#like i need more reason to feel suicidal with all the other shit happening in the world

[spiltcandycoatedpunkblood]

wish I had a comprehensive list of all well-known people who fucking had something to do with last year's global hate campaign against an abuse survivor (which if I didn't have C-PTSD before that, I sure fucking do now) whatever they said or did because two of my worst trauma/mental illness/neurodivergence symptoms is paranoia, hypersensitivity and impulsiveness and I can't fucking enjoy doing my favourite things right now. even people who didn't and spoke out because lord knows I have lost so much and been hurt so much that I just need hope in the fucking human race again and that the people I find fun to watch and talk about aren't actually assholes. especially since even who appeared to be rational fell for this.

I'm so goddamn traumatised I just want to know without looking it up. I don't need that torture. It's so fucking difficult to feel hopeful about anything or anyone right now.

[nomairuins]

i do need 2 work on rewiring my brain so that my immediate very first thought whenever i dont do a small task (like brushing ny teeth taking a shower picking up my room etc) isnt 'We Should Kill Connor ." this would be pretty good for me to do. putting this on the list

[inkskinned]

it's been said before and i'm sure said better than i can phrase it. but really, really - if you like making "i'm going to kill myself" jokes, please try switching to being ironically conceited instead.

anytime something goes wrong, say things like "ah well at least i'm beautiful and charming and everyone loves me." when you forget something, try "my big huge brain is so smart and thinking about too many other very big wizardly thoughts you wouldn't even understand." when you're frustrated by one of your symptoms, start talking like you're in My Immortal. "Life has come for me but my eyes are beautiful pools of gorgeous fire and my hair is amazing. I stuck my middle finger up at life and told it to fuck off and it did."

just... try it for a month or two. try saying the most absurdly self-congratulatory shit you can think of.

i know it's tempting to make suicide or self-harm jokes. and for me at least, a decade ago (!) when someone suggested i stop making those kinds of jokes, i was kind of at a loss for what to replace them with. i wanted to make light of these moments, but genuinely (at the time) my first thought really was suicidal ideation. there was a part of me that even felt like ... i was kind of "making light" of that voice. that if i could say i want to die lol, it would help take the sting out of that genuine (albeit passive) desire. like i could turn my illness into a joke.

when i started complimenting myself instead, it felt awkward and stupid. it felt really, really ironic. what i was actually saying was nobody would ever think this stuff about me, that's what makes it so fucking funny.

but. the effect was immediate. first thing i noticed was the people around me. when i dropped a glass and said ah my skin is too beautiful and sleek the glass has swooned and broken for me, other people were suddenly overjoyed to jump in with the joke. rather than making an awkward moment, we'd both start cracking up. ah princess sleek hands, i've heard of you.

i was 19. i hadn't noticed i'd been making others tense when i said i want it all to end. i know now that it's incredibly hard to know how to walk that moment - do you talk to them about your concern? do you potentially make them uncomfortable by asking if they're okay? do you ignore the situation? do you help them pick up the glass, or do they need to do it by themselves? are they genuinely made suicidal over this small moment? and most importantly, how do you - without professional training or supplies - actually help?

most people want to help you pick up the glass in your life, they just have no fucking idea how to do it. they don't want to make anything worse. they don't want to make assumptions about you. they love you, they're scared for you - and being scared makes people kind of freeze up. it's not because they don't love you. it's because they do.

now when something bad happens, my first thought is how can i make a stupid joke about this. it isn't my brain saying you're a dumb fucking bitch. i spend more time laughing. i spend more time being gentle with myself. i spend more time feeling good.

and the thing is - what's kind of funny - is that you'd be surprised by how many people agree with you. the first time i said i'm too pretty to understand that, someone else said to be fair you're the prettiest person in this room. i promise - you really don't know how kindly your friends see you. but they love you for a reason. they sort of reverse-velveteen-rabbit you. your weird and ugly spots fade away and you just become... the love they want to give you.

go love yourself ironically. the worst thing that happens is that you end up tricking your reflection into actually loving you.

[i-cant-sing]

I can’t get this scenario out of my head with yan!batfamily in which Bruce worms his way into a depressed reader’s life by marrying their mother and slowly taking over the role of parenting reader while dealing with the depression.

No because Bruce would do that. In his head, its just another mission to "save Y/n" and sure, your mother isn't exactly his type, and your depression isn't exactly her fault- the poor woman just works day and night for you both to survive in this outrageous economy, she doesn't have had enough time to see you not doing so well mentally.

Bruce and his sons, by whatever sequence of events, are now infatuated with you. What started as concern for your well being has now turned into obsessive need to control your life to make it better. So, yeah... Bruce decides to marry your mom, who is more than happy to finally find a chivalrous, handsome man... who just happens to also be very rich.

Meanwhile, you hate him. It's stupid, but you hate how filthy rich he is and even though you know that he donates a lot to charities, you still hate him because Bruce thinks money can solve everything (and in your case, it almost can), but you can't help but feel insulted everytime he offers you a cheque, a wad of cash to pay off your bills and loans, or even a $20 bill to get yourself some snacks. It feels... abnormal. You're not a charity case.

Perhaps your socioeconomic status isn't the only reason you're depressed. Maybe it's just you missing your father (could be dead/murdered/suicide/just moved far far away).

The moment Bruce finds out that your dad is the reason why you're so depressed, oh it's "I WILL FATHER ANOTHER CHILD IN NEED OF PROFESSIONAL HELP" time. He's doubling down on his paternal instincts and he's just mentally smacking himself like "ofc you need a father figure in your life. Who better than me????"

And it just makes your skin crawl at how nonchalant Bruce is about all this- about incorporating himself into your and your mother's life. Treating you both, especially you like you're actually related. Like he's been around with you two his entire life. You lose your appetite when he stays for dinner, but you sit at the table for your mother. You try to make excuses when your mother tells you that you have to go with her at the Wayne Manor because "Bruce wants to spend a day with family". You can't help but look at your mother in wonder at how she is comfortable when you both pull up at the manor. You thought things would be easier if Bruce's sons were also uncomfortable or even hated you and your mother (or thought that your mom was a gold digger), but no, they're just as worse as Bruce. Dick being particularly the worst in the sense that he's more affectionate and his love language is physical touch, so you get squished to his chest everytime he sees you, with a small cry "my baby!" Sometimes, "sis" would be added.

You didn't like either nickname.

Then there's Jason, who is the most normal one of them all, perhaps because he isn't around much and when he is, he just makes small talk.

Tim doesn't talk much either, but he stares a lot. Somehow you feel like he knows something about you, at least more than he's letting on.

And lastly, there's Damian, that pompous little shit. You know he's being amicable for Bruce, but his eyes look at you like he's judging you- thinks you're beneath him. Which is true, in the sense of finance. Despite all of that, Damian still wants to show you off his interests/things around the manor. He's still being arrogant ofc, "Look at this oil painting- it's a Van Gogh original. Van Gogh is a famous painter- he's dead though. I'm sure you aren't familiar with his works. I can take you to the Gotham gallery to show you more paintings. Father owns it, so it can be just us two without other people bothering us." He's nice but also not nice. But at least he's not doing it intentionally.

Then there's Bruce. Who is always looking at you with a small smile, but his eyes are always analysing you, even when he's not looking at you directly, you know that he's watching your every move like a hawk. He tries spending time with you, often he succeeds, only because your mother makes you go. He's a good man, hasn't done anything exactly inappropriate, but... even something as small as making you walk on the inner side of the sidewalk so that you're safe from the cars... it doesn't sit right with you. Why is he being so paternal? You certainly have been rude to him on purpose. Always giving him one word answers when he asks you how your day was.

Then one day your mother returns home with a beaming smile.

"Bruce proposed to me! We're getting married!"

After only 3 months of dating? It's what you wanted to say, but you held it back when you saw how happy she was.

The next day, Bruce held a dinner at the manor to celebrate the engagement. Surprisingly, that was the first time you saw Damian looking mad at you and your mom.

It was a reasonable reaction. Acceptable to you, instead of the overly excited yell of Dick "WE'RE GOING TO BE SIBLINGS! That means we can have slumber parties and pillow fights and-"

Your mother and Bruce were shopping for the wedding, looking at dresses and venues and all the shenanigans while you were at the manor, moving your and your mom's stuff in with the boys. It was the last thing you wanted, but your mother.... she insisted on it. Or at least that's what she says, you know Bruce insisted.

Doesn't matter because by next year, you'd be moving away to college anyways.

You just need to put up with this for a little longer and see your mother finally be happy.

You didn't expect your mother to be dead a week before the wedding.

It was out of the blue. You were sitting in the library at the manor because Dick refused to let you be alone in your room all the time, so he was making you some cookies while you read. Then he and Bruce came together, their faces pale as they looked at you.

"Y/n... your mother, she... she got in an accident."

She was driving to some restaurant, wanted to get you your favourite fried chicken and spend some time with you alone. But on her way, a truck crashed right into her car.

She died on the spot.

Whatever little improvement you had on your mental health went straight down the drain. You locked yourself in your room and just cried quietly. They left you alone the first few days, but then Bruce and Dick tried to persuade you to come out, that they were concerned for you. You did come out the day the funeral was held. And it hurt you... it hurt you so deeply when you found out they were burying her at the Wayne cemetery.

She wasn't a fucking Wayne.

If you had any strength, if you had any energy at all, you would've taken your mother and buried her someplace else.

But you didn't.

When you returned inside the manor, you went straight to your mother's room, which was also Bruce's room but you didn't care if he saw you in there or not. You just started packing all of your mother's stuff, her clothes, her jewellery, her photos, everything she came here with, which wasn't much to begin with but still.

"Y/n?" You stiffened when Bruce called you, but you didn't pause on packing. "What are you doing? Looking for something?"

You sighed. Might as well get this over with.

You turnd around, not looking him in the eye.

"I'm moving out. And I'm taking mom's stuff with me. You can check, I'm not stealing anything that belongs to you."

Bruce looked at you in confusion. "Moving out? Where are you going?"

"College. I'll be going there soon anyways, so I'm moving to an apartment with some friends."

"Oh, but you don't need to move out. You can stay with us. Youre family-" you cut him off.

"Bruce, let's not." You finally look at him. "We're not family. I never was, I never wanted to be. Mom's gone now, and I have no reason or desire to be here. Thank you for letting me stay here for as long as you have, but I will be moving out by tomorrow, if not tonight." You said picking up your mother's bag of stuff and walking out of the room. Bruce followed you to your room.

"But I don't want you to move-"

You dropped the bags. "I don't care what you want!"

Bruce looked at you with his brows furrowed. He didn't get why you were acting like this. Your yelling had gotten the attention of the boys too, all looking in confusion at the bags.

"I don't want to be a part of this family. I never have, and I never will. I never liked you or anyone in this family. And if you're concerned about me speaking to the media about you guys, don't worry. If it helps you, you can make me sign an NDA!"

Damian narrowed his eyes at you. "Dont talk to father like-"

"Shut up!" You yelled harshly. You didn't care who you were hurting. Your mother was gone, you had no reason to be amicable to them anymore.

-

They left you alone that day, and by the next morning, you were ready to leave. At 6 am, you walked down to the main door, with your bags. You weren't expecting them all to be waiting for you, but here they were. You took a step towards the door, but Dick stopped you.

He cleared his throat. "Um, this is the NDA... if you'd just sign it here." He handed you the papers.

Unbelievable. They actually drew up a contract. You took the pen from his hand and signed at the dotted lines.

"Bye." You took another step, except Damian and Tim blocked your path.

"What now?"

"Where are you going?" Tim asked.

"Do we have to go over this again?" You grumbled. "College." You answered.

"You can't." Damian said smugly. What's he smirking for?

"You're gonna break my legs?" You scoffed.

"No, you just signed a document saying that you're a part of this family, and Bruce Wayne is your guardian and has authority over all decisions concerning you like going to college, or even... going out of the house." Damian replied.

You looked at Bruce, because there's no way Damian is being serious. But there were no signs of joking. You looked at Dick, at Jason-

They were all dead serious.

"You cant- you can't be- you can't keep me here." You said.

"You signed the documents. It's your fault for not reading them." Tim said.

"Bruce-"

"I really do believe that it'd be better for you to stay here." Bruce said, taking ahold of your shoulders. "At least until you're doing better mentally."

"I'm fine-"

"I don't think so. And I could even take you to a psychiatrist, they'd agree with me." Bruce cupped your cheek as you flinched away. "You'd be happy here. I promise you that, you'll be safe and happy with us."

You'd try fighting, but you already knew you were outnumbered.

Besides, even if you weren't, even if you were alone with the smallest one of them, you still wouldn't be able to leave. You have no idea what Damian is capable of.

After all, he's the one who had your mother killed.

[still-a-morosexual-help]

Fucking hell Nightbringer really gave me everything huh god

Henry 1.0 origin story

Cerberus origin story

Satan's cat thing origin story

"Goldie in Freezer" origin story

Levi's Ruri-chan obsession origin story

Mammon being scared of ghosts/horror origin story

More in depth version of Solomon & Asmo's first meeting/pact origin story

A painful reason for why Asmo's room looks like that

What the tsl characters would have been like irl (the absolute worst wtf simeon)

Mammon's issues finally discussed in depth

Mammon being extremely ride or die for Lucifer

Almost instant Mammon & MC friendship

Mammon being just so amazed by MC and also insanely supportive of them

Mammon being willing to do anything for his brothers, being more sure of himself, almost instantly following Lucifer's orders and making the others do so as well

Levi's issues discussed in depth.

Levi straight up saying he was depressed and still is

Levi's friendship with MC!

Levi & Lucifer's relationship!!!!!

Levi being shy and scared and just so 😖

Things being bad in the Celestial Realm even before they left

Asmo's issues being discussed in depth

Asmo very explicitly having body dysmorphia

The brothers being much more supportive and loving of each other

Lucifer being visibly scared of losing another family member and being insanely overprotective because of it

The brothers being slowly overtaken by their sins (something that was always a part of them but also something they could control as angels) and losing control of themselves

The brothers gaining new magic

Satan being a fucking mess

Satan not really fitting in and all of them being really awkward around him

Satan's issues being discussed in depth

Belphie's issues being discussed in depth

Belphie expressing passive suicidal ideation

Belphie talking about how he needs someone to blame for what happened to Lilith so he can process it/make sense of it even if that someone is himself

Lucifer's issues being touched on from from different perspectives/angles

Diavolo's issues being hinted at

Simeon's issues being vaguely discussed

More about Lilith! (remember my post about how lilith definitely wasn't a sweet little angel because there's no way the universe would let lucifer catch a break? I was right!!! She was as much a little shit as the rest of her family!)

More about the demon king! (He wanted to stop the war too🥺 also a whole line of previous demon kings!)

More about god/how angels work (all angels are brothers & sisters but not technically family the way lucifer & his siblings are!)

ADAM!?!?!?!?!?

Solomon & MC's Sorcerer & Apprentice relationship seen in full detail!

MC being absolutely amazing

MC being competent and powerful and dangerous and resourceful and confident and the brothers realising all that but them also being funny and snarky and chaotic and outgoing and homesick and caring

References to present (s1-s4) brothers (& how they'll tear solomon apart if he doesn't bring MC back)

NIGHTBRINGER!? BARBATOS!!!??? but past barbatos doesn't seem to know anything about MC and present barbatos is helping solomon bring MC back....so who...?

References to Noble demons and conservative demons and devildom politics

Angel - Demon prejudice /racism from both sides explicitly shown

The brothers being war criminals and how the devildom sheltering them nearly re-started the war between the two realms

None of them being able to identify MC as a human (it takes Diavolo a long time + Lucifer straight up denies it when MC tells him), Adam & Nightbringer saying MC has the "power of angels", MC's favourite manga being one where the youngest child out of 7 is described as being angelic (*cough*lilith*cough*), Diavolo, even after knowing MC is a human, going "what are you"..... me softly chanting: nephilim!mc nephilim!mc nephilim!mc

The lessons flow better? It doesn't feel like one arc is squished into two lessons and then you must immediately jump into another different arc. It feels like it's all just happening in a connected sequence?

Better pacing in my opinion. It doesn't feel rushed.... like the part where satan discovers cats and then later is seen still sitting next to the cat and watching it? It feels appropriately spaced out

MC's relationships with everyone doesn't feel isolated. Like earlier there'd be a lesson or two dedicated to one character and we won't see much of the other characters during it. Now it feels like everyone is there interacting with everything in a normal, natural way. Yes there are lessons dedicated to getting to know one brother but the others are there, interacting with each other and MC during that time as well

The emotions & relationships are discussed/written in a way that feels very real and believable that it becomes actually really moving (s1-s4 also did this well but in nightbringer because of arcs/scenes/relationships not being isolated, of things flowing better and having a better pacing, of them outright discussing their issues it has a greater impact - yes I cried more than once shut up)

In the end, Nighbringer is darker than og OM! but not in the "grrr gonna kill you" way. It's "darker" because they address more serious topics in depth

[mcrslover]

MCR quotes for anyone who needs them:

"Kids would say they were going to kill themselves then they heard our music... it's our mission"

- Mikey Way.

...

"Reasons why mcr is good for you

juradsleigh:

Feeling like a rad vampire? Listen to bullets

Feeling angry? Listen to 3 cheers

Feeling sad? Listen to black parade

Feeling colourful and happy? Listen to danger days

Feeling like breaking up your band? Listen to death never stop you"

...

"This is for every kid out there... That dyed their hair a fucked up colour and can't get a job. They got a tattoo on their neck like Frank, and can't get a job. That does this because they fuckin' love this. This song is for every kid in the audience- even if you don't have fucked up hair or tattoos-every kid on stage, this song's about us, this song's about you, it's called The Kids From Yesterday."

- Gerard Way.

...

"Stop covering your children's eyes.

Everything is fucked up and pretending it's not won't make it any better. I'm tired of people praying for a change when it's up to them to get off their asses and make a change."

- Frank Iero.

...

"I spent most of my time in the back of the class, just drawing. My goal was to not get noticed in school, because spent so long not being noticed anyway or being treated as if I were invisible that I started to like it.

I've learned that it's actually not very lonely... It's like, you have less friends but the friends you have count more. I met a lot of people that weren't outsiders, or they were very popular, and they have a lot of friends but I don't know if they're the kinds of friends you would call up at 3 am to help you out or talk about being depressed."

- Gerard Way.

...

"Promise me, when MCR's gone, you'll do what it takes to survive. You're strong enough to do it without us."

- Gerard Way.

...

"All your quirks and all your problems, even your depressions, and your failures that's.. that's what makes you, you."

- Gerard Way.

...

"If you or someone you know is severely depressed you need to fucking talk to someone! Your mom, someone in school, I don't give a fuck! Because suicide is fucking bullshit."

- Gerard Way.

...

"Being happy doesn't mean that everything is perfect. It means that you've decided to look beyond the imperfections."

- Gerard Way.

...

"Nothing is worth hurting yourself over, nothing is worth taking your life over"

- Gerard Way.

...

"If we never play another show again, just keep yourself alive."

- Gerard Way.

...

"We're outsiders, we're the kids who didn't get dates for the prom, we're the kids who were confused, who didn't fit in with the cliques, who weren't part of the in-crowd.

Growing up can be a very frightening and confusing time, and I think people look at us and see it's okay to be different. They see that there is a way other than what they're being offered. That you can stand out, that you can be creative, that you can be yourself."

- Gerard Way.

...

"gerard-hey:

I love MCR so much it's like they have a song for every situation. Feeling sad? Listen to The Lights Behind Your Eyes. Feeling frustrated? Listen to I'm Not Okay. Feeling Energetic? Listen to Na Na Na. Feeling like you wanna kick some ass? Listen to Destroya.

Feeling rebellious? Listen to Teenagers. Feel like you wanna break up your band? Listen to Fake Your Death."

...

"The difference we want to make is, number one, to let these kids know that they're not alone, that they're actually not that messed up, and that they can do whatever they want they can express themselves in any way they want without being persecuted or called a faggot or some kind of racist thing. Really just get people to get over their stuff so they can live."

- Gerard Way.

...

"Whatever happens to you, no matter what, l'm always fucking there for you... Don't forget that. I don't give a shit if your boyfriend dumps you. If your girlfriend dumps you. If you're working a shitty job or can't get through school. If you can't get through a fucking Harry Potter book, there's nothing worth dying over. There's nothing worth taking your life over. I will always fucking be there."

- Gerard Way.

...

"If you come to an MCR show, you're probably a little fucked up, and that's okay because we're just as fucked up as you. It's us against the world. And it's great because there's thousands of us in one place."

- Gerard Way.

...

"Someone doesn't like you? Fuck it.

Having a bad day? Fuck it. Didn't get that job, or that grade, or that promotion you wanted? Fuck it. Fighting with your lover? Fuck it. Feel fat today? Fuck it. Losing control of everything and everyone? Fuck it.

What matters now won't matter soon; the truly important thing is that you are alive, and that you have the capacity to do absolutely anything with this beautiful, crazy coincidence of being on this earth. Just stick your middle fingers in the air and think, 'Damn, I have it good."

- Gerard Way.

...

"You're going to come across a lot of shitty bands, and a lot of shitty people. And if anyone of those people call your names because of what you look like, or bedause they don't accept you for who you are. I want you to look right at that mother fucker, stick up your middle finger and scream

"FUCK YOU!!"

- Gerard Way.

...

"Real revenge is making something of yourself."

- Gerard Way.

❤️🖤❤️🖤

[yokohamapound]

How about some angsty HCs?? 😏

How would Kunikida, Dazai, Fukuzawa, Chuuya and Fyodor (or anyone else you’d like too) react to their s/o taking a hit for them that would have otherwise been fatal if they didn’t?? S/o ends up being okay but the gentlemen are all angsty in the meantime >:)

Thanks so much lovely! 🥰💕

Hello, my lovely! It's been a while since I wrote some good old angst, so this scratched an itch. I hope these are what you are looking for!

Characters: Nakahara Chuuya, Dazai Osamu, Fyodor Dostoevsky, Fukuzawa Yukichi, Kunikida Doppo

Contents: death mentions, suicide mentions, controlling behaviour, anger issues

Nakahara Chuuya

Ooh, it’s kinda difficult for him to deal with? He’s in two minds about it, really. 

On one hand, he’s strong enough that whatever blow was being dealt to him really wouldn’t have hurt him that much, or so he tells himself. All he can think about is that moment where the bullet/bomb/fireball, whatever it is, was coming toward you. Yes, you survived it, but he had to live through the nanoseconds of absolute hell when he thought he was just about to see another person he cares about die right before his eyes. 

His temper erupts afterward. He’s furious, yelling at you that you “didn’t fuckin’ need to do that!” You’d be forgiven for thinking that it’s his pride you’ve hurt, but it’s anger born of worry. Those few moments he thought you were going to die were harrowing for him. 

Imagine if he carelessly lost the person he loves the most, just because he was too slow or too stupid to see it coming? Shit, he could never live with himself if that happened. 

However, there’s the other side of the coin. Which is that you cared about him enough to intercept a blow aimed at him. Chuuya can’t remember the last time someone did that for him. He’s used to being the tank, to soaking up all the violence so the geniuses can get on with their schemes. He doesn’t really know how to handle someone trying to protect him, like he’s something vulnerable.

He likes it and he doesn’t. He’s grateful and he’s pissed. Chuuya’s a complicated creature. 

Once he’s done yelling and has calmed down a little, he’ll mutter something that sounds like a ‘thank you’, though he says it with his eyes mulishly averted and one arm wrapped tightly around your waist. He won’t be letting you out of his sight for a while, even while he’s being a grouch.

Dazai Osamu

While he might not show it on the surface, this has a rather profound effect on Dazai. Remember the last time someone he loved died in front of him?

While he pretends to be calm on the surface, inside he’s in turmoil. He should have seen it coming; you’re the self-sacrificing sort, always trying to save him in one or another. But before now, it hasn’t been literal. 

I feel like time moves very slowly for someone as fast as Dazai. He was able to process far too much information in those few seconds you were in danger. All of his mistakes, laid out for him as plain as day. 

He tends to convince himself that he can plan around every kind of incident but this is a start reminded that this isn’t always the case.

“Hey, bella?” His tone is unusually serious. His hand on your shoulder. “I’m going to need you not to do that again. Believe it or not, I don’t want to see you die in front of me.”

If you pay close attention, you’ll notice Dazai doesn’t make any more double suicide jokes after that. They don’t have the same appeal. Dazai doesn’t think he could stand to watch you die, even if you did want to join him. 

He keeps a close watch on you after that, turning up unexpectedly throughout your day without any explanation, his lanky form popping up like a weed.

Fyodor Dostoevsky

While he will never, ever reveal it, this will shake Fyodor’s iron-clad ego a little bit. He likes to think he is in control of everything, and he can predict every single action of yours down to the blink. For whatever reason, he didn’t foresee you getting in his way and taking a hit meant for him. 

You gain an element of unpredictability, which is both intriguing and alarming for him. 

There is also the fact that you stepped in to take a hit for him. While he’s used to having underlings who look up to him like a god (Ivan), he doesn’t count you amongst the peons. He’s got you wrapped around his little finger, but in a way that promotes adoration and obedience, not self-sacrificing recklessness. He’ll have to step back and examine your relationship somewhat.

“My darling, what was the meaning of that?” he asks of you, his tone soft and a little dangerous. “I do not need you flinging yourself in the path of danger for me. I have everything in hand.”

He likes your devotion, but he doesn’t want you getting in the way of his plans. And he does care about you, love you in his own way—he doesn’t want to lose something he sees as his. 

If you were injured at all, he will have the best private doctors on hand to treat you. Be prepared for his love and attention to be a little stifling for a while. He won’t want to let you out of his sight. 

As for the person whose attack you foiled? Fyodor will turn the full weight of his enormous intellect to destroying them. They were dead the moment their attack came near something he cares about.

Fukuzawa Yukichi

Fukuzawa is very much the self-sacrificing sort. He’s said more than once that he doesn’t mind giving up his life in order to ensure peace in Yokohama, or to protect the lives of the younger members of the agency. He’s heavily bound by duty.

While he holds these values to himself, he doesn’t expect you to abide by the same code. In fact, he doesn’t want you to. You’re not a grizzled old samurai like him. (His words, not yours.)

He also heavily dislikes the idea that you were in danger because of him. Your relationship with him shouldn’t be a source of danger for you. As soon as he’s sure you’re safe and well, he will sit back and mull things over in his silent, intense way. He considers all options, from simply killing the person who tried to attack him, to ending your relationship with him to ensure your safety.

Thankfully, he comes to the conclusion that you are an adult who knows what is good for you. He’s never hidden the truth from you, and if you’re willing to face that to stand at his side, then Fukuzawa needs to respect that. He can’t make your decisions for you. 

“However,” he says. “I must ask that you do not do that again. I can accept my own death, but not yours.”

“Don’t you trust me to watch your back?”

“Obviously, you can be trusted,” he says. “Today is evidence enough, but know that I could not live with myself if you were injured or killed looking out for me. If death is coming for me, I have earned it.”

He can’t really be talked out of this mindset, but that’s part of why you fell for him in the first place. Just make him a promise that you won’t put yourself at risk on his behalf. 

Kunikida Doppo

Poor Kunikida.

One of his ideals is that he will never watch anyone die right in front of him if he can help it. The last time he had to watch an innocent person die, it almost shattered his psyche. 

If you were to die in front of him, it would break him utterly. Even though you’re fine, the close shave rattles him down to his core. Instead of blowing his top and then settling down, the way you’re used to him doing, Kunikida becomes grim and quiet. 

He refuses to step away from your bedside while you’re in the hospital for a check-up after the incident. His notebook of ideals is folded in his pocket, ignored. The fact he isn’t scribbling anything down is a little alarming. He’s not Kunikida if he’s not adding little notes to it every five minutes. He has his hands steepled together, his face grim behind his glasses.

“Are you going to yell at me?” you ask him. 

Kunikida lifts his gaze to you, almost as if he’s surprised to hear you speak. He breaks out of his reverie a little bit, sitting up and pushing his glasses further up his nose. The light hits the lenses, hiding his expression from you a little. His voice is sombre.

“I must thank you for saving my life,” he tells you, almost formal. 

“That’s not the only thing bothering you, is it?” You know him well enough by now. You reach out and take one of his hands.

Kunikida fingers tighten around yours, trembling slightly. It’s the only way that you can see how completely off centre he is. 

“Kunikida?”

“Don’t…don’t make me worry like that again. Please.”

[dykealloy]

spoilers up to the end of dressrosa arc here but. I can't stop thinking about how Law takes on Rosinante's will. Corasan freed him from Doflamingo and the marines and the world government and everyone that ever could have touched him at the time, but has Law really felt free? “Everything I do until I die represents what Corasan achieved” is sweet until you recognise that Law is willing (and planned) to go to the grave for that belief. Until Doflamingo dies there is always a part of him stuck in that treasure chest, constrained by what Law felt happened to Corasan due to him that day.

It's crazy how textbook survivors guilt victim Law is (I’m new here so I wouldn’t be surprised if this isn’t the first time this has been brought up), but let’s just quickly go over some symptoms:

Obsessive thoughts about the traumatic event ✅ (will go over this in greater detail below)

A sense of disconnection or detachment/need to isolate oneself from others ✅ (Law doesn't fully isolate himself but he definitely has his walls up at all times, though there are often subtle hints of him enjoying the company of the people he chooses to surround himself with. He is notably more reserved, emotionally unavailable, cold and distant than others around him, and watching closely you'll notice that even physically he has a tendency to situate himself three steps behind the group)

Insomnia, nightmares, flashbacks of the traumatic event ✅ (if we can assume some of his backstory expressed in Dressrosa are flashbacks, and also assuming that the perpetual eyeliner he wears are covering some pretty heavy eyebags. Also mention that the only time we see him resting is against Sunny's mast on the way to Dressrosa - and that was 1. a filler episode, and 2. if he was sleeping, it was very quickly interrupted by an attack by petplay guy - a nightmare in of itself)

Irritability and anger ✅ (though elements of this could just be attributed to Law's personality or a natural response to the straw hat's shenanigans, as well as Luffy's total inability to stick to a reasonable plan)

Feelings of despair and thoughts of suicide ✅ (that's Law's Dressrosa arc babe)

Now, there's many reasons why Law is unable to move past this guilt (an apparent lack of therapists in one piece being one of them) - but his inability to believe in unconditional love is likely the biggest offender.

Law may have started off (initially) with one of the most fortunate, stable beginnings, with a loving family and a big house in a rich country (wealth of which was built off the back of lies and corruption and the murder of innocent future generations - we'll get there). But he had a mother and a father who loved and nurtured Law (and were both highly respected doctors in their own right who citizens trusted and relied on). Law's happy beginnings really juxtapose the unfathomable horror that had been lying in wait in Flevance.

Even when shit started to hit the fan, at a very young age (<10 yrs old), Law was already stepping up and showing love for his little sister (lying to her when she was on her deathbed, knowing full well he would likely face the same fate after reading his charts, putting on a brave face for her so she wouldn't be afraid when the screams began to reach their front door, hiding her away when soldiers sieged their home and rushing to check on his parents). Given everything that happened in Flevance, it's completely understandable that, while Law will likely never forget the love his family gave him, remembering it became twisted in the lasting memories of his home — parents riddled with bullet holes. a closet holding a sick little sister waiting for him in a house engulfed by flames. stumbling through a town of friends, neighbours, just... people he used to pass by on the street, now all dead.

Seeing hell, knowing why and how it transpired, who were responsible (spoilers, the World Government; the same body that most citizens believe exist to protect them — yeah, sister "a merciful hand of salvation waiting to help" were perhaps the worst possible combination of words you could have left Law with here. Likely instrumental in having him lose his faith "I don't believe in anything anymore."), knowing he is the only survivor, and fated to die anyway due to the terminal illness that is slowly killing him because some figureheads years back were greedy and the governing powers above the figureheads were willing to cover up everything if it meant garnering a portion of wealth and maintaining influence and control. It's beyond grief, beyond rage. And there's absolutely nowhere Law can put it. No one he can retaliate against. Who could come out of hell knowing this and not want to see the world burn?

So, smart little Law escapes under a pile of bodies and goes to the one person infamously revered for being in the business of that kind of thing. And boy oh boy I can only begin to imagine how a young and impressionable Law - fresh from a genocide, with a hole in his heart and a hatred for everything still alive - had his concept of love warped whilst surviving those two years around Doflamingo and his family. A family where members are only welcome so far as they are useful to Doflamingo and his aspirations. Of course Law's going to pick up some fucked up ideas about how love works outside this little white fence he grew up and watched burn down.

Then. Enter Corazon.

Their relationship may begin on shaky legs (near-juvenicide via defenestration in a failed attempt to ward Law away from sticking around) but Corazon quickly becomes the one person in the world Law can trust and rely on again. And Rosinante can only do so much in terms of healing and guiding this broken kid (yes, his position both as Doffy's brother and as a double agent made things difficult, but need I mention he was only 26! 26 when he died!) but he showed Law kindness and compassion when he was at his lowest. He had faith in the existence of a cure that Law was long past believing. Was determined to help him, even against Law's wishes, even if it meant having Law relive his trauma over and over again. Corasan becomes incredibly important to Law, giving him a reason to live beyond just destruction and revenge.

After the rest of the world had long turned his back on him, when he had been nothing but a dying puddle of rage and self-destructive nihilism, Corasan saved Law. He told Law "Aishiteru" - a very rare way of saying "I love you", never used casually due to the depth of its meaning and the massive connotations behind it - in essence translating to "I love you so much I cannot possibly imagine life without you". There's a high likelihood that at his age, Law had never heard these words before, and probably didn't quite understand the weight of Rosinante saying it at the time.

Corasan frees Law, then he dies at the hand of Doflamingo, Rosinante's own brother.

All Rosinante wanted was for this poor kid to go on and live his life unburdened by his more than turbulent history and his connection to Doffy, but I think for all his planning, Rosinante's one critical error was well and truly underestimating how much him loving Law, and loving Law to the extent he did, would mean to that kid. Law really went from that ten year old hollow void sentiment of "why does anyone or anything at all get to exist when everything that was important to me is dead, burned to ashes and wiped off the map" to "I should have died at age thirteen and every second I've lived since then, I've only lived as a result of Corasan's efforts and as a personal affront to Doflamingo." This time, Law has a tangible, heinous 10 foot monster of a target to direct 1. his grief and anger and 2. justice for Cora towards, and this time he has the power and will to follow through. More than that, he believes Corasan sacrificed himself for him because he's a D. (someone destined to rain down destruction on the gods - Doflamingo, in this case). Corazon becomes a saint that Law dedicates the rest of his life to. Which is something that Law is not vocal about to just anyone he comes across, but is so unbelievably obvious once you know what you're looking at — his tattoos, his jolly roger, his crew, his ship, his ambitions, his beliefs, his fucking. custom-made Corazon jacket. all of it for this man that showed Law - at a time when he hated the world and everything in it - love. For all of six months. max.

And his whole life and personality and behaviour CONTINUES to be guided by this trauma — the way he's reckless with himself, his borderline self-destructive actions, the way he keeps telling himself that none of it would've been worth it unless Corasan's last wishes are fulfilled, the way he surrounds himself with bright people and soft things, the way it doesn't register that his crew genuinely loves and cares about him, the way he's terrified of losing anyone important to him again (and I would say this is one of his biggest downfalls as a Captain compared to someone like Luffy - who is just as reckless as Law is but trusts his crew, doesn't try to send them away, isn't afraid to let them grow and risk their lives for him like Law is with the heart crew), his inability to take a damn compliment. The way he doesn't understand Luffy AT ALL.

Doesn't understand that this alliance that he's brokered means nothing to Luffy because he sees him as FRIEND. No transactions or mutually beneficial pacts necessary. Doesn't get that he's the one that inadvertently asked Luffy to be his friend, thus breaking a long chain of people (mostly parental figures and siblings) abandoning or leaving Luffy behind/no one taking the first initiative to ask to be around him. Law is complete and utterly in the dark as to why someone would ever bat for him when the stakes are this high for no other reason than because they like them and care about them as a person.

Luffy, with his playground rules where he loves unconditionally and will take on the world for a friend he made five minutes ago, perplexes Law with his sheer simplicity.

When Sengoku tells Law, "Don't try to find a reason for someone's love", I do NOT think he takes it well. Because there must be a reason. There has to be. Between the two options of Corasan saving Law's life and freeing him because he believed in the will of D., or Rosinante saving him for no other reason than because Law was a kid that was loveable, and because he loved him unconditionally... everything we've learned about how Law functions up until this point suggests the former will always make more sense to him, and after everything he's been through, is most likely less painful for him to accept.

[reitziluz]

thinking about the way psychics both are and are not a known factor in the world of mp100. the worldbuilding is light, allegorical, and comedic, but even meeting it where it's coming from, it paints a delightful picture of how the rest of the world relates to the supernatural shit.

like, clearly most people don't believe in psychic power, or at least they don't assume it to be real. but when confronted with it, the more common reaction seems to be along the lines of "ah shit, huh, makes sense i guess." inukawa knew mob is a psychic, and brought it up without hesitation, like oh yeah, this is a known thing, but was then surprised among the others to see how much mob can do. the talk show is difficult to interpret, because it was a trap set up for reigen specifically, but how things play out, it feels like being a legitimate psychic isn't quite as outlandish an idea as it would be in our world. actual psychics don't seem to be putting much effort into hiding (if they're even trying to hide), there's unions, the goverment can put together a psychic suicide squad, the news can show a giant broccoli flying, there's books with instructions to meet aliens that actually have some truth to them, and yet people aren't that aware. and yet again, people like mitsuura and amakusa exist.

it feels like the supernatural is... kinda boring? weird stuff just happens occasionally, and it doesn't have much bearing on people's lives. the rest of it works like how essential oils do actually have certain effects and uses (for example, insect repellent), but then there's just a mountain of bullshit and people selling you things, so you don't really bother with any of it. cases like mob feel like ball lightning, as in i remember reading about it right next to absolutely fake shit as a kid and being told it's not real, but it is real, but fucked if anyone knows what exactly it is and some of the reports and theories are suspicious as hell. just. weird shit in the world that's ultimately irrelevant and uninteresting to most people.

the delightful part is that this all reinforces the idea that psychic power is just one quality among many that people can have.

but also.

when reigen founded spirits and such. i do not know how exactly it works where i live, let alone in japan. but registering a business. don't you usually need to put down what type of business you're running? did he have to figure out a close enough option, or is there a standard one to pick for psychic business, something they're considered to fall under, or even a psychic specific one?

delighted by the thought that spirits and such is officially a spa or something instead of what the industry standard is. reigen either didn't know which one people usually pick, or chose against the standard because it was less of a hassle. or tax reasons. imagine.

[brucewaynehater101]

"It's A Wonderful Life" AU with Tim and Jason

I only know the very basic premise of this movie, so we're going off of that.

Tw: death, suicide, violence

This could be a Titan's Tower AU, but I do think this could be a bit more fun after the BruceQuest.

Tim, who's had his support systems (even the JL ripped from him) and is seething in paranoia, gets cornered by Red Hood. The last time he saw Jason alone, he got a batarang to the chest (Battle of the Cowl). Tim has no reason to suspect this interaction will be friendly.

Red Robin is geared up for a fight. Red Hood has his hands up in surrender and far away from his hip holsters. It's not exactly reassuring (Jason can probably whip out his pistols in the same amount of time it takes Tim to grab a birdarang), but it does communicate that Jason isn't looking for a fight. Tim, who's one mental breakdown away from taking over Lex Corp for the hell of it, doesn't see this as a good sign. Why would Jason, the original Cain instinct, want to talk "peacefully" with his Placeholder? What's the aim?

Jason kind of just wants to apologize and is low-key concerned with how he's so isolated from everyone. He doesn't truly care about Tim, and he doesn't think it's his place/right/ability to be the support for the kid, but he can at least say sorry. Tim doesn't need to accept it, but he deserves the acknowledgement that it was indeed fucked up and not Tim's fault in the slightest. It's not much, especially with the scar on Tim's throat and the trauma, but it's a start. He still holds some resentment for the kid, but he's starting to learn that's more Jason and Bruce's fault than Tim's.

The conversation doesn't go great. Maybe Tim is being defensive and an asshole (which is fair since Jason's attacked him twice at least). Jason gets a little upset over this and snaps back (which is not what he's trying to do and counterproductive).

They get interrupted by this magician that sighs. They explain how fucking exhausting it is hearing them continue to misunderstand each other so they will show them what the world was like if Tim was never born.

Cue something similar to the movie I described. I haven't seen it, so here's what I think happens in that movie combined with this AU.

Tim and Jason stumble around Gotham at the current date in this alternative universe.

It's hell. They constantly run into crime on every corner, and there's no order.

They find out that Bruce had died within a year of Jason dying. Gotham fell to shambles due to Batman's declining reputation at that point. They had no hope and were hostile to any heroes that tried to help (due to the last hero they had turning on them). Gotham was eventually abandoned by the US government.

With his death, people found out Bruce Wayne was Batman. This causes Alfred to be sent to jail, and Dick could never return to Gotham. Dick only survived due to the Titan's refusing to let him destroy himself. He's still not okay.

Damian never came to Gotham cause Bruce had died. He's still set to become Ra's vessel, and no one (like Dick, the JL, Jason, etc) knows about this plot.

Jim Gordon was killed, and Barbara had to move out of Gotham.

Steph joined Helena for a bit. They made a kickass team, but they didn't survive to the current day.

Duke and his family moved out of Gotham before the gates closed, but he lost his parents in the escape.

Cass was never taught language.

Jason killed the Joker and then himself.

Anyways, Gotham goes to shit and Bruce kills himself on patrol (let's himself be hit and doesn't give himself needed rest). That's the basics of what they learned in this alternative universe.

This causes Tim to feel a bit better about all the sacrifices he made. He was vital and important to the Bats. He did good. He was necessary. It doesn't erase all the pain and hurt, but it boosts his self-esteem just a small bit.

Jason didn't realize the extent of what Tim did for them. He didn't realize the impact of Tim's decision and how he saved everyone. The two of them part, and Jason starts to uncover all the sacrifices the teen made.

Tw: suicide

If you want extra angst, maybe the magician reveals that Tim was planning to kill himself before he saw that Bruce needed him (thus the world is what happened if Tim went through with his OG plan). Tim has severely unhealthy coping mechanisms now, but his tendency to help people allows himself to feel needed. Lots to unpack there.

[theresattrpgforthat]

I was wondering if you had recommendations for a game that evokes the vibe of like The Thing (or Among Us) from the social angle - there is something here passing itself off as human, as *one of us*, and we need to find out who it is. Maybe with hidden roles? It seems like there's a lot of interesting space to explore there.

Thank you!!

Theme: Hidden Role Games

Friend, I've got more games for you than I thought I was initially going to find, and each one is in a different setting! Enjoy!

What We Thought We Knew, by Mouse.

You play as a group of friends who have known each other for many years- at the very least since highschool, and have gone through many transitional phases with each other.

It has recently been revealed to you that someone in your friend group has not actually been there for all of these events- they have been implanted in the group for whatever reason and all your memories modified to fit them into the narrative. None of you know who it is -- not even the fake.

In order to find out who the fake is, you must experience some of your core memories together again, moving through them like you are those versions of yourselves again, to try and spot the mistakes in the memories, the distortions that don’t quite make sense in the context of everything else happening.

The hidden role in this game is as determined by the GM, and the fake will not know that they are the imposter at the beginning of the game. The setting for this game appears to be relatively agnostic, so you could make this a fantasy setting, a futuristic setting, or even a modern setting. Characters have four stats: Head, Heart, Flesh and Beyond. The game is designed off of Caltrop Core, so when you roll your dice according to stat, there’s graded successes/failures. Players will also get chances to identify a distortion, which helps the group figure out what pieces of information don’t add up. If you want a game with mystery for almost everyone a the table, you might want to check out this game.

Jackrabbit Parole, by Willow Willis.

Well, you screwed up. Whatever you did, it was bad enough to land your ass in prison. Not just your average state-of-the-art correctional institution, either. This place is Bad News.

Parole? Don’t make me laugh. This is your life now. There’s no help coming for you and your fellow unfortunates. You’ll shit, sleep, work and eat when and where they tell you to for the rest of your miserable existence. If you want out, there’s only three paths:

Execution. Suicide. Or escape.

And since the first two don’t sound too promising, all you’re left with is jackrabbit parole.

Jackrabbit Parole is a game about prison escapees, one of which is a Snitch. The exact setting of the prison is up to you - the only thing that matters is that you’re stuck here unless you find a way to get yourselves out. You’ll roll to determine what your characters’ relationships are, and draw cards determine your roles.

There are two special roles: the Ringleader and the Snitch. The Ringleader has access to everywhere in the prison; the Snitch wants to get as much information as possible and pass it on to the guards. The Snitch profits by keeping everyone here, which means that players cannot communicate openly about their plans. The game plays over three acts, so I think it’s pretty easy to contain inside a single session, and it comes with some suggested settings if you’re not sure where to start.

Conspire, by Cherry Picked Games.

Conspire is a hidden-role storytelling game. Players delve into any moment of conflict, real or fake, and populate the scene with shady figures. They secretly assign objectives to these in-world characters and shuffle the roles amongst themselves. Everyone draws a role to inhabit and acts them out, not knowing who any of the others are or what they are trying to accomplish. What follows is an intense tale of bluffing, brokering deals, and shaping the very universe to your whims.

This feels like a GM-Less game, with all of the roles and motives of each character determined according to the setting and people created by the group at the table. Each piece of the puzzle is created collaboratively, so you’ll know what’s going on with one or two people, but not the whole picture. If you want a game that gives everyone the same responsibilities and has the flexibility to fit the settings in your head, this might be the game for you.

Eulogy of a Fool, by Kate.

In Eulogy of a Fool, all players are attending the funeral of a Fool. However, the Fool is in this crowd, having faked her own death to collect on a life insurance policy.  Everyone in attendance must give a eulogy while the Fool tries to blend in and everyone else is trying to single out any suspicious persons.

This game consists of a series of cards, 20 of which are Identity cards, and 30 of which are relation cards. There will only be about as many cards in play as there are players for any given game, so I think having so many options allows for a different game every time you play. Each player will also have to give a eulogy about the deceased, using information given to all non-imposters, while the Fool will have to improvise as best as they can. Looking at the instructions and prep for this game, I think this game would be very easy to learn. There’s a script for the GM to follow while running the game, and the cards make it easy to generate characters on the fly. If you want a game that’s part ttrpg, part card game, this might be the game for you.

EUREKA, by @anim-ttrpgs

Eureka: Investigative Urban Fantasy is an original, fully fledged, 200-page 2d6 TTRPG from The Agency of Narrative Intrigue and Mystery inspired by The X-Files, Kolchak: The Nightstalker, and much more!

Eureka features investigation mechanics that let players take initiative, use their characters’ unique strengths to find clues, and deduce conclusions themselves rather than to just walking into a room and roll Investigate.

EUREKA’s main focus is on solving mysteries, but the way character creation is meant to be set up means that it is very likely that characters will have a lot of secrets, purposefully hidden from the rest of the group at game start. If you are playing a supernatural creature of some kind, your character will have plenty of reasons to keep their identity a secret. While the group is trying to solve whatever mystery there is, your characters will have to decide just how much they trust each—other, with dramatic reveals possibly prompting some thrilling and suspenseful moments. This game isn’t quite in it’s final form, but there’s a robust community currently play-testing it, and the folks behind the development are very eager to answer questions and help you get a game to the table.

Loyalty, by jackdawfactories.

You are the crew of a deep-space mining vessel who have just been awoken from stasis. You are coming in to land on a previously uncharted planet, and must investigate the nearby cave system for its utility to you - but of course, there’s more to it than that…

Loyalty is a game based on Ridley Scott’s Alien, and combines standard RPG mechanics with a hidden role aspect. Survive the horror you have unleashed while working out who - anyone - is the traitor in your midst.

This is a game in which more than one person could have a secret role. You draw a card from a regular deck of playing cards, and based on what kind of face you have, you are either an android infiltrator, or a human. Because the character creation is randomized, it’s totally possible to have an entirely human crew - but the players won’t know this, and thus the paranoia will still be present.

On top of this paranoia, you’ll be facing off against an alien, and the more you come up against it, the stronger it gets. There’s a win condition, a lose condition, and the possibility to eject a suspect out of an airlock. If you like heightened stakes and no good endings, this might be the game for you.

The Warmest Place to Hide, by Rosie.

The Warmest Place To Hide is a TTRPG homage to John Carpenter's The Thing. 

It is the longest night in Antarctica, and something has made its way inside the research station at which you work. You and your teammates must work together to protect yourselves from assimilation - but when the creature can make itself look like anyone and anything, who can you really trust?

Create a base, populate it with crew, then see if you can survive an alien invasion.

This is the game for folks who want a direct re-creation of The Thing. As this is a Caltrop Core game, the rules are fairly minimal and use dice pools of d4’s. You can roll randomly for your character’s background, and choose an archetype that will give you specific skills and special abilities. You’ll also receive a random assignment of “Human” or “Something Else”. If you are Something Else, you always have to opportunity to take over any dead characters.

I’m not entirely sure how you communicate to players that they are Something Else without alerting the whole table; I’m assuming that this is the sort of game that involves passing a lot of notes. I think it might also be interesting if the GM introduces other threats that could kill players so that the Thing can approach and assimilate them without the players necessarily knowing who’s doing it.

[x-liv25-jamieswife]

sad avery head canons

@ariscats requested this in a comment under my sad grayson hcs, and i'm more than happy to do it for my fav girl avery. trigger warning for self-harm, suicidal thoughts, and sexual assault. pls don't read if this might trigger you, and if you ever need help, there are helplines you can contact for free. family and friends are obviously also an option (if you'd rather talk to a stranger, you can always dm me (or whoever you feel comfortable with) <3). sorry if some of this doesn't make sense. i wrote this at 1 am. hope you enjoy<3.

avery used to pull out a guitar (cause i hc she can play the guitar) and sing songs for her mom when she was on her death bed

she now visits her mom's grave and does the same thing. she sings her mom's favorite songs on the verge of tears (if she isn't already crying).

avery used to wear an elastic band around her wrist and would snap it repeatedly until her wrist became sore and red (it didn't always make her stop though) when she was feeling overwhelmed or did smth she deemed wrong.

whenever avery would drive across bridges or anything really high up, she would think about jumping off of it.

she used to get her mom or libby to help her bake cookies that she would bring to school to try to get people to become her friend (it never worked)

she used to eat lunch in the back of the courtyard in a secluded place most of the time bc no one wanted to eat with her (until she met max obviously)

i'm currently rereading tig and i can't help but notice how uncomfortable she becomes when someone touches her so i hc drake or some other random creep sexually assaulted her once (or multiple times) and that's the reason why she seems so uncomfortable with physical touch.

she used to cry in her mom's arms wondering why she wasn't good enough for people to want to be her friend

when her and libby were struggling to get by and couldn't afford food, she would save the food for libby and not eat (she would tell her she ate at the diner she worked at but didn't)

when she realized, at the age of six, that her father was a piece of shit who didn't actually want her, she started trying to find faults in her to explain why this might be (she thought that if she could 'fix' herself, her father might want her)

she sometimes purposely gives herself papercuts when she feels really numb just to make herself feel something

when she would live in her car, she would sometimes continuously bash her head on the steering wheel wishing her life could be different.

when she was younger, to get people to like her, she would give them everything she had. she would do their homework for them, would cover for them when they wanted to cause trouble in the school, etc, but, in the end, it was always temporary

whenever she comes across someone who looks like sheffield grayson she freezes up in fear/shock. a little voice in her head tells her she's in danger and they'll hurt her.

after all of the almost-death experiences she's been through, she developed a panic disorder (this is already sort of confirmed) that she has to treat with pills.

she sometimes takes the haters' comments to heart (the comments about her weight, etc). she would start telling herself that skipping one meal wouldn't hurt. jameson noticed really early on though and stopped her before it became too severe.

she's convinced people would be better off without her and that she only causes pain and destruction everywhere she goes (bc of what happened with toby)

she actually hates getting drunk because it reminds her too much of her father. jameson started to notice that she would get really uncomfortable whenever he got drunk so he started to drink less. when he did drink though, he made sure it wasn't enough to get drunk.

because of everyone comparing her to emily, she's convinced herself that she's just jamie's second option and she'll never measure up (personality wise, looks wise, everything). jamie and her talked about it a lot and she's now less insecure.

she gets terrified when she hears noises at night bc she's convinces someone's there to hurt her

she forgives people so easily bc she desperately wants people to actually like her.

in the books she says she doesn't allow herself to want to want things bc it could potentially distract her/hurt her. i also think she doesn't allow herself to want things bc she doesn't think she deserves to want anything.

when she's in a stressful situation or she's having a panic attack, she'll start scratching her arms really roughly until they start to bleed to get herself to focus on anything other than the stress/panic.

the scratches on her arms became too obvious so she started scratching her sides instead.

she can't watch any tv shows with violence/war bc the loud sounds remind her too much of the shooting.

one of the reasons why she realized her father was a piece of shit was bc, once, he got way too drunk and slapped her. that was sort of like the catalyst for her.

bc she grew up so isolated, she's afraid of emotional and physical intimacy. she's afraid she'll start liking feeling loved/close to someone too much since she believes it'll never last (jamie showed her she was wrong)

i'm an averyjameson stan so don't take this the wrong way but avery was affected by jamie thinking of her as only a game way more than she lets on. even after they got together, she was paranoid that he had ulterior motives.

she blames herself whenever something goes wrong in the foundation or hawthorne house even when she had nothing to do with the problem.

she's extremely paranoid when it comes to locking her bedroom door and stuff like that bc of how often her privacy is invaded.

i said this in another post but, especially before she inherited the money, she would sometimes smoke weed to lessen the stress she felt for a little while.

she hates going to sleep bc her sleep is always invaded by horrendous nightmares. it became so bad she ended up in the hospital (jamie was absolutely terrified and made her promise to talk to him more).

she has this one stuffed animal that her mom gave her not long before she passed that she cries into whenever she feels like her life is going to shit.

before she inherited the money, she was actually near her breaking point. she was seriously considering if staying alive was actually worth it.

before she inherited the money, she used to count on her fingers how many people would miss her when she died to convince herself to stay alive (the number was never more than three). the fact that the number was so low made her feel even shittier and made her spiral.

her grief for her mom is so intense sometimes she can't get out of bed. she doesn't eat, sleep, drink water, etc. alisa had to contact a therapist/psychiatrist to help avery get out of bed.

to end on a brighter note, here's a happy avery head canon:

she used to dance all the time when she was younger. she would pull out her mom's phone, start playing some music, and jump around waving her tiny little arms everywhere whilst singing along. she would pretend she was a popstar. her mom would film her and send the videos to libby. the brothers have seen all of them bc libby showed them.

not proof read so i apologize for any spelling mistakes<3. again, pls contact someone/helpline if you ever need help. speaking from experience, things tend to get better. sending everyone lots of love (and my girl avery).

[i-heart-hxh]

In all honesty why do you think Killua made the number two comment to Gon? I feel like he doesn’t realize how messed up that is to say to someone who has gone through extensive trauma trying to prove himself to a father who also put him in “second place” to something he deemed more important. It was hurtful and I don’t see how that can be repaired now. Even if they do reunite Gon is going to just step on eggshells and fear that even one slip up will cause Killua to just leave him again. Idk I just feel like separation wasn’t the solution here. They needed to talk and then stay together. But “taking a break” rarely works out for any relationship. It also sucks that Gon constantly told Killua how important he was to him but Killua NEVER returned this sentiment verbally so Gon’s just stuck thinking he’s a piece of shit who destroyed his most important relationship. Killua really did just say “screw Gon I have Alluka now”.

Hello!

I don't agree with this interpretation at all; to me, there are a number of complex reasons why Killua made that comment, and I don't think it will destroy their relationship by any means.

This post--In-Depth analysis on the Hidden Reasons behind Gon & Killua's separation scene (ep 147) Why Gon is 'Number 2'--is the best starting point for anyone trying to understand the separation, in my opinion. It's cohesive, uses supporting evidence from the series and demonstrates the careful wording used in the separation, and it makes more sense than any other interpretation I've read of why Killua would make such a comment to Gon. I keep referring back to this post because I truly think it holds keys to understanding the separation that other posts I've seen don't.

In addition to the insight provided in that post--where Killua is trying to put some distance between him and Gon for Gon's safety and well-being, essentially--I also think it's:

a) Partly how Killua is trying to steel himself to leave Gon, by telling himself, Gon, and Alluka that Alluka is his priority for now

b) Part of Killua's campaign of teasing Gon lightheartedly on the topic, to bring it up while at the same time downplaying the emotional effects of what happened between them--because when they're separating is not the right time for them to seriously address it or work through it

I do think the second place comment hurt Gon a little, but...Gon is already aware that he hurt Killua, and after his life was literally saved by Alluka (Nanika), being put in "second place" is not the worst outcome ever, honestly. Plus, it confirms he's still one of the most important people to Killua even after everything that happened between them! Killua is not saying Gon is trash to him now, even though it is a bit of a jab.

I've also said before that I think Togashi had Killua make this comment with awareness that we, as the audience, would be like, "Uh-huh Killua, sure, interesting of you to say this so shortly after you centered your entire life on him for basically the whole series and even seriously considered doing a lovers suicide with this guy..." We're most likely supposed to see it as Killua not being fully honest, even though Alluka does obviously mean a lot to Killua and by necessity she has to be his priority now. Plus, even Alluka herself says she'll give Killua back to Gon after a while. She must have some idea of how much Gon means to Killua, to be so willing to "give him back." I've said this before, but I see this line from Alluka about giving Killua back to Gon as a promise from Togashi to the audience that this isn't forever.

Gon isn't clueless; he knows Killua cares about him even though Killua struggles to express it verbally. The degree of trust and unspoken understanding between them in the dodgeball match is a good (albeit complicated) example of this. The two didn't communicate to the degree they needed to during Chimera Ant Arc, which makes sense because they're young and have their own issues and it was terribly traumatic for both for them, but they also have a good understanding of each other overall, and it's not giving Gon enough credit to assume he has no idea just because Killua hasn't said it. He doesn't know the full extent of Killua's feelings for him, certainly (I hope he will someday!), but he is aware Killua cares about him. Even when it comes to the separation, Killua expressing his pain shows that he still cares about Gon! He's saying that what happened still hurts, because he still cares! He's making light of it, but it's honestly a step in the right direction for him to be discussing it at all. If they can't be honest with each other about how what happened impacted them, they can't heal.

Of course it would be better for their relationship if they talked it out fully and came to some sort of resolution, but neither of them were in a place where they could do that quite yet. Killua is too closed up emotionally and hurting from seeing Gon essentially die in front of him, and Gon needs to recover from essentially throwing his life away and saying those things to Killua that we know he regrets. They do need some time apart to reflect and grow.

Are the two boys in a complicated emotional situation currently? Yes. Do I think this dooms them to never reconnect or heal their relationship? Absolutely not. I see their separation as more of a "We gotta go our separate ways for now because we both have things we have to deal with," (both externally and internally) than anything final. They agree to stay in touch, they express sadness at having to part, they make it clear several times that this is a temporary parting. Why make them clearly unsatisfied with having to part if they're not going to have an opportunity to make things right later?

[piratecaptainscaptainpirates]

I think season 2 of OFMD has some really interesting things to say about forgiveness with Ed's arc. Yes, there's stuff there with how Ed needs to make amends to the crew, but I think the biggest thing there is this: when you're trying to heal, it helps if you make a start towards forgiving yourself.

With Ed's mutiny, there's a tremendous amount of guilt on both sides. The crew love Ed and they didn't want to hurt him, but he made them beat him to death. It sucks, for everyone. The crew are horribly riddled by guilt, scrubbing at blood only they can see. Ed is 100% convinced no one loves him.

Part of Ed starting to feel better about himself is earning the trust of the crew back. Lucius is a harder one, because he was holding on so hard to hate that he forgot he still had a life to live. But Ed's apology and working to make amends do wonders for the rest of the crew. He has a great time having a heart-to-heart with fang. Jim and the others clearly feel miles better after Ed's apology, willing to see through the lousy speech to how Ed's wearing the sack and the bell and trying - "I thought it was pretty good, for him," Jim says. Public apologies are always a bit shit, but Ed's trying, and that's good enough for them. In eps 5 and 6, Ed is lighter and at ease with himself.

But that could only ever be the first step. Ed was perfectly willing to do what he had to and make things up to the crew, and by ep 6, they're feeling much better with him. In a way, despite how horrible the whole mutiny thing was for everyone, though, and despite how Ed needed to earn the crew's trust back, forgiveness was a bit easy in that case, on all sides. I'm not saying Ed's actions to get the crew to mutiny on him were right, I'm saying there's a point where people can't fully be held accountable for their actions, and in the middle of a suicide attempt is one of those times. Yes, it was wrong, yes he needed to make amends, but he was in such a terrible place he wasn't acting like himself or making rational decisions. All factors considered, it was probably pretty easy for both Ed and the crew to reach a place of forgiveness once Ed was back on the ship, feeling more stable, and working to make things right.

Ed throwing his Blackbeard outfit overboard feels, to me, like he's trying to run away from that part of himself. With good reason, too, he's hated being Blackbeard for a long time. But Blackbeard began in living tissue, it wasn't entirely a myth, and Ed needed to be able to make a start at forgiving those parts of himself, too.

Pulling his Blackbeard outfit out of the ocean, Ed makes a return to the parts of himself he's convinced are completely unlovable, and he does it for love. He does it so he can avenge Stede, first, and then so he can fight to protect the man he loves and their crew. He's making a start towards forgiving himself and finding something valuable in the parts of himself he hates the most.

Ed's been trying to do this since he got back on the ship. Fixing the latch, personifying it - "it's not your fault you're broken, you didn't break you." Finding the Blackbeard outfit and using it as a tool to protect others. Ed is starting to see that not everything that happened to him was because he was fundamentally broken, and he can start to come to terms with himself. It'll be slow, but he can forgive himself and meet himself where he's at.

[theyhavetakenovermylife]

Can you write about the Last Ronin where we were his girlfriend before everything went to shit and we meet him again but he also get to meet his child as well? Btw I frickin' love your fanfiction, I hope you keep expanding you work.🥹

16 Years: part 1 (Angst)

TLR!Michelangelo x reader

Part 2 (18+) Part 3 (18+)

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A/N: Thank you so much🖤 I feel like writing for TLR has opened whole new world of writing for me, and I will love to do more, even if I cry every time😭🖤 I had “Tout L'univers” by Gjon’s Tears playing on repeat as I was writing this, so when I tell you I was bawling my eyes out, I was BAWLING. For some reason I just had to make everything worse for poor Mikey😭

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Warnings: Spelling, The Last Ronin and The Lost Years spoilers, loss of loved ones, loss of child, mentioning of suicide, trauma, self hatred, crying (not just in writing, omg), and probably a lot more.

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For 16 years, Mikey had tried to live with the spirits of those he had lost. Trying to find peace with them, and let them be. But he just couldn’t. Mikey just couldn’t rest with all these faces he used to love surrounding him, knowing that he could not help them. Raphael, Leonardo, Casey, April, the Fugetoid, Master Splinter, Donatello, Gerel, Shaka. All of them haunted him, speaking to him, telling him what to do. His brothers even went so far as to belittle him for his actions and failures. Every. Single. Day.

But if there was one face that Mikey couldn’t handle around him, it was yours. He dared not to look at you, nor the child you carried on your hip. The pain from seeing the two of you, in complete silence, not speaking a single word, being the only ones that actually did as he asked - staying quiet and letting him think. He looked at you once, the pain of seeing you and the young child in your arms, was almost enough for him to end it all before he even made it to Korea.

But though Mikey never looked at you, he felt your presence with him everywhere he went. You always followed closely behind, carrying your little bundle of love, just like you did the day he lost you…

Mikey hated how clearly he remembered it. It had been absolute chaos. They never had a chance. Leo had told him to bring April and the Fugetoid, all making sure nothing happened to you. You, Mikey’s girlfriend, who had been in the second stage of your first pregnancy. You, the only woman that Mikey had ever loved. You, the only person who was willing to let him think of something, other than his horrible war of a family feud, and his so-called destiny. You, the love of his life, and the only reason Mikey has seen a reason to fight in the first place…

Mikey had lingered for too long. That’s at least what he told himself. He should just have done as Leo had said, and gotten you out of the building. He should never had hesitated. If he hadn’t, then maybe you wouldn’t have been caught in the explosion. Then maybe you, April… and the kid would still have been alive.

Mikey still remembered how strangely numb he had been when he woke up from the explosion. His body ached all over, but it was as if he felt nothing. You were all gone. There was no way any of you could have survived that explosion. Leo, the Fugetoid, Casey, April, you… and them. That was what Mikey referred to the long lost life as - them. Giving them a name would just slowly kill him over time, making everything harder than it needed to be. Almost as hard as it was so leave the ruins of your grave, without trying to look for your body. But as much as Mikey wanted to stay and look for you, he had to leave for the last family he had left, before they too were gone.

But like always, he was too late for that too. Donnie and Master Splinter was already far gone when he made it to Japan. That was Mikey’s breaking point, and the first time he wished to end his suffering. Everyone was gone. His friends, his brothers, his father, the love of his life and his unborn child. Mikey was angry. Not just at the world around him, but himself. He could just have stayed with the two of you. He could have found you and laid you to rest. Giving you, his brother, his friends and his child a proper burial. But he didn’t, and he hated himself for it.

Mikey hated himself everyday. He hated himself for not being able to protect you, and he hated himself for not taking care of you. And taking care of his own damn child. As he forced himself through the snow of the Japanese mountains, as he trained under Master Yip, when he momentarily went blind in Mongolia, and when he had to fight for his life in Ukraine, before finally defeating Death Worm in Italy, all Mikey could do was think about you and how hate himself. But soon he learned that there was only one way to make up for his mistakes. Revenge. Revenge for all that had been done to his family. Oroku Hiroto would have to feel the pain that Mikey had been feeling for the past 16 years. And that was what Mikey came to New York for. Revenging all of his family, especially the one that didn’t even have a name.

But as it has happened so many times, Mikey’s plans did not go as he intended. His first assault on Oroku Hiroto was a failure to put it frankly, leaving him wounded as he had to retreat to the sewers he once called his home. Here he intended to do what any honorable ninja would do - take his own life before the enemy could get him. But then, for the first time in 16 years, life had better plans for him, the universe deciding to keep him alive once more. Mikey’s wounds were so great, that he passed out of blood loss before any harm could be done to him. That was when Casey Marie found him, calling out for her mother, telling her to help.

Mikey woke up in a warm bed a few hours later. Confused, he scanned his surroundings, wondering if he was dead. It looked like the lair - his old home. But then he saw April, and for the first time the world shone a light upon him. April, his dearest friend, was alive. In all these years, she had been alive. He learned that she was not alone. Her daughter was there too.

“Is it just you and your daughter down here?”, Mikey asked as he slowly swung his legs over the edge of the bed.

“No”, April answered calmly, a smile spreading over her face. “We do live with two others. I really think you should meet them, Michelangelo. Right now they’re out in the sewers, looking for stuff to bargain with on the Black Market, but I think they could be home any time soon”.

And as if April’s words were magical, distant clatter of metal could be heard, alerting them to people entering the lair.

“Aunt April!”, the voice of a young man yelled, the volume of his voice getting stronger as he approached the room. Then he barged in, proudly holding up something in his hand. It looked like a little metal lump with wires sticking out all over the place. “See what I found! Can you believe it?! Someone just dropped this into the sewer! Don’t they know how much this is worth?! Idiots! Imagine the comic books I can get out of Tinker with this! I can finish father’s old collection!”

Mikey froze at the sight of the boy. It was not his impressive height he had for a teenager, nor the muscles on his arms that shocked Michelangelo, but it was the color of the boy's skin. It was green. Light green to be specific. Mikey’s eyes wandered over him, taking him in, ignoring the growing smile on April’s lips, or how the boy suddenly seemed to notice the large turtle’s presence in the room. Mikey’s mouth was dry as he saw the three slender fingers on his hands, his lack of hair, the outline of what looked like a plastron on his front, and the unmistakable shell-like shape on his back. And his eyes, strangely recognizable.

The boy’s hand fell to his side, the metallic object suddenly not seeming interesting anymore. His eyes wide as he took the stranger sitting on the bed. Mikey in turn just stared. The two of them looking with their mouths agasp.

“Yoshi”, a voice sounded out in the hallway, breaking the silence. Mikey’s heart almost stopped. He knew that voice. It was the voice he had longed for so long. The voice he had blamed himself for silencing. Yet there it was. Just outside the door. “Be nice to your aunt. She might be working…”

You froze in the doorway. Mikey almost broke down. It was the face he had forced himself to look away from for 16 years. The face of the silent woman that used to carry a baby around wherever he traveled. You looked older, but still as beautiful as the day he first met you. Your eyes sparkling with the same light he fell in love with, all those years ago.

“Mikey?” you whispered, holding back a sop as your eyes began to water. The mentioning of his name caused the boy’s eyes to flicker.

Mikey could only nod, feeling his heart pump his blood so fast that he was starting to get dizzy. You ran to him, hugging him tighter than you ever had before. His hands tightened around you, his throat knotting up, making him fight for air. He buried his face against the crock of your neck, feeling all of your muscles move as you sobbed against him. You cradled his head against you, holding him against you, tracing his head, shell, shoulders and arms.

“I’ve missed you so much, Mikey”, you sobbed, bringing his head up to look at you, before placing a quick kiss on his lips. That was what broke him. He returned your quick kiss with urgency before he broke down in tears, hiding his face against you once more. 16 years of fear and pain finally boiled over, Mikey could finally let it go. At least for a short while. He almost clawed at your clothes in order to get you closer to him. It was as if no physical connection was enough.

“I’ve missed you too, (Y/N)”, he choked out, letting the tears fall as your comforting hands made shapes on his skin.

“Mom?”

Still holding on to Mikey, you turned to look at the boy. The poor guy looked so confused, but Mikey had a feeling. The boy most likely also had. Both of them just waiting for her to confirm what they had already guessed.

“Yoshi, sweetheart”, you said, wiping a tear away, before reaching out a hand to him. “Come and say hello to your father”.

Neither Yoshi or Mikey said a word, staring at each other as he made his way over to you. April wiped one of her own tears away, before she left the room with a smile, closing the door behind her. It was time for the three of you to catch up.

You slowly moved out of the way, letting Yoshi stand in front of Mikey. None of them knew what to say. All they could do was look at each other, trying to calm their erratic breathing. Then suddenly, Yoshi launched forward, wrapping his arms around his father in a tight embrace, the tears rolling down his face. Mikey hugged back immediately, finally getting a chance to hug the kid he thought he had lost.

“I’m sorry, Yoshi”, Mikey choked out, trying his best to keep calm. “I’m sorry I couldn't take care of you and your mother”.

“It’s okay, dad”, Yoshi said, smiling even though his eyes were overflowing and his body was shaking. “I took care of her while you were gone”.

[glade-constellation]

We try to stay away from interacting with drama, as it can be very stressful on us, but yesterday’s TSAMS episode was genuinely upsetting and it’s something I feel needs to be talked about.

TW for alcoholism and suicide, do not continue reading if you feel you cannot handle these topics!!!

(I would like to state that I am not just throwing my opinion around. These are both topics I have dealt with in my life, either from someone I know or myself. I have personal experience with these issues. These opinions are based off of real events in my life that I had to go through.)

Let’s start with how the episode was set up. The thumbnail is funny, the title is obviously mean to get people’s attention. Looks like a normal TSAMS episode where Miku does some weird shit and leaves. Starts out pretty funny. Sun randomly is being given a child and Miku is trying to get him to pull some friends to lovers speedrun that is failing.

There are no TWs on screen anywhere that potentially triggering topics were about to be discussed. They just started talking about alcoholism and suicide.

They made it look like a completely normal episode and gave no warnings that heavy topics would be discussed. They used a joke video to talk about things such as alcoholism and suicide.

That is 100% not how you handle a situation like this. The VAs all have social media, and are in the TSBS discord server. If they were having a problem with people forcing their headcanons to be made canon, they have the ability to use these online platforms and talk about these situations as adults. Literally a kind PSA to the fandom would have done the trick.

“Hey TSAMS Community! We just wanted to give you all a quick reminder that, while headcanons are nice to have, they aren’t factual to the canon. Bullying and harassing others because they don’t agree with you is bad etiquette, and creates an unsafe space with in the fandom. Please be considerate to others around you, even if have different opinions!”

Post that on their social medias and boom. You don’t have to make an entire episode to explain one quick fix! Not a single TW needed! When you are an online content creator with a decent sized fan base, you have to step up and be able to handle situations in an adult way. Using a roleplay YouTube video was just not the way to handle this situation.

Now, Miku is supposed to represent the TSAMS community. Sun was representing the TSAMS staff. When Sun was talking to Miku, it was really the VAs of the show harshly criticizing the audience for having opinions. This is a disgusting way of treating your fans, especially with the topics being talked about. Like I said earlier, you need to be able to be the adult in the situation. You need to treat your fans with respect or they will stop watching your show.

Next, the topics of alcoholism and suicide. With the way the situation was presented, it could definitely be read as Sun becoming an alcoholic. A bottle of wine every day after having never drank before? To a human, that’s a lot of drinking, and a lot of sudden drinking. Until Sun explained that a bottle to us is a glass to him, it sounded like he was getting drunk every night. That would definitely make him an alcoholic. Even then, small drinks each day can eventually lead into addiction. There was valid reason for the fans to believe he was becoming an alcoholic. If you guys didn’t want your fans to see Sun as an alcoholic, then why even turn it into a possible plot point in the first place? It would have been better to just completely dodge the situation if you didn’t want it happening. “How would we address all the wine bottles in the house?” Easy, it’s sparkling grape juice. It’s a fancy cider. It’s some sort of non-alcoholic beverage packaged as one to make it fancier and cost more/sell better.

The part of the episode that upset me the most was how the handled the talk about suicide. Specifically when Earth and Sun were talking about “there are signs that people show when they are suicidal and Sun wasn’t showing anything”.

Sometimes there are signs. Sometimes it’s obvious when people aren’t okay. But it is 100% incorrect to say that every single person who has contemplated suicide, attempted suicide, or died by suicide showed all of the same exact signs of how they were feeling. Not everyone is going to show the same signs. Some signs are so minor that they don’t look like signs at the time. Sometimes signs are overlooked because people close to the person believe the person will tell them if something is wrong, so obviously nothing is wrong since they haven’t said anything. Sometimes the person who is hurting doesn’t want people to know they’re hurting, and they hide it as best they can so people won’t notice. Yes, there are signs, but those signs are so rarely actually caught and treated because people don’t want to believe another people would ever actually go that far.

Sun is a character we have seen past suicidal tendencies from. Often times, these urges or emotions come back, even is situations that don’t seems stressful to others. We as fans were being told that a character with past suicidal tendencies was showing concerning behavior most would associate with relapse (drinking alcohol, becoming more reclusive, etc.).

Calling your fans crazy and gross for being concerned for someone’s life is disgusting behavior.

Saying that the fans are projecting their own problems and then making fun of them for doing so, especially when what they’re projecting is suicidal tendencies? Downright fucking deplorable.

Once again, all you guys needed to do was actually use your social medias.

“Hey guys, we know you’re all worried about Sun right now. We just want to clear up a few misconceptions. As shown in [list of specific episodes], Sun is not dealing with any sort of mental health issues right now. He’s perfectly fine! Please remember that, while it’s okay to have headcanons, your headcanons are not actual canon and are not something to fight other people over.”

That would have stopped both problems addressed in the video without doing so in a harmful and completely unnecessary way. What you guys did was disrespectful, rude, and insensitive. Especially to your fans that are dealing with these things.

When you want to handle talking about heavier topics, you have to be an adult about it. Especially with the big following that TSAMS has. There are moments where you guys have to step out from behind the characters and straight up address the community.

I’m sure that are still a few minor things about the episode that I could talk about, but these are the main things. The fans had every right to believe what they did with the evidence given. Turning it into content for a joke video was not the way to handle this.