#my perception of reality is very bad

[qoldenskies]

I was reading back through caged lungs and I realized just how many times Donnie got hit in the head during the last fight and how hard, no wonder Leo is concerned about brain damage.

Also, when Donnie goes to see April at the end of chapter 2, is he just dissociating really hard or is that an actual physical symptom from the…everything really!

not to mention the oxygen deprivation with raph throttling him! the last fight is so visceral and nasty and it was the final nail in the coffin when it came to donnie's issues physically and mentally, because although he would have been terrified of them regardless i dont think it wouldve been "inconsolable screaming heap at the sound of raph's voice" like it was in the early bit of CW.

and id mark that as dissociation personally. the second he registered as being in relative safety he kind of shut down because he wasn't able to process it, which had kind of been a running coping mechanism through the last month or so of CL. MIND YOU: IT IS NOT HELPED ALONG BY THE BRAIN FOG CAUSED BY HIS TIME IN ISOLATION, its a nasty concoction of problems. and also yeah physical exhaustion definitely doesnt help! he ran all the way to april's apartment while actively starving, after all.

although itll get better after [REDACTED PLOT THREAD] is handled, i think dissociation is gonna be something donnie will be dealing with for years, because spending four days in a quiet, enclosed dark space has some extremely messed up consequences for your brain and body. it was also in general something he used to cope under the abuse, so i could see him having issues with it when he's not in his right mind (sick or sleep-deprived, for example), i could see him regressing back to that old mindset when something like that happens. his perception of reality is permanently a little fucked :(

[softservesoymilk]

You Have No Name patch update for the week: Erk has Fuchs Dystrophy ✨

[wickjump]

ran out of tags so this was cut short but.stage 1 ily… i want to learn more about you i think you’re so neat… i want to give him a nice sandwich. anyway uhhmm i don’t know much about stage 1 so this might be off but whatever freedom of speech 🇺🇸🦅

the idea of stage 1 trying to warn and protect the others in the gang from himself makes me a little sad. im picturing him wringing his little hands together all nervous and afraid after he offered them something—food, a safe place to sleep, something, trying to make up for anything he remembers or thinks he remembers doing in Stage 2 (even if the things he remembers were a dream, he can’t really tell if it was real or not) —and them not knowing what is going on with him or if they can trust him at all. last time they saw him he looked different and he definitely didn’t care about anyone but himself.

and like, depending on how they react to him—he could come to desperately cling on to this one fragile connection outside of his programming and maybe there’s hope for him even if he doesn’t think it’ll last, but if they reject him or react with indifference or hostility it could send him deeper into dissociation—or even trigger Stage 2 as a defense mechanism

[cinnamorollcrybaby]

CINNA MY BELOVED IVE BEEN SAVING THIS REQ JUST FOR U IM SO HAPPY THEYRE OPEN (im so happy ur back btw i was checking ur blog religiously every day)

choso thinking he hates reader when in reality it’s just cuteness aggression but he doesn’t understand because he’s new to being a human

begging on my KNEES 🧎🏻‍♀️🧎🏻‍♀️🧎🏻‍♀️

Cuteness Aggression (Choso’s Ver.)

Tags: Choso x fem!Reader, fluff, very slightly suggestive, mdni anyway, not proofread, is this considered enemies to lovers?

An: this idea is so stinking adorable. i get cuteness aggression so bad, so i definitely relate here lol

you get the feeling that choso doesn’t like you very much.

it’s the way his dark eyes narrow at you with a fervent glare. it’s the way his body tenses whenever you’re too close to him. it’s the way that he’ll make sure to never be alone in a room with you.

you’ve tried everything you know to make him feel at ease while he talks to you, but nothing works. he’s quiet, reserved, and honestly, a little peeved when it comes to talking to you.

you don’t get it. the rest of jujutsu tech seems to accept your presence. sure, you weren’t in japan when the shibuya incident went down, so maybe he just saw you as some outsider who couldn’t grasp the horrors that everyone went through together.

deciding that there’s not much you can do to change choso’s perception of you, you give up. you stop seeking him out. you quit trying to make some sort of friendship happen between you.

that only pisses him off ten times worse.

choso has never experienced feelings like these ever in his lifetime. it’s always been clean cut and dry for him: he either liked someone or he didn’t. there were no grey areas when he was just a curse.

yuji itadori was the one who introduced him to all these… complex emotions. he was still learning day by day what living like a human entailed.

he thought he had it all down… until he met you. now, he felt like a complete contradiction.

your voice was so soft and sweet. it made his heart flutter uncontrollably, which he hated. he wanted to cover your mouth with his palm to shut you up.

your skin looked so smooth and supple. he constantly found himself wondering what it’d feel like if he bit down into it. he wanted to hear what kind of noises you’d make. would you whine from discomfort or moan quietly?

he was physically bigger than you, not that you ever seemed to care. you were constantly there… pestering him. he just wanted to wrap you up in his arms and squeeze you as tightly at he could.

maybe he could but you in some sort of headlock and just hold you there. would you bite him to get away? shit… there it is again.

he growled beneath his breath as his pants feel tight again. he just doesn’t understand. why would his body react this way when he clearly hates you??

he hates the way you make him feel, like he’s unsteady on a tightrope. he hates the way he looks forward to seeing you. he hates how he feels so violent while you’re around, but he doesn’t really wanna hurt you…

it’s all so terrible perplexing. he wants to feel you so close to him that your atoms begin to merge with his.

choso doesn’t fully understand what’s happening to him. that was until your head slowly rested on his shoulder during a debriefing meeting.

it had been a long, grueling mission for everyone involved. he knew you were exhausted, and your cute self decided to take a nap right there on his shoulder.

that’s when things started to click for him as he felt suddenly protective over you. he didn’t want to hurt you. he wanted you for himself.

“oh no, y/n’s asleep. we should wake her, right?” one of the kyoto jujutsu tech students said. he had never bothered to learn her name.

a hand reached towards you, and choso didn’t think twice before he slapped it away. “leave her alone,” he grunted, narrowing his eyes at everyone who was looking at you two. “she’s tired. she needs her rest.”

honestly, everyone was stunned by the fact that choso had spoke up at all, but they were especially surprised that he seemed to be completely content with you sleeping on his shoulder.

his eyes flickered down to your face, making sure you were still sleeping soundly on him. he felt the fluttering sensation in his chest, and his stomach churned. he hated this feeling, but he found himself not wanting this moment to end.

Taglist: @theuniversesnepobaby @airandyeah

[linkcharacter]

Really like the recent analysis. I know I speak of curly in a more defensive way than most but I generally try to get the point you made across at the end of the day with my analyses on him and his behaviors.

People love to lock analyses around Curly solely based on what he could’ve done as a physical action and have this avoidance to acknowledging the realistic barriers at play when it comes to those solutions. It’s. The game tries to treat the pre-crash section as if they are grounded in social and organizational realities. So the what if he did this questions about the situation always fall short when the real answer is he either couldn’t or it wasn’t an actual viable option. But then when they talk about what he actually did do it’s surrounded by such bad faith interpretations that his actions were completely intentional or still not affected by outside sources. He’s a very much “road to hell is paved with good intentions” character. He cared too much and that’s a big part of his problem.

There’s such a “perfect victim or nothing” mindset in the fandom where people can’t admit that there are no such things as perfect victims but that also shouldn’t mean that even if there were it would absolve them of the mistakes they made. People want to moralize every action of every character that they don’t realize that some actions are done without any specific morale factor. People just do things, like you said. People assumed failed intentions immediately flip the thought process behind them “he meant to do good but bad happened, he must be bad” and that just is not how people work. It’s how perceptions work but only of the observer.

It’s such a sensitive topic because, yes, you are supposed to be frustrated, even mad, at what Curly didn’t do, but you have to acknowledge the fact these were good intentioned acts even if that good intent did jack squat in the end. That his responses are human and it’s supposed to be uncomfortable and hurt that they were realistic faults of his.

He enabled his friend and it ended bad for everyone including him. No one really tries to argue this fact but everyone seems to think it has to be tied to the morale dilemma and not certain human natures and social factors.

This is all to ask, why do you personally lean towards thinking Curly wouldn’t turn Jimmy in? Are you speaking in the short term of realizing how bad he got or long-term/overall? I feel like he could but it would not be easy and no matter the necessity he’d always have this guilt at feeling bad for doing it.

Ah yes Curly the most imperfect human man character.

Yep yep yep absolutely, people love to assign morality onto characters and call them good or bad and diminishing the depth and nuance of Mouthwashing, filling discussions with bad-faith interpretations or speculating on inconcrete understandings of the incomplete, intentionally vague, context. I adore Mouthwashing to no end for having this oppressive suffocating and constant atmosphere surrounding everything in the game. Really shows off that the environment festers, no one well-meaning guy could create a happy ending with individual actions alone because it's all systematic.

To elaborate from your question tho, at the point Curly was in (if Anya wasn't pregnant scenario), definitely no don't think so (would depend on Anya a too on whether or not she would go to the authorities outside). Curly knew Jimmy was a danger, and I do believe that subconsciously Anya's report to him on Jimmy gnaws at him, but not vividly enough. I want to point out a moment where Anya tells him about the pregnancy, he begins asking "Who would you-", then he's nudged by Anya that she told him and he should know who it is, and he does, instantly saying he's known him a long time and will talk to him. That moment of, for a second not connecting that Jimmy is the assaulter responsible just makes me drag my palm across my face for how much of a man (derogatory) Curly acted like for one dialogue line. Like he just 'forgot' for a brief moment that Jimmy harassed Anya prior? Granted, he instantly believes and takes Anya seriously, immediately dropping the search for the gun he was on in that scene, realizing the severity of the situation and of Jimmy. We also don't know what Anya has told him specifically, how long ago it happened, etc. but the 'implications' of the scene make me believe Jimmy's known sexual harassment on the ship slipped Curly's mind due to him being more invested in "the bigger picture" of Jimmy, not latching onto a harmful and a very serious fucking trivia fact about Jimmy because of his perception of who his friend is as a whole (and with his foggy sleep-deprived mind at the moment), 'losing a needle in a haystack' with how much unknown history Curly and Jimmy shared, so to say.

Maaaybe in some other circumstances, like if Jimmy didn't crash the ship or smth long term I could see him doing it, it would take a lot effort like you said, no matter the necessity. We will never know. If we're going into speculation and imaginary scenarios though, if Anya HERSELF were to try and get justice, Curly would be backing her up undoubtedly (still not disconnecting himself from Jimmy though and feeling guilt on his behalf). But that's all suppositions from my reading of the characters.

[sahisan]

— curiousity killed the cat.

featuring . pm!dazai osamu.

tags . suggestive, so slight nsfw. civilian!gn!reader. dazai's a bit sick. just pmzai things yk (he's scary). weapons described (he has a gun). blood mentioned. gunplay mentioned (brief suggestive description). wc 1.8k.

author note . this is so random i don't even know if the paragraphs do well together bc i just poured my most random thoughts into it and i was sleepy and barely managed to proofread it. yep. i imagined mostly 20-22!pmzai here. continuation kinda here.

dazai hid many things. he hid them well; years of being on constant standby, awaiting, on guard about anything enemy or not related. he hid in the shadows no matter day or night, but the shadows didn't always necessarily mean him only scrambling around in narrow alleyways or in the safety of the headquarters��in reality, he spent little time in the latter, nor did he 'lurk in the shadows' often, unless on a mission.

he hid everything from everyone, including you; of course including you. and the thing that bothered him the most was you finding out about what he does. did. has done. keeps on doing every day. not only does he not want the port mafia's countless enemies to know about you, but dazai also dreads the thought of you getting even a little bit closer to the truth of what he does for a living. he thinks of how he might slip one day and just reveal his true nature, intentionally or not, and either let you be disgusted and scared or kill you immediately because you might report to the police; it bothers him in both ways.

dazai avoids the area of your home when out at work. he makes sure to put on some casual clothes before visiting your place. when things are bad, work routine and you colliding together closer to night, he makes sure to hold a small bottle of hydrogen peroxide in his inner pocket to quickly wash away the stains of blood from his clothes. he keeps a bit of cologne there as well, to hide the stench of blood he usually reeks of during the day—he doesn't even use cologne daily. if you need him right after work, he disposes of his weapons, giving them away to the underlings that follow his word.

everything is always under control.

like tonight. he'd had a "kill and dispose" assignment, after which he'd had to go to yours and spoil you with a movie night he promised you. ah, the long-awaited respite from everyday bloodshed.

yet he was still on guard; he always has been, but today was busy and rough and all he needed was your embrace and a movie as a background noise while he showered you with kisses and cuddled you with neverending hugs.

and dazai forgot.

already at your doorstep, already having ringed the bell by your front door when dazai looked down at himself and—

fuck.

there was a small but clear blood stain right next to his tie. ah. how great. he definitely won't have time to remove it, but he might try to win some time to divert your attention from it if you notice—and you will, if he doesn't do anything about it.

with the door opening, dazai threw himself at you, literally waltzing into your apartment, hip to hip, your left hand in his right and his left hand at your waist, he led you through the corridor in an almost hasty improvisation of a dance, causing his tie to sway just in the right direction and have you giving him a look that screamed "you and your antics again?". good.

"ah, you look especially divine tonight," he mused, nuzzling your neck and making you place your chin on his shoulder; very good, the stain was out of your sight at least for now, and he couldn't be happier about that. "i haven't had dinner yet but i already know what i want for dessert."

distract. distract and avert and keep away—best tactic of dazai's that rarely failed, and he was used to putting it to use everywhere he could, including you. you could be perceptive or gullible, didn't matter—it worked wonders on anyone and will continue working for as long as he wanted to.

dazai swayed you around a few more times, dancing his way into your living room while humming a nauseatingly sweet, random tune he made up in his head a second ago. hip against yours again, he let a content smirk wash over his lips.

a clank. soft, quiet sound of metal clanking once echoed through the room, and it was almost eerie silence aside from his barely audible humming just as his hipbone met yours.

that didn't sound good, considering the only thing on his hip was—

ah. dazai forgot two things tonight.

in reverie about cursing himself head to toe in his mind, he lost the sensation of your touch until it felt too suspicious and he was too late, you reaching for the side hem of his coat and tugging it away from his side to reveal it to the light. you were always so curious, and he couldn't tell whether it was bad or good for him in general.

the soft clink echoed once more as your fingers grazed the object, and his eyes narrowed. the gun. shit. in his distracted state, he'd forgotten to dispose of it along with wiping away the blood.

dazai's hand shot out from beneath the coat, and he knew he wasn't doing himself a favor by raising his hand to grab yours, only revealing the holster further, but he didn't necessarily give a shit right now. he ought to do more than care about the gun right now, like a proper boyfriend, first being calming you down and assuring you it's not loaded and isn't as scary as it looks and that you shouldn't be afraid and the second being change of course of the conversation so seamlessly that you forget about the weapon for the rest of the night at least (unfortunately, the last sentence never crossed his mind).

but when did dazai ever go according to an adequate plan?

his hand held yours in the air, palm gliding up and down your inner forearm, trying to, first, soothe every negative emotion that might come up on the surface of your face, as well as keeping your curious hand away.

"ah-ah-ah, how naughty," dazai purred, voice dripping with false sweetness even as his eyes glinted with dangerous amusement; what he was supposed to be doing absolutely slipped from his thoughts the second he sensed the quickening of your heartbeat and breath and the cautious halting and tensing of your body against his, and he was already getting hard just from this. sick. "what did i tell you about wandering hands, hmm?"

he ground his hips against yours once after that, letting you feel the growing hardness in his pants. distraction. that was the key. keep you focused on his body, on the pleasure he could give you, and you'd forget all about that pesky gun in no time.

“careful there, baby. wouldn’t want you to accidentally shoot yourself,” he said with a twisted, growing grin. his other hand, previously holding your left one, slid away from it to cup your cheek, thumb brushing along your jawline in a mockery of tenderness, visible eye looking down at your mouth.

"i'd hate to see those pretty lips marred by blood."

and yet, once he'd lifted his eyes up to yours, dazai could feel you tense under his touch, heart racing beneath your skin. he knew that look in your eyes, that widening of your pupils; he was all too familiar with it. fear. he had been so focused on the thrilling, twisted satisfaction the situation brought him momentarily, that he hadn't noticed how his actions were affecting you. his grip on your wrist loosened, his thumb tracing soothing circles on your inner wrist.

dazai sighed, deciding it was time to stop scaring you with both his demeanor and the weapon, even if it wasn't what he wanted right now at all; he had a switch to pull off, an appearance to keep up in front of you. ah, but how he'd love to prolong that moment for just a little longer: your fear palpable in the air, that scared glance you cast at him once, the trembling of your hands, hitch in your breathing and increase of your heartbeat.

maybe later.

"easy, easy," he murmured, voice low and soothing even as his mind raced. he tapped the holster twice. "it's not loaded, see?" a lie. "just a little souvenir," a lie. the gun was always loaded, ready to be drawn at a moment's notice, but you surely didn't need to know that. he'd already subjected you to more horror than a civilian would need to witness.

dazai leaned in closer, his lips brushing against the shell of your ear as he spoke. "you know i'd never be involved with these types of things and would never hurt you, right?" honey-sweet, dripping with false sincerity words. what he was absolutely best at was lying and manipulating, and he couldn't even control it anymore; if he needed you to believe, he will make you believe, one way or another.

"but you also shouldn't go poking around where you don't belong," he purred lowly with an audible dangerous lilt to his tone, lips now moving lower and ghosting over the sensitive skin of your neck. "who knows what kind of trouble you might find yourself in. curiosity killed the cat, you know. you never know when you'll be the cat. and I'm not sure i'd be able to live with myself if something happened to you."

dazai could try to keep you away from his sicko tendencies and mind and thoughts that were all over the place and mingled together; the thoughts of protecting you from all of this meeting the ones of putting that gun to better use that just shooting people. and right now, he was barely holding it all in.

think of it this way: the thoughts of keeping his precious favourite civilian away from the corrupted knowledge and pain and feeling you tremble in fear underneath him, with the barrel of his gun tracing over your bare skin and getting dangerously close to where you'd need him most? oh, did the latter make dazai's stomach contort with desire and hips buckle up into yours. he would have to think more clearly about this later when his head wasn't a wreck of everything at once, but now...

"you want to play with something hard, baby?" dazai murmured in the end, all sultry and beaming with desire. "i'll give you something much better than a piece of metal to wrap your pretty fingers around."

dazai was sick and his mind twisted and he didn't get how he could ever keep someone like you by his side, but he supposed it was fate; and for as long as fate was merciful to him, he would make good use of it.

"but behave, hmm?"

[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.1)

oh boy oh boy am i excited for this one buckle up boys it’s gonna be a long one. analysis under the cut (WITH PICTURES!!)

i, like many others, have many thoughts and opinions about juni ba's the boy wonder that i'd like to express. i was having trouble formatting my rant, though, so i decided that it was easiest to just address some of the common complaints i've seen about the comic and jason's characterization and insert my ramblings throughout it. so far i've seen three main complaints:

the typical boiling down of jason's character to "the angry one"

his lack of strategy going into the fight with the demon is out-of-character

the neighbor's kid interaction

to start with the first one-- when introducing jason's character, in both the second and first issue, ba uses the descriptors "coarse", "bitter", "hardened", "brash" and, of course, "rageful".

so, yes-- i understand where people are having issues with this characterization. however, even if it's overplayed, it's still important to remember that jason is angry, and is driven, in part, by his anger at bruce and the joker. and, as ba highlights, he deserved to be! completely erasing jason's anger is just as bad as defining him with it.

i also don't think it's wholly accurate to say that ba is boiling jason down to just his anger. it might seem like that when only considering the dialogue and narration, but jason's behavior in the comic doesn't perfectly align with how the narrator describes him. while the narration describes him as "rageful" and could be an instance of generalization, jason's actions throughout the comic are more aligned with two other emotions/motivators: fear and despair. we never see jason get actually, properly angry; the closest we get is when he's seemingly annoyed by damian (which i believe could be performative) and when he becomes violent, accidentally hurting damian.

even in this instance, though, he is not driven to this violence by rage, but rather fear. so, while ba states in the narration that jason is driven by his anger, he contradicts himself by highlighting how jason's sadness and terror motivates his character. this could be interpreted as lousy writing on ba's part, but i'm not going to attribute the paradox to that inference. to me, it actually represents a critque of the "jason is the angry robin" generalization, because it calls to attention the discrepancies between how one is described versus reality, an issue that jason both faces in the comics (bruce using him as a cautionary tale when dying WASN'T HIS FAULT) and outside of the comics, as mentioned previously.

furthermore, this highlights the difference between what jason believes about bruce's perspective and bruce's actual perspective (according to damian). jason believes himself to be a "failure", but damian refutes this by describing his conversation with bruce concerning jason, a conversation that does not align with jason's belief. if you couldn't tell by now, perception versus reality is a BIG theme in this comic (and for jason's character in general!)

i was really fascinated by ba's take on jason, because it veered pretty far from a lot of contemporary comics, most of which do, unfortunately, play with the angry robin jason generalization. they've been doing a bit with his fear, too, which has either been pretty fun or the most awful thing ever (i'm looking at you zdarsky. gotham war was fucked up), but what makes ba's jason stand out to me is how he grapples with his grief.

this boy is so sad. ba's jason might actually be the saddest rendition of him i've seen in canon content. we've seen jason grapple a little bit with the despair rooted in his death and resurrection, mainly in lost days, where he cries 3 (?) times, fresh out of the pit and very traumatized.

even in this comic, though, he reacts to his grief with anger more prominently than sadness. that obviously doesn't mean the despair isn't there, though-- anger is just an easier outlet for it (which i could really get into the masculinity aspects of that, but then this would be wayyyyyy too long).

ba's jason, though? that motherfucker is so. sad.

christ he's depressing. AND THAT'S SUCH A FRESH PERSPECTIVE!!!!!!! THANK YOU JUNI BA!!!!!!

now i'm pretty sure some people would argue that this rendition in out of character because he's so sad. to me, though, he's still the same jason; he covers up his sadness with anger and pettiness, redirecting his own insecurities onto those around him to mask his true feelings.

ba quite literally illustrates this in the comic. whenever he is being his snide, normal self, he has his red hood mask on; but when he actually opens up to damian and expresses himself truthfully, the mask is off. ba is highlighting how the classic jason anger and bitterness is, in part, a performance and coping mechanism.

this post is already too long, so i'll go over the two other critques in a different post, which i will link below (eventually). if you guys have any thoughts you'd like to share or discuss, my dms and asks are completely open! if you made it this far, i hope you enjoyed my ranting. look out for another post soon! :))

part 2 / part 3

[cy-cyborg]

The Jaws Effect and what it means for media representation

The Jaws Effect is the name of a phenomenon that described the panic and fear that sprang up around sharks, fuelled by Steven Spielberg's movie, Jaws. While the fear of sharks and other marine predators had always been a thing, Jaws launched the fear of sharks, and Great White Sharks in particular, to new (and mostly unfounded) heights. Most people will never encounter a real-life shark and so their only knowledge about the creatures come from movies and other forms of entertainment. Entertainment that largely portrayed them as mindless, unfeeling killing machines. After Jaws, sharks became a staple in the creature-feature genre of movies, which only perpetuated the idea of sharks as dangerous monsters even further, reigniting and reconfirming the beliefs the public held about them in the process. These ideas about sharks are, of course, not true, but the misconception and fear has had a real, observable impacts on shark populations, shark conservation efforts and even laws and legislations surrounding sharks and shark conservation around the world.

Ok but Cy, this is a blog about disability and disabled representation, what do sharks have to do with anything you talk about? Well, Because The Jaws Effect is just one of many examples that shows how massive of an impact representation in the media can have, for better or for worse, especially when talking about subjects the public generally knows very little about.

This conversation is not unique to disability representation, nearly every person I've seen who's talked about how to write and design characters from any minority brings it up eventually, but the media we consume, the movies we watch, the books we read can all have big impacts on people's perceptions on those topics. When talking about disability specifically, it's an unfortunate reality that not many people know all that much about us, and so, much like sharks, for many, their only real exposure to disabled people is through the media they consume.

If you don't know anyone in a wheelchair, and your only knowledge of life as a wheelchair user comes from books and movies like Me Before You, of course you're going to (spoiler) come away thinking that life in a wheelchair is horrible and death is better than living like that. If you don't know any DID Systems and your only exposure to a condition like that is through movies like Split (and honestly, a number of other horror movies and crime shows) of course you'll think people with DID are unstable monsters who could become violent any moment. If your only exposure to autistic people is Music, then it's not shocking that you might think Autistic people are "trapped in their own minds," completely unaware of the world around them and lacking any kind of agency. As much as I'd like to be able to say these are "just movies" or "just books," and that if we don't like them, we can just not watch them, they all had an impact on the real world and real people's perceptions of the disabilities they depicted, as do the many, many smaller examples of bad representation.

This is why I personally spend so much time focused on the portrayal of disability in the media, why so much of my content is focused on creating resources for creators to represent us better, and why I think writers, artists and other types of creators should care about the representation they include.

Unfortunately, people believing misinformation and stereotypes, while annoying, isn't the worst of the impacts bad rep can have. If a stereotype is prevalent enough, and enough people believe it, it can both put us in harms way and cause us to loose access to things we desperately need and things designed to help us. One really common example of this is when movies and TV shows show a character getting up out of their wheelchair, and use this as proof that the person is faking being disabled. However, in reality, there are many disabilities that might mean someone has to use a wheelchair, even if they can still walk a little bit or stand up. The stereotype of someone standing up from their chair being a fake, especially when it's reinforced over and over again in the media, leads non-disabled people to believe that anyone who stands up from their wheelchair is faking, and results in a lot of real disabled people being harassed and denied things like access to disabled parking, toilets and other accessible spaces. There were even a few cases of people reporting those they see get out of their wheelchairs to Centrelink (The Australian "welfare" department, for those not familiar) as frauds, and while these investigations don't usually go far before someone realises what's happened, it has, on occasion, resulted in people loosing the income they depend on to survive, even temporarily.

But the impact of representation, of course, can go both ways.

I was in high school when the first How To Train Your Dragon movie came out, and at the time, I didn't really like people being able to see that I was a leg amputee because I was sick of kids in particular staring, pointing at me, asking their parents "what's wrong with them?" or asking me directly, "what's wrong with your legs?". I wore long skirts and big, bulky tracksuit pants to keep my legs covered, something that became dangerous in the hot Australian summer, but I didn't care.

But the impact of How to Train Your Dragon came in two ways. The first, was that it was one of the first times I'd seen an amputee (or rather, multiple amputees) who didn't keep their prosthetics covered or hidden, and it gave me the little boost in confidence I needed to do that myself and wear clothing that was more comfortable and functional. And second, the comments from children changed, albeit slightly, but enough that it was noticeable. The questions and comments went from "what's wrong with you?" to "oh cool, your legs are like Hiccup's!" I even had one little girl ask me once if I had a pet night fury. They went from being scared of me and my legs, or at the very least concerned for me, to genuinely curious and impressed. While reactions like that did become less and less common over time, they didn't fully go away either. Even today, I occasionally get young kids asking me why I have legs like hiccup. A friend of mine who was born with one arm shorter than the other and without fingers on that side had a similar experience with the movie Finding Nemo. Her disability was a bit more complex than what I described here, and she always found it hard to explain "what happened" to small children, however, after Finding Nemo came out, she was able to simply tell kids "this is my lucky fin, like what nemo has!" and that was enough to take her from someone "scary" to these kids to someone like their favourite characters.

Of course, it's much easier to see the impact positive representation can have on people's perceptions when we're talking about kids media, but it's not exclusive to it either.

When it comes to a minority like the disabled community who are so thoroughly misunderstood by the wider public, misinformation can and does spread easily. What people see and read in the media they consume plays a big roll in how people perceive the real people attached to the stereotypes. We often hear people say "Fiction imitates life" but the reverse can and often is also true, life can imitate and be influenced by fiction, and those of us creating should be mindful of this, especially when we're talking about a group of vulnerable people.

[Thumbnail ID: An illustration of a Great White Shark swimming near the rocky bottom of the ocean, surrounded by silver fish. In the bottom left corner of the image is "The Jaws Effect and what it means for media representation" in big, white bubble text. /End ID]

[tooturtly]

Still on my locked tomb and feudalism bullshit, so here’s a discussion of John, and how I think he systematically uses the decentralized nature of the Nine Houses to avoid the realities of being God.

Essentially, what it says on the tin, but first, context. (Can you tell I’m somehow more unhinged now?). Feudalism is a political structure with a fair amount of decentralization of power. It usually came about in the past after a larger government/political system collapsed, such as Rome. Essentially, a King/Emperor cannot feasibly run large amounts of territory, with the citizens of those territories being from diverse backgrounds and customs, without a lot of loyal subordinates helping out. Enter the nobility.

The nobility do the work of running the lands so that the King/Emperor doesn’t have to maintain a large bureaucracy to, let’s say, collect taxes from each individual person, hold a census, or run a court of law. This does not mean the ruler gets to fuck off, they do have responsibilities to the realm, their court, their knights, and the nobles who support them. Some people have to like you to remain in power, otherwise you get assassinated.

So what does all this have to do with John? Well, first, I think it’s safe to say from what we’ve seen that the Nine Houses are very similar to a feudalist system. You have a collection of independent, semiautonomous populations that can generally keep themselves together. They have slightly different takes on religion, loyalty to the empire, and necromancy, but they are all unified under it.

Second, I think we can also say that John has a very specific perception of himself that does not always align with the reality. He wears worn, casual clothes that are not the type of thing anyone else wears, but includes a crown of infant bones. He has a casual, relaxed attitude, but also can pull out a speech about avenging death and fighting for the empire seemingly off the top of his head. He doesn’t want Harrow to treat him like God, yet also constantly quotes works from a world nobody but he can remember. His narration of his actions in Nona paint him as seeing what he did as something anyone would do, as not that bad, as the act of a desperate, passionate man. Yet he also rebuilt the world to make himself God and Emperor above everyone else, the head of a ten thousand year long grudge campaign.

The contradiction is inherent in his title, man who became god, and god who is man. Harrow especially points out moments where he seems mortal, human, calling attention to how he otherwise appears completely separate and divine.

John is a complicated character. People smarter than me have written more with better evidence laid out. What I’m trying to get at though is that, to me, John reads as a man who cannot view himself as having vast amounts of power over others on the regular. To a certain extent he has to view himself as ‘just a little guy’ so he doesn’t have to reconcile with the actions that have caused massive amounts of harm. He wants the Lyctors to be his friends and associates, rather than their boss.

The structure of the Nine Houses helps with that. He doesn’t have to regularly speak to the average citizen, or deal with the daily problems of the people and their Houses, or hell, even the people he’s conquered. Mercymorn says something in Harrow about how the Emperor’s seat is the Mithraeum, the place light years away from the people he is supposed to allegedly rule. The place only realistically accessible by traveling through the River, a feat only possibly by Lyctors (for the most part). And we learn that he’s only been away from that for 80 years, and he assumedly spent most of his previous ten thousand years there.

Because he is at the top of the power structure, he can lose himself in the bigger picture and forget about the reality, which is the fact that he is running a colonial Empire that requires the biological death of planets and people to survive.

[sunshine-jesse]

Control: The Strange Dynamics of Andy and Leyley or

The Incest End Is Not The Fucking Bad End, Stop Coping

EDIT:

Hey guys! This post is blowing the fuck up, but this was my first essay on this game, and I think I've had many more insightful things to say since then. Here's a link to a masterpost with all of my essays, which I'd definitely suggest reading after this one:

Anyways, without further adieu...

I heard a lot about this game going in. I knew the general story beats and the funny haha incest memes. I knew it was about a toxic codependent relationship where Ashley, the sister, acted like your standard overly-controlling person who used various abuse techniques to keep someone in line. I expected Ashley to be a yandere-type character where she was borderline psychotic, irrational, and had a skewed perception of reality. I expected her to be a crazy bitch, and I love me some crazy bitches.

But then I actually played through the game. ...That is not what I got.

The game advertises Andrew as a doormat extraordinaire who is strung along by his Very Not Good sister and has no agency of his own' that he's just a henpecked abuse victim. But in practice, that doesn't seem to be the case. One of their first exchanges that in the story is when the occultist played his music and Ashley wanted them to check it out. He says 'no', sure, but then he smirks and says 'but I'll come along if you do.'

That is not the dialogue of someone who has no will of their own, that's the dialogue of someone who willingly gives up their own agency.

This is not, on its own, a sign of anything out of the ordinary. What caught my attention with it, though, is how it flew in the face of the common narrative surrounding their relationship dynamic. But that's not the first time I noticed it, it's just the first time, in retrospect, that their actual dynamic begins to show. The first time I personally noticed it is in the choking scene.

There are a lot of ways to view this situation. But my own reading? This was not a crime of passion. This was not him trying to break free. This is him doing something he's thought about for a while. This is premeditated. In this scene, Andrew is done playing along with Ashley's shit. In this scene, I firmly believe Ashley is the victim.

Ashley is the more openly abusive of the two who seeks to do whatever she can to trap Andrew so he'll never leave her. That much is clear. But Andrew-

-clearly has these same tendencies. He says this shortly after Ashley mentions putting her name up on a call girl's wall for money. There's protective brotherly instincts, and then there's this. This is not something you'd threaten a sister with, this is something that a man would threaten his wife with, which is directly brought attention to in the story.

(hey look he accepts the framing of it being WIFE beating at face value, and says Ashley is the only one who makes him like that! HMMMMMMMMMM WONDER WHAT THAT IMPLIES???)

It also implies that this is not the first time physical force has been threatened! I mean, that much is obvious, because of the choking scene that happened before, but I more mean that this implies that Andrew either threatening or utilizing physical force is an established pattern of behavior. However, the Decay route implies that she never thought Andy would kill her (but Andrew would) which can either be for or against depending on one's perspective, so I don't hold to the idea that it's an established pattern too strongly.

Okay, so. Andrew has some controlling and possessive tendencies too. So what? Their relationship is codependent. It's advertised as such. What of it?

Well first of all, it pretty much blows the lid off of the idea that Ashley is the sole perpetrator of abuse in their relationship. I've seen a lot of people view Andrew's behavior as justified retaliation against abuse, but frankly, I don't believe that him threatening to strangle Ashley for violating boundaries by trying to hold him accountable for his actions (given the strangulation part happens after she brought up Nina's death and how Andrew was ultimately responsible) is justified. And I ESPECIALLY don't believe that him threatening to backhand Ashley for her transactional attitude towards sex is justified in ANY circumstance.

EDIT: This part was edited in from the original post for the sake of readability so they don't have to see the reblogs to see the updated version! This post gained more traction than I was expecting!

…But perhaps even more telling is what she DOESN'T do.

Pushing someone's boundaries until they lash out is a pretty common tactic in abusive relationships. It's easy to see why, too: It justifies prior behavior and paints them in a negative light to others. This can be an important aspect of using DARVO (deny, attack, and reverse victim and offender) against someone, although the two ideas aren't necessarily linked.

It's pretty easy to argue that this is what Ashley does, but if you look at the one time her boundary pushing DID go too far, when Andrew lashes out with physical violence… she doesn't do that. She doesn't blame him. She doesn't paint herself as the victim. She doesn't even try to give a reason as to why she shouldn't be killed outside of the comfort she gives him. Why is this notable?

Because the mom does, in fact, engage in what could be considered DARVO against Ashley:

(i will elaborate more on this screenshot in particular below)

Ashley is directly compared to Mrs. Graves by Andrew, and yet she crucially displays none of the habits that Mrs. Graves does. Mrs. Graves lays the blame on Ashley, but Ashley doesn't lay the blame on Andrew. Mrs. Graves tends to paint herself as the victim of Ashley, but Ashley does no such thing to Andrew. The mom denies her culpability at every turn; Ashley doesn't. Ashley tries to hold Andrew accountable for his role in Nina's death, which could be considered a kind of DARVO. But she never denies that she had a role to play in it. She just mentions that he was the one who pulled the trigger. And he was.

(and the point was more that she DIDN'T engage in it when threatened with physical violence; the perfect chance to)

In Mrs. Graves' mind, she is the victim of either Ashley, or society as a whole. In Ashley's mind, she knows what she is, what she does, and what she's about. The only thing she's oblivious to- or doesn't acknowledge, at least- is the threat Andrew poses to her. In her mind, she's the bad guy. In Andrew's mind, Ashley is the bad guy. In official art, she is the bad guy:

And yet, in the game itself, Andrew is the one holding the cleaver. Not her. Hm.

Ashley is the world's most convenient scapegoat. She allows people to mask their own worst habits and pretend they're better people than they are. She accepts this role. She embraces it. She doesn't try to deny it. But when that mask slips, people lash out at her. Both Mrs. Graves and Andy (NOT Andrew, crucially) predicate much of their self-perception on being what she's not.

But they're the ones who enabled her to become like this, every step of the way.

And that's what blew my fucking mind, and made me question just who the victim really is. She was never given a chance to be normal, because other people relied on her NOT being normal.

By the end of my second playthrough, I felt worse for Ashley than I did for Andrew, and I still do.

So. What am I getting at? What does this show me about the relationship between Ashley and Andrew?

(I also wanted to point out that Andrew does engage in DARVO too but I didn't want to distract from the behavior of the mother. Unlike what Andrew does, it doesn't require someone to reassess the narrative they have towards the game in order to realize the implications of it, whereas it's pretty easy to justify Andrew's words as not qualifying as DARVO if you buy into the narrative that he's the sole victim and/or that Ashley is the main perpetrator of abuse. A friend of mine pointed out that it's a pretty key part of the push/pull dynamic they have, and I completely agree.

However, the direct comparisons to the behavior of the mother can't be ignored no matter your narrative, so I felt as if I needed to highlight that more.)

EDIT OVER

It shows me that their relationship is all about control.

Specifically, the push and pull of who controls who in any given situation.

Andrew weaponizes his incompetence. He always looks to lay the blame on Ashley. This is drawn attention to several times, and said explicitly in the Decay route.

He is always surrendering control to her, and yet he never HAS to. He could always just say no. He could always refuse. What are the consequences? Her being upset? Well, unfortunately, it's not that easy. That's not how abuse dynamics work. He probably feels like he has to, or rather, feels like there's no other option. That he's in too deep, and stuck with her no matter what. But personally, I think it's pretty clear from his willingness to surrender control to Ashley that he still feels like he has it at points, because the moment he feels like he's about to lose it, he either considers violence, even as a child-

(the actual scene of slicing her finger is pretty sus too with this reading in mind)

-or resorts to it, outright, in both the choking scene and the vision in the Decay ending... when Ashley doesn't have enough bullets to defend herself (this will be important later!).

SO WHAT POINT AM I TRYING TO MAKE??? AM I JUST MAKING ABUSE APOLOGIA (the answer may surprise you)?

No. I don't think so.

Ashley is obviously very bad. She's controlling and uses pretty textbook abuse and entrapment tactics on Andrew whereas everything he does to her is inference, with Ashley too daft to realize just how much danger she's in until the vision in the Decay ending spells it out for her- and I don't know if a true abuse dynamic allows for one to be completely unaware of the consequences of breaking free. She could just let go of her desire for control and Andrew would be a much happier person.

And that's the point, because so would she.

I bring up control because that push and pull- that desire for control over each other- is exactly what's tearing their relationship apart, and this effect most obviously manifests in the two endings of episode 2. In the Decay ending, Ashley either tries to exert control over Andrew due to a lack of trust, or Andrew allows his feelings of entrapment to truly take root in his mind and guide his actions. In the Decay ending, Andrew becomes a true doormat with no will of his own, allowing his feelings of bitterness and resentment to fester and grow, eventually resulting in their deaths.

In the Burial ending, Andrew does the exact opposite. He takes control of the situation and does exactly what Ashley would do without much of a fuss. This eventually culminates in THAT scene (assuming you take the Questionable route), where his facial expression alone speaks volumes:

Look at how fucking confident this man is. This is not the face of someone who's unsure of himself; this is the face of someone who knows exactly what he wants and takes it. He is absolutely in control of this situation, and everyone is happier for it.

And what does Ashley have to do to get this ending?

Let's go back to Decay for a moment. If Ashley has bullets in her gun, she has control over the situation. She, at any point, could put an end to Andrew and survive. And yet, at the very end of it all, she could choose not to. She could choose to surrender control to Andrew, allowing herself to die. And that ending, I believe so much of his life and willpower will have decayed that there's nothing left for him to take control of, leaving him no choice- or rather, no use for the control he now has- but to die with her.

And in the Burial ending, she has to let him out of his cage before it's too late. She has to surrender control to him, and when she does-

-He will become everything she ever needed him to be.

It's all about her surrendering control, and it's all about him taking control. Because, no matter what, as long as that happens... the two of them will be together forever.

In life...

...or in death.

How romantic.

So no, the incest end is not the fucking bad end. They're going to be together forever in the end either way, so they might as well live through it.

[thewertsearch]

EB: who ever goes will be risking their life for good, won't they? […] EB: couldn't i do it? EB: i am apparently immortal, because of this god tier business, so the bomb probably would not kill me! CG: OK, BUT DON'T YOU THINK THERE'S A REMOTE POSSIBILITY THAT GOING ON A SUICIDE MISSION TO SAVE ALL OF REALITY WOULD COUNT AS A HEROIC DEATH?

I’m still not convinced that Jack’s a reality-level threat.

Let's be honest; the majority of the kids' intel is ultimately derived from Scratch, and Scratch's primary goal is to summon Lord English. It seems a lot more likely to me that English is the reality-buster in the equation, and Jack is just a convenient scapegoat. Remember, Rose pressed Scratch on this exact question, and his argument for why Jack was the larger threat was very shaky.

Additionally, this entire Green Sun situation is starting to seem a little suspect. I originally thought that Scratch was engineering its destruction in order to destroy Snowman, but it's clear now that Slick will be ending her life in a much more direct manner. I guess Scratch could have multiple kill-Snowman plans – redundancy is smart, after all – but his omniscience should tell him which plan will succeed. As far as he's concerned, redundancy is, uh, redundant.

My point is that Scratch clearly doesn’t need to destroy the Sun to summon English. In fact, doing so seems exclusively bad for English, because it will deprive him of a powerful First Guardian minion. What's the deal here?

CG: JADE'S DREAM SELF IS DEAD TOO, SO SHE'S OUT. OR TO BE MORE SPECIFIC, HER DREAM SELF IS AN OVERLY EMOTIONAL DOG WHO WENT OFF WHIMPERING SOMEWHERE. I'M PRETTY SURE SHE WILL BE COMPLETELY USELESS.

Speaking of First Guardians, Jadesprite definitely has some important role to play here. She’s the most powerful hero on the board by far, and the only thing holding her back is her own mental state, which is sure to change eventually. That's what mental states do.

CG: I'VE TRIED TO TELL HER THAT HER SPRITE SELF IS PROBABLY NOWHERE NEAR AS DESPICABLE AS SHE'S MAKING OUT WITH HERSELF TO BE. CG: I MEAN CG: MAKING HERSELF OUT TO BE. […] EB: what i am getting from this, aside from the possibility that jade may or may not have kissed dog jade at some point, is that neither of them will be able to help with the bomb plan.

LMAO

See, this is what I was getting at earlier. John's a surprisingly perceptive guy, so I'm sure he knows that something's happened to Vriska. He's just trying not to think about it.

[iz-star]

About Zayne's nightmares...

The most unrealistic thing about Zayne is that he's a functional working adult that seemingly has put his life together at 27 not because he's young or a prodigy but because he's said to have nightmares since he was 12?? Like... I feel like this theme might be a bit overlooked but just think about it deeply, having constant nightmares fucks your mind like really REALLY bad, I can genuinely say this by experience and also as someone who has had trouble to have a healthy sleeping schedule since I was at highschool (like, for example, right now, I should be sleeping instead of writing this...).

There was a time I would have nightmares almost everytime I went to sleep during a really hard time in my life. Of course, the topic about those nightmares was almost always the same, not like the nightmares repeated themselves but they always revolved about the same things that I was actually working in therapy at the moment. Back then I was jobless and medicated most part of the time, I was pretty dysfunctional.

I suppose that's why when I listened to "Fragmented Dreams" for the first time it was the time I said "Yeah, this is my man". I love how he's always nagging MC about sleeping early because I know by experience that not sleeping properly can mess up with your mind pretty bad, and probably he knows it too. It truly is a showcase of love how he worries about her sleep like that and it also showcases how strong minded he is for enduring too much stress and remind kind constantly.

I love how healthy he is. I like to think that he's overcome all the stressful stuff he's gone thru bc of his discipline and healthy life style, but realistically it would take him some more to deal with all of that.

Yes, all of the guys have been through some very rough stuff and they all need therapy, but my point with Zayne comes with the fact that not having a good sleeping schedule and on top of that having constant nightmares can mess up with your perception of reality and induce you a bad depression or other mental health issues. Everytime I remember Zayne's main story branch when they're trapped in Zayne's dream and MC leaves him alone and he starts listening to Willian, Georgie and his Mom so he has to remind himself "It's not real, it's not real" I deeply feel that and I just want to hug him so bad :(

I think I'd like to see a card where they explore the consecuences of their past in their psyche more deeply. I can't help remembering this post which was one of the first posts you unlock with Zayne:

It was there when I just knew that even if he looked quiet, he had a lot to say but didn't know how to express.

Another thing I'd like to highlight about this is that actually I love the emotional maturity that Zayne displays about dealing with such issues like nightmares, traumatic experiences and literally being exposed to see people dying 24/7 while being someone that feels a lot yet says little. He's dealt with this the best way he can, no wonder why he came to be quite serious and inexpressive or sarcastic. Not allowing himself to express other emotions than seriousness or sarcasm was like keeping himself in check so he wouldn't spill everything he feels and considering how stressing is his job already, it just makes sense, but that didn't mean Zayne didn't feel because he feels too much and too deeply and worries sick about ppl and especially about MC.

Of course, bottling up his emotions wasn't the best way to deal with them but he never used any unhealthy coping mechanism neither, like alcohol, for example (My teetotaler King ❤️) etc. Yeah, his workaholism isn't exactly healthy but not something toxic to his mind and relationships, and I've always had a feeling that he's a big foodie and addicted to sweets to give himself that boost of serotonine he needs so bad.

That's why he compares MC with sweets, being her his favorite dessert, bc she's brought all that serotonine to his life naturally and has helped him let go little by little. When he opened to her about losing Dulcie, I had a feeling that Zayne always wanted someone to listen to him but he didn't know how to ask for it and ppl around him was too afraid to even dare to suggest it. I think even in one of his anecdotes, it is said that sometimes Dr Noah wanted to tell him something but at the end ended up saying nothing.

The fact that Zayne bottled up his emotions didn't mean that he wouldn't willingly share them, he wanted to but wasn't used to it. With MC, he's slowy started to let it go and enjoy life more, allowing himself to be sad in front of her, to express his fears (about losing her) or to express his childish tantrums and indulge in his softest side. That's why also she's not only his favorite dessert but also his best painkiller ❤️

And just to finish, I've always thought this quote by Kafka fits him so well:

"Remember, you should sleep more than other people, for I sleep less than most. And I can’t think of a better place to store my unused share of universal sleep than in your beloved eyes."

[preciouslittle-bhaalbabe]

Experiencing Astarions ascension as origin Astarion was a very interesting one because it really brings attention to how he now has access to new sensations and feelings that were lost. And alot of the characterisation of A!A I've seen is based on him being unfeeling and cold. Saying the first time he has sex would be an act of autopilot. I don't think so honestly. I think he's with the person he cares deeply for and wants by his side forever. And now that his heart beats again, he's experiencing things like arousal and orgasms all over again. It would definately be different. I'm not saying it's better than spawn route though because I really do believe sex would be recontextualized then too. Just in a different way.

Also, alot of the dialogue options are based on the players perception of what happened. Not the reality. A!A is a really bad narrator and doesn't explain things well at all. He also bullshits alot about "hearing whispers of the night" and stuff when none of that is present in the origin version. Lots of aspects of the ritual/the outcome seem to contradict. Origin A!A seems so much softer than companion A!A. But maybe that's simply because he has to be kinda blank slate for the player to roleplay with. If anything it just brings to light that characters in RPGs have countless versions of themselves and no version is going to be the same for everyone. Let alone their impressions of them based on their personal experiences and biases. Anyways I'm just rambling. Thought I would share my thoughts because it was kinda surprising honestly.

[evilminji]

You know one of the purposes of Lining?

Shock Absorption.

If the Zone is the Inter- and EXTRA-Dimensional Lining, connecting, containing, and generally powering all of Multiversal Creation? The Great Primordial Soup? The Ashes to Ashes, Dust to Dust, from which we came and too which we return?

If the Zone itself is basicly the place between Universe, where your soul goes to get washed down, cleaned up, recharged, and sent out to wherever the next random portal takes it? To BECOME whatever you happen to find? An infinte recycler and Multiversal management?

The great metaphorical Yggdrasil, grown far beyond few branches, into an incomprehensible forest of one?

Well!

That kinda changes things! And also nothing! Because it means that those who remain? Are basicly squatting in the DMV's attic. Have built bunkers, under the country's main power generator. They really SHOULD move along. Granted, there is no one to MAKE them... but like...

That's cause no one thought anyone would NEED too?

Lol. Don't they feel silly? Anyway, I'ma put MY house over-! *wander off to go squat in the rafters*

Yeah, the CONCEPTS are native. But those probably just generate naturally. It's all the Souls constantly flowing through. Lots of background Sentience and Memories and such being washed away into the air. But? Then these lil souls were like "yeah, but if THEY get to stay... me too! D:< " "no, you can-" "ME TOO" and then they stopped listening and did what they wanted.

Good thing we have literally infinte amounts of room.

T...there's so MANY, you guys.

But! Not the point here!

*smacks white board* Realities! The Die too sometimes! And get born! A beautiful process, really. You can find Reality Beads if you know When and Where to look, some times. They, OBVIOUSLY, don't last for very long. Since they are basicly just seed universe. The explosive growth takes them almost immediately out of our range of perception, as they Begin.

Foundations of all Life and such.

But good God are they MAGNIFICENT!

However, sometimes? The REVERSE happens. If you find the area of the Zone your in? Is getting... "wavey" is the best way people describe it. Distorted. Fun house mirror. As though your vision has weird wrinkles that are distorting and stretching your view of things? Get Out. FAST.

If it's only SLIGHT? Barely noticeable? You can grab your Lair. IF, and ONLY IF you are NEARBY! If not? Remember. Things can be replaced. YOU? Can not.

Cause that "wavey"-ness? Is the final stage of Realm Entropy. The universe that portion over the Zone is covering and connected too, is all hollowed out. And about to CAVE IN. You DO NOT want to be there when that happens!

Remember! You see "waves"? Fly for three days!

Get to the edge of the affected area then KEEP GOING for a full three days flight. Warn everyone in you path. We stay safe together, guy. Collapses are NO JOKE. People get... well. Let's just say it's NOT a nice way too go.

Knowing this of course? We should all be SAFE right? Respectful if Awed distance from Reality Seeds, run like he'll if "waves"? We Gucci?

.....Sooooorta.

*flips Whiteboard to other side, to reveal a cartoonishly drawn Supervillian labeled "Asshole"*

Behold! A Terrorist!

It's a charged word. Not used lightly. But THESE fuckers? Oh ho ho! THESE fuckers?! "Ooooh~! Look at MEEEEE! I'm gonna play with FORCES I DONT UNDERSTAAAAAAAND! Destabilize my whole funckin UNIVERSE! Kill countless TRILLIONS OF TRILLIONS! Cause life was bad to me personally and I'm mad about it! Wah wah wah!!" ASSHOLES!

These fuckers? Cause Collapses. Blow Outs. Weird Fucked Up Cancerous Real Growths. You ever seen the Cleaners? No? You don't WANT TOO. They are basically eldritch, deep sea, angler fish looking mother fuckers THE SIZE OF SOLAR SYSTEMS. They travel in SCHOOLS.

BIG ONES.

When Realities collapse, they "fall off" as it were. Detach. And have to get recycled. All the countless impurities of Life eaten way to a blank slate. So it too, can start again. Thus the Fish. But! They ALSO eat anything "problematic".

Like tumors. Cancers. Poisoned, Multiversal Threats. Those quote on quote "God Killers".

Yes. Yes this IS part of why you DONT want to be near a Collapsing Reality.

No I WON'T explain how I know.

I DONT WANT TO TALK ABOUT IT.

*smack the board with pointer* pay attention.

Jason Todd. Not! An Asshole. Sexy thighs. Fancy lil hair strip. We all miss him. But! He's off living his "no really, I'm totally alive, guys" hot girl summer or whatever. We are going to respect that! But!!! How did that happen? When he was DEFINITELY Hella dead?

Superboy Prime-y Pants. Who IS an ASSHOLE.

Because THAT fucker? PUNCHED HIS REALITY SO HARD IT NEARLY SHATTERED. Oh, no, I'm sorry! He punched SOMEONE ELSE'S reality! Because he is a tantruming MAN CHILD! And NOW? Now, Your Majesty, that WHOLE ASS Reality is more hair line cracks then border walls! One good shove? It'll cave in. Killing every soul inside.

The Cleaners are ALREADY circling.

It needs to be patched. Immediately. But that's not something normal ghosts can DO. The Zone won't LISTEN to us. Nor allocate the energy for it. The Concepts of Healing? We can't even FIND them.

We need help.

Please help them, King Phantom. You're the only one who CAN.

@hdgnj @babbling-babull @hypewinter @ailithnight @mutable-manifestation @nerdpoe @the-witchhunter

[linkcharacter]

I find it interesting when people call Jimmy an unreliable narrator. There’s not really any narrating done in the traditional sense, and we don’t even hear a lot of his inner thoughts. Do they mean “narrator” as in our view of the world and characters are shaped by his POV through interactions and visuals, instead of a verbal, descriptive narration?

Please THANK YOU EXACTLY I WANTED TO TALK ABOUT THIS SO BAD ACTUALLY.

My opinion is that people like to shove terms that vaguely fit the story of Mouthwashing anywhere they can, same with describing characters (Curly for example) as "morally grey". Which in my opinion is reductive and doesn't represent who the character is, it's defined enough for people to 'kinda' be on the same page but also vague enough that it doesn't accurately describe the character and blurs the complexity that makes the character interesting.

I wouldn't apply the term "unreliable narrator" to Jimmy. His perspective of what we are allowed to see in game is limited, but we see exactly what happens, just through Jimmy's eyes. Jimmy isn't twisting the narrative for the viewer because he's NOT NARRATING. Mouthwashing is a game with no narration to tell the story. Sure, characters talk about the events, but they're not talking to the player, and an unreliable narrator's purpose from a storytelling point, is to deceive or mislead the viewer. I think trying to shove storytelling terms anywhere it fits doesn't work and just confuses a lot of people. The game itself plays around with the narrative and reveals things and structures the story in ways to manipulate our perception, like allowing only certain small sections of events to be seen, and ordered in a way to play with our thoughts and attention.

Jimmy's perspective and presence change the attitude of characters, but this isn't "unreliable narration", it's the reality of how characters act with Jimmy around. I kinda understand what people mean when they say he's an unreliable narrator, that we shouldn't take Jimmy's POV as the whole truth at face value, but that's not because the 'narrative' is being twisted, we just have to take into account the context of the situation. The players aren't being deceived, they're being required to think about nuances. And even when Jimmy starts having his episodes with hallucinations, it's not to deceive the viewer, it's showing us how JIMMY HIMSELF sees reality, we can very clearly disconnect what is being shown from the context of what is actually going on. The dinner scene, for example, is obviously just has Jimmy tweak out, but we as players can tell that it's not real, there's no misleading happening. And we see how Jimmy talks to others during gameplay, we see Jimmy be abusive to others and be a jerk and perform manipulation, there's no narration to make us believe he's not doing all of these things or to even conceal or twist the truth. Jimmy as a character with his words does manipulate others, but not the viewer. You can say Jimmy is an unreliable narrator within the reality of the game, but he's definitely not if we're talking about meta.

The bizarro sequences are a bit different because there's clearly some meta "showing the viewer symbolisms to have them connect ideas of the story, while not being grounded in reality for the characters in the game" stuff going on, but again, there's no narration nor is there a point to confuse the viewer. The point is to show the themes of the story in an interesting and impactful way that leaves a lot to analyze, you're not being deceived, you just have to think about it and see what the game is trying to show, it's encouraging you to look deeper into the story. Mouthwashing IS NOT a game with a clear-cut clean concrete story with no room for interpretation.

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The psychology of Agent Kallus

Been thinking a lot about the fact that Kallus in a lot of ways, even post redemption, is not a good person. There often seems to be applied this black and white view on the Rebels characters, despite the show itself speaking against this, but I do think it's especially interesting in terms of Kallus. A lot of headcanons seem to diminish his involvement or responsibility in the genocide of Lasan. Additionally a lot of headcanons do the same in removing his agency in his own enlistment into the Empire. While I'm a firm believer that headcanons shouldn't be judged on realism or adherence to canon, I still want to use these headcanons as examples to analyze the further themes of Kallus' character and why they - in canon - matter.

So, a disclaimer; this is not an attack on the headcanons I mention, nor the people who created/enjoy them.

In The Honorable Ones, Kallus has a line that I think is really interesting, because Kallus affirms the role he played in the genocide of Lasan, but the way he phrases it sounds as if he's diminishing his culpability.

"On Lasan... It... It wasn't supposed to be a massacre. But I realized the Empire wanted to make an example. I know before, I took credit for it."

To me, at least, this reads as Kallus pushing the blame higher up. He might've given the orders, but he only did so because he knew the Empire expected it. This seems like cognitive dissonance, which can happen when there's a conflict between a person's actions and moral beliefs (very simplified).

Everything Kallus says during the episode seems to back this up. This quote itself is a great example of displacement of personal responsibility, which is a form of external self-justification. Basically shifting the blame to avoid the mental turmoil of facing the reality of one's involvement/responsibility. This is a common coping mechanism seen by soldiers. "I was just following orders" is a prime example of this.

Now, when Zeb questions Kallus on Geonosis, Kallus' response is once again SO telling. This guy is a psychology text book and doesn't even know it!

"The only thing I know about Geonosis is that the population is gone. I never asked questions."

This is a mix of selective perception and confirmation bias. Kallus is specifically choosing to avoid and ignore the things that point towards the Empire doing harm, as this would directly conflict with his internal view of the Empire and its role in the Galaxy. It's important to note, that him not asking questions implies that he knows what the answer would be. Otherwise, why would he be afraid to ask? Zeb is a smart cookie, 'cause he very much picks up on it and confronts Kallus, resulting in Kallus deflecting by changing the subject.

Z: "Well, maybe you should start. Or are you afraid of the answers you'll get? Afraid you'll learn the Geonosians were wiped out by your precious Empire?"

K: "And why would we do that? What could possibly be the point?"

Z: "Ah, good questions. Chase the answers, and maybe you'll learn the truth."

K: "You know, you'll never get out of here without my help."

This, imo, further proves that Kallus is actively, by choice, avoiding to think about the implications of the Empire's actions and his own involvement in this. If Kallus has to accept that the Empire's actions happened and were wrong, then he also has to accept that for his own actions. Zeb is directly challenging the justifications he has built up in his mind and Kallus has run out of excuses.

While I could go into the psychology of dehumanizing your enemy and thus justifying your actions by so, I'd like to discuss the implications of these themes in a character sense.

To me, it's incredibly important to understand that a character like Kallus is not a result of bad things happening to them. While these might be motivational factors and might shape their world view, Kallus certainly didn't end up carrying out a genocide on accident. A big part of his redemption is him coming to terms with this fact. He had a choice and he made the wrong one, time and time again. While Kallus started out with good intentions, he slowly became desensitized to fascist ideals and brutality. When things started going against his own beliefs, he instead chose to justify it as a means to an end - for the greater good. A greater good he could no longer recognize, but instead of challenging this he chose to ignore it.

I think it's incredibly interesting and imo it makes his redemption arc all the more realistic. It's not that he changed his mind about his actions, he just finally took accountability and action. He started asking questions

(I know this might be a bit too soap box-y, but it feels incredibly important to understand this now especially. It's so easy to fall for propaganda and to slip into fascism. It's important to be aware of the mindset that can lead to this and how to challenge it.)