#pair it with jordans

[puppetmaster13u]

Another de-aged Danny au, but he's with Dan & Ellie & Jazz as well.

Jason has like just arrived back to Gotham, caused chaos in the underbelly due to well, 8 heads in a duffle bag, and is just starting his takeover of Crime Alley. It's going good, great even! And then he busts some sort of gang or smuggling ring run by people in white suits and there's... holy shit why do these four toddlers have Lazarus eyes?!

Is that a lab?! And Lazarus waters?! Jason might be a bit mad but he's not an asshole, he's not going to just leave these kids here to the streets. He can't just take them to the Batclan either, and as much as he begrudgingly trusts Talia, he sure as fuck doesn't trust Ras. Who knows what he'd do to four... what are they, pit-kids?

Now he's juggling his whole revenge-thing, running a criminal empire, taking over Gotham's underbelly, and being a single dad. At least the goonion seems to be down for helping, seeing as he's making Crime Alley safer...? .... Fuck he needs some proper sleep

[jasontoddsgaythoughts]

Batlantern and Jaykyle fans don’t use Guy Gardener and Dick Grayson as a chaotic duo enough, because what do you mean there’s no fic where Batlantern and Batlantern jr vacation at the same alien planet by “coincidence”

[emeraldwarriors]

the jewish hal jordan evidence board

to make things more cohesive and more accessible, i decided to revamp my old post a bit to make this! please feel free to correct me or request to make amendments! ♡

Hal Jordan was based on an actual jewish person

source: Green Lantern (1960) #3

when john broome and gil kane reinvented GL (alan to hal), kane decided he wanted to model off hal based on his one-off neighbour paul newman. famous hollywood actor, look him up!

He celebrates Chanukah

source: Christmas With The Super-Heroes (1989) #2

He was explicitly stated as jewish once

source: The Spectre (2001) #21

Hal's favourite chanukah dish is latke

source: Green Lantern: The Animated Series (2012) #8

it can also be said from these panels that hal enjoys talking about his traditions and upbringings to friends.

His dad was catholic, but his mom was jewish

source: Justice League Darkseid War: Green Lantern (2015)

due to martin jordan's passing during hal's childhood, it is heavily implied jessica raised her children with jewish traditions and practices. but there are instances where hal would sometimes reference catholicism.

Hal wore a kippah during his father's funeral

source: Knight Terrors: Green Lantern (2023) #1

despite knight terrors' entire plot is based around hallucinations of one's worst fears, he was still explicitly drawn to wear a kippah in his delusion of his father's funeral. and no, no it's not a bald spot.

BONUS! Green Lantern as a whole is heavy on judaism references

Why Green Lantern is one of the most Jewish superheroes of all - Roy Schwartz

please read more in this article by Roy Schwartz, because i am unfortunately not articulate enough.

... and thank you for reading !! tell your friends !!!!

[dollya-robinprotector]

CAN I JUST SAY THAT YOUR JORDAN IS SO HOT LIKE WOW 😍😍😍😍 truly one of the man i have ever seen in my life, shame he'd personally kill me if i told him that LOL but in a different reality we're kissing passionately <3

Thank you Anon you really reminded me how much I desire this fictional character

[madrabit]

Just Bojan stealing Nace's clothes again

[art--harridan]

[Image one: The first page of a digital comic about Miles Morales from the Spider-Verse movies. It begins with two panels of Miles' face resting on his closed hand. The first shows him in his school, wearing his uniform. He looks bored. The second has him in his first, store-bought Spider-Man costume. The forest surrounding Alchemax is behind him. Both of the panels cut off around his eyes. Next to them is two smaller panels, one showing someone in a classic Spider-Man costume swinging on a web, while the other shows their feet flying through the air. At the bottom of the page, there's Miles' legs flailing as he falls during the Leap of Faith scene. A panel is behind them, in a purple halftone gradient. Shards of glass surround the legs like lightning bolts. The page says "you always thought that the scariest part of a leap of faith would be the fall".

Image two: The second page of a digital comic about Miles Morales from the Spider-Verse movies. The first part of the sentence says "but really... it feels like flying;". This is interspersed with close-up panels of Miles in his first black suit. There's one of his outstretched hand, one of his chest symbol, one very close to his eyes and another of his outstretched feet. Behind the panels, there's a rock pigeon mid-flight. The sentence continues with "floating;", followed by four panels of Miles floating as his fall is flipped upside down. The pose is identical in each, but the background gets gradually darker for each one. Then, "free in a way that feels unnatural -" is written, accompanied by a panel of Miles in his school uniform. You can't see above his lips and he's sweating nervously, shoulders hunched. Scribbles, like the portals on The Spot, crowd around him. The sentence finishes with "you love it". The final panel zooms into Miles' hand clutching his backpack strap. His Spider-Man suit peaks out of his sleeve.

Image three: The third page of a digital comic about Miles Morales from the Spider-Verse movies. At the top of the page is Miles' shoes stood on the side of a wall, one foot hanging over the edge slightly. Above it, it says "the fear is in the precipice -". Below the drawing, it says "the edge", alongside Miles standing on a wall from behind, cut off around the ankles. The sentence continues "and what you gaze at beyond it", the last two words in a bubbly black and white font over top of a purple halftone gradient panel. Then, the sentence finishes "(and what you're scared will slink back in)". On the left side there's two panels, one a close-up of Kingpin's tie, and the other shows The Prowler's cape laying in a pool of blood. The other side has two panels set out the same. The top panel has one of The Spot's portals, while the one below it shows Jefferson Davis' glasses discarded and broken, one lens shattered and bloody.

Image four: The fourth page of a digital comic about Miles Morales from the Spider-Verse movies. It begins with Miles' shoes, one planted on the wall while the other hangs is elevated, hanging over the edge. Two panels beneath it show his feet with one lowered slightly, and then both planted on the wall. They're accompanied by the sentence "the hovering moment where you can still simply step back". After this there's two different Miles, standing with their bodies facing the viewer but eyes facing each other. The first is taller, unmasked, and wearing his outfit from the rooftop party. His expression is pinched together, worried. The other is in his ill-fitting store-bought Spider-Man replica suit, body posed as if he's been caught by surprise. His eyes, from what is visible, are wide. Two panels separate them - one is completely black, while one has a spark of blue lightning bursting out of it. Finally, the sentence ends "... but then you'd just be there; waiting, doing nothing".

Image five: The final page of a digital comic about Miles Morales from the Spider-Verse movies. It starts with Miles' hand in the darkness, unfurling as he reaches out his index finger. Blue lightning sparks off of it, leaving his finger like a claw. This is surrounded by the line "and you can't let that happen,". Below that, Miguel O'Hara's gloved hand creeps towards Miles, curled and claws out, like he's just failed to grasp something. It is large compared to Miles, who is swinging through the air, looking back at the hand. His body is fairly loose. The page ends with the line "even if the first step is the steepest".]

looking down

[asha-mage]

WoT Meta: Prophecies, Fated Lovers, and Robert Jordan's knack for finding the nuance underneath the myth

One complaint I've never understood about the way Jordan writes romances is the persistent claim that he over uses the 'prophesied love' trope.

In part for me, I think it's a little bit folks not seeing the forest for the trees. WoT is fundamentally about the relationship between myth and reality: the place where the fallen angel meets the disgruntled academic, the bitter accountant, and the man who never got over being too short. It's a story where the messiah is real and dealing with chronic pain and PTSD from his stigmata. Where a legendary High Queen has to deal with both marching armies to the apocalypse, and the irritating banal realities of being pregnant at the same time. Of course Jordan digs into the idea of prophesied love- it's a huge theme in folklore and mythologies the world over. Jordan wants to dig into what it really means for there to be a person out there that you are destined to be with: that is a match for you, decreed so by the universe itself....and that you get absolutely no agency and choice in choosing. If anything Tumblr, which adores the 'red string of fate'/'soulmark'/'soulmates share pain'/'world is black until you look into your soulmates eyes' (to name a few of the more prevalent ones- some of which Tumblr practically invented), should be super on board for the parade of fated lovers to be found in WoT. It's nothing short of baffling to me that their not more fondly viewed.

And I think that is tied to the follow up complaint: the criticism that Jordan 'uses prophecy love as a replacement for a romance arc'. But that is something that is just. Patently untrue.

Cause the thing is that is how soulmates are often used...in the majority of soulmate au fanfics you find here and on AO3- an excuse to get the really hard part (two characters realizing they are right for each other and love each other, then having the communication skills to articulate that so they can start a relationship) out of the way, so the author can focus on the fluff or angst or other part they and the audience want to get to. And that's fine! But that's not at all what Jordan does. Just like he does with the Prophecies of the Dragon, or Elaida's fortellings, or even just most of Min's viewings- Jordan takes the idea of the prophecy soulmate, this person decreed by some higher power to be Perfect For You and being right about it, and digs deeper, shining it in different lights and attacking it from different angles. Jordan gives the concept of the soulmate teeth, explores the spines and the sharp points of it: is it real love if it's fated and not your choice? Can you trust your own feelings, or are they fate's design working against you as surely as Aphrodite worked against Helen or Eros against Apollo? What is it like, to see someone one day, and know, beyond a shadow of a doubt that you would love this stranger? This question mark? This wildcard?

Rand's relationships with Min and Aviendha, as well as Mat and Tuon's courtship are great examples of this conundrum. Min and Aviendha have completely opposite reactions to the same information that demonstrates their unique strengths and weaknesses as characters and people, while Tuon and Mat's courtship is all about two people who know they will marry trying to figure out what that means, without ever confronting the reality of those prophecies directly.

Min, as befits a Seer who has learned time and time again that her viewings can not be changed, has resigned herself in an almost fatalistic fashion to all of them, and to loving Rand no less. Min knows that she, and two others, will love him, and she accepts its inevitability the same way she accepts Colavere's death, or Logain's glory, or the shattering of the White Tower. What is, is, and there is no sense or point in struggling against it. What concerns her a great deal more is what she doesn't know- she doesn't know if Rand will love her in return, she doesn't know the identity of the other two women who will love him, and she doesn't know if he will fall in love with one or both of the others but not her. Add to that Min's own insecurities about how she stands out and doesn't fit what her society deems 'proper', between her crossdressing, and her offputting manners, and it makes perfect sense that she's worried about making Rand love her. She doesn't mind sharing him- she hates the idea of being in love with a man who doesn't love her in return, of being stuck like 'Elmindreda' of the stories, sighing and pining endlessly for a man instead of being able to act, to take control of her own fate. 

So she takes control: she learns to flirt from Leane, works hard at making herself desirable, and also indispensable: with her visions, her advice, even just her emotional support to Rand when he otherwise has no one else. The irony is that whenever Rand thinks of Min prior to her return to his side in LoC, it's about how much he liked her earthy honesty and lack of wiles: how she was earnest and made him feel at ease, and didn't 'spin his head like a top'- and that's still what he loves about her after they get together: the fact that she isn't fooled by his front, that she sees him clearly and refuses to be driven away the way so many others are so easily. The point is that Min never had to change, and in the ways that matter she didn't- she only thought she did because of her own fatalism.

Contrast that with Aviendha, who, after learning about being destined to fall in love with Rand, does everything in her power to prevent that outcome- because she is a warrior, a soldier, who has never yet met a problem that could not be killed, endured, or retreated from. Aviendha values nothing so much as her honor and her word- she has promised to keep Rand safe for Elayne and what greater act of dishonor could there be in that situation then not just failing in that promise, but despoiling (and she does view it that way) said man herself? So she is awful to him in the hopes of poisoning the well of affection or at least keeping him far enough away that she is never tempted. Aviendha hurls contempt and anger at him, berates him, does everything short of trying to stab him in an effort to make him hate her, and it doesn't work. Despite all her efforts to keep her thorny wall up, they are literally made for each other and can not help but be drawn together time and again. Despite all her efforts to insist, to him and herself, that she hates him, she can not hide entirely that the opposite is true: that she likes him, sees his strength and courage and resilience, and is a little in awe of his generous kindness. 

This is why she vacillates wildly between wanting desperately to get away from him in The Fires of Heaven, to not wanting to leave his side: they are two planets caught in each other's gravity, with about as much chance of escaping each other. When she resorts to the last recourse of a soldier- retreat- and runs headlong into a blizzard that would surely kill her, Rand follows to try and save her life and she can deny the truth that she loves him no longer, nor can she resist taking him, even knowing that to redress that balance, she will one day have to offer her life to Elayne (as she attempts to do in LoC)- though fate still has other plans in store.

But in many ways the apex of this, the relationship that really shows Jordan's deconstruction of this trope, is Mat and Tuon. Before they ever lay eyes on each other, each is given a prophecy that they will marry the other: not that they'll love each other, not that they will be able to trust each other, not even that that will like each other: just that they will marry. And their strange courtship is a result of this knowledge, as each attempts to suss out the other, to try and understand them without ever overplaying their own hand. Each believes that the moment they admit their prophecy they will destroy any chance of real connection or understanding.

To Tuon, if Mat learns he is destined to wed her he gains something she can not abide: power over her, leverage that could be used to subvert her own plans and visions- because nothing matters more to Tuon than control, especially over herself. So she keeps her 'fortune' secret and tries to figure out: What will it mean to be married to Mat? Will he be a pretty trophy? A liability? A threat to her Empire? Will she have to kill him once she gets her heirs?

To Mat, if Tuon learns of his prophecy, she gains the power to take away his freedom, to snare and collar him and bind him to her, because that's how Mat deep down views marriage: as a binding cord, a loss of freedom, and nothing matters to Mat more than freedom. So he keeps his *Finn gained knowledge secret and tries to figure out: What will it mean to be collared by Tuon? Will she she treat him as a pretty and plaything the way Tylin did? Will she try to use him against Rand and the Westlands? Will she make him a slave and sent him to be beaten anytime he disobeys her? Will he have no choice but to fight her one day, this woman he is going to swear to spend his life with? Will he have to kill her the way he did Melindhra, and carry that guilt of mariticide on top of all else?

So the two stay in their strange limbo, because as long as they don't admit it out loud to the other, they can pretend they are still two people forced together by happenstance, and (each thinks) they can continue to try and understand and figure out the other, to find out where this inevitability of their marriage will really leave them, and if there can be even the faintest possibility of love in such circumstances. And that limbo- that protracted refusal to act as if they are under fate's direction- is what allows them to build a genuine bond of trust and respect for each other, and to start seeing the other person with the clarity that love requires. All this, so that when Tuon finally does play her hand, and reveal the truth....it's obvious they've long since fallen in love with each other (even though Tuon won't admit that to herself), and come to trust each other (even though Mat won't admit that to himself).

And the thing is- all of Jordan’s prophecy romances are written like this: from Egwene seeing that loving Gawyn might be both their downfalls in LoC and seeking him out anyways, to Perrin misinterpreting the 'falcon and hawk' viewing and thinking Faile is a danger to him when she's the love of his life, to Galad and Berelain not even being AWARE they’re fated to fall in love and just....do, at wild first sight (Another classic folklore/mythology trope). They also never find out:  always remaining unaware that the Pattern had long since decreed that they would be together and being incredibly funny/annoying about it. The prophesied love is an example of classic Jordan: taking a common, maybe even ubiquitous premise, and asking those complicating questions that allow him to write it as something much more nuanced and interesting and fascinating. And he gets no credit for it, send tumble.

[teecupangel]

Hey, what you think about Desmond in Teenwolf universe? Like him working there in bar and eventually help gang with supernatural problems(because well he can fight and doesn't want these teenagers die?)

Oh, man. I was into Teen Wolf years ago so let’s see what we can do with this one.

First of all, we’ll put Desmond in the gap between Season 1 and 2. Why?

Because he’s there to investigate the killings of Season 1. It’s a personal thing.

Well…

It’s connected to Ratonhnhaké:ton because his Bleed of Ratonhnhaké:ton makes him believe that there is something familiar with the way those people were killed by a ‘wild animal’.

He’s not sure if it’s related to a POE though but it’s worth investigating (we will also be moving the timeline of Teen Wolf so S1 happened in 2013 instead of 2011 and this is after Desmond saves the world from the Solar Flare)

The real reason why he’s there though is because he’s supposed to be hiding. After his attack on Abstergo’s Rome facility, Interpol has been on his tail so he needs to lay low for a bit.

We’re also placing him between S1 and S2 so there’s some time for him to integrate himself to the plot. Specifically, he’s working in the Jungle where the problematic teenagers would get themselves in trouble later when the hunt of the Kanima starts.

That’s also when he becomes entangled with the plot because he’s been researching about the ‘new’ killings happening all around Beacon Hills and, Jesus Christ on a pogo stick, there were a lot of reds calling themselves ‘hunters’.

Desmond has a feeling that something more was going on.

In this one, Desmond actually spots the teenagers as they enter Jungle because he’s been a bartender long enough to spot problems (and Jungle doesn’t want problem, especially since being a gay club means they’re not unused to some… annoying flies) so he pats the other person working the bar with him, which is a silent signal that he was going to switch to being the teenage bouncer and give their actual bouncer another scolding (seriously, he doesn’t care if sweet boy Danny is planning to graduate early or whatever, he’s still in highschool)

Then he feels it.

Something about these teenagers that alerts him. A ghost of a Bleed from Ratonhnhaké:ton…

And then the Kamina attacks and all hell breaks loose.

Unorganized Notes:

Would absolutely push himself into Derek’s little pack because he sees the cool front that Derek is showing and calls bullshit on it. He doesn’t know they’re werewolves yet but he knows something is up and Derek’s pack has information. Caring for the pack later on was not the plan.

He sees Erica, Boyd and Isaac as recruits in need of care. Derek is annoyed with him though because he keeps butting in to tell him to be nicer or to explain it more and- Desmond has no idea what a Stiles is but he’s probably being insulted, the asshole.

He does learn what a Stiles is because Stiles annoyed him by visiting the club repeatedly. The Drag Queens love him and has adopted him and has band together to stop Desmond from throwing his underage ass out.

Stiles is the one who spills the whole werewolf hunter thing because he thought Desmond’s strange mannerism (“It reminds me of my dad but like… more spec ops?” “You play too many video games, squirt.”) might mean he’s a hunter.

Oh and Stiles being in the club a lot? Yeah. Sheriff Stilinski gets into this whole mess because he’s sus of Desmond. It doesn’t help that Desmond has been teaching Stiles a few tips of how to fight (“Why… why do you know that you should kick off the tail lights of a car if you’re inside the trunk?” “My dad’s a cop, dude. I know how to shoot too. Wanna see?” “With your flailing limbs? Nah, I’m good”)

Desmond is an annoying older brother to both Derek and Stiles. The pack loves him for it.

Scott thinks he’s cool too but he’s a bit wary of him since he’s close to Derek. He’s also worried that he’s being used to pull Stiles to Derek’s pack.

But that’s not really Desmond’s problem at the moment because the Bleed of Ratonhnhaké:ton he’s been ‘feeling’?

That’s because Ratonhnhaké:ton has confronted werewolf hunters before. To be more exact, the Argents during his time in France. Arno Dorian is actually the one who got the wrath of the Argents but that extends to the Brotherhood in general.

The Argents are not Templars but they definitely don’t like the Brotherhood. And Gerard Argent? He has a feeling an Assassin is snooping around their hunting ground. It’s only a matter of time before he finds the rat.

[literaryspinster]

Gen V really said no competing ships. Every main character has someone well-suited for them and nobody’s trying to force Marie’s person on the closest available yt, I won!

[me-sploh-rada-imas]

once again i am comparing the difference between how jan and nace hold their own faces compared to how jan holds nace...

they're distorting their own faces with the force of their hands. they're in distress, they're in pain. they're both affecting their vision with their hands - jan is holding his eye open, nace is holding his closed. jan even has a finger in his mouth to open it.

jan's hand is gentle! he's cupping the side of nace's face rather than gripping it, there's no distortion of the skin. he's carefully avoiding nace's eyes and the reason we can't see them properly is because nace is choosing to look at jan. and mirroring jan's solo photo, his finger is almost in nace's mouth, but without distorting it.

what i'm basically saying is that in these photos, they're gentle with each other in ways that they're not gentle to themselves.

[echoes-of-mia]

so bojan was sitting between jan and nace in this new interview and nace STILL managed to put his arm around jan somehow, for the whole interview. it's probably so inconvenient. like. not comfortable at all. i hate them

[mitamicah]

Ooooh can I request any of them on a swing set/playground? Whoever you want.

Jan and Bojan competing to see who can swing the highest

Jure at the tallest point on the playground he probably wasn't supposed to climb up on

Kris and Nace on the roundabout

(Those are just random suggestions feel free to not draw any of them and come up with your own if you want)

That is such fun ideas 👀 I will warn you tho; I am horrible at drawing playground things (mostly because I have never done it and action stuff is haaaard :'D)

That said this is the best I could do :'3

Also failed attempt of Nace and Kris on the round about below xD

(This is where I would say that I take suggestions/requests until tomorrow at 8 am CET but tbh I think I have enough for now with IG what I can realistically draw before needing to actually pack and make ready to travel - you can still suggest yet it may not be possible for me to get it done in time :'D)

[dramioneasks]

A Gallows Marriage - MilaBelle - E, 31 chapters, Words: 162,244 - “Glee was the last thing she felt staring into the empty eyes that should have been a bright grey. His face had always looked pointed and sharp, but now that gave way to gauntness. His hair, which he had been so particular about in school, hung long and limp. It reminded her of how his father had looked in his mugshot. How he had wanted to be just like his father growing up. And now he was, maybe more than ever. A ghost.” After doing more than her fair share in saving the Wizarding World and bearing the scars of what it cost, Hermione Granger thinks she has earned herself a little respite. But when a charismatic albeit chaotic Theodore Nott convinces her to use an old law to save a dear friend who is about to meet the Dementor’s Kiss, she simply cannot stand by and watch. Follow Hermione as she navigates a world that still believes in blood status, a marriage to save the life of an old enemy and the hurt that comes with surviving.

[puppetmaster13u]

You're making me want to write about deadly decisions and I'm scared of the enemies and lovers energy they have going on inside my brain (⁠ ⁠；⁠∀⁠；⁠)

Mwahahaha, goood, yesss. lol. Perhaps you would like even more ideas >:)

[idoalineofcokeondiostits]

I don’t get Bruce Wayne ships like I love Catwoman, talia, superman etc but Bruce kinda cheapens it idk. I like them less when they’re near Bruce I think he just ruins everyone’s vibe lowkey.

[scarletsky153]

last week im in batlantern hell (bcs there's like only a thousand batlantern fics on ao3) but now im in hellbat/batstantine and there's less than five HUNDRED fics of that pair on ao3 like???? do i REALLY have to write them by myself??? why do i like to torture myself by shipping rare pairings????

UGH