#not avatar culture

[doesephs]

it’s always ‘inuit inspired’, girl just admit you can’t be bothered to open google

[sabreurs]

sokka trying to get katara to give up on her waterbending bc it could get her killed. and katara refuses to give up and continues to practice anyway. bc sokka and katara represent the survival of both the people and the culture. sokka had the safety of their people thrust upon him by his dad, while katara is the only one in their tribe that can carry the weight of their culture. both are heavy burdens, and they're struggling with their roles bc they're just two kids trying to rebuild in the wake of genocide. but they refuse to give up, bc that's what the story is about.

holding onto hope, regardless of what you face.

[muffinlance]

I'm barely to the massacre and I can already tell I'm going to be screaming at every this-makes-no-sense decision made by the writers (your temple is under violent attack, and you evacuate the kids... to a barely enclosed corner in a prominent temple room? Instead of to the hundreds of sky bison that were highlighted as flying in earlier? Why?) (And Aang left to clear his head and think instead of to run from his duties? That's such a less compelling plot arc?) (And the show had him briefly monologue about being a goofy kid who loves pies and his friends instead of using the extended temple scene to show any of that? Didn't want to pay more child actors, did you, Netflix?)

Yeah I'm just. Going to be screaming at the screen instead of enjoying this. Different decisions aren't necessarily bad, but when those decisions seem to be in the direction of "show a man burning alive before we even get to the on-screen massacre" this is just... not the show for me.

[ranilla-bean]

culture tips for writing asian settings: naming taboo

naming taboo is a big thing in the chinese cultural sphere. essentially, there's an importance attached to personal names that to certain extent makes it taboo to say the name of/name others after important persons—and by "taboo" i mean if you violated this, you would be seriously audacious

a MAJOR example of this is the name of the emperor. historically, people whose names shared the same characters as the emperor's had to change their names when he came to power. (certain benevolent emperors might change their names to obscure characters to avoid a statewide headache.)

within the family, these taboos discourage naming children after their ancestors (i was always weirded out that bella swan could name her KID after her PARENTS). there are also elaborate naming patterns for relatives, so you don't have to call older relatives by name (like "aunt lin" or "uncle mingchi")—there are terms in chinese that mean "dad's older sister's husband" etc. this is perhaps an extreme example but i only learned my grandma's name a month ago, because no one i know will say it, and it would've been rude for me to ask.

the taboo also applies to the names of famous and important people, like historical figures. this is quite different from, for instance, the catholic practice of naming children after saints.

if i had to explain the impetus behind the taboo, i would say names can be super personal in chinese culture. up until the early 20th century, chinese people could use several names in their lifetime, with different groups of people using different ones. naming someone after an important/respected person feels audacious, like you're prematurely trying to claim some of that importance

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[ode-on-a-grecian-butt]

[animentality]

[burst-of-iridescent]

South Asian and Hindu Influences in ATLA (Part 1)

disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.

please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.

it's well-known that atla draws from indigenous, east and southeast asian influences, but something i rarely see discussed in the fandom is the influences the show takes from hinduism and south asia, and there are actually far more than i think people are aware of.

so here's a (non-exhaustive list) of the main inspirations atla drew from south asian culture and hinduism, starting with...

The Avatar

the title of the show itself is taken from the ancient language of sanskrit, often considered the sacred tongue of the hindu religion. in sanskrit, the word "avatar" means to "descend" or "alight".

the concept of the avatar is a very old one, referring to the physical incarnation of a powerful deity or spirit. the idea of the avatar is most often linked to the god Vishnu, one of three supreme hindu gods collectively called the trimurti, or trinity. the avatar is said to manifest upon earth primarily in times of great need, when balance must be maintained between the forces of good and evil.

atla borrows heavily from this idea in having aang be the incarnation of a divine spirit who returns to the world during a time of immense strife, and is tasked with defeating a great evil to bring balance back to the world. and though i don't know if it was an intentional reference, it's interesting to note that Krishna, the most famous incarnation of Vishnu was also reborn amidst a fierce storm and carried through a raging sea to a new home where he would be protected from the king who sought to kill him. sounds a little familiar, doesn't it?

Agni Kai and the Philosophy of Firebending

the word "agni" derives from the sanskrit name Agni, the god of fire, though it can also generally mean "fire".

the concepts of lightning bending and the sun being the source of firebending are likely also taken from the idea of Agni, since he's said to exist simultaneously in three different forms on three different dimensions: as fire on earth, as lightning in the atmosphere, and as the sun in the sky.

Agni is a significant aspect of many rituals, including marriage rites, death rites, and the festivals of holi and diwali. the concept of Agni is one of duality: life and death, rebirth and destruction. hindu rituals accept and celebrate both aspects, revolving around the idea that destruction is not separate from creation, but rather necessary to facilitate it. the cremation of the dead, for instance, is seen as purification, not destruction: burning away the physical form so the soul is unencumbered, set free to continue the reincarnation cycle.

this influence can be seen in the firebending masters episode, which discusses the idea of fire being vital to life. the sun warriors safeguarding the original fire and demanding that zuko and aang bring fire to the dragons as a sacrifice could also reference the ritual of Agnihotra - the ritual of keeping a fire at the home hearth and making offerings to it. the purpose of this ritual differs depending on which text you refer to, but it is generally believed to purify the person and atmosphere in which it is performed, similar to how zuko and aang must make offerings to ran and shaw and survive their fire before being deemed worthy and pure.

Agnihotra is said to serve as a symbolic reminder of the vitality and importance of fire as the driving force of life, a lesson that zuko and aang also internalize from their encounter with the dragons.

Bumi

bumi's name is taken from the sanskrit word "bhumi", which means "earth". it's also the name of the hindu goddess of the earth, bumi or bhudevi.

one of the things the original animation didn't do and which i really enjoyed about the live action was that they made bumi indian and added desi inspiration to omashu. it makes perfect sense for a king whose name is as hindu-inspired as they come.

NWT Royal Palace

chief arnook's palace in the northern water tribe takes inspiration from the gopurams of hindu temples, massive pyramidal structures that served as entrance towers to the temple.

gopurams were built tall enough to be seen for miles around, beacons to signal tired or weary travellers who wished for a place to rest that a temple was nearby. it's a nice touch that the chief's palace is located in front of the spirit oasis, a similarly symbolic entryway to a sanctuary housing otherworldly deities.

Betrothal Necklaces

to preface: i doubt this was an intentional reference, and this great post talks about other cultures that could have inspired the water tribe betrothal necklaces. given the desi influence in the nwt architecture however, i figured it was worth mentioning.

the idea of betrothal necklaces being given to women by their male partners is similar to the thaali, a necklace given to hindu wives by their husbands. during hindu weddings, grooms tie the thaali around their brides' necks to symbolize their marriage. once given, wives are expected to wear their thaali till the day they die, as doing so is believed to bring good luck, health and prosperity to their husbands.

Chi-Blocking

though chi-blocking takes primary inspiration from the art of Dim Mak, it is also influenced by the south indian martial arts forms of adimurai and kalaripayattu, both of which include techniques of striking vital points in the body to disable or kill an opponent.

kalaripayattu also shares parallels with firebending, being a very physically demanding, aggressive martial art that emphasises the importance of discipline and mental fortitude. control of the mind is essential to control of the body, a philosophy similar to that espoused by iroh across the show.

Wan Shi Tong's Library

the library draws inspiration partly from the taj mahal, the famous mausoleum constructed by shah jahan during the mughal empire as a monument to his beloved wife, mumtaz mahal.

i'll end this post here since it's getting too long as it is, and the following section will be even longer. for while atla treated the concepts in this post with respect, the same unfortunately cannot be said for its depiction of guru pathik and combustion man - both of which we'll be discussing next.

[chaos-company]

Angstpril 2024

Hi everyone!

It’s that time of year again! We are excited to announce that we are hosting the event again this year!

All prompts, FAQs and rules can be found in the graphics and below the cut! 

Prompts:

1. homesick

2. frozen

3. broken-hearted

4. longing

5. rise from the ashes

6. this isn’t going to work

7. bad dreams

8. lost battle

9. trust issues

10. phantom pain

11. no way out

12. a little too late

13. learning the truth

14. surrender

15. confrontation

16. cry for help

17. last chance

18. left behind

19. trembling

20. broken

21. faking a smile

22. drained

23. swept away

24. the ghost of you

25. cold shoulder

26. grief

27. panicked

28. never see you again

29. betrayal

30. the last time

Alt Prompts:

1. troubled mind

2. not strong enough

3. you were never mine

4. the night we met

5. mental scars

6. miscommunication

7. jealousy

8.rock and a hard place

9. emotionally distant

10. paranoid

Rules

All posted content must be your original content. The use of AI for creation of any kind is prohibited.

All tags must be utilized in order to be reblogged. NOTE: the mods are human beings, so not all works will automatically be reblogged, even if all tagging is correct.

Any art form is acceptable, including original writing, gif sets and fan art.

FAQs

“Do I have to create for all thirty days?”

- Not at all! Feel free to jump in whenever you’d like. This is a creation event, so create as much or as little as you want! However, if you want to be entered in the shout out post, you must participate in all 30 days.

“Can I post a creation after the day has already passed?”

- Yes! You’re welcome to post for a prompt day even after the date, just be sure to tag with which day and prompt you’ve created for! You will only be eligibile for the shoutout post if you complete all 30 days within the month of April.

“What if I don’t understand/like a prompt?”

- We have a list of 10 alt prompts for you to choose from if you don’t like the main 30. Feel free to use our alternate prompts for any day, and if there’s any confusion send us an ask!

[atlaculture]

Cultural Practices: Pai Sho - The Game

I'm honestly a little embarrassed it took me this long to get to this topic! As always, credit goes to @atla-lore-archive for saving all the neat ATLA tidbits and concept art from the old Nick website.

Pai Sho (牌數), meaning "several game pieces" in Chinese, takes inspiration from a few different table games:

Its most obvious influence is the German game Sternhalma, known in the English-speaking world as Chinese Checkers. Like Chinese Checkers, the game is played on a circular board.

The lines on the board and the circular tiles are reminiscent of Xiàng​qí (象棋), known in the English-speaking world as Chinese Chess. The pieces often being positioned on the intersection of lines is also very similar to Chinese Chess.

The game's four player limit and visually creative tiles are reminiscent of Mahjong (麻将), China's most famous tile game. In particular, the iconic white lotus tile appears to draw heavily from the classic Mahjong one-dot tile.

Finally, the name Pai Sho was likely inspired by Pai Gow (牌九), meaning "nine game pieces" in Cantonese--- which is both a domino game and a style of poker.

Just like ATLA's animals, it seems that Pai Sho is a fusion of different real life sources. In the next posts, I'll be covering the symbolism and cultural significance behind each Pai Sho tile shown in ATLA.

Like what I’m doing? Tips always appreciated, never expected. ^_^

https://ko-fi.com/atlaculture

[lilith-91]

Oh my god i'm glad that atla fandom is finally discussing about this, i hate that episode with a burning passion 😭

And i hate this mf

[longing-for-rain]

regarding aang becoming offended bc of his portrayal as a woman in ember island players, i think his anger was justified on that specific occassion? I mean, the fire nation was mocking his gentle nature and pacifism by portraying him as a blithering naive idiot who never took things seriously and the belittling of his culture and beliefs. This is one of the worst episodes for him, dont get me wrong, but in this case, femininity was utilized as a source of derision and weakness imo. I dont say this with bad intentions, just thought i would write this bc i also condemned aang for the same thing before

If that was what Aang was upset about I might be inclined to agree, but everything he says and does throughout that episode points to the contrary. Aang doesn’t say anything about the incorrect portrayal of his culture and personal values. Here is what he does say:

[Note: the above expression is before the actress hardly says anything so he’s clearly just mad about the fact that she’s female]

Aang: [angrily] Is that a woman playing me?

Aang: I don't do that! That's not what I'm like! And I'm not a woman!

[Note: the official script includes the emphasis; again, it’s very obvious that he’s most bothered by being played by a woman]

Then this exchange:

Toph: I don't know, you are more in touch with your feminine side than most guys.

Aang: [Standing up, angrily] Argh!

Katara: Relax, Aang. They're not accurate portrayals. It's not like I'm a preachy crybaby who can't resist giving overemotional speeches about hope all the time. [Everyone looks at her] What?

Aang: [Turns around and sits down. Sarcastically.] Yeah, that's not you at all.

You know what I love about this conversation is that is proves two things at once. Firstly, yet again, it’s clear that being portrayed by a woman is what is most upsetting to Aang. Secondly, his reaction (and, honestly, insult) to Katara’s values here shows that he’s not thinking that deeply about this. It has nothing to do with values. Aang is offended at the idea that he is being portrayed by a woman and with more “feminine” qualities, which honestly plays well with his creepy, possessive behavior with Katara later this same episode.

And I actually do like the fact that you brought up femininity being used as “a source of derision and weakness” because guess what! That’s the definition of femininity itself. Femininity doesn’t mean simply being a woman; femininity is the social behaviors and roles that women are expected to fulfill. Which is why I don’t have any sympathy for a man who is offended by being called feminine or compared to a woman because it’s reflective of a deeply misogynistic attitude on his part. If Aang thinks femininity is so degrading and weak, what does that say about the fact he expects his crush to behave that way? I mean, this is what he thinks of Katara, through his own perspective:

So yeah, that’s my question. If being compared to a woman is so insulting and humiliating to Aang, what does that say about how he intuitively views actual women? Why does he think he’s above that treatment but women aren’t? People act like I’m crazy for saying that he exhibits toxic masculinity this episode but this only furthers that point.

Oh and before someone jumps in here and acts like this goes both ways, let me point you to this:

Toph’s reaction to finding out she’s being played by a big, buff, stereotypically-masculine man. She’s thrilled! Why? Because we are products of a misogynistic society and therefore intuitively view being compared to a man as a compliment and a woman as an insult. The respective roles assigned to each are not equal. Masculinity and femininity were never equal and the system was deliberately created that way. You can see this idea ingrained in the writing of this episode because it’s a bias we all hold to some degree, including the writing and creative team here.

So I’m sorry, but considering the bias clearly present within the writing team and the way the characters behave this episode, it’s clear to me that Aang’s reaction has nothing to do with his culture and everything to do with his misogyny.

[kayjaydee17]

I am still not over how funny it was when someone in the Avatar fandom saw incest fics on AO3 and couldn't believe they had to block people "on AO3 of all places".

As though AO3 isn't a platform built on maximum inclusiveness. As though the post that originated AO3 didn't state that an essential part of the archive would be to allow "ANYTHING".

Like. My guy. This was a platform built by the people tired of censorship and huge chunks of fandom disappearing overnight. Don't be shocked that the incest shippers are here "of all places".

[muffinlance]

Wait, what’s going on with Embers???? That fic has been on my read later list since 2021, what’s happened with it???

Brief overview, then I'm likely never touching this topic again, because this is not a Drama Blog:

Context: Embers is a super old AtLA fic that was written during the early fandom days, read widely at the time, and was the origin of the widely-used fanon name of "Wani" for Zuko's ship (kind of by default that it was one of the first popular fics to give his ship a name, I think?), even though most fic writers don't seem to realize it's from there anymore.

"What's Going On": I used to include a link in all my stories to it, because I believe in crediting other writers for borrowed elements, and I was using "Wani" in all my fics. But BOY did I not want to be sending readers that way anymore, so I've adopted a new name for Zuko's ship, and removed all Embers links.

None of the criticisms about Embers itself are new; I'm assuming they date back to when the fic was being written, because this isn't an "it aged badly" thing, this is an "actually yeah this gets worse the longer you think about it and I shouldn't have ignored my bad feelings just because some of the worldbuilding was interesting" thing.

An Incomplete List of Why I Made the Change:

I don't actually like the story that much anymore, and don't want to rec it

I tried to re-read it recently to see if some things were as bad as I remembered and it turns out they were So Much Worse Oh Yikes. More specifically, the treatment of Katara and Aang and their respective cultures has... rather a lot going on. One example: The Fire Nation and Air Nomads are both given multiple backstory elements in an attempt to make the average Fire Nation soldier's participation in the genocide/war in large part the fault of the Avatar and the Air Nomads themselves, and also fully justified from the Fire Nation perspective. And I do mean fully. One of its core tenants is "People from the Fire Nation (and only people from the Fire Nation) who don't follow orders Literally Die, therefore murdering pacifists and babies and continuing the war (and their regularly scheduled war crimes) is the only thing it is physically possible for them to do". I cannot emphasize enough how literal that is.

Also the name "Wani" means "Alligator" and is... objectively a pretty lame name for Zuko's ship? Where's the personality, where's the deeper meaning, where's the resonance with Zuko's themes? @tuktukpodfics initially thought I was calling the ship "Wanyi", and that's what I've switched to, because it is Objectively So Much Better. In their words: “Wànyī (萬一): Literally ‘one in ten thousand,’ ‘perchance.’ Used grammatically in Chinese to mean ‘what if’ or ‘just in case.’ I think a ship called ‘The Perchance’ is perfect for a boy clinging to false hope.”

TL:DR; I don't rec Embers anymore, because I don't actually like the story anymore, and there are things about it that get worse the more I think on them. I've removed links to it and renamed Zuko's ship to "Wanyi" ("The Perchance") because our boy deserves a ship name that reflects his character arc.

[ranilla-bean]

culture tips for writing asian settings: tea varieTEAs

atla's got major Tea Guy representation in iroh but let's be real, even non-tea guys are going to be drinking tea in an asian-inspired setting—you'd be served it instead of water most places. so, what kind of tea are you picking for them?

as an east asian reader, it can take me out of the setting to see the characters drink something like chamomile (from europe/west asia) or... most herbal teas, to be honest. ngl it was weird to see iroh in the show, characterised as a huuuuuuge tea snob, drink stuff like jasmine (it's fine it's just basic, is all! imo!) or like.... a random flower he encounters in the wild.

when we're talking tea, real asian tea, we're talking about the leaf of the camellia sinensis plant. the huge variety we have of tea is actually from the different ways of processing that exact same leaf. popular varieties include:

green: the leaf goes through minimal processing, can have a bright and even leafy/grassy flavour (examples: gunpowder, longjing aka dragon well, matcha, genmaicha)

white: also undergoes minimal processing, with a lighter flavour than even green (examples: silver needle, shou mei)

oolong: the leaf is semi-oxidised, curled, and twisted—can be characterised by a tanniny flavour with a bright aftertaste. my personal favourite! (examples: da hong pao, tieguanyin, dong ding, alishan)

dark (black): note this isn't the same as black tea as we think of it in english. the leaf is fermented to produce an earthy tea with a flavour like petrichor (examples: pu'er)

all the teas listed in the "examples" are fairly credible teas that i think a real tea snob like iroh would drink.

ok, but what about...

"black tea" as we know it in the west—assam and ceylon etc? this variety is actually called "red tea" in chinese. we don't drink it with milk but to be honest, i've just... never really heard of anyone drinking chinese red tea? which is why i've kept it off the list. (there's lapsang souchong, but i associate that with bri'ish people...) anyone who does drink it, let me know! on the other hand something like assam/ceylon, while extremely delicious and also asian, is a product of british colonialism and is consumed with milk. i think if you wanted to massage some of the traditions & have chai-drinking indian-influenced characters, though, that's cool!

do you actually not drink herbal tea? we do... but a lot of it is considered medicinal. we've got stuff like herbal "cooling tea" with ingredients like sour plum, mesona, or crysanthemum; tea that warms you up like ginseng or ginger. the whole concept of hot/cold in chinese medicine though... that deserves another culture post

camellia leaf murdered my family & i have a grudge against it; what else can my blorbos drink? there'a some good, tasty stuff made of wheat, barley, buckwheat, even soybean. wouldn't be egregious for the characters to drink that!

is milk sacriligeous? a real tea snob would think so, but a lot of asians nowadays are chill about milk in tea—usually in western-influenced red tea. hong kong, thailand, india, taiwan, and malaysia (among others) have their own cultures of milk tea, which has even become a democratic rallying point.

what do you think of iroh inventing bubble tea? my main issue with it is it's anachronistic! it was invented in taiwan in the late 20th century, but atla's set in the equivalent of the mid-19th century... you could also make arguments about whether iroh's too snobby about tea to invent it LOL

there's soooo much more i can say about all this so: keep your eyes peeled! i'll talk about medicine & tea ceremony in the near future <3

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[zukosfate]

Zuko uses a last name while in Ba Sing Se, his forged passport says 土國護照 洪禮 "Earth Kingdom passport, Hong Li"

[haveyoureadthisfanfic]

Summary: It’s supposed to be a one night stand. Pick up some guy at a bar, barely remember his name and never learn anything real about him, send him packing in the morning with a thanks for the ride and a cup of coffee to-go. That’s how it’s supposed to go. But then it’s the best sex Sokka has ever had, and he thinks he’ll hate himself if he never gets to have it again. or: My Cat Likes My Fuckbuddy And I'm Falling In Love With Him Over It

Author: @goldrushzukka