#no wonder i lost it

[hinamie]

post-graduation trip airport looks

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[transthatfag]

dramatic :/

[parisoonic]

A sketch! one day i'll finish my 'summer antics' photoset - it just wont be in the summer lol

[lazycranberrydoodles]

everybody go home. this is my magnum opus

[vinestaff]

hi akechi nation

[redpapercraness]

some fuutas from da sketchbook

[toomanywatchers]

Shane & Ryan Visit A Hollywood Horse Ranch | WWW s3

[redrobin-detective]

I think one underrated tragedy of Ice King's scars is that he probably took away Simon's sense of levity.

Like in his very limited appearances before Simon is consumed by the crown we see he's kind of a silly dude. In his introduction video, he only put on the crown in order to playfully tease his fiancee. Plus watching him make light of the loneliness and general misery for a young girl in a broken world. He was a dedicated man, who was generous and loved with his whole heart and threw himself one hundred percent into everything he did. He was also a fun lil guy.

But after almost a millennia of being a mad man, the brunt of every joke, someone who only existed as a broken caricature of himself and couldn't be counted on to take anything seriously, I imagine he was done with it. Now he wants to focus back on his academic endeavors, on his role as a father figure in Marcy's life, on being a proper adult. Any attempts to be silly could easily remind everyone - including himself- of Ice King, something he's eager to avoid.

So his jokes and jibes and general lightheartedness turned to sarcasm and self deprecating comments.

[brocedestruther]

was it casual when i invited you to monaco and we dreamed of our future together in formula 1? was it casual when we wrestled one another in our hotel rooms and threw out the beds out the windows? was it casual when you learned unicycling in two days so we could bike together? was it casual when we turned everything into competition, eating two to three whole pizza boxes for fun like it was cool? was it casual when you hugged me so hard and jumped in joy when i got my first podium? was it casual when i held you in the cooldown room and congratulated you for your wdc win despite the fact that it could have been my win? was it casual when i loved you and held you despite telling the world we were not friends, that we didn’t even know each other? was it casual when you compared our rivalry to that of a toxic relationship? was it casual when you talked about other women and sex instead when you were asked about our past together? was it casual when we knew each other so well people have described us as everything but lovers? was it casual when you said you were a better teammate than you were back when we raced against each other, in 2016? was it casual when

[linusbenjamin]

Lost + Tags

[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.1)

oh boy oh boy am i excited for this one buckle up boys it’s gonna be a long one. analysis under the cut (WITH PICTURES!!)

i, like many others, have many thoughts and opinions about juni ba's the boy wonder that i'd like to express. i was having trouble formatting my rant, though, so i decided that it was easiest to just address some of the common complaints i've seen about the comic and jason's characterization and insert my ramblings throughout it. so far i've seen three main complaints:

the typical boiling down of jason's character to "the angry one"

his lack of strategy going into the fight with the demon is out-of-character

the neighbor's kid interaction

to start with the first one-- when introducing jason's character, in both the second and first issue, ba uses the descriptors "coarse", "bitter", "hardened", "brash" and, of course, "rageful".

so, yes-- i understand where people are having issues with this characterization. however, even if it's overplayed, it's still important to remember that jason is angry, and is driven, in part, by his anger at bruce and the joker. and, as ba highlights, he deserved to be! completely erasing jason's anger is just as bad as defining him with it.

i also don't think it's wholly accurate to say that ba is boiling jason down to just his anger. it might seem like that when only considering the dialogue and narration, but jason's behavior in the comic doesn't perfectly align with how the narrator describes him. while the narration describes him as "rageful" and could be an instance of generalization, jason's actions throughout the comic are more aligned with two other emotions/motivators: fear and despair. we never see jason get actually, properly angry; the closest we get is when he's seemingly annoyed by damian (which i believe could be performative) and when he becomes violent, accidentally hurting damian.

even in this instance, though, he is not driven to this violence by rage, but rather fear. so, while ba states in the narration that jason is driven by his anger, he contradicts himself by highlighting how jason's sadness and terror motivates his character. this could be interpreted as lousy writing on ba's part, but i'm not going to attribute the paradox to that inference. to me, it actually represents a critque of the "jason is the angry robin" generalization, because it calls to attention the discrepancies between how one is described versus reality, an issue that jason both faces in the comics (bruce using him as a cautionary tale when dying WASN'T HIS FAULT) and outside of the comics, as mentioned previously.

furthermore, this highlights the difference between what jason believes about bruce's perspective and bruce's actual perspective (according to damian). jason believes himself to be a "failure", but damian refutes this by describing his conversation with bruce concerning jason, a conversation that does not align with jason's belief. if you couldn't tell by now, perception versus reality is a BIG theme in this comic (and for jason's character in general!)

i was really fascinated by ba's take on jason, because it veered pretty far from a lot of contemporary comics, most of which do, unfortunately, play with the angry robin jason generalization. they've been doing a bit with his fear, too, which has either been pretty fun or the most awful thing ever (i'm looking at you zdarsky. gotham war was fucked up), but what makes ba's jason stand out to me is how he grapples with his grief.

this boy is so sad. ba's jason might actually be the saddest rendition of him i've seen in canon content. we've seen jason grapple a little bit with the despair rooted in his death and resurrection, mainly in lost days, where he cries 3 (?) times, fresh out of the pit and very traumatized.

even in this comic, though, he reacts to his grief with anger more prominently than sadness. that obviously doesn't mean the despair isn't there, though-- anger is just an easier outlet for it (which i could really get into the masculinity aspects of that, but then this would be wayyyyyy too long).

ba's jason, though? that motherfucker is so. sad.

christ he's depressing. AND THAT'S SUCH A FRESH PERSPECTIVE!!!!!!! THANK YOU JUNI BA!!!!!!

now i'm pretty sure some people would argue that this rendition in out of character because he's so sad. to me, though, he's still the same jason; he covers up his sadness with anger and pettiness, redirecting his own insecurities onto those around him to mask his true feelings.

ba quite literally illustrates this in the comic. whenever he is being his snide, normal self, he has his red hood mask on; but when he actually opens up to damian and expresses himself truthfully, the mask is off. ba is highlighting how the classic jason anger and bitterness is, in part, a performance and coping mechanism.

this post is already too long, so i'll go over the two other critques in a different post, which i will link below (eventually). if you guys have any thoughts you'd like to share or discuss, my dms and asks are completely open! if you made it this far, i hope you enjoyed my ranting. look out for another post soon! :))

part 2 / part 3

[ihatebrainstorm]

Elegant Chaos, Inelegant Solutions

Here's my TF Reverse Bang 2024 piece to accompany @novafire-is-thinking 's tie-in fic Elegant Chaos, Inelegant Solutions! Go give it a read for some MTMTE alternate story line Percy and BS shenanigans! ;D Link: here

Thanks again to Nova for being such an awesome teammate/skilled writer, and the whole team behind @tf-bigbang for organizing the whole event!

[star--nymph]

Vivienne's fear being 'becoming irrelevant' isn't something that's linked explicitly to her pride, no matter what Solas says about her (and the irony of Mr.Pride himself saying that should not be lost on you), it reveals what and who Vivienne truly is.

She's a survivalist.

Because we don't spend as much time in the Free Marches or Orlesian circles, we don't get to experience what being a mage is in these cultures. In Ferelden and Kirkwall, a mage is a lesser being without freedom no matter what they do--but in the Free Marches and Orlais specifically, mages are commodities that are given freedom so long as they play an entertaining enough role. They can explore the world if they have a noble patron, if they catch the right person's eye. They are, in a way, two sides of the same coin--refusing mages agency and forcing them to relay on higher powers. Vivienne lucked out, as sad as it is, when Bastion fell in love with her; she found someone who was contrarian enough to recognize her as a full person and also someone with power that could help her rise through the ranks. This is not to say that Vivienne on her own wasn't an exceedingly talented and intelligent individual--by nineteen she was already the youngest full fledged mage in Circle history and she was skilled enough to make herself an enchanter. But, I can not emphasize this enough, none of that matters if she didn't also play the Game and impress enough people.

Vivienne could have been the most brilliant mage in the history of Thedas and it means nothing if she was overlooked by nobility.

So when Bastion made her his mistress, she gained not just a lover but also a means to an end. Now she can use her magic to protect herself. Now she can roam where she wants and not be question for it because she's Madame Vivienne. Now, she can walk into the Orlasian court and belong there.

And what happens? Celene notices her and makes her the Court Enchanter, a position that has always been the equivalent of a jester. Vivienne took that title, ignored that it was essentially a glorified insult to who she is, and made it a position of power. She made the Court Enchanter into an advisor, a political rank. She had done the impossible and made mages an actual political entity in the Orlasian Court, something that wasn't seen outside of Tervinter (not counting what players can do under very specific conditions if they made mages in DAO and DA2).

All that, however, only continues as long as the court recognizes her as something worth their attention. Vivienne needs to maintain her act as Madame De Fer, The Lady of Iron, the Court Enchanter, The Jewel of the High Court, because the second she just becomes Vivienne, it's over for her. The assassins coming raining in, her name gets devoured by rumors and gossip, and she'll be found dead at bottom of the stair case with a dagger in her back if she's lucky.

So of course when the Circles fall apart during the Rebellion, she clings to that Loyalist Mages to maintain that structure--of course she moves her pieces to the Inquisition, knowing that if the Circle DOES fall, she at least as another place for herself and mages latch onto--of course when she hears that Celene replaced her with a new Court Enchanter that appeared out of no where, she grows to resent Morrigan.

Like, Morrigan literally pops up out of thin air, makes herself invaluable to Celene, and then plants herself in the place Vivienne had to claw her way up to and create so she could survive. Would you not be resentful when your life's work is usurped by some random witch of the wilds because she happened to charm the Empress? Everything Vivienne strived for all whisked away because the court find a gem who glimmers ever so slightly more than Vivienne.

So yes, Vivienne fears becoming irrelevant because the world has made it so that irrelevance for an Orlesian mage means death.

[poppy-metal]

what if i said the words step dad patrick……….. fucking ur mum for a place to stay when he finds your cute little college ass and oh look! you’re into tennis! he can show you some stuff if you like, he used to play art donaldson and win………..

why would you say this to me. what have u done what have you wrought. wow this got away from me and i ended up giving us a whole backstory here my bad fr.

i imagine you're visiting home from college - a prestigious one - not excited, in the least. probably a horrible relationship with your mother, father nonexistent, out of the picture. probably got into tennis as just a hobby, but it turned into a way to channel all your anger and resentment built up towards your mother - how she never pays attention to you, how money and jewelry and the next man who'll blow smoke up her ass to leech off her, is more important to her than you are. every slam of your racket against the ball is you smashing a vase in your picture perfect mansion.

so, no, you're not happy to be coming back for the summer but all your friends are going back home and you dont want to be the one girl on campus who wont go back home - you dont want to be that girl. you're perfect over there, you're good. no one knows you hate your mother and mourn a father you dont even know the name of. no one knows you feel so alone it empties your chest out sometimes, leaves you with a pit that feels like its rotting you inside out. you're good at tennis, and you're cool and you're friendly and you have men falling all over you. they never fill that void, but its nice to feel desired. even if their age stifles you. irritates you. immaturity grinds your gears.

so, no, you're not eager to throw all that pretend and comfort away for the summer. lugging your suitcases up the pristine driveway with a scowl already in place. wondering if your mother will even notice you entering the door. probably not. probably she's already out, or making plans to be so.

anyway, you're miffed and moody and not at all prepared for when a man jogs up to you. you startle when a hand, a very tan hand connected to a strong arm - arm that has fine hair, and veins and muscles you can see - intercepts you to take the handle of your suitcase. you look up.

you look up to see the hottest man you've ever seen in your life grinning down at you. dark curls damp with sweat, heat kissed skin, freckles and seagreen eyes. tall and broad, and soaked in sweat. his tank top is practically see through, you can see through. right to his equally strong chest, which is hairy and tan looking - two twin nipples peaking, red and flushed. you throat feels dry. "uh."

"fuck, hey." he lets go of your suitcase to shake your hand. you limply let him. hes smiling at you in a practiced sort of way, almost like hes nervous. odd since hes clearly older than you. but hes trespassing, so maybe thats why. "i wanted to get cleaned up before i met you, but you're early, huh. i was just on the court - here let me."

he takes the handle of your luggage again. he seems to know you already and you squint. a familiar feeling of irritation filling you. hes not so different looking from all the help your mother has hired over the years, pool boys and yardworkers and the like. young men she could ogle. although this man does seem older - he's definitely ogle worthy. more than.

your mouth twists in a sneer. you haven't even gotten into your house and you're already dealing with your mothers shit. you can't be fucked.

"rule number one," you snap, curt, jerking your luggage back from his grip. you try to stand tall, but he still easily towers above you. no matter. you're still above him in station. "dont fucking touch my stuff."

you flick your hair behind your shoulder as you make to walk by him. you hear his sharp inhale of suprise. curious since you're definitely sure your mother has degraded him in many ways by now. he should be used to be talked down to. maybe its his first day.

he comes up in front of you again, walking backwards as you walk forwards, with a kind of ease that irritates you. he holds his hands up, placating, still smirking, which irritates you even more - "got it. got. you know she warned me about you - didn't think you'd try to bite my fucking head off so soon, though."

something in your gut sours. not new, then. your mother has spoken to.... the help, about you? this makes you uncomfortable. prickly and hot like you just found out someone had been talking shit about you behind your back. your hackles rise.

you stop in your tracks. glare at him.

"my mother spoke to you about me?"

his eyebrows - he has annoyingly smooth eyebrows, annoyingly long lashes too - lift, as if to say, 'fucking duh.' he makes a so and so motion with his hand, you glimpse a ring on one of his fingers. "here and there."

your grip around the handle of your suitcase burns its so tight. you think you could melt it with your anger if you concentrated long enough.

"and? what did the bitch say?"

a shocked laugh leaves his lips at your curse. your eyes narrow because you dont find it funny and because the longer you are around him the more you notice about him and the more attractive he noticeably is becomes apparent to you. when he lifts a hand to run it through his hair, the muscles in his arm bunch and flex under his skin - which is still very much gleaming with sweat.

"man, its fucking bad with you. the mommy issues -" he has this little smirk, one that lifts one side of his mouth more than the other. "- she said you were a fucking brat, that i shouldn't bother with trying to make a good first impression. i can kinda see why now."

yeah, you really dont appreciate his attitude. hes hot and all, but he's spoken way out of turn and you're done entertaining it. you want to go inside and flop onto your bed and scream.

you take a step forward and poke him in the chest with a manicured nail - he looks down at it, like, oh hey - sharply. "just because you have a pretty face and a big dick my moms probably sucked more than once, doesn't mean you're fuck all to me. you're still just the help. you can remember that when you're cleaning up my shit." you take your hand away, trying and failing not to smile like a bitch when his lips part in shock at your words, knocking his - fucking broad - shoulder with yours as you walk past him. you pause at the steps to turn just a little. he's looking at you with this unreadable expression, but if you'd have to guess you'd say it closely resembles amusement. "and I'd like a smoothie. have it brought up to me ASAP or I'll make your life here hell, got it?"

you raise an eyebrow.

his mouth finally snaps shut. you hate that he still looks amused. his lips just barely quirking. he works his jaw like he wants to say something but thinks better of it, biting his bottom lip instead as he looks up at you with those green eyes.

"got it."

-

its sometime later when you wake up. head a fucking rats nest. you've just managed to drag yourself out of bed and to the chair in your vanity, working a pink brush through what you can of your locks when your door flings open.

you dont even look up from the mirror. only one person wouldn't respect the privacy of a closed door and what it means.

"hello, mother." you say cooly, not taking your eyes from the mirror. you try to smooth the brush through your end strands first, coaxing your hair into submission. she's probably here to rub something in your face under the guise of saying hello. a new car she'd bought, a new boyfriend she has, a new vacation home she rented in malibu, ect.

her perfume fills your nostrils with its potent stench as she sashays into the room - your room - and perches her ass on your vanity, rudely jostling several trinkets there. your eye twitches. you brush some more of your hair.

"hello, my darling girl."

her voice is faux sweet. the pet name makes you want to flinch, recoil from its fake meaningfulness from her cold lips. they dont mean anything coming from her. you're not her darling anything. she'd treat a purse more fondly than you. yet, she calls you these sweet things sometimes. you think because it amuses her to play the part of a doting mother. she did always love acting.

you dont say anything more. work the brush. easy and slow wins the race. you remember when you used to be so frustrated with your hair you'd yank the brush through it in a rush, until your scalp bled from the stinging yanks. you'd lose clumps. an act of self harm, your therapist had told you. anxiety of not being perfect. you'd forgotten to put hair serum in your hair to make it easier to deal with before you'd fallen asleep. you shouldn't forget such things. your meeting with that man had rattled you.

"i have some wonderful news."

your mother drums her fingers on your dresser. you imagine her fingers as a witches, long and spindly. no amount of cream and lotion could hide her aging. that made your lips quirk.

"oh? what is it?"

"I've met someone."

not new. you barely restrain the urge to roll your eyes. brush some more hair. you've worked mid way to the top now. almost to the roots.

"have you." you couldn't sound more bored if you tried. really, you couldn't.

"i have." she lets out a swoony breath - "oh, hes wonderful, darling. he's different from the others. treats me like a woman ought to be treated - not that i expect you to know - and its going so well."

you've heard it all before.

"why, he's asked me to marry him!"

you hairbrush stills. you look at your mother for the first time. shes beaming. you feel sick all at once when you look down to her hand - see the ring she's flashing at you, gaudy and dramatic.

"i bought it for myself, of course. he's not the richest man - but he's wonderful! I'd like you to meet him - "

your memory flits back to hours ago, when the man you'd assumed was the help had lifted his arm, hand sifting through his hair and you'd caught a flash of something around his finger - silver in constant with his tan skin - a ring.

your lips part at the same time your brush snags on its first tangle, and footrests, heavy, thumping, a mans, approach your room. your mothers puttering is like static to you now, your eyes flitting from her to the door - and there he is. filling your doorframe. leaning against it with a kind of confidence like he belongs there. like the house is his.

"- eet patrick zweig." your mothers voice comes back to you. you imagine her mouth splitting open from how wide shes smiling - teeth flashing at you like a horse. "my husband. your new stepdad!"

she leans back against him and he wraps and arm around her easily. drops a kiss to her stiff hair, but he doesn't take his eyes off you when he does. everything about him is screaming cat that got the cream. his eyes are twinkling. his cheeks dimpling with a barely hidden grin.

"and." your mother claps. so fucking full of energy, the old bat. "he plays tennis!!! isn't that the most beautiful thing - he used to play with that - oh whats his name, honey -"

"art donaldson." patricks voice is thick and smooth. easy like syrup. he's still looking at you. pinning you with his gaze like you're one of those taxidermied bugs with its wings splayed open on display. "yeah, we used to play together. beat him a couple times."

"him, yes! oh, i told him all about your crush. dont flush, sweetheart, you had his posters in your room! and i thought- wouldn't it just be so fun if patrick and you trained together during the summer! oh, i know I've just been a mess over the years." she puts a hand to her heart - where it would be if she had one, that is - "bringing men in and out of our home. i can only imagine how lost you've felt without a proper male figure in your life. well, no more."

she pats patricks chest. hes opted out of a tank top for a soft cotton top. it hugs his frame too well.

"patrick here is all the father figure you'll need. thing's are really going to change around here, button. we'll be a family."

"a family." you echo, hollow.

"of course." patrick nods. he wants to grin so fucking had you can tell. "oh - and here you go - " he hands you a smoothie he'd been holding, you take it numbly. humiliation burns through you at the memory of how you'd talked to him before. when you'd assumed he was the help. "- that smoothie you wanted."

you stare at him. not sure what to make of any of this. your pride is shot to shit, you're embarrassed, you're angry, you're you're you're -

"and dont worry, babe." he jostles your mother under his arm. he's still. looking at you. you can see what the emotion was now - from before - worse than amusement. fucking glee. he's eating this shit up. "we'll get along just fine. won't we?"

no. no you absolutely fucking wont.

but saying that wont get you anywhere. not just yet. you set your smoothie down and try to smile. it feels wooden. this feels like a chess game suddenly, and hes knocked down one of your knights. and you have to try not to fucking scramble as you jump to defend your queen.

"sure." great move. real intimidating. that'll show him.

"yeah." he smiles at you - kisses the side of your moms head. "why don't you get dinner started, hm?"

you try not to gape as your mother preens and flushes like a housewife. your mother cooking. in the kitchen? preforming labor? doing tasks? willingly? you watch her flit out the room in a daze, wondering if fairies are real and one of them has bodysnatched your mother.

its just patrick and you now. the air in the room thickens with that fact, and you swallow. you've never felt this out of place. never felt so blindsided. not in awhile. you'd made sure of that. taken deliberate steps to adorn armor to prevent yourself from feeling this way. from feeling small. from feeling like the barely adult that you are, freshly nineteen and still so fucking confused and raw and scrambled about everything in your life. not at all like the 30 something in front of you who is a fucking man. a full adult. a full frontal lober. who's been through shit, you can tell, by the callouses on his palms, the hair on his body, his stubble, and the enormity of him in your space. in your little girl room that's still all pink ribbons and plushies on your bed and fairy lights strewn everywhere. he feels like the big bad wolf leering down at your straw fucking house, seconds away from blowing that shit to the ground.

you say nothing.

he crosses his arms and takes his time looking at you. you feel every touch of his eyes on your body, suddenly aware of how little you're wearing. just a sheer nightgown. you feel your nipples pebbling under the fabric that's definitely fucking see through and swallow.

"so."

he lets that hang in the air.

and what can you fucking say? you haven't had the time to recalibrate. you hairs still a mess.

"so.... what?"

you want to stand up - make the playing feild more even except thats a fucking joke because hes taller than you regardless. you feel pinned to the spot anyway, your muscles locked in place in your little chair. like you haven't been given permission to move. its the oddest feeling.

"she's right you know." he tells you, and he eases off the door frame, comes closer so you have to crane your neck up to look up at him. you feel demeaned. and yet, you dont look away. "things are different around here - they have been for awhile now."

you find some semblance of your fucking fire. try to hold your little straw house together. glare up at him.

"you can swing your dick around all you want and make my mom cook and clean for you but you're not the boss of me. you're not my dad."

he just looks at you. folds his lips together. his tongue peeks out to run against the front row of his teeth, wolfish.

the lean in is so jarring you nearly fall out of your chair. you do let out a squeak, jolting as your space is invaded suddenly by him, his arms braced on either side of you, one gripping the neck of your chair. his breath smells like spearmint and the chain around his neck swings back and forth as he gets in your face.

he straightens back up. casually like he didn't just rock your whole world off its fucking axis.

"you think I haven't dealt with you before? i fucking was you - spoiled little rich kid with mommy issues and no fucking daddy. s'that why you think you can stick your fucking nose up at me? dont try to play the game with the man who wrote the fucking rulebook. your display back there at being a big girl was cute, I'll give you that, but it ends there. this is my fucking house now. my fucking rules. and as long as you want to park your polished little ass here in your princess castle you'll listen to me." he does grin then, "I'm your daddy now."

"we cool?"

what can you do?

"we're cool."

he just blew your fucking straw house down.

[sophiasrant]

The batfam aren't allowed to play hide and seek with each other bc it will get dangerous and life threatening very quickly.

They aren't allowed to play with other people bc the one time they did, all of the bats went missing for a week. The supers ended up having to be called in so they could track heartbeats.