#part two has me going THEY’RE SO IN LOVE THEY’RE SO IN LOVE THEY’RE SO IN LOVE THEY’RE SO IN LOVE every five seconds

[goxjo]

! 𝐖𝐀𝐍𝐓 𝐘𝐎𝐔 𝐓𝐎 𝐖𝐀𝐍𝐓 𝐌𝐄 𝐟𝐭. 𝐠𝐨𝐣𝐨

ALPHA! GOJO x F OMEGA! READER

+ synopsis. you live in a world where omega and alpha qualities are medically treated at birth to become dormant later in life. present day, only betas & pseudo-betas exist, pheromones & its effects are left in the distant past, and heats & ruts are reduced to monthly cycles of being slightly hornier than normal, nothing more.

so, what happens when a curse you encounter induces a heat in you far worse than anything recorded in modern times?

+ alternatively. in which even a special grade sorcerer isn’t immune to the curse-induced heat of an omega — you, the partner he's pined for over the course of your entire friendship — forcing you and him to go back to your primal roots.

+ cw. forced A/B/O dynamics, lovesick! gojo, slight! geto x reader, sorcerer! reader, dubcon (technically sex pollen), reader is born an omega, gojo and geto are born alphas, gojo's infinity can't block scent for fic purposes, geto doesn’t turn au, use of restraints, mating call, mutual pining, it gets playful / lighthearted in the middle, implied 'medical' use of sex toys, dirty thoughts, lordosis, petnames (angel, love), pussy job, constant pov switches towards the end, cunnilingus, ass fingering, piv, cervix kisses, confessions, shared orgasm, creampie, knotting, no beta bye, 3.5k+ words, MDNI

+ masterlists. general ┆ jujutsu kaisen ┆ collab

♥︎ aki’s note. big thank you to raven (@raven-cincaide) for sprinting with me ♡ ++ this very late fic is part of my into the omegaverse collab ♡ please show some love to everybody’s amazing works when you can!

He came as soon as he heard. Plagued by his racing thoughts, Satoru stands still, chewing on the inside of his cheek as he watches you from behind the glass window. Though he appears to be calm, seeing you like this is torture.

“How long has she been in there?” Suguru puts his hands in his pockets, taking the spot next to Satoru.

“Too long,” he breathes. And it’s only been half a day. His 6 eyes have been agonizingly locked on your form the entire time, piercing blue eyes peering through the glass and into your poor disturbed soul. You’ve been crying non stop ever since they found you. Eyes glossy, pupils blasted, spewing incoherent words, skin damp and hot.

They needed to restrain your arms and legs to be able to perform tests on you, but that didn’t stop you from crossing your knees, relying on friction to rub your pussy as best as you can. All this, as your body wriggles beneath the harsh clinic lights. You’ve gone absolutely feral. Your cries are pitched an octave higher than what Satoru’s used to. And as much as he doesn’t want to believe it, it’s as if… “It’s as if she’s calling out to someone.”

“To you, you mean?” Suguru scoffs.

Paper seals secure the walls of your room. Remnants of the curse linger around your body and because of that, they’ve deemed it safer to assume only born-betas are allowed direct contact. For now, at least. Shoko says they don’t know if there are aftereffects — meaning, if exposure to a victim could also trigger a rut in an alpha. And now they’re dealing with pheromones, not just cursed energy, so infinity is out of the question. That means Shoko gets to stay with you, and the two born-alphas are to stay on this side until further notice. 

Satoru hates it – being separated from you by a wall like this. Not like you weren’t already normally separated by one, considering your room in the dorms is right next to his. But he particularly hates how this renders him unable to barge in on you any time he wants.

Right now, he wants to annoy you. He wants to poke fun at you. He wants to pull your strings because he likes it when you get fake-mad. You’re cute when you do that. Plus, he uses it to his advantage knowing you can never actually stay mad at him for too long — a weakness the two of you share.

“Heard the report got it all wrong.” Suguru pats Satoru’s back. “Special grade 1, was it? Quite the leap from semi-grade 1.” Suguru shakes his head, chuckling in disbelief. He’s never seen his best friend so distraught. But Suguru reassures him, telling him not to worry and reminding him of the fact that, at the very least, “She’s alive and kicking. Well, kicking too hard for that matter. Those knots are gonna bruise.”

“She should’ve called me. Fucking idiot.” Satoru clicks his tongue.

They have brought in experts — historians, even. They have tried every omega medicine known to man. Emergency suppressants that were once obsolete are concocted that same day. Everything should’ve shown immediate effects. And yet, it’s almost laughable how it all seemed like they were only giving you placebo meds, forcing you to down so many in so little time. Since nothing has worked, Shoko sent them away.

What’s worse is, the curse is exorcised. And in the world of Jujutsu Sorcery, killing a curse usually takes all its enchantments with it. So, if the curse is dead and you’re still experiencing the worst heat known to man, they could damn well consider your revert permanent if they don’t do something about it quickly.

The two men jolt back upon smelling a very pronounced aroma of burnt cinnamon on Shoko who’s left the room for the first time in the last 6 hours. Her hair is slightly disheveled, slightly damp from sweat. And the circles around her eyes have grown visibly darker and heavier.

“Can’t imagine our forefathers going nuts over that stench.” Suguru lightens the mood, fanning his hand in front of his face. He blinks his tears dry as a result of inhaling a whiff of the strong odor.

“It’s not that bad.” Satoru scrunches his nose as he’s suddenly taken aback, though he’s not particularly repulsed by the scent. If anything, he’s immediately convinced it’s something he doesn’t mind living with. “Plus, I heard it’s slightly different for every omega.”

“Finally, some fresh fucking air,” Shoko murmurs as she leans on the glass, head thrown back as she lights up a cigarette. Apparently, she hasn’t had one since they brought you in. “Welp, tried everything. Even left her alone with toys to do—”

“Herself?” Suguru teases.

Satoru scratches his throat. “Did it- uhm… did it help?”

“Not one bit.”

“Maybe you… didn’t give her enough time?” Satoru nonchalantly suggests, pouting as he subconsciously takes notes for himself if he ever gets presented with the opportunity.

“I let her at it for an hour.” Shoko huffs out smoke in the direction opposite to the two men. “I even gave her… options, you know.”

Satoru mentally kicks himself as his thoughts run wild. He can still see the tip of the pink silicone popping out of one of the trays, girth not so different from his. He hates Shoko for doing a shitty job at concealing it because blood rushes to his cock just by looking at that thing, knowing it had gone inside you. He thinks about what other toys Shoko had you use — thinks about which one was able to make you cum the fastest, which one was your favorite?

Fuck. Now, he has to keep adjusting his stance, marching in place like a damn soldier till he manages to get his half-hard cock into a better position in his pants. Using his hands then and there is not an option for obvious reasons.

“Satoru.” Shoko’s tone becomes more serious. “You can drag this longer than it needs to be. But you know there’s only one surefire tried-and-tested-literally-by-millions-way to cure a heat.” She takes a long puff, blowing smoke in between words, embers flickering on the end of her half-done stick. “You up for it?”

“Don’t be stupid.” Of course he is.

Suguru and Shoko shoot each other knowing glances, the former raising an eyebrow as if to say ‘watch this’. “Satoru, If you’re not gonna do it, I wi—”

“I’ll fucking kill you,” Satoru spits, not letting his best friend finish his sentence. The two quickly exchange low fives, chuckling at the expense of their lovesick friend. Satoru turns to Shoko, paying no mind to his friends so blatantly enjoying themselves in the middle of a crisis. “You’re sure you’ve done everything you can?”

“Everything I can, yes. You’ve exhausted all the favors you can ask of me, it’s high time you deal with your own problems.” Shoko prods two fingers onto Satoru’s chest.

“Want her to want it,” Satoru speaks softly.

“Are you blind? Did your fucking 6 eyes stop working?” Shoko looks at Satoru, puzzled, as if she wonders why Satoru isn’t seeing what she’s seeing. “Oh, I’m pretty sure she wants it bad.”

“Want her to want me.”

Shoko rolls her eyes and disposes of her cigarette though it’s a couple more puffs away from when she usually stops. She’s at her limit. “Wait here.”

Trying to prove a point, she goes to the supply room and comes back with two handkerchiefs — a white one and a blue one. She then pats the white one with the sweat off of Satoru’s nape, and the other with Suguru’s. “Pray with me, boys. One of you’s gonna have to return to their roots.” She cracks her neck, preparing to head back in.

The sound of your cries increase and decrease in volume when Shoko opens and closes the door behind her.

“Shoko, Shoko, please! Make it stop! Make it stop! Make it—”

Shoko waves the blue handkerchief above your head, grabbing your attention for only a few seconds till you’re back to screaming in agony. She can almost hear Suguru scoffing on the other side. She then takes out the white cloth with Satoru’s scent, and like a moth to a flame, you’re instantly drawn to it. Your breaths have finally steadied. You take quick bouts of whiffs, head craning every which way she drags the piece of cloth.

She leaves you with the handkerchief after letting your arms and legs loose, allowing you to curl up in a ball as you desperately inhale Satoru’s scent. It’s the first thing that has calmed you in hours. Nonetheless, this relief is temporary. Pretty soon you’ll be needing something stronger. Something more potent. Something in its rawest form.

“S-satoru,” you breathe through the handkerchief, staring at the two-way mirror like a faint prayer to the god you know is there. “Shoko, please get me Satoru.” Your words are clear as day, and that’s the first coherent thing you’ve said all day.

Shoko’s eyes dart to where she’s sure Satoru stands. “Do you see it now?” she mouths.

Satoru’s jaw stiffens, stomach now a mangled mess of anticipation and guilt. On the one hand, he’s relieved. He’s not sure what he would’ve done if you’d reacted the same way to Suguru’s scent. On the other hand, he knows what’s going to happen now. Not like he didn’t see this coming.

…

Though she didn’t have to, Shoko chose to make a nest of Satoru’s clothes for you in his own bed. “Thought I’d at least make the effort to help make it romantic, no?”

Except nothing about this is romantic. Jujutsu dorm walls thankfully aren’t thin, but thin enough for him to hear your cries from behind his door.

Satoru takes a second to collect himself, getting square with the fact that this isn’t how he wanted your first time to go. He can smell you from where he stands, forcibly reminding him for every second he delays that you’re in there, waiting for him.

He’s played your first time over and over in his head as he fucked his fist — almost every morning in the shower, once or twice in your room when you were out on a mission, and many, many times in the very bed you’re nestled now. Out of the hundreds of scenarios he’s made up of him making love to you in his head, he’s never once pictured this.

His friends have pestered him about this for so long, urging him to take the first step or else Suguru — and on some occasions, Shoko — won’t hesitate to whisk you off your feet. But he tells them he has his reasons for constantly holding off. He says it’s because you’re perfect for him, and so he wanted your first to be perfect — plain and simple. He says it so matter-of-factly, too. But now, to hell with the perfect scenario because as it turns out, it’s mother nature herself who decides to give him one crazy hell of a push to make a move.

Satoru enters his room. Greeted with the raw and unbound fragrance of your heat, his heart pounds in his chest. He coos upon seeing you hugging his pillow, all plump and ready for him. Suddenly, it registers in his head that he’s seeing you naked for the first time, lying in his bed. “God, you’re so beautiful,” he says more to himself, trying to convince himself that this is real — that you’re real.

“‘M sorry, it hurts— hurts so bad, Satoru. ‘M sorry!” He’s sorry it has to be like this, too. But he’s not so sorry that you’d asked for him.

With dried up tears along your cheeks, and fresh ones in your eyes, your cried out voice croaks, “Satoru, help me please. I need you.” You roll on your belly, propping your forearms as you bury your face in his scent, whining into his pillow, back arching + ass perked up, as you shamelessly stroke your pussy to his face. “N-need you now, please, please, please?”

Fuck.

Even now, it melts his heart seeing you so full of want.

“Shh, shh, shh. I’m here aren’t I?”

Satoru doesn’t miss the way your hand grips the sheets as you watch him discard his clothes. He sees the absolute delight in your face, the flexing of your belly, the further bend of your back, the quicker strokes of your fingers around your clit. But it’s the sight of your nectar dripping out of you that finally makes him break.

With how hard he is and how much he wants to devour you like crazy, he could easily be mistaken for an alpha in a rut. He swears his chemical makeup has nothing to do with it. He just wants you that bad.

Suddenly, the space between you and him doesn’t exist. You moan out loud just by being touched by him. He engulfs you in his arms forcing you to sit up, hot skin against even hotter skin, your back pressed flush against his torso as he buries his face in the crook of your neck. And your slick — god, your honeyed slick — begins to coat his hard cock speared between your legs and along your puffy folds.

Fuck.

“Sweet angel.” His eyes roll back as he takes in all of your scent.

His cock twitches between your legs, pre-cum starting to drip off his tip. He feels a tingling sensation in the pit of his stomach as soon as he gets into contact with your slick. Your touch is so fucking electric. One hand wraps around your stomach while the other reaches for your breast, cupping and kneading the soft flesh, feeling your thuds of a heartbeat beneath his palm. You smell so fucking good upclose, your scent keeps hooking and hooking him in, and taking care of you is all he cares about. That's all that matters. He’s holding you now and yet he’s unable to satiate this mad need to be closer to you. He needs to be closer. He needs to make love to you. Needs to be in you—

“S-Satoru.” You guide the hand on your breast, intertwining with his fingers, pressing harder, rougher, against your skin. “You feel so good, Satoru. Please move. N-need more.”

Satoru releases a deep groan in your ear when you bring your knees together, locking his cock between your legs as you begin to grind your pussy on his erection, nectar lubing your every sway.

“E-easy, eaaasy,” Satoru’s voice is low and breathy. He hisses with every roll of your hips, breath hitching as your pussy drags his foreskin back and forth, balls kissing the back of your thighs. Mind hazy with want, he presses his cheek on yours, planting open mouthed and sloppy kisses on the side of your face.

“Not so fast!” Satoru holds your hips in place when you start to pick up the pace, making you whine, “Wha–”

“Too fast, I’m sorry.” Satoru trails apologetic kisses along your jaw. “Not there- don’t want to cum there.”

He apologizes as a tinge of guilt prickles his throat seeing you so utterly vulnerable. Your eyes plead for him to fill you then and there but he needs this moment to last as long as possible, even if it means prolonging your agony.

“S-Satoru, can’t wait any longer!” You try to move your hips but they’re locked in place. 

“No.” He says, firmly, and it hurts to tell you that. “Not yet.” Tears well up in your eyes as your chest heaved at the height of your confusion. Your mouth opens, trying to find words, but before you get to complain, he gives you a soft, chaste kiss — your very first one, he realizes — and tells you, “Get down for me.”

And with tears in your eyes, you oblige. He supposes this is the work of the reemergence of your makeup and raging hormones, making you so pliant and submissive, you’re willing to do his bidding even when you’re on the verge of insanity — when, before this, you always had a stubbornness in you he’d always been fond of. But then again, at this very moment, you’re desperate. And you’re desperate for him.

“Satoru, I don’t know what you’re up to b-but please, don’t take long- oh!” Your protests are quickly replaced with cries as you feel a soft, wet muscle slide across your folds. He’s always had that habit of not letting you finish. To think it’s something he takes to bed with him makes your stomach coil. “Fuck!”

Hot breath fans your folds as he splits your slit open with his tongue, and all you can do is shudder in place, wallowing in the extreme pleasure that dozens of toys weren’t able to give you. You’re practically leaking on his face, honey dripping down his chin, the tip of his nose pressing into your ass.

His tongue squelches with every lick, twisting your core in knots with every line drawn. And then it’s as if Satoru’s lips are sealed around your clit, puckering and sucking on the sensitive bud.

“Satoru, oh god. ‘Toru, so good, ‘s so fucking good~” Your eyebrows furrow, lips pursing as he relentlessly flicks his tongue on your clit.

“Oh!” You scream when a honeyed digit enters your ass, thumb hooking and pressing hard against your g-spot, all while his tongue remains fixated on your clit. “Fuck- mmm!”

You can’t help but mewl and cuss into your first orgasm — the first one he granted you, that is — wave of pleasure washing across your body as he eats out your high. And while it’s a sensation that gives you a sense of satisfaction, you’re left wanting more. You’re left needing more.

“Please fill me- can’t wait any longer- please, alpha~”

Oh, now you’ve done it.

“Sorry, love.” Satoru pulls you back into his chest and cups your cheek, making you look over your shoulder and into his face. “Neither can I.”

“Sato- Oh!” Gagged by the feeling of friction in your aching walls, the very first one you had welcomed since your heat, you’re at a loss for words when his cock enters you, bottoming out straight away. Your mouth forms an ‘o’ and he instinctively closes the gap, savoring your mouth, and with every click and swirl of your tongues, he thinks you are probably the softest, most delicate thing he’s ever tasted.

He knows he’s screwed, tasting you for the first time, knowing he’ll never want anything other than you, your lips, your pussy, this feeling ever again.

You feel as if every pump of his cock scratches that stubborn itch that’s spread across your pussy since your heat. And every satisfying ram of his hips kisses your cervix, bringing you closer and closer to your high, as if this — his cock, and the feeling of his body rocking your own — has been what’s missing in your life.

“Scream for me, angel,” Satoru grumbles against your ear as he feels himself nearing his own climax. Suddenly, his mouth is back on yours, kissing you, with you purring against his lips as he fucks you through your shared high.

“I–” When his pace comes to a full stop, you know what’s about to come. And he doesn’t know what to say. Shoko’s already briefed him on what’ll happen to an alpha who cums in an omega in heat, not that he doesn’t know what a knot is. He just doesn’t know what to expect. Still, he wants you to take it. Even now, he wants you to want it. But he studies that curious look on your face, and as he scrambles for words, it seems it’s your turn to finally shut him up.

“I love you, Satoru.”

Satoru chuckles. More to himself.

“I love you, too.” Satoru, with breaths uneven, relaxes his forehead against yours. Satoru steadies himself, and pretty soon, you collapse in his arms as his knot locks in your core.

...

"Hey," Satoru breaks the silence. "You know... taking my knot like that means you practically asked me to marry you."

"Shut up."

—

Shoko alternates between looking at you and flipping the pages of the report in her clipboard. It seems that you’re technically back to normal but she’s got that look in her face as if a couple of words are stuck behind her throat.

“It’s fine. Hit me with it,” you prompt. “What is it?”

“Well, you’re now a full-blown omega is what it is,” Shoko says without an ounce of concern in her voice. “But seeing as you’ve got… help now,” Shoko’s eyes dart to Satoru who’s standing in the corner, “there’s really not much to do about it.”

“Is that so?” You chuckle at the playful tension between Satoru and Shoko.

“You’re ‘help’, by the way,” Shoko addresses Satoru.

“A big one, too,” he adds.

“Keep it in your pants.” Shoko puts her clipboard aside and scratches her temple. “Still, it’s insane that this is what finally brought you two together.”

Shoko’s words put a longing, knowing smile to your face. "This silly guy waited too long."

“Hey, if that’s what it took. Who am I to complain?” Satoru shrugs, ego fluffed by the thought that you’re finally his. And the fact that he and you are the only active alpha and omega in the world? How special is that?

pspsps. reblogs and comments are appreciated ♥︎

[acowardinmordor]

Risk and Reward

Steddie-adjacent. Tw: homophobia

I always love fics where Steve makes himself Eddie’s alibi while Eddie is still unconscious/in a coma. Knows that it will work because he knows in this town there is no way anyone would believe that Steve Harrington would come out if it wasn’t real. No one would believe it, because everyone knows that his parents are always gone, because his dad is in Congress railing against the gays and their depravity and how they deserve to die and burn.

Steve saying it. Signing an affidavit about it. Giving quotes to the ravenous press. It has to be true. And everyone who doesn’t think it’s disgusting think it’s the most romantic thing in the world.

The government was stepping in, all eyes were pointed at Munson, and he was going to be thrown in a cell for life. Or, to save the cost of the trial, he would have vanished somewhere between the hospital and the prison.

Steve coming out stops that. Airtight alibi, reinforced by the knowledge that there will be consequences.

Eddie is safe, and the government has changed tactics, is blaming dead Jason Carver for it all. Eddie wakes up six weeks later, shocked to wake up at all, and trusts his uncle enough to play along. ‘Why didn’t you tell me you were dating the Harrington kid?’ Eddie knows how to tell a story that leaves space for a player to fill in their side. He tells stories about little moments and always describes things from his perspective. That way, if it contradicts the story that’s already out there, he can make a find quip about how he remembers it different.

When he finally gets a moment alone with his uncle, two days later, his guess gets confirmed. Wayne knows damn well that Eddie’s gayer than a maypole, and also knows that Eddie has called Steve his nemesis for years. Wayne knew from the second Steve said it that it was a lie, and knew it would work if it was believed.

The only thing confusing Eddie - well, the only thing in this tiny slice of his world - is why his fake boyfriend/no-longer-nemesis, isn’t in the hospital too, playing the part. If the guy was willing to say it at all, then he’d go all in. If there was one thing Eddie’d learned during those days, it was that Steve only ever did something at 100%

And yes, part of him feels terrible that Steve did this just to save him. He feels awful knowing that this is going to ruin a chance for a normal life. Wayne said the Indianapolis paper picked up a story about it. But at the same time, he’s so fucking grateful. Steve saved him. Again. And now, at least for a while, they’ll need to keep up the story. He’ll get to hang out with him, pretend they’re dating, stand close and cuddle closer. He also feels bad about how excited he is for that chance.

It’s the next morning when Eddie realizes his uncle dodged every question about why Steve wasn’t here. Wayne dodged almost every question after explaining what happened with Steve and the press and the Feds in the first weeks. Then, nothing.

The party visits him that afternoon, a veneer of joy stretched thin over something worse. Eddie’s first guess is that Red didn’t make it. But he hears her a moment later, complaining about ‘these stupid casts slowing me down’. The kids aren’t as good at dodging as Wayne is. Eddie gets the story quickly, such as it is.

The Harringtons came home from DC, gave a few speeches in praise of law enforcement against a serial killer. They visited the families of those that died.

They sent an assistant to find Steve in the hospital to deliver a message. No one else heard it, but the best guess is that it was a threat. Steve went with the assistant. They haven’t seen him since. When Dustin confronted the Harringtons at their last event in town, all they’d say was that ‘our son is getting the best help, and we love him dearly’

Eddie looks at Robin when he hears that for what it is. She drops the kids back home and begs a sympathetic nurse to let her talk to Eddie past visiting hours.

“It’s been a month since he vanished”

“Where?”

“We don’t know, we tried, even Hopper - he’s not dead - couldn’t find him. And this guy named Murray. We don’t know.”

“But…. ‘The best help’. You know that means…”

“I know”

“He’s, Christ, Buckley, he’s straight. Ladykiller. He’s straight and they sent him to some—“

“Yeah, but Eddie… I don’t know if I should… I guess, not that it matters now, and he never said anything, but he’s my best friend. He’s my soulmate. I know him and I think… if his dad wasn’t like he is… if he’d ever felt safe saying so… he knew they’d be furious when he came forward as your alibi, but he told me they’d just disown him, and it would be over. He was scared, but he was okay with what he thought was going to happen”

“I thought he hates me”

“He kinda did”

“Not anymore?”

“No.” There’s a pause where they both think about where Steve might be right now.

“Maybe he hates me again now.”

“I don’t think he would, but…”

And Eddie thinks how weird it is to see spastic Robin Buckley, who rambled in the Upside Down and always had more energy that she could contain, acting so subdued. No. So broken.

They both heard the Harringtons’ speeches and ads when he ran for office. They know what the man thinks about people like them. They both heard stories about what the places are like, where someone can go to ‘get help’

“Do you think I’ll ever get to thank him?”

“No.”

“Do you think we’ll ever see him again? You and the kids at least?”

She’s quiet for a long time, before she picks up her bag.

“If he ever gets to leave wherever they put him, and we ever see him, I don’t think he’ll be the person we knew anymore.”

[sgtpeppers]

Okay so the quick version of this is: saw Two Of Us today, adored it even more than I adore the film, the choice to keep them in John's building worked really well to further highlight the mental health message the director talks about in his little note in the programme, the rooftop scene is somehow even more intimate and lovely in this version and the ending is even more painful! I'm gonna write down more under the cut about it all:

Playlist: The playlist before the show/during the interval is everything you would want it to be and it includes Monkberry Moon Delight which I feel like I never hear in public! 

The overall experience was also just super wholesome, one thing I always love about Beatles events is the range of people there it just makes you feel like your part of such a special thing, so shout out to all the old women talking about Paul near me, the middle aged men in their Beatles shirts, and the girl behind me who was sooo excited to be there and I hope she got to meet the cast after like she wanted to! ALSO the Beatles drinks are so funny, idk why Ringo’s is just earl grey tea 😭

Performances: OKAY let’s get into it. So one of my only real complaints about the film is that although I think overall Jared Harris and Aiden Quinn do an amazing job but I do find the quality a little inconsistent (especially the accents) but Richard Short and Barry Sloane are soooo so good, the accents, the little verbal quirks (which also, kudos to the writer as well) and the physicalities are jarringly good at points, especially Barry Sloane’s John. I also feel like a lot of Get Back was watched in preparation because there were so many little things, like the way John plays with his hair that just took me right back to that. Sometimes with fictional Beatles things I’m constantly thinking about how you’re watching two people try to portray these real people, but I definitely found that they were convincing enough that I wasn’t thinking about it too much. 

Outfits: I did find it kinda weird they went for the Get Back looks rather than how they looked in 76, I feel robbed of the New York City vest tbh but they did look great 

Changes from the film: basically they cut out them going for the walk to the park and to Luigi’s and instead John sets up the table for them like they’re in a restaurant in his kitchen. I think it works really well because they play into John not wanting to leave the building, which just adds into that whole mental health thing, and I think it actually makes the rooftop scene more poignant when they get there, because it feels more like Paul has broken through a bit and coaxed him outside, even if it’s baby steps. Anyway, they still have all the same conversations really the script is just chopped up a bit. 

One interesting thing is that the conversation that happens with the fan in Luigi’s still happens, but John sort of pesters Paul about whether he really thinks silly love songs should be number one, and it’s a nice extra layer to Paul’s insecurity which I enjoyed 

Mental health conversations: I think going into it knowing that the director wanted to make this because of the mental health themes, specifically men’s mental health and how having someone to reach out to is so important, is really interesting. They definitely amped up John’s anxiety from the film, his fidgeting and little moments to himself where he’s trying to get himself together were just so palpable, and Paul talking about his depression after the Beatles broke up was even more raw and upsetting seeing it in front of you. My absolute favourite line in the film is ‘I’m thirty-five years old and I still feel like I’ve done something wrong’ and god, my heart just broke seeing it on stage, I think that’s such a common feeling, just that sense that you’re in trouble for something but you’re not really sure what? Anyway, I just loved Sloane’s delivery of it. 

The Kiss: Okay, look I actually don’t care that much about the kiss in the film, I’m glad it’s in there as a little nod to John’s queerness but it really isn’t anything imo, but I liked it a lot more in this! For one thing rather than coming after a little play fight (which is still cute, don’t get me wrong) they do one of their silly dances where they’re spinning each other round etc, so the scene already feels more tender, and then John just kinda grabs him and it goes on a little longer than in the film. I still think it’s far from one of the most intimate moments in the show, but I do think they made it into something more here. 

Rooftop scene: It’s just. It’s everything. They sit right at the front of the stage, facing each other, cross legged and Paul gives him the whole ‘I see a beautiful baby boy speech’ and it’s PERFECT, this was the moment I was most worried about them screwing up and it was perfectly delivered and they have this lovely big hug after it and it made my heart ache in the best way. And idk, if seeing some guy dressed up as Paul McCartney saying that we should focus on fun and get out our own heads and how we don’t have to stay stuck as the kids who were just scared and trying to survive, doesn’t do something for you, then we’re just very different people. 

SNL scene: okay it’s pretty much the same but the way John is sleeping on Paul was everything, it wasn’t just a head on the shoulder he was fully laying back against Paul!! 

The ending: this is just so brutal because Paul doesn’t leave the flat to get his guitar, he borrows one of John’s and so when Yoko calls and John starts doing the whole ‘I wish you were here, you’re the only one who stops me disappearing’ it’s literally…. In Paul’s face. And it hurts. Then at the very end they cut between John on the phone to Yoko and Paul on the phone to Linda, and so Paul says ‘I love you’ to Linda, then John says ‘I love you too’ to Yoko but it sounds like they said it to each other, and then Here Today plays. The fact most people didn’t appear to be crying baffled me quite frankly. 

Yoko: They decided to have Yoko be the one who actually invited Paul, which felt like an odd choice and didn’t really add anything for me, but there we go 

Okay I’m gonna shut up there because this is way too long and I doubt anyone’s read it but ahhhhhhhhh it was so good and you’re just all lucky I can’t text you because my friends have had much more incoherent versions of all this

[rafaelsilvasource]

Husbands (we love typing that as much as you love reading it) T.K. (Ronen Rubinstein) and Carlos (Rafael L. Silva) are coming into the fifth and final season of 9-1-1: Lone Star (premiering Monday, September 23 on Fox) already dealing with the unsolved murder of the latter’s father. But there’s more drama to come.

Carlos’ obsession with that investigation is going to put their marriage to the test. T.K.’s half-brother, Jonah, is coming to Austin (which is sure to affect Rob Lowe‘s Owen as well). Below, co-showrunner Rashad Raisani previews that and more that’s ahead for the fan-favorite couple.

Carlos is investigating his father’s death. What can you preview about that investigation? That’s also going to involve Campbell (Parker Young), right?

The way we’ve been talking about Campbell and Carlos is that they’re like two brothers, the big brother and the little brother. Carlos comes along, and in Campbell’s mind, he got kind of a free pass because of who his dad, Gabriel Reyes, was, the legend, and to go to the front of the line and become a Texas Ranger. The first episode is about these two brothers both fighting for daddy’s love and daddy being Chief Bridges, their boss. But what’s gonna happen is they learn to respect each other and they’re gonna discover that they’re so much better when they work as a team and they really complement each other brilliantly, not just as investigators, but as characters and frankly to me, as actors. I think just they have a wonderful dynamic that only gets richer as the season goes forward.

Carlos’s father’s murder is a thing that Carlos is not giving that up. It is the central driving force in Carlos’ life. And there’s no way we’re going to end the series without giving that poor guy some answers. So there will be some answers at the end of the day on that.

The season description says that T.K. and Carlos’ marriage is put to the test because Carlos becomes obsessed with solving his father’s murder. What can you tease about how we see that play out and how tough things are gonna get in the middle of that for them? I do have faith that they’re gonna be okay by the end.

A big part for me about their marriage was I really wanted to treat it like a real marriage, and by that, I mean that even though these guys are so wonderful to each other and they’re so handsome, life isn’t perfect no matter who you are and everybody has real struggles that affect even great relationships. And the true strength of a relationship isn’t the absence of challenges and problems, it’s how you grapple with them and encounter them and if they make your relationship stronger or weaker.

And so for Carlos, this burden of his dad’s murder is going to sit there and take up a lot of oxygen in the room and T.K., who is an incredibly supportive husband, is gonna try and be patient and graceful and allow Carlos to have that space. But at a certain point, he’s got to advocate for them to have a future together, and that’s part of what you were talking about with Jonah. I like to think that little boy, in some ways, represents the future of their relationship and Gabriel’s murder represents the past of their relationship, and there’s gonna be a tension between those two things and that’s gonna be their central dynamic this year, is that one person is struggling to get answers in the past and the other person is struggling to move on and build a future, which I think is a very relatable human experience.

All of this makes me think about kids, and that has been a bit of an issue for them in the past. How does that come into play?

I think that’s another pressure point because Carlos was very upfront with T.K. about, “Hey, I’m not ready to have kids and I don’t know if I ever will be,” and then now that his dad’s been murdered, in his headspace, that’s the last thing that he’s got the bandwidth or the emotional energy to deal with. But like I said, T.K. is feeling like life is happening right now, like we don’t get moments back, and especially as a first responder, they see that you can’t take anything for granted. And circumstances are going to align that are going to [lead to] a situation where T.K. is like, I know that you were uncomfortable with taking this next step as a father, but I feel like it’s something powerful that I need to do, and to make that a crisis point for them as well.

I hope that the audience can see the argument from both of their points of view and just go, “S**t, I don’t know what to do. I don’t know what I would do either.” That’s what I hope because I feel like people have real problems that aren’t so simple as to say, well, he’s right, he’s wrong, whatever. We just wanted to put them through that.

[batsclass101-blog]

Brick On the Head - Part 3

—————

It had been three weeks since Tim had debuted as Kea and none of the family had caught him yet. Both Oracle and Kea gloated at the development, it was nice to have a leg up on the rest of the bats.

Tim hadn’t realized just how much he missed regular patrol until he was back at it. He took to the streets as soon as the sun went down and engaged in frequent bat stalking on the slow nights. Yes, he was loving his life.

Unfortunately the growth pains returned with a vengeance and it was making patrol difficult. Kea shifted from his position on the roof of an old factory. He needed a good stretch, a hot bath and a full fridge of food. A frown tugged at his lips as he glanced at the sleeves of his costume…

“Come onnnnn. Two inches too short already.” Tim frowned deeper. “Alfred is going to notice… and bench me again.” He scowled in the dark and popped his back.

The night had been relatively quiet, only a couple muggings and one bank heist. He glanced at the time and grimaced as deep aches wracked his body. Never had his bed called more loudly.

“O, I’m headed in for the night.” Even his even tone sounded achy. He grappled off the building and found his bike.

“Early night. You good K?”

“Another growth spurt. I’m going to have to get the suit adjusted again…”

“Again?”

“Yeh… Alfred is gonna bench me probably.”

“Sounds like you might need it, Bat-giant. Maybe we should call you big bird?”

“Real funny, O.” Tim rolled his eyes and sped off towards the manor.

“You know NW is going to use that one.”

“Well, it all depends on when he takes notice at how big I’ve grown… I need all new clothes but I’ve been too busy.” His voice grew to a grumble.

“What about grabbing some of Jason’s clothes?”

“Not a chance, they’re too short. I’ll just have to bite the bullet and ask Alfred for help. I’m too tired to go shopping.”

“Well, get some rest Kea. Signing off.”

————

It had taken him two more weeks of dodging everyone before he’d approached Alfred. Alfred had took one look at Tim and his uniform once he’d fessed up and had returned him to light duty… and contacted Dr. Thompkins. Tim knew better than to voice his irritation… but he was definitely irritated. She’d told him that this should be the last of his growth spurts. Relief had flooded him at the announcement.

“So I’m done?”

“As far as I can tell.” She eyed his chart and then looked him over. “But at 6 foot 10 I’m going to insist you up your calorie intake. You’re far under the weight needed for your frame.” She examined his arm muscles carefully. “Your muscle tone and structure has shifted as well. You’ve bulked up some. However, you should be much heavier and be intaking more calories. I’ve already talked to Alfred and I expect significant weight gain and new muscle definition.”

Tim simply stared and nodded his head. He’d gone from one of the shortest bats to the tallest. No longer could his older brothers or father dwarf him. The only downside was adjusting his fighting style a little. He considered how intimidating his new height would be and how he could use it against criminals… Mostly though he thought about taunting his brothers.

————-

Two more weeks passed before Alfred, Tim and Babs had decided to break the news. They waited until patrol was ended and Tim had donned his new costume. He blended into the shadows and prepared for his family.

It didn’t take long for everyone to slip off their cowls and dominos, but Tim waited..: and waited until relaxation had set in. Only then did he swoop in. He glided down from a hidden ledge and spread his cape dramatically. Silently he landed behind the group.

“What took you so long?”

Batman turned and glared. There was no other response but a twinge in his cheek let Tim know he’d startled him.

“Did you get stilts?” Jason scoffed. “You look ridiculous. Just because you’re short—-“

“How?” Bruce set down at the bat-computer and stared at Tim.

“Science… Bruce. Science.”

[littlemisstfc]

Transformers One: Is It Good Or Nah?

Hello, hola、こんにちは。So…it’s been 84 years since I’ve last written on this side of the Hundred Acre Woods. For that, I do deeply apologize for my absence aksksksjsjsj. Anyways…so the Transformers franchise, in terms of the movies, has a very shaky history.

We all know the Transformers movies; it’s pretty known by now that the movies are just a rollercoaster of quality. For every Bumblebee, there will always be a Revenge of The Fallen. When it comes to me specifically, I have a very complicated relationship with this aspect of the franchise for a better part of my life. The original G1 movie is okay. The first movie is alright, ROTF is Satan’s spawn, DOTM is good, AOE is a chaotic mess that I both hate and love, and the less said about TLK, the better. Then, a miracle happened in the form of Bumblebee (2018) and it sets the path of redemption for these movies. It continues with Rise of The Beasts and while it’s an 8/10 movie for me, it’s still a great movie that continues the momentum. Now, it brings us to today.

I wanna bring this up before talking about Transformers One because you will not believe me when I say that this movie is EVEN BETTER THAN LITERALLY EVERYTHING ELSE IN THE FILM SERIES. YES, IT OUTDID EVEN THE GREATEST TRANSFORMERS MOVIES BY A FREAKING LANDSLIDE. JUST…how did we even get a movie like this? The fact that it exists is truly the most mind boggling, yet pleasant surprise so far in the series to date. Words cannot describe the experience I have gone through at this moment. Just…what did we do to get something this incredible and this damn good. Amazing is an understatement; Transformers One is easily the best Transformers movie to date.

The way it gives us genuinely some of the best moments in Transformers history is an indicator of the majesty they wanted to make. Sure, no movie is truly perfect. However, for this one, the amount of things to discuss and think about is something that rivals even the most complex media such as Earthspark and Animated. So what am I doing here standing around for? Let's talk about a movie about two bros chilling in an Energon mine, five feet apart cause they’re not gay! :D

For this review…I’m going to give this movie’s pacing the respect it deserves (due to how crucial it is to the story) by highlighting the most important details I want to talk about in order. After we get the nitpicks and other good stuff out of the way, I’m so excited to unleash all the inner brainworks in my head at the moment. So let’s goooooo.

3, 2, 1, Pingu.

(Also, I will be going into spoilers, so Sparknotes version: it’s a rare 10/10. ✨)

The Good, The Bad, and The Badassitron

Let’s go get the nitpicks out of the way. I say nitpicks because they thankfully don’t drag down the movie for me. First things first: I wish that the main trio of Decepticons (Doritoscream, Soundwave, and Shockwave’s boobs) play a much bigger role here. I felt like how we got from Starscream in charge to now all of sudden loyal to Megatron after having the crap beaten out of him is where the movie could benefit from a few minutes more to the runtime. To me, their loyalty to Megatron by the end is something that needs to be earned. However, like I said, it didn’t bring the movie down for me because they’re not the focus here, The focus is on Megatron’s relationship with Optimus. We’ll get there when we get there. Bee’s fine for what he is, but I feel like he can be cut out of the movie and replaced with someone else. The story would be as it is, like he really doesn’t have much of a reason to be here. However, like I said, he’s fine for what he is. The only other nitpick I have is that it’s weird that the Quintessons have little to no direct involvement in the main conflict, since it’s their rule that led to this mess in the first place. However, since we’re getting two more movies, I’m curious to see how this is gonna play out in the future. Anyways, that’s all I have to say about the issues I have with the movie, so let’s get to the good stuff…EVERYTHING ELSE.

Oh my god, the music score? Easily among my favorite scores in Transformers media to date. The way it not only incorporates music from shows such as Transformers Prime so beautifully, but it gives the world so much life and majesty that is straight out of a Biblical epic. The ending song at the credits reminds me so much of On My Soul, just what an utter bop. Of course, I also need to mention the biggest highlight of this movie…the animation. Oh my god, this movie is utterly gorgeous. Not only are the settings so vibrant and brimming with life and personality, but I absolutely adore the facial expressions on the characters. I’m glad that it’s emotive enough to not fall into the Uncanny Valley, and the characters felt so real. I especially love Orion’s facial expressions, because of how well they convey his growing heartbreak and loss of innocence over the course of the story that we’ll discuss later here. Overall, the music and animation are good enough reasons why you need to see this movie on the big screen. Just…MMMMMMM. Delicious food.

The characters are also really likable and enduring. I wasn’t sure if I was gonna like Badassitron going in, but honestly, he’s a Bumblebee done well. He has plenty of funny moments and jokes, and I like how they don’t have him make quips during the more serious moments here and there. He is the comic relief done right. I’m pleasantly surprised by how they handle Elita’s character. At first, based on the promos, she seems to be the Ultra Serious Girlboss who girlbosses her way into the Elita One we all know and love. However, as it turns out, it’s revealed that she’s a neurotic, yet well meaning dork and I love that for her akskssk. I especially love how her relationship with Orion develops over time as they went to find the One Piece. She went from being irritated with his tendency to cause mischief at work and ignoring protocols to warming up to him because of his resilience and optimism (no pun intended) of their people being freed. Honestly, it’s so refreshing to see a flawed, yet likable Elita here and she’s perhaps one of my favorite iterations so far. Moving on, and oh man…where do we even begin with our good buddy Sentinel Prime. Not only is he one of the evil ass motherfuckers in the franchise so far, but he is a fantastic main villain. Just seeing this despicable bastard manipulate his way into power makes you love to hate him, he’s also pretty funny, and the way he poses a threat to our heroes provides enough interesting groundwork for the conflict between two of our main amigos. Also, shoutout to Jon Hamm. He did an excellent job at portraying Sentinel as this smug, arrogant little bitch. Just, amazing. And speaking of portrayals, the entire voice cast did an amazing job here. You can tell how much they clearly respect the characters they’re portraying while also breathing new life into them. This is what animation studios need to do; hire actors that suit the characters well DAMMIT. Other positives I have is the amount of neat cameos of our favorite blorbos in the background, the comedic timing is excellent thanks to the voice actors’ deliveries and banter with each other, and in spite of the darker tone the more it progresses, it also has a very cozy, fun feel to it due to one of the movie’s main central themes. And speaking of themes…this is where we will end the section here.

Now…I am saving the best for last. What I mean by that is that there are two characters that manage to be my favorite aspect of the movie overall. So…let’s go talk about them.

A Tale of Two Friends:

I’m struggling to use the right words to describe how I feel about Orion and Megatron. To me…they’re the true standouts in the movie for me. Their relationship is portrayed with so much care and gravity that they both felt like real people. Not only are they both likable and charming, but seeing their relationship break apart over the course of the movie is hauntingly beautiful and tragic. Trust me, it’s not the shipper speaking here. It’s so refreshing to see them together in the big screen for the first time since The Last Knight, but it’s also so interesting seeing them in a different light than what other Transformers media did. I’m starting in the order of the movie because the movie’s pacing is perfect. Every scene connects to each other perfectly and it makes room for the wild ride we’re in for.

First, let’s start with Orion.

We start the movie off with Orion breaking into the Iaconian Hall of Records and search for anything on the status of the One Piece. Then, he gets caught by some guards and a chase ensues. Right away, we get a good idea of his mischievous, yet curious personality and his determination to discover more about the surface world. He won’t take no for an answer and while it does lead to him getting in trouble often, it’s genuinely admirable to see him have the initiative to make the best of his situation in life. Then, right before he gets caught, Megatron comes in with a cart that serves as a distraction for Orion to slip away and they both head to work.

Right off the bat, we see that Megatron is the more relaxed, more cautious out of the two. He tries his best to stay out of trouble and to keep his good ol unhinged buddy alive due to his wacky shenanigans. At the same time, he also has the same kind of energy he shares with Orion in that they both keep their heads up in spite of their circumstances. Adding to the layers is Orion bringing him the Fallen sticker, which is how we get a good idea of how much they care for each other. True, they have their own frustrations with each other. Megatron is frustrated by Orion’s tendency to get in trouble, along with not recognizing his discomfort with some of the things he drags him into such as the Iacon 5000, and Orion is frustrated by Megatron keeping his head down to avoid trouble. However, they always have each other’s back and they are each other’s equals.

We also see that they’re both kindhearted people who will stand up for the little guy through risking their lives to save Jazz from the collapsing Energon mine, even though it resulted in Elita being demoted. From the start, their desire to make their world a better place is set in stone there. This is furthered strengthened by Orion standing up for Elita by flipping off Darkwing and both him and Megatron needing some milk afterwards. Also, quick side note: Orion’s sass and dynamics with the other characters is so damn refreshing. I love how he literally has no chill in speaking what’s on his mind, and I especially adore how he interacts with Elita. Pure malewife material aksksksz.

Back on track, he then drags Megatron into the Iacon 5000 so that they can prove themselves to be just as worthy as the upper class racers in the game. As they fly through the race track with mere jet packs, their fellow miners cheer for them and they were pretty close to finishing in first place had it not been for the combo of an injury Megatron got and the first place winner coming in. I’m not gonna reveal who won the race, but let me say that who won it is a pleasant surprise. Anyways, this earned the attention of Sentinel Prime and he went down to their recovery ward to personally congratulate them on their boldness in participating. He even offers them a nice ol place in his crib, which they might've accepted if Darkwing didn’t throw them down into Undertale due to his jealousy and anger. Throughout this scene, we see Orion and Megatron being validated by the Prime they’ve admired for so long for breaking out of the status quo and it lays the foundation for later on. Eventually, they met Bee, found the map to the One Piece, and ventured into the surface world while accidentally dragging Elita along for the ride. Pretty landscapes and peril later, they end up in the cave where the bodies of de Primes are at. They wake up Alpha Trion and he reveals the bitter truth:

Uh oh, it turns out Sentinel Prime is a LIAR and that he betrayed the Primes in order to be in charge of the Cybertronian population. Here…we see the innocent viewpoints of Orion and Megatron shattered permanently from here on out. While Orion reacts with anger as he should, Megatron is utterly furious with this horrific revelation. The Prime he has admired for so long, the Prime who just gave him an opportunity to move upwards just minutes ago…turns out to be a cowardly, spineless fraud that took away their autonomy to having basically a crucial organ in their bodies and to make choices for themselves. It isn’t helped by Sentinel giving up the Energon (that they risked their lives in mining for) to the very evil overlords that are responsible for their people being this way for so many generations.

What happens back in the cave is one of three excellent scenes that is borderline uncomfortable due to how realistic it is. We see Megatron essentially having a mental breakdown from finding out his life is a lie and Sentinel is a big stinker. When Orion tries to calm him down, he finally vents to him about his frustrations with Orion’s tendency to cause trouble over the years and calls him out for not thinking before acting on his impulses. It also helps that we see his patience starting to be worn thin earlier in the recovery ward and when Darkwing threw them both in the Undertale. Then, he finishes his breakdown with one simple, yet effective confession: he doesn’t want to just take Sentinel down…he wants to kill him. To say that hearing Megatron say this left me and the theater in shock is a massive understatement. It genuinely caught me off guard, but in a good way. We finally saw Megatron at his breaking point: his entire life, including being worked to death, has been for nothing. It’s a great scene because it’s an argument where you understand both perspectives here. You understand Orion’s bewilderment at Megatron’s unhinged behavior and wanting him to take a deep breath so he can clear his head while you also understand Megatron finally having enough of being a doormat for too long and Orion putting his own wants before others. Neither side is right and wrong, and I appreciate how Orion’s and Megatron’s emotions are valid here. From this point on, all hell breaks loose.

After they gain their T-cogs and the recording to cancel Sentinel on Twitter by Alpha Trion, the main amigos enjoy the euphoria of transforming for the first time. However…we see Megatron enjoying the euphoria of having the T-cog too much. After fighting off one of Sentinel’s soldiers, he forcibly takes the callout post and vows to make Sentinel pay for his crimes. When Orion tries to protest, Megatron coldly tells him to step aside or else there’ll be a problem between them. Orion’s expression here is why I love his facial expressions the most as mentioned earlier. You can see all the thoughts he’s having right now, especially the shock of seeing his best friend giving into his darker thoughts expressed back at the cave. Now, the coin is flipped. Orion is the sensible, level headed one of the two while Megatron is the impulsive, stubborn one that he always scolds Orion for being so in earlier scenes.

As they make their way back home, they ended up captured by some Decepticons and are being interrogated by Starscream and his band of mean girls. When Megatron walks away from the interrogation nonchalantly, Starscream tries to assert himself as the leader. However, it ended up breaking into a fight that quickly went HOLY FUCKING SHIT, HE NEEDS SOME MILK when Megatron overpowers him. We see a horrified Orion in the crowd and they can only look at each other. Their friendship will never be the same after that…especially now that Megatron finally got a taste of power that’s been denied to him all his life. I know that this is probably gonna be a point of contention for some people with how Megatron’s turn to the Dark Side is portrayed here, so let me provide this perspective:

How long did Megatron have these thoughts?

Given presumably how many times he had to bust Orion out of trouble, and having to keep quiet just to stay alive, you have to wonder how long he kept quiet about his frustrations and hidden rage at the circumstances of his life. From that angle, giving into his intrusive thoughts is inevitable. He just needed the push to act on them. Essentially…the poor guy needed therapy, and sadly, there are no therapists on Cybertron. 😔

Eventually, Megs and Badassitron got captured along with Starscream and several other Decepticons by Airachnid. It’s now up to Orion and Elita to team up with the remaining Decepticons left and YOU GOTTA HELP US. Here, we see Orion finally realize how badly he screwed up for not understanding how his actions affected the people he cares about over the years. It got through his head that he didn’t appreciate Megatron’s patience and willingness to protect him from the consequences. While he means well, he doesn’t realize how selfish he’s also being with the things he does in his overactive ways. Upon realizing this, he takes responsibility for the amigos being in this mess…a mess that happened because of him. That was his mistake. He is now left with no choice but to go forward and make things right by his friend and the people they love. Then…we get another one incredible scene and that is Elita’s pep talk to him.

While it starts off a bit comedic due to how this is clearly Elita’s first time with cheering someone up and Orion pointing it out, it then leads to her expressing how she always admire his optimism towards a better future for their kind and his refusal to back down in the face of struggle. It’s the embodiment of the movie’s most important message: having hope even when the odds are against you. That fact that we have such a strong theme in a turbulent era we’re in at the moment is why this scene works so well. Change starts with one person, and then becomes bigger and stronger when they continue to fight against injustice and inspire others to do the same. Thus, Elita’s pep talk gave Orion the drive to get back up and keep moving forward by teaming up with the Decepticons, go back to Iacon, and free their buddies. The theme is furthered strengthened by Orion rallying the other miners into helping him, as he now has the power to make things better for his people.

Quick side note, but Elita is an interesting foil to Megatron’s in terms of how they react to Orion’s unhinged sassy king energy. While she’s also annoyed by his tendency to get in trouble a lot, she has also admire his ability to remain optimistic even with their shitty conditions. Once he takes responsibility for his decisions, she softens up towards him and she remains his dearest friend by the end. In contrast, by the time he has apologized for his mistakes, it’s too late for Megatron. It’s clear that these two are what shaped Orion into Optimus, for better and for worst.

Meanwhile, Megatron gets tortured by Sentinel after repeatedly defying him. Then, he gets the Decepticon symbol carved painfully into his chest by the blue son of a bitch. That essentially became the straw that broke the camel’s back and it ultimately drove Megatron into a point of no return. After the other main amigos rescued the other amigos and a ROBOT FIGHT occurs, Megatron now has the opportunity to finally show Sentinel that his day of reckoning has come. Now, he must die. However, after putting the callout post on Twitter, Orion realizes what his bestie is about to do and tries to stop him. However, Megatron quickly overpowers him and prepares the final blow to Sentinel. Then…what happened next left me and the entire theater in stunned silence for a good few minutes up until one point. At first, I thought to myself:

“Ain’t no way he’s gonna do this. There’s no way they’re bold enough to have Megatron do this.”

But then…it happened. The shot from the fusion cannon meant for Sentinel ended up hitting Orion instead, sending him flying near the entrance to the planet’s core and hanging on for dear life. The moment he cries out to Megatron for help…I bursted into tears right there. His innocent perspective has been destroyed permanently, and he’s now a broken shell of his formerly spunky self. To add more salt to the wound, Megatron reaches for him…only for him to declare that he’s done saving him from trouble after one too many times. Then, he sent him falling into the core. Megatron has crossed the line, and with eyes now red with hate and pain, he finally killed Sentinel in front of a now devoted group of followers who will obey his every word. He has now become the person he has sworn to destroy…

As that’s going on, Orion’s broken, lifeless body is gently brought down inside of the core and it’s revealed that he is the one who is destined to receive the One Piece…aka, the Matrix of Leadership. Thus, he is now reborn as the Optimus Prime we all know and love. The use of a theme from the G1 movie is the cherry on top of an utterly haunting, yet powerful scene that needs to be seen on the big screen.

After he has risen and put an end to Megatron’s madness, he decides that the best option for them both is banishing Megatron and his followers from Iacon. The fact that he chose this option instead of simply killing his former best friend really speaks a lot about not only his character, but also how much their relationship has essentially been ruined by how different they are in terms of wanting change. Alas, Megatron goes off into the sunset with his followers and Optimus is left there…mourning the death of their once great bond. When it showed a memory of how they met afterwards, it made me sobbed uncontrollably. At this point, you’re left with one question:

Will they ever go back to where they were at before?

Thus, we end on a bittersweet ending…an ending of two former friends who were torn apart by the sins of the fathers and the aftermath of said sins. All there’s left to do is wait and hope that everything will be okay soon.

Overall…Orion and Megatron are what makes the movie for me. Their chemistry, their character development, and the phenomenal performances of Chris Hemsworth and Brian Tyree Henry are what makes them the most layered, most complex iterations of the characters respectively.

Conclusion: IT’S SO GOOD, YOU GUYS.

Words cannot describe how Transformers One is a phenomenal love letter to the franchise I hold very dear to my heart since I was a kid. Overall, this is a fantastic movie that you will love.

It has phenomenal characters, gorgeous animation, an amazing score, and a powerful story of how you have the power to change the world and make it better. For the very first time since Cyberverse, I award the very rare 10/10 to this film.

Please check it out. I applaud everyone involved in this project for making it a beautiful work of art for the fans. It is indeed more than meets the eye.

[ringsreforged]

Season 2, Episode 6 - Nat's Rambles

Okay – SO – Paulina is still on holiday, and I’m obviously DYING OVER HERE (Natalie, in case you hadn’t guessed) so TUMBLR. I HAVE RETURNED.

Truly though, I don’t think I’ve done this since S4 of The 100 which probably aired 100 years ago at this point…what has this show done to me…

ANYWAY. My immediate thoughts on Season 2, Episode 6: WHERE IS HE???????

Paulina Voice: All opinions herein have nothing to do with me, so only judge Natalie for them.

Important Note: I have only watched once, in a haze of stress and emotion, so I reserve the right to delete all of this later if I change my mind on any of it.

Arondir – Hello! Nice to see you! Glad you’re joining us for the battle!

I did like the detail of confirming that not all the orcs are on board with Adar’s war, but I was mostly laughing that ‘running through the trees’ is how the show has reminded us a character exists for two weeks in a row.

Rhun – I think this was the first episode where I was like GO AWAY, RHUN, NOT NOW. Though, I want to stress that I am super excited to see the conclusion of this, probably in episode 8. The Dark Wizard, the Gaudrim, the fate of the Stoors (honestly, I’m assuming they’re all going to be massacred tbh…which…the optics…but we’ll worry about that later…). In today’s episode, it just felt a bit like ‘hey, these characters still exist.’

I did love the little snippet of Tom and the Stranger, though I felt like it could have just been included in their previous scenes. He is 1000% Gandalf, and I stand by my opinion that this isn’t supposed to be a twist or a surprise. It’s just the narrative telling the story. Destiny or friend is super intriguing to me. It’s very Luke and Yoda from Empire, but I do wonder if his destiny IS to choose his friend…and in so doing, THAT is how he finds his staff…

Nori talking with the Gund was very sweet, and her willingness to give herself up to protect everyone was super in character. Poppy and Merimac were cute (I pray to all the gods that THIS was the kiss Morfydd teased but I doubt it very much…), and Poppy wanting to fight for the Stranger made me pretty emotional. However, I have some bad news…

Guys…I think I’m adding Poppy to DEATH WATCH. And I HATE IT. BUT I CAN’T UNTHINK IT.

Moving on…

Numenor – This continues to be the choppiest of storylines this season, but I do think the broad elements are super on point. And, actually, where we end up makes the Eagle sequence make more sense in retrospect. Pharazon didn’t have things locked down, Miriel is very much still a player on the board, and Mr. Eyebrows is THE BIGGEST HYPOCRIT.

Then again, if you told me I’d see Halbrand in the Palantir I’d probably touch it too…

Ahem. Loved that detail by the way! Part of the reason I felt like Halbrand would be his Numenor form was the small scene he shared with Pharazon back in S1, while Galadriel was taking out the guards. A connection was formed then – perhaps his eyes even bored a hole – and if Halbrand rocks up as an enemy of the elves, that’ll only make him more appealing.

Everything with Miriel and Elendil was absolutely stunning. He was willing to give his life for her, she was willing to give hers for his. WHAT ABOUT MY HEART. Honestly, from the way Owen and Cynthia talked about this season, I felt like they weren’t going to get anything at all romance coded. But I’m just starting to think people in TV only see active kissing as romance, because HELLO?? THAT’S THE SCRIPT????? THAT IS ABSOLUTELY ROMANCE????

I’m very excited to watch the sequence with the sea worm again, and to really let it wash over me (heh), because I was starting to get time anxious at that point in the episode (my brain starts panicking ‘don’t end, don’t end.’ Honestly, my brain SUCKS). But it was incredible, the implications were wonderful, Elendil’s relief was beautiful, and so was Pharazon’s rage. Also, the whole sequence was UTTERLY STUNNING, WOW.

Note for the show overall, or maybe just for myself, though – PLEASE stop spoiling so much of the season through promotional material. My biggest gripe with this episode is that I felt like I’d already seen/put together 90% of it.

Anyway, I’ve left Earien until last because this was a MUCH better episode for her (though, not letting her have any reaction to Valandil’s death was CRIMINAL). To the point that I’m now reforging (heh) my thoughts on last week – who directed her to have such bratty energy last week? Weird.

Anyway, we saw much more of her conflict and fluidity in this episode. She isn’t Faithful, she believes the new order is the way to go, but she’s also struggling massively with it. Her desperate hug with her father broke my heart, I had instant tears in my eyes, but then I also cheered when she brought Miriel in! What a great surprise that was! I’m REALLY interested to see where she goes from here…I’m assuming in the finale? I was sure she was locked onto a super dark path, but she witnessed Miriel survive the Valar’s judgement…will that sway her back around?

I’m going to finish this section with something that’s maybe a bit controversial…Elendil sucks as Earien’s father!!! Now, I’m willing to put this on pacing/editing issues, because I don’t think the show really wants us to feel this way. But good god, man. HAVE A CONVERSATION WITH YOUR DAUGHTER. I really enjoyed their cell scene, but sweet lord baby jesus, these two needed a deep conversation in episode 3. Watching him turn to go when Miriel walked in, and just forget Earien was even there hurt me man…even though I enjoy the Miriel aspect VERY much…

Like, I know you’re mad at her, but you’re all she’s got left…and your pride might mean she watches you die…can you be a little kinder to her???

Dwarves being dwarves, AKA perfect – Flawless. No notes.

The initial sequence with the Durin’s and Annatar was PERFECT. Annatar being rejected (that Balrog glimpse was SO EVIL), and Baby Durin’s flicker of hope. But then the reveal that Daddy Durin is deep in the shit because he’s really just being greedy. My gooooodnesssssss. The show has done SUCH A GOOD JOB setting this up, because we know Daddy Durin isn’t this way! We feel Baby Durin’s pain!

Then Daddy Durin has his IT’S MINE moment with the ring and swats his son away. Anguish. And the anguish only anguished harder when we cut to Durin and Disa. Disa talking about her love for her father-in-law, and her own father, and then DURIN’S TEARS. UGH. UGH. UGH. I was weeping, honestly.

I feel like Durin being suss of the rings this early on is a pretty big change (don’t quote me on this) but I’m for it. Watching Disa turn back Narvi and the others (poor Narvi) was beautiful and then that I LOVE YOU. UGH. UGH. UGH. PERFECT, I SAY.

I doubt Disa has anymore bats to summon, though, so IDK how the heck they stop what’s coming next. Is Durin going to get drawn away by his desire to help Elrond, leaving Disa alone and vulnerable?

I REFUSE TO PUT DISA ON DEATH WATCH, SHOW. I REFUSE. DON’T YOU DARE.

Adar and Galadriel – I wish we’d gotten more, especially because they released a clip yesterday that I obviously couldn’t resist watching, but what we got was JUICY.

I felt that Adar knew Halbrand was Sauron back in the premiere, or at least suspected it. Getting that confirmation paints their scene with the talk of the wine, the tears, and the kneeling in such a different light. TASTY.

I’ve seen people question this, because why did Adar not try and kill him there and then? To my mind, that’s pretty straightforward. He killed him once and it didn’t stick. And last time he had the element of surprise. He knows that Sauron is powerful enough to get out of his chains/to not get caught by orcs, which means he’s here for a reason. If Adar tries to kill him, best case scenario Sauron is off the board for another few centuries, but he’ll likely take down some orcs with him on the way out. And for what? For him to just come back again?

I think Adar decided to play the long game. I think talk of Eregion and Galadriel let him know that something more was going on, and he was biding his time to act.

So, Sauron promised Adar children. Honestly, the Adar/Sauron/Galadriel dynamic that played across this episode was the stuff of my dreams. Adar is holding his own relationship with the fella up against hers, and there’s so much subtext for both dynamics. Was there romance between both? Was it solely manipulation for both? Is Adar what Galadriel might become if she succumbs?

Galadriel definitely wasn’t being entirely truthful with Adar when she mentioned that Sauron promised an army, because that was more what she thought she could get out of Halbrand. And yes, sure, Sauron might have nudged her that way. But Sauron’s true offer came later on the raft, after the army had been delivered. Adar even acknowledges that she’s not being truthful, that she needs to let go of her pride. I feel like we’ll see that play out over the last two episodes for sure…

The line that really stuck with me from a Hal&Gal perspective was Galadriel finishing Adar’s line about the world with Sauron being full of colour, and without him it’s a dull grey. It fits with how Galadriel has come across to me this season. Since Elrond shut her out, she hadn’t had anybody to open up to, and she’s certainly not being fully honest with herself yet. That dull grey speaks to how she’s mostly been…quite contained? The only moments where she’s truly come alive were with Nenya, and when she was fighting.

Later in the episode, she DOES put aside her pride. She calls Adar Uruk!!! She opens up and sees the possibility of an alliance. And I think this goes back to Sauron too. She’s had a taste of darkness and the temptation of it, she knows she’s not secure from succumbing, and so her perspective of Adar – who was once an elf – has massively shifted. However, when he asks if he and his children will be able to return to their home…we all know the answer to that.

I actually never stopped to consider that Adar would be the one manipulating/tricking Galadriel, which is silly in retrospect. Because this much better explains how she ends up in a cage facing the elves (sorry guys, I don’t think she’s bait for Sauron…she’s facing the wrong way…). I’m looking forward to watching this bit again, as I feel it was a bit rushed on first watch. I would have liked to see these two chat for a good two scenes more, honestly.

Adar is falling into the trap, which is pretty devastating, and Galadriel is the one seeing through it. Honestly, I really don’t know how things roll out in the finale. I flip from it making no sense for it to be a S1 rehash, to being sure she’ll defiantly resist, to being sure the show is setting her up to not be able to. I JUST DON’T KNOW. I wish I’d never seen those stupid leak spoilers…the promo makes me think they are real, but then we MUST be missing full context.

Adar is still on DEATH WATCH but like…a little bit less than before, honestly? Mostly because I don’t see how we have time to get ALL the confrontations into the last two episodes. When Adar goes out – and he will – he deserves the biggest death.

Random aside: I am pondering sharing something of a Haladriel ramble/rant but I’m also like…IDK if I want the hassle, so we’ll see.

Celebrimbor and Annatar

Oh, Brimby. My heart aches. The sequence with him forgetting Mirdania’s name was so heartbreaking and watching Annatar isolate him so completely was chilling. First, by taking away the other smiths, then with the illusion.

I actually don’t think I have a lot to say on this section, because it’s been rumbling along all season and we’re just about to reach the climax. Sauron is Sauron’ing his hardest in this episode.

I am now quite convinced that Mirdania is not Celebrian (I already didn’t really believe it, but it’s firmer now) and I do think she’ll die. I think she’ll either be killed by Sauron himself, or she’ll be caught in the crossfire of the siege, and as she dies she’ll make eye contact with him and he’ll just coldly leave her. I feel like there has to be some sort of climax to the whole…you look like Galadriel thing, but I’m not really sure what that could be?? I don’t think there’s going to be a lot of time next episode, so maybe that really was a one and done so the viewer understood he’s thinking about her…

Celebrimbor trying to snap on Annatar, and that flash of true rage in Annatar’s face…oh god, next week is going to be soul destroying. I honestly can’t wait and dread it at the same time. Celebrimbor has fought so hard but then comes the illusion, then comes the lure – more talk of the Valar, of his work, of Feanor and the Silmarils. CELEBRIMBOR. GET OUT, PLEASE. GET OUT.

Sauron was then absolutely buzzing at the end there, as war came, and I wonder if there are more twists to come or if things play out fairly straightforward from here. We know the elves will charge the orcs. Does that happen straight away? Is there any communication? Because it’s complicated, isn’t it? On one hand, let Adar and the orcs try to take our Sauron…but then, you know innocents are being killed. You have to save them, surely?

And that’s that, I think? PHEW.

I must say, it’s harder to get through this season being in fandom because I KNOW SO MUCH MORE and I WANT SO MUCH MORE and people STRESS ME OUT. But, at the same time, it feels nice to love something this hard again?

Let’s get episode 7 and [redacted] out of the way fast, though, yeah?

[antaripirate]

Another round of silly little Kellila headcanons:

If Kell and Lila are sleeping in the palace, they often wake to find Esa curled up with them. Kell loves it because he’s always wanted a cat of his own. Lila is PISSED. (She doesn’t want to share her Kell cuddles with Esa.)

Kell is scared of storms. It could be because of how he was sold as a child, on the sea in shitty weather. It could be because the feeling of being within a storm is too similar to Osaron/Virtari trying to take over. Maybe he and Rhy used to hide away from storms growing up. He tries really hard to help on deck when they’re caught in a storm but he tends to freeze up. Lila somehow always manages to both steer the ship to safety and keep Kell calm.

Kell’s favourite nap spot is with his head on Lila’s lap. Lila’s favourite pillow is Kell’s chest.

Every time they dock back in London, Tieren would prepares a huge box of treatments for them to take when they set sail, just in case they need them out at sea.

Lila somehow discovers she enjoys romance novels but is embarrassed about it, so she stashes them under her bed. Kell eventually finds them and teases her, but then makes up for it by promising to recreate absolutely anything she wants from them.

Whenever they’re docked or not far offshore, Kell befriends any birds that land on the ship. He gets a little sad when they’re too far offshore and they fly away. Lila thinks it's precious but would never admit it, though she gives him extra jobs to do to take his mind off it.

Lila is incredibly grumbly in the morning. Kell thinks it’s adorable.

When they’re in London, Ren always wants Uncle Kell to tell her a bedtime story, and he always tells her stories about pirates (they are literally all about Captain Bard).

[starryemeralds]

do you ever think about how aziraphale fell in love with crowley because of his love for the earth; and crowley falls in love with the earth because of his love for aziraphale?

i think about it often actually.

[fivveweeks]

do you guys wanna hear my insane hassel x brassius x reader plot of course you do strap in and let me talk shit;

so this is like, technically a sequel AU after the Hassel x reader and Brassius x reader (i’m working on it!!!) nsfw oneshots, where a year or two has passed and you return to Paldea for the longterm bc of your job. Obviously you don’t remember the one night stands that well bc they were for fun, hopefully the idiots are happy but it’s nunya business about some strangers’ love life, so you go about your own

and that’s when you’re in Mesagoza and a tiny fomantis crashes into you by accident. and it won’t leave you alone after you kinda calmed it down

so you’re like “Wait, what do I do now. Who’s pokemon is this-“ until someone comes running to you in the distance, yelling apologies and when he gets closer-

It’s Brassius. The guy with the funny green hair and dramatic personality and it takes you a second or two to recognize but it strikes a chord in your memory. And him too, apparently, when he skids to a halt and goes, “it’s you!”

cue spiderman-meme pointing. cue a quick conversation of sorta catching up and to refresh your memory before he drags you off despite your protest, fomantis attached to your head like some fancy clown hat. Ten minutes later you both stop before a cafe table where Hassel is - oh he remembers too - gaping at you both, but mostly at you to be honest

(“So I take it that the confession went well, huh.” you say, and the blush that lights up on his cheeks is a familiar, lovely sight)

you spend the afternoon with them bc they insist on treating you to lunch (and thank you for your accidental interference and to apologize for the trouble they put you through before, which you don’t mind tbh it’s actually kinda funny looking back.) they’re married for over a year or two now, which is great, hell yeah! you’re super happy for them, congratulations, jesus christ i cannot believe you both knew each other for over a decade, practically lived together and only confessed bc of the incident, what the hell-

and unfortunately, no matter what you three try, the fomantis just doesn’t want to leave your side

why don’t you take care of it for the moment? Hassel suggests, which Brassius immediately lights up bc that is a fantastic idea! what says you, my dear? so after a discussion of pokemon expenses (I’ll take care of it, Brassius waves his hand. no need to concern yourself over it) you sorta? kinda agreed to a weekly visit to Artazon or Mesagoza so you and fomantis can check in with them

and so goes the weekly lunch visits where you kinda learn more about the eccentric couple? turns out Brassius is an expert with grass types and you spend hours listening to him talk about fertilizer mixes and how much water and attention you should give to a fomantis (the species is unfortunately one of the more difficult types to look after, wow). Hassel is also good with advice whenever Brassius has to attend important events. you learn the right way to cradle grass pokemon like toddlers and weeks later Brassius takes you to Alfonada so your fomantis can pick a pot for sunbathing

(and throughout the time spent together you find it lovely to just watch them both interact. Brassius and Hassel are obviously smitten towards each other and all the little things they do are just really nice to observe quietly. Individually too, you can definitely appreciate watching them enjoying themselves and being good at what they do, like whoa Brassius looks really nice in that open-collared shirt and the way he sometimes rocks his smoliv in his arms and dances with his pokemon is really endearing and cute)

and then bc fomantis (you don’t give it a name bc it’s not technically yours but you might as well call it Big Baby from how clingy it is) starts to get acclimated you can probably start slowing down the visits to just once or twice a month. you’re kind of relieved that you’re getting the hang of this and won’t need to trouble Brassius too much now

except Brassius looks… a little moody? Upset? Disappointed when you both brought it up? or maybe you’re just looking too much into it?

but he doesn’t mention anything so your visits slow down in the end, and you take fomantis out to the forests and lakes to get enough exercise and sunlight, and honestly you’re just minding your own business but turns out god has other plans for you-

bc that’s when you stumble across a disturbed dragon habitat and now a Dreepy has accidentally attached to you.

deja vu, huh.

so now it’s Hassel’s turn to host the weekly meet ups bc turns out the man’s a dragon tamer, holy fucking shit, and rehabilitating a baby dragon is one of the most difficult things in the world without formal training. you do the same song and dance again and throw in outings to the wild where you both try to locate the scattered pod of Dragapults and Dragloaks. Brassius joins in when he has the time and somehow you three just start to have picnics together I guess. you’re not complaining tbh the both of them are a joy to spend time with

(and Hassel is really cute when he’s coaxing baby dragons? plus how calm he is when he’s calming down wild adults and knowledgeable he is in regards to the region and the care and concerns he has towards the endangered species- WOUGH he plays the guitar and piano too wtf is there anything this man can’t do???)

your schedule now develops into like, every one or two weeks you chill with either Hassel or Brassius and once a month or two the three of you hang out together. you hang until y’all actually find the dragon pod, but by now the Dreepy refuses to leave you so…

“I guess I’m responsible for a dragon and a plant now,” you shrug, not too upset. You’ve kinda warmed up to them by this point. you tell Brassius and Hassel they don’t have to keep paying for the expenses anymore, you’ll find a way to deal with it since you’re a trainer now. and they can free up most of their time now that they don’t have to keep babysitting you?

what you didn’t expect was to see the faint disappointment and crestfallen look on Hassel??? Like Brassius???? jesus, don’t be so sad, they can always grab lunch with you anytime, y’know, even if there’s no pokemon raising, just text you lmao they have your phone number anyways

which turns out to be the right thing to say bc now you’re getting invited to little art shows and outings occasionally now, and even dinners. that’s nice, you think, honestly they’re both lucky to have each other and maybe in some other life you probably would have dated either one of them but eh, you’re content where you’re at right now tbh, no biggie-

until a few weeks later they drop the bomb on you that they’ve been trying to hint at you for months now and do you want to date them, yes the both of them at the same time, Brassie looses his mind after our lunches now and HASS you TRAITOR says the man who blushes every time I bring them up when we k-

cue internal panic, some discussion about polyamory and expectations and stuff but… long story short, somehow you end up dating the both of them, now???

(you don’t find out one of them is a goddamn gym leader and the other an elite four until months later for some fucking reason, and you loose your shit inevitably bc NO WONDER YOU‘RE BOTH SO GOOD AT BATTLING, WHAT THE HELL)

(bonus chapter is where the both of them fuck you into the bed until the frame cracks, get that old men ass babey)

[quietwingsinthesky]

if i ever have to play beyond two souls again im going to kill someone someone’s life ends with me

[branches-of-time]

not me laying here in bed at 5:59am listening to Francesca on loop and full-on crying about how much i love Venti

[designernishiki]

sue me but i just really don’t wanna see someone try to rectify that terrible cliche out of character love triangle again like. if they chose to cut that out all together (not cutting YUMI out all together, obviously, just the romantic implications) then they’d probably have my attention. but let’s be real that’s probably not gonna happen

[pepprs]

lmaooooo i think i need to quit teaching forever and also bury myself in a hole. lol

[ryuu-from-the-grave]

Normally I’m used to it, but there’s just something so hard about going from an accepting and gender-affirming environment where literal strangers are casual and accepting of who I am to going home, where my father excitedly shows us a Rogan/Fox News segment where they call trans people radical terrorists and say gender affirming care should be considered child mutilation.

[freckleslikestars]

God it’s been such a long month