#like were city robbed?

[reijndeers]

what arteta comment did pep make?

here's the video of him actually saying it

a lot of audacity considering his players were cursing at the ref and getting mad on twitter 15 minutes after the match but that's not my business!

[jamiesfootball]

A very very good thing has come from this rewatch. I think I just wrote what’s going to be my favorite of all the snippets from the Roy and Sharon therapy scenes

[momo-de-avis]

Every time I see travelling influencers say “I travel on a budget and only do free tours” baby girl, one: free tour guides are not paid. They rely on tips. If you’ve ever done a free tour and found it weird that they took a picture of the group at the end: that’s because they’re “counting heads” and they’re gonna show it to the boss because most free tour guides HAVE TO PAY A FEE THEMSELVES TO THE BOSS. There’s a company in Lisbon that pays 3€ per person, and another that pays 5€ per person. The photo is so the guide cannot lie because free tours ALWAYS start off with 40 people and end with 20. The photo will let the boss say “there’s 24 people in here, so you owe me 72€”. That’s why they need tips. Even if all those 24 people tip 5€, of the 120€ they’ll put on the guide’s hand, only 52€ is for the guide. Which okay you might be thinking “but in the summer if they keep doing groups of 20-40 that sounds like a deal!” well, 1: not every day you’re going to have groups of 40, not even in June, and expect a huge drop in August, 2: if 40 people sign up for a tour and there’s 5 guides available, you’re getting a small group, and finally, most importantly, 3: not everyone tips. Not even americans. Americans aren’t stupid, they’re fed up of tipping culture, come here and KNOW we don’t have a tipping culture, so they abstain themselves from participating in it. Also it’s tacky as SHIT to pick up a cloth hat and say “our tours survive on tips” like when I saw this I felt embarrassment.

and TWO: you have no idea the wild shit I’ve heard free tour guides say. Rest assured there are good guides out there who do free tours, and many college students studying tourism start out this way. But if it’s an overly confident tour guide. Baby run.

[peachcitt]

thinking about him (the gnc man i met at a tattoo shop in my dream who decided to take a taxi to south dakota to find himself after one night of knowing me)

[thegirlisuedtobe]

someone take catan online away from me

[knifedog]

remembering that one time i accidentally made eye contact with a lady picking flowers from somewhere she should probably not be picking flowers from.. and i awkwardly gave her a thumbs up because fuck it you pick those flowers and take them home dude im not going to rat you out lmao

[gangrenados]

That moment when you have a group friend of four and then the 3 of them get closer to each other, and you end up feeling left out like 🧍‍♀️🤡

[marxism-transgenderism]

What always gets me about learning about settler colonialism is how once you learn about it you cannot unsee the violence to the land itself. My home state was previously nearly 100% wetlands, apart of the wider Ohio river valley whose biodiversity supported such large populations of hundreds of different species that many contemporary source from settlers describe it as like the garden of Eden.

The Indigenous people who farmed and hunted here (and still farm and hunt in what land they have been able to keep and reclaim) were able to grow miles of upon miles of crops with multiple harvests a year, encouraging this biodiversity by creating forest gardens with incredible amounts of food from staples like corn and squash to local fruits like pawpaws to European imports like apples alongside controlled burns which allowed fields and buffalo ranges to expand.

Nowadays my state is known almost exclusively for its fields of nothing but corn and soy beans. Driving through in between the comparatively small cities you'll see nothing but fields where the plethora of different trees and plants were chopped down mile by mile, the remaining wetlands drained and flattened, and the rich black soils robbed of their nutrients through decades upon decades of monocrop agriculture now preserved through the life blood of petrochemical fertilizers which destroy the surrounding environment.

This process was done mile by mile as the tens of thousands of Indigenous people were killed and displaced by settlers and the US army, the land measured and sold acre by acre to white settlers who raped the land as described, filling the pockets of wealthy land speculators (like George Washington and Thomas Jefferson) who bought the land directly from the government in schemes so corrupt historians have dedicated entire careers to mapping out their dramas.

It's like learning about commodity fetishism and suddenly seeing hundreds of strangers in the products that surround you. Once you learn how the land was destroyed for profit you'll never look at the miles of fields or the cracks in the concrete of buildings built on wetlands or the stench of now obsolete canals built solely for a once boat-dependent economy with no care for the environment the same.

[deadsetobsessions]

Danny used to be a vigilante, firmly on the side of good. Like, illegally, but morally good.

Danny’s 100% sure that whatever he is now, it’s not good.

Is Gotham’s influence just Like That?

He was homeless when he got to this thrice damned city (literally, because Lady Gotham was so cursed) and now he’s… here? In a mid-level penthouse with a rotation of homeless kids going in and out of his kitchen and eating out his pantry??

Danny adjusted the cuffs of his dress shirt, making the conscious decision to ditch the tie. He’s a tall 6ft 4 now, taking after his Dad. His head smarted all of the time, hitting doorframes when he was being a bit clumsier than the normal ghost-like grace he had learned to channel as The Phantom.

The Phantom instead of just Phantom. Why? Because Phantom was the name of a teenage vigilante in another dimension. The Phantom, on the other hand, is an intimidatingly tall, deceptively kind, extremely dangerous kingpin.

Honestly? Danny didn’t even want this life. Like, he had no idea it would snowball like this??

He supposed that it all started when the Penguin was trying to snatch kids off of his block on Crime Alley. Not officially his block, of course, because Danny didn’t actually enter this city to be a crime-shadow thing. But he hadn’t lost enough of Phantom the Vigilante to ignore kids getting hurt. He still hasn’t, if he’s being honest. He flew into a frantic search, tracking down the missing kids to Penguin’s bar. The Iceberg Lounge. Apparently, he wanted the kids to do some menial tasks and what not. Danny, rage flickering through his core, intangibly went in and robbed Penguin of every coin and secret the man kept.

Then? Danny blackmailed the Penguin to guarantee his kids a measure of safety from the Rogue. That began the slippery slope into whatever it is he does now. Penguin was being kept in line by Danny’s threats, the grip he had on the Rogue’s weak points, and a wonderful bit of intimidation.

——

“What, you stinking phantom? I’m stickin’ to yer rules!” Penguin snarled, forced to his knees by invisible blob ghosts.

Danny, salty and pissy from the lack of sleep he’d experienced trying to keep Penguin’s men in line as a result of Penguin trying to test where Danny’s lines were, dropped the temperature to the point where Penguin started shivering. Considering the place was already cold- the Iceberg lounge lived up to its name- it meant that Danny was standing nonchalantly in a room that was negative twenty five degree Celsius in a sweatshirt, Danny was already making good on his natural intimidation factor.

“It’s The Phantom to you, Oswald.” Danny said, in the tone of someone saying “it’s the shit, to you.”

Danny narrowed his blue eyes, letting a tiny tint of ectoplasm make his eyes glow a bit in the suddenly icing over room.

“Your people have been getting on my nerves, Oswald. Roughing up kids is so… uncultured. Are you sure you’re a Cobblepot?”

Penguin snarled, the effect of which was rendered ineffective due to his increasingly violent shivers. Plus, Danny loomed over him without even trying.

Danny, annoyed and asking himself “What Would Dan Do To Intimidate This Guy?”, gripped Penguin’s shoulder and hauled him up one handed. He dragged the mob boss over to one of the booths, avoiding the bodies he’d dropped (non-lethally) when Danny first walked in to ruin Penguin’s night. He shoved Penguin in chair he iced over, because Danny’s petty and if he saw one more bruise on his kids at Penguin’s hands, Danny was gonna go full Dan the Murderer.

He at least allowed to room to warm up before laying into Penguin, though. He stayed standing. Hey, he had the height advantage to use. He could have kept Penguin kneeling, but it was probably god the best that the mob boss got some sense of pride back.

(Danny had no idea that sitting as someone loomed over you to lecture and threaten you was even worse than kneeling. At least with kneeling, you knew where you stood. But sitting? It leaves you horribly off kilter.)

“I told you to keep your people in line. Kids are off limits, Oswald.”

“I kept them in line!”

Never let it be said that Oswald Cobblepot had a normal functioning sense of self preservation.

“Really?” Danny jabbed his pointer finger lightly on top of Penguin’s trachea and allowed his fingernails to sharpen into Phantom’s sharper digits. Penguin tried to lean away. “Then why did they start a gun fight when there were kids visible on the street? Why did I see one of my kids get hit by one of your poor excuses of a bouncer?”

“I-”

“Don’t care much for your excuses, if I’m being honest. I let you mess around with the little projects you have, without even breathing a whisper of your secrets. Sionis would love to know how you double crossed him the last deal, yeah?”

“I- I’ll keep them in line!” Penguin stuttered.

“Well, I believe in second chances,” Danny bullshitted. Ancients, how was this even working? “So I suggest you make an example of the guy that smacked Hailey around before I make an example out of you, Oswald.”

“Fine! Fine!”

——

And with that, he got access to Penguin’s resources and men and more importantly, the corrupt police officers. He made Penguin “boot out” the pedophilic ones (in a very violent way) and kept the rest.

Then? Mr. Freeze froze over the god damn pipes and Danny had to intimidate and make a deal with the Rogue so he and his increasing roster of orphans had access to warm water.

In exchange for Danny’s restorative and, more importantly, unmelting ice, Mr. Freeze was now Danny’s… on-call enforcer?? When he’s not researching cures for his frozen in a pod wife, that is.

Danny was satisfied with that. He was! But then Black Mask happened, with the man trying to engage in a battle of wits with Danny over the control of Crime Alley which, at that point, was firmly Danny’s territory.

The thing is, Danny doesn’t play nice anymore. Why bother with pointless mind games when he could just…

——

“So, you’re The Phantom.”

“And you’re Sionis.”

Black Mask twitched at the name, gloved hands pulling out his guns. Danny sat on the counter, head touching mid cabinet, and sipped out of Sionis’ favorite mug.

Because Danny broke into Black Mask’s safe house and stole his quality coffee. The man’s eyes were wary.

“How did you get in here?”

Danny shrugged. “Walked.”

Danny held the coffee out of the way as Sionis unloaded a clip into his chest and lunged forward to slap a mask onto Danny’s face. After waiting a bit, as Black Mask’s smug triumph bled into shock, Danny laughed and, using a bit of his natural strength, tossed the guy off of him. He casually took the mask off of his face.

“Jeez, I’m trying to be nice, here.”

“So, you’re a Meta.”

Danny grinned. “Eh. And you’re a cult leader with a mask fetish.”

Danny tuned out the rant about the “true face of Gotham” or whatever, already bored, and sipped at Sionis’ coffee. The ass might be a psycho, but his coffee tastes were wonderful. Danny stood up, rinsed his mug, and turned back to Black Mask.

“You’re trafficking people. Kids.” He said, cutting through Sionis’ chatter. He was sly about it too, committing violence and torture in a way that would ensure obedience and fear. Danny probably would have never caught on, Black Mask’s schemes being so ingeniously created and executed, had he not kept a hawk’s eyes on the more vulnerable members of Crime Alley’s community. And the rest of Gotham’s vulnerable communities, of course.

“My, a wonderfully obvious conclusion. Now, Phantom, I have a proposition for you.”

Sionis seemed to have gotten his bearings back. Danny tilted his head at him, looking down.

“You can work for me,” Sionis said, before opening a laptop with video feed to one of his masked men or whatever holding a knife to one of Danny’s more fearless kids. Danny snarled.

“Or, refuse, and your kid will lose a finger for every instance of your defiance.”

“I told you not to touch the kids, Sionis. I don’t allow trafficking either.”

Black Mask chuckled. “Cut off a finger, Sadness.”

“Yes, bos- ARGHHHH!”

Danny watched as Mr. Freeze froze the goon’s arms before breaking them.

“I’ve got her, Phantom.”

Danny nodded at Freeze, keeping an eye on Sionis in case the fool bolts.

“So, what are your cards now, Sionis? You’ve sure pissed me off with nothing to show for it.”

And that was the last night anyone heard from the one that was supposed to be the King of Crime.

But Gotham knew the head mounted on a pike at one of Black Mask’s hastily abandoned bases was a warning, that The Phantom was watching.

——

Then he somehow got a gaggle of more orphans that were undead zombie “Talons?”

From there, he just obtained influence over the crime bosses of Gotham. Because his Talons kept bringing him heads and blackmail and his crime alley kids and Gotham orphans kept bringing him information for food and safety?

But like, Danny never wanted anything in exchange for the safety he provided. His core could give less of a shit whether he got anything in return. But he couldn’t convince his kids of that! They’re putting themselves in danger and ugh-!

Danny checked himself once more in the mirror. Ready, he stepped out into the night to wait for the Bats at his new favorite VIP spots.

On the way, he passed Ivy and Harley, who he waved to. Pamela worked under him because he controlled Gotham’s criminal underground (which also mean the official parts of the city considering the sheer amount of corruption) and influenced them into more plant friendly methods. His dominion over Undergrowth also helped immensely.

Harley? They’re friends. He beat up and crippled her abusive ex. She gave him therapy and stopped torturing people for fun.

Danny stepped into the back door of the Iceberg Lounge. No one stopped him. No one dared to.

He settled onto a velvet couch, nodding respectfully at the server that had immediately and nervously set down his mai tai. He glanced around for cameras and wire taps, before giving up and upping his ectoplasmic output to short any recording devices out.

He sipped his drink as he waited.

“Batman.”

“Phantom.”

“Oh, good. You didn’t bring Robin,” Danny said, watching Batman tense. “Kids shouldn’t be in places like these.”

Batman stayed silent.

“Come on, sit.” Danny gestured to the couch across from him.

“This isn’t a social call. I’ll stop whatever you’re scheming-” Batman growled.

“Oh my god, you’re so dramatic. Is this where Nightwing gets it from?”

Batman snarled.

“Sit, sit.” Danny rolled his eyes.

Batman stayed stubbornly looming. Danny sighed, allowing his voice to slip into velvet danger.

“I told you to sit, Bruce Wayne.”

“You-”

“I won’t repeat myself again, Bruce. You’re testing my patience.”

Bruce sat, wary and hyper vigilant. Danny sighed, settling back in his chair.

“You’ve heard of Red Hood, yes? Don’t answer that, it was hypothetical. I know you’ve heard of him.” Danny waved a hand impatiently. “I don’t really care why he’s setting up shop in my Alley, but he’s upsetting the other crime lords. They’re asking me to interfere.”

“I don’t work for you.”

“No,” Danny acknowledged with a nod. “But I could make you, if you push it. Politeness would serve you much better right now, Bruce, seeing as I am doing you a… favor. And since I’m not shouting to the world who you are under the cowl.”

Danny gave Batman a pointed, patented, mom glare.

“… Apologies.”

“Now, you might be wondering what that favor is.” Danny watched Batman’s cowled face carefully. “I thought you should know that the Red Hood is your “Jason Todd.’”

Batman was still. And then Batman leapt at him, snarling, “How dare you-!”

Danny caught the vigilante by the throat and squeezed.

Batman’s flurry of punches- which, mildly ow, those gauntlets kind of hurt- quickly changed to clawing and maneuvers to get out of the choke hold. Danny held steady, cutting off the vigilante’s air supply until he began to go limp. He’s not Superman. Danny will bruise and kill, if he had to.

“Are you going to listen to me now?” Danny asked mildly, emulating both Black Mask’s drawl and Dan’s effortless psychosis.

Batman gave a weak nod. Danny plopped him unceremoniously back onto his couch. He sipped on his drink once more as he waited for Batman to cough some sweet air back into his lungs.

“I’m telling you to get your little birds in line before I have to go hunting, yeah? Keep your kids out of danger, Bruce, and I won’t have to step in.”

“He- how do you know..?” The growl isn’t there anymore, and Danny felt a smug sense of vindication of having smothered it out of the guy. Woah, no, that thought was too Dan and too little Danny. Danny handed him a cup of water, which Batman didn’t drink.

Danny rolled his eyes and raised an eyebrow. “Drink. If I wanted to kill you, I would have done it by now. And as for how I know…”

Danny held up a beat up copy of Jane Austen’s Sense and Sensibility, filled with Jason’s writing. He tossed it to Batman, who caught it with blank eyes.

“Water,” Danny reminded him firmly, feeling like a mother hen. Batman gulped down his water, eyes flicking between the pages of Jason’s annotated book. Ancients, Danny couldn’t believe he annotated his book. A crime lord, like that? Well, it’s not like Danny could say anything.

Batman looked up at him, a silent demand- no, plea, because he’s not in a position to make demands- for an answer.

“Broke into his safe house. You should contact your fling, Talia. Seems like she dunked him into these “Lazarus pits” and told him you replaced him with the current Robin.”

Danny could see Batman’s emotional gears hard at work and honestly, he doesn’t have time for that.

“Now, we’re done here. You owe me one for the information. I’ll collect later.” Danny grabbed the Dark Knight, who stayed oddly unresisting (shock, maybe?) , and hauled him up.

“Tell Tim Drake to eat more. He looks too skinny.” With that, Danny dragged the Dark Knight to the window and punted him out. His kids were waiting on hot chocolate night and Danny had to go shopping for quality ingredients.

——

“YOU COULDN’T HAVE TOLD ME THE BIGGEST CRIME LORD OF YOUR CITY WAS THE FUCKING HIGH KING OF THE INFINITE REALMS?!”

“Hn.”

“BLOODY HELL, DON’T YOU GRUNT AT ME, YOU BROODY BASTARD!”

Constantine let out a scream. Shite, the king who held his soul contract was a crime lord. Great.

——

The reason intelligence and convoluted schemes and genius doesn’t work against Danny is because he’s got weird standards of what he’ll tolerate and the fact is that his normal dumbassery and mother hen tendencies cancels out and coherent thoughts or plans he might have had.

[capslocked]

PRAXIS

male reader x irene

23k words

"A girl could walk in and mistake this for an affair," you remark, and Irene smiles up at that.

The sound of city traffic underneath your open window makes for an uncertain backdrop - though the browns of her eyes glimmer caramel in the dying light. Something sweet, the beginnings of an addiction if you’ll let her.

"A girl could walk in," Irene says, "but, she never does."

It was not a good idea, of course, to keep doing this where the whole world could see, where your shadows and silhouettes make lurid shapes against the blinds, but your office is small and the lighting is soft and Irene keeps pushing up onto her tiptoes, pressing you flat against your desk, trying to kiss you, and you won't be able to stop her - or want to, not when she's already leaning into you with her arms loose around your hips, her eyelashes heavy, her mouth a pink line of want against her smile.

It’s inevitable, maybe.

Here's what they might catch in the exact moment, in a not-so-distant memory:

Your heartbeat, quiet and slow and distant, like there's too much blood for it in your veins, your skin electric-pulsing underneath Irene's, the feel of her leg hitched up your waist, your hand wound tightly in her ponytail. The tiny sigh of a smile at the corner of Irene's lips, like you're tickling her somehow - you'll stop if she really wants you to, but - she doesn't. She never does.

Why wouldn't we want to be mistaken for something? is what you’re supposed to hear; she's too haughty, too proud. Someone could catch you. She’ll never come out and admit, just what would anyone do, if they did?

So yeah. It’s complicated.

You give a little, Irene pulls back. You do your damndest not to push. You hate how goddamn easy it is to convince yourself of anything, everything - whatever the lie. Irene isn’t ignoring you. She doesn't ignore the texts you send her. You don’t need to make plans more than two hours in advance. Mixed signals are such a misunderstood phenomenon: she can just be shy, sometimes. Maybe she doesn’t want to intrude. She was nervous, but she felt really fucking good on top of you - maybe next time, the guilt will be a bit less for both of you.

It’s just sex, she says once to you after; there’s no strings attached. How could it get ever more perfect than that?

-

(And she’s right. You know she’s right, or at least you very well should.

See, you’ve been talking for hours about how you shouldn’t be talking for hours on end. Kissing her after a conversation you’d had around the fact you’d both be better off as friends.

So how's that gonna sound, anyway? Here, go on, try saying it:

Bae Irene? Yeah, met her on the subway - that's the story, the reason you know her; you got on a train one day and she was the prettiest person there. You were both headed to the same place. You’re just not sure when that's gonna change.

And well, the way you see it: you’d feel so much lighter, like a feather, with her off your mind.)

-

To be candid, you can't really pin down how any of this started. The logistical details, sure. However the suggestion, the sex, the seclusion - these things, not so much.

Somedays, if you squint, it plays out rather predictably. You’ll be going about your business, a particularly average day everything considered, or - well, mostly. Today, there are just the two minor caveats:

First off, your key grinds in the lock when you jam it in. That part is pretty normal, but to your surprise, the door is already very much open.

So, that's odd, you think. That's very odd. You slide inside, cautious, and as you call out an even more cautious "hello?" you realize all the lights are on - so either you've been robbed or are currently in the state of being robbed by someone with suboptimal visual acuity. A disability-washed-burglar. Not to minimize crime, of course, but that'd be interesting, you think, or representative perhaps? Maybe.

Alternatively,

Irene's let herself into your apartment again. It’s quite plausible.

She's not great at the whole 'asking permission' thing, though she swears every time it'll never happen again. You peek around your foyer: there’s her coat, her heels, her shirt, a handbag - all strewn about the hall like she’d been raptured and left a delicate trail of destruction, which does sound a lot like the Bae Irene you've known forever.

(Okay, six, seven months isn’t forever - but you get the gist; the general principle still applies.)

Now another, horrifying option is that both theories are true, simultaneously. A home invader has in fact gotten to Irene. In the middle of robbing the place. How terrible, how awful, how genuinely macabre, what a genuinely-

"Yeah, hey," you hear, followed by a heavy, sloshing thunk. "Welcome home or something."

Sure enough, as you enter the kitchen you spy your truly awful vision being confirmed. One of them, anyway. There is your incredibly hot (this is in reference to Irene), extremely fashionable (same boat as before, honestly), dangerously intelligent (yes) and notorious rulebreaker of an (it really bears emphasis on how hot and fashionable and stylish said rulebreaking often is) acquaintance as per her standard. Irene. A roguish and impossibly captivating conglomerate of trouble with a mild attitude and perfect posture; as a collection, she's a collection you want, a package you intend to keep, an accessory you'd die for. That, and a kettle on the stove apparently, so she can make you tea while you languish on the floor, and you could live like that forever, or so the dream goes.

Also right, the second caveat: there's the robbery. She's stolen a button-up out of your closet.

And look - she's actually so much prettier than she has any business being. Hair up in a messy bun, lips painted light. Nail polish starting to fade. She's still in her nylons and a tight little pencil skirt and you can't really complain. You'd need to be legally dead.

"Hi," Irene says, and the burner sputters to life. "Where'd you go?"

"The bank. And then I had to return books," you say, shucking off your jacket. "You know, I wasn't aware anyone else was living here."

"Excuse you," Irene replies. She turns, leans her forearms on the counter; the shirt buttons are misaligned, but she makes it look like a stylistic consideration - how the sleeves are pushed past her elbows and the neckline has already slipped down one of her dainty shoulders.

She has your clothes. She has an irritatingly winsome half-smirk. The clock above the stove says it’s barely even 9 PM.

"Do you get your mail forwarded here, too?" You shuck off your jacket. "To further clarify, why not call first? Maybe text? Hell, smoke signals could do."

"Because it's a hell of a lot easier to ask you for forgiveness," Irene tells you, knowing, "asking for permission gets me nowhere," and then grabs a mug from the cupboards. She seems to know where everything is already. "I don't know why you get so bothered about it, honestly, what should I do? Call you and say, wow, babe, I am planning on letting myself into your apartment, sorry, yeah, I was thinking we could - ah fuck - you know what, I am irreparably, incomprehensibly horny."

"Nice vocab."

"Thanks," Irene says, beaming, and even tips up her chin to show it.

You notice that you actually match right now, since it is, technically, your shirt. Sure, your collar’s a little stiff - and she’s barely able to keep the fabric from folding and spilling over her lithe frame, but that hardly matters. It's so ungodly hot. She could wear anything - or, probably, nothing, if you're being honest.

And you are, mostly.

So you pad into the space right behind her to tell her some truths, the things you think - but she spins on her heel before you get the chance to grab her, which is a pity; you'd love to do that, maybe just push her flat to the wall. You know, if she'd let you. She would. Probably. You'd ask, definitely, but you’re thinking you wouldn't even have to.

Irene crosses her arms. The collar keeps slipping. You see her collarbone, smooth. She is flawless, no fucking wonder. You are almost terrified of her at times.

"How do you know I’d have said no?" you ask, and it sounds a little sweet - then there’s you noticing an old bruise along her throat, where her shoulder dips down; that was probably your doing, probably from this week, last Saturday maybe? Her skin seems softer somehow, looks like her makeup was fresh at the beginning of the day and the end of the night, that kind of evening smudging. She's smiling with her nose crinkling up. 

She doesn’t react when you press in closer. 

"Really." You’re waiting for her. Probably waiting for her to kiss you, to reach up on her toes and latch her wrists behind your neck, to reach her mouth to yours - though, she doesn't. Her breathing picks up, so it's almost like she doesn't have to, she's smiling at you so sharply. It’s a rare win for restraint as far as your apartment is concerned.

"So then where lies the issue?" she asks, and then she simply waits on this smoldering sort of glance.

You can’t help the laugh that follows. "I mean it's the principle of the thing."

Irene hums at that. She glances to the side. Toward the windows, back to you, and then all over your face.

"Then, allow me a principle," she finally says, staring straight at your mouth, real subtle-like. "Yes, I'm going to keep coming here. Probably a lot. I mean, unless you have an actual issue you'd be hardly one to talk: Mr. Keeps Do Not Disturb Active At All Fucking Times. I bet you're the last person to go through their voicemails, too."

"Guilty, but look - I hit critical mass, like, a thousand unheard messages ago. It’s untenable and unreasonable. You should be offering me pity."

"You are ungovernable." Irene sinks back a bit against the countertop, slow, smooth and sinuous. "You're basically a hermit." She smiles at her own assessment, the grin growing with its truth. Her eyes sparkle in the low-light and her teeth bite at the bottom of her lip. The tea kettle starts to rattle.

"I think we’re supposed to be discussing the breaking and entering here," you correct, dryly, and step a bit closer, "also just for the record, hermits are implied loners. And yet."

"And yet," Irene echoes, letting her voice trail away.

There's an uptick in the corner of her mouth, and she glances at you, quick, momentarily mirthless. You wait for the punchline, the verbal parry, the expertly timed jab-

"What?" asks Irene, and her face instead is all soft edges, light pink lips, and clear, uncomplicated eyes. She grabs for the end of her sleeve and folds it one more time down the slender length of her forearm. The watch on her wrist catches the light. "It's a decent theory."

This almost feels normal, you think, like a routine, something domestic - Irene leaving her things all over your apartment, Irene occupying your bathroom cabinets and the space on your shower rack that used to belong to a singular bar of soap. This is a tale of a typical hookup arrangement gone absolutely off the rails: sex for a night here, a dinner together there, a break from the monotony. You shouldn’t even know Irene that well, you think, or nowhere near as well as you do - and somehow that didn't stop you from giving her a spare key to your apartment - or it didn't stop her from wanting the damn thing.

You try not to read too far into that last one, since you're probably the only idiot that hasn't noticed how smitten Irene has been from day fucking one. It’s your fault, it’s hers; there’s a case to be made for either.

"You can see how a girl might walk in and jump to the wrong conclusions," you remark.

Irene laughs at that, "Oh yeah?" and her eyebrows raise, her lips pursing in an immediate half-smile - this hot little line that’ll get kissed right off her mouth if she’s not careful. She doesn’t even pretend to react otherwise: that same brand of pleased, almost flirtatious - a bit unyielding. Pragmatic, maybe. Not fully on board, still keeping a distance, just an inch outside of what it could be. She never stops fucking with you. She's never anything but beautiful.

It's very unfair, if anyone’s keeping track.

"You mean like an affair?" She laughs out loud. The mark at her temple dots the expression like an exclamation point. "Like me, as your mistress. That’s fucking crazy." 

"Satisfy my ego. Pretend that wasn't, in any conceivable world, the worst possible phrasing, but yeah. More or less," you say, "one which would, mind you, seem very poorly planned on both our parts, all things considered."

There's a pause where she scrutinizes your face; you stare evenly back. It's kind of a bluff. You are sort of a self-centered prick, on occasion, but you are not lying to this woman; you have no reason to. Maybe it's a gamble: to hope she understands you better than she ought to, or to wish she'd accept you in spite of that. To want her, in your home, at your leisure, a friend or something more. 

Trying to materialize words for the immaterial is largely the dilemma.

"An affair, huh" Irene repeats slowly, tasting the word carefully, like she's trying it on for size - and she cants her hips towards yours. Her fingers had wrapped around the bottom of your tie at some point. "My goodness, that’s like, so, so romantic of us."

"Also jesus, please, ‘mistress’ is horribly gauche," you say, and Irene tugs a little too hard and you step forward. The smug look on her face suggests, not entirely unpretentiously: how else, then, shall we call it?

"But look at me. I am in your kitchen, I’m wearing your clothes," she reminds you, with another tiny pull, which draws you so much nearer. You can feel your neck prickle. "That makes us quite close, wouldn't you agree, darling?"

"Dial it back," you tell her, because Irene's the only person in the world that can put so much stress on a single fucking word and get away with it. 

But she's watching you, watching you still, intently. She looks good, smells somehow even better, You inhale her. There's this cloud of shampoo, fragrance, whatever she's decided to wear - citrus today, light. God, she's so fucking gorgeous.

"I'm still trying to scold you," you end up adding, because it won’t go without saying.

"And I'm waiting for you to." 

It's not the right answer, though your annoyance dissipates almost as quickly as it rises: Irene could probably charm her way out of anything if she really tried, maybe, and still make the entire world like her even better - so instead of responding, you just sigh, and sink further into her. She wraps your tie once around her knuckles, and tugs again, harder and pointedly, but it's not so hard that it hurts; you know she could manage that if she wanted. Irene just grins up at you, rosy in the face and pretty: no pain, just fun.

"Are you mad?" She tilts her head in and places her exhale right over yours. You could count her lashes if they’d stop fluttering. "Are you going to tell me you'll send me packing now? Just order me right the hell out of here and change the locks, do you mean it?"

"I would, definitely," you say, without so much as a beat missed. "If I weren't so busy being inconvenienced by the fact you're so goddamn pretty."

"Mhmm." Irene fits her lips to yours, murmuring, "exactly."

Her body presses and pushes up against you, and you're thinking again about Door A, Door B. Thinking about your future, her future: it doesn't mean anything. Who needs to dream, when Bae Irene's already such a walking daydream? Hypothetically - a wicked little fantasy if nothing else. She still can't fucking resist pulling away after just a second, just a touch too soon, and laughing right against your lips - even though, when you open your eyes again, her eyes are softly closed and she’s leaning in for more.

The reality is: the two of you, inextricably, are bound in each other's pull. A binary star of (1) extremely talented, (2) equally charming colleagues that only accidentally get lost inside the same room: (3) office, (4) storage closet, (5) bedroom, (6) living room, (7) kitchen, (8) the little-used laundry nook. Your list keeps growing. It is exhausting, but maybe not the worst: not, actually, so bad-

Your hands flatten against the cool material of her skirt.

"I could," you mutter, trying so hard, "you know, stop this. Maybe."

"I actually happen to believe you," Irene's saying. Her teeth graze your chin. "But maybe you can try," she offers, not so helpfully, "just this once?"

The hem of her shirt slips up the long stretch of her leg. It doesn’t move far before the bend of her knee has her pinned, skirt pressed flat to her thighs. You aren’t exactly a gentleman, so you pull it to her waist as you press even closer. The nylon feels wonderful against her legs.

So you let it boil down to the instinctual, the obvious. To physicality: her hip against your own, her soft sigh as the kiss grows in strength. You wrap an arm around her middle; her hands cradle the sides of your jaw - the tip of her tongue brushing yours - then her fingers find their home on the nape of your neck. When you touch the inside of her thigh, across the smooth fabric, ghosting over the center - where the tension is tightest - her lips part a little. She shivers. You try not to smile about it.

"Slow?" you ask her, and the amusement feels unfair to her, even if it is your best attempt to appear thoughtful. She sinks her nails into your skin and her eyelids open slightly. They gleam. "Told me to try," you point out.

You touch her, feel the heat as she says, a little strained, "I did." She swallows. "I'm allowed to change my mind later, though."

"Fine," you relent, "then so am I."

She considers this briefly. Her lashes lower and raise. She nods.

And the teasing has to go somewhere. "Well," you murmur, and kiss the hinge of her jaw. "Mistress it is. Guess there isn't much left to work with, huh." And in any other context, these are the things that earn you another patented-glare, a toss of a pillow over the bedspread, a hard swat on the chest, an indignant 'well fuck you, I can't believe we're having sex!', an abject departure, a million things all at once - at its most dramatic and emotional: a maelstrom of verbal riposte.

Here, though-

She hikes her leg even higher around your hip. Her fingernails clench even sharper. Your tie falls down a button, to the crook between her neck and shoulder, and her hair comes free of its messy ponytail. The line of it skims over her breast, just so.

Irene sighs louder, and does that thing, a deepening in the middle of the noise that lets you know exactly how badly she wants you - this, you're getting familiar with, or the start of it at least, that fine-tuned way Irene wants someone when she doesn't even hesitate to show it. It was odd, and at first almost embarrassing to see. That might've even been part of the charm, you think: Irene could want to devour you. You were you - slightly interesting, and in her eyes, probably the most intriguing fuck - but whatever her reasons, it all clicked for Irene. She had a system to evaluate and adjust and execute. There wasn't room for wasted effort.

"Hey," she hums, low in her throat.

"Yeah," you say, lifting her right up onto the counter. 

And see - there are these gestures, reminders, not always in good faith, where you make her feel small: Irene's wrists are suddenly so narrow, one right at the surface of the counter, fingertips cool at your collar, and her nail polish chipping a little at the edges. Your palm is larger, enveloping the high, broad arch of her hip, the sharp line of bone to muscle to sinew. She feels fragile, is what it is, a fine-boned little bird, a thin silhouette under her loose, borrowed shirt - it's almost poetic, a regular old fuckbuddy - a physical habit, and you know her, know how many inches, and you can find your favorite parts of her in the dark, but-

"Want your mouth," Irene's saying now. Her lips glistening, eyes liquid; you want to tell her that that's an indisputable victory, just objectively, even before the clothes fall.

"Tell me where to put it," you offer back, and watch the corner of her lips twitch up.

She runs her hand through the back of your hair, mussing it, the lazy drag of her nails, her heel right to your lower back. The light from the stove is doing her wonders, gold catching off the paleness of her skin. "Make yourself useful, I think, like on your knees."

You raise an eyebrow at her.

"Don't give me that look" - and Irene shrugs her shoulders back - the shirt falling more, the flat plane of her stomach - this jut of bone, the pretty contour of her ribcage, the stark outline of her body just under a few too many buttons.

"It just comes off a bit greedy," you say, letting the words twist, playing with the hem of her skirt between your fingers.

"Maybe because you reward that kind of behavior," Irene retorts immediately.

"You’re spoiled," you laugh. "That’s all. Just spoiled. Life must be great for you, do nothing and let someone else do everything."

It's another one of those, 'you fucking like it', and Irene smirks like the shape of her mouth here is foreplay enough alone. She might be onto something. Like the easy back-and-forth - how she's sharp as razor wire underneath you - a double-edged sword if the weapon knew the sheath.

You lean in. She places her palm flush to your heart, like she can measure exactly how long you’re drawing this out with its steady thud. You know she’ll repay it in turn: she thinks it's hot to jerk around with your emotions before she fucks you, like playing roulette with her orgasm, yours - a slow crawl, a nice burn. Her fingers curl.

"And here you said I was ungovernable."

Irene huffs, slightly. "You are still fucking talking."

"If I shut up, will you scream for me, sweetheart?"

You run a hand up her waist. There's this whiny intake of air. Then Irene says, soft and slow: "earn it."

(Maybe you shouldn’t keep enabling her. Therein lies the problem. Okay, so maybe you like this particular problem.)

But she's tugging your tie out of the way before the words leave her lips. The distance you have between is scant, which seems to be fine, with the way she leans in as the last syllable drops off her tongue, kissing the corner of your mouth, impatient.

It takes approximately zero convincing to drop to your knees; that much has not changed. You glance up at her. Your hands curve to her waist, sliding up. It's funny - how your fingertips just brush under the billowy fabric, how the taut skin over her ribcage fills the length of your palms, and then a touch further. Perfect proportions, as Irene usually is; you're on your knees and that's by design.

Your thumb rolls over the outline of her nipple and it peaks, draws into a quick, rosy point beneath the flimsy cotton, like an open invitation.

Irene smiles lazily, gorgeous - and sinks back again against the countertop. Her feet land on your shoulders. The nylon in the bend of her ankle slides soft at your throat, gentle. "Waiting." She sighs a little. "Still, waiting."

You press a kiss over the nylon, the fabric underneath, teeth barred and tongue pushing. "You said slow," and the rest of you might as well catch on fire, just for borrowing a moment’s composure. You can see yourself bringing her down to the floor, the kitchen tiles, spreading her legs and fucking her into the linoleum, scratching them up, making her cum as many times as she asked. But there's this heavy drag down your back, the nerves blooming. "So let me. I won't get distracted," you murmur - or don't, really - into the softness between her hip and waist, along her navel, the tight planes of her tummy. "I promise, I'll get there, baby."

She hesitates. The breath she holds back is a telltale pause.

And the first thing that really sinks into Irene's skin, besides yourself, is this: every last shred of hesitation she was waiting on, the self-control? Now gone. You've done nothing but serve its loss. She seems to sense her power; and in one blink, the act is apex. In a beat her nerves are recovered, and the nerves are fuel. A natural killer, an organic toxin, that same smile curving her lips, a pointed glint to her eyes.

"Baby, your mouth," Irene insists, her knees falling to the sides, "open. And yes," and a pause, or maybe an addendum, a double meaning in the downtime, "to be perfectly frank: free for me to use. To come and go as I please."

"Haven't left my fucking mind for a minute, sweetheart," you offer up right back, not bothering with restraint.

Irene clicks her tongue. "But yet, you don't ever do exactly as you're told-"

She hiccups, or something close to it - because you grab her ass, bring her hips closer, until you can sink your nails into the firm give of flesh.

Irene looks down at you, eyes just wide, and - ah.

She sighs. Sighs because she knows - you can find god in everything; that’s the goal, that’s the creed - and maybe Irene wasn’t your original way, maybe you were always meant for a different sort of holy figure, but the words you choose are doctrine in the end; that first prayer you got down on your knees and said to her was no less truthful for its betrayal. There are rules to it: this is faith, the religion. This is her. You belong to Irene, and she belongs to you.

"Um. Did you just tear my stockings?" she asks, like a sudden realization, her mouth still dropping.

You nod, because, well, yeah, and pull her panties to the side. "Permission, forgiveness, et cetera."

In lieu of a reprimand or a rebuke, she lets a shockingly pretty little moan when her pussy gets stretched by a finger, two - and they're wet, slippery, easier than the lace had ever expected, and she's already so plush, red and rosy. Irene has always gotten wet quickly, with your fingers, your cock, your mouth on her - and her head falls back in one languorous stretch. The tightness around your finger is dizzying. You'll never grow tired of watching her: a sudden shift, the spine so pretty when arched, the pulse of blood under her thighs, the fluttering of her cunt as it comes to the very precipice of letting you in.

"Do you understand me, baby?" she's asking you, and her breath seems to pick up and the muscle flutters again.

You waggle your eyebrows and lean in, and whisper against her skin, "better than anything."

Your mouth attaches to her clit and never lets go. You fuck her, all sweet, on two fingers. Down to the last knuckle. You curl your fingertips, and she's gasping. The scent of her drives you fucking crazy; this is what paradise has always tasted like, and heaven's the press of her thighs - your name spilling from Irene's mouth. She gets wetter, and wetter - you lap as it floods out of her, down her thighs. You lick it, taste the salt and her bitterness and her arousal, how her pussy grows slick in an instant, swollen under your touch, wanting, aching. Her heels press over your shoulders and dig in, tight.

When you look up over the tight spasms in her diaphragm, you realize she's got the shirt unbuttoned, finally. Fabric spilling down to the granite, skin and bra and sheen; you wrap your arms around the perfect curves of her thighs, the nylon shifting soft on your hands and bringing her closer, hitching up to your shoulders. This is only part one of what you owe Irene - the easy part, actually: you can see her clench in the same breath that she's straining - the need and want to fill her up a sin, the wet smack as her folds are pried apart by the flick of your tongue, the sounds of your hands, the desperation. She'll want, and you'll get, until she can barely handle it. Until the tremors overwhelm her, until it is too much and it never will be, ever enough - until she's left so gorgeous like that, shivering.

The kettle's got the pitch to its scream now, and the volume. The sound makes you grind your teeth. Lick harder, suck longer, kiss a bit deeper - her clit, the pink tip of your tongue pushing in past the folds, between the ring, deep and heavy. Fingers moving slow, almost absent-minded, flitting across her breasts, pinching a nipple - Irene groans. The metal rattles louder, louder.

The shirt's rumpled, tangled, bunched up between Irene's elbows. You lean your teeth to the crease of her hips. You lick, the smell filling your nostrils, her fingers threaded in your hair - holding you where she wants you to be:

"And fuck, ah, do you, oh god- fucking do you- have an," she sighs, trembling as the movement of your jaw sends her shuddering, as your mouth runs and your hands open her legs. She pants. "Oh, darling. Have an honest-" she laughs and the sound pitches too, "-idea, I mean-"

Irene has started grinding against you. Your heart is thundering.

"-of what I'm-"

A moan finally breaks from her lips, so disarmingly beautiful. Irene grabs for the edge of the granite counter; she can hardly seem to make out what she wants. Her orgasm is cresting higher, each flick of your tongue and soft sound of you bringing her there, near. You like that she needs you, like that the word 'insatiable' becomes an insufficient assessment. You push, you move - her hands tug you. You taste her: a warmth, the depth, the pulsing.

"-what you're" - a gulp, a gulping swallow - the fridge keeps beeping, the front door sticks, and it'd be so perfectly quiet if not for the fucking tea kettle. It keeps boiling and boiling and you are drinking your fill, drowning. Her skin smells fucking delicious. You can feel her heat pooling. "Fucking, o-oh, fuck- fucking doing-"

You smile into it. Against her messy, quivering cunt. You are: unashamedly smug.

And fuck. She's gone, swept away, carried off, the pressure of your lips sending her crashing back down with a moan - the kitchen still buzzing and the steam a bit of a haze, and you haven't even finished bringing her through the dying breaths of her orgasm before she's gasping, pulling you back up on your feet:

"I need you, I- right now. Up here-"

Irene tries to grab for your neck again. She doesn't seem to mind her own lack of strength, though. In any other circumstance you'd think she'd look a bit pathetic: her shoulders curved, chin resting in a hand, a absent, pleasantly confused grin, legs and hair a complete unmitigated mess - and here: her lipstick wiped, mostly smudged, her wet, glistening thighs-

"Tell me," you say, and a thousand possibilities are imagined. To get inside of her, feel her nails dragging across your chest, her teeth at your throat, her moan as you slide into the very heat of her - fuck, you cannot stop. She's got you spinning and you’ll gladly lose this particular battle; a typical Bae Irene ending. "Please, tell me."

The water boiling over has begun to crack; and the first tendrils of steam begin curling into the air.

"God," says Irene, shaking with her body so desperate, her hand still grasping you back. The look in her eyes seems so beautifully wrecked, but in no hurry to show it. She smiles, because she wants that over anything. "Don't you fucking listen?"

She grins.

"Ah." Irene shakes her head, pulls your head back, staring, but does not rise to a sit, just slides herself out. One leg kicks, one, then two, from the corner of your eyes: her nylons shredding down their long seams. You're on your feet; you're not really standing, but then you have no real bearings to start with. Your cock is throbbing.

She just scoots on out, and shuts off the stove, and sets the kettle a step back.

"Maybe," you say, pressing your thumb to the seam of your pants. You could probably die of lust right now and have no regrets. "Maybe not. I think I need more convincing."

It would probably also help if your thoughts could stop racing.

"Huh."

She turns - though not with the skirt. The hem has fallen to the floor. A puddle at her ankles. She's only slightly out of breath; the wet between her legs gleams. The slick, smooth fabric of her lingerie sticks to the swollen outline of her pussy. Her fingers dip down, playfully, so she's leaning over the counter. She tugs, and it presses and plays and sticks at her center. You're obsessed, half-crazy from it. Her expression twists; it's fucking bliss. She smiles, one breath, then two - the house settles. You cannot stop staring; you can't. Your mouth feels hot and dry and sticky, wet from her cum, and your pants, you can't quite breathe and the view's only getting better: Irene naked, against the counter, the jostle of her breasts as she strums herself, as her breathing catches and rises, and those nails digging deep into her clit as her eyes drift shut-

She's biting her lower lip - but she looks at you and - stops, her toes pressed to the linoleum.

The moment is suspended, and suddenly the words do not fit anywhere in your throat.

"Want it?"

"Fuck," you exhale, and maybe she isn't just asking that out loud, she's the embodiment of the fucking question: the need between her legs so vivid. She laughs again, licks the taste of herself off her fingertip, sucks at the curve of her nails - she touches the tip of her tongue to the very edge of her upper lip. Her smile, in its sharpness and precision, remains unswayed.

"Bend me over?"

And then, very quietly, and without so much as a scoff in disappointment-

"Fucking christ," you mutter, and nearly fall in a heap towards her.

-

It's borderline unhealthy, that this happens as often as it does: sex that leaves you breathless, sex that shivers across every inch of your fucking skin, sex that aches afterward, that drives your lungs to strain, a moan trapped forever just behind her teeth. Her hips were either made for your rough palms, or you’ve worn them down to your grip. Softened all the edges. Her thighs open to you like you own her. The ridge down the center of her back, your mouth trailing down every vertebrae - her pussy. The inside, the depth - and everything she doesn't mean to let out: all these little notes she's learning with each thrust of your cock into her, and you think you should just say yes, give in.

Let it go, and just trust.

Sex as routine? A repetition of desire. What is routine is that, with Irene:

There's always a new discovery. She has you when she's bent over and you're pounding her knees into the cabinets. She has you on the floor with her. She has you when she's bent over and you're eating her out again, then on top, and on your couch, and with her legs kicked high on the shower wall, and - you fuck her, you find room for her on the bathroom sink. You cum all over her stomach and she just smiles dreamily. You fuck her until she’s almost sobbing, and then you're saying her name like she has your life and your attention, for everything and nothing at all. And after an hour of letting her have your patience, and your dick, your face pressed against her throat, and her nails deep in your back - you tell her she needs to stay. 

It’s a hell of an admission, apropos of nothing.

"Oh? Say that one more time for me," and she's half-covered, the comforter pulled up over her the gentle slope of her breasts, the bedsheet tucked around her waist. "Again," and you have no real use left, you're certain. The most recent orgasms have nearly shattered you both in half: Irene can barely focus on your mouth, where your hips had slammed hers into the bed and - you are pretty certain - definitely did crack her skull right off the headboard.

"Yeah," you mutter face down into the duvet, "you should stay."

"Then it's decided," Irene says out loud, rather victorious, and drops a hand down the span of your back. She's there still, fingering her own cum from inside her pussy. The look in her eyes, sly. The message in them could not be any clearer: what an excellent suggestion, since you both know she'll have no shortage of reasons to keep coming back, anyway.

-

It all feels rather satisfying, pretending not to like the girl. It feels good not caring where she is at night.

As she had said, like an affirmation, a real statement: "this thing, between us, is so uncomplicated. It's so easy."

And she’s right: 

She fucks, and you cum. She looks pretty. That's what she wants to show off, she does and does it well, and as long as you don't pay attention and pretend like it doesn't matter to you, it's an absolute fucking win-win. That's it: that's exactly why, when she calls, when she comes around and asks about dinner, you ask how far you're expected to go for her. What'll earn you her gratitude? Her pleasure's a quick hit, and it's free - if she asks nicely, if you're up for it, if it isn't the same bullshit, same scene - and the night's never a big deal to waste. That's her script; there's your line:

"What's your endgame here," is a thing you're always asking.

She tips her head, her hair falling off her shoulder, that old cliché, those large brown eyes, batting and fluttering. Just curious, but also to draw attention; what a killer pair she has, they're gorgeous. Your eyebrows raise, and your mouth falls open as her fingers dance over your chest, playing with the collar of the button-up that you aren't entirely convinced doesn't belong to her.

"Who says I have to have my mind made up right this second?" is Irene's usual comeback - a favorite - followed by another favor, then an expectation. Then, as your hands fall to the small of her back: "for you, the point is probably the chase," she reminds you, a low little murmur.

Your heart thrums with the little spike of anger. Then again, your cock's feeling the yearn ahead of everything else already; it’s a bad habit, and not getting anything you need. Or, there's a tumble, a mutual surrender in this somewhere. 

"Sure, says you." 

You kiss her so easily. Run your fingers through her hair and drink down her sighs, pull away and pretend. Pretend to dislike how pretty she looks when you do things like this. Pretend like you haven't missed her, that there is no desire, not to run your touches down the back of her knees, or sink your hands into her perfect little ass.

"Didn't need me to," she points out, the lick into your mouth. And her finger curls right under your chin, nails a pretty, perfect oval shape, manicured and soft at your throat, that way she loves - the angle intimate. "And yet. Not stopping me, are you?"

Which you're not. Neither of you is fool enough. You don't hate yourself, she doesn't hate the truth. So, whatever, sometimes you give in to it - if you could call this a 'means to an end', you suppose that might just about cover the ground, because her plans, her reasons don't matter to you, and vice-fucking versa: just to find an answer, or to find a few dozen, and that's enough.

You're no good at love; she says she's not looking for it either, no heartfelt romantic shit to get a tear out of you, she'd tell you at the start:

"Let's just play it by ear, how about that? I could surprise you. You could surprise yourself."

-

(But fuck: Irene's surprisingly full of surprises.

Take when she texts a few days later.

Hey, a blip on the screen, an innocuous string of numbers you refuse to mark a contact. There's too much power, and leverage. She isn't asking. 

It's been too long.

A winky emoji.

I think you’re able to do me a big favor.

A period. It is imperative. She would tell you, with an authority she certainly isn't trying to front or to prove: she likes her punctuation.

I could really, really do with that same favor that you gave me back when we went to that housewarming party, you remember. It'd really be the best thing you've done with your evening if you could help me out. Call it the nice thing to do.

Is your vibrator out of batteries? you text back.

You are a genius.

Thanks.

Let’s go somewhere.

Just this once. But dinner's on you.

A selfie. Slippery fingers, glued to her pussy, running through the glisten-

Oh. Actually, it'll probably be twice.)

-

So. ‘Surprise yourself’ was, naturally, the key. 

It's difficult to have a notion as to how exactly you might surprise yourself - but here you are a little later; she's dressed and in heels, and that's a relief, or rather a delight: this woman looks devastating with her hair down. But still, like this: the hem to her slacks that draws her thighs down to an elegant peak, the nice blouse she's got her buttons done to the top, and one less: this cleavage isn't wholly visible but the shadow is still a tease, her thin jacket only pinning in how her waist is cut into such a deep arc. Irene had asked if this looked too formal, and the second response in your brain was to ask why: her normal wardrobe's worse - less clothing, more fucking exposed. Then again, you might not mind watching Irene work so hard if it meant your hands get full quicker-

"That is absolutely no way to put it," she admonishes.

"Come again, Mistress?"

"Ass," she mutters. It's not even a reprimand so much as an agreement, you can see where the smile is trying not to crack open. "No," she corrects, and smiles anyway. She pushes a lock of her hair behind her ear, "I just mean- fuck you and your terrible metaphors. Anyway, we should go. You drive, my car is a total mess."

-

You take her out. There's dinner. There's drinks. It's something like a date, because that's what she wants. The hostess smiles politely. The waiter raises a suggestive eyebrow at your fingertips grazing Irene's leg underneath the table, and you both ignore the interest. You pass him her credit card without comment when you go to settle up. When you stroll about, the sun is going down and the dying light paints her skin orange, yellow, and red. She tells a story about work. You manage to get a few of your own. Your fingers loop through hers and the action makes her do this lovely smile.

So the gist of it is: you have a fling, her name is Irene, there’s some vague cohabitation occurring, and - oh, she's an absolutely fantastic lay.

It's the sort of thing that on the surface level sounds like a total and complete win, even for all its contradictions, flaws, and pitfalls. She fucks, and you're willing. She looks pretty. You keep her content. That's enough, as a friend-with-benefits; more of the benefits than anything else, she always reminds you. And every now and then, when Irene starts making demands of your time, of your availability - making plans, making reservations, making the expectation known that the two of you have a standing obligation, ‘benefits’ penciled into your schedules every Tuesday and every weekend (and Thursday, too, if neither of you is booked) - she suddenly becomes more complicated than she should have any rights or reason being. There's a kind of security you take away from it.

Irene's holding her clutch in the parking lot, posture perfect. The sky's on fire and the setting sun is burning down the horizon all around her.

"Can we do it in your car?" she's asking, totally nonchalant. 

"What?" "Sex," Irene repeats, like you didn’t understand the question. Her expression is bright, seamless. She holds her wrist behind her back, and twists a little on one heel. "I want to get you off."

This is a case study; you’re walking, breathing empirical data. You’ve gone from wondering to knowing about what they say in regards to women of a certain age. The appetite. The inexplicable desperation. It used to be a joke. Maybe it's because men in their 30s are unusually relaxed with their dating life, or all of their friends are talking about wedding rings, kids, a white picket fence - with life a non-event to handle with finesse and a delicate grip. Or: maybe Irene simply isn't complicated in the ways people seem to expect her to be. She’s needier for sex than usual, for starters. "Are you expecting some urgent business meeting, or an important call - any sort of personal news, maybe - like, in the next half hour?"

"Are you serious," you manage. Fuck her, actually.

"I don't know why, I just feel like you might appreciate the cramped quarters. We can make out while you cum and stuff."

You almost snort, but - her hips have that sway. The door’s unlocked. You stare. The purse settles on the passenger's seat. This girl is so stupidly pretty.

"You, uh, wanna get on top?" you ask, voice already slightly drying at the sound.

Irene reaches over and traces your jaw. Her thumb feels lovely pressed to the seam of your lips, rubbing over them slowly. Her mouth is this gorgeous color and you just can’t stop staring. "So cute. What’s your best guess, sherlock?" She pats the roof of the car, gently. "Get the fuck in."

-

Irene is, at her most shameless, a list of demands: give me your fingers, touch my clit, do it now; take my wrists, fuck me faster; don't you dare fucking cum - there's no rush here, so put in the effort. You have a basic idea of where you're both headed, and the situation demands you to, um, obey. The sound of her wet cunt fills the tight confines of the car.

"Fuck, Irene."

At her most elegant, she's pretty much the same, but she fucks like a total dream: 

"Slow, yes," she'll coo into your ear, in the early stages, before her head starts falling back and her chest rises, and all the sweet notes from the back of her tongue get driven to the fore, and there are moans instead of directions, groans and cries. "Feel me. Deeper. Fuck, babe, just like that."

Her nails drag deep, and that's not usually the plan - the start is fast and easy; her pussy drips like she's soaking a cloth, a fresh layer every second, and a clench that swallows every thrust; and somehow the friction's good enough that if you stick around and keep your focus, you get Irene begging for mercy by the end of it, just to savor and relish the sensation, the motion of your body into hers.

"There," and her eyes flutter, "yes. You are so fucking hard for me." She leans in, kisses the shell of your ear: "you’re fucking stretching out this little pussy, baby, you know that?"

"Jesus. Fuck, please-"

"Should we? Should I let you?" She clenches down, "fill me up, babe? You think you're worth the privilege?"

"If you'd let me - Irene, the things I could do," you don't breathe, "jesus fucking christ."

And she looks at you with wide, honey-smudged eyes. Pretty even when fucked; especially so. Her fingers get wrapped in your collar and she’s nodding her head in rhythm with her quick little bounce. The snapping of her hips. Up and down, and up and down like she’d be insulted if you didn’t drain your balls into her perfect little womb right then and there. She says don’t do this, don’t do that - and then she fucks you like you’re supposed to.

"Yeah, that’s right, be a good boy for me," her mouth whispers, even though there is no one else in her car, you're pretty sure. Her voice is like a vice, just you, with her hips, her hot little hands pushing you down so she's riding the top of your head. You can hear her dripping down into the space, a new leak.

"How're you gonna deal with it when I'm filling your tight cunt?" You thumb at her ass, squeeze. "This pretty, round ass? Want me to cum inside you every which way, huh? Marking up my territory?"

You hear her stutter on a reply, as her pussy gives a particularly strong flex, another contraction.

"All those wet loads, dripping out your cunt, down your thighs... on your lips... you gonna taste every last one, princess?"

She has a face like she wants to hurt you for that one, the moniker - you have a sneaking suspicion there's nobility in her blood, laid deep somewhere in her veins, another lifetime lived far from this one: she'll have a predilection for thrones, diamonds, queendoms to rule. And if that were true - well, you'd be downright lucky if she consented to an audience, even less entitled to her hand. She's out of your league regardless. Or maybe, she's the furthest thing from royalty and she just knows the script better than anybody. Kneel, she'll say, and you find yourself obliging; give me your mouth, your fingers, she'll ask, and you're compelled. It's all ingrained.

"What was that?" she asks, incredulous, riding your cock so hard the seat shakes instead.

"I said: this cunt, christ-"

You bring her closer to your face, have to feel that clasp of heat with every stroke - and when it is so fucking deep, her hips lock up, clamped, thighs quivering - you just hold her in place, give her a few breaths, let the satisfaction really sink in, even if she's already moaning.

"Well, I guess you got me there, huh." Her mouth gives her away, the lopsided-grin. "Yeah. So cum, give it." And then it twists. Her face looks so beautiful in distress, and you're certain you've had that thought many times since: if the situation demands it - maybe it would be just fine to push a little bit more? It's a neediness that doesn't go understated, even when Irene's more whining for it: like, the fuck are you waiting for, her tits out, panting, sweating, cursing and moaning at the slow drag through her slippery muscle, a grip like satin, like velvet.

You’re a total mess: 

"Breathtaking, the faces you make for me" - "you look so good, like that, so handsome" - "has anyone ever fucked you this good?"

It’s official. She'll have to scrape you off the leather.

And as if to add insult to injury, Irene’s hands come up to her hair, holding it up into a messy bundle above her head. There’s a tilt of her chin, a bite into her lip. She’s bouncing fast, taking your cock deeper on each twist, and it’s all very performative. Fucking Irene is as visual an experience as it is visceral, because chiseled into her figure, the lithe frame, are these model-esque proportions - like she’s not actually five foot nothing in her socks. 

(A beautiful little paradox. She’s showing off here. She’s showing off, simply because she can.)

"And you’re the one always calling me greedy," she breathes, like the punchline, as she takes the next inch, the wet slapping of skin. There's heat. So much fucking heat - she's got a pulse that pulls you forward and won't let go, your balls hitting her ass and thighs soaked, so red and plush and beautiful, a softness that takes a second and an elbow's reach and, fuck. Her thighs on the dashboard. "You've been-"

Your palms fit into the curve of her ass. How a small, fragile, dainty thing like her can have so much to grab onto remains a mystery and a fucking miracle.

"-a bit of a prick, honestly, for a minute-"

But she's so responsive - and you want to wring it out of her, really, a desire to destroy and savor, even when that sounds a little wrong and too close to sacrilege - you really ought to just call her the ultimate fantasy: she has the cutest tits, soft creamy thighs, tightly wound curves and a sexy-as-sin attitude; and when she sits heavy on your cock, wiggling her hips in a circle, you lose the plot and a little bit of your mind.

"-have to say, it's been getting to me."

"Here's hoping it doesn't give," you grumble as your arms tense and your back aches, your shoulders strain. Irene seems unconvinced, and she usually is, but the drive is relentless.

"Then you'll have to hurry up," the rake of her fingernails across your neck, "won't you?" and she is too slick and so eager, "because you’re gonna cum for me, sweetheart, just let it all out, baby." Her cunt and her heels in the upholstery and the stinging welts draw you deeper- 

Your hand braces around the center console. 

She has her lips on your temple, your hairline: "I’m imagining how my pussy will look, all creamy and used and pretty - all because you fucked it nice and hard and raw - no matter how many times I fuck myself with my fingers, I'll keep feeling the ghost of this fucking perfect cock."

The noise that leaves your lips is a full, throaty, ragged groan, your muscles shaking and skin burning. "Irene, god," you sputter out; it's not super attractive, you think.

Irene kisses the juncture of your shoulder and neck like it’s music to her ears, her jaw against your jaw:

"You've got to stop edging me, love, my little pussy was made to get stretched by your cock, show me-"

You thrust in deep. 

"Fuck."

"Oh," she whispers, eyes hooded and lashes sweeping low, an awe so thick to her voice. "Such a good boy for me - now. Make me cum, yes - make me cum all over you - mhm-"

You jerk your hips again - your pants hanging around your thighs, her blouse pushed up around her waist. You've twisted and knotted the fabric over and over into something you can pull or hold onto - it's not clear to you yet which idea's more pressing.

Because there's no breathing room. You need to twist your hips just to fuck into her - her lips are parted with this insatiable moaning, and it's sweet and pretty and filthy. She wraps one knee higher. There's the lock to your ankle, but she's grabbing the lever and trying to pull your seat down, the rest of it; you absolutely let her. All this in heels that would be impressive without a tight wet pussy pressing down on the length of your cock, begging for what seems like an endless number of thrusts into that delicious heat, the perfect clutch. She rides you rough: the leather beneath your knees shifting with the constant scuffle. Her elbows bent, a thumb grazing her tits, pushing up the silk and the lace.

Her soft, pale skin is spilling all over you, her limbs finding purchase as her mouth slides against yours on a new rhythm of need and want: "that's the thing, right? You're such a delight when you put your mind to it." She's pressing a kiss against your temple - her tone, this intimacy, a hotness between her thighs that leaves you breathless, dumb - it's the only sort of inescapable validation that might suit.

You had the perfect view as she shrugged the jacket, unbuttoned the blouse, sat the bra over it, just undid her slacks: this perfection, laid bare, exposed in your passenger seat with her tits squeezed in both palms. Then it was her hand tugging at the zipper to your pants.

So - you're fucking her harder than you have any business doing. Her nails are digging trenches in the skin of your forearms and you have the slightest sense of everything she has, wants, demands; you've had her under you, bent her in half, folded at the corner of your bed. You’ve fucked her with your cock so far into the slick-dripping hole of her cunt until she can't stop cumming - or begging - or the Irene-equivalent.

"There you go," she says into your throat, like it's nothing, and sags a little further into your chest. "There we go," she repeats. Her brow is glistening with sweat, and you kiss it: hot, and a little bitter. You can't help it. 

You're fucking her harder than she can handle. You're filling her. She's stuffed to the fucking brim with your cock, bulging at the folds of her insides.

And, christ, her fucking waist. She is so small, so fragile-looking. You wrap both hands around her middle, and as her hips grind forward, meeting the roll, she grabs your wrists, holds your hands up her ribs and gets, and gets - oh, just where you fucking left her. Your knuckles are left digging to the silky skin, bruises dotting purple across her back, her neck, her tummy and her thighs, every surface - you're grasping and claiming what she has to give you, just a hint. There's a million and one ways to love, to give back, to please a partner - but you have one goal: you're not an artist, you're not a philosopher, or a poet - so you’ll leave physical marks, reminders, of everything you've done and will do. You’ll make her cum. Just hold her still and make her cum again and again and again. The weight, the lift. If she asked, you would. Fuck. You would. She rides your cock and rocks you into the upholstery of the passenger-side chair. She sinks down and presses her mouth to the edge of yours, just shy, her own teeth pulling at her bottom lip-

"Your cock feels," and here Irene takes the moment for a heavy, contented sigh. "-ah, fucking unbelievable. Your fucking cock, jesus."

Her voice is… it's really so dreamy. The praise does strange things: you reach down and pull her thighs so they tighten at your waist. There are no illusions here, she's found something worth chasing. The bare-boned desperation drives her insides wild, you can feel it. The clench, the pulse, the absolute slutty-slick dripping, a real, honest, aching cunt, warm and clamped at the hilt of your cock - it's obscene, and your patience is stretching paper-thin. You aren't asking any questions; she's not taking them.

It’s just you and this petite, absolutely stunning, heartbreakingly gorgeous girl sitting in your lap and working herself on you like a doll, and- oh. She really does look great. It's impossible to look away.

The windows are fogged, and her cunt feels divine as she runs you further into your car seat. Her hips snap up, back down - the soft drag and then the cinching flutter. The inside of her, a total fucking delicacy. One of your hands slides across her back, counting the rise-and-falls of her spine. One, two, three, and so on. Her lips are flush at your throat. You feel her whimper.

It’s the most perfect noise you've ever heard.

"Baby," she mouths at your collarbone, her movements becoming more spastic, more erratic. "I can feel you throbbing."

The encroaching dark keeps threatening the corner of your vision, so much tighter each time.

"You're going to make me," you're gritting through your teeth - this feels a little insane, a little irrational. "Irene you- you’re going to make me fucking cum."

"Oh?" Irene’s reply is immediate. She slams herself down on your cock, hard. "Then cum."

Your patience is truly nothing at this point. There is not a single breath left inside her either: the heavy swell of her chest is proof enough, those eyes fluttering shut, the angle shifting as her ass meets your thighs. "Seriously, I'm going to fucking fill you, and it is gonna slip all down the back of your legs - Irene - sweetheart, I’m going-"

Her fingers curl behind your head. "Cum," and she groans, "I know- I'm here. Take it. Use this perfect little pussy, I want to feel you cum." and you pull the pace up into a frantic tempo. The metal beneath your back creaks with the strain; the bounce of her ass against your groin. The moan, it pitches: a need, a lust, and she is rolling, rutting her body in circles on top of you, a wild gasp and then a beautiful cry, almost in pure unbridled ecstasy.

The angle shifts and - fuck. You’re able to fuck up into her so easily. Her cunt is hot and soft in all the right places, wrapped around your cock, tight and snug like she was made for you. Every drag of slicked skin and clenched muscle sends you both reeling.

"Irene," you barely say, and you're cumming, you’re fucking filling her up with cum - the only possible endgame. You can’t stop fucking into her even though she's just been fucked senseless, stuffed with your cock: little helpless noises, squeals and yelps like they're being tugged out of her. She goes limp on you, and then she collapses, shivering and whimpering with every deep-bore pulse: you're going to mark every inch of her body, claim every part of her soul.

"Oh my god." A groan. Another. It's coming off her like a wave - like a river, really, you're drowning. "It is so, so fucking hot. Your cum, in my pussy..." She trails off.

Her tight cunt twitches: pulsing with every motion. She squeezes down - hard. It takes a great effort for you not to let out a loud, embarrassing whimper. Your fingers dig into her ass, her hips, steadying her grind.

But you're looking right into her eyes when she falls apart, too, that long, tensing shudder, the gasping groan - fuck - because she feels exactly like everything that you've done, you know: Irene's tight cunt has kept your cock perfectly in place. She was just waiting for the spill of it before the final, hardest crest. The smell's in the air and the haze is all through her expression and, god, you want her, you could just sink a million words into that, every possible adoration and every bit of yourself and you still wouldn't be getting the entire story; just fuck - you can never not be fucking her, never not want to have her riding your lap, moaning out and falling and dragging every part of your body deeper-

"Mmmmm," Irene lets out, soft and satisfied, a tiny whimper in the way that she goes all soft around your cock and comes down and presses a wet, tired kiss at the base of your throat.

"Mmmm-m?"

"Thanks, I think." Her blouse is falling off one shoulder, the material crumpled. There are creases all across it. She's biting on her lip, flushed. "Thanks for that."

-

It has to be said, here - because you know, because the sun is setting on your open window and your arm is snug at Irene’s waist and neither of you even have to mutter a word to acknowledge the fact that it will inevitably rise across your living room carpet again. 

Irene is everything you might have been running from, everything you’ve ever chased - and you’d never ever stand a chance.

-

Greedy, however, just isn't the right word for it. Not really. 

It's the way she leans in when you kiss. The way she fidgets. The way her tongue brushes across her bottom lip. So no - greedy isn't quite the right way to say it. It's more: instinctual.

She's this not-so-subtle tincture of want and desire, in its most basic form - and that makes this all so dangerous, isn't that right, miss? Because want isn't something to toy with; want is, by design, something measured in its inability to be indulged.

(And for the record, your car hasn’t even moved from the lot. You were supposed to get frozen yogurt but that's looking less likely, judging by the way Irene's fingers are tapping lightly across your shoulder, your own clamping down on her chin.)

It’s just so indulgent. Irene hasn’t left your lap, blithely warming your cock for you. Stealing kisses while the day’s last light bleeds low over the buildings. Soft sighs. Whimpers, mewls, muffled little keens of, "oh, oh, please." You trace the edges of her, where your body becomes hers, and her movements are fluid - supple and knowing and just this side of eager.

The car feels now even more cramped and narrow than advertised, the sweat in your skin starting to bloom. The musk of sex, a creeping heat: "go ahead," you rasp out. 

She nods, a helpless dip, and that comes with a sigh, "yes, fuck, right there," her cunt squeezing, a hot, slick little velvety clench; there's something about being buried inside her and seeing her fall apart. This slow rock and build-up. All the hard edges worn to a perfect point. Her dark eyes are glowing, her clever little tongue darting to her lip.

You hold her, slumping together in the front seat. The leather squeaks with the gentle shifts, the slides. The color rising in her cheeks. She likes when your breath catches; her smile goes sharp, a hint of teeth: it's very obvious that she is very very drunk - on control, on cock, it doesn't seem to matter.

A beat passes before the architecture returns to her muscles. She's sitting up, and with your hand firmly cupping her ass, and your teeth pressed to the flat of her breasts. "You," she gasps, the most unironic and unexpected reply. The corner of her eyes is still glistening, still dazed, still blissful. "Don't play dumb. Fuck - no, don't stop."

"Sorry, say that one more time for me, miss."

"You- ah." She grins, and her hip shoves your cock out with a filthy wet sound in accompaniment.

The air of the car is sticky, and her slick is still covering your waist, so the discomfort makes the little groan extra appreciative, anyway.

"Fucking god-" she grumbles, and the whine that escapes is an order for attention.

You take her jaw with both hands. Pull her, and look her right in her eyes and kiss her. Not slow. Not gentle. Thoroughly, so the tip of her tongue reaches the very roof of her mouth. She ends up with her back shoved roughly into the dash, and your fingers tangled through her hair and tugging. And her laugh turns to a whimper, her eyes a half-closed - you fingerfuck her cunt open. Thumb pressed tight to the clit. Two, and the palm of your hand smacks between her thighs, resonating all throughout the car. It's your own hot cum coating your knuckles and drip-dropping off your wrist, so she's melting and needy. The evening's passing, her hands go to her bra, so she's twisting and slipping, the orgasms strung together like the pearls on her bracelet.

Her fingers squeeze yours, then let go.

She licks into your mouth. "Jesus, you're way too good at that," is what Irene murmurs, when you're both just left breathless, half-shivering, merely recycling the same torrid air.

"Let’s get you home, princess," you kiss into her skin, joking. "Before curfew."

She sits up. "Shut the fuck up."

"Sorry," you lie, smug - not sorry at all. "Can't help it. You're too pretty when you get like that."

"What, when I'm cumming for you? When your cock is inside me? When you're fucking my brain to mush?"

Her heels clack to the ground.

"You’re gross," she adds, and shoves your arm.

"You like it," you say to her, "don't lie."

"Because I’m just this sweet innocent thing, right? I can't be held accountable for anything. Look at you, fucking me like this - corrupting me." A flutter of eyelash, and she leans forward to meet your eyes. She's adjusting the straps of her bra. She's a picture-perfect pinup girl. "Is that really what gets you off?"

"It's not bad." You let yourself soak in it, for a second, just staring at her. "The whole naive, helpless schoolgirl act. It's a classic for a reason."

Irene snickers. It's sweet-bitter, and that's fitting. You like how her blush is red and stubborn.

"Goodness," she says, like you can't see the dust of a smile, of a smirk, take shape on her swollen mouth. "Okay sure, let’s get into that; say my dad is sitting up with worry." Her head cocks, playful. "My family probably sent a search party out for me," and her laugh's lighter than air, warm, a few shades shy of ridiculous - if you thought that the sound could make you as much of a fool as she does - then yeah, that’s pretty accurate.

"What - like in a rocking chair, with his shotgun and everything?"

"Yeah, you’re so fucking dead. He's so going to shoot you on sight when he sees the absolute state you're returning me in. His precious little girl, " Irene picks at her bra, tucks herself back in, adjusts her hair. The last of her hairpins drops, falls to the dash. It rolls back, between your legs. "Pull the trigger and turn you into swiss cheese. Last rites, eulogy, the full nine yards." Her makeup's smudged - red lipstick, the tip of her nose - and you just don't feel like pointing it out yet.

"Cremation, most likely?"

"Eh, who knows," she smiles, and now, more than ever, there's not a sign of hesitation in her face, her voice, the light and effortless way she drapes across the interior, stretches. "You’re so cute though. Maybe he'll give you a chance and let you run."

-

It hadn't really occurred to you until you arrived onto the front steps of Irene’s apartment and watched her sink back against the door, exhaling softly in the fluorescent light, her eyes heavy, but you have a sneaking suspicion that you're doing everything completely out of order. 

You aren't in some trope-addled tv drama, and Irene isn't your childhood-friend or your slowburn-material, someone with a sentimental backstory.

Maybe in a parallel universe, some twisted alternate ending, where she's in this long, silky wedding gown, both sides of the aisle are watching you commit sins the way people can't resist doing in those fuck-it stories, all heat and sex and dopamine without remorse - but not now, not yet.

(Probably - probably not ever, and if that's a cop-out you can't help it. Because isn’t it silly, the things the people will do. Pretending to not be in love, all for the sake of the chase - getting themselves hung up in this world of digital advances and missed connections.)

You'll regret it later, you think. That's an unforeseen variable you should've predicted, though, isn't it?

Because you've both loved before, both been hurt, the excuses are all in the chamber: all the mixed signals and stereotypes. How she looks at you - or doesn't, some days. Your past, hers, the differences. You've never known exactly how this should go, if there even is a best version of this love to pursue, the idyllic happily-ever-after, that perfect white dress. Fuck, that is not the daydream you're supposed to be having.

The story instead, is like this: you drive her home. She sings along to the music on the radio. She kisses you over the console at a red light. Someone honks. You walk her to the door, because you're old-fashioned when you think it’s useful. You're a charmer, she's yours. You grab her by the chin and probably end up making out for far too long.

Just imagine if it had all been by the book:

A first date, then text messages. A second, where you're supposed to invite her to dinner, drinks. You’re supposed to call her, on the phone, with your voice and everything - low, a little assertive - not bossy or controlling, no: that's what the third date's for. There's a checklist for what to do, what to say; how you're supposed to kiss her, and why she's supposed to act all shy, the picture of demure - like she's innocent, though she'll be anything but. At the end of it, you're supposed to pay. She won’t let you. You're supposed to walk her home. She's supposed to linger, put the keys in the door and ask you what you're doing next - she's supposed to look over her shoulder as she walks inside and say goodnight, be coy, let it dangle on the edge. And that's supposed to be that. All of it: quintessential.

Nowhere in that manual does it say anything about pinning her up against the door and slipping your hand into her slacks either - underneath the soft, dark lace of her panties and placing your other palm over her mouth so the neighbors don't hear what a little slut she can be when she wants to.

Just this side of coquettish. A total delight.

Irene practically sobs into the side of your hand. Her mouth drops open, and you haven't even really touched her; she's wet already, soaked - well. She's always wet for you.

"I'll catch you later," you breathe into her neck, letting your fingertips skirt the puffy lips of her cunt on the drag back up because you’re actually not old-fashioned, like at all.

She tosses her hair, lets a sigh run through her smile, the blush, the creased eyes - and disappears through the door. It's the simplest way you two will ever say good night.

-

Ignoring all the rules of engagement, you and Irene never actually tiptoe around each other.

There's never even been a third date because the lines between hanging out and fucking and hanging-out-fucking blur with astounding ease. It's no real shocker: it's the little details in the way you find her sitting next to you at work, hips shifting minutely from side to side on the stool as she sifts through sheet music, sipping her latte, just barely making a sound.

It's the little details in the way she shows up, dresses to all the events, hands brushing yours to call attention to the ends of her fingertips; it's how every camera in the room seems to favor her.

If any of the 14th-century courtship philosophers could ever weigh in, now would probably be ideal. You’d be grateful, sure - because Irene is the epitome of entanglement. And that's your excuse. If anything's going to kill you, let it be her.

-

The texts do dry up for whatever reason. 

Three hours between replies just to conceal a bit of earnest emotion or whatever. You wonder what that's called, wonder when it gets so boring - why all these steps had to be so dull, and why you can't do without them. The modern era has, after all, rendered the ancient rituals pretty fucking pointless - you could both use a time machine to the medieval ages, then you could get the fireworks. The gallant. Some declaration or betrothal - maybe a show of sword, a fistful of your bride's maidenhead. Or whatever the fuck they were calling it in those days, it all sounds a bit crude-

When it really comes down to it, this is less about the charm, the proposal, or the lack thereof. Less about the dear Irene, will you be mine, and more about the want. Want that's palpable, messy: about shedding decorum together and feeling filthy and rough, taking, receiving, biting into the sweet skin of her inner thighs and spanking her so hard she can't walk the next day.

That's all it is, you're pretty sure.

And look - she still attends a majority of your work functions even though, strictly speaking, she has no reason to. Everything is relatively normal, or maybe you don't know how normal is supposed to look, and that's alright because you're trying - and all you really care about is Irene smiling at you with that one knowing tilt of her mouth - and - and she does. 

Hey, you're not entirely hopeless.

-

(The toxicity, the slammed doors, ignored voicemails and belted taillights zooming off into the night - look, not everyone is built for all the drama, not everyone feels the thrill at the tip of their fingers when they cut their losses and move on to the next. Floating through the memories thinking, wow, what a waste of time.

That's not you, you're aware. And Irene’s seen it before, probably, had a story just like it in her own life, maybe been there, maybe not, but isn't it fascinating how all of it always sounds the same no matter how the story gets told.

So, keep it simple stupid. It's easy that way. Don't confuse her, or yourself, don’t fuck it up by demanding more. 

Afterall, it feels good, pretending not to care where she is at night.)

-

So - take some credit, you do something right for once. You call her.

It’s a Saturday and she’s working late because she’s a singer. She's between hair, makeup and costume. Bored. Or, pretending she is, and if you were a lesser person, the type to lie to yourself, you'd let the pretension sit as-is. It's not even difficult: no effort required to sit back, close your eyes, and listen.

"The way he was just staring at me was so embarrassing," Irene is going on about this production assistant, and her voice is always light, playful - it doesn't matter who, it doesn't even matter what, it's the cadence to her speech that lulls. "Like I could read his mind."

"Can't you?" you ask, indulgently.

"Okay, don't try being cheeky, mister," Irene scolds into the phone, but it's hardly stern; her tone's the softest kind of sultry, like caramel, dripping. "He wanted to bend me over the table. Get some nice little marks in."

Hey, who could blame him? She exhales, almost sounds annoyed - the pout on her face is practically audible.

You are not a good person by the longest stretch of the imagination. "Then what stopped him, princess?" you question, not a hint of chivalry left in you. "Fooled me - isn't that your kink? Fucking men you've barely just met."

She laughs - once, breathless and abruptly; something sharp. You're not actually joking and she can't pretend otherwise. "Fuck." The word is a sigh, the suggestion is all over the air. You aren't blind. "You would, wouldn't you? Probably love to see me bent over, too - and split in half on some stranger's cock. Worshiping it like you've taught me, or whatever the fuck."

You hum in amusement, putting the pieces together from what she hasn't said. "Aw," you coo. "Missing me already I see."

"Don’t flatter yourself," she shoots back, all quippy, fast: quick reflexes, the stuff of her brand. "What am I meant to be doing while I'm waiting for the crew, huh?"

And well, that’s the thing - you end up on the phone for far too long, far too late: she leaves you to wait a minute when someone knocks on the door, and you'll have her later, probably, but what's wrong with dreaming of fucking her in one of those dressing rooms, pulling that corset down her curves and kissing her silent in case someone walks by - leaving teeth and nail marks across the tops of her breasts. You expect her to bring the conversation to something a little more in the moment, but her voice carries back into the room and she's asking you, casually, what's for dinner, how was your day. You laugh, tell her a funny story that happens, talk about everything that's mundane, everything she should know and would know about you if you actually spoke all the words in your head.

"Hey," she says, at some point, quiet and suddenly gentle, and you're already wrapped around her finger and you've yet to tell her. "I like talking to you. Keep calling."

This isn’t like you, really. Or it hasn’t been - not in a while.

"As if that's up to you," you shoot back, your voice so dry you know she can see straight through it, but maybe you're doing alright, making leeway - because at least, it's a placeholder. Irene seems to understand what you can't explain.

"Ha." Another laugh, airy this time: easy-breezy. A vocal shrug. "My hair is way too cute right now to deal with your smart mouth, anyways - they're waiting for me." She hesitates, but the gap isn't uncomfortable, a space to breathe. "Let's just say you'll get tired of me before I get sick of you."

"Do you want me to see?"

"Later," says Irene, almost hurriedly, like an excuse, but in a pretty way, and the click on her end of the line is still warm.

(You hang up, stare at the wall and take deep, shaking breaths: in, out, hold - when you don't, you can taste her. But still, you wait for the feeling to subside.)

-

At first, she had seemed entirely untouchable. It’s funny. At first, you were convinced she'd look right past you.

-

She sends you a video, no commentary: the pretty, delicate sweep of her mouth brushing her shoulder. Her arm casts a shadow down the rise of her hips and your eyes trail that shadow south, across the soft planes of her stomach.

There are no questions after it, no words or emojis. Just her. In lingerie and no fucking context. The sound of her inhales.

(She says things with her face like that - or rather she says nothing at all. There isn't a hand-written translation key, though she leaves clues. She's playing it up, knows how you like her when she gets mouthy, lips glossy, knows how you like her panting. It wouldn't take much if she put her hand between her legs for you: you'd suck on her fingers, clean them off. You'd do anything.

The sound she does make eventually is low, frustrated. It's filthy - just thinking about her, all alone and barely touching herself: waiting for your reply.)

-

And yeah, it'd feel good not having to think about the bullshit anymore - you’d do your best to convince everyone that it's casual: the looks, the touches, all of it - the two of you together. It'd be a total lie, and you'd know it: everyone would know it, but that doesn't really matter. Because keeping things careless works. Never had it been about the feelings, and it's a cop-out, sure, that old cliché, but look - there's a really good chance you'll muck this up if you're given the power to put a name to the way her pupils dilate a half second before she grabs at you. Or the way you always fall a little more for her.

You think about that, about the worst of it: that she could ask you the most invasive question on her mind and instead, you'd answer, honestly and willingly, just like that: "hey, do you want to stay the night?" 

-

But here’s the thing: she's a singer and she's got all these friends. Colleagues and acquaintances from work who are, in her words, also 'friends' (code for: people I am required to tolerate by contract.)

Hey, you're no marriage counselor - you won't try to figure out the etiquette. And her labelmates aren't a total disaster.

It's only fair to make an appearance, meet all these alleged Bae Joohyuns. And - she likes it, in that way Irene likes a lot of things you do to her. She’s texting you a new address every few minutes, texting nonstop by the time you've matched a tie to a shirt and are actually considering heading out. It's this afterparty, or wait, sorry, we're actually at a bar now - no, scratch that, it's a friend of a friend's place, you'll love it, I think? - and you can't really picture her stumbling through the city at midnight like she is, but there's a blurry photo of her and Seulgi and Wendy crowded around a mess of champagne flutes on a counter. An outdoor patio, a rooftop garden somewhere downtown. Her dress is breathtakingly gorgeous. There's an arm snaked around her waist and that's - hmm.

Wendy wants u here lol, the next text reads, and okay, you can't actually be bothered to give her shit for that right now. She can't be helped.

Someone's having fun, you type out instead.

Maybe I'm bored, comes the reply, just as fast, and then a few seconds later: i don't think anyone knows me here.

You roll your eyes. You'd love her despite, or maybe because of, a personality like that. "Never took you for anything like a celebrity."

Fine. I'll have to think of something to do, then, Irene responds, almost lazily, the following text-delete cycle appearing under your thumb like some new and innovative high-speed braille. Maybe.

But you could also come over and get me off, you think she should add. That could be fun, too.

No dice.

Meet me soon, she texts, and maybe a drunk mind speaks a sober heart, but she doesn’t even know what it does to your stomach when she follows it with, I miss you.

You wonder, a little, how you got here. You wonder if things like that ever just become normal.

-

Kang Seulgi is standing out front when you spill out of an uber and onto the sidewalk, all stooped over under the yellow haze of the streetlight on the corner, smoke coming up off a cigarette hanging out of her mouth.

The chill night wind picks up and the edge of a leather jacket flaps behind her. It's almost eerie in how mundane the sight should be - and you think it's funny: Seulgi can make herself at home, anywhere.

"Hey," the brunette calls, stepping up. She's tall in her heels, the crescents under her eyes deep. The stars in the sky are shining against all the bright signs and street lamps, and it's hard to spot them. "Haven’t I seen you before?"

"Around the office, probably-"

Seulgi's eyes light up - she's not as drunk as the photo suggested, you think - and she gives a bright smile. Her eyebrows jump in recognition: a blur, the glimmering pulse of neon over glossed eyes and a lip caught by a canine. "You're Irene's-"

"-work friend," you answer quickly, before she has the chance to finish. It makes her laugh, which you weren't really counting on, and pocket her hands. You have enough bad ideas; you don't need hers as well.

"Oh. So you’ve got an arrangement," she suggests.

"It's an occupation," is as much as you'll tell her. "We all have one."

"Mhmm," she agrees, the wince on her face passing as a thoughtful hum. She shrugs.

"Did you-?" You clear your throat, don't know why it's hard to get out. "Is, uh, Irene in there?"

She takes a slow pull, long eyelashes sweeping over her cheekbones. Smoke spills out over her top lip. "Of course," says the girl, with all the attitude. "Just, not so alone."

"So," you start, cautious. "Do I even want to..."

Seulgi waves her hand, drops ash off the cigarette. "Nothing to worry your little heart over, friend," she mumbles, shrugging. Her fingers are delicate as she blows smoke between parted lips, eyes angling up at the city lights. "She said she was meeting someone cute. And I’m left wondering, if that someone could be you."

"Um," you respond. "Could be."

"Hm." The word is loaded, considering, and when she takes another step forward there's a smirk painted to her mouth, the deep red cut in the center of her lips almost reflective. She tosses her cigarette aside: a clean arc into a storm drain. "Interesting."

Seulgi's fingertips brush your collar as she ducks into the door in front of you.

"Later, pal," she tosses over her shoulder, and doesn't look back to see what happens next.

-

(You’d feel so much lighter, like a feather, with her off your mind.)

-

A crowd's scattered around the rooftop, now spread a bit thin - most of the people you recognize from tv screens and billboard ads, and everyone else seems a mix of other media. They're talking to each other in hushed tones about some shoot-down, this piece of gossip. They're comparing agent fees, checking the pockets of their jackets, flicking gold-plated pens in their designer hands. The whine of a power drill going a mile a second comes from over the railing: a few shots left to take. A skeleton crew works behind a camera, behind the glass, but no one seems to mind the business of film in the midst of celebration. They really are a different breed, aren't they?

You pick her out of the crowd instantly - in a white silk cocktail dress that costs more than a college tuition and no sense to act the part, Irene is seated among all of them like she fits. It's never a surprise, her at the center of things.

The seam at her hip rides up when she turns to reach for her drink, her leg extended long: overstretched, one toe pointed elegantly as if she could place her full weight onto a thin little stiletto heel and not snap both ankles. Her bottom lip is coated with bright gloss, pink smearing as it pulls at the straw.

There's a pause where everything slows down: she licks the crease of her mouth, sucks something golden and sparkling down, swallows, blinks - slow, pretty, perfect. Her hair is dark, cute, spilling onto her shoulders, and it brushes a collarbone, slips a little into the slit between her breasts. She's looking for someone, gaze traveling across the patio, swimming through the party - searching - and then, suddenly, those deep-water brown eyes catch yours.

They shine just a little bit brighter.

And then, the only logical thing: Irene smiles, before her feet carry you right in your direction.

-

Inside, things aren’t so loud. The night had gotten its worst out of the way early, the only source of music low and reverberating through the walls, the ceilings - all dark and liminal spaces; you and Irene find one to spare and fall into each other there, slow and searching and full of everything. It would be enough to get lost in her completely, this sweetness. You, and the kiss, and nothing else.

It's almost private enough to call it quiet; you're both out of sight and hidden, but there's voices, drowned noise all around. The bass can be felt through the floorboards, underfoot, but you can only focus on the rhythm that thrums from inside of her chest.

There's a disarm, here, too:

"I kissed someone tonight," Irene confesses, and then there's this break, a fragment where neither of you knows who you are to the other, what any of this means - if she'll bite down, be that sore reminder of a few unspoken words.

"Did you."

"Yeah," she says, exhale tickling your jaw. Her lips drag on skin, trace bone - and maybe it should bother you, but either way you can't help it: a thought finds purchase. Irene in someone else's grip, just enough a squeeze. Someone she'd like, or someone she could put herself back in a relationship with, or whatever they're calling this - and all at once, she's trembling.

The revelation is a bit like getting shot through the heart. A simple, awful: fuck. You think you might be bleeding.

Irene pulls the strap of her dress back up her shoulder and explains how it happened, out in that patio garden: a closed-mouth thing, some fleeting nothing, really, a bold dare on his behalf and her lack of inhibition. No, she assures you - he tasted like vodka and it was boring. She kept his hands off her ass, just in case you wanted to know. But still, the blood pumps harder in your veins knowing what she has and hasn't done - and what's wrong is how you only hear her confession in the middle of feeling something envious, a sudden, strong, profound desire to mark your claim: you'd leave this bruise, something ugly at the hollow of her throat. It makes you a possessive, possessive kind of person, and the sentiment, you figure, can only end in trouble.

"Sorry," she sighs, tipping her face forward to brush her forehead against yours, her eyes scrunching as she apologizes. "I don't think you wanted to know, but-"

You're trying to distract yourself; she's pressed between you and the wall, arms circling your neck as her spine bows under a bit of pressure.

"Yeah?" you question though. You can't not. There's this telltale roughness, the need to breathe: you'll hold on too long, take her mouth the way she deserves, keep her quiet, and let your tongue flick across hers until her lips are numb. "What then - should I care? Am I meant to?"

She swallows. It's all reflex.

"He kissed me," is all she says, and then her palm is stroking against the shell of your ear, soft, quiet. "Then he kissed me again." 

She shivers, eyes wide, wet and round and wanting: you could say you understand how he could only dream of being the one to turn her head and bring out her charm, the easy way she smiles, but-

"All I could think of was you."

There was never a chance to compete; this star whose shine eclipses. Your binary system was never quite fair, was it?

Your hands are on her wrists then, trapping them at her sides; her eyes smoky and dark and looking straight up at you. She can't breathe like that, mouth agape as your nose brushes hers, your words blowing straight against the heat of her lips:

"Are you still thinking of me now?"

It's only that - though you can hear a sound building up from her lungs. You kiss the line of her jaw and whisper things into her skin: you have me, you can have me, you've always had me. The truth.

And her eyes are slipping shut: mouth curling into the kind of smile that drives you crazy; half the reason why you're all over her in the first place. You don't care where she's been so long as this is where she ends up, your face brushing hers, the kiss held just out of reach - you press into her forehead, her nose, her cheeks; she tilts her chin towards you, begging you to just - but your mouth is on her, feather-light, not near enough: she chases the pressure, gasps your name as your lips find hers, tongue sliding right past, and oh-

It's fast. It's heavy: you take, you push; her whole body shifts and shudders when she finds a grip, one hand braced on your shoulder as the other swung upwards, pulling you closer by the jaw. Your hand runs up her thigh and you hear her inhale, deep.

Irene kisses you like she was made to. She makes sounds with her tongue against yours, ones that twist in you, wind, undo. Like this, it'd be so easy to just let it go - take, take, take. There's not an inch to hide as your hand climbs her bare skin, feeling a shiver rise as her breath rushes hot against your cheek, over and over and-

"Breathe, baby," you mutter, and Irene huffs like it's a game, one of her soft shuddering hiccups, like there's something you should've known - the gasp when you kiss her mouth open, how it was getting easier to drown. She's not drunk, but she's getting there - and she doesn't ask to take it back when you both tip and crash into the wall beside. The reverberation of her back hitting the surface is nothing like the rest.

You take her arm, press her further against the space.

"Bedroom," she barely manages to request. Breathes, the sound shaking and short, almost - almost a plea, or a prayer. A beg. "Somewhere quiet, please. Anywhere. Please."

There's nothing Irene doesn't do without grace - but how she needs you: her limbs give, and she sags, falls against the line of your torso. There's this full, bordering helpless sound as you find her waist, holding her up, pulling her closer. You're kissing in this empty corridor, knocking on doors, jiggling locked door knobs and wasting time, barely, maybe, forever until you can step back into some stranger's guest room: some hallway hideaway; the unoccupied kind of paradise.

"I want you," she mutters when your hand traces the slope of her neck, and then her face is burying against the space below your ear, her open mouth skirting across the sensitive skin there. "So bad, so much. Out of these clothes."

Her neck tilts and you lick. You find a place beneath her ear, kiss - hard. Irene says please. You leave a mark. You know you’ll leave more. 

An unlocked door, and she shoves you into a bathroom instead, fucks you in there with her underwear tugged to the side and her skirt rucked up her thighs: the mirror reflecting back every whine, the squeal you draw out of her when your teeth dig too deeply, the shock, the undiluted want in her eyes when she leans up against it. You have her half on the sink, your arms a cage around her lithe waist, your grip white-knuckled in the silk outline of her dress; she cums around your fingers, cunt slick and slippery, gasping your name so loudly that you have to shush her; and even after that, when her gaze locks into yours, the pretty round of her cheeks all red and her lashes stuck with her tears: when she tugs your zipper down, fits you between her legs and pleads for you to fill her with your cock until the tightness around it is unbearable, fucking her just as you're pulling apart her clothes, the clasp of her bra snapped so hard she curses - even that doesn't stop. She doesn't ask you to stop - she's incorrigible, needy, practically begging.

"Please." Again. Again, as she touches her cheek, fingertips on the skin that's already turning a deep crimson, all shades and blooms; and then she touches the lipstick-smudged prints at the top of her breast, and all the ones on her jaw. Your teeth, where it was light, and your tongue where it was hard. You took, and you marked, and the way she is, her thighs quivering like an aftershock; her body pliable, barely-breathing: that was almost all of what she asked for.

Your hips snap, and the impact jolts through her: ripples sent into the curves of her body from the pleasure, the pain. You try not to listen, not to look - not the obscenities leaving her mouth in a steady stream as you press her down against the counter: every hiss and moan, your name, jesus fuck-

Irene cums a second time with a wail, like someone's hurt her, like she's been set free, like she'll never again breathe so well as she does when your lips catch the scream and hold down the sobs, fingerprints at the faint, fragile curve of her nape.

"God," she whimpers into your mouth; and the sound, that voice, as she moans it to you: "your cock - is gonna kill me, baby."

Her cunt is tighter around your cock than it's ever been, this total vice grip, her hips lean and arched upwards where she lies, slick-dripping onto the bathroom counter; the edge of her heel catches on the marble-topped basin, and her ankle knocks over the handsoap - the whole of it hitting the floor and shattering. 

She doesn't care. She can’t. She's a fucked-out mess: her black hair in knots, sticking to her hairline, her face flushed with need.

"Darling," the sweetest, her soft voice cracking with a laugh, the tipsy tilt of a joke; she's begging with it, some lazy, pretty curl of a request, some pretty plea that turns around into a bite, the heat, the feral - you kiss her harder. Take her harder. Leave a few more marks: just so you know she'll still feel it later, bruised and sore and sorry, and it might be too much, but oh, the way Irene grabs and pulls and fights and tries to cling when it crosses the line; she'll be feeling this tomorrow, a sharp tugging at the inside of her chest as she rubs circles into the scrapes and imprints on her hip bones. This reminder; of what's right there, if only-

Mine, you bite against her skin, and the voice in her head might scream with it.

You can see the fantasy in her eyes: her standing here in the mirror after you've filled her pussy, fucked your cum back into her cunt and had your fingers inside her for so, so long that she'd been soaking, dripping with it - your palm pressing firmly on her swollen, desperate clit, two fingers hooking deep, right on the spot that makes her twitch, tremble. Her jaw goes slack, eyes fluttering and back arching as you watch her drip with the mess you've made of her.

"It was always, I think-" and she hiccups, a small pained sound, "it was always gonna be you." She says it like an apology, voice quieter, more uncertain, a little shaky. "I just can't get you out of my head."

Your hips are reckless, a little mean - but your mouth moves slowly across hers. It's tender. It’s everything. 

"Baby," you plead back: and it's something soft and small when you sigh it into her mouth. Your fingers tracing her ribs and feeling how she breathes with your every motion; how you're filling her so deep she almost can't. Choking, with a whimper, like it's hard - and then her jaw goes slack, eyes snapping shut - her knees bend - like she'll give up on the control. Her body slackens and gives under you; her legs widen to fit your hips, all her weight sinking backwards on the marble-top-

She keens when you bottom out, a high, delicate noise. Whimpers at how full she is of you; she must've felt your rhythm slipping and letting it run too rough-

And even then. She asks, totally breathless, panting: "Right there," and fuck, god, please. "I love this," she whispers, the sweetest, the most gorgeous, lips moving as slow as a prayer - "and you fuck so good. And-"

Irene swallows; her chest expanding and then halting, shallow and deliberate. Her chin turns; her mouth opening in some expression of yearning before the word comes; a gasp, and she can't - she can't quite-

"Keep- baby, please." Her throat makes a noise and all the words taper. "Please, right fucking there."

She makes another sound, strung out and desperate - and she keeps gasping the faster you thrust your hips. Each drag through her hot, wet cunt has you both clambering closer.

"This," Irene's panting, this terrible, wonderful realization in her mouth. "This feels like-"

A stutter. A strangled sound: you don't even catch a full breath before she's trying again.

"-like us."

Oh, Irene, her heart murmuring. Like something soft, like something hard - this burn, this hurt; Irene, in her prettiest, highest pitch - the way she speaks, the way she breathes, her voice dropping a decibel like some clandestine secret. Like sin, a honey-coated whisper in the space between you two.

"Irene," you say, and she melts like you’re inscribing it into her skin. DNA-deep, carved into her bones. She takes it like a baptism, something in it an invitation, a promise to hold her dear - and all at once, that smile grows, blooms. 

It's intimate. It's affectionate. Fuck, it's true.

You break open her world with her own name, spoken like a sigh and sounding like sin.

There's this hollow, raspy sound she makes. Beneath the shallow of her clavicle. When your fingers push down, her nipples pressing back into your palm - there, as her breath hitches, as she quivers - right there; her cunt trembles around you, eyes wide-open, and you're just watching each other lose yourselves until Irene has to beg for another kiss, and the next, her fingers grasping at the collar of your shirt as she slips her tongue into the corner of your mouth. You wonder why she bothers with perfume; when all she is is vanilla and cinnamon, a saccharine so sweet with a touch of spice; she murmurs the words into your ear: I want your cum. Fill me up. Use me.

You think:

God, her body; god, the feeling. The sound.

Think, still:

Look, your hand. At her waist. At her pussy. Right here. The place where you're connected. Flesh, bone, a stretch of skin - the raw, obscene mess you make; when all it takes is a rock of your hips, a thrust upwards and in to dismantle everything that is her, everything that is Irene, until her entire world is centered around you-

It could be a chorus, a refrain:

Let go. Let me see. Drown me out. Kill the lights. You’ll take three hours over three weeks where you pretend she doesn’t exist. It's simple. It’s, it’s-

It’s this: the press of her to your skin. The nails to your scalp, down your neck. The splay of her legs across your thighs. The sweat - hers, yours - all of it together; your mouths meeting and meeting and meeting. Again and again.

God. It’s the entirety of you which you were hoping to avoid. You love this woman. You fucking worship her, all of her, every piece and the whole - that she's making that noise in the back of her throat, soft; that her breathing is rising, ragged; that you do this to her, just this.

It happens in a blink. You tell her to turn. Tell her to bend. 

She ends up over the counter, gripping the sink, and you lift the fabric up to bare her ass and keep fucking her, deep, deeper. This sound is all you need, this whine that Irene makes, like you're reaching even her furthest, hottest spots - and then the push through her sopping cunt, how she spills around you and the slickness smears at the insides of her thighs; she clings and squeezes and fucks back against you so wildly, she doesn't even recognize her own name. It's the moment when she loses all sight: that's when you bury inside her, pull back her hair, wrap your hand around her throat, and she's under you, on you, body angling upwards like a flower to the sun. She cums so easily, shuddering into the pull of the climax; her pussy tight around the throbbing swell of your cock - the deep and penetrating pain of that desperate pleasure, like a flash-flood, an earthquake, oh, the grip, the warmth-

The moment stretches, just like that. 

Her heels kicked off and toes arching to scuff at the cool, tiled floors; she's sensitive; she wants to play dirty. Your grip loosens, that same tender thing when her throat bobs, a little movement, swallowing for you. She knows exactly what she's asking for, exactly what this all means - Irene begs so prettily: "put it inside me."

There's a few seconds in which you feel nothing but the heat and the way she flinches, like a reaction that's programmed straight into all her nerve endings; the raw instinct; the shudder from deep within her core when your hot cum finally starts to spill thick and heavy inside her - it's been too long since your last proper fuck, and her moaning in the mirror is, how do you say: an incredible inspiration.

"Your pussy," you can hear yourself say, throat gravel-dry. "Is so fucking tight, baby, shit-"

And she's nodding, voice ripped to ribbons. All the words liturgical, a prayer. She's begging with them; yes, please, fuck, god yes, give me-

Her thighs press together, but her eyelids have begun to fall.

"Use me," she mutters. Her breathing begins to even out - the very real sign she's spent, near unconscious. "Want this, want you - so fucking bad."

And the evidence is there. Irene is falling apart beneath you, hands fisting and legs spreading even further as she's braced against the sink, bent, and presented. All of it makes a beautiful sight: the spread of her toned, ivory thighs; her ass pale and her folds so pink; how she's bent, waiting. Everything about her is an artistic consideration, designed, purposeful.

"Christ," is all you manage. The strain is evident in how your tone rasps.

Because your hips are still pumping Irene’s cunt with cum. Fingers wrapped around her tiny waist and pulling her ass flush against your hips for good measure. Again and again and again; no room for doubt: you've missed the warmth, the fullness. Soaked to the hilt as your length curves within her; she coos, and she loves it. She says it’s ruinous. She says it feels incredible. She says it around the shape of your name and with no hint that you should ever stop fucking her apart.

"Feels so fucking amazing." She's panting and she can't say another word for a while; it's a fact and the other is simple. "It's - so good."

She can't stop moaning. 

You’re both breathless, watching her reflection in the glass, a study in motion: the soft bounce of her breasts in the mirror, the cords of muscle tensing in her abdomen, the small, pinkish mark blooming below her left ear. There's her lower lip, pinched between her teeth, her eyes flickering shut as her hair drapes across her naked shoulder and her skirt rolls higher on her waist. She doesn't try and muffle herself: you could hold her down, or even give her your fingers to bite down on - let her go a little wild as she wrestles against the instinct to stay silent, keep quiet. You plant an open-mouthed kiss against the side of her neck and look up, see her watching the movements, her dark eyes lidded, dazed, fucked-out-of-her-mind content as she smiles - lidded and lovely and impossibly knowing and rocking her hips into the moment.

"You are unbelievable, you know that?" you're murmuring, your palm on her shoulder. Pushing her flat. "Absolutely breathtaking."

You rub a thumb against her cunt, pull at the outer, exposed, sensitive parts as Irene's smile falters. You just keep pushing.

"Oh, baby," she whines, pleading for more. For one more press, another, anything: she begs you. "Your cum feels" - she swallows hard - "so fucking warm inside of me."

A shush, the palm soothingly pressing between her legs, and she bites her lips hard. Still trying.

So - you push it all deep into her cunt. 

There’s this beat, this moment, this quiet - where her eyes pinch tight, voiceless, speechless.

And right after, Irene is whimpering: her body seizing and shaking and arching away from the viscous slickness that just keeps building with each and every drag; the cum left on your cock when you pull it out, leaving Irene on the verge of sobbing, collapsing on her stomach, trembling. Your fingers are covered in her cum. And this is how she likes it, stretched and sloppy. The shudder through her body is proof: all over her nerves, electrified. Irene’s shoulders go limp when she feels the push - then your knuckles, curling. The gentle touch, the pressure, the fingers spreading her slit.

She asks what else, anything, please, and hints at wanting more; so much more.

“Irene,” you say, smiling into the ends of her hair. Maybe, you consider. Maybe later, maybe when you're fucking her flat on your bed; your cock up her tight ass or your palm coming down heavy on the supple roundness. You let her fantasize a minute, imagining it's the roughness she wants to receive; maybe the hot, slow grind of you still inside her or the whisper at her neck and her toes digging into the sheets. The offer has her breath stuttering in the mirror.

Irene tells you it's unfair.

"Sorry," you say, and don't mean a word.

Another breath in, the lungs expanding against your palm, ribs slipping. In and out, a reminder.

"Don't be," Irene manages, exhaling a laugh.

She offers you her lips, you know she doesn't mind - and she kisses you. You sink down to the bathroom floor and she sits so easily in your lap, your mouths meeting over and over again. She strokes your spent cock. Your hands squeeze her thighs and you take her chest in your mouth. Wiping your own smear of wetness off her tummy, bringing them to her face, letting her nose knock into your palm and lick at the tips. 

"Can you taste how sweet your cunt is? Baby," and your mouth is on hers, kissing all traces off her tongue-

There's so many things you could do, it's enough to keep you sated for ages. Her back is pressed against your chest, and you gently draw another spill of cum leaking out from her pussy; she shoves your digits into her mouth, sucks until her jaw clenches, your thumb rolling around the roof, tongue pressed right between.

"If someone sees us," she whispers, licks her lips, your fingers, moans, tilts her hips and grinds down a bit. "We'd be so screwed."

"Don't worry, I'd say," and you can't help the tease in it; your voice low and all grit, the heat and your heart rushing through every vein. "It'd all be my fault."

It's filthy: her sitting in the puddle of your cum, making it soak the thin material of her dress; your heavy spill leaking from her cunt and soaking your slacks as the mess seeps further and further down your pants and her ass-

"We are such a disaster." She says it wistfully. "You and me, like this. A total fucking disaster."

(With your clothes torn open, hair a disaster, the imprints of your lips and fingertips all over her, she means. If it was anybody but the two of you: oh, how ridiculous it would seem. But the sheer audacity of the possibility has her looking at the cum glistening on her thighs. Then looking back to you, her dark-brown eyes, brighter than stars, searching the depth of the hold in yours, your arms wrapped around her.

Maybe she just wants to have this. For as long as you're giving it to her.)

-

You can feel yourself falling so deeply into her, the pull. The draw. It feels a lot like being lost. Like, there's something about loving her. The night's long and she's pressed so closely, fitting like something just perfect, and the way her hands find your ribs is the nicest, fondest ache. You only break out of the haze once the footfalls of her heels begin to echo behind you. The bass fades as you both make a run for the exit. It gets harder not to laugh - your giggling voices slipping between you. You have her nose pressed to the dip of your collarbone, kisses dropping in her hair, her lips curved into a smile every time your thumb does another circle - that place right below her hip, or right there behind her ear.

"Take me somewhere," she sighs. Her body pressed against yours, her cheek snuggling against you.

"Any suggestions?"

She shrugs, and the elevator chimes. "I wanna sit with you."

When she leans forward, just the faintest movement, her mouth upturning in the smallest smile. Her eyes flit away, and her brow wrinkles and lifts, like this: here. You could swear, to god, or the devil: there isn’t an ounce of light inside you that doesn't live at her mercy.

The clock is ticking down into the small hours. The night at its calmest, darkest, most wicked stillness.  You ask her again, this time, just for clarity, a bit of guidance. "Somewhere we can go? If you have nowhere in mind, we could head back if-"

"No." Irene shakes her head. "Take me anywhere but home."

-

You're drunk. Irene's a little worse off. Her heel snaps. The usual grace, the poise, her ease, that’s all but vanished. It's just her: Irene. Hair windswept and the edge of her nose nipped by the chill, the moonlight.

She’s so fucking beautiful.

The night can hear her laughter in the air; you have her hands clasped around your middle, legs hoisted over your elbows. You’re carrying all fifty kilos of her across the pavement; the streets are quiet and the city's yours. Her dress bunches, and her voice is in your ear, a kiss peppered to the back of your hair. The both of you collapse and - ow, it's the crash onto concrete, a scrape and a bruise and a story to piece together tomorrow. Is this from the tumble? the sex? I don't know, Irene will say, sealing a band-aid over the red, the swell. Maybe this, maybe that. It all happened. The physical marks, the chemical thrill - the proof of life, a permanence, tethered.

"Let me, Irene," you're insisting, half-joking, pulling at the broken heel and tossing it a mile behind you. And like it's instinct, you just can't - can't help yourself. "Your legs are gorgeous, but, y'know. I’d hate to see you get hurt."

You run your palm down her calf and steal the other shoe. It gets tossed in the same direction, over her whine. "Babe."

Irene pouts, still too lovely, still too fucking sweet. 

She doesn't laugh, or blush, or try to argue. Instead, she sweeps your hair back, curls her fist at the nape of your neck, and suddenly you're staring, eyes locked and wanting. Irene leans in, her weight settling against your forearms, and gives you a look; just long enough and tender and dreamy and calm enough to have the ache of your heart match its rhythm with her own.

"What the fuck," and her smile cracks open as the words struggle in her chest; her hand goes down your arm and strokes a featherlight finger to the edge of your jaw. "Please don't throw away a woman's shoes without permission."

She hiccups. Sways.

You kiss her. And kiss her, and kiss her. Irene smiles right against your mouth.

"Stay right here," she says. "Go get my fucking shoes, but stay right here with me."

-

Look, it feels so good, not worrying where she is at night.

-

"I thought," she's whispering as you cross into a twenty four-hour minimart, Irene on one arm and both her heels in the other - a pack of wet wipes in your hand - and then her pausing, stopping; this brief flutter of something - she says, "I used to think about how this would all eventually fall apart."

Irene leans forward and gives her weight onto you, hand playing around with the sleeves at your elbow.

"I used to wonder which one of us it would be," and the cashier is ringing up your purchases: a bottle of water, a cold compress, baby wipes and neosporin. The ice cream Irene's insisted you treat her for. She runs a hand up the back of your hair and smiles when you meet her eyes again, "which of us would drop the other, you know, first."

"The thought still come up?" you say, sliding a bill onto the counter and offering a quiet "keep the change."

"Yeah, sometimes. Or I mean I'd be watching you, sometimes, I guess." She smiles at your reaction, bumping your shoulder. "That’s the look."

You're walking out to the parking lot and you're pressing a soft kiss against her brow, waiting, patiently; because you always do, waiting. "Do I need to ask?"

Her grin, close-mouthed and gentle, a tinge of fondness, of humor: "you're going to ask either way."

"Hm," you say, popping the lid off the ice cream, breaking off the flimsy paper seal of the container. She's in the pocket of your blazer, Irene's fingers weaving in between yours, her hand reaching for a bite and grinning all the while.

It's four-thirty AM and the early hours will catch up to you, but. It's this: the yellow-orange streetlight above the two of you and her bare feet dangling off a concrete half-wall. In a white cocktail dress and sitting, you and her, atop a parking barrier. You're here, together, watching the skies lighten in the east - there, where the road will split to lead towards her place. Towards your own.

"There's no way," she says, wiping the corner of her lips with her pinky and then making a face. "For us to be together and not mess this up, eventually, somehow." She steals the carton and balances it between her knees. "There's no way to save this."

"Probably not."

Her mouth curls. There, and gone; there again.

"Doesn't that scare you?"

Your stomach is a riot of twists and nerves and the base of your throat is tight, like a swelling.

"It does." You lick your lips, can't think. "A bit, sometimes." You look at her - her profile, her silhouette, the messy, knotted ponytail, the wisping hairs beneath her temple. The press of her lips, how the gloss rubs off onto her knuckles, staining. "But then I see you - and I can't imagine how I'd even pull a 'it's not you, it's me,' convincingly."

Her throat clicks, and she leans her head against yours, and you're forgetting everything else.

You both stop. Sharing a bite. Sharing the silence.

There, and gone.

"Hey," she breathes out - and you can't explain her expression, how her brows knit together; she squeezes your hand, a tremor, and the corner of her lips pulls upwards, almost apologetic; sad, or thoughtful.  "This ice cream is so fucking freezer-burnt."

"It’s not great."

You watch her nose twitch like she's holding back a sneeze, or a sniffle. She laughs instead and leans against the warmth of you; the smell of her, your bodies touching.

"I love it," you hear her say, and she doesn't give the container back.

-

Irene falls asleep in the backseat of a cab as the sun rises, your blazer draped over her chest; she murmurs your name and pulls closer, seeking warmth. The traffic thins as the roads lead to where she'll disappear, and you find yourself dreading it already.

In a day, maybe two. It’s funny. You could end up hating each other. You might have to force a pause, or take a break, or even step back from her entirely. That’s how it goes. It's the hardship, it’s living - it’s the knowing that she has a lease on life that will end, will expire, a loan where all her days are slowly counting down; a timer you recognize the injustice that it might someday read zero.

Not to get too far ahead of yourself, or to project some awful ending where one isn’t likely: but when Irene and you are like this, soft, sleepy, curled into each other; her hand at the small of your back, resting; this close, and closer. Your heart aches with an ambiguous type of feeling, indescribable-

Irene shivers a breath and presses her face into your shirt; and like a revelation: you fall further.

"Where do I take her, sir," the cab driver asks, and your eyes turn, watching her chest rise and fall, steady, easy; as her grip grows looser and her cheek presses onto the leather seats.

She's too gorgeous, too pretty in slumber, in sleep, the innocence the most dangerous thing; you fix these wispy tendrils of hair back behind her ear and press a hand to her temple, stroke the line of her jaw, the bow of her lip. How soft, she's always the sweetest sight - with her head resting, her mouth falling slack, eyelashes fanned out over the fullness of her cheeks, and all of her like this, all her darkness tucked away: you think about all those times you've traced her from across a room, across a city; if there was anyone else you'd rather wake up beside, in your bed and beside the pillow; someone who doesn't pick your fights and your silences and loves them in spite of, despite everything. Who lets the fights burn white hot until it leaves you both splayed raw and exhausted, in her, on you-

Someone who fits so, so perfectly with the grooves and the curves, who completes you.

"Just drive," you murmur, looking away, blinking away. "I'm not gonna remember."

You're thinking about a book you'd once read, an idea. The world of difference, the fact in its finer detail; all the myriad iterations of 'loving' and 'missing' and 'want': the imperceptible shifts between being the absence of something and feeling it, tasting it, taking it, drowning it and holding it in your palms, seeing it every time you turn, breathing, living: wanting to never let her go-

"You alright back there, bud?" the driver asks. The tone: the slow and steady understanding, his age, how he watches you, the soft shake in your voice, the gentleness with which you hold your gaze - he knows. A blind man could read what your heart’s written on your sleeve. "Late nights are a killer," he says, a chuckle, before shaking his head, muttering, "but mornings even more."

There are a few more hours left. Maybe more, maybe less, of not worrying, and not caring. The thing about loving Irene is this: her touch, the press and the tugging and pulling; her body and her heart; she can be anyone, the best friend, the boss, the mistress, the princess. The pet. And you would be remiss, she says, not to remember: you, too, can be just anybody. So long as it’s you, I always come running.

-

It's the last time you kiss her, and that's an okay thing; you pull off the side of the street to brush your hand up to her temple, and when Irene opens her eyes to you, her lashes fluttering against the swell of your cheeks; her hair in soft strands over her forehead and framing her face like this. This vision of her is for you, all yours, all the little things.

"I’ll see you soon," Irene says, sleepily, and you know that you will.

-

The nook she occupies in your head by now, is so well-established.

You can't remember when it began. Not like there was a sign, a hint, or a clue. Just, her. And her lips and her tongue and her touch, all this reckless abandon - like everything else, there had to be a leap.

Even with all the lights burning out and the moon hidden in clouds and the nights and days unraveling around you - in those early days, the press of her shoulders or the palms of her hands would always send the worst kind of butterflies through you, like everything else - just her, the sway and the tipsy, the turn and the look she'd have before she would touch the pad of her thumb to your cheek and drag her nail down the curve of your smile.

(It had felt - and you're no longer in it - but it had felt so frighteningly fast.

Weeks, she had told you once. I fell for you in weeks. Months? Years? Fuck, no time at all.)

-

"Hey," Irene says in the not-so-distant present. She's sitting across the kitchenette - knees under her, bare feet pointed to the window, and the steam rises from her tea.

"Mornin'," you mutter sleepily. Stretching, craning your neck and arching your shoulders and ignoring the pop in your lower back, the strain at your ankles. Irene tilts her chin up and blows through the steam. There's an air of self-sufficiency, a state of mind she seems to always have, as if, the ability to ignore her vulnerability is a muscle she could constantly flex, expand, train herself to avoid - and all you're noticing is how that small movement has her shifting and curling over the cup, trying to keep warm. Her hair is pulled high in a knot and held up by an elastic, her baggy sweats loose and rolled twice over, the camisole low, a thin strap sliding off her shoulder.

"When'd you-"

"Had to wake up earlier today." She blinks, her legs slipping open, bending.

"Any chance-"

"No." And Irene snorts. The teasing pull of her lips has your stomach twisting a little more: "you know me."

That you do; the lazy Sunday, the slight pull in the center of her lower lip as she purses it. Irene, with her hair messy-perfect and that stupid fucking smile, so careless, and the joke-flirt she's doing; she knows just what she's doing and, yeah, god. You still have a weak-spot for her and it's so big; the twist in the base of your throat. Your morning wood rising. You’re familiar with this: the deep ache.

"You know," you say instead, blinking through the heaviness of your lashes and scratching a thumb against the line of your jaw. "A girl could walk in and mistake this for an affair."

"Girls love me." She turns the cup around in her grip and grins again, makes sure that the image stays locked. "Or," and Irene holds up the fingers, counts on two. "I've had two affairs in my life. One is basically a distant memory-"

"The other?"

Her teeth press down on her lip again. "How am I doing so far?"

"Honesty and self-disclosure in the kitchen, at eight in the morning? Irene, you're really outdoing yourself."

She lifts a brow, then brings the mug to her mouth - like a second-rate cigarette and a scalding-hot burn. "If you did bring a girl here," she says after a while. And, smiling: "she'd see me sitting here, incriminatingly pretty. I mean, she'd probably cry. Screaming fits, a fist fight. Then the waterworks - oh, he was my first! I loved him! He took my flower - ow, don't touch me, I think I might faint-"

"I doubt it."

"Ooo," Irene sing-songs, turning and crossing the space to sit on the armrest beside you. The sway of her body's so obvious. You've got enough room to pull her onto your lap, but you keep your hands to yourself. She runs the tips of her nails over your shirt, just above the buttons and across the sleeves. "Hun, I bet she'd kill you. It'd be very bloody, but romantic. Sad, but inspiring in a mundane sort of way - something you've only heard in mystery novels. Riveting, sordid stuff. Could fill your entire inbox. I mean, as they say in Chicago: he had it coming."

"Nah," you decide, after a yawn. "Too dramatic."

"Not at all," she scoffs, peering at you over the tops of her glasses. "The man she loved was a heartless betrayer."

"Can I ask why my imaginary girlfriend always comes across like some cliché young ingénue? You seem to have a lot of opinions about this girl."

"What, the girl next door, a little smart, but neglects her intuition?" She flips the bun at the back of her hair. "All wide-eyes, a ribbon in her hair, a flower-child who's seen too many Wes Anderson movies." She sticks her tongue into her cheek. "Never once stops thinking about the bad boy."

"If you want to get technical, all my girlfriends have been older than me."

"Whoops," she says flatly, hand falling to her collarbone, "spoke too soon. Got you wrong. No need to panic. I'm sure you, a man, are not drawn to some young thing, easily swept up in a passion. Simply, if nothing else, for the sweet naivete. Those hushed little moans and then, the screams. She would tell you it hurts - and on the same note, she’d be begging you for more - the little slut. God, she'd still be so, so nice and soft and quiet. Ready to be anything for-"

"And if you're the girl?" You stand up and grab her wrist. "What then?"

She pauses, considering this new development.

"You do not treat me very well." Irene pushes the bridge of her glasses back up the curve of her nose. "No candle-lit dinners or grand, public gestures." She twists a curl of black hair around her finger. "Definitely not a confession on bended knee - oh, no, never, never - you'll not have to stoop to that. Because you are, in fact, quite terrible at it. I don't think I'd have a single opportunity to pine pathetically, waiting. And maybe you're a bad kisser, actually," she concludes.

You tsk, scandalized. "You are really not cut out to be the ingénue at all."

Irene laughs, softly, reaching out to tug gently at a tuft of your hair. She smiles up at you - and it's so easy for her, somehow. So graceful. "Shall I fix that for you?"

"Do not fall for me, sweetheart."

"I will try to resist the urge." She tilts her chin and presses a finger to her lips. "Kiss, first."

You lean forward, let your nose bump her temple, her hairline. "Glasses, first."

"Whiner," she murmurs. She yanks, gently. Tugs and pulls, and presses the pad of her finger at the sharp cut of your jaw - her gaze half-lidded and slow as she holds yours. Like she's reminding herself, something she can't forget - what it feels like, exactly. A reminder. You can only keep your eyes on the slide of her jaw. "Gonna keep you like this forever."

"Love," you find yourself whispering. Sometimes you wait just so you can relive that first kiss. Irene swallows. "What a beautiful temptation."

-

You imagine, again, if it had all really been by the book:

Three dates and a letter of recommendation. Making her pay for half, instead of making her feel guilty about paying at all, which for the life of you, you can't fucking figure out: how to treat a woman. Chivalry in modern times: a fucking travesty, truly. She'd lure you to her apartment, or you'd do the same to her - just after the first, you know, the obligatory. The getting to know her, except you'd end up skipping the post-dinner steps of being a gentleman, which would leave the night open-ended, and you wouldn't give it much thought until the kiss against her door is so fucking filthy it makes you reconsider everything and everyone, you know, the morality of fucking someone more than once in a day.

You'd have hit all the milestones, she'd have to lead you to bed, and you'd play all her favorite movies as she lays across your chest and shows you what she likes to do best: finger herself, or something. And you'd talk about it, afterward, you'd acknowledge it - because this should be what dating is, right? This should’ve been the next few months of your life. Running that same exact pattern, knowing each other so well you can tell what sex will be like before it even happens, anticipating exactly what kind of text you'll get the next day - the call the following night, the feel of her hands on you in all the right places. The lazy moans, her lipstick imprints on your skin, the smile at the corner of her mouth. Nothing like putting your own fucking hand in her pants and rubbing a few hasty circles until her slick gathers around her knees and she can't walk for a whole day.

Things fall into place, they fill gaps, the idea must be mutual at some point - mutual attraction, mutual enjoyment-

How it is Irene got to spending five, six nights a week at your place is beyond you. Not because you're worried about what people will say. You're not. It's just - weird, to not know what you've done to make this last so long.

Are there rules to loving someone? Is there a checklist, a script - what praxis will keep things in place: comfortable. Last you checked, you have no fucking idea how to treat someone like she deserves. To treasure and cherish, hold her tight but never cage - what qualifies, huh?

"Irene," you say, one day - as you're both brushing your teeth. Because really, what does.

She looks at you like she's bored.

"Forget it," you reply, laughing to yourself and leaning down to rinse your mouth. "Idiot."

"Wait, no," she says, stopping mid-brush, her toothbrush bouncing obscenely in her mouth. "What?"

"I said forget it," you tease, and of course, the glint in her eyes is a warning if you ever saw one - but who would you be, then, if you didn't lean in close and tell her, ever so gentle. The three words could be: not a clue, or, you're so petty, or, simply, I adore you and she’d let that one lay to rest.

You choose them a little differently, and Irene's face lights up like she hasn't known all this time. 

A foamy spill of toothpaste leaks down her chin. "Th'a m'eh?" She's a mess, wide eyed and dripping and already reaching to swat you on the shoulder, disbelieving. "You can't just-" and her face scrunches, this exaggerated - ugh! - before she hides it in her hands.

Oh, you love her, and it feels so good, not pretending.

"Again. Say it again. I didn’t even hear you." She knocks her knee against yours, grinning behind her palms, wide and genuinely - happy. "Like, have some decorum."

Laughing - so hard you can't breathe - you shake your head and curl your fingers tenderly around her wrists, pull her hands from her face. "You are so greedy," you attempt between breaths, letting yourself press against the softness of her palms, her wrists, the pads of her fingertips - wanting to be a poet, she is a masterpiece - and tell her properly.

-

a/n: thanks for reading, it's always unbelievable to me anyone ever finishes these fics. This one's a very belated 'thank you' present for @yieldtotemptation. I'm like way late, but thanks for everything.

[acidcarnagetq]

𝗶 𝗻𝗲𝘃𝗲𝗿 𝗳𝗼𝗿𝗴𝗼𝘁 𝘆𝗼𝘂.

𝗽𝗮𝗶𝗿𝗶𝗻𝗴: 𝖽𝗂𝗏𝗈𝗋𝖼𝖾𝖽!𝖺𝗋𝗍 𝖽𝗈𝗇𝖺𝗅𝖽𝗌𝗈𝗇 𝗑 𝖿𝖾𝗆!𝗋𝖾𝖺𝖽𝖾𝗋

𝘀𝘂𝗺𝗺𝗮𝗿𝘆: 𝖾𝗏𝖾𝗋𝗒𝖻𝗈𝖽𝗒 𝗍𝗁𝗈𝗎𝗀𝗁𝗍 𝗒𝗈𝗎 𝗁𝖺𝗍𝖾𝖽 𝗁𝗂𝗆. 𝗁𝖺𝗍𝖾𝖽 𝗁𝗂𝗆 𝖿𝗈𝗋 𝗁𝗎𝗋𝗍𝗂𝗇𝗀 𝗒𝗈𝗎. 𝗁𝖺𝗍𝖾𝖽 𝗁𝗂𝗆 𝖿𝗈𝗋 𝖼𝗁𝗈𝗈𝗌𝗂𝗇𝗀 𝗍𝖺𝗌𝗁𝗂 𝖽𝗎𝗇𝖼𝖺𝗇 𝗈𝗏𝖾𝗋 𝗒𝗈𝗎 𝖺𝗅𝗅 𝗍𝗁𝗈𝗌𝖾 𝗒𝖾𝖺𝗋𝗌 𝖺𝗀𝗈. 𝖻𝗎𝗍 𝗍𝗁𝖾 𝗍𝗋𝗎𝗍𝗁 𝗐𝖺𝗌, 𝗒𝗈𝗎 𝖽𝗂𝖽𝗇'𝗍. 𝗒𝗈𝗎 𝖼𝗈𝗎𝗅𝖽𝗇'𝗍 𝗁𝖺𝗍𝖾 𝗁𝗂𝗆 𝖻𝖾𝖼𝖺𝗎𝗌𝖾 𝗒𝗈𝗎 𝗅𝗈𝗏𝖾𝖽 𝗁𝗂𝗆 𝗍𝗈𝗈 𝗆𝗎𝖼𝗁, 𝖾𝗏𝖾𝗇 𝖺𝖿𝗍𝖾𝗋 𝖺𝗅𝗅 𝗍𝗁𝗂𝗌 𝗍𝗂𝗆𝖾.

𝘄𝗼𝗿𝗱 𝗰𝗼𝘂𝗻𝘁: 𝟧,𝟨𝟣𝟧 𝗐𝗈𝗋𝖽𝗌; 𝟥𝟢,𝟨𝟣𝟢 𝖼𝗁𝖺𝗋𝖺𝖼𝗍𝖾𝗋𝗌.

𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀: 𝖻𝗋𝗂𝖾𝖿 𝗆𝖾𝗇𝗍𝗂𝗈𝗇𝗌 𝗈𝖿 𝖿𝖺𝗆𝗂𝗅𝗒 𝗍𝗋𝖺𝗎𝗆𝖺, 𝗌𝗆𝗈𝗄𝗂𝗇𝗀, 𝖺𝗅𝖼𝗈𝗁𝗈𝗅 (𝖻𝗈𝗍𝗁 𝗉𝖺𝗋𝗍𝗂𝖾𝗌 𝖺𝗋𝖾 𝗌𝗈𝖻𝖾𝗋 𝖻𝗒 𝗍𝗁𝖾 𝗍𝗂𝗆𝖾 𝗍𝗁𝖾𝗒 𝖿𝗎𝖼𝗄), 𝖿𝗂𝗇𝗀𝖾𝗋𝗂𝗇𝗀, 𝗉𝗋𝖺𝗂𝗌𝖾, 𝗉 𝗂𝗇 𝗏 𝗌𝖾𝗑 𝗐𝗂𝗍𝗁𝗈𝗎𝗍 𝖺 𝖼𝗈𝗇𝖽𝗈𝗆 (𝖻𝗂𝗋𝗍𝗁 𝖼𝗈𝗇𝗍𝗋𝗈𝗅), 𝖼𝗎𝗋𝗌𝗂𝗇𝗀.

𝗮/𝗻: 𝗂 𝗃𝗎𝗌𝗍 𝗇𝗈𝗍𝗂𝖼𝖾𝖽 𝗁𝗈𝗐 𝗅𝗈𝗇𝗀 𝗍𝗁𝗂𝗌 𝗂𝗌. 𝖺𝗀𝖺𝗂𝗇, 𝗂 𝖽𝗈𝗇'𝗍 𝗎𝗌𝗎𝖺𝗅𝗅𝗒 𝗐𝗋𝗂𝗍𝖾 𝗌𝗆𝗎𝗍, 𝖻𝗎𝗍 𝗂'𝗆 𝗍𝗋𝗒𝗂𝗇𝗀 𝗍𝗈 𝗆𝖺𝗒𝖻𝖾 𝗐𝗋𝗂𝗍𝖾 𝗂𝗍 𝗆𝗈𝗋𝖾 𝗈𝖿𝗍𝖾𝗇. 𝗒𝖾𝖺𝗁, 𝗂 𝗋𝖾𝖺𝗅𝗅𝗒 𝖽𝗈𝗇'𝗍 𝗁𝖺𝗏𝖾 𝖺𝗇𝗒𝗍𝗁𝗂𝗇𝗀 𝖾𝗅𝗌𝖾 𝗍𝗈 𝗌𝖺𝗒, 𝖾𝗑𝖼𝖾𝗉𝗍 𝗉𝗅𝖾𝖺𝗌𝖾 𝖽𝗈𝗇'𝗍 𝖻𝖾 𝖺 𝗀𝗁𝗈𝗌𝗍 𝗋𝖾𝖺𝖽𝖾𝗋.

"Did you hear Art Donaldson's coming?"

That's all anyone could talk about, Art this, Art that. So what if he was coming? You didn't give a shit. (You did, you always did when it came to him.)

Logically, you knew you might see him here, but emotionally, you were really hoping you wouldn't have to, especially considering there were hundreds of people at the Standford alumni gathering.

Once you'd graduated, you'd left all traces of him behind. Or at least, you tried. His name still popped into your head, his face sometimes even appeared in your dreams at night.

Even worse, promotion for him and Tashi Duncan's book was plastered over half the city of New Jersey. It certainly didn't help that one was on the billboard that you so unfortunately had a view of from the window of your apartment.

Your friendship with him had never been clear, but it had been everything but simple. You had felt there was always something more, with the lingering glances, and the gentle touches.

But all of that had changed when she showed up. Tashi fucking Duncan. You felt robbed, stolen from. As soon as she'd stepped into the picture, Art's attention was solely on her.

So you left. Erased yourself out of his life completely. Distanced your life from his until you both graduated, and never looked back. Well, mostly.

Looking back, maybe it was selfish. But all you knew is that you couldn't bear to watch him fawn over her like a lost puppy. Not when you felt so deeply for him.

You shake your head, trying to break yourself out of your stupor. There's too many people here, and you hate it. You already know everyone will want to ask you about your life, your career.

Once you'd left Stanford, you'd made a name for yourself in the tennis world. You loved winning, but you despised the attention. But you knew it was the price to pay for success. So, you tried to keep as much of your private life out of the headlines as possible.

You needed to clear your head, get some fresh air. And figure out what the hell you were doing here, and why you thought it was a good idea to show up.

Unfortunately, it seems like someone else had the same idea, as you're hit with the smell of smoke as soon as you step outside.

"Needed to get away, too?"

Your heart plummets at the familiar, yet unmistakable voice. The one person you'd prayed you wouldn't have to see. Art Donaldson.

You turn to see him leaning against the rail, taking a drag from his cigarette. You'd almost forgotten how utterly gorgeous he was until you laid your eyes on him, and it seemed like he'd only gotten better with age.

The smoke from the cigarette wafts off into the air, and your eyes lock with his. A moment of silence goes by. You want to greet him briefly and then walk off, but he speaks before you do.

"Long time, no see."

You mentally curse yourself for not being quick enough to have the first word, and nod slightly, an indifferent expression on your face.

"Art Donaldson. Has been a long time, hasn't it?"

He blows out another puff of smoke, eyeing you. He'd be lying if he said he'd forgotten about you. You were someone who had haunted him for years, through his entire marriage with Tashi. He could never forget about you, no matter how much time had passed.

"You haven't changed a bit."

You don't say anything, not quite sure how to respond. It's true, it had been years since you and him had last spoken. But what you didn't know is that he had made an effort to keep up with you. He'd been keeping tabs on how you were doing with your tennis career. He'd never admit it, but he was guilty of googling you, to find only headlines of your tennis wins, and barely anything about your personal life.

It seemed like when you weren't playing tennis, you basically ceased to exist, which he suspected was your choice entirely. Despite the years of zero contact, Art couldn't pretend like he didn't care for you. That he didn't still love you, even if he'd been so incredibly blind to it back in your college days.

"Congratulations, by the way." Art says, alluring to your recent conquest in the tennis world. "Winning gold at the Rio Games is no small feat." He can see in your expression that winning that medal wasn't completely satisfying. Your face tells him that you haven't felt a sense of contentment in a very long time.

He wants to ask you why you disappeared. He'd wanted to for years. But all that comes out is, "How's your family?" Stupid question with an even stupider answer. He wanted to slap himself in the face. He knew your family was a sore topic for you. And yet, he was still coming up with mindless small talk to try to fill the unbearable tension between you.

You sigh. "Fine, minus my bitch of a mother. She passed a couple years ago." Art internally winces. He knew you'd had it bad at home, only living with your mother for most of your life after your father had left when you were nine. You'd moved to California to attended Stanford the moment you'd become a legal age to be on your own.

He sucks in a sharp breath and frowns softly as you talk about your mother's passing. There was no love lost in between you and her, but he didn't want to be cruel and completely insensitive.

"Sorry about that." Art says, taking another hit off his cigarette. He looks at you, taking you in with a sense of wonderment. You had grown into such an incredible woman, and somehow, it seemed like you'd gotten even more beautiful. Your deep colored eyes and sun-kissed skin make his heart best faster. How he's missed you.

You shrug, trying not to show any hint of emotion on your face as you speak. "Eh, don't be. You know she was always a shit mother anyways."

If he was being honest, he'd say your mother was a lot of things- manipulative, selfish, abusive- but he would've been lying if Art said that he didn't want to protect you back then.

Looking back at it now, there's so many things he could've done differently back then, like be a better friend. Maybe even a better boyfriend, if he'd had the chance. His mouth opens as if he's going to say something stupid, but Art closes it and instead says, "Why'd you disappear? Why don't we talk?"

Your eyebrows raise slightly, at his inquiry. Truth be told, he knows what you don't talk anymore. He knows he fucked up, majorly. But he's relieved when you don't immediately snap at him, or worse. You always did have a short fuse.

"And how do you know I disappeared? Have you been keeping tabs on me?"

He looks at you, eyes narrowing in disbelief. "Are you serious?" Art raises his brows, "You're not seriously asking me that. You're one of the best tennis players out there. You went radio silent." He pauses, before saying in a slightly teasing way, "You're the one who should've been keeping tabs on me."

You scoff, resisting the urge to roll your eyes. "I don't have to. You and Tashi are plastered over half the buildings and billboards in Jersey." Jersey. Jersey? He was surprised you moved there out of all places. You'd always expressed a dislike for it back then.

Art chuckles at your response. "What, don't you like Jersey?" He jokes, flicking the cigarette away. He turns his body to look at you, studying your expression. "But seriously. Why did you drop off the face of the earth?" He's not going to tell you that he'd looked for you, even though he had. It was a few searches on Google, a few emails. You'd just vanished.

His mouth opens again, this time not backing down from what he really wanted to say. "And don't give me some bullshit excuse either." It sounds more like a command to you than anything. Art is really trying to keep himself from saying all the things he's wanted to say for years.

The thinly veiled frustration lining his voice sends a rush of anger through you. Who does he think he is, ordering you around?

"Don't speak to me that way. Like you have some type of control over me."

It's then Art knows he's screwed up, letting that irritation seep into his tone. He knows he doesn't have any control over you. He never has, and never will. He doesn't want to control you. He just wants you again.

"I'm not. I know I don't have control over you. But did you forget that I was once your friend?" Friend. It pains him to even call you that. You were always more, even though he was completely sucked into Tashi's orbit, like she was the sun. She wasn't. Art stands taller, his broad shoulders straight, his eyes never pulling away from yours.

"Were we, though? You dropped me for Tashi the second she showed up, and you wonder why I haven't reached out?"

Art's teeth grind in his mouth. "That's not fair." He says gruffly, even though he's lying through his teeth. "I didn't drop you. If I remember correctly, you were the one who left." He's getting agitated, his heart starting to race, his hands starting to clench into fists.

But not towards you. God, never you. He'd rather die than ever cause you harm. But the thing is, you weren't wrong. That's exactly what he did.

"I left because I knew if I stuck around, it would never stop hurting me."

That's when Art knows, getting involved with Tashi was the worst thing he ever did. It cost him his friendship with Patrick, his love for tennis. It cost him you.

He knew that your words were laced with truth, that he truly was the root of the heartache that you felt. And he'd do anything to take it back. But he couldn't. The only thing be could do now it try to make it right.

As for his feelings, that's another can of worms Art doesn't even want to open. He'd always had feelings for you, feelings that he thought would go away. But no, years later, they were still as present as ever. He wished he hadn't been so blind.

"I've always been second to Tashi. I couldn't ever compete with her, Art."

He swallows hard. Deep down, he knows it's true. Back in your college days, he was so focused on Tashi that he'd failed to notice what was right in front of him.

Art's heart hurt for you. But even though he knew how much he'd hurt you, how selfish he'd been, he couldn't help but get upset at your words.

"You could never complete?" He huffs through clenched teeth, shaking his head. "God, you just don't get it, do you?" Art steps forward, his body almost towering over you.

Rationally, he knows this isn't the right time or place, and maybe there won't ever be a right time or place. But you're here, now, and he won't lose you again without telling you how he feels.

A sudden heat washes over your body as he steps closer, his breath hitting your face.

"You could never, ever compete with Tashi, but not because you aren't good enough." His hand shoots up to touch your cheek, a soft touch to your skin. His thumb runs against your bottom lip, gently.

Everything in you screams for you to back away, go before you get hurt again. But you find yourself mesmerized by those same eyes you fell in love with all those years ago.

Art's voice is low and deep as he continues, his eyes never leaving yours. "You could never compete with her because I was stupid, I was stupid enough to fall in love with you first. But I pushed you away."

The confession is whispered, and you can hardly believe what he's said. What is going on? Art Donaldson is standing in front of you, declaring his love after years of no contact and a failed marriage to another.

"Art, I..." You don't know what to say. Your brain is mush, your head filled with a million thoughts, your heart threatening to pound out of your chest. You're missed, you're resented, you're loved, and now all you want to do is kiss him.

His hand cupping your cheek begins to slide down to your neck and his other hand slips around your waist, softly tugging you against him. His fingers slide through your hair and Art's eyes are on you, watching you, taking you in.

"I have loved you since we were kids. I was so stupid to not notice it before." He whispers, his breath hitching and his cheeks flushing ever so slightly. "And I have never been able to get you out of my head or my heart. And I am sick and tired of pretending like you aren't the love of my goddamn life."

There isn't any hint of malice, or treachery in his eyes, and he hopes to God that you know that. He knows he can't ever take back the pain he caused you, but he wants to try even if it kills him.

With that, Art kisses you. It's hot, it's needy, and it's passionate as all hell. Your body is responding to him in ways you didn't even know was possible. As he continues to pour all his love for you into that kiss, it picks up in pace, until you feel Art's teeth biting your lip. Your mouth opens to respond, but his tongue slips inside your mouth, causing a low moan to hum out of you. Your tongues slide against each other, your bodies pressed together tightly.

Art can't help himself as his hands explore every inch of your body. One hand is buried in your hair, but the other is traveling down, exploring the bare skin of your back. You arch into him, your fingers digging into his shirt.

You taste like nicotine and beer, you taste like home, a flavor that makes him all that much hungrier for you. He lets out a low groan as he slips his hands into the back of your pants, causing you to moan into his mouth.

Art is starting to lose control and knows that if he doesn't stop this now, he'll take you right here in the grass outside the reunion. He doesn't want your first time to be like this. Not when there's been so much grief getting here, so much pain he's caused to you.

Reluctantly, he rips his mouth off of yours, pulling away slightly. Both of you are panting heavy, your cheeks flushed.

Art doesn't say anything at first. His eyes rake over your disheveled appearance, your lips swollen, your hair out of place. He's sure he looks just as bad. Clearing his throat, he mutters a soft apology. "This isn't happening here. Can I..." He's about to say that he wants to take you back to his hotel.

You nod quickly, eyes blown wide with desire, but with love, too. "Y-yeah. Yeah." After all this time, not seeing him, you'll be damned if you let him slip through your fingers again.

That's all Art needs to hear. He grabs your hand and intertwines your fingers before leading the way to his car. Thank god the reunion was being hosted at a hotel, or Art wouldn't have been able to control himself.

After getting into the car, Art speeds out of the parking lot, his hand never letting go of yours. The drive back is a bit of a blur, his focus solely on you.

When you arrive at his hotel, Art is pulling you down the hallway, your lips connected like two magnets, unable to stay away from each other. Every step is like a challenge as you make your way to the room. All the while, you both stumble over your own feet until you feel your back against the door. You moan into his mouth once more, pulling at Art's shirt, before your kiss is broken by a panting Art.

"Wait," Art whispers, his voice soft. His eyes look at you in the dark of the hallway, his breath coming in hard pants. He's about to ask you if you want this, but your lips meeting his, your hands exploring his bare chest underneath the shirt, is all the answer he needs. He fumbles around for the handle of the door, trying to put the key card in, and it seems like an eternity until you stumble into the room.

Once inside the bedroom, Art is pulling you on top of him on the bed, his body desperate for you to be closer. You shift in his lap, pressing yourself against him, his hardness against your thigh. You gasp, hands running down his chest. Your lips remain locked as your fingers explore each other. Art is running his hands under your shirt, exploring your waist and sides eagerly.

And that's when Art's brain is hit with a sudden realization. He pulls back, breathing heavily, "Wait. We need to stop." He says, his voice firm. Art's eyes find you, and your brow is furrowed as you look at him with confusion and desire.

"What is it?" You ask, your breathing shallow. Art's hands on your sides make you shiver, his touch awakening every inch of your body. "Do you..." You pause, watching his face, "Do you not want this?" Your voice is soft and questioning.

His hands on your sides grip tighter as he answers, "God no, I want this. I want you. I just..." Art can feel the words catch in his throat, but then the question slips out, "Do you love me? I just... I don't want this to be just a causal thing, you know? I finally have you, and I don't want to lose you again." He waits for you to answer, the words hanging in the air. Your breath hitches in his ears.

The anxiety coursing through your veins deflates at his response, and you laugh quietly. "Are you dense? Of course. I've loved you since we were sixteen."

And that is what he's been waiting for. Art can feel a smile spread across his lips, his heart swelling as he pulls you in for a kiss. It's not a kiss filled with the same desire as before. It's filled with love and joy, full of passion and promise.

His hand moves to your back, gently caressing your back, before he flips the two of you so that he's leaning over you, his body still pressed against yours.

His mouth moves down to your neck, pressing wet kisses along your skin, while his hands slide up your sides to tease the waistband of your jeans. He can feel your fingers burying themselves in his hair, your back arching just slightly.

Art can feel the neediness as your touch urges him closer and closer. You're tugging at his shirt, your breath coming out in short stutters. He feels your mouth trail down his neck and Art's hands fumble with your jeans, desperately working on the zipper and pushing them off.

As soon as your jeans are off, he presses his body against you again, his hips rocking into yours. A low moan slips out of Art's mouth as your bodies grind into each other, his mouth finding yours, hungry and hot.

Art can feel your nails dig into his shoulders. He's gripping your thigh, his hand slipping under your shirt to touch your bare skin, feeling his need rise like a raising fire in his stomach.

You gasp out, fingers pushing at his shirt, desperate to see more. More of him. "Off- off. I wanna see you."

Your gasp makes his heart flutter and Art can't help but groan into your mouth as you say those words. "Yeah..." He mutters against your lips, his body hot and needy against yours.

Art lets go of you and lifts his shirt off, tossing it to the floor, revealing his hard, toned abdomen and built chest. His eyes search your face, watching you take in sight of him and waiting for approval.

God, he's beautiful. Like a damn sculpture in a museum. You lean up to press hot, open-mouthed kisses to his chest, taking a moment to gently tug on his nipple with your teeth. If that isn't a sign of your approval, then he doesn't know what is.

Art bites the inside of his lip to muffle his moan. The feeling of your teeth on him is like electricity on his skin and he can't help the whimper that slips out of his mouth. His own teeth graze the skin of your neck, sucking slightly.

He wants you, needs you. And you are making it painfully obvious that the feeling is mutual. He moans into your mouth as Art pushes you gently back into the mattress as he slides between your thighs.

And then his body is pressing against you again, and you're both back to grinding against each other, the friction making you both moan. It's hot and sweat-inducing, passionate and fast. Art's hands are reaching for your bra and tugging it off, needing to feel your skin on his.

The minute the bra hits the floor, he's touching you again, his hands trailing down from your chest to your hips. His mouth finds yours again, your kiss a needy, hard, hungry mess of tongue and teeth.

Art is painfully hard, desperate for you. His hips are rocking, his breath coming hot and needy as you grind together. The pleasure is starting to build, and he can feel your own neediness growing.

He's got to be inside you. Every part of his body is screaming with that need, but he's so desperately trying to hold back. It's not just Art, though. You're needy, as well, your moans and whines telling him exactly what you want.

Art's hand slides down your body, and pauses just above the band of your panties, looking at you in a silent question of consent. When you nod, his hand slip into your underwear, his fingers touching your wetness. He can feel you gasp against his mouth, and Art's fingers rub teasing circles against your cunt. "You're so beautiful." He whispers against your mouth, desperate and needy, "And you're all mine." He's never sounded so possessive before and it shocks him.

But you can't get enough of it. After years of longing, years of pining, he's finally looking at you. He loves you. You moan in his ear, hips canting into his touch.

And then Art's fingers are slipping inside you, pumping slowly as you kiss and press into each other. The way you moan, the way your body reacts, makes Art moan with you, unable to keep himself quiet. He's drowning in your scent and your skin, everything in this room is you.

One of your arms wraps around his neck, as you gasp, moan, and pant into his ear. You're squeezing around his fingers, as his name falls from your lips like a vow. "Oh, oh, God- Art- fuck, don't stop-"

Art's fingers are pumping harder and faster, driven by the sound of his name spilling from your lips. Your moans fill his ears, the sounds and the way you're saying your name makes his neediness all the more desperate. He's desperate to make you cum, to see you come undone because of him.

It isn't long before you feel that familiar coil building in your stomach. "I'm gon- fuck-" You're so close, he can feel it.

He moans into your mouth, shifting down as his fingers work harder, his thumb finding your cunt. "Yeah?" He whispers, his mouth trailing down your neck. "You gonna come for me, baby?"

You gasp out hoarsely, muscles tightening. "Yes! Fuck, mhm-" Your eyes threaten to roll back back, as your jaw goes slack at your upcoming orgasm.

Art can feel you trembling against him, your body shaking as his hands work. This is the effect he has in you and it's driving him crazy. He's panting with his own neediness, but watching and hearing you is what's doing him in. "Come on, sweetheart. Cum for me." He whispers, feeling you clench around his fingers.

"I'm-" You cut yourself off as Art's fingers hit just the right spot. Your nails dig into his shoulders, and you're gasping out into his shoulder, mostly incoherent swears as your muscles clench and your orgasm washes over you. "Fuck, fuck, fuck, fuck, fuck- so good, so good-" The sight of you is something he never wants to forget. Eyes fluttering, mouth agape, your moans rising in pitch.

Art can feel a groan escape as he watches you orgasm, his fingers still working to bring you over the edge. You're a perfect picture of ecstasy, flushed pink and trembling against him. "God, you're gorgeous." He moans out, feeling your thighs tremble.

A moment later, he's pulling his hands away from your body, his own neediness growing more desperate. He kisses you, deep and hard, before murmuring in her ear. "Turn over for me, sweetheart."

You're a little shaky as you let him shift and roll you over on your stomach, but you're all too willing. Art's hands are sliding up your soft thighs, his touch gentle with so much love. He's pressed against you again, his mouth leaving kisses up your spine, before he's pulling a cushion under your hips.

His teeth sink into the soft skin of your shoulder as he grinds against you again, moaning into your shoulder; the friction and neediness is driving him insane. "I need you." He whispers, his voice thick with need.

You can feel him pressing against you, his desperate need all too apparent. You moan into the pillow in response, pushing back slightly against him. You whine softly as his teeth bite your shoulder, a low shudder running through your body. "Then take me." You moan, arching your back to press firmly against him.

You're driving him absolutely mad. Art's hands grip your hips, fingers pressing into the delicate skin before pulling you up against him. He's panting in your ear, "Yeah? You want me, baby? Tell me his much you need me." His own neediness is making him desperate.

Your hand reaches back to tangle your fingers in his hair, gasping into his ear. "Please, please, Art- need you to fill me up- need you so bad-"

Art's brain doesn't have time to register your words because he's moaning against your skin and rocking needily against you. His teeth bite your shoulder again as he pants out, desperate, "Yeah, honey, anything- anything you want- I'm yours." He whispers, almost incoherent in his desire for you.

His head dips down to your ear, panting into it and shifting slightly. "Do I need a condom, sweetheart?" He moans, his voice huskier than before. His hands are running down your sides again, the touch almost like a soothing caress before they settle on your waist.

You gasp out, hips still rolling back against his, desperate for friction. "No- I'm on birth control-"

Art nearly sags in relief. He would've used a condom if he needed to, but the thought of going raw inside you makes him to absolutely feral.

"God, you're perfect." He moans, one of his hands trailing back down to your hips and gripping them tightly. He's still moaning needily, your words only driving him further towards the edge. His forehead presses to the back of your neck, his breath hit and needy on your skin. "Gonna make you feel good, sweetheart."

When he finally slides into you, his eyes roll into the back of his head. You're so warm, so soft, so perfect. And the way you're gripping into his hair as he enters you is so goddamn good. You're tugging on locks of his blonde hair, as his body is draped over your back, skin to skin, and it takes effort not to cum then and there.

Art is panting into your neck, his body draped over yours like a living blanket. Your body is perfect under his, his hands gripping your hips and pulling you back into him, as he pants out, "You feel so good, sweetheart. God- can you-" His words are cut off as he bites the nape of your neck, and he's moaning, needy and incoherent.

He's pressed fully into you, surrounded by heat and pleasure. It's driving him crazy, but then you're pulling his hair and he's moaning against your skin, shuddering slightly. You're perfect, all of you, and Art's lost in you.

One of your hands stays tangled in his hair, and the other is curled tightly into the sheets as he thrusts into you, your body rocking forward with each one. Your breasts are bouncing slightly as he fucks you, and you're gasping and moaning pleas of his name, incoherent swears, and begging him not to stop.

And Art is thrusting into you, moaning and panting like a wild animal. His hands are gripping your hips, his own breaths coming out hot and needy against your shoulder. His own moans are spilling out, broken up by his words. "God, baby- you feel so good- so perfect-" He's practically whimpering with need, his face buried in your shoulder. "Want you so bad- honey- God-"

You're driving him insane with your gasps and moans, and Art's words are losing syllables, become more incoherent and slurred with his thrusts. You're perfect, and he can feel a pressure building low in his stomach. He's shaking, the pleasure becoming too much as he gasps out, "Sweetheart, I'm close- gonna-"

He's close, the pressure growing, and he's babbling mindlessly now, his words broken up by moans and gasps. "God- gonna come- don't stop-" He's whimpering into your shoulder, his hand traveling down to your waist and holding you like a vice.

He's pulling you back as he thrusts forward into you, and the pressure and pleasure are too much. His fingers dig into your waist, and Art can feel himself fall over the edge. He's moaning, gasping out your name as his nails dig into your skin, his breath hit against your shoulder.

It's only a moment before he's reaching down to rub figure eights against your cunt, desperate to make you cum.

And he's barely coming down from his own climax, still shuddering and gasping, yet his hands are moving already. He's touching you, fingers rubbing circles against your cunt, desperate to bring you over the edge with him. "Come on, baby. Come on-" He's whining, breath hot against your skin, as he continues his efforts, desperate for your peak.

You're close, he can feel it. You're trembling under his touch and Art's fingers are working faster and faster, begging you, "Please- please- come on- please-" And then you're arching your back against him, shuddering and gasping as you cum under his touch.

Art's eyes roll back into his skull as you come under his fingers and on his cock, a desperate whine slipping out of his mouth. He'd almost forgotten how wonderful your orgasms are. You're ethereal. "God- sweetheart-" He's moaning, pulling you closer, desperate to keep touching you and feel you shaking against him.

He's panting, his forehead pressing to the nape of your neck. His head us spinning from the onslaught of pleasure, his body trembling slightly. He's panting and shivering and still buried deep in you, and all he can think about is still you. Your skin, your scent, your body. His brain can't catch up.

It takes a few minutes before he's come down enough to pull away from you, slipping out of you slowly yet reluctantly. He's still whimpering in your ear, kissing your shoulder reverently. There's a gentle smile pulling at his lips as his arms wrap around you and pull you closer, wanting to feel more skin to skin contact.

Everything else slips away as his body is pressed against yours, legs tangled and skin on skin. Art's body is still buzzing from his orgasm, but right now, you're his one and only focus. He's whispering in your ear, mindless praise and sweet words he wouldn't dare say to anyone else. "God, baby- you're perfect. You're everything- I could drown in you and die happy."

You giggle softly, basking in the afterglow. After so long, you're here, with him. And he loves you. By God, does he love you. He reaches out to tuck a sweat soaked piece of hair behind your ear, pausing to gently run his thumb over your cheekbone. "I love you."

You can't help the exhausted grin that creeps onto your face when you hear that. "I love you, too."

He contains to murmur gentle words and praises, although his words are broken up by soft kisses to your shoulder. It's been years since he's felt this kind of pleasure. Years since he felt so content, so at home. Art hadn't realized how much he'd missed it- missed you. Right now, his only desire is to hold onto you, keep you as close as possible, and never let you go again.

Not that you'd even dream of leaving him again.

[im-totally-not-an-alien-2]

As it turns out, Danny makes a pretty good leader. His little gang of homeless children has grown immensely, both from picking up strays and from assimilating other gangs into his group.

Danny might only be 10 and still figuring out his powers but dang, intangibility and flight are over powered even before you add invisibility and laser blasts. At first he regretted sneaking into the lab alone to check out the portal his parents made in this basement. Waking up in a cold alley in a city you've never heard of is a terrifying experience even without the corrupt cops trying to sell you into human trafficking, but finding out he had powers and could do whatever he wanted? That was great. It no longer mattered that adults didn't listen to him or chased him around. He could do anything now. Be anything. Take anything.

He and the people under his protection often robbed places, never banks or anything but high class restaurants and stores that usually wouldn't even let them in through the front doors. Yeah, Danny can admit most of thier robberies were because of grudges the other kids had because of how they were treated but Danny being ten thought this was fine.

The real issue was Gothams Paw Patrol (who absolutely hate being called that :3 ) they were always on thier case, Dannys especially. They kept insisting that the system could help them -Danny called bull. No one helped him or Jazz back in Amity and it was waaaay nicer that Gotham- and kept getting him and his fellow kids arrested. That didn't really matter. Anti-meta stuff never worked on him so getting himself the other kids out was no big deal.

After overhearing a conversation between Nightwing and one of the other bats a kid came into thier current secret base announcing that Nightwing was poor and the other bats weren't. This caught everyone attention. Appearently Nightwing was trying to establish himself outside of the colony cause he didn't get along great with whoever the bats super daddy was, which was fair. A lot of them were runaways for one reason or another and knew a bunch of reasons why you wouldn't want to except "free" money.

This led to them fetching Nightwings "wingdings" and batarangs instead of keeping them/selling them like they do with the others, sharing some of thier spoils with him like the groceries, jewelry, fancy clothes, ect that they stole.

Dick even catches one of the kids in his apartment in Bludhaven filling up his fridge which has him panicking about his secret id being compromised. Luckly the kids had only followed him there and didn't think to check who was on the lease or anything cause they assumed it would be a fake name or something.

Just Dick getting forcibly adopted by a child gang.

[shiny-jr]

I’ve just had a vision, what if a yan (e.g riddle or vil because they are most princess-ish) was a trapped in a castle away like in one of those stereotypical fairy tales and the reader decides to save them because they are a ‘damsel in distress’ and reader is like a hero… only to realise there is a reason why they were locked away (because they were batshit crazy)

Warning: Yandere. Gender-neutral reader.

Characters: Vil Schoenheit.

Summary: You are a thief with freshly stolen goods. Chased and hunted down, you avoid capture by finding a castle hidden in gloom and fog. Locals told legends of this place, saying a royal had been trapped within. Of course, you don't quite believe such tall tales. That is, until you discover the royal and learned that they were purposefully sealed inside...

Note: I think I'll call this one, not your valiant savior. It's just a placeholder name for now. Just a quick post, so sorry if it's bad.

It was too easy. What did they expect when they left out a priceless object owned by the royal family and estimated to be worth a fortune? Of course a famed thief on the loose such as yourself, would just be itching to snatch the relic. And snatch you did, living up to your reputation of thief. Each member having unique abilities to assist in stealing. Your mother had speed to outrun anyone in a chase, your grandfather had the talent of picking any locks, your great-grandmother could sweet-talk anyone then rob them blind. And so on and so forth.

And of course, you had your own talent. As quiet as a mouse and with fingers that stuck to valuables like glue, stealing became like second nature. Literally. However, it wasn't exactly a talent valued by the wider community, and if you stole enough you could end up on terribly drawn wanted posters. Which is why staying in one place wasn't wise.

From place to place, you went taking and claiming anything of worth. When you got very low on cash, you set your sights high: on the vault that stored the royal's priceless treasures. There was bound to be endless riches stored within, if only you could get your grubby hands on them. Well, after careful planning, you had. It wasn't a giant gem or sack full of gold.

Time was short, so you had grabbed the closest thing you could before guards could find you. A golden box encrusted with jewels. Who knew what was inside? Maybe some family heirloom, a magical artifact, or something else of high value. And with the box, you bolted, and the chase had begun out of the city and through the woods.

As fast as you could, you ran through the mystic woods, a forrest travelers and locals alike were all wary of. It was the safest place you could go when chased by frightening palace guards on horseback that would do anything to take back what you stole and drag you back to the gallows. Even the woods heavy with fog and dark from the clouds overhead, had deterred your pursuers enough for you to slip out of their reach and deeper into the forrest where there was no way they would be able to track you. Here, you would have to wait until tomorrow and depart early. Then, you'd be home free and rich beyond your wildest dreams.

After what felt like hours of walking, you stumbled upon a bridge over a gloomy lake. In the middle, sat an old castle of gray stone and dark windows. A castle once said to hold a royal captive, but of course, you didn't believe such stories that were so old they were told to your own grandparents. This castle would be your sanctuary for the night. And maybe, just maybe, you'd clutch the jeweled box and dream of simpler times when you were told fairytales of locked away royals waiting for a savior.

The castle was exactly like those set in spooky tales, haunted by vengeful spirits and claimed by ghosts. It appeared abandoned, that much was obvious by the crumbling stone bridge and the battered old wooden doors that once protected the inhabitants.

Cautiously stepping over the splintered debris of the front door, you didn’t bother boarding it up since no one would be stupid enough to follow you inside.

There was wreckage and ruin everywhere. If you had to guess, whatever happened here, whether the people were driven away by conflict or time, it was followed by the destruction of time. Time with weather were likely all factors that led to the disarray of what was probably once a grand estate. Strangely enough, there was furniture and decor. Everything coated in dust and grime, but still here. Had people been too afraid to enter the grounds? There were so many valuables that could've been looted!

"I'll definitely have to come back here later." You scoff, turning over a few clothes or broken furniture with your foot to uncover possible hidden goodies. Maybe something as small but valuable as a ring was lost somewhere on the ground.

Proceeding to carry the golden box under your arm, you decide to search for the cleaniest, not-so-moldy room where you could spend the night. On the third floor halls, you see ripped curtains and frames where portraits loosely hung. Every rug was brown with dirt and dust.

There were items left behind, which showcased the life one led here. A piano too big to steal, the skeleton of a chandelier and broken gems hanging from its limbs, empty glass perfume bottles now filled with dust. The place must've been wondrous once, but now it was like a tomb. A setting frozen in time.

When you found moonlight filtering through the open balcony of what looked to be the master bedroom, you paused to see the space wrecked more than the others. As if more than just weather and time had affected this place. The owner of this castle likely slept in this very room, on that very bed where the sheets were ruffled and unkempt.

"I wonder who used to live here..." You murmur to no one in particular, as you approach the balcony looking over the bridge and woods. This would be a good vantage point.

A heavy fog settled over the woods, extending over the bridge like water. Good, an extra layer for cover. You stepped back into the room, analyzing every carved piece of wooden furniture, makeup and brushes stored on tabletops, a separate room as long as a hallway and filled with all types of articles of clothing.

If all this was still here, then was it possible some jewelry was left behind? You scoured the room, looking for hidden compartments while murmuring to yourself to fill the ominous silence. As you pulled back a curtain against a wall, you furrowed your eyebrows when you saw an uneven lump underneath the wallpaper.

Could this be handle leading to a vault of treasures? With that in mind, you ripped off the old wallpaper. A glimmer of gold made your heart soar with hope, but when you caught sight of your reflection, you stopped and stared. A mirror. It was a large mirror, oval shaped, with golden borders so intricately decorated. However, when a hand suddenly appeared on the other side of the mirror, like a ghostly apparition, you screamed and stumbled back.

A hand– there was a hand in the mirror! You stared with widened eyes full of shock, as the hand pressed its palm against the surface of the glass. You couldn't see anything else, no one behind the hand. After a second, the slim pale hand delicately pointed a long dainty finger at the box you were holding in a vice grip.

"What...? This? You want this? But..."

You had worked hard to procure this golden box from the royals. Pursing your lips, you contemplated your options, with so many questions running rampant in your mind. What was that thing? A magic mirror? A magic mirror would be priceless, much more valuable than any gold. However, if it was magic, it would be tricky. Possibly even sentient. So you'd have to gain its favor.

"Alright, alright, the box. You know, I went through hell trying to get this."

You informed the mirror, unsure if it even understood you. You carefully set down the heavy box in front of the mirror, and watch as the hand made a motion with its fingers.

Click!

It had unlocked the box, without even a key or tool. A grin broke out on your face. Had it done it for you? Apparently not, because the box opened on its own and a heavy thick tome floated out from it and into the air. The hand beckoned the tome closer, and closer it came, until it was literally phasing through the glass.

"Hey! Wait––"

The glass shattered, the sound booming and ringing out in the silence like an explosion. You only had a second to react, instinctually using your arms to shield your face from the glass flying out in every direction. When it stopped, you looked around. The mattress was shredded, the curtains torn to shreds, wooden furniture cut as if done by an axe, but miraculously you were somehow unharmed.

A breath, not of your own, caught your attention. Your eyes darted over to the now broken mirror, awestruck at the vision of a figure stepping over broken glass. They were beautiful, gorgeous, stunning, more than any words could convey. Their hair like gold and eyes an alluring shade of purple like two amethyst stones, soft pink lips, and a tall slim pale figure clothed in odd robes. For a moment, whoever this person was, appeared disoriented for a brief moment, but they clutched the tome like a lifeline. The tome that came from the box you had stolen.

"Thank you––"

He breathed, his voice quiet as he attempted to stand tall and upright. When his legs nearly gave out beneath him, you were there to catch his hand and prevent him from falling as he looked at you with appreciation. You were just stunned, bewildered, in pure disbelief.

"You... You freed me. You returned my stolen tome...!"

He exclaimed in disbelief, as he restored his posture. Somehow, he was able to stand in heels, but heels were currently one of the least important details.

What did he mean freed?

There was no time to ask any questions. The loud sound of the shattering must've alerted any of your pursuers that had followed you thus far, because from the balcony you could make out the torchlights weaving their way directly towards the bridge.

The mysterious man from the mirror took notice of your expression of dismay as he glanced at the distant torchlights. Smoothing out his robes, he looked back at you and took in your expression. "Enemies of yours?"

"Yes..." You nod slowly.

"Now that just won't do. I can't have anyone harming, or even killing my savior. I've yet to even learn your name." Tapping some well-manicured fingers against the spine of the tome, he appeared to contemplate something. When he stopped tapping his fingers, he smiled so sweetly. "I am Vil Schoenheit, prince and prodigy. Here's my proposition to you, my savior: I will destroy your enemies for a small price. You must tell me your name, and I will grant you my protection."

Of course you gave him your name, and almost immediately you saw the fog below turn an odd color. The torchlights flickered out, you no longer heard their encouraged shouts to move forward but instead their screams echoing in the dark woods. All after Vil murmured a few words in a foreign tongue read from his tome, as he continued to gaze at your intently. What exactly was he to cause so much death in a single instant with hardly any effort...? And you were stuck in this abandoned castle with him.

The prince had no plans to abandon you, he's made that much clear when you attempted to casually part ways after thanking him for getting rid of your pursuers. Stay. I can make it worth your while. Once I reach my former glory, you'll be able to bask in it with me. Is what he said as you swore you heard the front of the castle be sealed shut.

The entire time he looked around the castle with disdain, cross as he complained about the state of his home. While helping him clean up some rooms, he told you more about himself. Vil was a prince who once lived in this castle, set to inherent the throne shortly after the death of his father. However, he was widely feared due to being a prodigy in dark magics and genius at brewing concoctions. For attempting to steal the life of a younger kinder foreign prince who specialized in good magic, he was trapped in a mirror with his tome being the only key to grant him freedom.

Vil actually appeared to be much too fond of you, which you attributed to his isolation. If you were imprisoned all alone in a mirror for centuries, you likely would've gone insane. It was a miracle Vil's mind was intact, but maybe he wasn't there entirely. Because what sane person killed people with the snap of their fingers while smiling so kindly at the one who set him free?

Pridefully he listed off his feats and accomplishments. Living prodigy. Most beautiful man in the land. Prince of the land. It felt too much like flaunting, as he wanted you to realize how truly great he was. He replaced your clothes with his own, and while combing your hair he reminded you that what's rightfully his will be returned to him one day, and you would be there beside him that day.

The crown was what he wanted, a crown he believed was stolen from him and passed down to the descendants of the very good prince he attempted to kill. He spoke of a future in the castle restored to its former glory, where citizens would be loyal to him once again, and those that wronged him will receive a fate worse than death. Positions were open for applying once he became king, he told you one day. He was still searching for a vassal, a knight, a jester, or a partner to wear a crown as well.

Was it the isolation that had driven him to become so attached to the one who set him free? It was possible, but you couldn't even be sure. For all you knew, he could've been like this before he became trapped in the mirror. What mattered now was that he did not make any effort to hide his attraction towards you. Vil was offering a thief all the riches he would attain after his plan for vengeance, and his heart in a golden box.

"Keep the knives I gifted you, although I doubt you'll have to resort to lifting a finger. Just allow me to handle it when the time comes. I want to extract vengeance slowly and painfully, make them hurt just as they did to me... And at the end of the day, you will be there, you little thief who stole my affections, to comfort me and drive away those memories of cold lonely centuries in darkness. You'll be there for me, won't you, my valiant savior?"

[doux-amer]

Look, one of the places Twitter has Tumblr beat is if you follow sports news because that’s where it breaks the fastest and it was very funny seeing everyone wake up to the news about Man City yesterday morning. Hatred and schadenfraude unite all of us beyond club rivalries and transcend leagues! 

But on a more cynical and sobering note, I'm jaded enough to think that City's not going to get more than a perfunctory, performative slap on the wrist (and in any event, we won’t see anything happen for a long time because that’s how it is with legal proceedings). I wish we could see actual consequences for once because otherwise, it’ll lead to dire consequences for the league and sport. Football's already a mess with ownership and clubs acting as if they're above it all.

Besides the fact that corruption should never be awarded—and that's the message that we'll see if Man City weasels its way out of the punishment it deserves, just like they did when they got the Champions League ban dropped on a technicality (stupid of UEFA, but when have they not been stupid?)—we've seen how much damage City and other clubs like it have wreaked over the past decade. More than that if we’re going to be honest. It needs to stop somewhere. 

[curryshesus]

bts fics that radiate sheer utter brilliance

(aka my favorite fics of all time) pt. 1

hello, hello! please make sure to show your love and support to these lovely authors if you enjoyed any of these reads as much as i did <3 note: all of these fics contain nsfw content (minors dni please). enjoy!

➺ the road to you - by @bonvoyagenoona

| ot7 x reader (tae focus) | 110k

au of all aus, best friend!taehyung, high school boyfriend!jimin, professor!yoongi, college boyfriend!jungkook, art enthusiast and city heartthrob!namjoon, barista!hobi, actor!jin, angst, fluff, smut, series

>>summary: "armed with your quick wit, creative passion, talent for storytelling, and innate understanding of your fanbase, you have met every challenge, surpassed every goal, and achieved the unimaginable. despite the earth shifting erratically under your firmly planted feet, you’ve always had a plan. you’ve made peace with the sacrifices you’ve had to make, and you’ve long forgotten the rejections and heartbreaks that came as a result. your agent keeps reminding you that you’re at the precipice of something new, that your audience is waiting for your next project with bated breath. this is usually when you thrive. so why do you feel so lost? and who can you count on from your past to help you find your way?"

➺ matilda - by @babystrcandy

| yoongi x reader | 141.8k

brother’s best friend au, f2e2f2l, slice of life, angst, fluff, eventual smut, series

>> summary: "loneliness had always been a constant for you, haunting you like a ghost; until your older brother’s best friend, min yoongi, came into your life. you both promised each other something back then - you’d always have his support and he’d always have yours. but with time and age, you weren’t sure how much that all still stood to be true."

➺ bitchin' - by @kinktae

| jungkook x reader | 49.5k

1980’s au, inspired by to all the boys i’ve loved before, e2l, fake lovers/college au, frat boy!jungkook, smut, series

>> summary: "the 80s were a time of choices. which perm was right for you? what color neon would you wear next? none of these choices, however, were more questionable than a certain deal you made with jeon jungkook."

➺ flower - by @readyplayerhobi

| hoseok x reader |

online dating au, fluff, future angst, future smut, series

>> summary: "you finally decide to take a dip into the world of online dating and find the flower dating app. one of the top matches for you proves to be a guy who looks to be your complete opposite; tattooed, pierced, a metalhead and oh…incredibly handsome. what happens when you throw caution to the wind and reach out to him?

➺ suncity - by @jamaisjoons

| hoseok x reader | 17k

strangers to lovers au, vacation au, angst, fluff, smut, oneshot

>> summary: "when you’d taken a spontaneous trip to barcelona, you hadn’t expected to meet hoseok. more than that, you hadn’t expected to begin a torrid affair with him."

➺ idealizations concerning real life relations - by @venusiangguk

| jungkook x reader | 40.9k

fuckboy!jk x hopeless romantic!oc, s2l, fwb, smut, angst, oneshot

>> summary: "jungkook loves to be loved, but he doesn’t love in return."

➺ peach parfait - by @jamaisjoons

| seokjin x reader | 19k

enemies to lovers au, fluff, smut, slight angst, two parts

>> summary: "you and seokjin have always been at odds as the top two chefs at big hit academy of culinary arts."

➺ tell me no lies - by @jeongi

| jungkook x reader | 15.1k

ceo au, criminal au, robbers au, angst, smut, minimal fluff

>> summary: "you chose to rob your boss, however; you never expected to fall in love with him."

➺ concrete king - by @bratkook

| jungkook x reader | 16.7k

sweet summer romance, fluff, smut, himbo energy, two parts

>> summary: "when a cute boy in a tacky hawaiian shirt lands a trick in your honor there's no way you could ever say no to him."

[evilminji]

You know all those Cults in Gotham?

Bet at least ONE of them could spring for both a Legit Magic User and a Cloning pod.

Because The Wayne's? Hearts of Gold. Long standing pains in the asses. Probably the only thing standing between this gods forsaken wasteland of a city and Their Dark Lord. For GENERATIONS no less!

It's sooooo obnoxious!

So they want to Curse Um dead. Just a good ol fashioned bloodline curse. Destroy um from within, etc. BUT! To do THAT? You kinda need a blood relative to sacrifice!

And Bruce is... well... rather infamously An Orphan With No Biological Kids (at that point).

So? What do you do? Make one, obviously. You send in some of your own on a Holy Mission. Honeypot that playboy! Get us a kid to sacrifice! Our God will reward you etc! But... FFS! What? Are brunettes not your TYPE or something?! Pretty lady! Throwing herself at you!!

TAKE THE BAIT!

But he DOESN'T. Because he's both really used to that behavior, as The Wayne Heir and a False Playboy, AND because? He's fuckin Batman. He can see through your schemes.

Okay.

Okay!

Plan B!

Get us some DNA. We'll CLONE the sucker. That should be doable, right?

........OH COME ON! How?!

Batman: [REDACTED] / Cultists: 0

Fuck it! This is impossible! How are we supposed too... *eyes drift over to the Wayne Family Private Graveyard* .......Idea? Ideeeeaaaa~! Someone get us a shovel!

So they, cultist bastards that they are? Fuckin rob a grave for some DNA.

OBVIOUSLY though, it can't be one of the more RECENT graves! He probably VISITS those! Watches them! No we gotta be SNEAKY! Get one a bit further back! Mwahahahaha! We're so brilliant! Our God is gonna give us SUCH a Good Grade in follower!

A thing that is both REAL and possible to achieve!

So, while a Weirdly FURIOUS Batman? Is just... VIOLENTLY breaking ALL of their bones? Cultist 17 is furiously digging like his life depends on it. Either somebody snitched or Batman was hunting them down! Either way?

Gotta! Get! That! DNA!!! *digs faster*

Ah HA! Got it!

Fucking SCATTER! Run you fools, RUN!!! *everyone bolts*

And AT LAST! They have it! Wayne DNA! Now? Pop that sucker into the machine and make us a baby! Too sacrifice! *relieved noises* Man, that was hard work you guys. But we DID it!

Except??

Theoretical Babies? And "Real, slowly forming in front of me and becoming a human child" type babies? VERY DIFFERENT psychologically. It's ONE thing to sacrifice a HYPOTHETICAL baby... but when you're the guy running and monitoring the Cloning machine? Watching it slowly form and come together into... into a CHILD?

You start asking questions of yourself. Of God.

Of what, EXACTLY, you are willing to do.

What lines you find yourself unwilling to cross.

And yeah, your life was SHIT before the cult. Yeah, you were alone. Adrift. Without purpose. Angry at the world for all of its ugliness and failings. But... sitting, alone, in a dark room? Nothing but the steady hum of machines and the cool light of that pod? You are left with nothing but time... and your thoughts.

And the baby.

The one... the one YOU made.

Almost... he's almost like a son, in a way. Your son. Floating there, innocent and unknowing. Destined to be born, only to die painfully, for a cause he could not even begin to understand. Because he's too young. Too small. Just... just a baby.

The baby YOU made.

Doubt seeps in like mist. Creeping into the cracks forming in your faith. Surely there's another way, right? Why not save up for a better magician? Or... or hire a hitman? Why involve a child? Surely... surely your God would not WANT this, right? Or if He did! Surely, he would want the boy to be able to CHOOSE, right? A noble sacrifice, for the cause?

The pressure builds. Batman is tearing the city APART looking for your fellow Believers. Leadership is pressuring you to get "It" ready all ready.

He's not an "it".

They are dismissing your questions. Threatening and posturing, as you grapple with your faith. Where? Where is the COMMUNITY that you joined? The camaraderie? Every day, Believers are being torn down. The faith has lost so many!

How can this be WORTH it?

Your faith is slowly, cruelly, strangled in your chest. A death, by ten thousand silences, and ten thousand more cruelties.

Your son is ready.

You do not tell them.

The Clone of Bruce Wayne's great-grandfather is small, but healthy, in your arms. A tiny warm body, with a strong beating little heart. You call the police. Leave your phone, call running, on the desk. No one thinks to stop you, as you calmly walk out the back door.

Why would they doubt?

You are Faithful.

You drive. Pray to a God you have lost faith in, beg forgiveness for what you do now. Your beat up old junker of a car makes decent time, as you leave Gotham. Your son, asleep in a carefully made nest of blankets, on the seat next to you. You drive. You keep driving.

Past towns.

Past cities.

Out of the state.

Stopping only to feed your son and fuel your car. You... you can not bring yourself to care about what will happen to you now. You know they will find you. Know this is the end. But something ancient burns in your chest. A caring you never thought was REAL.

You are afraid.

But you will not let them harm your son.

Finally, a town. Far from Gotham. Quite and cheerful. It calls to you.

Here. It... it has to be here.

You find the hospital. Tears choking you. There is a place to drop of children. You've seen them before. How strange, that now you stand before it and HURT. Your arms not listening to your command. You... you have to do this. You HAVE too.

He is just a baby.

He is your son.

You have to keep him safe. And... and that can not be with you.

You gently put your baby boy into the drop off. Press the buzzer. And then? You make yourself walk away.

Get back in your car, and drive. The gun in your glove box will insure they can never pry from you, what you have done. Where he is. He is safe now. He has to be. You... you did your job. As his father. You made sure he was safe.

You can barely see the road, through your tears.

You take your secrets to the grave.

And Danny? He grows up. Is adopted young and never knows different. Both a Fenton and a Wayne. Knowing only one of these, to be his. But... that Wayne? Was a damn fine man. A pillar of his community and a champion of the people.

Got tossed more then a few blessings, in his life.

They weren't the STRONGEST. But they added up. And more importantly? Were hardly the refined magics of the more powerful. They were cast onto "Him". By blood and bone, more often then not. Which was all well and good!

When there was only ONE of "Him".

Cloning technology did not exsist. So why would you word carefully against it? Danny becomes a VERY lucky boy. Survives many things he should not. In fact, the kindness and hard work of his original? Gifted back in magically powered well wishes? By this, he survives something NO ONE could possibly expect him too.

It saves his life.

His template would be quite pleased, knowing that. That his life of good deeds, saved the life of the child he never got a chance to meet. That it protected his children, from even beyond death.

And in Gotham? At long, long last. The program Bruce made in his helplessness and despair, to search EVERY child until the child made of his bloodline was found? Spits out a match.

A Watchtower engineer.

Daniel J. Fenton.

@hdgnj @hypewinter @lolottes @babbling-babull @nerdpoe @mutable-manifestation