#organs writing

[2fiorello]

The heaviness lays upon me, flannel, maybe velour, jacquard facade. I cannot tell the texture, it does not matter. Would it make a difference if it was silken?

Sometimes it is soft and i can float through it

It has a permeability to it that i do not understand

I paint images on the flannel encasing me, i try to dream projections onto the jacquard.

[bluerosefox]

Always Favors You

Another Sibling Danny and Jason idea!!

"Are you Jason Peter Todd?!" demanded a deep and commanding tone from the strange glowing being in front of them.

All the Bats stiffened and tensed, no doubt gearing up for a fight against the being that somehow knew Red Hood's full name.

Jason, Red Hood, decided to put on a brave front despite no doubt cursing in his head and wondering how the heck did this thing know his full freaking name.

"Whose asking." he snarled out, his hands twitching for his gun when the huge glowing knight with purple flames coming out of his helmet and cape, who was riding on a nightmare looking horse while they all had been in the cave going over tonight's patrol.

The Knight didn't seemed bothered by his response nor did he even seem to care or flinch when Batman made his own demand on 'Why was he there and who was he' or when Damian unsheathed his sword and pointed it towards him. Instead the strange glowing Knight reached to it side and pulled out... A glowing scroll? Huh. (Also he completely unnerved everyone in the room when the Knight didn't even react when Batman had tossed a Baterang when he reached for his side)

The Knight opened the scroll and spoke clearly with purpose.

"Jason Peter Todd,

You are hereby invited as a special guest of honor to the crowning of our future King of the Infinite Realms.

Daniel Phantom, once Daniel Jackson Fenton, and once Daniel Austen Todd.

Prince of the Infinite Realms, the Keeper of Balance, The Peacekeeping Halfa, the Defeater of the Tyrant King Pariah Dark, The Great One, Youngest of the Ancients, Ancient of Space, The Bridge between Life and Death.

You, the half-brother of our King, have been given the highest of honors for your past actions and will be given housing and food in the Realms and Phantom's Keep, for the week long event. Personal servants and attendants will be at your disposable and a seamstress will be on hand to tailor make your attire for the Coronation.

Signed: Clockwork. Ancient of Time. Watcher of the Infinite Timeline. Kronos. Mentor and Adviser.

PS: I shall have Fright Knight ("Me" the Knight bluntly said for a second) leave this scroll along with a personal one for you from Daniel to read over and once you make up your mind sign the bottom of the scroll.

I do hope in time you will pick the right choice Jason Todd, we of the Infinite Realms would like to reward you for your actions. After all, if you hadn't gotten young Daniel away from your father that night all those years ago, we would never had gained our Prince nor be free from our once Tyrant King.

Ah, one more thing.

The Infinite Realms will always favor you Jason."

Jason felt like he couldn't breath as Fright Knight? Rolled up the scroll, pulled a letter from his side, and held out the two items for him to take.

[qcomicsy]

I think a thing that people get wrong about Jason's anger is that it's not explosive.

It's cold. Jason isn't the type of person who storms off at every little thing or goes throwing tantrums and setting things on fire blindfully.

He's the type of person who's very practical. He keeps to himself, always. You rarely see issues where Jason's anger is reactive at the moment where the trigger happens to him. If you see his character up close, most of the time when he's triggered his reaction is calm. Even cold.

He gets triggered -> He keeps to himself → He makes a plan → And then he reacts.

Jason's anger being something explosive and out of character and out of place is actually how other people (characters) see it, because they have no idea on how it's playing out on Jason's head.

And that's a thing you can see operating since he was a child.

Where the only exceptions about this effect is either when someone he believes needs his help is involved.

See Nightwing Annual (2021)

But In Batman #411 when Jason learns the fact that Two-Face was responsible for his father's death and Bruce was keeping that from him as a secret his first reaction isn't to blow up on him.

Was to seethe.

Bruce goes up home after dealing with a Two-Face case (in my field we call that poetic irony) and asks Alfred where Jason is, Alfred's answer is that he's been sleeping all day (which is a conclusion that Alfred drew probably after going to check on Jason and seeing him in fact on his bed all day).

But when you see the next panel, even though he is on the bed, He's fully awake and both his expression and his body language shows that he's in fact angry.

This is the first time he appears again in the comics after learning that Two Face killed his dad.

Jason doesn't go towards Bruce immediately to demand an explanation or ask why he did this, or even to throw the truth on his face.

(Which could be debatable that that's something the Dick would usually do, but I'm not that literate on Dick's comics)

His reaction wasn't immediate.

His reaction was to go to his bed and stay quiet. Jason stayed calm and collected the whole trip until meeting Two Face again.

But the moment Jason as Robin has the opportunity to get his hands on Two-Face he does this

From Bruce, and maybe Alfred's perspective it could be interpreted as out of place or him storming off.

But it isn't. Jason was able to keep his cool (even though he shut off), until he was face a face to Two Face.

Does that mean he planned that to happen?

That's debatable, in any moment of this issue it is shown that Jason was actually planning to get to Two Face and do this. I my personal opinion, other and much more plausible explanation is: That he was in fact trying to keep to himself but couldn't hold back the moment that he saw his dad's murder.

You can see the same thing happening as Jason learns that Batman got another Robin in Red Hood: Lost Days.

Talia asks "You all right?" and Jason's first answer is "Sure Why Wouldn't I Be Alright?"

When he's alone he finally has the moment to break down.

(Actually both Red Hood: The lost days and Batman: Under the Red Hood are great case studies on how that usually play out on Jason's head.)

Jason is way more in control of his emotions than people ever give him credit for. The thing is that Jason holds it back until he either blows off or is capable to throw it back in someone's face.

[aromanticduck]

Born to read my own story, forced to write it first.

[biggest-gaudiest-patronuses]

got a worm nibbling my brain. can someone help me find a piece of obscure media?

webcomic/indie comic from the 2010s. basically a sci-fi short story about a young girl (with red hair?) who was being raised by scientists as part of an experiment. she receives a haircut/has her head shaved, in preparation for her annual brain scan/testing. it is revealed that while her body is human, her "brain" is artificial, made of computer implants throughout her skull and spine. at some point her biological mother (also a scientist on the same campus?) encounters her and is repulsed, viewing her as a machine who has murdered her daughter.

it was very poignant and it bruised my heart and i can NOT find it anywhere

[ladybeug]

I drew the same comic twice because I didn't think the first one was funny enough. I don't know if the second comic is funnier though??

Here's both of them

Side by side because i couldn't decide which one to put first - knowing the punchline changes the experience?? pick your adventure. read either one first.

which ones funnier i honestly can't tell

[the-witchhunter]

DP x DC: Ghost x Family

So, back on my cute romcom BS

So the premise. Dani, as Danny's speed grown clone, wasn't the most physically stable. Turns out, it's really hard to speed grow a clone, and even harder when ectoplasm is involved. There's not enough time for the structures to properly stabilize and that leaves the cellular structure pretty weak and prone to breaking down into goo. The ecto dejecto was just a temporary solution and other measures were needed

aka Dani had to essentially grow a body from scratch the old fashion way, so she's now physically her actual age minus a couple months

So Danny, at the age of 20, is the father of a 4 year old Dani and is trying to keep a low profile in Gotham. His and his daughter's existence is still illegal, and being the single father of a 4 year old ghost girl isn't exactly easy. Now Danny has to deal with the very real threat of CPS being called on him by a neighbor, and trying to get Dani into school without either of them having papers for their assumed identity of Danny and Dani Nightingale and money to by fake documents. He'd ask Tucker, but that requires braking radio silence and potentially putting a target on all three of their backs.

Danny, desperate, asks his neighbor Jason to pose as his significant other for a meeting. Jason agrees, but things escalated and frankly he's now emotionally invested and committing to the bit

So now he and Danny have legally been married for about 4 months according to the papers Babs made them. The fake ID, birth certificates, SSNs, and high school diploma for the Nightingales were simple enough for her to do, but man Jason is going to owe her a BIG favor for this.

They move in together, Dani goes to a good private school, Jason is effectively Danny's sugar daddy paying for a sizable chunk of all this, and they are committing to the loving married couple bit, which is hard to do when the new in-laws are detectives

The best part?

Danny has not figured out Jason is the Red Hood, and Jason doesn't know about the ghost stuff. The only one that does? Dani, and she is physically and mentally 4 and watching Jason and Danny fall in love

oh the shenanigans

OR

I've been watching SPY x FAMILY and just need the fake relationship/family turns into a real relationship/found family dynamic. Jason is basically Loid, Danny is pretty much Yor, Dani fills the role of Anya, and uncle Dick is Yuri, except he's doting on Dani.

Dick is a smart man, but I love the headcanon that Jason is his emotional blindspot. Jason? MY Littlewing? He couldn't possibly.

[quirkedupkicks]

save me tododeku 3rd yr AUs..... save me.... (this whole thing came from a single panel gag, bet you can guess which one)

[2fiorello]

a reflection on the concept of permanency

Society as a whole is terrified of permanency. However, permanency simultaneously does and does not exist. For example, as a person with quite a few tattoos and piercings, I've consistently heard the phrase “you know that's permanent, right?” Sure, tattoos are permanent for my life. But eventually, my body will decay and return to the earth and that ink in my skin won't seem so permanent then, will it? They are simply permanent markings on an impermanent vessel. That leads into a deeper aspect of the idea of permanency, that death is such, life is not. In pondering this, one must consider singularity and multiplicity. Life is permanent in the singular. As a person, as I am right now - lungs breathing, heart pumping - I am alive. And I will be, for the rest of my life. As of right now, life is the only permanency I, or any other individual, has. No one knows what happens after death, so we cannot count on such to be an end or not. Being alive is simultaneously permanent and not, as is death. However, in the multiplicity, such as of the entire existence of living organisms, life is supposedly also a constant. No one knows definitively when or how life began, or when it shall cease to exist. For eons, life has existed, and perhaps for eons more to come. 

Decay might also be permanent. If life is to be considered a constant, so must death. After all, where there is life, there is death. And where there is death, there is decay. It has been said that decay is an extant form of life - consider the kingdom of fungi. A category of life that exists from decay that has evolved to be the recyclers of life. When an organism dies, fungi have the ability to digest and decompose it, from which new fungal life may spring. In turn, fungal life can be ingested by other organisms to continue the cycle of life - fungi are the perfect examples of energy transfer. Any and all energy in the universe has been there since the beginning, and will be there until the end, as per the law of conservation of energy. All energy is only borrowed and then returned.

The concept of permanency also forces one to explore ideas of time and confront the unknown. Maybe that’s why society is so afraid of permanency, because we have no idea what it truly is. Humans are, always have been, and always will be constantly trying to predict the future, to know the unknown. I think that's the beauty of permanency, though, that it is both real and not. Humanity has a tendency to see only the black and white of a situation, but there is no black or white. There is no grey either, these are all simply concepts. Polarity is useless when there are no poles. The universe is cyclical and definites don't exist. However, these concepts wouldn't exist without cognizant life to think them in the first place. Perhaps the universe wouldn't exist if we didn’t acknowledge it. Maybe nothing is real at all! However, as a member of society, a part of cognizant life, I am inclined to try and find answers for everything. The nature of life is to try to answer the unanswerable, hence religion, higher powers, research, science, et cetera. In my personal opinion, change is the only permanent thing. As contrary as that may sound, things will forever and always change, from each microscopic organism to the universe itself. Evolution is unstoppable. 

In the end, I don't think that there are any wrong answers on anything, simply because there are no right answers. One can never be wrong if they can never be right, after all. There is no universal truth to anything, reality exists only on the singular scale.

[strangerinaholyplace]

If you haven't heard, otw (in other words ao3) have forced a volunteer to resign because they had "from the river to the sea, Palestine will be free" as their status on messaging platfrom slack, which otw use for communications.

They were denying that Israel is an apartheid settler state or that the genocide in Gaza is even happening.

This is unforgivable in my opinion, and I have sent a message to otw through their official contact form here, and I suggest you do the same. Below you'll see my message as well, in case you want to copy and paste, or just use it as a template of sorts.

I urge you also not to donate to otw anymore, unless the zionist volunteers and members of otw are removed from their positions and banned from otw.

"I am disgusted and enraged about the treatment of otw volunteer bjorn due to their pro-Palestine message status on slack, and even more so about the fact that zionists are allowed to run free amongst otw/ao3 volunteers, claiming that what Israel is doing in Gaza is not genocide, and claiming that Israel is not an apartheid settler state. As a person who has donated to the otw many times i wish I could revoke my money. But also as a donor I as well as many others demand the otw to resign fully, ban all zionist volunteers, have a written apology to bjorn and all users repudiating zionist actions in Gaza, donate to the Red Crescent to support Palestine, and reinstate bjorn as volunteer. If this is not done I as well as many others will no longer post on ao3, use it, volunteer for it and definitely not donate any more. You should be ashamed of yourselves. "

From the river to the sea, Palestine will be free. 🇵🇸

PS. If anyone decides to start talking about ao3 tagging systems or content allowed on the platform on this post you are getting blocked immediately. I dont care about your views on this, and you should think for 2 seconds before putting silly fanfic discourse on the same level as the murder of thousands.

[keferon]

*clasps your shoulders gently and looks you straight in the eye*

Keferon. Please read Ninth by Kyn on AO3. I think you would love it very much. It has a large chapter count, but don't be intimidated, it's very easy to get into. It is currently unfinished, but is being updated regularly.

You are the seventh person that recommended this fic to me so ahahahaha yeah

I’m doing great Help I hate some parts of it but I love the other parts I’m spinning in the blender

…..I made the moodboard….

[cheswirls]

short asl thing based on @where-does-the-heart-lie's modern au :) i started this over a year ago but the beginning is all dialogue and felt more like a script to me i suppose??? which deflated my desire to work on it. anyway i checked it over recently and it's completely fine lmfao, self-confidence restored here we go !

-

"Yo. Aren't you usually in the middle of your shift by now?"

"I've been banned from the hospital."

"Like, for life?"

"No. For the next, uh.. Twenty-two hours."

"That's oddly specific."

"It was twenty-four, but I fell asleep after leaving the building."

"That wouldn't have to do with why they kicked you out, at all?"

"Hmmm. I'm too sleep-deprived, apparently."

"Ah. And, um, you called me because...?"

"I pressed a random number in my call log after waking up. Lucky you, I guess."

"Yeah. Right. Lucky me. And your car keys are...?"

"Confiscated."

"Ah, right, of course."

A beat of silence. Two. Three, then "Look, if you're busy, then–"

"No, no.  You called me, so I'll be there. Give me twenty minutes."

"Alright. Thank–"

"Thank someone else. Also, if you fall asleep in my car, I'm taking it as express permission to drive you around wherever I want."

"Ugh, go die. I don't even know why I bothered."

"LUCKY YOU, I guess," sounds off way too loudly in his ear. "No take backs. See you in ten."

"I thought you said–" Sabo breaks off as the call ends, leaving him staring blankly at his phone's too-dim screen. He squints, turns the brightness all the way up, and still squints as the sunlight proves too strong for the display.

Ace shows up in more than ten but decidedly less than twenty minutes. Sabo doesn't waste much brain power on it, only climbing into the passenger seat and yawning into his palm while his other hand fixes the seatbelt into the buckle. Not a second too soon, too, as Ace roars the engine to life and peels away from the curb at record speed.

Ace fiddles with the radio. He turns the music up, then dial it back down to inaudible. They hit the expressway and he leans over the steering wheel, frowning with his eyes fixed on the road far ahead. Sabo yawns again and this appears to be the limit to his patience. 

"Hey, so, I had a thought after you hung up on me."

Sabo grimaces. "You mean you–"

"Today's Wednesday."

He doesn't elaborate. Sabo is too tired to process. "Yes," he follows, after a second. He glances at the sky out the front window. "What time is it?"

"Oh, uh." Ace fumbles with hand placement so he can lift his watch to his face. "Nine forty."

Sabo takes a couple beats to try and process this, moves his eyes away from the skyline, and sighs as he pulls his phone out. 2:47 is what the display reads, which sounds much more believable.

"How did the minute hand get off?" he mutters to himself, chancing a look at Ace's busted wristwatch. Ace raises a brow, taking his gaze off the road to scrutinize Sabo. "No, it doesn't matter," he mutters to himself once more, sliding his phone away back on his person and out of his hands.

"My point is," Ace continues, like he hasn't just been interrupted by a whole thing. "Your timeout will be done midday Thursday. Did they switch your days off?"

"No." Sabo sighs. "They technically gave me the next thirty-six hours. Technically closer to forty. Something like that. I go back in on Friday. Sometime.” He tries to smile and it turns out very lopsided, from that he can make out in the rearview mirror. “Can you tell I’m tired?”

“I don’t think ‘tired’ is an accurate description,” Ace quips. “When did you eat a proper meal last?”

“Uh, yesterday. Maybe.”

“Maybe??”

“A ‘proper meal’ means different things to the two of us,” Sabo huffs. “On my account it was yesterday. I’ve had food since then, of course.”

“Alright, so here’s the plan,” Ace announces before absolutely whipping it around a curve. Sabo is his passenger in the passenger seat and had fully prepared to be so when he got in the vehicle, but he’d been vastly underprepared for this sudden course of action, which is how he ends up halfway out of his seat with his cheek slammed into the cold window. Ace doesn’t quite notice his brother’s terminal velocity until the car is once again on the straight and narrow, and only then it’s because of the audible thunk Sabo’s face makes when it collides with the glass.

“Aw shit. You good bro?”

“Ow,” Sabo mutters. “If I have broken bones I’m suing your ass.”

“Well, if you’re good enough to make jokes, I think you’re better than you’re letting on.” Ace keeps the wheel steady with one knee while he takes both hands away to crack his fingers. When he glances over at Sabo again, he looks even more pathetic – like he’s becoming one with the glass. “Anyway, as I was saying.

“I’m taking your ass home. You’re going straight to sleep and while you crash, I’ll make you something decent to eat and stick it in the fridge for you to heat up later. I’ll even make you two servings to eat two different times, since you clearly can’t be trusted to take care of yourself correctly.”

“Ouch.”

“I want you to conk out for as long as your body allows. We can reset your sleep schedule tomorrow, alright? Put your phone on silent; do not answer any calls. In fact, you know what, just give it to me.

Sabo glances over to see Ace’s hand held out to him, palm up. Fingers wiggling expectantly. His lips pull up into a grimace. “I’m not doing that.”

“Fine.” Ace takes his hand back. “But you will comply with everything else.”

“Wow! It’s so funny, I didn’t realize you turned into my mother overnight! Really tapped into your mom potential, huh? Anything exciting happen in your life that would cause that? I guess I wouldn’t know, since I’ve been a zombie for the past two days.”

“There’s nothing wrong with acting like your older brother, you dipshit, especially if you keep putting yourself through the wringer like this. You go home. You sleep. You wake up and eat. You go back to sleep. Then we do laundry. Does that sound agreeable?”

“That’s negotiable, at the least,” Sabo mumbles. “I will accept good food as a form of bribery.”

“Oh, nice, because I’m flat broke at the moment.”

Sabo makes a mental note of that, and then they’re pulling into the driveway. Ace lets him exit the vehicle by himself and then promptly manhandles him all the way onto the couch where it will be easier to force his body to relax than in a real bed. Ace knows this, so he calls him weird before chucking a loose blanket at his head. Sabo is almost too tired to function at this point, so he lets Ace have the last laugh in favor of finally closing his eyes.

Coming to is a surreal experience, especially since the sun is still out. He must make a noise because Ace is suddenly within view. His limbs are tangled in the blanket and still so heavy that he doesn’t bother moving. “Thought you would be gone,” he half-groans, eyes slipping shut again for a moment.

“I did leave,” Ace confirms. “I had to go pilfer some stuff to make stew with. It’s almost done, so I’ll hang here until then.”

Pilfer. That could mean any number of things. Sabo chooses to believe in the option where Ace is an upstanding citizen, and then remembers Ace saying earlier that he had no money. He frowns and squirms on the cushions enough to where it looks like he’s checking his pockets. “Where’s my wallet, Ace?” he bluffs.

“Somewhere around here,” Ace pipes up. “Your stomach will thank you for your contributions to the Portgas Household’s pantry!”

“Ugh, I got robbed,” he complains. “This sucks. ‘m going back to sleep.” He rolls over so his back is to Ace.

“Yeah, you do you, bro. Stew will still be here later. I’ll see you when you’re back in the world of the living.”

—

Luffy comes in late that night and slams the front door shut as loud as humanly possible. When he appears in the main room, he doesn’t seem to be upset, so Ace writes it off as a Luffyism. Sabo hasn’t stirred at the noise, so it’s all good.

Realizing this, Luffy pads closer to Ace’s side and looks at Sabo’s unmoving body warily. “Why is Sabo passed out like a corpse? Is he sick?”

“No, he’s not sick, he just can’t take care of himself. Which is why we are going to let him sleep for as long as possible.”

Luffy just nods to this, but it’s the uncomprehending Luffy-nod that means he’s just going to end up doing whatever he wants to regardless. Ace sighs, then jerks his head towards the kitchen. “He ate a little earlier, but I want him to eat again when he wakes up. There’s stew in the fridge if you want it – just leave him a little. Got it, Monkey D. Luffy?”

Luffy throws him a salute and then runs off in his socks. “Yippee! Ace made stew!”

“Think of your brother, Luffy, and make good choices!” Ace calls after him. “He’s a pathetic man who needs food to feel better or he’ll end up sleeping through Laundry Day!”

—

Sabo does not sleep through laundry day, but he does sleep for sixteen whole hours, so it’s just around noon when he forces himself up off the couch and into a warm shower.

Ace is around, which is mildly unexpected. But he’s still half-asleep, so everything is at least a little unexpected. He glances up from playing video games with Luffy to see Sabo leaving the steam-filled bathroom with his hair hanging around his shoulders. “You look like a wet cat,” he calls.

“Sabo’s awake!” Luffy cheers. “Ace thought you died at one point.”

Ace elbows Luffy in the gut, making him hunch over. “I did not!”

“He totally checked to see if your heart was still beating!”

“I’m undead, actually,” Sabo says completely seriously.

“Does that mean you don’t need to eat anymore?” Luffy questions. “Because I ate all the stew last night.”

“I saw that coming and made extra.” Ace finger-guns in Sabo’s general direction. “That’s why I bought two sets of ingredients. With your money!”

“With my money,” Sabo echoes, because it’s such a wild statement to have to deal with this early in the day. Well, early for him. “Fuck you.”

“I mean, I can tell Luffy where I hid–”

“Thank you, Ace, for agreeing to share your quarters with both of your brothers so we can all do laundry today on your dime!” Sabo raises his pitch so his voice is mockingly squeaky when he says this. He starts moving down the hall before Ace can start to argue, letting his and Luffy’s voices bleed into the background.

When he comes back out, now dressed, it smells significantly better than before. “I reheated the stew,” Ace announces, gesturing for Sabo to take a seat at the kitchen counter. “Let’s all have lunch before we head out.”

“You have to drink this too,” Luffy tells Sabo, sliding a Gatorade across the counter so it sets in front of him when he finally does take a seat. “Ace’s orders.”

“Gotta get those nutrients back somehow.”

“Aren’t we so considerate, Sabo?”

“Do you even know what ‘considerate’ means?” Sabo asks, lips quirking up into a half-smile. At Luffy’s shrug, it turns into a real smile. “Well, thanks anyway. Both of you.”

“No sweat. And look!” Ace brandishes a five dollar bill for both to see. “I found this baby for us to use on coins! It’s all on me today–”

“Where’s my wallet, Ace?!”

[physalian]

You don’t have to pay for that fancy worldbuilding program

As mentioned in this post about writing with executive dysfunction, if one of your reasons to keep procrastinating on starting your book is not being able to afford something like World Anvil or Campfire, I’m here to tell you those programs are a luxury, not a necessity: Enter Google Suite (not sponsored but gosh I wish).

MS Office offers more processing power and more fine-tuning, but Office is expensive and only autosaves to OneDrive, and I have a perfectly healthy grudge against OneDrive for failing to sync and losing 19k words of a WIP that I never got back.

Google’s sync has never failed me, and the Google apps (at least for iPhone) aren’t nearly as buggy and clunky as Microsoft’s. So today I’m outlining the system I used for my upcoming fantasy novel with all the helpful pictures and diagrams. Maybe this won’t work for you, maybe you have something else, and that’s okay! I refuse to pay for what I can get legally for free and sometimes Google’s simplicity is to its benefit.

The biggest downside is that you have to manually input and update your data, but as someone who loves organizing and made all these willingly and for fun, I don’t mind.

So. Let’s start with Google Sheets.

The Character Cheat Sheet:

I organized it this way for several reasons:

I can easily see which characters belong to which factions and how many I have named and have to keep up with for each faction

All names are in alphabetical order so when I have to come up with a new name, I can look at my list and pick a letter or a string of sounds I haven’t used as often (and then ignore it and start 8 names with A).

The strikethrough feature lets me keep track of which characters I kill off (yes, I changed it, so this remains spoiler-free)

It’s an easy place to go instead of scrolling up and down an entire manuscript for names I’ve forgotten, with every named character, however minor their role, all in one spot

Also on this page are spare names I’ll see randomly in other media (commercials, movie end credits, etc) and can add easily from my phone before I forget

Also on this page are my summary, my elevator pitch, and important character beats I could otherwise easily mess up, it helps stay consistent

*I also have on here not pictured an age timeline for all my vampires so I keep track of who’s older than who and how well I’ve staggered their ages relative to important events, but it’s made in Photoshop and too much of a pain to censor and add here

On other tabs, I keep track of location names, deities, made-up vocabulary and definitions, and my chapter word count.

The Word Count Guide:

*3/30 Edit to update this chart to its full glory. Column 3 is a cumulative count. Most of what I write breaks 100k and it's fun watching the word count rise until it boils over.

This is the most frustrating to update manually, especially if you don’t have separate docs for each chapter, but it really helps me stay consistent with chapter lengths and the formula for calculating the average and rising totals is super basic.

Not that all your chapters have to be uniform, but if you care about that, this little chart is a fantastic visualizer.

If you have multiple narrators, and this book does, you can also keep track of how many POVs each narrator has, and how spread out they are. I didn’t do that for this book since it’s not an ensemble team and matters less, but I did for my sci-fi WIP, pictured below.

As I was writing that one, I had “scripted” the chapters before going back and writing out all the glorious narrative, and updated the symbols from “scripted” to “finished” accordingly.

I also have a pie chart that I had to make manually on a convoluted iPhone app to color coordinate specifically the way I wanted to easily tell who narrates the most out of the cast, and who needs more representation.

—

Google Docs

Can’t show you much here unfortunately but I’d like to take an aside to talk about my “scene bits” docs.

It’s what it says on the tin, an entire doc all labeled with different heading styles with blurbs for each scene I want to include at some point in the book so I can hop around easily. Whether they make it into the manuscript or not, all practice is good practice and I like to keep old ideas because they might be useful in unsuspecting ways later.

Separate from that, I keep most of my deleted scenes and scene chunks for, again, possible use later in a “deleted scenes” doc, all labeled accordingly.

When I designed my alien language for the sci-fi series, I created a Word doc dictionary and my own "translation" matrix, for easy look-up or word generation whenever I needed it (do y'all want a breakdown for creating foreign languages? It's so fun).

Normally, as with my sci-fi series, I have an entire doc filled with character sheets and important details, I just… didn’t do that for this book. But the point is—you can still make those for free on any word processing software, you don’t need fancy gadgets.

—

I hope this helps anyone struggling! It doesn’t have to be fancy. It doesn’t have to be expensive. Everything I made here, minus the aforementioned timeline and pie chart, was done with basic excel skills and the paint bucket tool. I imagine this can be applicable to games, comics, what have you, it knows no bounds!

Now you have one less excuse to sit down and start writing.

[celestial-grls]

You're so money, baby

-Summary: You and Kate are getting ready for a night out. She's as much of a distraction as she is helpful. Fluffy with no use of Y/N -a/n: hope you all like this and feel free to send requests! that's all ok mwah!

"Kaaaaate? Have you seen my eyeliner? I can't find it," You huff while trailing around Kate and your bedroom in your outfit for the night and rollers still in your hair. 

Kate is always ready ages before you. She has the patience of a saint and prefers to keep you company while you get ready, entertained by you like you're a one-woman TV show. 

She's in the closet trying to pick a jacket and answers you through the slightly ajar door, "Dunno, baby. Did you try the little makeup bag?" She's talking about the one you keep for when you guys have to quickly pack to make a red-eye flight to wherever the next basketball game may be. 

You crouched down to open the cabinet under the sink where you keep your travel things, and sure enough, your eyeliner was sitting in the very bottom, buried underneath everything else. 

Kate took a jacket off the hanger and laid it on the bed before crossing to meet you in the bathroom. She leans against the doorway while you lean over the bathroom sink to line your eyes. You're concentrating, but flash her a grin and turn to face her when you're done. 

She's wearing this one sweater you love on her because it's soft, and some of her white t-shirt sticks out from the collar. Your focus starts at her collar but quickly moves to her face as you place your hands behind her neck. "You look good, Martin." 

She gets a little timid under your gaze. The way you look up at her and tilt your head completely knocks her out. Up close like this, you can still see some of the freckles across her nose from the time you spent outside together this past summer. She shakes off shyness before pretending to be all business and tells you, "No fair. I was supposed to tell you that." 

With complete mischief in your eyes, you shift closer to her while shrugging, "There's still time, baby. Night's still young."

She laughs before sitting at the bathtub's edge to finish watching you get ready. She wouldn't tell you, but it's her favorite part of the night. She can't take her eyes off you — bouncing around, the sounds of your makeup clacking together. At the same time, you dig for specific products, an ever-changing playlist in the background. She doesn't know the first thing about makeup and believes it's more magical this way, watching you go to work. 

Your favorite part is sneaking glances at her out of the corner of your eye. There's always a point halfway through where Kate lets you run some brow gel through her eyebrows. Kate closed her eyes, even though she didn't have to, so she could smell the fragrance you had sprayed on earlier. When she opens her eyes, you're balancing one hand on her knee and shaping the ends of her eyebrows into place before you stand up and admire your work. 

"You make my job so easy by having a face like yours," clearly satisfied with your minimal effort on Kate's face and doing whatever it takes to make her blush. 

Kate's hands settle on your hips, thumbs teasing at the top of your miniskirt. She looks at you with your rollers still in and feels like forgoing the going out part so she can have you alone for as long as possible. Seeing your breath hitch and falter a bit at the sight of her big hands wrapped around the curve of your hips gives her the confidence to ask, "How do you manage to do it?" 

You amuse her, touching your thumb to her chin, "Do what, Martin?" 

Kate takes a second to move her hands down, gently cradling the exposed back of your thighs where the fabric of the miniskirt ends. She presses one chaste kiss to your exposed midriff and inhales the light sweetness from your lotion before saying, "Smell so good all the time," 

It's your turn to get all shy and flustered. You play it off by pressing your thumb to Kate's bottom lip, "Don't distract me, baby. There's still lots to do, and I haven't decided on which shoes to wear," 

Kate's always happy to help and asks, "D'you need me to take your rollers out?" 

It's still early days for you and Kate, but considering the number of events and outings she has to attend, you two have settled into some sort of a routine when it comes to getting ready. You consider it while you look for your lipliner: "Okay, yes." 

She starts with the rollers at the nape of your neck, twisting the ends like she's seen you do a million times. "I think you should wear your knee boots, s'cold outside," 

You see her eyes in the mirror and smile because she always knows these things. You apply some gloss to top off your lips as she finishes taking your rollers out. You clear some space on the bathroom counter to look for your earrings, and Kate is still staring. 

"What are you looking at, Martin?" You ask her as she leans her hip against the counter next to you. She's focused on your lips and how the center looks like that familiar sparkly pink you always use. 

"Mhm," she tilts her head, and her eyes start heavily drooping out of longing, "you, of course." 

You place your hands on her cheeks, slotting yourself against her and the bathroom counter, and watch her get a little more flushed the longer you hold eye contact with her. "And what are you looking at me for?"

"You're the prettiest thing, that's why," and when she says that, you feel defenseless. "Think I need to pinch myself, just looking at you," she grins, keeping one hand on your hip and the other steadied on the counter. 

You start to run your fingers along her hair, smoothing the blondest strands away from the perimeter of her face, and can't help but nervously laugh a little at the way she's making you feel like you're the only girl she's ever looked at like this. "Hey, you're nice," you stretch up a little to land a kiss on her, "and you're so money, baby. Look like a million bucks tonight." 

When you guys part, she has a little bit of your gloss. She taps your hip, "We're probably so late right now," you both laugh before grabbing your things and rushing out the door. 

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[the-witchhunter]

DP x DC: Puppy Love

Waiting for my friend in the emergency room(they’re fine, we’ll not fine obviously but not actively dying) so might as well write on my phone

So if there are two things I’m adamant about it’s that Alfred should still be alive and that DC SHOULD GIVE JASON BACK HIS DOG

For those poor souls that do not know, Jason had a dog name, and this is 100% true, Dog. Jason is canonically bad at naming things so he named his dog Dog. And the storyline between him and her is actually really touching. He rescued her from a dog fighting ring where she was used to bait dogs. Jason earned her trust showed her kindness and she loves him for it and it makes me emotional. GIVE JASON BACK HIS DOG YOU MONSTERS

She’s not dead just got written out by giving her to someone, but still, that man loves and pampers Dog, gave her an engraved nameplate and everything

But consider Cujo, the ghost of a dog being trained to be a guard dog, put to death long before his time wanting the thing that made him happy in life: his toy. Danny finds him, bonds with him and helps him get back the thing he loves most, and Cujo loves Danny for it.

A story as old as time, a boy and his dog, or in Danny’s case a boy and his ghost dog.

So imagine this: Danny moved to Gotham with Cujo and things are going great, except for one thing.

Cujo has a little crush

Now normally this wouldn’t be a problem, but Cujo is a ghost. Aka he can walk through walls. So when Cujo wants to visit his lady friend, he just bolts right through the wall, and leads Danny on a merry chase.

Meanwhile Jason is confused to come home to his penthouse only to find Dog cuddled up with a smaller green dog that isn’t Beast Boy. The other dog is friendly and gets along with Dog, but it’s driving him crazy wondering how he got in without tripping an alarm. Then there’s a knock on the door

Jason opens the door to find an out of breath guy about his age with black hair, blue eyes and windswept hair that might have been intentional if it hadn’t been for a few leaves stuck in it.

And that’s how Jason met Danny

Cut to this happening a few more times and then turns into organizing little “dates” for their dogs and the while falling slowly in love with each other romcom style

That’s right, this has been a romcom about two dog owners falling in love because their dogs are literally obsessed with each other

Bonus: Danny giving Cujo “the Talk”

Danny, wagging his finger: Don’t make a rosemary’s baby, understand?

Cujo: Bark

Danny: ... good.