#mini long post

[microknifeyuri]

Comes in

Evil Leafy from BFDI?

I actually felt so lost during her whole thing... I really don't remember too much about her but I do have some headcanons/plot ideas about her! I know that she's treated as "Leafy's evil sibling" or something like that (last time I checked on the wiki for more information on her), but I have this one interpretation/hc/AU with her though?

Leafy did a deal with someone in the past to get rid of anything that could be unpleasant of herself, probably because she felt miserable as a whole with being angry all of the time and that. So she got separated in two people, one being the Leafy we all know and love who's sweet and wants to be nice and loved, and... Evil Leafy. The complete opposite of her. A menacing being who scares every contestant no matter what.

Now, Evil Leafy is the pure embodiment of anger and evilness after all. She doesn't talk because of this. Because talking means exchanging chats with other objects, getting herself in possibly vulnerable situations, getting attached to someone. Her being able to teleport is an effect that is quite curious as well. Everything that she can feel is just... hatred.

But NOW what I would to do develop her in said scenario? Do a whole "getting better because of someone who's the complete opposite of her". Ruby, most likely. Evil Leafy is much more than the half of a person, Leafy is becoming her own person now, EL should get that treatment too. She slowly begins to realize that there's much more than being full of spite and stress.

Slowly but surely... she starts blossoming. Learning new feelings. Making new friends. Acting much more like an object, being able to maybe even walk as well, and talks just a bit too.

She's her own person now, and she doesn't have to be called "Evil Leafy", but perhaps just... Leaf. Or Autumn.

In terms of hcs, I actually thought for some reason that she was a guy? Even though she's like... Leafy but Evil? That's her whole thing? But apparently in the series that happened too, they initially referred to her with he/him pronouns so. Transfem Evil Leafy (real).

And demiaro-bisexual Evil Leafy too. Polyam mayhaps.

I think she would like cows and would be good friends with anyone (if she lets herself be vulnerable) but Firey. She looks like the type that holds grudges for a loooooong time. (Even if she's not Leafy).

I think she would like sweet n' spicy foods.

[artsymeeshee]

Haven’t collabed with @renconner in a long while for a mini comic (minus our big one, Instinct). We were talking about one of Stan’s lowest moments involving being outside with that damn sign, so we decided to make a comic with Stan remembering it. I’ve also kinda of assumed Filbrick would lie to Ford about what’s going on with Stan (Stan probably did too to some extent).

[bonus-links]

miscellaneous art I haven't posted :D

[kiidart]

(click for better quality! 🖥️)

pt.2 pt.3

i wanted to make a silly comic based on one of my fantasies…

i would love to have this play out irl… <3

i’m very rusty with comics so any feedback is appreciated!!

[ninja-knox-ur-sox-off]

Chronic Sonic pt 18

oop

1. Metal definitely isn’t supposed to be pulling up to Tails place but hey when u gaining a lil sentience you tend to not abide by the deals your creator/dad made with someone else

2. Options for what Metal is thinking that a) giving sonic an emerald will mean he’s back to full power and then he can fight him and go back to proving he’s the real sonic or lose and know for sure if he’s not. b) Sonic is the real Sonic and the world needs Sonic so he better get him back up and moving right the heck now because how dare he give up being the only thing Metal’s ever wanted to be. Which one is it? We may never know!

3. If you think they look a little too horrified all I gotta say is hey if your friend started giving the doppleganger designed by his enemy to kill him his name as a way of giving up on his own identity and inviting himself to be replaced you’d be horrified too

4. Anyway—

[jodeeeart]

Little Oil study from yesterday!

[gothamite-rambler]

Jason: Bruce, I know we’ve made amends and I’m back in this insane family, and I’m well aware you tried to kill the Joker to avenge my honor. You didn’t go through with it, but still, there’s a lot to unpack here. I want that soldier memorial removed. I never wanted a statue that labels me as a damn child soldier.

Bruce: Yeah, I told Alfred the same thing. Honestly, I’m thinking we could replace it with photos of you, Dick, Tim, and Damian.

Jason: You told Alfred the same thing?

Bruce (swishing his Cognac in his glass): Alfred set up that memorial and included the soldier line. I hated it—not because it reminds me of you but because equating you to a soldier reduces the fact that you're my son who chose to fight alongside me. I may be emotionally distant, but I do love you. You were never a solider, you are my son.

Jason blinked, momentarily stunned, and turned away, coughing to maintain his composure. Bruce half-smiled, noticing his son misty-eyed.

Jason: Right, back to the Alfred comment. He put that up? Jesus, I know he’s old and things were different back then, but “soldier” for a teenage Robin? How is that okay?

Bruce: Alfred means well. He tends to do insane things without my approval. He made Tim a Robin after I vowed never to have another child sidekick.

Jason (shocked): What the hell?!

Bruce chuckled dryly as he drank the rest of his Cognac and poured another glass.

Bruce: Yeah, when you died in that explosion and I cradled your lifeless body, I thought about you—my sidekick, my son. I reflected on Dick and what he went through, how he was going low contact with me. I spiraled, thinking, “What kind of monster does this to his son? To the kids he claims to care about? I just buried a kid… a kid who lost his life before it even started.”

He downed the second glass of Cognac, his throat dry, and slammed the glass on the table.

Bruce: So I vowed to never get another one. Obviously, that didn’t stick. Tim figured out Dick was Nightwing and the first Robin; I couldn’t resist rubbing that in his face for weeks once I felt better. But before that, I turned Tim away. I didn’t want a child sidekick. I thought I could handle this alone. Dick and I were still on terrible terms, and I was losing it. This was after I tried to kill the Joker, by the way.

Jason: Right.

Bruce: I was, to put it lightly, losing my mind. I was inches away from having my one bad day moment, on the brink of insanity. But Alfred and… I think Dick got Tim your old suit—

Jason: My old suit? The one I died in?!

Bruce: No, the backup you had. Keep up. So they gave him that suit, and he saved me. Alfred was like, "Master Bruce, I got you a new sidekick. You don’t have to thank me." I didn’t thank him, but Tim was precocious and adorable. I probably would’ve died without him. But yeah, Alfred was behind that as well.

Jason: …

Bruce: I know it’s a lot to take in. I hope you aren’t angry at Alfred for this.

Jason (burying his head in his hands): I’m so conflicted.

Bruce: That’s usually how I feel when Alfred decides to do things I didn't agree with. He means well though, the man was there for me when I had no one after my parents died. Do you still want to remove the memorial? I have a small one set up for you already, just photos of us together.

Jason: Aww, Bruce, that’s actually nice and makes sense for you. Let’s keep the memorial. I don’t have it in me to get mad at Alfred. Can I have some of that alcohol, though? I think I need it.

Bruce (already pouring him a glass): I expected that. If you have more questions, I’m two drinks in and becoming an open book like that time we got hit with truth pollen.

Jason: I actually wanted to ask what you said to Superman after he stupidly tried to stop you from avenging your son.

Bruce: I’d love to talk about that, and I hope he hears us.

inspired by this kaylee.jaye

[livebloggingmydescentintomadness]

i hadn't gotten around to watching staged 3 before good omens 2, and now i can't get over how great michael and david are together

[i3ujeon]

───◍⃘ ┈┈─── ֺ ᪄၃ ִ ──┈┈◍⃘ ────

• 𝟐𝟐:𝟐𝟐 Vidαs se encontrαm, αmores se entrelαçαm. ────    꽃

𝗈𝖿ㅤ  ꯲ㅤ  𝙻𝙾𝚅𝙴  ㅤ𖹭

• 𝖠 𝗋𝖾𝖺𝗅𝗂𝖽𝖺𝖽𝖾 𝖾́ 𝖼𝗈𝗆𝗈 𝗎𝗆 𝗉𝗈̂𝗋 𝖽𝗈 𝗌𝗈𝗅 ੭ᰍ ㅤ 𝖻𝖾𝗅𝖺 𝖾𝗆 𝗌𝗎𝖺 𝗂𝗆𝗉𝖾𝗋𝖿𝖾𝗂𝖼̧𝖺̃𝗈, 𝗆𝖺𝗌 𝗌𝖾𝗆𝗉𝗋𝖾 𝗌𝖾𝗀𝗎𝗂𝖽𝖺 𝗉𝖾𝗅𝖺 𝗇𝗈𝗂𝗍𝖾 𝗌𝗂𝗅𝖾𝗇𝖼𝗂𝗈𝗌𝖺ㅤ✩ㅤ៶ㅤ

花ㅤ-    声 ?!

• 鑫ㅤㅤ۪ㅤㅤA realidade é o palco ＿ onde nossos corações 𔘘ㅤؚؚ dançam ao ritmo   © da saudade e da paixão 𔐬

• 𝟗𝟕 ─── A꯭M꯭O꯭R

O amor traz cor à 𝐯𝐢𝐝𝐚, mesmo quando a 𝒓𝒆𝒂𝒍𝒊𝒅𝒂𝒅𝒆 é em tons de cinza.

    ℒֺ︩︪o𐐷er    ꒱ྀ     ִֶָ     ♡̸̸

[amberluvsbugs]

Chapter 2

🟥🟦🟨 Official illustration for Mob.

Speedpaint

Process is down below

[mermaidbabysbreathe]

I feel awful but I’ll dance through it

send asks please I’m so bored! ૮꒰ ˶• ༝ •˶꒱ა ♡

[omi-resources]

Hi:3

Would I be able to request Jason Todd / Redhood (fully or just inspired?) Dividers? It's alright if not, thank you anyways! Have a nice day/night. :)

hi... hehe... this was such a fun request! he's one of my fav DC characters!!!! so I hope you like them anonnie^^

and if you want other simple red divs check here or here.

“Oh, my goodness gracious! I've been bamboozled!”

Hex code: #8D0000

Hex code: #4d3619

Hex code: #a1998e

Hex code: #6b6b65

Hex code: #45564a

Like/rb if use // No need to credit me

[arttsuka]

have Jedidiah and Octavius watch brokeback mountain on Larry’s phone

Sorry anon, but my headcanon is that Jedediah watches it alone for some reason (maybe Octavius was busy that night with something else) and he starts questioning his whole existence.

Internalized homophobia am I right? (Also Jed is definitely the kind of person who thinks like 'this isn't all that bad except from when I'm doing it, then it's the worst thing ever). Anyway, I think it's way more difficult to actually think about your feelings than just have them. It can be scary too, putting a proper name on a situation.

Then he just kinda dissappears for a few weeks, no one knows where he is. He doesn't say anything to anyone but even when he gets back he kinda avoids everyone.

He vents to Larry without giving him any context.

Octavius just blames Larry. It was something on the phone that made Jedediah upset, so naturally it must be Larry's fault.

They make up in the end but I don't know if they talk about what actually happened. Maybe Octavius watches brokeback mountain too and he understands idk

A little sequel to this here

[ganondoodle]

(totk rewritten)

finally, all the arm and spirit abilities- for the first half of the game (rauru) and for the second half with the shiekah arm replacing links arms instead and the spirit abilities gained through ganondorf

(please excuse my handwriting and sometimes repeated info on the first two, i lost motivation/patience at the end and couldnt get myself to basically redo it all from scratch just to make it a bit more cleaner)

note, the camera rune is unconnected to the arm, its the shiekah stone copy link has (zelda carries the one from botw, a copy was attempted to be made for link but it lacks all runes except the camera, the map and its teleportation, and journal/archive)

note for the heal effects of some spirit abilities- im also reworking the healing system, making it more like the older games, so healing isnt as easy and much more restricted, thus making those effects of spirit abilities more valuable ( lil potion icon on the d pad will act a little bit like in skyward sword, opens your limited selection of healing items and if chosen link switches to holding it and letting you consume it with -a- while walking around in real time- to avoid more pausing and mass healing on regular items while in menu)

additional note, the automatic recharging of the magic meter depending on the environment gives you a reliable but less abusable way of using abilities and allows for even more creative dungeon/challenge design by using it effectively- it works by absorbing magic from its surroundings, so if its an area with little magic it recharges slower, if its a very spiritual or healthy place it will recharge faster, it can be used to make things more challenging and also as subtle storytelling (example, theres a graveyard with the magic energy around being off the charts, even if there are no spirits to see, it could hint at the people buried not having died peacefully, no matter what their gravestone says...)

the usage of magic and how much the different abilities cost also allows for a much more dynamic fighting style for players to choose and try out, balancing them all out with their cost instead of a fixed timer, and the recharging beign affected by the environment perhaps forcing players that favor high cost magic abilities to use the lower cost ones for example, or not being able to charge one up bc the enemy is too fast and doesnt give you enough time to charge it

about half of the small overworld dungeons (not shrines) are also locked/inaccessible for the first half and new quests appear as the second half commences- together with the additional changes raurus return brings with it (sonau buildings, enemies being mostly cosntructs that he summoned etc) and whole set of new abilities giving you a fresh new way to play while (hopefully) not making you feel too restricted for the first half

... making these detailed concepts took me longer than id like to admit q-q

[aroaceleovaldez]

i know a lot of people talk about the Cupid Scene as not being great as Nico's coming out story (which i think is a complex matter but that's a rant for another day), but I personally find it way more compelling if it's just not Nico's coming out story at all - it's the beginning of Jason's.

Because it doesn't really work or make sense to be Nico's, right? It's not Nico's pov. Nico doesn't have a POV at all in this book. And in House of Hades, the Cupid Scene is one of the first major things Nico gets to do right out of the box jar. Why introduce a character, have him be outed as gay, lead the crew around, and then leave to go travel with someone else all in one book where he's not even a POV? It's also contrary to the way Nico generally functions as a character - he's either exposition, dues ex machina, or damsel in distress. He's kind of a damsel here, but ultimately he doesn't need anyone else to save him - or even be there. He handles it on his own. Jason is mostly just a witness.

But, if you view the Cupid Scene as being about Jason, it narratively fits a lot more; Jason at this point is dating Piper, and they're three books deep into their relationship. TLH they start dating and are relatively happy with it and where they are. SoN is a skip but we know they're happily dating during that time, and then Mark of Athena we get a slight shift. Jason and Piper see Percy and Annabeth and go "Oh! They're perfect. Their relationship is perfect. We could be happier if we were more like them." Piper and Jason are also both characters who go through an identity turmoil in general - particularly about how both of them want to be perceived by others and who they are as people. The things they identify with - their parents, their heritages, etc etc. Their orientations. Piper's get more focus earlier in HoO, and Jason gets more later.

The Cupid Scene is from Jason's POV, in a book where he is beginning to struggle with his identity and what people expect from him - particularly him not feeling like he perfectly fits with "either camp." He's too "Greek" to be "Roman" but too "Roman" to be "Greek." He's not quite one or the other. He doesn't meet the expectations either has for him. (This is bi-coding, if you couldn't tell. Just replace "Greek" and "Roman" with "Straight" and "Gay.") It starts with Cupid addressing Jason first, before Nico, very directly - asking him if he's so sure he's happy in his relationship? Does he really think it's perfect? Even Favonius very pointedly asks him if he really forget that guys can date guys? Do you have some internalized bias around that, Jason? Hm? Heck, they're both specifically in their Roman forms, not Greek. Why would they appear in their Roman forms if they're there for a Greek demigod? And very notably, they have this exchange:

(remember what I said about the bi-coding with Jason's Greek/Roman identity crisis? I don't think it's coincidence that this so pointedly comes up during the Cupid scene.)

Favonius' introduction to the Cupid scene sets up Nico's portion of it, but Cupid almost exclusively speaks to Jason for the first half of it. Then Nico steps in. He diverts the conversation away from Jason and focuses the attention onto him. Nico's the one Cupid wants, he insists, not Jason. He's the target, not Jason. This is very in line with Nico's character - practically one of his core character traits is he trusts and starts caring about people very quickly, probably quicker than he should or even wants to, and will put himself in harm's way to prevent others from being hurt. The Cupid Scene isn't the start of Nico's coming out story - Nico already knows he's gay. He has no internal doubts about that. He's known it for awhile. He's just in the closet. And he starts coming out of his own free will in the next book, first to Reyna and Coach. The Cupid Scene is Nico recognizing that Favonius and Cupid are pushing Jason for something he's not ready for and hasn't figured out yet, but something Nico has and just hasn't said out loud yet. The Cupid Scene is Nico taking the proverbial bullet/literal arrow for Jason (Jason consistently describes the arrows as whizzing by him before striking near Nico, interestingly) and being outed so Jason isn't. And that presents Jason with the path to begin questioning his identity further. (Jason also then directly compares Cupid to Aphrodite, specifically her Greek form, which also ties into Jason's greek/roman stuff.)

And I don't think it's coincidence that Jason and Nico mirror each other so much, and that their arcs in HoH are so intertwined. The Cupid Scene functionally, on a meta level, establishes an explicitly queer character to parallel Jason and for him to bounce off of during his own arc. (And, also on a meta level, establishes to the audience to be sympathetic to queer struggles, with Jason's arc then proceeding to be a queer-coded struggle.) Jason is presented as having this strange level of isolation from how others perceive him in a positive way/the expectations people have of him that wraps around to something akin to Nico's ostracization as being an outsider and atypical demigod in general. Nico is a rouge - he explicitly expresses how he feels like he doesn't fit in at either camp (something he expresses explicitly during the Cupid Scene, mirroring Jason's simultaneous questioning his own place at Camp Jupiter) and a core part of his character is that he does function outside the rules and expectations of both camps. He operates on an entirely different realm to them. If the camps are an expectation of normative concepts of acceptable relationships, Nico is outside of that. And he recognizes that he operates outside of that and will never fully fit into the mold either expect of him, and he recognizes he doesn't need to fit in, even if he theoretically could force himself to fit that mold. Jason, meanwhile, is still locked within those boundaries, and grappling with this idea of how he can exist between them.

Nico hands Jason a goblet of poison and says "how much do you trust me?" and it's Nico challenging Jason to take his own advice about trusting others about their identities, and almost immediately after that Jason gives up his praetor title to Frank. Jason's Greek/Roman arc is directly tied to Nico and the Cupid scene. BoO ends with Jason asking Nico to stay at CHB so they can hang out that summer. By TOA, we learn that Nico has started dating and is staying at CHB (is exploring the niche of expected and socially accepted relationships) while Jason has broken up with Piper and is living away from both camps (rejecting hetero/allonormative expectations), still struggling with his own identity. They functionally swap places. And that's fascinating.

Anyways i think about Jason's bi-coding a lot.

[mylight-png]

A while ago I was listening to Dara Horn's podcast relating to her book, People Love Dead Jews. Within this podcast she discussed the fact that Holocaust museums tend to center stories that highlight ways in which Jews were just like anyone else, putting secular Jews on a pedestal of sorts.

The podcast went on to make the point that we shouldn't have to be like them to be liked. A Jew in a kippah is just as worthy of being accepted as a Jew in a baseball cap, and to position one, the more assimilated one, as "better" is antisemitic.

This made me think of how movies and shows portray Jews, and I realized a similar pattern of idealizing assimilation is deeply prevalent.

There are two main ways Jews are portrayed in movies/shows that I've noticed that are problematic. (For a narrower scope I'll be discussing American media as I am more familiar with that than most other countries.)

The first kind of Jewish representation is the token Jew. This is the character that the viewer wouldn't even have known is Jewish had the show not casually mentioned them celebrating Hanukkah in passing. This is the character who is entirely the same as any other character. An example of this would be in Ginny and Georgia, where a few side characters are revealed to be Jewish. This reveal occurred only for the purpose of making a Hanukkah episode, and immediately one of the characters says the beginning words to most of our prayers, adding "bitch" at the end. This sort of absolutely blatant disrespect towards the words many of us wouldn't even speak fully in casual conversation is meant to indicate that it's okay to poke fun at our religion. (By the way, it isn't okay. Don't disrespect our religion, thanks.) (And no the actress wasn't Jewish.)

Then there's Ben Gross from Never Have I Ever, a similarly extremely assimilated Jewish character. Instead of making fun of Judaism, however, the show plays into Jewish stereotypes. Ben's dad is a wealthy influential lawyer who works with Hollywood. Come on, there's three in a row there. Ben himself is frequently made fun of for being very short (to an extent not befitting the actor's actual stature), and some of his mannerisms could be described as effeminate. All of these traits play into anti-Jewish stereotypes. The protagonist even says she wishes Ben was killed by Nazis and other than a scolding this isn't made to be the big deal that it is.

These sorts of characters are meant to show how Jews are "just like you!" and pokes cruel fun at the few remaining things that do occasionally set them apart. Yes, secular Jews exist, but the way these shows make fun of their Jewish identities is where the issue arises.

The second problematic representation is meant to make goyim feel good about being goyim. This is specifically done through how Judaism is portrayed in these movies.

A major example of this is the show Unorthodox, in which the plot centers a young girl trying to escape her very observant community. This show directly demonized the Jewish religion, making it appear inherently oppressive and twisted.

While some may argue that the show was merely trying to portray the social issues within the community, there are better ways to achieve this.

The book An Unorthodox Match takes on a similar task with a vastly different tone. The book centers a protagonist joining an equally observant community, but not for a moment does the book, author, or protagonist blame Judaism. The book is very clearly written by a Jew who loves Judaism, and yet it manages to highlight similar social issues to the show without blaming Judaism. In fact, Jewish traditions have a fair share of appreciation in the book!

This sort of media is meant to make the goyishe viewers be grateful they aren't part of those communities, but as a Jewish viewer I felt deeply uncomfortable with the positioning of religious Jews as a negative part of society. This media makes the characters seem like they have nothing at all in common with the goyim around them or the goyim watching the show. It's the polar opposite of the previous example.

The first example is showing Jews as "just like anyone else" until they aren't, while the second example portrays Jews as entirely other. Never have I seen an Orthodox Jewish character side by side with the non-Jewish characters in any other context than the Jewish character envying their non-Jewish peers.

Why is the choice either to be assimilated or othered? Why can we not have an observant Jewish character remind their friends that they can't hang out on Saturday, or maybe they bring their own kosher snacks? Maybe a Jewish character muttering a bracha over their food? Why not make being Jewish an important part of their character without making them self-loathe because of it?

Media almost only ever shows two extremes and neither of those extremes has a positive impact on the perception of Jews.

(There is also a pattern I've noticed with Jews and goyim being cast in Jewish roles and how that corresponds to the character, but that's probably another post for another time.)