#not because we need to fight to survive but because we love being alive.

[treba-neco-napise]

i hate having four fucking ads on a 20-minute podcast episode.

(it's a rant, enjoy.)

no, i don't want to get your shitting plus subscription, i don't even pay for 95% of the films and shows i watch online. stop fucking begging for patrons, it's not our problem you want to do this full-time. good for you if you do it but it's not somehow our duty to get you there just because you're a creator. not everyone can afford 60 fucking subscriptions. instead of people getting the minimum to at least get by as a basic human right, i bet like 85% of creatives online are making elite clubs on patreon and shit for those who have spare money. i get that you need it, but so many people (especially PDA neurodivergents) are extremely put off by being asked to pay and won't do it (like me) just because of that. i've encountered art that had the option to pay without requiring it, and I did. because they deserved it anyway, and they understood the classism and capitalism ingrained in the internet creative culture and that a lot of people don't have the means to become members of the club. i'm planning on starting a podcast, been wanting to publish fiction in paper since i was a kid, and i still want to make all that 100% free with the option of payment, because i believe that knowledge, stories and art should be accessible to anyone, regardless of financial situation (what do you think libraries are for, hm?????). when it's not, that's when elitism starts to rise and i'm just too tired for that shit. the empty snobbery culture around modern art alone is driving me insane.

Starkid has been recording their performances for years and guess what - they're massive, they sell out, people attend their live plays for the experience, but those who can't are still able to be a part of the fandom (as opposed to broadway musicals that get shared through bootlegs, hm) and they don't expect their fans to be responsible for their means of living. people who want to see a live performance, to buy your book in a bookshop professionally bound and keep it, to thank you for making your day by buying you a coffee will do so of their own free will. don't beg them to pay for your groceries if you made the choice to put your art out there. it's the system that is responsible for taking care of your basic needs, not your fans.

[hearts401]

"Of course the moment you left, you died. You know I'm alone now, right? To pick up YOUR mess. And knowing you, you're not coming back as one of those freaks. you're leaving me to deal with this. It should've been you to go, Afton. Your brother would've had more sense."

[spicyhamsamson]

I am. So fucking tired of Batman being portrayed as a bad parent and a toxic person. And it’s so goddamn widespread. Fuck, it might be as bad as the whole “Superman being a kindhearted Boy Scout is boring” take.

I get it, the man’s not exactly stable, he watched his parents get murdered in front of him and spent years of his life training to fight crime dressed like a giant scary bat, of course he’s not perfect.

But to say that Bruce Wayne isn’t caring, isn’t empathetic, to call him abusive…it just misses the point of who the character is to me.

Why do you think he fights crime? Yes, part of it is because he’s bitter and sad because his parents were cruelly ripped from him as a child, and he’s lashing out against the corruption of his city. It’s arguably the focus of his earlier years. But he learns to become more than that. He learns to bring hope, a chance to be better.

Harleen Quinzel is the Joker’s right hand lady, but she’s also a victim of an abusive relationship and a woman with a surprisingly strong moral compass and a love for animals, and wants to get better. That’s why we see time and time again that he has a noticeable soft spot for her, because he knows that she’s a good person at her core.

Harvey Dent is a man who will decide someone’s fate on a coin toss(and a pretty inaccurate depiction of DID), but he’s also Bruce’s close friend who clearly needs help learning to live with his condition, rather than try to get rid of it, and someone who he still goes out of his way to visit, even after everything, because he recognizes he’s not just a criminal with a weird gimmick, he’s a man who is struggling with a condition that he’s mishandled his whole life.

Victor Fries is a cold, emotionless man who will callously discard allies and blame them for being careless, but he’s also a man who’s either lashing out because he had the love of his life taken from him, or just desperate to make sure she isn’t taken from him, and is willing to do anything just to guarantee her survival. Of course Batman would understand, his whole life was defined by having people he loved taken away from him.

Even the Joker, arguably one of the most morally bankrupt characters in all of fiction, is someone that Batman has offered a chance to. After the guy shoots the daughter of his friend, a girl he cared for like she was his own kid, and paralyzes her from the waist down, he tells the Joker that he doesn’t want to hurt him. He wants to get him help. He looks at this monster who has taken countless lives and says “You don’t have to be alone.”

For fuck’s sake, he sat with Joe Chill in his last moments so that he wouldn’t be alone. Joe Chill, the man who murdered his parents, who took so much from him, the person responsible for all of the misery and suffering he’s gone through. And he sits with the man to comfort him while dies. Do you know how much emotional intelligence and maturity that must take? To comfort someone who arguably ruined your life?

And you’re gonna tell me the man who did that would abuse his kids?

That he’d hold up the young man whose death was his greatest failure, the boy he grieved, and say this?

That he’d look his goddamn son in the eyes and say this to him?

Why the FUCK do you think he took in Dick Grayson in the first place? It wasn’t because he saw the kid and thought “Ah. A potential soldier.”, it was because he saw a boy experiencing the same heartbreaking loss he had so many years ago, and wanted to make sure he didn’t end up as bitter and miserable as he was.

Why do you think he smiled when Tim Drake presented him a broken watch for Father’s Day? Because he was just happy to see the boy alive and safe.

DAMIAN LITERALLY POINTED AT A COW AND SAID “I’m keeping her. She’s Bat-Cow.” AND BRUCE JUST WENT WITH IT. DIDN’T EVEN NEED TO ARGUE WHY BRUCE SHOULD LET HIM KEEP HER. HE SAID “this cow is my pet now” AND BRUCE SAID “aight, bet”.

The thing about Batman is that he wants to make sure nobody else ends up feeling the way he does. That’s not just about stopping a mugger so a boy’s parents aren’t gunned down. It’s about giving his loved ones the support and care that he couldn’t have, because it was taken from him. It’s about comforting someone who just went through a traumatic experience and letting them know that they’re going to be okay. It’s about going to someone locked away in a cell who thinks that they’re a lost cause and a burden to society and telling them that he wants to help them get better. It’s about EMPATHY and COMPASSION.

That’s what makes him a HERO. He’s meant to inspire us, to show us that we can have that same empathy for others around us, that we can turn our suffering into hope for a better future.

I just wish more people at DC would start recognizing that. But I might as well follow that example myself. Maybe through this struggle of having to see this hero mistreat the people around him and act like a grade-A jackass, people will start to recognize that missing compassion, and slowly but surely, it might come back. After all, what is this post, if not trying to bring attention to the matter in the hopes of fixing it?

[stubz]

Injuries and a ship invasion, no one dies

"Why do they let humans take care of our younglings? If it hadn't been for the coalition then it would've been another century till they realize our existence. Their senses have dulled to the point where its laughable that they are the dominating species of their planet. And lets not forget the fact that they're at constant war with each other over the most stupidest things, color of skin, where one lives, who they love, what they believe, etc."

"Calis stop it! Your being a xenophobe. And while some of that is true you should know by now that the humans care deeply for our children."

"I am simply being concerned parent who worries for their young's safety and well-being...we are in a dangerous area right now, the middle of a war zone, and it would make me feel safer if we had some others at the care centre till reinforcements arrive."

"Trust me my brightest, the humans will do everything they can to ensure the safety of our Dali...and knowing them they'll likely surprise you and live up to their reputation."

"...fine, fine, I apologize, you are right. The humans have surprised me so far, what's one more?"

.

..

...

....

"WHERE IS DALI?! WHERE IS MY YOUNGLING CAPTAIN!"

"Calis calm down! Your arm!"

"NO! YOU DON'T GET TO TELL ME TO CALM DOWN WHEN ENEMY FORCES HAVE INVADED OUR SHIP AND NONE OF US CAN FIND OUR YOUNG!!"

"Calis, your hurt and so is your partner. Think of Gala, they need you right now."

"...Gala is hurt because they were looking for Dali. They got shot because they were heading to the centre...I have to find Dali. For Gala, Captain."

"I'm sure that Kim and Max are doing everything they can to keep them safe."

"With all do respect Captain, how could 2 unarmed humans survive what our force couldn't."

"...I don't know but its probably going to be one hell of a story we'll be telling for the ages. Now go get your arm treated. That's an order."

.

..

...

....

"WE FOUND THEM!"

"CAPTAIN WE FOUND THE YOUNGLINGS!"

"WE NEED A CRANK AND SEND EVERY AVAILABLE MEDIC!"

"oh great stars please no...nonononono DALI!" the Delzah rushed forward, breaking through the search party, only to be stopped by their captain.

"Calis...you have to let them do their job. We, we just have to hope." he could not help the hitch in his breath. Hoping, praying, that his own child was okay underneath the wreckage that was once the youngling care centre.

They fight and thrash until eventually grief overtakes them. They collapse into the captain's arms wailing.

"...what hope do I have that my child is alive under all that rubble. Captain...the only hope I have is that they died quick and that they are with the stars now..."

"Oh Calis..." he sobs. He knows it. There was hardly a chance that anyone was still alive underneath there. Only the strongest younglings who were from a strong species may survive and his child was not one of those few. They were strong but his child was like him...a runt, the joke of the family. Too small, too weak, too soft. She was surely dead...why couldn't it have been him?

"MAPA!"

"PAPA!"

One by one, children emerge from an opening made in the rubble, and at the front of them was Dali and a small feline like child.

"my glorious star" flinging themself from the Captain Calis dragged themself to meet Dali who leaped into their Mapa's arms.

The captain was not too far behind, running to his daughter and cradling her close. Words were not exchanged but Calis could feel the vibrations coming from their purrs.

"See...I told you they would be waiting..."

last to emerge from the rubble was the humans, carried out on stretchers. Only one was conscious. Glass glittered from their skin, dirt and dust blended with vibrant red blood, staining their white bandages, and a rebar was poking out of the unconscious one's side.

"You...got everyone right?"

"Yes, human Max."

"Good...that's good..." and finally did they lose consciousness.

.

..

...

....

"Apparently they covered the windows and hid the kids in the storage room, putting them to the farthest corner while they formed a human wall in front of the door.

When those quiznaking bastards couldn't break down the door they rigged the centre with explosives. Lucky for us the humans personally requested that the storage room be made durable for the equivalent of their disasters on earth so it held up decently well."

"But how did they get so injured?"

"Decently well, meaning the room wasn't completely stable. Eventually the walls started to give and the humans had to improvise by becoming the new pillars. They took shifts until they both had to hold up the weight for what the kids guess to be 3 hours...imagine holding up all of that weight until you were on your hands and knees with rebars, broken glass, and debris piercing into your body."

"...Gala said that Human Max nearly flatlined and Human Kim needed 2 liters of blood."

"You seem confused."

"...Humans are impressive but how did they do all of that? They were already injured and yet managed to hold up a collapsed ceiling for hours until help arrived, I thought they were completely average and even weaker than us."

"Apparently when their loved ones, especially children, are in danger they tap into their more primal instincts. Allowing them to withstand a shot to the side, a slab of concrete to the head, and hours of keeping a ceiling from collapsing until they know everyone is safe.

Heard a story of a human who died only after he saw his kids was safe from a fire."

"Looks like Gala was right. Humans have surprised me once again."

[anqelically]

FOREVER AND ALWAYS

WARNINGS. sanemi shinazugawa x gn!reader, 0.6k words, fluff, au where everyone lives after the final battle (including y/n) so no spoilers

NAVI | KNY MASTERLIST | PT.1

“daddy! daddy, look! i’m flying like a bird!”

“my airplane can fly better. dad, look at this!”

your hand reached for the knife by your side as someone yelled beside you, “look at the two of you go! i’m watching, i promise.”

“hmm, if i had to say, you’re not watching at all, sanemi.”

“genya and tokito are handling them fine. while they’re busy, i get to spend time with my partner.”

partner— the name sanemi called you still felt unfamiliar to your ears. 5 years ago, you thought the two of you would never be anything beyond friends. but during the final fight with muzan, you couldn’t help but confess. you thought it’d be your last few minutes alive, so, bleeding out on the floor, the two of you confessed your love for one another. more importantly…

“what if… what if we both lived long enough to see a world without demons?”

sanemi answered, “that’s simple. i would have married you in an instant, y/n.”

“then marry me when i meet you again. when you pass, in some decades, find me in the afterlife and marry me. i’ll still love you, sanemi. always and forever.”

although he promised to marry you in the afterlife, there was no need because the two of you survived. you remembered waking up in the butterfly estate, body sore despite the months you were asleep and left to recover

sanemi had already risen a month before and had been anticipating your awakening. the moment he heard, the former wind hashira had run straight for the room you rested in. and despite how irrational it was, and corny in his eyes, he told you he’d marry you as soon as you were able to leave.

albeit heavily injured, all the hashira had miraculously survived to see a world without demons. the demon corps disbanded, and sanemi decided to move with you into a house closer to town. 

a few months passed and the two of you had exchanged your vows. then nearly 2 years later, the two of you were welcoming your first child into the world. your eldest was a boy who took most of your husband’s features, and your second child was a girl that looked like an even mix of you and sanemi.

both children, as much as they loved you, had favored your husband. they often nagged him and were attached to his hip. you always found it endearing and were more than happy to watch them cling to your husband. your son often hung from his arm, and your daughter hugged sanemi’s leg as he walked towards you, signaling for help.

“we best appreciate their clinginess while we can. they’ll grow up before we know it.”

the white-haired man hummed, snaking his arms around your waist, “yeah, but they always cut our time short. we’ll be too old before we know it.”

your eyes traveled down to your hand. the hand that once wielded a nichirin blade now held a kitchen knife, and instead of slaying demons, the only thing you had to cut was meat and vegetables. you adjusted your grip and began to cut some carrots.

“that’s how it goes, babe. isn’t it crazy to think it’s been 5 years since everything?”

“i guess, yeah. i’m more surprised that we all survived it,” his grip loosened. sanemi did not say it, but you knew he was referring to you.

“well, let us be glad that we’re here,” you placed the knife down and turned around to face him. you brought your arms around his neck and let your hands hang loose while sanemi placed his hands on your waist. “i love you, sanemi shinazugawa.”

the two of you were now living happily. all the hard training, the heartbreak, the struggles— all of it led to now. sanemi’s eyes briefly traveled to your children, who were now being carried on genya and muichiro’s backs with smiles on their faces.

you heard the children laughing before his lips met yours softly, “i love you, y/n l/n. forever and always.”

NOTE. your alternate, happy ending for those who asked 😛

—requests are open + join my taglist !

@aureatchi + @abcdefbeom the 2nd part you asked for :)

[slickfordain]

POOKS I HAVE AN IDEA

Ahem...yandere aiden, logan, tyler n ash or whoever u want w WEAK READER N YK THEY R PRETTY OVERPROTECTIVD OF HER WHY? bc she is fragile af-- always manage to get herself injured in the most dunb ways possible n how tf is she gonna manage to survive in this realm? She needs them ‼️‼️

𝕭𝖗𝖚𝖙𝖆𝖑 𝖗𝖊𝖆𝖑𝖎𝖙𝖞 // School Bus Graveyard

TW: Yandere themed, NO NSFW, gore/injuries mentioned, fragile!female!reader who is paranoid and anxious, AU explanation-wise writing? It’s kind of short but it’s like an explanation what my SBG x reader AU is;;u ;

You don’t know how you even ended up here in this situation…. Restless sleep, insomnia, hallucinations,— Ah… Who am I kidding? You knew exactly what was happening and it all started way back when you were ordered to tutor around the new students. Being the one who wasn’t new, it was hard to keep a conversation with them because….. One would keep her distance away, one would be thrilled to nag the girl who distanced away, the twins didn’t give a damn, and… Ben and Logan were probably the only ones who ever offered to listen to you.

However despite those hours you eventually got to bond with them, all because of… Well…. You tripping down the stairs all of the sudden until Ashlyn caught you. And that’s where the spark happened… That’s what clicked in Ashlyn’s mind to suddenly want to protect you, with you in her arms looking hopeless and defenseless. The group claimed you as their pink princess but, you didn’t thought much of it….

And why they even bother to call you that, you still felt loved at least by your friends.

But… Every time you walk home after hanging out with them, especially on that trip, your hands wouldn’t stop shaking. The thought of that hideous creature behind Ashlyn…. You haven’t left your house since then, and gave excuses to your teacher even for him to understand.

You’ve never felt anything weird like this before… The ones you are looking to avoid were mostly creepy men, or just in general a group of people who you think could possibly bully you, or take advantage.

So why? Why did you suddenly have to endure horror?

❝[NAME]!!!❞

You’ve impaled yourself on accident by trying to get away from a monster, you’ve tripped and fallen into a dark void where you died by the fall, you even somehow died by trying to save Tyler, but you ended up dying anyways! It was getting so… So much harder…

You’ve gotten injured. Over, and over, and over again. It’s pissing Ashlyn, Aiden, Tyler— everyone off. It was as if they saw life flash before their eyes…. And while you’re alive in the real world, with no scratches or injuries, they couldn’t afford to lose you again. To make you hopeless, to make you unable to walk.

It was another dream, another dream where suddenly you’re locked in the bird cage Aiden had somehow decided to buy… You stared confused, yearning for an explanation…. But the boys and girls wouldn’t give you any.

❝Guys..? Please… I thought we were a team..❞

❝Princess… We are! We swear…! Please don’t take it badly! We’re doing this for your own good…❞

You couldn’t really argue with them. You’re just tired and you have been unable to get proper sleep… You suppose it’s okay but… It wasn’t getting better as you thought it would. Despite dreams having you only locked up every now and then, in the morning in reality- you are FOLLOWED constantly by either the twins, Ashlyn, Aiden, or Ben… Logan? Probably cameras in your house (not your bedroom or bathroom) to ensure you made it home safely.

It’s getting out of hand. It’s going bizarre, but are you doing something about it? NO! Their parents scares you! You don’t want to break your friendship either… You knew how easily broken they’d be… And… You don’t want to handle or deal with Aiden’s family, nor do you wanna karate with Ashlyn’s mother. You can’t even fight!

So the only thing you could do was just… Accept it as it is. And let it be… Although you probably aren’t aware that the parents adores you, finding you so sweet and matchable for their little children. You don’t pay attention to that, all you could focus on were your eyebags and your injured body…. There wasn’t anything, reality-wise, but God it stung that you could barely make it through school. Even though I kind of said you give excuses…. You still had to do exams for at least collage….

Don’t take them wrong, they’d love for you to stay safe and to not join the horror attraction… But also, after the reveal when the parents could also see the demonic creatures, it instantly clicks that you weren’t safe. Nor were your parents. (Don’t give a damn about your parents, they don’t like them)

They need you. They constantly need you. They can’t have you out of your cage, but they can’t have you out of the dreams as well…. Which considers leading it to having you as some sort of a motivation. They need you to support them for everything they do.

So when the parents are going into that situation, it’s best to believe they NEED you with them so nobody in reality can kidnap you while they’re asleep…. Fighting off monsters, you know?

And the shady guys? Do not worry a single thing about them at all.

I mean, what more could you possibly do than to be stuck in your own bedroom or classroom? You’re going nowhere near the stores or arcade. Not after that Logan incident, that is….

[thepunkranger]

So I was thinking about Claire Redfield (as you do) and how much of an insane badass she is for not only holding her own in Raccoon City, but also protecting a child throughout the entire nightmare, and specifically how, for all intents and purposes, Claire in Resident Evil 2 during Raccoon City and Ashley in Resident Evil 4 are the closest thing to peers that they have.

Both of them are college-aged girls with zero combat/survival experience who've been dropped into a zombie-infested hellhole and have to find their way out, but Ashley is so starkly different of a character to Claire.

From a writing standpoint, Ashley is a very literal damsel in distress character. She's young, she's inexperienced, and she does, in fact, need a man to save her (no shade, I'd probably need Leon and his rippling abs to save me too). Now, she does grow significantly as a character throughout the events of the fourth game, and even gets to save Leon a couple of times, but she's still very much a young girl in need of help

Now, in comparison, Claire Redfield is a damsel in distress in the same way Meg from Hercules is

Claire is actually canonically younger in Resident Evil 2 than Ashley is in 4, being only 19, but goddamn is this girl not going to let that stop her. And while Claire does have a bit more skill with self-defense, all that really adds up to is forcing Chris to teach her knife fighting and probably going to the shooting range with him a couple of times. Claire is very confident in herself, but she doesn't have much real world experience to back that up. Girl rode her motorcycle into a zombie-infested city with nothing but a gun (where did she get this gun? We don't know) to do a welfare check on her brother and came out less scathed than the literal cop she made friends with.

And then, there's Sherry. Claire finds a random child hiding in the police station, saying that she's looking for her mom, and makes it her personal mission to protect her at all costs. And when said girl gets taken by the literal chief of police? Claire grabs her grenade launcher and decides that's gonna be his problem because by god is she taking care of that little girl.

By the time they make it out of the city Sherry might as well be Claire's biological daughter, and she is not about to let anything happen to her (forthcoming events out of her control notwithstanding)

Which, in a way, honestly I think makes 19-year-old Claire Redfield actually a closer peer to Ethan Winters.

Ethan is a nearly 30-year-old man who works an office job (I think he's IT?) and whose wife went missing a few years ago. When he finds out she's actually alive he grabs a flashlight and hops in his car to drive to Louisiana to bring her home.

This man finds out that his wife has been possessed, and he doesn't give a shit. He loves her. He made a vow to care for and protect her, and by god is he going to test the limits of 'til death do us part. He takes on an entire family of fucked up hillbillies and literal mold demons to bring her home. And when he does? They have a daughter, and Ethan is ready to sacrifice the world for her too.

All of Resident Evil 8 is just him fighting a pantheon of demons to save his baby girl armed with nothing but a gun he grabbed off a dead guy (he's from Texas, so I'm not gonna question it) and his innate knowledge of how to make life-saving elixirs. And yes, he does save both his wife and his daughter

Idk, I just think it's interesting that Claire and Ashley are so similar in age and life experience, but Claire winds up having the most in common with the Awkward Suburban Dad in the end

[gothic-soda]

Accepting help: Tulin and the Champions

For all the problems I have with totk, one thing I love about it is the development of the sages, particularly Tulin.

His arc is about learning how to accept help from others, which is so interesting when compared to Revali, who was very isolated and had to be self reliant. Revali seemingly had no family or anyone else in his life to fall back on, and as a result he had to become the best possible version of himself as a warrior to make up for that. In BotW we see Revali go to EXTREME lengths to be the best warrior he can be.

A comparison could even be made between Revali and the rest of the Champions. What they all have in common is that they all died alone in their divine beasts. No one came to rescue them. Zelda and Link had each other, and that’s ultimately how they both managed to survive the calamity. The champions had only themselves to rely on in their final moments, and in the end it wasn’t enough.

But back to Tulin, his arc (and to a lesser extent the other Sages arcs are about this as well) is about accepting help from others. Tulin has his parents, Link and the other Sages to fall back on. Tulin wanted to prove that he was strong enough on his own, but eventually realised that his strength came from those around him. Tulin receives the Great Eagle Bow when he shows that he can be strong AND accept help when he needs it.

Even the new Sage’s powers are all designed in a way that reinforces this. The Champion’s abilities were all gifts that they honed to use by themselves, they used their powers to fight alongside their allies, but still their powers were never really meant to be used though a second party. In a way, their gifts are weakened when they are given to Link. For example Mipha’s Grace can only be used on Link in BotW, but when she was alive she could heal anyone.

By contrast, the Sage’s abilities are supposed to be used with the aid of another, they are amplified by Link. Tulin’s gust is more or less useless to Tulin himself, but with another person it had a lot of utility. Yunobo requires someone to aim him to get the most out of his charge. Riju is still learning how to control her lightning and needs someone else to direct it. While Sidon could probably use the water shield on himself, Sidon wants to protect others, so his power manifests as a physical shield to protect his friend.

This idea of the champions being isolated and not being able to receive much help from others makes a lot of sense. They were the last line of defence for Hyrule, they were the Plan B incase Zelda did not awaken her powers. When they became Champions, all of them were well respected warriors amongst their people, a lot of responsibility fell on them to be the protectors of not only their people, but all of Hyrule. For them to show weakness would mean Hyrule losing faith in their beloved champions.

The new Sages have a support system that the Champions did not have, they are allowed to have faults and not be perfect, because they have other people to support them and I think that’s beautiful.

[munariplans]

cold | natasha romanoff

synopsis: AU to the spidey!reader and natasha series, wherein a bad argument leads to unsaid misunderstandings and forever guilt between natasha and her love, just before christmas.

natasha romanoff x spidey! reader

word count: 2.2k words

warnings: major character death

a/n: i have to emphasise that this is an AU for these two once more, or i fear i may not make it out alive for christmas from your wraths as well...

masterlist

cold had been the one word you would describe the look in her eyes, as she told you to get out. to get out, if it made you happier going out on that stupid mission than spending time at home with your family. that stupid mission that no one could deny was not only dangerous, but life-threatening. but you were confident in your abilities. you knew that if anyone could survive it, you could. you also knew that bringing the stolen artefact home could add a nice year-end bonus that would chip in heavily to the new play room that was being built for your son. 

you didn’t mention any of that to natasha, of course. she was already enraged enough as it is, standing by the christmas tree the three of you had decorated together. your son was a greater help than you, she would say, as you carried him on your shoulders and allowed him to choose where he wanted to hang the ornaments beside natasha. you remembered those moments fondly. 

“get out then,” she bit harshly, “get out on that stupid, godforsaken mission if you have to. i could care less about trying to convince you otherwise anymore. it seems that whatever i say these days doesn’t even matter.”

“nat, of course what you say matters.”

“you don’t love me enough to have it matter.”

“how can you–”

but she had put up a hand to stop you. it was enough. she had sighed deeply, and began walking back to the bedroom. it was late, and your son had a preschool play the next day. natasha needed to get up early to put his costume together for him. 

you didn’t see a point fighting her. maybe you should have. maybe you should have gone up to her, wrapped your arms around her, and told her just how sorry you were. that you weren’t going on the mission anymore, because it would be going against her wishes, and you loved her too much to disrespect her like that. maybe things would’ve been different then. 

what you did instead, was sigh irritatedly as well, and began packing up for the mission. getting dressed in your spider suit underneath plain clothing, you slipped your mask into one of the pockets on your jacket. the pendant with natasha’s photo inside of it hung snugly on your neck; your good luck charms. 

natasha watched you enter the bedroom, equipping your web shooters and packing the last of your things. she didn’t say anything. when you were finished and shot one last longing glance to her, she clenched her jaw and looked away. she didn’t want to be the one to give in first. she wished she had. she wished she had just put her ego down, and hugged and kissed you goodbye. it would have alleviated so much of the regret, and sorrow, that she was feeling right now. 

you nodded understandingly, swallowing a particularly difficult breath. coming a little closer, you noticed natasha not flinching when you moved. so you took the chance to kiss her on the cheek, and murmur i’ll be home soon in her ear. she gave a nonchalant grunt and drew the covers over her face. 

but natasha still cared. she cared so much that it hurt; it was inane for her, just caring for you. and so when you left the bedroom and made your way across the hall to your son’s room, she followed.

she watched by the door as you woke him up gently, leaning down to smile at him as he sleepily reached out for your voice in the dark. you held his hand, calling him your little warrior, and then, you leaned down and whispered, just enough for natasha to barely make out, “take care of your mama for me while i’m gone, okay? just like we talked about, my warrior.”

his hands imitated your own when you shot your web shooters; the spider pose, he would say, as you chuckled. you kissed him gently on the forehead then, and tucked him back in. 

“when will you be back?” he asked, eyes wide as he saw your mission supplies. 

you smiled sadly at him. “just in time for christmas, i promise.”

“pinky promise?” he let out his pinky, you interlaced it with yours, nodding. 

natasha disappeared back into the room before you could see her, her own eyes red and brimming with tears. she heard the click of the front door a few seconds later. she wished she had never allowed you to leave that night. 

– 

it had been a mistake; a miscalculation on your part, which led to a mistake with even graver consequences than you had realised. you had slipped in the wet snow running from the enemies, allowing them to catch up with you. just enough for a clear shot.

the first few seconds after the initial gunshot felt broken, silent in the freezing air of the night. your breath was still ragged, desperate to flee, and your reflexes had been working perfectly fine. then came the second, and the third, and you knew something had gone very, very wrong. 

you let go of the artefact, and zipped away out of sight. 

ending up at a rooftop just near the park, you could hear the confused shouts and demands for the enemies to find you. but you knew, that while you were not safe up there, you were hidden. stumbling as you landed, you scrambled to feel just where you had been shot, and why the bullets weren’t deflected from your near-bulletproof suit. you cursed when you felt that they had been designed to mimic the density of arrows instead. 

“oh my god,” you hadn’t realised just how much blood was pouring out of you. you reached out for the wall beside you, but soon enough, standing proved to be too arduous of a task, as you crippled to your knees. your hands drawn back were doused in blood, and you finally felt just how piercing the wounds were, exposed to the cold.

you lay on your back. rolling over onto your back was all you could manage. the lightheadedness was coming quickly; you were so cold, everything hurt. you had tried pressing your hands against the wounds, but even more hot blood coated them while doing so. under the moonlight, the blood appeared thick and black, almost like molasses. 

the crippling fear that you were going to bleed out before anyone could find you began to set in. and through your short, panicked, breaths, you felt something slip out of your pocket. the blood had made the grip in your suit slippery enough to allow your phone to slip. 

there, the wallpaper of natasha and your son shone bright against the dark backdrop of the night. you shut your eyes, summoning the last of your strength to grip it and bring it closer to you. your fingers slipped as they pressed down on natasha’s number from muscle memory. your vision had gone blurry by the time you managed to press the phone against your ear. 

the tone rang once, twice, then, “hello?”

her voice was always sweet like honey. the thought of bleeding out before you could hear that voice for another day would have filled you with the rage of dying, but you had no energy for it any longer. you were so very, very tired. and so very, very cold. 

“hi, my love.”

natasha moved the phone to her other ear. you rarely called her during missions; you had always feared for her safety. there was the soft pitter patter of rain in the background of where you were. natasha didn’t know that in the rain, the water and blood was slowly filling up your lungs. 

“what’s wrong?” you hated how she knew there was something amiss. her voice already carried an air of concern.

you cleared your throat. “nothing. i just needed to hear your voice…how have you been?”

“it’s only been a week, baby. nothing much has changed since you left.” natasha would regret uttering those words just a few minutes later.

you smiled. “t-that’s good. how was our boy’s play? d-did he outshine the others, like i said?”

“he did, he was easily the best one there,” natasha cooed, her other hand ruffling your son’s hair as he played with his toys while waiting for natasha to complete mission reports in the compound. “he misses you so much.” 

“tell him–” the line crackled as the rain beat down harder on you, “–please tell him–that–that i miss him too.”

the troubled feeling in natasha’s gut only grew bigger. “i will. baby, is everything okay over there? is the mission…okay?”

you drew a ragged breath that natasha didn’t miss. “yeah, yeah of course. mission’s perfectly fine. like i said…i just wanted to hear your voice.”

there was a beat of silence, as natasha held her tongue and you hoped she wouldn’t detect the fading in your voice. it hurt to breathe by then. 

“nat?”

“yes?” she responded immediately. 

“i’m sorry, nat. for going on this mission. for going against your wishes. i’m sorry–” the line crackled, “–that i made you feel small, or your opinions unvalued. you know that…you know that your opinions always matter to me. and–” 

you had drawn up a cough, wet and bloody. “–and i’m sorry for all the times i never made you feel as loved as i should have. i’m sorry for not loving you enough, as you told me. i regret everything about that argument we had, you know. i love you so much, i don’t think i could fathom…the idea of losing you.”

“it’s alright, baby, it’s really alright,” natasha had moved from her office to the main comms room, paging for an emergency meeting, “i forgive you. and i said some nasty things i didn’t mean too. i hope you forgive me as well, and we can move past it, together. i love you too, you know.”

“yeah, i do,” your eyelids were drooping, “thank you.”

natasha could hear the footsteps of the others by then. “baby, are you sure everything is alright? should i call for help? where are you?”

“no, no,” you begged, “please, i’m alright. just stay on the line with me, please.”

“i’m not hanging up.”

you let out another bloodied cough. this time, it was hard to deny that natasha couldn’t hear it, because it had launched you into an even worse state, your suit beginning to grow heavy on your bones from the water and blood. there was no hope by then. 

“nat?”

“yes, sweetheart.”

“it’s just me and you here, right?” you looked up to the moon, wondering if it was the same one she was staring at right now.

natasha shut her eyes in pain, gripping the table before her. fury’s hand wrapped over hers, as the team gathered around her. they had already begun tracing your call, and the avengers were suiting up. “...just me and you.”

you were wincing between every word, “the drawer below where you keep your winter coats. our son’s christmas present…and yours. i–don’t think–i can make it home for christmas on time. will you help me break the news…to him? i’m sorry.”

natasha let the tears run freely then. they had found you. and she had seen just the state you were in. “baby, please. why are you–”

“–please?” natasha shook her head. this cannot be happening. “nat, please?”

“okay, okay,” she reluctantly agreed. whatever to keep you awake. “in exchange, can you…can you hold on for a little while longer? i’m coming, baby.”

you let out a soft exhale as you smiled. “i love you nat. i always have, and i always will.”

“i love you too. so please, can you–”

“–do me a favour, nat. don’t. don’t try. just please…please stop crying for me?”

she had wanted to scream. she had wanted to scream, to find you and shake you so hard that you would wake up and realise that you were killing her just by dying too, and that she had wanted to slap you so hard for even daring to ask her not to cry. but she also wanted to hold you, to hug you and kiss you, and have the opportunity of feeling your touch once more before she said goodbye. she didn’t want this to be the way it all ended. 

she didn’t know how she was going to survive without you. her blood was running cold and she was pacing back and forth in anxiety. the team didn’t dare interfere with how she was dealing with the impending loss of her wife.

your voice was drifting further and further away. you were dying. 

“i have to go now, nat. please forgive me. please forgive me. and please kiss our son goodnight before bed tonight for me. thank you for everything.”

the phone dropped, and natasha’s world stopped. her son would not only know that you weren’t coming home for christmas, but you weren’t coming home at all. and she would know that had she just convinced you a little better, loved you a little harder, you wouldn’t have gone on the mission. and she would still have you by her side for christmas. 

cold had been the body they found right outside yours and natasha's shared apartment. cold had been natasha’s heart the moment she saw you again, the life in your eyes gone and the guilt in her heart needling itself into grief. 

[frownyalfred]

« it took him longer to die in that alley than people realized. Alfred, when reading the autopsy report, believed it was due to his need to ensure Bruce was safe. Martha died nearly instantly. » That's why I love Snyder's version of the Waynes' death so much.

Also, do you think that Thomas actually tried to defend his family by directly dealing with the mugger with violence, like in Snyder's version, or was he more cooperative with the mugger ? Maybe both ?

Yeah! It's such a cool version -- contrasts very nicely with the Dark Knight trilogy version. It answered the question a lot of people asked after Batman Begins -- why didn't Thomas fight back? Why did he try to de-escalate when the mugger was so twitchy? Why was he weak (Ra's word for him, said to Bruce) when he could have protected his family?

BVS Thomas does exactly that -- he sees the gun, he puts his family behind him, and he goes after the mugger. JDM is a big man in that movie. He looks intimidating. I'd believe him as Flashpoint Batman, tbh. And yet, he still dies. And then Martha dies. And he's still alive to see the life go out of her eyes. It's crushing.

I suppose my take on the pivotal alley scene depends on if you truly believe the Waynes were cursed to die in that alley no matter what. The common advice when being mugged is to just hand everything over without a fight. Most muggers aren't out for a murder charge. They just want stuff. Hand over the wallet, and your family is fine.

But in the Dark Knight movies, Thomas hands over the wallet. And he still dies. It's explained as the mugger being twitchy, the gunshot is a surprise and then Martha freaking out causes him to overcommit and shoot her too. In BVS, it's much more of an execution. The mugger takes a moment to thread the gun through Martha's pearls and shoot her, almost intimately.

So Thomas loses whichever path he chooses, de-escalation or fighting. He is still at the mercy of the gun, even as strong and as capable as he is. And if he doesn't die, if Martha isn't shot, then Bruce is, as we see in the Flashpoint Paradox. No winning, in any timeline.

People make bad choices in tense situations, like getting mugged. If you're not used to that kind of situation, it's so hard to stay calm and make the "right" choice. There's a LOT of victim blaming that goes on about Thomas, some of it poking fun at him, some of it highlighting more of the Wayne's naiveté about living above Gotham. But in his shoes, in that split second, what exactly WAS the right choice?

I always thought that a combo of the two "styles" of this scene would be best -- Thomas fighting back the mugger after trying to negotiate, getting shot, and then using the last of his strength to try and stem the bleeding from Martha. When that doesn't work, he collapses on/around Bruce so the mugger thinks he's dead too, and tells Bruce to stay down and that he loves him. It also works this way if you buy into the "the Waynes were taken out as a hit disguised as a mugging" theory/storyline -- Bruce survived, when he shouldn't have, because of Thomas.

Sorry to ramble. I have a lot of loosely formed thoughts about this. Curious what others think.

[shadowed-dancer]

Villains and Their Fates - A Tragedy Would Have Been Fine By Me

I've seen a lot of people who try to write off frustration with the league's fates by saying "you just wanted them to survive" or "you're just upset your favourite character died". And while that may be true for a few people, I know that it's at least not true for myself (which must mean there are others who feel the same way). So today I'm here to share my thoughts. Despite liking the villains and wanting them to be redeemed, I was also willing to accept a well written ending if they died. I just wanted to ramble a bit about the three main villains (mostly Toga) and how I felt a tragic ending could have been improved.

The only villain I felt should have lived is Dabi, but that's more because of the awkwardness his unconfirmed death caused for Shoto (read this beautifully written analysis for more). If Dabi had to die, he should have died on the battle field OR in the hospital surrounded by family where he gets a few last words in. Leaving his fate unconfirmed leads to the ruined Shoto arc, but is also just weird for a character who has existed for so long. You're telling me that even Overhaul gets a confirmed ending but DABI doesn't?

I've also talked a bit about how Endeavor's survival ruins the subplot, and in 426 he continues by making Touya's final appearance about him (rather than the two brothers) but that's something I've talked about too much. If Endeavor has to be alive and hogging screen time, the least Hori could do is imply Touya will survive rather than die, so at least Enji isn't literally stealing time from his other family members to have some interaction with Touya.

If Touya has to end up in that machine, an ideal ending would have been the doctor saying "it will be a gruelling and near-impossible uphill climb to recovery" and then Shoto can smile and say "he's done it before". Boom. Simple as that. Leave it open, but at least on a positive note so we can assume that the family will have plenty of time to reconcile, as opposed to an unknown (but limited) amount of time that Enji vows to use to talk to him (yeah I know it's supposed to be a sweet gesture but even Touya calls bullshit on it). Let Shoto and Touya eat their soba, damn it!

For Shigaraki, my grievances extend to the writing of the entire final battle between him and Deku. As such, I don't have much to say aside from that because it really is just a product of poor writing. Neither were really allowed to talk before the big moment (hell, the vestiges were narrating Deku's emotions half the time like "he must be upset, this quirk meant so much to him". Why not let him tell us???) and the back-and-forth of Shigaraki being destroyed and then not only to be destroyed again was too much. It felt sloppy and hard to follow, and once you figured it out it just felt dumb. It's as if each chapter needed some massive reveal, but the story had done it so much at this point that it just felt tired and like it was happening "because Hori said so", and that should never be what drives a story.

Speaking of "because Hori said so"...

Oh Toga. Out of all the villains, I actually liked her confrontation the most. (Lies. If Dabi vs Shoto was the end of Dabi's fight, THAT would have been the best. But the Endeavor fight ruins it). Despite having limited screen time, Toga and Uraraka had a surprisingly well-built dynamic. Their few interactions were actually meaningful and created a strong foundation for a fight, and at the very least they had more of a personal connection than Deku and Shigaraki ever did. I think that Toga giving her blood to someone she loves (as opposed to drinking/taking their blood like she had said the whole series) is a beautifully tragic end to her character, but still something that could have fit.

To me, the problem comes with how she died. Let me replay the scene for you: Toga stabs Uraraka in the stomach and Uraraka bleeds too much because she keeps moving around. Toga then realizes she doesn't want Uraraka to die. To save her life, Toga has to do a blood transfusion with herself as a donor and she dies because she has to give ALL her blood.

Now... sure. Ok. Fine. Yeah. Maybe by real-world logic this makes sense. I guess. Whatever. But within the world of MHA, this setup is laughable.

Here's a list of things characters survived (or at least, they survived LONG ENOUGH to get to a hospital rather than dying on the battlefield): Deku shattering his bones with 1 million percent, whatever happened to Best Jeanist when AFO attacked him, Nighteye getting a massive spike through the torso, All Might with "his entrails strewn across the ground", Bakugo becoming Swiss cheese, Grand Torino being punched so hard a crater forms beneath him, Touya being a literal flaming skeleton, Bakugo's heart exploding, Edgeshot becoming a worm. Mirko getting a limb ripped off and then running full speed at Shigaraki. That's just off the top of my head, I know there's probably more.

But you want to tell me that Uraraka getting stabbed and then moving was a fatal wound that required ALL TOGA'S BLOOD? ALL OF IT? The reason Toga's death bothers me is that the setup cheapens the actual moment of sacrifice. It feels preventable, so when she tells us that Uraraka is going to die without her blood, all I could do is roll my eyes because I'm not allowed to use critical thinking skills, I have to just accept what Hori says and take it at face value.

If the author wants you to live as Edgeworm despite saying you were gonna die, you can. But if the author needs a stab wound to be fatal and require ALL of someone's blood? Well tough luck bud, that's just how it goes. Mirko can run and move all she wants after having a limb ripped off, but moving a bit after one stab wound is fatal. Why? Because I say so.

If Uraraka's wound was actually serious then this ending would have been a beautiful tragedy. But as it stands now, the ridiculousness of her wound makes it all feel preventable.

Oh, there's also the fact that Toga switching blood types when she transforms was never established, but I've rambled enough.

That's it. Thanks for reading!

[asegunda]

The Spear and the Belt

Pairings: Clarisse La Rue x Aphrodite! GN! Reader

Summary: You are an Aphrodite kid, and you are given a mission...you just feel the whispers around the camp...who the hell can you make it? Clarisse offers some help. ( 3 + 1)

Warnings: This was written in a platonic form, but in this case you can read it in what form you want. Fluff + Angst so be ready.

Notes: Thank you so much for all the love, and I was waiting to write a Clarisse fic, well here it is. 😘

1.

Walking around camp now was for you a 'death treat', the gossips, the way you heard your name being whsipered among all the campers...even the satyrs...

'Can't they just do their job?' You think as you walk back at your cabin, seeing the familiar pink building. As you open the cabin door and enter it you sigh in relief.

Why did you accept that mission? It was just a real death treat for you...You don't know how to fight, you weren't blessed by your mother with the charm speak like your two sisters. It was hard to admit but you are useless. You go to your bed and scream in your pillow in frustration.

'Dumb. Dumb. Dumb.' It's the only thing you can think of now.

As you are now looking at the roof you hear another person unlock the door. 'Weird.' You think and look for who is there, it was lunch time but you leaved out earlier after some Hermes kids were 'toasting' your success in this mission, and by toasting you mean just joking, they even said earlier to you: 'Hope you come back alive.' If it wasn't for Mitchell you would slapped them in the face.

As you go to the door you see Clarisse standing there...Clarisse, the Ares cabin head conselour, here at lunch time, by herlsef, just at the door? It was too confusing to argue in your mind. You and the Aphrodite cabin were greatfull by the efforts the Ares cabin made to help your cabin in anything necessary, but you were still confused as hell.

"Clarisse." You say and she stops looking at the rest of the cabin. "Do you need something?"

"I was trying to find you. We need to talk." She says and you point at your bed, the rest of the cabin would still take time to finish eating.

You two sit and she starts speaking again. "I heard about your mission."

You grunt to yourself as she says that, 'Of course you heard.' You think.

"And I just wanna say that I'm here to..." She pauses for a moment and continues. "To help you train your fighting, maybe I could train you..and we could do some spars?" You can see the expectative in her eyes. You weren't expecting Clarisse to just want to help you like that, you didn't know her very much...but, hey, it's better to try to survive than just sit and wait for your death. Atleast you can try to outcome it!

You look at your hands and then back at her. "I would like too..it would be of a great help." You smile at her and she nods back.

"Okay then, see you tomorrow." You jump in suprise. 'Tomorrow?' You think and Clarisse can see your suprise.

"Hey, your mission it's just two weeks away, better start now." She says and you nod back, it makes sense...

"See ya." Clarisse says and leaves the cabin, you say a small goodbye and wave, she waves back.

'It's for the better if I don't tell that I heard all the scream in the pillow, right?' Clarisse thinks as she is walking again at the dinning hall. 'Yeah it's for the better...'

2.

The next day Clarisse is waiting for you in the sparring place. You enter it and the Apollo kids who were trianing archery look at you weirdly, but you ignore them and just go to Clarisse who is sitting in the back of it.

"Hey Clarisse!" You smile at her and she makes a small smile back.

"Hey. So...ready for it?" Clarisse asks.

"I...think so." You add and Clarisse nods.

"That's a start." She says. "So let's start this."

In the next hours you two train like you never trained, wich is ironic because you never trained fighting.

Clarisse is agile and fast and her attacks are strong as hell, you weren't expecting less of her of course.

After the training finished you two are sitting at the back drinking water.

"You are good for the real first spar." Clarisse says as she sips water.

You fell you your heart warm by that.

"Thanks, and you are as amazing as I thought you would be." You smile at her and she smirks back. "Of course you thought." Clarisse tells and you chuckle with that.

After some minutes of silence you decide to ask. "Why are you helping me Clarisse?" As you see her grunt you add. "It's okay if you dont tell of course!" Clarisse relaxes with that.

"I didn't want you to die of course." She smirks and you look at her with a 'seriously?' face.

"We both know ith wasn't for that." You tell her and she look at her water bottle.

"Silena." Clarisse says and you look confused. As she sees your face she adds. "You asked why I wanted to help you it's because of her." Your face brights in realization.

"Oh." You say and Clarisse says. "I don't want never one of her girls to have the same destiny as her." She says and you can see the hurt in her eyes. "Thank you." You say and Clarisse says. "No problem, and now it isn't just because of her, I really hope you don't fail." She puts an hand at your shoulder and smiles.

"Well it's dinner time." Clarisse says and starts leaving.

"Wait!" You say and she turns back. "Tomorrow at the same hour?" You ask and Clarisse smiles. "You know it." She says and waves you wave back.

"This was good." You whisper to yourself and go have dinner too.

3.

After those two weeks passed it is time for your mission, your two other colleagues are there too (an Apollo and an Hephestus boys).

All of your cabin goes to you to says the goodbyes and give you presents for the mission, a good pair of boots, some food and swetts, and and a belt ?? 'Thanks anyway Lacy!' You think and wonder what you could do with it, but after you see that it isn't just one normal belt, it had all the cabin member signatures in it. 'Cute..now really thank you Lacy..' You think and mess her hair.

You wait to see someone at the croud of people who are saying the goddbyes for the three mission members and then you see it. 'Clarisse.' You think and she goes to you.

She smiles. "Good Luck, show them you are something to be feared of!" She says and you can feel your eyes water. You nod. "Yes mam!" You say and hug her. She hugs you back as you hug her you feel something touching you as Clarisse sees you looking at it she smirks. "One last present." She takes out a spar, a really beautiful spear. "Hope you like it." She says and you hug her again. "I love it, thanks."

After all the goodbyes you three start going, you look back one last time, you wave at Clarisse and your cabin mates. You see them wave back, you smile.

+1.

Camp Half-Blood is waiting for the three of the mission to come back, they were supposed to come back three weeks ago, wich isn't a good sign.

As Chiron sees the familiar shadows he rings the bell, and all the camp (mostly in pajamas) comes outside, waiting nervously for their arrive.

Clarisse and the Aphrodite cabin are there too. As the shadows become closer all the camp can see that it is just two shadows, they all start to whisper nervously and worried. 'What if it is one of their siblings?' It's what they think.

But then they can see two boys, and nowhere sight of you.

Aphrodite cabin starts all to worry.

"Were is Y/N?!" Piper asks tears alreafy falling through her checks.

The two boys are at really bad state.

"I'm so sorry. It is all my fault." The Apollo boy cries and Clarisse hisses in anger. "What did you do?!"

"He did nothing...Y/N...saved us." The Hephestus boy says. "What do you mean by that?!" Drew asks yelling.

"Three furies appeared, we didn't know what to do...they charged at us and Y/N distracted them..." Tears fall out of the Hephestus boy eyes as he holds the Apollo boy.

"I'm so sorry." He cries and gives a bag. "That is the only thing we could save." Piper takes the bag and opens it, tears still falling.

In it there is a belt, the Aphrodite cabin belt. All the Aphrodite cabin sobs, and there is also a...spear...

Clarisse cries in despair.

"Not again!" She yells at nothing at particular.

Days later it was the second funeral of an Aphrodite cabin member in 2 years. The coffin is of a beautiful pink, a spear with a belt glued to it.

'Why...why..." Clarisse cries in her cabin. She didn't want to show weaknesses. "Why...why.."

She still fells your last hug, how can she trained you for two weeks and she was still feeling like this?

"Why...why.." It's the last things she says before sleeping of exaustion.

Oh your sweet, sweet seventeen years.

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri

[starlight-artbby]

You guys, I am not okay after the new X-Men 97 episode. Like I am still literally Heartbroken.

Remember it. Remy is a goddamn hero and it breaks my entire soul that Rogue wasn't able to tell him that she chose him. And then Magneto's sacrifice too?! Like she lost the only person she can touch and the only person she loved in one go. Not to mention she couldn't even touch her own brother like this episode highlighted all of her fears and mine too. I am just so heartbroken right now. Rogue went through so much this episode.

I just want her to be happy. On another note, the fight sequences where animated beautifully and Rogue and that Red dress really ate down. She is such a a girl boss and I love her with every ounce of my soul.

Scott ATE DOWN. He was one hundred percent correct, the only reason all those ungrateful people where alive was because of the mutants that they hate so much. And not Jean getting mad at Scott for being in love with Madeline. She was a literal clone of Jean. Her entire personality was Jean. They had a kid together. Like not to much on him when you kissed Wolverine like 5 minutes ago. But that doesn't make what Scott did to Jean any better. Honestly, we just need to see the end of that bitch Sinister and then maybe those two could be happy.

Also Madeline being able to see Cable/ Nathan was everything and you know she was a real mother because she recognized her son IMMEDIATELY.

I am still heartbroken over ROMY like stop feeding us ROMY angst. I truly thought we were gonna see Life death part 2 but instead X-Men decides to injure me and worst of all, next week will probably be Life Death part 2 and I will still be wondering if Gambit and Magneto miraculously survived.

My heart literally broke seeing Rogue cry and hearting her cry like... Guys I am just not okay right now nothing is okay 😭

[miseria-fortes-viros]

-> declan bringing ashley to monmouth. ashley, the raven boys, chapter 4. (we’re meant to look pretty for her.)

this is one of the first chapters where we really get to know a lot about our characters, and ashley being there—combined with adam suddenly being aware that they are observed when it’s clear he didn’t feel that way immediately preceding the start of the book—lead me to believe that the fourth wall is very thin here.

-> ashley, this is noah, can you see him?

ashley is one of the only characters outside of the gangsey themselves who is not only able to see noah but also to meet and interact with him.

-> (your hands are cold. (i’ve been dead for seven years.))

ashley is also the first person that noah says this to within the confines of the narrative himself. nobody is surprised when he says this, so clearly he does make these jokes a lot, but it’s significant that we, the reader, hear this for the first time when it’s directed at ashley—ashley who, like us, just got here and doesn’t (can’t) know the significance of this interaction until after everything is over.

-> adam. (don’t you feel observed? someone is looking in when they weren’t before.) the raven boys, chapter 4.

adam: wary, adam: watchful. adam feels the eyes of the reader when the others do not; adam becomes aware of us as soon as we become aware of him. no sooner is ashley named than adam is introduced; no sooner is ashley introduced than adam is wary of her.

ashley (f, gaelic: aislinn): dream, vision

-> (three ashleys) (three brothers) (three witches) (nine’s very three plus three plus three) (6:21) (3+3:+3)

-> declan started hating me first. it was all because declan loved ronan.

-> this is not the first time

declan lynch was 18 the first time matthew fell asleep (was ronan dead)

-> gansey. where’s ronan? i don’t know. something’s wrong. something’s happened to him. how do you know? i can’t explain. i don’t know. we fought. something’s wrong

he’s your dog, gansey (i can’t help him any more (i’m killing him and i don’t know how to stop))

-> he trusted gansey (he still worried about ronan (he never stopped worrying about ronan))

i want you to meet ashley. yes again it’s a different ashley (i need to check in with you) is ronan around? he shouldn’t be (we’ll fight if he’s there (i need to know how he’s doing (he’ll hate me more for hovering)))

-> ronan please just tell me it won’t happen again i’m doing everything i can to keep you both alive

the brothers lynch (a dreamer (a dream (declan)))

-> half none of declan’s surviving family was real. half a dreamer. half a dream. to lose one is to lose the other (part of ronan died when niall did (part of ronan died when his dreamer did))

ronan lynch was 18 when a demon nearly unmade him (the second time matthew fell asleep (the second time declan almost lost them both at once (was ronan dead)))

-> declan cannot let go (if he lets go who will hang on (who will live without him fighting tooth and nail to keep them))

matthew lynch was 18 when he punched his eldest brother in the face (matthew lynch was 18 the third time declan almost became the last living lynch)

-> was ronan dead

declan bringing ashley to monmouth. ashley, the raven boys, chapter 4. ashley (f, gaelic: aislinn): dream, vision. three ashleys. three brothers. three dreamers. three sleepers. three witches. three murders. nine’s very three plus three plus three

(i look just like my father (so do you (every time i see your blood on my knuckles i remember him dead in the driveway (every time i look at you i see the face of a dead man))))

-> was ronan dead

declan brings ashley to monmouth.

[elementroar]

So I have been thinking about why Slayer seems pretty invested in what happens with A.B.A and Paracelsus as a couple, and I think it's because he and Sharon actually share a lot of similarities with A.B.A and Paracelsus.

They’re consistently depicted as ‘couples’. A.B.A and Paracelsus as an actual in game battle couple, while Sharon is on the sidelines but is very much present with Slayer prefight, post-fight etc.

Slayer as a Nightwalker also hungers and gains power from blood similar to Paracelsus, tho whether he NEEDS blood to survive I’m unsure (I think Nago survived hibernation without drinking blood so that would be similar to Para who survived 20 years not drinking blood).

Slayer has been able to satiate his own hunger without hurting/killing other people because Sharon is deathless and is a willing endless supply of blood for him. Paracelsus was provided blood by A.B.A tho not directly her own blood (usually), but also, it’s implied her being a homunculus made her tough enough to survive longer than usual as Paracelsus’ wielder. Paracelsus got over his desire of blood by choice though, whereas Slayer simply has an easy endless source of it.

Because of the above point, Slayer is actually really friendly to everyone and peace-loving despite his overwhelming power. He was disappointed with young Paracelsus who he felt was a bore and waste of time for being focused on killing and violence. Afterwards, Paracelsus would recognize that Slayer only wants peace when they next meet while Slayer realized he was already suppressing his power. By STRIVE, Paracelsus has adopted a philosophy close to pacifism as he never actively wants to fight or transform anymore.

Slayer has been alive for a very long time (longer than most of the cast if not all of them, even That Man) and Sharon cannot die, so they are eternal lovers. Similarly, A.B.A has said her and Paracelsus’ “love is eternal”. As Para is a magical foci and A.B.A is likely to be immortal or at least extremely long lived, this may also be their fate where they cannot die naturally. Bit iffy on A.B.A since her hair is actually growing, but whether she ages at all is another thing.

And Slayer can be possessive of Sharon in almost the same exact scenarios and in the same ways as A.B.A:

Getting jealous of himself, getting jealous of other people eyeing Sharon, and believing in obsession being a form of love, which explains SO MUCH about why he was so helpful with helping A.B.A contact the right people to put Paracelsus in a body.

And Sharon goes bonkers jealous over Slayer too.

He's coming up in the next DLC (as long as ArcSys doesn't fake out everyone with the silhouette again) so I really hope we get him commenting on A.B.A and Paracelsus' progress, since that was what he was interested in 20 IRL years ago.