#no other ship could ever

[drulalovescas]

NEVER MARRIED. DIVORCED TWICE.

no one does it quite like them.

[bixels]

Hot to the Touch

(Sunset x Thea)

[automatonwithautonomy]

it doesnt matter if theyre in love because they love each other. do you understand. do you get it.

[rystiel]

i feel like poolverine easily could’ve been one of those “they’re flirty but it’s mostly unserious” situations, and for most of the movie yeah they were extremely gay, but wade’s been like that with other guys and it was never treated as a serious type of relationship before. they’re willing to die for each other, but even then the romantic aspect of their relationship could be glossed over because it’s a superhero movie, that’s just what they do, and they’re working together to save a whole timeline—it’s not just about them. but then the movie doesn’t end with them saving the day and moving on. i think this’s really the part that sells poolverine as a genuine relationship to me… logan’s leaving, and wade calls for him. he can’t stand to let him go. then he introduces him to his family, and logan stays. he doesn’t really need to stay, but they’ve both decided they’re better off with one another than without

[churchyaoi]

been thinking about these two a lot lately

[gunstellations]

In the world I love

_

In a different world

[xbomboi]

5 times Apple hugged Raven…

————————

…and the one time Raven hugged back.

(see my previous eah comic here)

[inamindfarfaraway]

I would find Blondie Lockes very annoying in real life, but I love her in fiction. She's a genuinely good journalist in terms of both skill and ethical integrity, who only occasionally forgets to check the facts because she's fifteen and holds herself accountable when she does. She has incredibly high standards for everything and believes herself to be the ultimate authority on quality. She has magical lockpicking powers because her fairytale is about Goldilocks breaking into a house. She somehow completely ignores the story's moral that Goldilocks was wrong to break into the house, feels entitled to go wherever and help herself to whatever she's able to and cannot comprehend why people dislike this. She's been terrorizing an anthropomorphic bear family with her cheerful disrespect for privacy and is convinced that they love her. She has a non-anthropomorphic pet baby bear. Her motivation is dependence on external approval rooted in deeply internalized classism. She's desperate to be useful and important to those with higher social status and feels the need to lie that her family is technically royalty to fit in with her royal friends, even though they treat commoners like equals all the time. She positions herself as a conduit of true greatness; closer to it than the masses, but never the hero, always reporting on other people and evaluating what they've done. Because what she's done isn't enough to be worthwhile. What she is isn't enough. But this performative lifestyle makes her anxious about being judged as a fraud and an interloper, and ashamed of selfishly transgressing against social norms. Her microphone head looks like an adorable little bear head. That's one hex of a character alright.

[bakudekublogblog]

the way katsuki just IS izuku's first love drives me nutty. like he just had a big ole crush on him with his huge-ass heart eyes and he chased him around with maximum puppy-love smitten energy

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[mxtxfanatic]

Fandom Gripe #23: I know that fandom is in some deep denial about its treatment of female characters that are canonically involved with fan favorite m/m ships, but do y’all realize that when you disappear female characters from the narrative wholesale to push the idea that your canonically straight fav was “secretly gay all along!” you’re making several bad implications? That 1) bi men don’t exist, 2) bi men do exist, but those who have genuinely loved a woman before cannot genuinely love a man after that (therefore bi men don’t exist in practice), 3) women cannot inspire genuine love and devotion in men, therefore any relationship with a woman is “lesser” than the one they later have a man (see previous parenthesis), or 4) to acknowledge the existence of a lovable woman who isn’t a terrible person, where if a relationship previously existed, it did not end because of “incompatibility,” is enough to destabilize the present relationship between two queer men?

Because why is the tgcf fandom allergic to acknowledging that He Xuan had a whole ass fiancée that he loved? Why does no one ever seem to remember that the kidnappings and murders of He Xuan’s sister and fiancée were the final straws that sent him on his rampage, and he still keeps a shrine to them in the present-day of the story? Why is her entire existence and significance to He Xuan as a man, character, and to his character arc disappeared in favor of pushing Shi Qingxuan—the brother of the man responsible for his fiancée’s death—into that same role, as if to say that her impact on He Xuan is significant... just not when it's from her? Why does He Xuan’s life in fandom essentially begin not just after her death but because of it?

[normystical]

ATTENTION ALL ALASTOR SHIPPERS: 

uniromantic 

THANK YOU FOR YOUR TIME. PROCEED

[yeisiko]

So... how are you guys coping?

[hohohomelander]

so sirius and james trusted each other more than anyone else, was described as inseparable and 'never saw one without the other'. they were the closest in their little group, they had the mirrors to stay in contact at any time, just for themselves. sirius ran away to james. godfather, best man, loved james more than anyone else and was dedicated to him for the rest of his life. and you fools prefer to ship him with ..*checks notes* that other guy?? the one he suspected was a spy?? the one that thought the same of him and let him rot in prison?? the fuck?

explain pls, cause i dont get it

[rwby-confess]

Confession #123

[elegantwoes]

I love how Alicent and Criston fucking is considered OOC and shit writing, but somehow Alicent choosing Rhaenyra over her own children (even though motherhood is big part of her characterization and a driving force to the choices she makes) is completely fine and considered peak writing because it’s ‘tRaGiC yUrI’.