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#my first writing challenge
lgcjinyoung · 1 month
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i'll do a proper plotcall later that I will pin. For now please like this post if you'd want a random starter based on song titles in my million songs void playlist! <3 i'd love to get more threads going for jinyoung :3
Call Capped. Thank you for your support <3
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duu-kiwi · 9 months
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I bet aziraphale wrote about the day the universe was made, about the angel whose voice recited the words that created the stars, about how bright they shone, and still shine, in those angel eyes✨🪐
Here you have some detailss and a cropped version with just!! them!!!
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edit: prints link !
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akakumoeteru · 7 months
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daftmooncretin · 3 months
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if captain kirk irresponsible? why huge baby cow eyes???
if captain kirk bad captain? why-
you thought i was gonna talk about his voluptuous titties fat ass sparkling personality and unflinching moral character ? no.
if you say kirk is a bad captain i will kill you. I will shoot you into space like they did to bill shatty when he wouldn’t shut tf up about going to space
except unlike bill shatty ill send you up naked and defenceless into the vast chasm of space your lungs will explode and your eyes will fall out or some shit (i saw that in a doctor who episode)
kirk drift is getting out of hand and my response to this is ending all kirk drifters and repopulating the earth with kirklophiles such as myself and my dad paul.
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bitterie-sweetie · 4 months
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Heyyy! If you’re open for requests, there’s this TikTok that I saw where a pregnant lady had her husband lift her heavy belly for a few minutes and it gave her some relief. I somehow could see Mingyu do that. His wife having a hard time getting used to her growth and him trying his best to help her 🫠🫠🫠
baby ⇢ mingyu x reader, 1k, fluff, domestic au ⇢ warnings: pregnancy, "baby" as a term of endearment, mingyu being his usually sweet self (mostly), established relationship
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"This is all your fault, you know."
At the sharp tone of your words, Mingyu looks up from his phone. 
"This," you gesture at yourself, at the unmistakable way your stomach now protrudes, a little larger each day as time creeps closer to your due date. "This baby is already huge and we're not even halfway there. It's all your fault, Kim Mingyu. You and your—your stupidly big bones and your long limbs and your giant frame and, and—" 
It's another empty complaint, that's all. Lately that's been much of what comes out of your mouth the moment your sore feet touch the floor, having to support your new weight, and when you're rushing to the bathroom again after just having left it. And when you hear Mingyu's mom lament about how heavy he was at birth, you don't even want to think about how the next few months are going to go. 
This pregnancy is both a blessing and a curse.
You get up from your chair, eager to crawl into bed and let sleep magically melt away your problems if it comes at all tonight. But before you can take a single step, Mingyu is there. It takes him two steps to cross the room and come to your side, and while he usually wears a big smile whenever he looks your way, now it's been completely replaced with a frown. A solemn expression.
"I'm sorry, baby," he says softly, gingerly pulling you into a hug. 
"W-what? What are you apologizing for?"
"All of it."
You take a step back and try to wiggle out of his arms so you can properly read his expression. "Hey, I was just joking—"
"Y/N," he says, shaking his head as he loosens his arms, "it's hard going through all this alone. You know I would help if I could." 
He's being genuine—that much you can see, but that makes you all the more concerned. Is there something going on? What does he mean? So much of your attention has been focused on preparing for the baby ever since finding out the good news that you hardly had a moment to stop and consider his feelings in all of this, and for a second your heart drops at the thought that there might be something wrong. 
Mingyu's never been one to hide anything though. He always wears his heart on his sleeve and speaks without a filter—which is only a bad thing when he showers you with overly cheesy compliments—and even now, one look in his eyes tells you exactly what you want to know. You can see the excitement floating in his eyes, the absolute adoration at the start of this new chapter in your lives, the nerves of being a parent for the first time. 
But also mixed in there is a ton of guilt. 
While none of it is his fault, you can tell that he's feeling the immense guilt of watching you suffer to bring a child into this world while he is, well, still very much his regular self. 
"Mingyu, you are helping. You've been doing all the cooking and running around to get me whatever I'm craving, which has been a lot these days. You set up the baby's room all on your own, and then there are your massages—I'm going to get so used to having this luxury that I'll be asking for them even after all this." 
His frown only deepens. "Baby, that's not enough. I hate seeing you in pain and being unable to do anything about it. I wish I could take it from you." 
"Hey, look at me." You heave a sigh, reaching to take his face between your hands. "I'm fine, Mingyu. You know how strong I am, right? I can handle it. In fact, you should worry more about what this kid might do in the future."
"Knowing the two of us, that's probably true." He wavers for a second before a smile starts to creep onto his face, but he holds it back, almost shyly. "Y/N, can I try something?"
"Like what?"
Mingyu steps closer until the space between you diminishes, leaving only your belly pressed against his. Then in one motion, he takes his hands and carefully places them under your belly, and then lifts. 
"Does this help at all?" he asks, face gleaming with tentative hope.
You slowly relax into his hands and take notice of how everything shifts. The weight pressing on your bladder is alleviated immediately, and your sore lower back feels much better. Even your feet aren't quite as in pain as before. "Yeah, actually. This helps a lot. Thank you, baby." 
"Good. Then I'll do this for you all day." Then he nuzzles even closer to you, burying his face in the crook of your neck as you wrap your arms around him as much as you can. There's still too much space between you with the baby in the way, but when you close your eyes and listen to the sound of Mingyu's steady breaths, it's enough to spread a warmth in your heart that takes you back to the early days of your relationship. 
"Hey, Y/N?" Mingyu pulls back slightly to look at you.
"Hmm?"
"Do you really think we should be worrying about how our kid might turn out? What they might be like?" 
You study him, looking beyond the spark of anxiety in his eyes. "Well, yeah, but they'll be fine. Trust me, if they have your genes, they'll basically be perfect already. You were a perfect kid." 
"I guess I kind of was." He stays still for a moment, but when he meets your eyes again, there's a mischievous smile threatening to creep across his lips. "Yeah, see, I wasn't exactly worried that the kid might turn out like me." 
"Hey, Kim Mingyu!"
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momotonescreaming · 9 months
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Surprise
Prompt: Cake | WC: 311 | Rated: G | For @steddiemicrofic
“Shit,” Eddie swears, looking down at his cake batter. “Shit, bitch, and balls.”
He’s been trying to bake all afternoon - key word trying. But now that he’s at the end Eddie’s sure he’s fucked it. There’s no way cake batter is supposed to look like this. It’s definitely not supposed to have clumps like spoiled milk. And it’s wet. Maybe too wet.
“Fuck,” he curses again, putting his hand on his hips in a way that’s very Steve. He’d smile at the thought if his cake batter didn’t look like throw up. Maybe if he bakes it, it’ll all come right in the end?
What the hell is he talking about, there’s no way it’ll come right.
He picks up the pan, making to throw it out —  when he hears the tell-tale sound of keys jingling outside the apartment door. Steve’s home early.
Fuck.
Eddie whips his head around, staring at the piles of dirty bowls, open packets, and the pile of cook books littering the counter. There’s no way he’s cleaning this up before Steve gets here.
“I’m home!” Steve calls out, sound echoing down the hall as he makes his way into the apartment. He reaches the doorway into the kitchen, eyes grazing over the mess, the cake tin, and Eddie, covered in flour in the middle of it all. He snorts. “Having fun?”
“I don’t know what you’re talking about,” Eddie says, tense, still holding the pan. “I’m not doing anything.”
“Uh huh,” Steve says, a smile creeping across his face. “And that’s not flour you’re covered in?”
“Cocaine,” Eddie shrugs. “Sorry to break it to you, babe.”
Steve laughs, eyes shining. “Does the coke fiend want some help?”
“Yeah.” Eddie deflates. Pouts. “It was supposed to be a surprise.”
“Well colour me surprised.” Steve says, leaning forward to kiss the pout off of Eddie’s face.
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mrsjellymunson · 7 months
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Hello, Stranger
Pairing: Eddie Munson x gn!reader, Eddie Munson x you, Eddie Munson x reader
For @lesservillain’s excellent Strange and Spooky Stories Halloween writing event for the prompt: ‘Stranger’
Summary: A stranger comes in to buy weird stuff at odd times, and as the cashier at the local hardware store you’re not quite sure what to make of it…
CW: 18+ (MDNI), fluff, maybe SFW though caution for mature and dark themes and allusions to crime and violence. Flirting, li’l bit of awkwardness, some swearing. Both Eddie and reader are in their 20s. Reader’s gender and appearance are not described, they can be whatever you want. No use of y/n. Time period is not mentioned, and any inaccuracies/inconsistencies about history, equipment, American schooling (I’m not from around these parts) or science are deliberate and artistic oh yes they are. No smut, I thought I’d better assess whether I could string a semi-coherent story together before attempting to add that 😆
WC: ~6.2k
A/N: I love gore, revenge movies, murder shows, true crime, science/biology/forensics and DIY (sort of), so this prompt seemed like a perfect fit. There are tiny Easter eggs from The Equalizer, Breaking Bad, 80s crime TV, The Blacklist and John Wick in here - let me know if you spot any! This is the first ‘proper’ fic I’ve posted so I’d love to know what you think. Comments, reblogs and feedback are hugely appreciated and very welcome!
(Also this is my first attempt at dividers too, I hope they worked, I literally have no idea what I’m doing!)
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Yep, you were ‘that’ weird kid. Your friends in Middle School had called you a freak because you brought squirrel tails and chicken feet to show’n’tell.
“But look! If you pull this tendon it makes the claw close! Isn’t that cool?!”
No, apparently that was not cool. Especially when demonstrated against your teacher’s finger...
You’d visit a friend whose father was a doctor, begging to read his medical and pathology text books, and preferring to look at pictures of dissected and diseased organs and spontaneous human combustion over braiding your friend’s hair or talking about boys.
And, apparently, scoring a class-topping 9.5/10 for your rat dissection also wasn’t the social merit badge you thought it might be, even amongst your science-abreast academic peers.
So what if you had a strong constitution. And a love of anatomy and pathology. And then compounded it with a love of true crime, particularly serial killers and forensic methods. Surely there were worse things to be interested in?
By the time you’d finished High School you’d learned to mask your enthusiasm, covering your (apparently, socially unacceptable) fascination for all things ‘gross’ and ‘murderous’ (your friends’ words) by choosing science majors like human anatomy and pathology, criminal behaviour and forensics.
People just thought you were clever, nerdy, a scientist. You never let on that you were itching to actually experience some of these things for yourself, in real time, with your own hands…
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You work the evening shift at the sprawling out-of-town homewares store on the road running out of Indianapolis towards a tiny town you’ve never been to (Hawksville? Hawking?). You work a few evenings a week plus alternate Sundays, currently in the gardening, kitchen and hardware department. It wouldn’t be your chosen section of the store (in the short time you’ve been there you’ve had to amass a lot of knowledge about tools. Also, how to politely deflect the regulars’ offers to share details of their new projects, lest you get drawn in to a half-hour discussion about u-bends or rawl plugs), but the hours suit you and fit around your college classes, and the employee discount comes in handy when things in your shitty apartment break down or your roommate carelessly breaks something, again.
The final few hours of your shifts were usually pretty quiet, barring the occasional domestic plumbing emergency, or a bored Hawkins housewife coming in looking for batteries.
You don’t mind spending your evenings amongst the tools and machinery, it gives you a chance to flick through the latest copy of forensic magazine or True Crime, or work on your college assignments.
One thing that does make the slow evenings more entertaining is the unusual clientele. A nerdy-looking guy with a moustache needing releasable cable ties, cooking oil and a large plastic sheet at 9.30pm must have an interesting backstory, right?
You find yourself concocting fantastical vignettes about the oddballs that pass through, giving them the most amusing or disturbing story you can think of as they glide by in the night.
The guy with the cable ties? Too easy. Clearly he’s got a ‘special friend’ and an interesting evening planned. TBH, that’s probably not even fictional. You call him Salacious Scott.
The friendly, rotund lady who regularly comes in for for buckets and sawdust? You know it’s Mrs Henderson, who is trying to go self-sufficient and has recently installed a composting toilet, but you prefer to imagine she’s actually a madam with a ‘specialist interest’ playroom, who you brand Madame Urolagnia.
The paranoid guy with a beard and thick glasses who won’t tell you his name, buys a lot of vodka from the liquor store nearby and comes in for plastic pipe, cladding and those slot-together foam mats for kids? He tells you he’s into martial arts and these make safe weapon facsimiles for training, but you reckon he’s actually some kind of government agent. Your imaginary name for him is Mysterious Murray.
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One oddball in particular has caught your attention, and not just because he’s easily the handsomest customer you’ve had in a while.
Wait, no, you didn’t just admit that; you just find him interesting, that’s all.
It was his speed and demeanour that had struck you first, rushing in, hand atop the bandana on his head, gangly legs in ripped jeans looking like they were trying to run in two different directions at once, large, dark eyes wide as he’d frantically looked around the store.
“Uh, rope, I need rope, where’d you keep the rope?”
You’d blurted some instructions and he’d headed off, not looking in your direction.
His leather jacket and swinging chains certainly commanded attention amongst the flannel and blue denim that was usually in your line of sight, and you’d found your eyes following him, catching sight of him moving between the aisles from your position behind the counter.
He’d moved towards you with a sturdy knife, a shovel and 3 rolls of duct tape that he’d collected on his way to the checkout, arms full (he didn’t pick up a basket), when you’d ventured,
“I’d recommend the next brand up, if you want something stronger with better sticking power? It costs a little more, but it’s better quality, so overall you’ll use less”, (silently thanking Mr Wheeler’s recent diatribe on the merits and pitfalls of various brands of adhesive tape, remembering the detail because he’d gone so far as to demonstrate by sticking small pieces of it to your skin. It was a weird interaction for sure, but also oddly informative).
He’d lifted his head to look at you and your eyes had connected for the first time. Your eyes widened, and you think you spotted a slight twitch of a smile at one side of his mouth.
Oh, he’s actually really cute.
“Uh, okay, if you think that’s best”.
He dropped his eyes from yours and, after unceremoniously dumping everything else onto your counter, he’d exchanged the rolls and returned.
You’d both paused, you don’t know for how long, and you’d wondered how someone buying rope could be so captivating. But the spell was broken as you’d both spoke simultaneously:
“Did you find everything you need?”
“I’m kinda in a rush, so…”
You’d both chuckled nervously, and you’d set about ringing up his purchases, noticing that a small smile definitely now graced those previously harried features.
He’d paid with a handful of old, crumpled bills pulled from his jacket, politely declining your offer of a bag, and then he was gone as quick as he came, hurrying out into the night with the swish of the automatic doors and a breeze of parking lot-scented night air.
You didn’t know why anyone would need rope and a shovel at that time on a weeknight, but with this particular guy, who you dubbed The Stranger, you found yourself thinking that you wouldn’t mind finding out.
You’d unintentionally spent the rest of that evening coming up with fantasies about that particular customer, although, unusually for you, quite a few of them hadn’t actually involved what was on his receipt…
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When The Stranger next comes in he’s after heavyweight garbage bags, more tape and a saw, but seems in slightly less of a rush.
He pauses at your counter for a few moments, making polite conversation, asking how long you’d been working here, whether you were working late tonight.
Is he trying to… flirt? Surely not…
“Thanks for the tape recommendation by the way, it was a real lifesaver. That stuff’s really good, I definitely have a new favourite!”, gracing you with a broad grin (oh fuck, that was a sight) before he was on his way again.
Another time he bought shears, tarp and a large quantity of painting coveralls.
The next trip involved wire cutters, buckets and a wet’n’dry vacuum.
You begin to enjoy The Stranger coming in buying random shit at odd hours. You can’t quite make him out. He buys a lot of gardening and decorating-type equipment (plus he’s almost single-handedly keeping the cleaning product aisle in business), but he dresses like neither - always in tight, ripped jeans, shredded band tees and his signature leather jacket. You’ve never seen him covered in leaves or dirt, and his clothes have zero paint on them. Those coveralls must do a really good job…
You build up a rapport of sorts with him. There’s always a polite, verging on friendly greeting between you, and you let him know when there’s special offers on tarp and garbage bags, and what days there are deliveries of latex gloves and those painting coveralls he seems to like so much. (Sometimes you’ll even stash a few of the latter for him under the counter if there’s a holiday weekend coming up, knowing Hawkins’ husbands will be out in force and not wanting him to miss out.)
But the ‘fantasy vignette’ and forensically-inclined parts of your brain begin to overlap, and start to tickle your imagination. It’s almost as if each selection of items he buys could be used to either dispatch someone, or dispose of a body. But that’s crazy, right? He seems way too nice to be a serial killer. And mob activity in this part of Indiana? Nah. That wouldn’t happen around here.
Would it?
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It’s a quiet Friday night when you next see The Stranger. He’s picked up bolt cutters, pliers, some metal trays, a sledgehammer, a mop, and, most bizarrely of all because you’ve noticed he’s not usually one for personal safety equipment, ear defenders.
Again, he’s basket-less, barely able to contain the items piled up in his arms. They topple as he arrives at your counter, and some end up partially covering your open magazine.
“Shit, I’m really sorry about that.”
“Oh, no problem, honestly. I probably shouldn’t be reading on the clock anyway”, you say, slightly bashful, as you move the crumpled magazine out from underneath his items, smoothing it down. The Stranger’s eyes are locked on your hands, and as they move across the page they reveal a headline about a recently apprehended serial murderer and some photographs of a variety of grisly-looking, bloody weapons.
“That looks… interesting, watcha reading there?”, he remarks, leaning in.
“Oh, this? It’s about a new guy they’ve just caught over in Europe. He’s fascinating, he used such a variety of tools and methods that at first the police didn’t even think to link the crimes. Ingenious, really, when you think about it. So creative!”
You look up, and The Stranger is regarding you with an unreadable expression. Does he think you’re weird, babbling on about this murderer like you admire him? Or is he actually impressed with your enthusiasm?
“Sorry, I’m a true crime buff, it’s a bit of a pet topic of mine. And I’m studying forensics at college, so it’s kind of like schoolwork too.” You chuckle nervously, arms moving in front of your body and shoulders subtly curling in on yourself in embarrassment.
The Stranger seems to sense your discomfort, and shakes his head, making his curls bounce, smiling and chuckling along with you.
“No, yeah, uh, me too with the crime thing, actually. Well, not so much the reading, I’m more of a hear-it-through-the grapevine, hands on kinda guy.”
‘Hands on’? WTF does that mean?
“Oh, cool, coolcoolcool”. Smooth…
As you scan his items your fantasy vignette tickles your brain again.
No, don’t be silly…
You bag everything up this time, insisting it’ll be easier to carry, handing them to him and taking his crumpled bills.
Your curiosity is more than piqued and you can’t hold it in any longer. Feeling bold, you ask, “So, what’s all this for?”
“Huh?”
“The- the stuff. What’re you doin’ with it?”
The Stranger looks at you through his lashes, not speaking.
Shit, you’ve overstepped, he’s gonna leave, find a different store and you’ll never see him again.
“Uh, well, some people I know out near the big city are, er, planning a, uh, party, with a few of their, um, associates, and I think it’s gonna get pretty loud, hence the earphones. I, uh, don’t usually get involved in stuff until later in the evening, y’know, after all the main fun’s over.”
You look a little quizzical.
He thinks for a moment.
“I tidy up, but I sorta make it a bit more fun for everyone. Bring a bit of pizazz to a usually mundane part of the evening. Kinda thing.”
You process for a few moments. The ‘Mob Cleaner’ vignette you’d fantasised about screams loud and long into your cerebrum.
Nerves give way to curiosity, and you brashly ask, “So, what exactly is it that you do?”
“I’m kind of a cleaner, I guess? If someone has a problem that they’ve had dealt with and they wanna make the cleanup more, um, interesting, I’m the guy they call.”
Probing further, you clarify, “So you don’t make the, uh, mess, you just clean it up. Creatively?”
“Yeah, exactly.”
He explains he’s still quite new to the job, and kinda fell into it. His boss and his mentor are both encouraging, saying his USP is truly original (Unique Selling Point, he explains when you look confused), and that he definitely ‘has potential’. He’s learning a lot as he goes, but his enthusiasm seems to be appreciated and he wants to do well.
“All you really need is a strong stomach, imagination and a flair for the dramatic!”
He illustrates his last point by making jazz hands by the sides of his head, offering you a generous smile. Yeah, you can see how that particular part of the job comes easy to him.
“Oh, well, it sounds like fun. I hope you have a very successful evening!”
“Okay, well, thanks again! I’ll see you.”
You watch him leave, noticing in particular how well his jeans fit tonight.
What’s that saying again - I hate to see you go, but I love to watch you leave…?
You shake your head to rid yourself of the lewd - and crazy, yeah, totally crazy - thoughts you’re having about The Stranger and encourage yourself back into work mode.
As you busy yourself and tidy your counter you notice something small and white on the floor in front, about the size of a credit card. It must’ve fallen out of his jacket as he fumbled for cash.
Cash. Always cash. Never credit card, never cheque, never — anything traceable…
You round the counter and pick it up, thinking you’d save it and return it to him the next time he comes in. It’s a business card. The text is unfussy and clear, but glossy, bold and slightly gothic. It’s a company name above some text and a pager number, but it may well be the most intriguing piece of writing that you’ve ever come across:
E.M. Creative Disposal Services, Apprentice to Mr Kaplan & Associates, For dinner reservations call: (555)-666-6969
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It’s another quiet night, but there’s already a couple of people at the counter when The Stranger arrives. Mr Sinclair needs a pipe wrench and a plunger (you don’t envy him his evening), and Mrs Wheeler has come in to buy double-As for the second time this month (although this time she also added gardening gloves and secateurs to pad out her basket. Not that you’d judge either way).
You spot The Stranger’s curls before anything else, bobbing in the fluorescent lights as he comes through the entrance doors. He spots the queue and immediately joins it, glancing towards the counter and visibly brightening when he sees you behind it. He’s carrying the sledgehammer he bought last time. As you start to ring up Mrs Wheeler’s batteries you see him examining the head of the hammer. Frowning slightly, he moistens his thumb with his tongue and rubs at one corner, then polishes the same spot on the front of his jeans.
He reaches the counter, receipt retrieved from a bundle pulled from inside his jacket.
You greet each other with a quiet ‘hey’. He continues, “I, uh, wanted to return this. Can I do that?”
“Yeah, sure, lemme ring it through the till. Can I ask why? Company policy,” you shrug, almost apologetically.
“Sure, uh, well you know that phase ‘using a sledgehammer to crack a nut‘? Turns out a sledgehammer does indeed obliterate the, uh, nuts… Let’s just say it wasn’t really suitable for the project I had in mind. I think I need something…”
Lighter? Easier to aim?
“With a little more finesse?” You venture, eyebrows raised, hoping you haven’t completely misread things.
“Yeah, finesse! I like that”. He beams widely at you tilting his head slightly, revealing the most gorgeous dimples you’ve ever seen, and it’s all you can do to hold on to the edge of the counter while your knees gently fail beneath you.
“Umm, you want some help choosing?”
He readily agrees and you direct him to the hammer section, both of you discussing the merits and disadvantages of various models as you choose ones from the display and encourage him to feel their weight and balance. He seems impressed, clearly not expecting you to be so well-versed in the finer aspects of hardware.
“Y’know, you really know your tools!”
You squeak out a bashful, “Thanks.”
You slip into self-deprecating mode and brush off his compliment, saying, “It comes with the territory I guess. I’ve picked up a lot working here. Plus I just sometimes browse the shelves, thinking of nefarious uses for random household objects.” Hurriedly adding, “For school, of course!”
You cringe a bit, thinking this must make you look like some kind of weirdo, but The Stranger takes it easily in his stride, commenting, “You know, you’d be surprised to learn just how much of a marketable skill that can be.”
You chat some more and he eventually chooses a smaller, less unwieldy hammer, and after he pays you part ways again.
You still desperately want to ask him exactly what he used that other hammer for, what ‘Creative Disposal Services’ actually means, and what the hell have dinner reservations got to do with any of this?
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The next night you see The Stranger he saunters in at about 8:30. He has a different energy about him this evening, seeming both more relaxed but also somewhat on edge. He’s not in his usual ratty band tee tonight, you notice, and no leather jacket either. Instead he’s wearing a what looks to be a clean, maybe even pressed, electric blue raglan shirt with black half length sleeves. You spot a crimson guitar pick necklace that you’ve not seen before dangling from a twinkling silver ball chain, resting against his sternum and resplendent against the blue.
Observing his forearms for the first time you notice how attractive - and (oh!) tattooed - they are. Toned and veined, their shape and his mix of tattoos are shown off to perfection by that sleeve length, and a leather and chain bracelet that adorns one powerful-looking wrist. The glint of his chunky silver rings accentuates his large hands that peek out of his jeans pockets as he wanders over to you. He’s still in tight black jeans, but they seem a little… neater than usual. And he’s not in a rush. It’s almost like he’s not working, maybe even making an effort.
You feel a frisson of excitement - could it be that he’s come in just to see you?
Exhibit A, m’lud: Scrubbing up well.
He heads straight for your counter, and you greet each other with your characteristic friendliness.
He spies the hefty text books you’ve spread before you, and leans onto the counter to get a closer look.
“Watcha workin’ on tonight, Doctor Quincy?”
You swallow at the cute nickname, voice cracking slightly as you start to tell him about the assignment you’ve got. It’s about evidential tool marks, and how pathologists can identify what’s been used as a weapon or tool of dismemberment.
The Stranger tries to play down his interest, but his demeanour betrays him as he presses for more details, even asking if he could maybe read the finished piece.
That’s weird, right? People don’t read other people’s science essays for fun. Do they?
But you agree, promising to bring him a copy when it’s done.
The conversation lulls, and The Stranger twists the pad of one of his thumbs against the counter, seemingly a little nervous, though you can’t imagine what about.
To break the silence you slip into work mode, but for some reason drop your voice a couple of octaves and murmur,
“So anyway, what is it that can I help you with, sir?”
Wait, is he blushing?
“Um, oh, uh, I actually don’t have a shopping list today, I was, uh, just gonna browse, I guess.”
He backs away from your counter, giving it a few rhythmic slaps with his fingertips before turning away from you and ambling off into the store. He returns a few moments later with a small hatchet and mid-range fold-out knife, plus two rolls of his now-favourite tape.
“You can never have too many of these, amirite?”
He gives you that dimpled smile again, and you feel your stomach do a full (though anatomically impossible) 360° flip.
Observing his lack of focus and comparatively small selection of items, you wonder if he really needs those things, or whether he’s just picking them up as an excuse to come in to the store. Your chest heats up a little at the thought.
Exhibit B: Small, possibly unnecessary purchase. The evidence is mounting up.
Seeing the hatchet, your eyes light up with enthusiasm as you remember something.
“Hey, we just got some new stock in that I think you might like, y’know, if I’m not overstepping or anything.” You finish with a nervous chuckle.
You smile at him nervously through your lashes, skin heating even more in case this is suddenly all a bit too familiar.
He grins, responding, “Sure, go ahead!”
Your smile broadens and relaxes as you turn away from him and walk to the back shelves, crouching down and retrieving something in your arms.
Standing quickly and turning, you notice his eyes widen and immediately flick up to yours, a slightly alarmed expression on his face.
Exhibit C: Was he checking you out when he thought you wouldn’t notice? (Also, is it getting hot in here?)
With a loud thunk you lay two (frankly, terrifying-looking) multi-tools out on the counter in front of him. One looks like an oversized, overspec-ed Swiss Army knife, and the other could easily pass as a prop from an exorcism-themed horror movie. You over-excitedly explain the features of each, saying, “This one has a hammer and an axe, plus screwdrivers, pliers, a saw, wire cutters, a magnesium rod”, you look up at him quickly and ask, “do you ever need to start fires? Plus, it has…”, you wave your hand dramatically over your favourite part of the item, like you were showing it off on a shopping channel, and stretch out the syllables of the final two words for emphasis, “…a bottle opener…”. You raise your eyebrows and grin widely, like this must surely be the deal breaker.
The Stranger laughs, throwing his head back with deep-throated barks from the centre of his chest, and then he chuckles a little, bringing a strand of hair over his cheek and a curled finger to his lips. You’re slightly distracted by that glimpse of his extended neck (god, you want to gnaw at it), and that laugh? You wish you could’ve recorded it somehow.
You quickly compose yourself and continue, switching to the ’horror prop’ product, “And this one has fewer features, but I like it for its simplicity, robustness and practical charm. It’s an axe, hammer, nail puller and pry bar. And it even has a rubber coated handle, so you can still use it safely even if your hands are wet. For, y’know, whatever reason…” you finish, slightly abashed.
“Aw, Pumpkin, this is the kindest thing anyone’s done for me in a while, thank you.”
Pumpkin. PumpkinPumpkinPumpkin. Exhibit D: A term of endearment!
He takes some time to examine both articles, testing out their various features, hefting them in his (large, strong) hands (stop it!).
“I love them. Y’know what, I can’t decide. I’ll take both. What’s the damage?”
You visibly brighten, a squeak of delight that you hope he didn’t hear inadvertently leaving you as you puff up with both his term of endearment and your ever-growing customer service confidence.
You check whether he’d still like the other items he’d brought to the counter, and apart from the duct tape (“You really can’t have too much of this stuff!”), he allows you to reshelve the rest.
He watches, enthralled, as you wrap his new tools in the store-issue brown paper reverently and carefully, as though you were wrapping an expensive gift in a fancy department store, the pair of you sharing bashful looks and half smiles as you work.
As he hands over the now-unsurprising crumpled bills and takes his change his hand drifts closer to yours, glancing his fingers over your palm and lingering for just a moment. There’s a little hitch in your inhale, and you think you see his ears redden a little.
He gathers up his purchases in his arms carefully and gently, and he backs away from your counter slowly.
“I guess I’ll head out then. Uh, I’ll see you around.”
“Yeah, I guess you will, uhh-”
“Eddie. My name’s Eddie.”
“Okay, I guess so, Eddie.” You say his name slowly, like you’re testing out the syllables in your mouth.
You continue speaking, offering your name in reciprocation.
“Yeah, yeah I know your name, it’s kinda on your little badge there.” A tiny nod indicates the plastic rectangle pinned on your apron strap near your left shoulder.
Your cheeks heat again. “Right, of course. Ha!” You inwardly cringe. Well, that could’ve gone better.
He’s still backing away, getting dangerously close to an intricately balanced display of colourful children’s watering cans. You’re about to say something, but he turns just in time, ambling towards the illuminated exit with a mumbled, “Okay, bye then. Thanks again for these…” lifting the packages in his arms, and turning to look over his shoulder a couple more times before he finally reaches the door and disappears into the parking lot.
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“Hey, d’you know anything about wood chippers?”
It’s been a week since you’ve seen The Stranger Eddie, and you turn abruptly to find him walking towards your counter.
His question throws you out of your stocktaking zone (you’d been focussing on ordering enough plastic pumpkin-shaped buckets for all of Hawkins’ kids this Halloween), but you quickly slip into customer service mode and ask for more details.
Eddie explains, using mostly his arms, that he needs one that, “throws everything everywhere”. You finally work out that he means the type where you feed stuff into a hopper on one side and the shredded debris is forced out of a raised chute on the other (as opposed to the more gravity-based ones where stuff is fed into the top and simply falls out the bottom).
He’s passing it off as being involved in some avant garde student art project, a performance piece involving feeding a load of wood and, uh, paint, yeah, paint into a wood chipper and having it spray out the other side. He blusters that the students are trying to make a point about climate change, or maybe it’s deforestation, he can’t seem to decide.
He explains that the piece is to be performed indoors, that there’ll be quite a few people present, and that he also needs a large quantity of tarp and coveralls because it was likely to make a huge mess.
This is the clincher. You’re absolutely convinced there is no art project, and what’s go through that chipper is more likely to be a human body. Or, given the amount of effort being gone to, and Eddie’s flair for theatrics, probably more than one.
“What size branches?”
He looks at you, confused. “Huh?”
“The, uh, limbs. What size will you be shredding? Some of the smaller models won’t cope with thick trunks.”
He swallows. His eyes meet yours, and he licks his lips. You can’t help but stare at those full, pink… Look away! Just look away!!
He subtly smirks, slowly moves his hands across the counter, and, gently taking hold of one of your hands in his, loops his other finger and thumb around your wrist.
“Um, definitely thicker than this…” - he extends your arm towards him, and moves his other hand slowly up your skin until he gets to your upper arm - “…and maybe a little thicker than this, too.”
You hope he can’t feel the burning sensation that’s erupted up your arm. You know he can’t possibly hear your racing heartbeat or detect the adrenaline that’s coursing through your veins, but you’re acutely aware of both just the same. You briefly ponder whether you’ll need to get a fire extinguisher from aisle 7.
“Umm, how about I show you what we’ve got?”
Composing yourself, barely, you take him to the large garden implements section, explaining that for larger trunks and limbs he may need something towable.
Under the guise of working out whether various models would be suitable, you take the opportunity to dig a little and find out what kind of vehicle he drives. It’s a van, so roomy, practical for carrying a lot of equipment that needs to be kept out of sight. Well, this all tracks.
Also, your brain helpfully suggests, it could potentially be romantic, a private little hideaway where you and he could… No! Stay on topic, you’re at work for god’s sake!
As you debate the various choices you find you’re occasionally leaning into each other, shoulders and elbows lightly bumping, you stealing glances at his chiselled jawline when you think he isn’t looking.
Eddie eventually decides on a mid-size towable model, and as you arrange for it to be delivered to the collection bay he bids you goodnight and disappears out to his van.
‘Art project’, huh? I don’t think so…
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You don’t see Eddie for a couple of weeks after that, and you begin to wonder whether he doesn’t like you. Maybe you went too far, did you bore him? Did you frighten him off? Did he feel pressured into buying those gadgets or the expensive wood chipper?
Maybe he’s finally realised you’re a weirdo, like everyone at school eventually did?
Trying to get out of your funk you steel yourself and ask your department manager, Keith, whether he’d seen an odd, metal-looking guy in the store at all.
“Nah, not recently, but someone like that did come in a few weeks back, asking about when you’d be working. Something about your product knowledge helping him with a job, or whatever. I told him your schedule, I hope that’s ok.”
So you haven’t missed him, and maybe he’s not avoiding you. Good, that’s good. Exhibit E: He’s been asking about you?? Oh fu-
You’re startled out of your reverie by the sound of someone slapping two plastic packets down onto the counter.
“Oh, hi Mrs Wheeler, let me ring those up for you…”
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On his next visit it’s clear Eddie is restocking his cleaning supplies, and he’s even deigned to use a small trolley this time to transport the heavy and bulky items.
As well as multi-surface cleaner, mops, cloths and some heavy duty gloves, you notice his trolley also contains numerous bottles of chlorine bleach.
“Big clean-up job tonight, huh?”
“What? Oh, yeah, I guess so. I need to leave the place without any trace of the, uh, performance this time.”
“Depends what you need to clean up, I guess. Y’know, chlorine bleach doesn’t necessarily get rid of everything.”
“Oh, really?”
“Yeah, it’s fascinating, common misconception by the way. Chlorine bleach gets rid of visible stains, so that’s great if your main concern is aesthetics. But you can still detect haemoglobin, if you have access to the right tools and solutions.”
Eddie looks bath engaged and confused.
“A-heema-whatnow?”
You snicker.
“Haemo-, y’know what, never mind. Blood, basically. So actually, oxygen bleach is your best bet if your biggest concern removing all traces of, let’s say, blood and DNA. Whilst it doesn’t necessarily remove all the marks, it does degrade everything biological to the point where it’s undetectable. At least, with the tests we currently have.”
Eddie leans his elbows on the counter, giving you his full attention, resting his cheeks on his knuckles and pushing his dimpled grin up even further. Emboldened, you talk at length about haemoglobin, DNA degradation, specialist chemical solutions and alternative light sources.
He stays there, rapt, until you come to a natural stop. Just before he straightens up he quietly mumbles, still smiling, “Fucking incredible”.
With a deep breath he returns to the aisles to procure both types of bleach, pays and heads out into the night with a cheery, “Wish me luck!”
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The cleanup must’ve gone well, because Eddie’s back a few days later and is making conversation.
“Hey, um, I remember reading once about some guy in England, years ago, who, like, melted people. You ever heard of that?”
You contemplate for a moment.
“Oh, d’you mean the Acid Bath Murderer, John Haigh?”
“Acid bath? Yeah, that sounds familiar.”
“Y’know, that’s actually one of my favourite case studies! It was one of the stories that first got me interested in true crime. 1940s England, dude thought he could get away with it if there was no body. Nope, sorry! When I first heard about it I thought it was really inventive, though he actually took the idea from a French guy who’d already done similar. Makes you wonder how many undiscovered dissolved bodies there might’ve been before and since, huh?”
You wax lyrical for a little while on the relative merits and disadvantages of the dissolving of human bodies in acid, even relating an anecdote about how your lab partner once chose the wrong combination of acid and beaker type, finishing with, “Hoo-boy, that was a mess!”
You become a little awkward, aware of how long you’ve been talking and the possibly-disturbingly-creepy level of detail you’ve gone into, though Eddie doesn’t seem to mind and presents somewhat like he’s paying attention in a chem class. Regardless, you decide to change the subject.
“I meant to ask last time, how did that wood chipping project go?”
“Oh, uh, yeah, really good, thanks. Y’know that advice you gave me about the chipper came in real handy. It was quite the show!” He looks gleefully at you, flashing that brilliant smile. A few small fireworks quietly explode in your innards.
“I’m so glad! Did the client like it?”
“Oh yeah, baby, they were thrilled!”
Baby. That’s new. You like it, and you add it to your growing mental filing system labelled ‘Evidence that Eddie might like me’. You can’t even remember what letter you’re up to now, you’re just enjoying stuffing it fuller every time he graces you with another morsel.
“They even gave me a nice bonus, for my ‘theatricality’.” He begins to lift his arms, but stops himself, resisting doing the jazz hands things again, reasoning there’s only so many times he can do an impersonation of a court jester before it puts someone off. “Said they’re gonna recommend me to their buddies too.”
More softly, and a little bashful, looking through his lashes he adds, “Kinda wish you could’ve been there, actually.”
Oh my, is he blushing again?
“Yeah, me too. I’d love to see you work sometime…”
“You would?”
Okay, he’s definitely blushing.
He leans in over your counter, close, so he can say in a low voice,
“Uh, just so we’re on the same page, you know what I do has nothing to do with art projects, right?”
Holding his gaze, and with your voice surprisingly steady, you swallow before confirming, “Yes, Eddie. I know.”
He huffs out a stuttering breath, and the air between you seems to heat.
He lifts one hand and rubs the back of his neck nervously.
“Hey listen, uh, I dunno if this is a little too forward, or weird, or y’know, whatever,” He’s rambling now. It’s adorable.
“I was kinda gonna ask you if you wanted to get milkshakes sometime, but, uh, maybe you’d actually wanna come out on a job with me? I’ve got one coming up on Sunday that I could really use an extra pair of hands on. I could pay you of course, y’know, for your time.”
You want to blurt out that, for him, you’d willingly burn the world and everyone in it for free. Instead, you smile wide, and settle for,
“Well, my tutors are always encouraging us to get real world experience…”
“Great, so I’ll pick you up at the end of your shift?”
“Sure, Eddie. I’ll look forward to it.”
You’re both grinning, stuttering messes.
“Great! Great. Uh, okay then, I guess I’ll see you Sunday?”
As he turns to leave, you stop him with one final question.
“Just one more thing Eddie. Should I bring my own coveralls..?”
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If you got this far, thanks so much for reading!!
Comments and reblogs make my world spin, do let me know what you think.
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ahxiang · 2 years
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with the focus on the revolving door again in ep 16, i just want to say a little smth abt the door as an autistic person myself.
i know some ppl are frustrated with wyw's difficulty in using the door, saying it infantilizes her and that "she's a 27 year old lawyer, she's seen a revolving door before, she knows how they work." but the thing is, it's not abt her being familiar with revolving doors at all. at least not in the way you think. it's not "oh look at this lady, she doesn't understand this door bc she's autistic." it's a sensory issue.
autism affects our senses and the way we process them. what many allistics don’t understand about autism is that we’re not just overly sensitive to sounds and bright lights. we can be underly (is that a word??) sensitive to stimulus as well and have a hard time controlling our senses. this includes all seven senses. that right, seven. there’s the five you know, but also two you probably don’t: the vestibular sense and proprioception. these two have to do with body awareness, balance, and spatial orientation. that’s why many of us walk “weirdly” (if i ever catch you saying someone walks weirdly i am coming into your house and punching you in the face) or are clumsy. we have issues with our bodies in relation to the world around us and often have a hard time balancing. i walk into walls all the time and miscalculate and walk into doorways instead of through them. 
so it’s not that wyw doesn’t understand the social concept of a revolving door, but that they’re difficult to navigate through due to her vestibular and proprioceptive sensory issues. i myself have a hard time with revolving doors! so pls no more “this makes her look dumb” or “this is so unrealistic”. if wyw is bad representation and is stupid for having problems with a revolving door, then i’m an unrealistically stupid autistic that walks into walls.
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idk-bruh-20 · 1 year
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Irondad fic ideas #117
One day, May receives a threatening letter at work. It says, "Do you know who your nephew is?" and contains, crushed into the page, a dead spider.
Horrified, May calls Tony Stark. Plans are set in place immediately to move the Parkers into Stark Tower for protection while Tony tracks down the people who sent the threat. 
Peter is at school during the chaos of getting May to the tower. He only learns what's happened when he's called out of class. When he gets to the office, it's Tony waiting there (with the very stunned school secretary) to pick him up. He has his nanotech housing unit on.
Tony explains once they're in the car. Peter freaks out until Tony promises that May is already safely at the tower with Happy and Pepper. Only then does Peter notice that Tony's hands are shaking too.
All of this was not what the villains wanted. Their plan had been to scare May into abandoning Peter. They didn't know that she already knew who he was, and they definitely didn't know that the Parkers were close to Tony Stark.
An abandoned and homeless Peter would have been much easier to kidnap. Now, they will have to step up their game.
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gazkamurocho · 2 months
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Will we ever get more high school AU I've become obsessed with it 😍
Oh definitely yes! I'm glad you're enjoying the School AU as much as I am, dear anonymous! 💕
A few days ago I was even sketching how some other characters may look in the School AU like, Daigo, Ryuji, Akiyama and Hana lol
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And It's also funny because last night I was remembering the camping trips from my school days for some reason, and then I started thinking how a camping trip with Kiryu, Majima and other Yakuza characters (their classmates) from the School AU would go xD The bus trip, forest hiking, flag hunting, cooking, playing soccer, treasure hunting in the dark, the boys and girls' cabins, bonfire,... Ohh the possibilities are endless! So much chaos would ensue sjkdsdfskhsd Imagine Kiryu's anxiety, anticipating of living with Majima in an isolated place for 3 whole days? xD And Majima would never go on a school camping trip willingly, but the thought of being able to get more chances to provoke Kiryu-chan and maybe spend some alone time with him in the woods changed his mind on the spot jhdfjksdhfds
Anyway, I don't have any concrete idea for the school AU for now but I'll let those thoughts cook and something eventually will come up! I also always accept suggestions from you guys because two or more people brainroting together are better than one, am I right?
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skyloftian-nutcase · 16 days
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Hemisi hugged herself worriedly as her parents approached her. Ganondorf wasn't entirely sure what was bothering his daughter - things had been tense since the attack, but he had just ensured peace by swearing fealty to Rauru. This was supposed to be a moment of reprieve, a time for his family to not worry as he prepared for the future.
"Honey, what's wrong?" Nabooru asked before he could.
"I haven't found Link," Hemisi said, her voice anxious. "I've been looking everywhere for him. The guards won't really tell me much."
Ganondorf fel this ire rise. The guards likely were trying to protect Link, but they had no right to refuse information to the princess of the Gerudo. Such a slight would not be ignored. Not to mention he too wanted to know where the boy was.
"Leave this to me," he said crisply, walking away.
It didn't take much time (or threatening glares) to get what he needed. Link, apparently, was on a place called Thunderhead Island, one of the Zonai lands in the sky.
"Thunderhead Island?" Nabooru repeated after Ganondorf reported back. "We'd need a construct to get us up there, right?"
"Yeah," Hemisi answered. "Link's told me about the islands lots of times. Not many are allowed on them - it's usually just the royal family and the Sheikah."
"They'll allow me," Ganondorf rumbled, crossing his arms. "I am a king."
"Yes, but that island is also fairly volatile," Nabooru argued. "I'm better with lightning magic. I should go."
Personally, Ganondorf was far more inclined to go retrieve the boy himself, but he didn't contest the matter. Nabooru seemed rather set on the issue, and some things weren't worth arguing with her. As much as he admired her determination, he also knew she would fight him for so long that Hemisi would probably just sneak off to do the deed herself, and neither parent wanted that. The girl's abilities with lightning were formidable, but she would likely cause trouble if she went alone.
"Very well," he conceded. "We'll be waiting down here."
Nodding, Nabooru grabbed a cloak and headed towards the nearest construct. At activated at her approach, acknowledging in a mechanically musical chime, "May I help you?"
"I need to get to Thunderhead Island," Nabooru said.
The construct's reply was quick as ever. "That place is restricted."
"I am the queen of the Gerudo," Nabooru replied. "I have special access."
The construct paused a moment, processing, before noting, "I will need authorization for you to go there."
"This is an emergency," Nabooru argued. "You can speak to King Rauru about it afterwards if you please, I don't care, but one of my family is up there and I need to find him."
Although the construct was programmed to gate keep, she also knew giving a sense of urgency or danger would override its usual algorithm. Predictably, the construct questioned, "Is someone in danger?"
"I don't know," she answered honestly. "That's what I'm trying to find out."
The Zonai machine was silent for a moment before giving an admission. "This line of logic is acceptable. I will transport you to Thunderhead Island and report the matter to King Rauru."
"You do that," she sighed. It didn't really matter of Rauru knew. Nabooru wasn't exactly keen on causing a stir within hours of Ganondorf swearing his loyalty, especially given their history, but something Hemisi's anxiety and Link's very obvious disappearance was definitely concerning. Considering the ceremony that had just happened and the celebration that had followed, Link should have been one of the first people they saw.
The construct extended its hand in front of a stone circle, and the familiar green hue of Zonai technology activated, glowing in the circle's center. Nabooru stepped forward, letting it transport her, closing her eyes as her world shifted. The air grew much colder, even more frigid than she was expecting, and she suddenly felt a little short of breath. Goddess, she'd thought the Highlands were chilly. Why was the air so much stranger here? She was shocked into opening her eyes as her cloak was immediately bombarded by a wave of rain, thunder rumbling all around her. A circular fountain of water was in front of her, surrounded by stone architecture. She walked forward, off the platform on the ground that had received her. She needed to set to work soon, already feeling a little lightheaded.
A few steps ahead it became apparent that this island wasn't just an island, but an entire chain of them. Nabooru glanced around hesitantly, looking for some kind of Zonai device to help transport her from place to place, and found none. What was Link doing here? Where was he?
Nabooru looked between pillars, on and under benches, until she'd thoroughly searched the island she was on and the few she could see. But a flash of blonde caught her attention just as she was starting to wonder if Ganondorf had been wrong, and she squinted against the rainfall to see a teenager sitting on the ground, knees tucked into his chest, wearing the attire of the palace guards combined with a headdress and Gerudo earrings gifted to him by his betrothed.
Clamping her jaw shut against the tremors that tried to make her teeth chatter, Nabooru wrapped herself more tightly in her cloak, she found a set of stairs that at least connected to this little island, moving quickly down them. Link, for whatever reason, chose to sit outside a small building, ignoring a construct nearby that was tending to a tree. The boy was soaked to the bone, red skin paint that usually adorned his exposed arm having long been washed away from his tan complexion. His red eyes were dull, hidden under platinum blonde plaits plastered to his forehead. The sparkling splendor of the Gerudo headband and earrings was dulled considerably, and his top knot was half undone in the rain.
"Link," Nabooru called a little loudly so she could be heard. "What are you doing out here?"
Link didn't seem to react all that much, or at least it wasn't apparent in this awful weather. But she heard him mutter, "You're not supposed to be here."
"Nor should you be here," Nabooru accused mildly, walking towards him. She paused short of reaching him, seeing him clam up even more. "News of our arrival has been known for at least a week. Yet on the day that Ganondorf creates peace between the Gerudo and Hyrule, you hide from us? Hemisi's been looking for you."
"Ganondorf attacked Hyrule." Link's words were sharp, dark. He was clearly still upset about the molduga assault.
Nabooru sighed. This really wasn't the place to be having this discussion - she was freezing and dizzy, and if he got any more soaked the boy would practically be a Zora. "Yes. He did. You know him, sweetheart. He likes to test his boundaries before he concedes to them. But he's conceded."
Link tucked his chin to his chest, looking away.
"Honey, the fight is over," Nabooru pressed on, stepping closer to him. "And for the first time, the Gerudo now have an alliance with Hyrule. We're a part of it - this would mean you and Hemisi don't have to hide your relationship from the public eye anymore, that there is nothing to hide anymore. This is a joyous occasion, not a reason to be moping in the rain. Come down with me so you can be with your family, love."
She finally cleared the distance between them, crouching down and putting a hand on his shoulder. Link glared moodily at the lands below, eye lashes dripping with moisture. Quietly, almost to himself, he said, "Ganondorf never concedes."
"Well, he did," Nabooru emphasized slowly. Link had not been included in the discussion of their attack on Hyrule, had been completely blindsided as Ganondorf had suggested he and Hemisi play and explore near the mines that day so they wouldn't be involved. Nabooru knew that as a member of the Sheikah tribe he would likely take it harder than most Hyrulians, but she hadn't expected quite the grudge he seemed to be holding. "Come on, love. You're freezing."
Lightning struck a small spire at the top of the building they were sitting near, making Nabooru straighten up and prepare for another strike. Thunder clapped so loudly it made her chest vibrate. Link sighed, slowly pushing to his feet. He must have been sitting for some time, swaying a little unsteadily, and Nabooru put a hand on his shoulder, pulling him inside the structure. Constructs were indoors, stoking a fire, and she approached one. "Can you take us back to the Royal Plateau?"
The little machine beeped in the affirmative, guiding them to a hover platform that sent them back to the originating island. Nabooru's hands were on Link's shoulders the entire time, feeling them tremble under her, and she pulled him close so they could share her cloak. His skin was ice cold, making her inhale sharply a little when he brushed against her exposed arms and abdomen. A headache was brewing in her forehead, and she was certainly ready to leave this dreary place.
When the pair teleported back, Ganondorf and Hemisi were there waiting for them.
"Link!" Hemisi exclaimed, rushing forward and dragging him into a hug. "You idiot, why are you soaking wet?! Where've you been?!"
"Hon, can you spare your robe?" Nabooru asked, still holding the boy to her.
Her husband complied without question, pulling off his dark outer robe and holding it out. The parents exchanged Link, one set of arms to the other, and the boy was wrapped up and held against Ganondorf quickly. He didn't argue, he didn't protest, he didn't speak as Hemisi bombarded him with questions. The king and queen exchanged a look, and the family moved towards their provided quarters in the palace.
Eventually, Link started to speak softly to his betrothed, seeming less agitated with her, and soon the two were both cuddling under Ganondorf's large garment. Nabooru moved to fetch servants so they could get him fresh clothes and some warm food, and Hemisi moved quickly to the task as well, saying she was going to grab towels.
That left Ganondorf and Link.
"So were you up there sulking the entire time since the assault?" Ganondorf finally said, getting to the point as he knelt down to the boy's eye level.
"No." Link's reply wasn't quite snappish, but it was certainly sharp, though not nearly as sharp as his eyes. Ganondorf smiled at the fire in them, the anger and force of will that refused to bow down to anything. "Just for your arrival."
"If you thought we wouldn't find you, you clearly don't know us as well as you should," Ganondorf noted with mild humor, pulling the robe over the boy's head to dry his hair. He carefully removed the pins and tie holding the top knot, tucking them into a pouch on his belt. Link didn't protest, though his gaze did drift to the floor, softening, showing the wound he'd been bearing in his heart. Ganondorf felt... more than a little exasperated, but he'd known the boy would be upset. Still... "Hold whatever grudge you wish against me, child, but do not share your ire with Hemisi. She didn't know about the attack. I suggested you two be near the mines that day for a reason."
Link sighed heavily, closing his eyes.
"The fighting is over," Ganondorf emphasized, putting weight in his voice to end this pointless adolescent moping. Then he smiled. "And now the world can know your place in our family."
The boy glanced up, hope shimmering in crimson orbs, tempered by an intelligence he often hid behind innocence and silence. "Why did you do it?"
"Why did I attack?"
"No. Why did you give up?"
"I don't give up," Ganondorf retorted a little irritatedly, pausing his ministrations.
"I know," Link immediately acknowledge firmly. "So why? You don't acknowledge defeat."
"Oh, Link," Ganondorf hummed with gentle amusement, proud of the boy's insight. He was going to make a good prince. But it would make the next months a little difficult if the king wasn't careful. "A strong warrior refuses to give up, but a wise one knows when he is defeated. I am both. It's pointless to fight a force you cannot win against."
Link still looked skeptical, confused. Ganondorf added, "How else could we build peace for you and Hemisi?"
His words seemed to catch the boy off guard. For a moment, Ganondorf really wondered if Link didn't actually think they cared, despite having spent over a year being welcomed into the family. For a moment, the king wondered if the boy really was that dull, or somehow he and his wife hadn't done something right. And then Link bit his lip, shivering, and hugged himself, clearly trying to contain emotion and not quite succeeding.
Ganondorf sighed, letting the boy be vulnerable for a moment. He pulled him close, and Link sank into the embrace, curled in against his chest.
Link would be a good prince. Ganondorf knew this. He just needed to hone the boy a little more, reassure him and teach him, let him enjoy his time with Hemisi. A war was brewing soon. It was best to enjoy this time while he could.
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whumptober 2022 - day 20      ↳ stabbed (alt prompt)
whumpy embroidery time!
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rowanisawriter · 28 days
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if anyone has a kid or has ever been around a toddler you will know that the dark urge isn’t something they made up for that game it’s real. the dark urge is real and all kids have it for like the first 4 or so years of their lives . it’s all real
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confetti-cat · 2 months
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Twelve, Thirteen, and One
Words: 6k
Rating: G
Themes: Friendship, Self-Giving Love
(Written for the Four Loves Fairytale Retelling Challenge over at the @inklings-challenge! A Cinderella retelling feat. curious critters and a lot of friendship.)
When the clock chimes midnight on that third evening, thirteen creatures look to the girl who showed them all kindness.
It’s hours after dark, again, and the human girl still sleeps in the ashes.
The mice notice this—though it happens so often that they’ve ceased to pay attention to her. She smells like everything else in the hearth: ashy and overworked, tinged with the faint smell of herbs from the kitchen.
When she moves or shifts in her sleep (uncomfortable sleep—even they can sense the exhaustion in her posture as she sits slumped against the wall, more willing to seep up warmth from the stone than lie cold elsewhere this time of year), they simply scurry around her and continue combing for crumbs and seeds. They’d found a feast of lentils scattered about once, and many other times, the girl had beckoned them softly to her hand, where she’d held a little chunk of brown bread.
Tonight, she has nothing. They don’t mind—though three of them still come to sniff her limp hand where it lies drooped against the side of her tattered dress.
A fourth one places a little clawed hand on the side of her finger, leaning over it to investigate her palm for any sign of food.
When she stirs, it’s to the sensation of a furry brown mouse sitting in her palm.
It can feel the flickering of her muscles as she wakes—feeling slowly returning to her body. To her credit, she cracks her eyes open and merely observes it.
They’re all but tame by now. The Harsh-Mistress and the Shrieking-Girl and the Angry-Girl are to be avoided like the plague never was, but this girl—the Cinder-Girl, they think of her—is gentle and kind.
Even as she shifts a bit and they hear the dull crack of her joints, they’re too busy to mind. Some finding a few buried peas (there were always some peas or lentils still hidden here, if they looked carefully), some giving themselves an impromptu bath to wash off the dust. The one sitting on her hand is doing the latter, fur fluffed up as it scratches one ear and then scrubs tirelessly over its face with both paws.
One looks up from where it’s discovered a stray pea to check her expression.
A warm little smile has crept up her face, weary and dirty and sore as she seems to be. She stays very still in her awkward half-curl against stone, watching the mouse in her hand groom itself. The tender look about her far overwhelms—melts, even—the traces of tension in her tired limbs.
Very slowly, so much so that they really aren’t bothered by it, she raises her spare hand and begins lightly smearing the soot away from her eyes with the back of her wrist.
The mouse in her palm gives her an odd look for the movement, but has discovered her skin is warmer than the cold stone floor or the ash around the dying fire. It pads around in a circle once, then nudges its nose against her calloused skin, settling down for a moment.
The Cinder-Girl has closed her eyes again, and drops her other hand into her lap, slumping further against the wall. Her smile has grown even warmer, if sadder.
They decide she’s quite safe. Very friendly.
The old rat makes his rounds at the usual times of night, shuffling through a passage that leads from the ground all the way up to the attic.
When both gold sticks on the clocks’ moonlike faces point upward, there’s a faint chime from the tower-clock downstairs. He used to worry that the sound would rouse the humans. Now, he ignores it and goes about his business.
There’s a great treasury of old straw in the attic. It’s inside a large sack—and while this one doesn’t have corn or wheat like the ones near the kitchen sometimes do, he knows how to chew it open all the same.
The girl sleeps on this sack of straw, though she doesn’t seem to mind what he takes from it. There’s enough more of it to fill a hundred rat’s nests, so he supposes she doesn’t feel the difference.
Tonight, though—perhaps he’s a bit too loud in his chewing and tearing. The girl sits up slowly in bed, and he stiffens, teeth still sunk into a bit of the fabric.
“Oh.” says the girl. She smiles—and though the expression should seem threatening, all pulled mouth-corners and teeth, he feels the gentleness in her posture and wonders at novel thoughts of differing body languages. “Hello again. Do you need more straw?”
He isn’t sure what the sounds mean, but they remind him of the soft whuffles and squeaks of his siblings when they were small. Inquisitive, unafraid. Not direct or confrontational.
She’s seemed safe enough so far—almost like the woman in white and silver-gold he’s seen here sometimes, marveling at his own confidence in her safeness—so he does what signals not-afraid the best to his kind. He glances her over, twitches his whiskers briefly, and goes back to what he was doing.
Some of the straw is too big and rough, some too small and fine. He scratches a bundle out into a pile so he can shuffle through it. It’s true he doesn’t need much, but the chill of winter hasn’t left the world yet.
The girl laughs. The sound is soft and small. It reminds him again of young, friendly, peaceable.
“Take as much as you need,” she whispers. Her movements are unassuming when she reaches for something on the old wooden crate she uses as a bedside table. With something in hand, she leans against the wall her bed is a tunnel’s-width from, and offers him what she holds. “Would you like this?”
He peers at it in the dark, whiskers twitching. His eyesight isn’t the best, so he finds himself drawing closer to sniff at what she has.
It’s a feather. White and curled a bit, like the goose-down he’d once pulled out the corner of a spare pillow long ago. Soft and long, fluffy and warm.
He touches his nose to it—then, with a glance upward at her softly-smiling face, takes it in his teeth.
It makes him look like he has a mustache, and is a bit too big to fit through his hole easily. The girl giggles behind him as he leaves.
There’s a human out in the gardens again. Which is strange—this is a place for lizards, maybe birds and certainly bugs. Not for people, in his opinion. She’s not dressed in venomous bright colors like the other humans often are, but neither does she stay to the manicured garden path the way they do.
She doesn’t smell like unnatural rotten roses, either. A welcome change from having to dart for cover at not just the motions, but the stenches that accompany the others that appear from time to time.
This human is behind the border-shubs, beating an ornate rug that hangs over the fence with a home-tied broom. Huge clouds of dust shake from it with each hit, settling in a thin film on the leaves and grass around her.
She stops for a moment to press her palm to her forehead, then turns over her shoulder and coughs into her arm.
When she begins again, it’s with a sharp WHOP.
He jumps a bit, but only on instinct. However—
A few feet from where he settles back atop the sunning-rock, there’s a scuffle and a sharp splash. Then thrashing—waster swashing about with little churns and splishes.
It’s not the way of lizards to think of doing anything when one falls into the water. There were several basins for fish and to catch water off the roof for the garden—they simply had to not fall into them, not drown. There was little recourse for if they did. What could another lizard do, really? Fall in after them? Best to let them try to climb out if they could.
The girl hears the splashing. She stares at the water pot for a moment.
Then, she places her broom carefully on the ground and comes closer.
Closer. His heart speeds up. He skitters to the safety of a plant with low-hanging leaves—
—and then watches as she walks past his hiding place, peers into the basin, and reaches in.
Her hand comes up dripping wet, a very startled lizard still as a statue clinging to her fingers.
“Are you the same one I always find here?” she asks with a chiding little smile. “Or do all of you enjoy swimming?”
When she places her hand on the soft spring grass, the lizard darts off of it and into the underbrush. It doesn’t go as far as it could, though—something about this girl makes both of them want to stand still and wait for what she’ll do next.
The girl just watches it go. She lets out a strange sound—a weary laugh, perhaps—and turns back to her peculiar chore.
A song trails through the old house—under the floorboards—through the walls—into the garden, beneath the undergrowth—and lures them out of hiding.
It isn’t an audible song, not like that of the birds in the summer trees or the ashen-girl murmuring beautiful sounds to herself in the lonely hours. This one was silent. Yet, it reached deep down into their souls and said come out, please—the one who helped you needs your help.
It didn’t require any thought, no more than eat or sleep or run did.
In chains of silver and grey, all the mice who hear it converge, twenty-four tiny feet pattering along the wood in the walls. The rat joins them, but they are not afraid.
When they emerge from a hole out into the open air, the soft slip-slap of more feet surround them. Six lizards scurry from the bushes, some gleaming wet as if they’d just escaped the water trough or run through the birdbath themselves.
As a strange little hoard, they approach the kind girl. Beside her is a tall woman wearing white and silver and gold.
The girl—holding a large, round pumpkin—looks surprised to see them here. The woman is smiling.
“Set the pumpkin on the drive,” the woman says, a soft gleam in her eye. “The rest of you, line up, please.”
Bemused, but with a heartbeat fast enough for them to notice, the girl gingerly places the pumpkin on the stone of the drive. It’s natural for them, somehow, to follow—the mice line in pairs in front of it, the rat hops on top of it, and the lizards all stand beside.
“What are they doing?” asks the girl—and there’s curiosity and gingerness in her tone, like she doesn’t believe such a sight is wrong, but is worried it might be.
The older woman laughs kindly, and a feeling like blinking hard comes over the world.
It’s then—then, in that flash of darkness that turns to dazzling light, that something about them changes.
“Oh!” exclaims the girl, and they open their eyes. “Oh! They’re—“
They’re different.
The mice aren’t mice at all—and suddenly they wonder if they ever were, or if it was an odd dream.
They’re horses, steel grey and sleek-haired with with silky brown manes and tails. Their harnesses are ornate and stylish, their hooves polished and dark.
Instead of a rat, there’s a stout man in fine livery, with whiskers dark and smart as ever. He wears a fine cap with a familiar white feather, and the gleam in his eye is surprised.
“Well,” he says, examining his hands and the cuffs of his sleeves, “I suppose I won’t be wanting for adventure now.”
Instead of six lizards, six footmen stand at attention, their ivory jackets shining in the late afternoon sun.
The girl herself is different, though she’s still human—her hair is done up beautifully in the latest fashion, and instead of tattered grey she wears a shimmering dress of lovely pale green, inlaid with a design that only on close inspection is flowers.
“They are under your charge, now,” says the woman in white, stepping back and folding her hands together. “It is your responsibility to return before the clock strikes midnight—when that happens, the magic will be undone. Understood?”
“Yes,” says the girl breathlessly. She stares at them as if she’s been given the most priceless gift in all the world. “Oh, thank you.”
The castle is decorated brilliantly. Flowery garlands hang from every parapet, beautiful vines sprawling against walls and over archways as they climb. Dozens of picturesque lanterns hang from the walls, ready to be lit once the sky grows dark.
“It’s been so long since I’ve seen the castle,” the girl says, standing one step out of the carriage and looking so awed she seems happy not to go any further. “Father and I used to drive by it sometimes. But it never looked so lovely as this.”
“Shall we accompany you in, milady?” asks one of the footmen. They’re all nearly identical, though this one has freckles where he once had dark flecks in his scales.
She hesitates for only a moment, looking up at the pinnacles of the castle towers. Then, she shakes her head, and turns to look at them all with a smile like the sun.
“I think I’ll go in myself,” she says. “I’m not sure what is custom. But thank you—thank you so very much.”
And so they watch her go—stepping carefully in her radiant dress that looked lovelier than any queen’s.
Though she was not royal, it seemed there was no doubt in anyone’s minds that she was. The guards posted at the door opened it for her without question.
With a last smile over her shoulder, she stepped inside.
He's straightening the horses' trappings for the fifth time when the doors to the castle open, and out hurries a figure. It takes him a moment to recognize her, garbed in rich fabrics and cloaked in shadows, but it's the girl, rushing out to the gilded carriage. A footman steps forward and offers her a hand, which she accepts gratefully as she steps up into the seat.
“Enjoyable evening, milady?” asks the coachman. His whiskers are raised above the corners of his mouth, and his twinkling eyes crinkle at the edges.
“Yes, quite, thank you!” she breathes in a single huff. She smooths her dress the best she can before looking at him with some urgency. “The clock just struck quarter till—will you be able to get us home?”
The gentle woman in white had said they only would remain in such states until midnight. How long was it until the middle of night? What was a quarter? Surely darkness would last for far more hours than it had already—it couldn’t be close. Yet it seemed as though it must be; the princesslike girl in the carriage sounded worried it would catch them at any moment.
“I will do all I can,” he promises, and with a sharp rap of the reins, they’re off at a swift pace.
They arrive with minutes to spare. He knows this because after she helps him down from the carriage (...wait. That should have been the other way around! He makes mental note for next time: it should be him helping her down. If he can manage it. She’s fast), she takes one of those minutes to show him how his new pocketwatch works.
He’s fascinated already. There’s a part of him that wonders if he’ll remember how to tell time when he’s a rat again—or will this, all of this, be forgotten?
The woman in white is there beside the drive, and she’s already smiling. A knowing gleam lights her eye.
“Well, how was the ball?” she asks, as Cinder-Girl turns to face her with the most elated expression. “I hear the prince is looking for fair maidens. Did he speak with you?”
The girl rushes to grasp the woman’s hands in hers, clasping them gratefully and beaming up at her.
“It was lovely! I’ve never seen anything so lovely,” she all but gushes, her smile brighter and broader than they’d ever seen it. “The castle is beautiful; it feels so alive and warm. And yes, I met the Prince—although hush, he certainly isn’t looking for me—he’s so kind. I very much enjoyed speaking with him. He asked me to dance, too; I had as wonderful a time as he seemed to. Thank you! Thank you dearly.”
The woman laughs gently. It isn’t a laugh one would describe as warm, but neither is it cold in the sense some laughs can be—it's soft and beautiful, almost crystalline.
“That’s wonderful. Now, up to bed! You’ve made it before midnight, but your sisters will be returning soon.”
“Yes! Of course,” she replies eagerly—turning to smile gratefully at coachman and stroke the nearest horses on their noses and shoulders, then curtsy to the footmen. “Thank you all, very much. I could not ask for a more lovely company.”
It’s a strange moment when all of their new hearts swell with warmth and affection for this girl—and then the world darkens and lightens so quickly they feel as though they’ve fallen asleep and woken up.
They’re them again—six mice, six lizards, a rat, and a pumpkin. And a tattered gray dress.
“Please, would you let me go again tomorrow? The ball will last three days. I had such a wonderful time.”
“Come,” the woman said simply, “and place the pumpkin beneath the bushes.”
The woman in white led the way back to the house, followed by an air-footed girl and a train of tiny critters. There was another silent song in the air, and they thought perhaps the girl could hear it too: one that said yes—but get to bed!
The second evening, when the door of the house thuds shut and the hoofsteps of the family’s carriage fade out of hearing, the rat peeks out of a hole in the kitchen corner to see the Cinder-Girl leap to her feet.
She leans close to the window and watched for more minutes than he quite understands—or maybe he does; it was good to be sure all cats had left before coming out into the open—and then runs with a spring in her step to the back door near the kitchen.
Ever so faintly, like music, the woman’s laughter echoes faintly from outside. Drawn to it like he had been drawn to the silent song, the rat scurries back through the labyrinth of the walls.
When he hurries out onto the lawn, the mice and lizards are already there, looking up at the two humans expectantly. This time, the Cinder-Girl looks at them and smiles broadly.
“Hello, all. So—how do you do it?” she asks the woman. Her eyes shine with eager curiosity. “I had no idea you could do such a thing. How does it work?”
The woman fixes her with a look of fond mock-sternness. “If I were to explain to you the details of how, I’d have to tell you why and whom, and you’d be here long enough to miss the royal ball.” She waves her hands she speaks. “And then you’d be very much in trouble for knowing far more than you ought.”
The rat misses the girl’s response, because the world blinks again—and now all of them once again are different. Limbs are long and slender, paws are hooves with silver shoes or feet in polished boots.
The mouse-horses mouth at their bits as they glance back at the carriage and the assortment of humans now standing by it. The footmen are dressed in deep navy this time, and the girl wears a dress as blue as the summer sky, adorned with brilliant silver stars.
“Remember—“ says the woman, watching fondly as the Cinder-Girl steps into the carriage in a whorl of beautiful silk. “Return before midnight, before the magic disappears.”
“Yes, Godmother,” she calls, voice even more joyful than the previous night. “Thank you!”
The castle is just as glorious as before—and the crowd within it has grown. Noblemen and women, royals and servants, and the prince himself all mill about in the grand ballroom.
He’s unsure of the etiquette, but it seems best for her not to enter alone. Once he escorts her in, the coachman bows and watches for a moment—the crowd is hushed again, taken by her beauty and how important they think her to be—and then returns to the carriage outside.
He isn’t required in the ballroom for much of the night—but he tends to the horses and checks his pocketwatch studiously, everything in him wishing to be the best coachman that ever once was a rat.
Perhaps that wouldn’t be hard. He’d raise the bar, then. The best coachman that ever drove for a princess.
Because that was what she was—or, that was what he heard dozens of hushed whispers about once she’d entered the ball. Every noble and royal and servant saw her and deemed her a grand princess nobody knew from a land far away. The prince himself stared at her in a marveling way that indicated he thought no differently.
It was a thing more wondrous than he had practice thinking. If a mouse could become a horse or a rat could become a coachman, couldn’t a kitchen-girl become a princess?
The answer was yes, it seemed—perhaps in more ways than one.
She had rushed out with surprising grace just before midnight. They took off quickly, and she kept looking back toward the castle door, as if worried—but she was smiling.
“Did you know the Prince is very nice?” she asks once they’re safely home, and she’s stepped down (drat) without help again. The woman in white stands on her same place beside the drive, and when Cinder-Girl sees her, she waves with dainty grace that clearly holds a vibrant energy and sheer thankfulness behind it. “I’ve never known what it felt like to be understood. He thinks like I do.”
“How is that?” asks the woman, quirking an amused brow. “And if I might ask, how do you know?”
“Because he mentions things first.” The girl tries to smother some of the wideness of her smile, but can’t quite do so. “And I've shared his thoughts for a long time. That he loves his father, and thinks oranges and citrons are nice for festivities especially, and that he’s always wanted to go out someday and do something new.”
The third evening, the clouds were dense and a few droplets of rain splattered the carriage as they arrived.
“Looks like rain, milady,” said the coachman as she disembarked to stand on water-spotted stone. “If it doesn’t blow by, we’ll come for ye at the steps, if it pleases you.”
“Certainly—thank you,” she replies, all gleaming eyes and barely-smothered smiles. How her excitement to come can increase is beyond them—but she seems more so with each night that passes.
She has hardly turned to head for the door when a smattering of rain drizzles heavily on them all. She flinches slightly, already running her palms over the skirt of her dress to rub out the spots of water.
Her golden dress glisters even in the cloudy light, and doesn’t seem to show the spots much. Still, it’s hardy an ideal thing.
“One of you hold the parasol—quick about it, now—and escort her inside,” the coachman says quickly. The nearest footman jumps into action, hop-reaching into the carriage and falling back down with the umbrella in hand, unfolding it as he lands. “Wait about in case she needs anything.”
The parasol is small and not meant for this sort of weather, but it's enough for the moment. The pair of them dash for the door, the horses chomping and stamping behind them until they’re driven beneath the bows of a huge tree.
The footman knows his duty the way a lizard knows to run from danger. He achieves it the same way—by slipping off to become invisible, melting into the many people who stood against the golden walls.
From there, he watches.
It’s so strange to see the way the prince and their princess gravitate to each other. The prince’s attention seems impossible to drag away from her, though not for many’s lack of trying.
Likewise—more so than he would have thought, though perhaps he’s a bit slow in noticing—her focus is wholly on the prince for long minutes at a time.
Her attention is always divided a bit whenever she admires the interior of the castle, the many people and glamorous dresses in the crowd, the vibrant tables of food. It’s all very new to her, and he’s not certain it doesn’t show. But the Prince seems enamored by her delight in everything—if he thinks it odd, he certainly doesn’t let on.
They talk and laugh and sample fine foods and talk to other guests together, then they turn their heads toward where the musicians are starting up and smile softly when they meet each other’s eyes. The Prince offers a hand, which is accepted and clasped gleefully.
Then, they dance.
Their motions are so smooth and light-footed that many of the crowd forgo dancing, because admiring them is more enjoyable. They’re in-sync, back and forth like slow ripples on a pond. They sometimes look around them—but not often, especially compared to how long they gaze at each other with poorly-veiled, elated smiles.
The night whirls on in flares of gold tulle and maroon velvet, ivory, carnelian, and emerald silks, the crowd a nonstop blur of color.
(Color. New to him, that. Improved vision was wonderful.)
The clock strikes eleven, but there’s still time, and he’s fairly certain he won’t be able to convince the girl to leave anytime before midnight draws near.
He was a lizard until very recently. He’s not the best at judging time, yet. Midnight does draw near, but he’s not sure he understands how near.
The clock doesn’t quite say up-up. So he still has time. When the rain drums ceaselessly outside, he darts out and runs in a well-practiced way to find their carriage.
Another of the footmen comes in quickly, having been sent in a rush by the coachman, who had tried to keep his pocketwatch dry just a bit too long. He’s soaking wet from the downpour when he steps close enough to get her attention.
She sees him, notices this, and—with a glimmer of recognition and amusement in her eyes—laughs softly into her hand.
ONE—TWO— the clock starts. His heart speeds up terribly, and his skin feels cold. He suddenly craves a sunny rock.
“Um,” he begins awkwardly. Lizards didn’t have much in the way of a vocal language. He bows quickly, and water drips off his face and hat and onto the floor. “The chimes, milady.”
THREE—FOUR—
Perhaps she thought it was only eleven. Her face pales. “Oh.”
FIVE—SIX—
Like a deer, she leaps from the prince’s side and only manages a stumbling, backward stride as she curtsies in an attempt at a polite goodbye.
“Thank you, I must go—“ she says, and then she’s racing alongside the footman as fast as they both can go. The crowd parts for them just enough, amidst loud murmurs of surprise.
SEVEN—EIGHT—
“Wait!” calls the prince, but they don’t. Which hopefully isn’t grounds for arrest, the footman idly thinks.
They burst through the door and out into the open air.
NINE—TEN—
It has been storming. The rain is crashing down in torrents—the walkways and steps are flooded with a firm rush of water.
She steps in a crevice she couldn’t see, the water washes over her feet, and she stumbles, slipping right out of one shoe. There’s noise at the door behind them, so she doesn’t stop or even hesitate. She runs at a hobble and all but dives through the open carriage door. The awaiting footman quickly closes it, and they’re all grasping quickly to their riding-places at the corners of the vehicle.
ELEVEN—
A flash of lightning coats the horses in white, despite the dark water that’s soaked into their coats, and with a crack of the rains and thunder they take off at a swift run.
There’s shouting behind them—the prince—as people run out and call to the departing princess.
TWELVE.
Mist swallows them up, so thick they can’t hear or see the castle, but the horses know the way.
The castle’s clock tower must have been ever-so-slightly fast. (Does magic tell truer time?) Their escape works for a few thundering strides down the invisible, cloud-drenched road—until true midnight strikes a few moments later.
She walks home in the rain and fog, following a white pinprick of light she can guess the source of—all the while carrying a hollow pumpkin full of lizards, with an apron pocket full of mice and a rat perched on her shoulder.
It’s quite the walk.
The prince makes a declaration so grand that the mice do not understand it. The rat—a bit different now—tells them most things are that way to mice, but he’s glad to explain.
The prince wants to find the girl who wore the golden slipper left on the steps, he relates. He doesn’t want to ask any other to marry him, he loved her company so.
The mice think that’s a bit silly. Concerning, even. What if he does find her? There won’t be anyone to secretly leave seeds in the ashes or sneak them bread crusts when no humans are looking.
The rat thinks they’re being silly and that they’ve become too dependent on handouts. Back in his day, rodents worked for their food. Chewing open a bag of seed was an honest day’s work for its wages.
Besides, he confides, as he looks again out the peep-hole they’ve discovered in the floor trim of the parlor. You’re being self-interested, if you ask me. Don’t you want our princess to find a good mate, and live somewhere spacious and comfortable, free of human-cats, where she’d finally have plenty to eat?
It’s hard to make a mouse look appropriately chastised, but that question comes close. They shuffle back a bit to let him look out at the strange proceedings in the parlor again.
There are many humans there. The Harsh-Mistress stands tall and rigid at the back of one of the parlor chairs, exchanging curt words with a strange man in fine clothes with a funny hat. Shrieking-Girl and Angry-Girl stand close, scoffing and laughing, looking appalled.
Cinder-Girl sits on the chair that’s been pulled to the middle of the room. She extends her foot toward a strange golden object on a large cushion.
The shoe, the rat notes so the mice can follow. They can’t quite see it from here—poor eyesight and all.
Of course, the girl’s foot fits perfectly well into her own shoe. They all saw that coming.
Evidently, the humans did not. There’s absolute uproar.
“There is no possible way she’s the princess you’re looking for!” declares Harsh-Mistress, her voice full of rage. “She’s a kitchen maid. Nothing royal about her.”
“How dare you!” Angry-Girl rages. “Why does it fit you? Why not us?”
“You sneak!” shrieks none other than Shrieking-Girl. “Mother, she snuck to the ball! She must have used magic, somehow! Princes won’t marry sneaks, will they?”
“I think they might,” says a calm voice from the doorway, and the uproar stops immediately.
The Prince steps in. He stares at Cinder-Girl.
She stares back. Her face is still smudged with soot, and her dress is her old one, gray and tattered. The golden slipper gleams on her foot, having fit as only something molded or magic could.
A blush colors her face beneath the ash and she leaps up to do courtesy. “Your Highness.”
The Prince glances at the messenger-man with the slipper-pillow and the funny hat. The man nods seriously.
The Prince blinks at this, as if he wasn’t really asking anything with his look—it’s already clear he recognizes her—and meets Cinder-Girl’s gaze with a smile. It’s the same half-nervous, half-attemptingly-charming smile as he kept giving her at the ball.
He bows to her and offers a hand. (The rat has to push three mice out of the way to maintain his view.)
“It’s my honor,” he assures her. “Would you do me the great honor of accompanying me to the castle? I’d had a question in mind, but it seems there are—“ he glances at Harsh-Mistress, who looks like a very upset rat in a mousetrap. “—situations we might discuss remedying. You’d be a most welcome guest in my father’s house, if you’d be amenable to it?”
It’s all so much more strange and unusual than anything the creatures of the house are used to seeing. They almost don’t hear it, at first—that silent song.
It grows stronger, though, and they turn their heads toward it with an odd hope in their hearts.
The ride to the castle is almost as strange as that prior walk back. The reasons for this are such:
One—their princess is riding in their golden carriage alongside the prince, and their chatter and awkward laughter fills the surrounding spring air. They have a good feeling about the prince, now, if they didn’t already. He can certainly take things in stride, and he is no respecter of persons. He seems just as elated to be by her side as he was at the ball, even with the added surprise of where she'd come from.
Two—they have been transformed again, and the woman in white has asked them a single question: Would you choose to stay this way?
The coachman said yes without a second thought. He’d always wanted life to be more fulfilling, he confided—and this seemed a certain path to achieving that.
The footmen might not have said yes, but there was something to be said for recently-acquired cognition. It seemed—strange, to be human, but the thought of turning back into lizards had the odd feeling of being a poor choice. Baffled by this new instinct, they said yes.
The horses, of course, said things like whuff and nyiiiehuhum, grumph. The woman seemed to understand, though. She touched one horse on the nose and told it it would be the castle’s happiest mouse once the carriage reached its destination. The others, it seemed, enjoyed their new stature.
And three—they are heading toward a castle, where they have all been offered a fine place to live. The Prince explains that he doesn’t wish for such a kind girl to live in such conditions anymore. There’s no talk of anyone marrying—just discussions of rooms and favorite foods and of course, you’ll have the finest chicken pie anytime you’d like and I can’t have others make it for me! Lend me the kitchens and I’ll make some for you; I have a very dear recipe. Perhaps you can help. (Followed in short order by a ...Certainly, but I’d—um, I’d embarrass myself trying to cook. You would teach me? and a gentle laugh that brightened the souls of all who could hear it.)
“If you’d be amenable to it,” she replies—and in clear, if surprised, agreement, the Prince truly, warmly laughs.
“Milady,” the coachman calls down to them. “Your Highness. We’re here.”
The castle stands shining amber-gold in the light of the setting sun. It will be the fourth night they’ve come here—the thirteen of them and the one of her—but midnight, they realize, will not break the spell ever again.
One by one, they disembark from the carriage. If it will stay as it is or turn back into a pumpkin, they hadn't thought to ask. There’s so much warmth swelling in their hearts that they don’t think it matters.
The girl, their princess, smiles—a dear, true smile, tentative in the face of a brand new world, but bright with hope—and suddenly, they’re all smiling too.
She steps forward, and they follow. The prince falls into step with her and offers an arm, and their glances at each other are brimming with light as she accepts.
With her arm in the arm of the prince, a small crowd of footmen and the coachman trailing behind, and a single grey mouse on her shoulder, the once-Cinder-Girl walks once again toward the palace door.
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Link
Chapters: 1/1
Fandom: Supernatural (TV 2005)
Rating: Explicit
Warnings: No Archive Warnings Apply
Words: 4,159
Relationships: Castiel/Dean Winchester
Characters: Castiel (Supernatural), Dean Winchester, Sam Winchester
Additional Tags: Canon Compliant, Season/Series 12, Attempt at Humor, Fluff, Getting Together, Castiel Loves Dean Winchester, Dean Winchester Loves Castiel, First Kiss, Second Kiss, and then more kisses, Smut, they are so gone for each other, and they obviously look at each other a lot hence the title
Summary:
Team free will is in the car driving back from a hunt when Sam mentions Cassie, Dean's ex from at least 10 years ago. After Cas mistaking it was about him, the conversation evolves into describing how Dean is when he is in love. It all clicks in Sam’s head as he tells Cas how Dean was behaving around Cassie. 10 years replaying in his mind all of a sudden. Cas asks him what he understood and Sam tells him Dean is in love with him. From there, nothing is stopping Cas anymore. This fic was writtent for the 5K by 5 May event.
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coffeeghoulie · 15 hours
Text
Mushy May Day 11: Papa Time
Touring takes its toll, but there's nothing a ghoul pile can't fix.
Thank you to @forlorn-crows for putting Mushy May together, and to @ghuleh-recs for making the dividers! <3
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If Copia wished to know anything about touring before he had become the frontman of the Ghost Project, he wished he had known just how exhausting it was.
He rubs at his temples, slumped on his back on the couch in the front lounge of the tourbus. It rockets down an American highway, one that he can't remember where it starts or ends up. It's late, a tear-down run late, another run of Rituals upcoming. The rocking of the bus, usually soothing, is enough to shift and rattle his protesting brain.
Copia's subconscious tells him he needs to ask Aether for some healing quintessence, but then he remembers he's back at the Abbey, helping to pick up some slack in the infirmary, taking a step back from the spotlight. Aeon is a skilled guitarist, but needs some more time and teaching to get a handle on their magick.
He tries, Lucifer he tries to sleep, he knows he needs it, but the headache pounds on the inside of his skull like a kick drum. Copia huffs, slinging an arm dramatically over his mismatched eyes in a pitiful attempt to block out the light, already turned down for the night.
He's just managing to slip into a restless sleep when a tiny hand touches the sleeve of his tracksuit. Copia grumbles, blinking blearily up at his smallest ghoulette.
"Come join us, Papa?" Aurora asks, voice melodic even when she's just speaking. There's traces of Ritual paint still smeared around the corners of her mouth, the fine lines around her eyes.
"My ghoulette," Copia hums, trying to keep his voice down. "My head is not agreeing with me currently. Perhaps, eh, a rain check?"
Aurora's dainty fingers, clawed with sharp nails even in human glamour, curl around the cuff of his sleeve. "Papa, we all want you to join us. Come join the pack. Promise we'll make it better."
He cracks a smile, and she's been wrapped around his little finger from the moment he helped her stand after pulling her through the brimstone of the summoning portal, and he lets her pull him up from the couch. He groans as his back creaks. Aurora leads him back to the back lounge. As they get closer, the sound of seven purring and chuffing ghouls gets louder and louder. She slides the door open, and seven pairs of glowing eyes snap open.
Copia's eyes adjust to the darkness, watching as all of his ghouls sit up, expressions brightening at the sight of him.
"You got 'im, borealis," Cirrus says, her feather tipped tail swaying lazily where it's wrapped around Cumulus's thigh.
"Did'ya think I couldn't?" Aurora giggles as she leads Copia to the ghoul pile, snuggling up in between Swiss and Dew, who nuzzle up to her. Cirrus reaches over and ruffles her bubblegum pink bangs.
"Never doubted you for a second."
Copia hesitates, eyes darting within the mass of limbs and tails, trying to figure out where he'll fit in best. You've been in ghoul piles before, his mind oh so helpfully provides. Just get in there-
Before he can spiral any more, two big hands shoot out of the pile and wrap around his wrists. Mountain and Rain, in sync, pull him gently into the pile with an oof.
"Evenin', Papa," Mountain purrs sleepily, helping him arrange himself comfortably in the pile.
"How long were you waiting for me?" Copia asks, hoping he hadn't kept his ghouls up any later then they'd wanted.
"Not really that long," Rain shrugs, nuzzling up to Copia's side, skin cool against his warm, human body.
"Just didn't feel right without you," Swiss says, glowing gold eyes blinking shut in the darkness. "Me, Bug, and Rory all could feel it, your mind racing. You need some juice, Pop?"
Copia hums, headache just barely beginning to subside, knowing how safe he is, in the middle of his pack of loyal hellbeasts, ones he trusts and loves. "Eh. It would not hurt, my ghoul."
There's a flash of teeth in the darkness, and Copia fights the animal impulse of fear at the sight before Swiss reaches over, touching his temple. There's a shock of something tingly rocking through his nerves. The ache and pressure eases, and he sighs in genuine relief.
"Grazie," he says, sinking further into the pile of limbs and tails and bodies. Something deep inside of him relaxes, finally at ease.
He rests his head on Mountain's chest, listening to the deep rumble of the earth ghoul's purr. Aeon shifts in the pile, resting their head on the soft pudge of his stomach, chuffing happily and wrapping their arms and tail around him. Copia reaches down, playing absentmindedly with their white forelock, and the chuffing gets louder. Not overly so, definitely soothing. The warmth and contact and the bone-deep, draining exhaustion of touring all creeping up on him.
"Sleep, Papa," Cumulus hums, voice trilling softly. "We'll be here in the morning."
He smiles, reaching to pat her arm fondly before he falls into a much-needed, restful sleep.
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