now, don’t get me wrong. The entire party showing Beau support was incredibly important. The M9 showed her that they value her, that she’s important to them. It solidified the theme of ‘found family’, which was beautiful. But, to not also highlight how crucial Jester was in all of this, after making such a big deal about it? 

That is very deliberate retconning of some hugely important, highly emotional moments for Beau that directly involved Jester.

Any of Beau’s organic and genuine connection with Jester (which encompasses their deep friendship as well as Beau’s romantic feelings) has been massively reduced (and now erased), specifically to prop up a supposed ‘deep’ connection with someone else that was barely ever there, is still barely there, and has no actual depth at all.

Case in point, the BY date (ep126) showcased this fact to the most extreme degree...

Yasha’s infamous line: “I fell in love with you in Kamordah.” So, Yasha literally watched Beau relive her childhood trauma, and caught feelings during it. I’m not wrong in thinking that that’s just a little disturbing, am I? Also, if that’s the moment she supposedly fell for her, why did she not offer her any form of help? I mean, besides that one sweet moment with TJ, the entire time Beau was in Kamordah, she was the most broken down she’d ever been and needed some real comfort, which is something Yasha did not give her. (Jester did though. In spades.)

So, on multiple levels, this seems highly out-of-place. 

Several people have said that that line was not thought through. In my opinion, it actually was thought through and was only said specifically to have viewers completely dismiss everything else that happened in the Kamordah episodes. Despite the FACT that Beau and Yasha barely interacted during those episodes, they have now stripped down the party’s experience there, and twisted it into a giant BY shipping moment. (Further feeding into the retcon.)

Their ‘trip down memory lane’ was laughable. Most of the things that were mentioned, Yasha wasn’t even around for. 

Gee, remember when the cast was actually good at separating what they knew from what their character knew? When you start injecting what you know into your character (who isn’t supposed to know, because they literally were not physically there), you are metagaming. 

The entire date was one big metagaming bonanza. And it had to be, or else they would’ve had nothing to talk about. There is not one thing they have to call their own. To people who don’t have BY tunnel vision, it was made glaringly obvious that they have nothing in common and their dynamic is fairly shallow. Meanwhile, the rest of the cast are sitting there watching this unfold, smiling and nodding along as if it all makes perfect sense and isn’t utterly ridiculous. (And I’m sitting here wondering when I got shunted into the Twilight Zone.)

The shallowness holds true for FJ as well. Aside from both of them being from the Menagerie Coast, what exactly do they have in common?

While Fjord has grown as a character, as far as Jester goes, he still does not seem to have the capacity to fully understand her as a person, or fully respect her abilities/emotional strength/intelligence. He doubted her often, which led to Jester getting irritated with him several times over the course of at least the last third of the pre-hiatus episodes. He even continued to doubt her judgment (in regards to the Traveler) in the post-hiatus Rumblecusp episodes. But hey, they’ve kissed now (ep118) so all of that gets wiped clean, and he’s being touted as her ultimate romantic soulmate who’s oh-so-perfect for her.

For fuck’s sake, why does that sound like something pulled right out of a CW show?

(I'm convinced that the only reason FJ is ‘popular’ is because the shippers have projected Travis and Laura’s real-life marriage onto the characters. If Fjord and Jester were played by different people, or Travis and Laura were not together, people would realize how paper-thin and half-assed this pairing is and hardly anyone would care about it.) 

Beau and Jester had developed the deepest, most genuine friendship and overall dynamic in the entire party, that should have absolutely been given the chance to be explored further. They constructed a pretty solid foundation that could have easily been built upon, and the fact that it’s been unceremoniously pulverized and snuffed out in favor of such overwhelming tepidity and flavorlessness will never not infuriate me.

Finally, to finish this off, I will say with my whole chest, that that is one of many nasty, rotten patterns that I’ve seen far too much of in all kinds of scripted media, which is...

Not wanting to commit to the thing that’s actually growing organically, because it’ll ruffle too many feathers. It’s too inconvenient. It gets in the way. Because of course, nobody wants to do that. Nobody wants to take a risk, or you know, actually follow where the natural fucking chemistry is taking you. Of course not! Heaven forbid, we go down a different road! You have to go with what’s ‘expected’, no matter what, at the great expense of something new that’s come along that’s clearly better. Even when what’s expected is hollow as fuck and doesn’t make sense anymore, because characters have grown and dynamics have changed, they decide to dig their heels in with the most fanservice-y options instead.

Yet this is UNSCRIPTED media. A D&D campaign, that’s supposed to be mostly improvised. D&D, that’s all about taking chances/going with your gut/making bold choices/etc., from people who have claimed up and down that they “like to see things play out at the table”.

So why are those same disingenuous patterns being utilized here too?

One of the big reasons I got into CR was because I naively believed that because the format was different, that the storytelling would be different. I thought I wouldn’t have to worry about running into this nonsense here. That I wouldn’t have to worry about getting bullshitted, jerked around, and having my intelligence insulted left and right, but alas, here we are.

In conclusion...  [TL;DR, kinda?]

Reframing past events (between B & J, and B & Y) to serve a current plot need (railroading BY):                                                                                      

Beau playlist ignores Jester’s importance to what transpired in Kamordah. (minimizing/erasure)

Beau playlist doesn’t acknowledge/hint at Beau’s feelings for Jester. (total erasure. could have at least included a song about feelings being lost, or being confused about feelings for a friend, but Marisha took the cowardly route, and didn’t bother mentioning it at all.)

Beau playlist claims that Beau and Yasha have both been flirting forever. (easily debunked by session footage.)

In her conversation with Fjord, Beau says, “There was something about Yasha from the moment I saw her”. (it was just about hooking up then, and stayed that way for a majority of the campaign. This line suggests that Beau has had ‘deeper feelings’ for and/or has been ‘in love’ with Yasha since the first episode, that this was all intentional build-up, which again, is easily debunked by session footage, panels, and TM.)

In her conversation with Fjord, Beau says, “It’s easy to lust after her.” (minimizing/erasure/twisting of Beau’s feelings for Jester, which Marisha had previously stated were ‘noncomparable’ , ‘more than that’, and that her attraction is ‘nothing sexual in this case.’)

This isn’t a fucking conspiracy theory. This is plain evidence of a planned retcon.