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thanksjro · 3 years

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Bayverse: Treating These Movies with More Dignity than They Deserve or Contain, Because I’m a Goddamned Professional - Part One

TRANSFORMERS (2007) - UNCOMFORTABLE SEXUAL TENSION BETWEEN TEENAGERS THAT I DIDN’T NEED TO SEE

So.

This is a little different than what I usually do.

Clearly.

God, how did we even get here?

Oh, I remember.

The date was September 17th, 2020, and I was in a stream with nine or ten other people watching the first Bayverse Transformers movie. Why we were watching it doesn’t particularly matter- sometimes you just gotta watch garbage so you can refresh your palate for the good stuff, I suppose. Also, a couple of folks wanted to make goo-goo eyes at Blackout’s rotors.

...It’s not my thing, but I’m glad they’ve got something to make the journey worth taking.

I made some sort of comment about only using my brain for this blog’s content, and someone (you know who you are :)) suggested that I take a proper look at the film. Being who I am, I immediately latched onto this idea, despite it being technically outside of what I write about.

And then I quintuple-downed, because winners don’t quit.

Good to know that my BA in Film Production wasn’t a complete waste of time.

Fun fact, I broke my television trying to watch Transformers for this. I think the universe was trying to stop me, by making me perform surgery on electronics, and also aggravating my carpal tunnel.

This movie came out when I was 13, and it was the first Transformers thing I saw after Cybertron. Yes, the anime one. No, not the one that’s objectively terrible.

Anyway.

How did I feel about Transformers when I saw it the first time? Well… it was okay. I liked the robots. I thought Mikaela was pretty, not that I knew what that meant back then. I watched it a few times, if only because my oldest younger brother kept renting it at Blockbuster. It was fun.

Now I’m older, and wiser, and know feminist theory, so my opinion is less “this exists” and more “blind, murderous rage”.

Our film opens up with some claptrap about the Cube™, a MacGuffin of ultimate power that allows the Transformers to create worlds in their image and populate them. Which means this is how they reproduce.

It always comes back to baby-making, doesn’t it?

The narration goes on about how the Cube™ is very powerful, and some folks wanted it for good, and others for evil. The criteria for being “good” and “evil” isn’t established, and I’m not exactly sure how one would define such a thing, when all the Cube™ does is create life, but, well, we’ve only just begun. Maybe we’ll get some answers later on.

Haha, I doubt it.

So, the Cube™ is the catalyst for our 4 million year war this continuity, and that sucker was lost in the shuffle a while back. This is a problem, because, again, the Cube™ is how the Transformers reproduce. Now everyone’s in a mad scramble to find the thing so their species doesn’t die out.

Three guesses as to where it ended up, and the first two don’t count.

Smashcut to the shit nobody cares about- the humans. We see an Osprey fly over the Qatar desert, carrying a buttload of American soldiers. We get a taste of some good old-fashioned xenophobia, as several soldiers mock a guy for not speaking English and loving his mother’s cooking, going full “funny haha gibberish language” on him. We’re two and a half minutes into the film, and I already want to stab something.

Ed Sheeran breaks into the conversation, I guess because he was feeling left out, revealing that he is the New Yorker stereotype of the film, for some reason. The fellas ask their captain, Lennox, what he’s looking forward to most about getting home from their tour, and he reveals himself to be a family man. While he’s been away, his wife had a baby, who he hasn’t so much as held yet. His men respond by mocking him.

For loving his child.

We’re three minutes into the film, and the toxic masculinity might actually make me have an aneurysm.

The Ospreys land, the lads disembark, and we get a snapshot of what downtime during deployment looks like to Bay. There are a lot of kiddie swimming pools involved. Two men play basketball. We watch multiple men take outdoor showers. A young Qatari boy brings Lennox a camelback water pack with a smile on his face. This lets me know that he’s a prop and not a character in this film. I can’t wait to see how many horrors he’ll be put through to simulate pathos.

We get a shot of a helicopter flying over the desert, one that the US military doesn’t recognize as their own. They send a couple of planes to check it out, and said planes get their shop wrecked. The helicopter is revealed to be the same ‘copter that was shot down several months prior. That’s… not good. Ghost helicopter?

No. Not at all, actually.

Lennox gets on a video chat with his wife and daughter, who is wearing one of the most ridiculous baby outfits I’ve seen in a hot minute. And I used to work in childcare, so I’ve seen a good amount of those. The writing implies that normal bodily functions are unladylike and therefore undesirable… in an infant… and that’s when all hell breaks loose, thankfully saving me from more of Bay trying to make me give a shit about these characters.

The helicopter lands, we get a shot of the mustachioed pilot, who glitches (gasp), and the line “have your crew step out or we will kill you” is uttered. Not even trying to hide the nationalism, are you?

This film hit theaters in 2007, when the xenophobia from 9/11 was still heavy in the air of the general populace, so things like this were more tolerated, and in fact approved of. Of course, it’s not like America has really improved on that subject, or ever really had a point where we weren’t terrible about it, since we live in a world where the military-entertainment complex exists.

See, the Department of Defense and a good chunk of American entertainment industries have a little deal going, and have for the last few decades, and it goes like this: The DoD will allow the use of their vehicles, personnel, and bases, or the likenesses of such, for free, in exchange for their operations being shown in a positive/morally justified light. This is why you never see the armed forces portrayed in a way that makes them out as anything less than heroes- nobody would be able to afford the sets/likenesses without the DoD’s aid. This is also why you see straight-up advertisements for the military branches on televison, in cinemas, and online, and why both the Army and Navy have flirted with having Twitch channels.

It’s all a ploy to get you to join the military, kids. It’s propaganda.

But enough about that, it’s time for our first transformation sequence!

We get a lot of moving parts with this, since it’s realistic CGI in a live-action movie, and it still holds up. It’s hard to tell what’s actually happening, but it, if nothing else, feels alien, surreal, and horrific to behold. They even included the original sound effect in the cacophony, which is nice.

Our ghost helicopter reveals itself to be a Transformer, not that we get that terminology at any point in this film. This specifically is Blackout, a Decepticon. The soldiers start firing on him the moment he starts transforming, then are surprised when the thing they started shooting with several guns retaliates. This is the point where everything ever in this military base explodes, brilliantly and repeatedly, because it wouldn’t be a Bay film without it. There’s a lot of shouting and bright lights, and I’m positively certain that a great deal of people died during this fight.

It’s just a shame that I don’t care.

Blackout rips the top off of a building like it’s a tin of anchovies, and then snags all the hard drives he can, downloading everything. This is a problem, but it seems like nobody was prepared for a giant alien robot hack-attack, because in order to shut down the power to the servers, you need to be able to unlock the breaker box, and no one seems to have the key. They solve the problem with a fire ax.

Lennox is leading the Qatari boy through the base towards safety. I should mention that it’s night now, and several hours seem to have passed since the Ospreys landed, so I don’t know why this kid is still here. He’s got, like, a house and family to go home to.

We get some more tank-throwing action, Sergeant Epps almost gets flattened under Blackout’s foot, then the movie decides it’s going to try to make things more interesting by having each shot cut flash, for whatever reason.

Someone shoots Blackout with a rocket launcher, I think, and this is the point where he throws his tiny little man off his back to go do his job. Yes, Blackout’s got a baby, and that baby is Scorponok, his symbiotic pal who likes to dig into the ground and be a sneaky little bastard.

Blackout blows up a ton more military equipment and personnel, and then it’s time for another smashcut.

Now we’re in high school, just like all those dreams I’ve had where I’ve forgotten my homework. This is where we meet Sam Witwicky, our main character, and also the stand-in for our target demographic. He’s insufferable, and I don’t like him. Mikaela Banes, our love interest, is also present in this scene, but we don’t get to know about her character for, like, another 20 minutes, because who gives a shit about women, right? They’re just props, right?

Right???

RIGHT??????????

RIGH-

Sam is presenting on his great-great-grandfather, Archibald Witwicky, for his family genealogy report, in front of a class containing maybe three actors who are age appropriate.

I know child labor laws are a good thing, and that hiring adults to play teenagers is just the lay of the land, but I swear some of these students look like they’re old enough to be on their second mortgage and third kid.

Anyway.

Archibald Witwicky was an explorer, one of the first to traverse the Arctic circle, and apparently his crew was made up of folks from 2007, because I swear the clothing for a few of these dudes isn’t period-appropriate. We get a seamen joke, because of course we do, and a sextant joke, because of course we do. Sam is also hawking all this crap he’s brought in for the presentation, because he is a little bastard who has no idea what his peers would want to buy, or really how to relate to them at all. He’s selling these “priceless” artifacts so he can get a car. Mikaela finds this charming, for some fucking reason. Also, her boyfriend is weirdly stroking her shoulder blade with his knuckles the whole time this is happening, and I hate it.

Archibald Witwicky went mad after his expedition, talking about an “ice man” so often that his family ended up locking him in a mental asylum, likely to be forgotten about. Which is sad. But we won’t be getting into the medical mistreatment of the mentally ill in Bayverse, now will we? That’s just Too Deep™.

Sam’s teacher didn’t very much appreciate having his class be turned into an episode of Antiques Roadshow, but still gives Sam an “A” on the project, despite it being a very poor report that lasted all of two minutes. I suspect the teacher has tenure, and therefore no longer gives a shit about academic integrity. This “A” means that Sam’s father will buy him a car.

Which is nice, I suppose, if I gave a damn.

Sam’s father, Ron, picks up his son in a car he probably bought at the crux of his midlife crisis, in a green that reminds me of a school gymnasium floor, then plays a prank on his child by pretending to pull into the Porsche dealership. Sam isn’t getting a Porsche, which is good, because he doesn’t deserve one. As Sam gripes to his father, a yellow Camaro drives by oh so conspicuously. Wonder what’s up with that.

Instead of the Porshe dealership, they head over to the used car lot, which is being run by Bobby Bolivia, who spends his time yelling at his employees and wanting to murder his mother. Sam is incredibly ungrateful about the fact that his dad is helping him get a car, even though it’s his FIRST car, and nobody gets a nice one the first go around. Or, at least, they shouldn’t, given the statistics about accidents with young drivers.

“No sacrifice, no victory” is uttered by Ron, which is the family motto, or so he claims. Archibald Witwicky said the same thing when he had multiple people dying trying to get to the Arctic Circle, so there’s precedence for the phrase, but we’ll see how it holds up throughout the film.

Bobby Bolivia shows Sam and Ron the cars he has for sale, and Sam is immediately drawn to the yellow Camaro in the lot, though there’s a small problem- it’s too expensive for what he and his father agreed to. Also, nobody knows where the hell it came from, so paperwork might be an issue. When Bobby tries to show Sam the yellow Beetle they have right down the line, everything explodes, because this is a Bay film, and fuck the original material this movie was based on. Bobby lets them have the Camaro for a lower price, suddenly fearful of whatever strange powers have just visited his place of business. “The car picks the driver” is suddenly more than a bullshit line to spout off in order to sell cars, and I’m certain that’s shaken the poor man.

Over in Washington, D.C., the Secretary of Defense prepares to address just what the hell happened in Qatar, lamenting on how young the audience he’s going to be speaking to is. In particular, he’s referring to the two dweebs and the hot chick sitting in one of the rows. All the women in this movie who aren’t someone’s mom are made up to be very pretty. And not even in a realistic way. But we’ll get to that in a bit.

So, the military network was hacked. That’s bad. Nobody knows who did it. That’s also bad. The only lead the US has is a soundbite, which is the signal that hacked the network.

Everyone here at the briefing is going to be helping to figure this mess out. This is great, if you like looking at Rachael Taylor for a few seconds at a time, and can compartmentalize hard enough to make that worth the effort of watching this godforsaken film.

Back at the Witwicky household, we meet Mojo, a chihuahua with a cast that doesn’t seem like it’s actually doing anything. I wish he was the main character instead of Sam.

Sam arrives home from the dealership, and says “alright, Mojo, I’ve got the car. Now I need the girl.”

As if ownership of a person is something to aspire to.

As if women are property to be owned.

As if women aren’t people, but rather commodities.

We’re 17.5 minutes into this film.

We’re introduced to Judy, Sam’s mother. She’s shrill, and annoying. This is by design, because none of the women in this film are actually people, but rather archetypes to bounce off of the male characters.

Sam and his father have a moment of what some might consider banter, then Sam gets huffy with his mom over gender roles for the dog. I, for one, think Mojo looks positively dashing in his bedazzled collar, and to hell with whatever Sam says to the contrary.

Sam drives off to go be a misogynist, with the promise to be back by 11PM.

Over in Qatar, the soldiers and that little boy are running from the attack on their base, as Lennox’s wife watches a public announcement on the matter back at home. The Secretary of Defense lets us know that we’re at DEFCON Delta at this point. Lennox Jr. cries, and all I can think about is how they probably pinched that baby to make that happen. They pinched a baby for Transformers (2007).

The soldiers in Qatar talk about shit they have no idea about, Sergeant Epps going on about somehow having been able to see a forcefield around Blackout through his super special binoculars. I don’t know how, or why, he knows this. I don’t know anything anymore.

Ed Sheeran has his doubts about this whole thing, and Lennox is also present in the scene, because I guess he’s important. Through a bit of dramatic irony, Fig- the guy everyone was making fun of for being bilingual at the start of the film- says that this probably isn’t over, as the shape of Scorponok shifts through the sand just beyond them.

Epps is having a minor crisis over the fact that Blackout saw him, but we don’t have time for that, because we’ve got to get to cover. The lads decide to head to the little Qatari boy’s house. Again, I wonder why he was at the base at all, considering that it seems like they’ve been traveling for a good portion of the day.

Back with Sam, he’s picked up his friend Miles, and together they’re going to a lake party. Are they invited to this party? Yes, but also no. It’s public property though, so it should be fine. As they park, Sam notices that Mikaela is here, which is great for him.

Mikaela’s boyfriend, Trent- whose name I had to look up- is a massive tool, and starts pestering the two boys for daring to exist in his airspace. Miles climbs a tree. I’m glad he’s having fun, at least. Sam makes a joke at the expense of people with brain injuries, and this for some reason? Warrants a shot of Mikaela making the blank “pretty girl” face? In response?

Mikaela saves Sam from becoming a wet stain on the grass, which is very kind of her, and more than Sam really deserves. Trent, his boys, and Mikaela start to head off for another party, to get away from Sam and his tree-loving friend. Mikaela offers to drive, and Trent says that she can’t handle his truck, because she’s a ~girl~. This causes Mikaela to ditch him, and start walking home.

The script knows enough about misogyny to know that this would be a nice “take that”. Michael Bay, however, likely fails to see why everything he did with said script involving this character is a goddamned problem.

Because Mikaela, bless her heart, has a lot of problems.

Let’s start with the outfit: a croptop, a jean skirt that BARELY covers her ass, and a pair of wedge heels that are at least four inches tall. On a character that is, at oldest, freshly 18.

Look, I’m all about self-expression and the freedom to choose how you dress for yourself and yourself alone, but this clearly isn’t that. This is a character, not a person, whose wardrobe was designed for the straight male gaze. She’s wearing fucking STRAP HEELS to the lake. This is about oogling. This is about reducing a whole-ass person to the same status as a piece of meat. In fact, who was on wardrobe for this? I’d like to have a few words with-

A woman? Okay, well, what else has she worked on?

You can’t be fucking serious.

ANYWAY.

Miles just called Mikaela an “evil jock concubine.” I don’t like Miles anymore.

As Mikaela walks down the road, strutting hard enough that I’ve got sympathy pains in my hips, the radio in the Camaro turns on, playing “Drive” by the Cars, and giving Sam a hell of an idea; he’s gonna drive Mikaela home, so she doesn’t have to walk the 10 miles to her house. Why he knows how far she lives from the lake isn’t addressed.

Sam kicks Miles out of the car and goes to give Mikaela a ride, which she accepts after a bit of self-deliberation, and also him making an ass of himself. The shot here is framed with Sam like he’s a normal-ass person, and Mikaela from her breasts to the top of her waist. Because of COURSE it is.

She hops in the car and then goes off about her taste in hot guys. Which is weird, and out of left field. Sam is about as confused as I am, then continues to make a fool of himself. This is his nature as a person. Mikaela has no idea who Sam is, even though they’ve gone to the same school for the last 10 years and have multiple classes together. And the fact that she was staring him down all through his genealogy presentation. And at the lake.

This movie isn’t very well thought out, I feel.

It’s at this point the the Camaro turns the key on itself and starts to sputter out and die, as “Sexual Healing” by Marvin Gaye pops on the radio.

I don’t like how this car is trying to get Sam laid.

I don’t like how this car is trying to get Sam laid with a girl who didn’t even know his name five minutes ago.

I don’t like how this car knows what sex is.

The Camaro breaks down on a cliff, and Mikaela hops out to work on the engine, and also to get the hell away from Sam’s sputtering.

As Mikaela admires the sweet engine in this Camaro, showing off her knowledge of cars, we get several shots of her from her breasts to her thighs, while Sam is treated like an actual person. Don’t bother trying to play it off as an artistic choice, Bay, this is blatant horndogging. This adds to NOTHING, other than my ire.

Sam says more stupid shit, and Mikaela, who must be the nicest fucking person in the world, just tells him to fire up the engine so she can try to sort out the problem. Then he asks why she goes for jackasses like Trent, and she decides that she’s hit her limit for today, opting to walk the rest of the way home. Good on you, Mikaela. Don’t take Sam’s bullshit.

Sam, realizing that he’s put his foot in his mouth for the 80th time today, pleads with his Camaro to do him a solid and work, and this actually works out for him. Great. Sam, victorious, once again offers Mikaela a ride, which she, once again, takes.

He drops her off without further incident, and she thanks him for listening. Even though they didn’t really talk that much. I dunno, maybe they had a super deep conversation offscreen. Mikaela asks Sam if he thinks she’s shallow, because clearly all women need approval from the men around them, and Sam says that there’s more to her than meets the eye.

Which made me groan aloud.

Anyway, she gets inside without a problem, and Sam professes his love for his new Camaro for allowing him to talk to a girl. Or at least talk at her.

Back in Washington, D.C., at the Pentagon National Military Command Center, we’re making weirdly racist calls on who hacked the military.

Up with Air Force One, a conspicuous boombox transforms into a robot, and then runs off to hack shit. The President of the United States requests some snack cakes. A flight attendant goes down to storage to retrieve said snack cakes, and finds that boombox in the elevator with her. Considering this is Air Force One, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse, and we don’t think here.

The flight attendant brings the boombox down with her and places it on the counter as she goes to get the presidential snack cakes. The boombox immediately disappears. Now, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse-

The flight attendant opens up the snack cake package, for some reason, and drops the cake on the floor. She then proceeds to eat it, and then act shocked when it tastes like floor. There’s a robot in her fucking line of sight, and you’d perhaps expect her to immediately be suspicious of such a thing-

She leaves to go feed the President floor cakes, and our little robot friend gets to work stealing government secrets. He, if nothing else, looks pretty cool doing it. He’s a very pointy lad.

Back at the Pentagon, Maddie- Rachael Taylor’s character- can hear the hacking. This sends everyone into a panic, because, well, that shouldn’t be happening. The hacking noise is a direct match to the one from Qatar, so that’s obviously a problem.

Back on Air Force One, our little robot friend is looking for “Project Iceman”, which he very quickly finds, and downloads everything they’ve got on it, and also plants a virus. The process seems to be… doing things to him. It’s weird. This movie is weird.

The Pentagon cuts all the system hardlines, stopping the process, but it’s too late- he got what he wanted, just about. Two security personnel come into the room, and the robot kills them both with some spinning blade disc nonsense. Air Force One is forced to land for the safety of everyone on-board. More security detail comes in to deal with the little bastard, but he transforms into a boombox and sits on a shelf to avoid suspicion. Now, you’d perhaps expect-

With the plane grounded, our robot is able to walk his little ass over to a cop car. And when I say walk, I do mean walk; this fucker is in multiple folks’ line of sight and nobody notices a thing. When he enters the car, he’s greeted by the mustachioed driver- the same driver who was operating the helicopter at the beginning of the film. This mustache man is a holographic avatar, one that’s being used by all the Decepticons.

We get our first real taste of Cybertronian language, as our robot- it’s Frenzy, his name is Frenzy- lets everyone know that he’s found a clue to the location of the AllSpark, and, through the power of the internet, knows where to find the guy who’s gonna give them what they need.

Three guesses to who it is, and the first two don’t count.

Back at the Witwicky household, Sam’s car does a runner in the middle of the night. Sam, horrified that his property is being stolen, pursues on a bike, screaming at his dad to call the cops. Sam also calls the cops, as he tears through the neighborhood.

The Camaro breaks into an abandoned building, Sam follows, and we finally get a shot of our audience appeal character. Sam watches in disbelief as a giant yellow space robot shines a beacon into the sky, then makes a video on his flip phone recording the experience. He apologizes to his parents for owning pornographic magazines, and goes to face his probable demise.

However, death does not come from above, instead manifesting itself as two of the strongest junkyard dogs in the known universe, who break their brick-inlaid chains to get at this little dip of a man. Sam is chased through the yard, climbing on top of a couple precarious oil drums, even though there’s a ladder, like, right there. The Camaro rolls in, scaring off the dogs, and Sam bolts, throwing the keys to his ride at his ride. When he gets outside, the cops have arrived, and immediately arrest him.

Back with the US government, the Secretary of State is having a conversation about all the bullshit that just went down with Air Force One. He and his fellow cishet old white men discuss their options, until Maddie comes in to set them straight on some of the facts. They act all indignant about it, because women can’t be smart, right?

Right???

RIGHT??????????

RIGH-

Anyway, we get a weird little deflection of Maddie’s role in everything, because a woman is nothing without the men around her, then she brings up the point that the bullshit that happened on Air Force One went down in just a few seconds, which isn’t something that anyone can actually do. She brings up quantum mechanics, which everyone blows off as nonsense- not that I wouldn’t as well- and theorizes on a DNA-based computer, which is technically a thing, if not trapped in the realm of speculation. It’s at this point that the Secretary of Defense tells her to come back when she can back these wild claims up, and isn’t just clearly spitballing.

And then he snaps his fingers at her, and any point he might have had leaves my brain so I have more room for being enraged.

Back with Sam, we’re at the police station talking to the cops. His dad is here, and Sam is trying to explain that his car is a dude. Even though he took at a video (one that was likely crap, given how quickly he spun his phone around to show off what he was seeing) the cops, understandably, don’t believe him. Then one of them, not so understandably, starts… threatening Sam? With his sidearm? And daring him to try something? This isn’t any sort of statement on the corruption of American law enforcement, it’s just bizarre.

Back in Qatar, our soldier buddies have found a telephone line, and are going to try to use it to get in contact with the rest of the world. It’s just too bad that Scorponok’s decided to make an entrance, and knock said telephone line the hell down. Ed Sheeran has next to no reaction to this, despite it happening maybe ten feet behind him. Fig speaks Spanish, and Ed Sheeran makes a point to be an asshole about it.

Scorponok is about to stab Lennox with his very pointy tail, when Epps notices- finally, someone with peripheral vision- and starts shooting. Then everyone starts shooting, kicking up enough sand to blind themselves, as Scorponok scuttles away, buries himself, then reappears behind Ed Sheeran.

Ed Sheeran does not survive this experience.

The others bolt, not wanting the same to happen to them, and for the fourth time I wonder just why the hell this young boy was at the base in the first place.

Off in the distance, the community of a nearby town wonders just what the shit is going on out in the desert. Our soldiers run into the town, and everyone gets their guns and start firing on Scorponok, who retaliates, because why the hell wouldn’t he?

Lennox demands that the young boy take him to his father, and proceeds to borrow his phone. As shit goes down outside, we have a sort-of gag where Lennox is trying to contact the Pentagon, while a telemarketer tries to get him to buy a phone package. In order for this call to go through, he’s going to need a credit card. This is where the well-known “pocket” scene comes from, as Lennox searches Epps’ pants for his wallet as he fires on Scorponok. It’s probably the best-written thing in this whole film.

With the credit card acquired, Lennox finally gets through to the Pentagon, and tosses Epps the phone so he can talk. Maybe he’s got anxiety about speaking on the phone, I dunno.

Scorponok shows off his disregard for historical architecture, blowing up several buildings, and the US government just watches this all go down. One of the actors in this scene looks like my dad, and it trips me up every time he’s on screen. Anyway, now the Pentagon knows about the giant space robots running around in Qatar. They send over some air support about it. All this manages to do is piss Scorponok off.

So they try it again.

This time it works, sort of.

At the very least, he’s left now.

Tail fell off, though.

Also, Fig’s been grievously wounded. The others, for once, don’t make fun of his native language while they help him hold his blood inside his body.

Back at the Pentagon, Maddie’s looking to prove that the bullshit that’s been going on is of the sci-fi variety, and in order to do that, she’s going to need a little outside help. She takes the information from the Pentagon, slaps it into an SD card, hides that shit in her blush compact, and then runs out the door to Glenn Whitmann’s house. Or, rather, his grandma’s house.

Glenn is a hacker, and shouldn’t be seeing anything that Maddie’s brought him, but everyone knows that confidentiality is for nerds, so whatever.

Back at the Pentagon, Maddie’s immediately been caught. It’s almost like slapping the military network onto an SD card maybe wasn’t such a hot idea. But what do I know?

Glenn takes a look at the soundbite and figures out that there’s a code embedded in the thing in about two seconds. Good to know our tax dollars are being well-spent on the US military, that some dude in his jammies can figure this shit out faster than a whole team of analysts. They figure out that “Project Iceman” is involved with this somehow, and also the existence of Sector Seven. It’s at this point that the FBI busts in. Good. I kind of want Maddie to go to jail for this, because she was about as stupid as she could be handling the situation.

Glenn’s cousin goes through a closed glass door- don’t worry, it’s tempered- and there’s a weird cut before that exact same shot continues, and he’s tackled into the pool. There was no reason for that to have happened, but here we are.

Back with Sam, we’re treated to him in his boxers, shooting basketballs in his room. He goes into the kitchen, where Mojo is standing on a stool. It’s a very tall stool, the sort you sit on, and he’s just… there. I don’t know how he got there. There’s no one else in the room besides Sam, and I know he didn’t put him there.

Clearly this must mean Mojo is God, and being on that stool is his divine will. I will be approaching the rest of the franchise with this in mind, because it’s clearly the only answer.

Our merciful Lord Mojo jumps up on the kitchen counter and begins growling at something through the window. Sam looks out… the opposite window… to find that his Camaro has returned to him, and is less than thrilled about it, to put it lightly. He drops a jug of milk- luckily it was mostly empty, given the sound it makes when it hits the floor- and gives his buddy Miles a call. You remember Miles, don’t you? If you don’t, it’s fine, because he reestablishes his quirkiness with a single shot, as he sits in a swimsuit and bathes his huge-ass dog in a kiddie pool, and answers the phone with a headset he just happened to be wearing. He must get a lot of calls during Dog Washing Hours. 

After giving us one of the most intense voice cracks I’ve ever heard, Sam books it out of his house, hopping on a bike to escape his murderous Camaro. He’s not seen the thing commit any murders, mind you, but he seems pretty convinced that it would do the job, given half a chance. Also, this isn’t the bike he rode the night before; that one is likely being chewed on by those strong-ass junkyard dogs. No, for some reason, the Witwickys have a pastel pink girl’s bike, with the fun little handle tassels and the basket and everything. As far as I can tell, Sam is an only child, and if you think Bay’s going to allow for a teenage boy to have the vulnerability to own a pink bike, you’ve not been paying attention for the last 48.5 minutes.

The Camaro gives chase, rolling after Sam on his bike at a brisk 7 MPH down the friggin’ sidewalk, one of the only scenes in this travesty of a film to actually get me to crack a smile. Sam races through town until city planning puts a stop to him, through the magic of using chunks of cement to decorate the mulch around their trees. He crashes his bike, faceplants into the concrete in front of Mikaela, and promptly dies, thus ending the film.

No, he doesn’t die. I just told a fib. I’m sorry.

Instead, he does a flip and lands on his back, likely receiving a concussion, in front of Mikaela and her friends. Her friends laugh, because everyone hates Sam, as they should, and Mikaela says that what he just did was “really awesome.” Don’t try to be nice, Mikaela, this is Sam we’re talking about; you could stick the dude in the freezer overnight and he still wouldn’t be even remotely cool.

Sam gets back to the whole “running away from a car” deal, and Mikaela decides that this is the sort of thing she’d like to do with her day, so she ditches her friends in the middle of their scheduled Burger King™ time to go see what the hell Sam’s on about.

As Sam is chased by the Camaro who is being chased by Mikaela on her motorized scooter, a cop becomes involved, tearing through the streets to join this ridiculous game of tag. Now, we’ve seen two different flavor of cop so far- the mustachioed avatar cop car that picked up Frenzy from the airport, and the dude who threatened a teenage boy with a gun after accusing him of being under the influence of drugs. Either way, I don’t think this is going to turn out well for Sam.

Sam’s cornered himself under one of those really wide bridges where people can park their cars, which wasn’t terribly smart, but it’s Sam, so this is about par for the course. The Camaro manages to miss him, but the cop car does not. Sam is actually pretty cool with the cops being here, as if they could do anything about “Satan’s Camaro.” I guess he didn’t see the decal on the side of this car that says “to punish and enslave…”

Sam attempts to approach the car for help, and gets clotheslined by a car door for his troubles. He hits his head on the pavement, certainly exasperating the brain injury he received not ten minutes ago. Still, he continues to try to talk to the holographic avatar through the windshield, revealing that the bike he’s been riding is his mother’s. Mystery solved, I suppose.

The cop car doesn’t much appreciate being slapped on the hood, and begins to rev violently at Sam, threatening to run him over several times. Then it explodes into being a robot. Sam, who’s seen a lot of really weird shit in the last 24 hours, nopes out of the situation. It’s at this point that I realize he’s wearing a shirt for the band the Strokes. I don’t know why that stuck out to me, but it did. Guess my brain needed something to latch onto during all this.

Sam is running as fast as his little legs allow, as our newest robot friend takes up a leisurely jog to keep pace. Then he kicks Sam. He kicks Sam’s body like the football. This, of course, instantly turns Sam into a bag of jelly and kills him, thus ending the film.

No, he doesn’t die. I just told another fib. I’m sorry.

Sam somehow survives being punted by a giant metal leg and lands in the windshield of a car that doesn’t turn into a robot. Then he gets yelled at by the cop car. This is Barricade, a member of the Decepticons, and Sam’s got something he wants. Or, should I say “LadiesMan217” has something he wants.

LadiesMan217 is Sam’s Ebay username. This is both stupid because no teenage boy existing beyond the year 1985 would have ever called himself that, and also because it’s just stupid.

Barricade wants the glasses Sam presented for his genealogy report, and he wants them NOW. Seeing as the thing he wants is for sale, and nobody had been bidding on it, one would wonder why Barricade and his associates didn’t just try to purchase them like upstanding citizens. Perhaps Decepticons don’t understand the concept of money, or perhaps they don’t have a stable address to have the glasses shipped to. Or perhaps nobody considered that angle when the script was being put together. Who can say?

Sam gets back to running away from Barricade, we see where Mikaela got to, and the two of them collide. Sam rips Mikaela off of her scooter, and they both fall to the ground. Mikaela, who did not buckle the clasp on her helmet, asks Sam what his fucking problem is. Then his problem shows up, and they take a very long time to get up so they can run. So long, in fact, that the Camaro has to swing in to save them. After much pleading from Sam, Mikaela gets inside Satan’s Camaro, and the two of them are whisked away to safety. Barricade pursues, and then the butt rock starts.

There’s a lot of screaming and yelling, the Camaro busts through a window and several shelves in an abandoned building, there’s some drifting, and then suddenly it’s nighttime. Barricade somehow got in front of the Camaro, and is circling like a shark. The Camaro locks the two teenagers inside itself, though I suppose they could climb out through the still-open windows if they really wanted to. The Camaro cuts the engine off, then cuts it back on and bolts for the exit, and this somehow tricks Barricade long enough for them to get past.

The Camaro dumps Mikaela and Sam out one of the doors and then transforms into that yellow space robot we saw a bit ago. It’s Bumblebee! Nearly an hour in, and we finally get a proper look at the little bastard. I guess that’s what happens when you spend the first 20-something minutes on being xenophobic and appealing to the focus groups that think it’s fine sexualize high schoolers.

Bumblebee- no, he’s not introduced himself yet, but I just can’t keep calling him “the Camaro” anymore- comes out of his transformation ready to square the fuck up. Barricade throws himself at Bumblebee, they roll around on the ground for a bit, then things start sparking and exploding, because this is a Michael Bay film. Frenzy jumps out and starts chasing down Mikaela and Sam, while Bumblebee and Barricade murder death punch each other. Frenzy manages to grab Sam by the ankles, drag him to the ground, and rip his pants off. Not sure how that happened, considering he’s still got his shoes on.

While Sam’s busy being chased by a sentient pile of safety pins, Mikaela’s taken it upon herself to be proactive about her survival, and is raiding a nearby building for power tools. She sprints out holding an electric jig saw and saves Sam by decapitating Frenzy. If you know anything about Transformers, then you know this doesn’t actually kill Frenzy, but good on her for being a badass. Why couldn’t Mikaela be our main character again? Oh, right, because she’s a ~girl~.

Sam punts Frenzy’s head, like, 50 yards, which seems like something he shouldn’t be able to do, given that he’s a massive weenie, but there you are. With that out of the way, Sam takes Mikaela’s hand and they run off to go watch the giant robot fight. The bottom of Frenzy’s head turns into a spider and he crawls his way over to Mikaela’s purse. He’s gonna steal her gum, the fiend!

Mikaela and Sam have, unfortunately, missed the giant robot fight, which means that we, as the audience, have also missed the giant robot fight. Which is unbelievably stupid, seeing as everyone who has ever watched this movie came for the GIANT GODDAMN ROBOTS.

Mikaela asks just who the hell the yellow robot is, I guess because she’s finally had a second to process what the hell’s going on. Sam claims that he’s a super-advanced robot, “probably from Japan.” Whether or not this is a reference to the Japanese origins of the original toy line isn’t clear, though somehow I think it’s more xenophobia. Sam also makes the claim that if Bumblebee had intended to hurt them, he would have done it by now. This is quite the jump from a few hours ago, when he was calling the poor guy “Satan’s Camaro.”

Sam finally, finally asks Bumblebee what his deal is, and we get our first taste of the Bayverse Bumblebee Gimmick. The Gimmick here is that, due to an injury to his vocal processing, Bumblebee cannot communicate through traditional means, i.e. speech. Because of this, he instead strings together sentences by flicking through the radio frequencies and choosing key words. This can lead to some interesting audio design, like describing his fellow Autobots to “rain down like visitors form heaven, Hallelujah!” because a radio sermon fit what he was trying to say best.

This gimmick is one that has been used in other pieces of Transformers media, at least in part. Bumblebee is unable to speak traditionally in Transformers: Prime, and instead communicates in beeps and clicks that his teammates can understand, but not so much the humans, save for Raf. In Bumblebee (2018), the idea was used whole-cloth, with the injury resulting in his inability to speak happening on-camera within the first 10 minutes of the movie, and the idea of “expressing oneself through music” being introduced by his human companion Charlie Watson.

All in all, I rather like the idea going on here; it’s an interesting part of his character that opens up for a lot of interesting and creative moments.

It’s just too bad it was introduced in fucking Bayverse.

But yeah, anyway, the other Autobots are coming to Earth. Shit’s gonna be lit.

Bumblebee turns back into a Camaro, and Sam uses the power of FOMO to get Mikaela to go in the car with him. We get a shot of Barricade fucking dying on the side of the road. Frenzy murders Mikaela’s phone, and then steals its identity, including the little bejeweled heart stickers. Good thing Mikaela remembered to go get her purse, otherwise he probably would have felt very silly doing that.

Mikaela refuses to sit in the driver’s seat, seeing as she now knows Sam’s car is sentient, and sort of feels weird about this whole thing. Sam suggests that she sit in his lap instead, as the camera angles to give us a peek at the cup of Mikaela’s bra. When asked why the hell she should do such a thing, Sam says it’s a concern about her safety, given that the middle console of the car does not have a seatbelt. Sam either fails to recognize that seatbelts going over two layered bodies won’t save either of them in the event of a crash, or he’s just trying to make an excuse to have a pretty girl in his lap.

Given what movie this is, I’m going to guess it’s the latter.

Mikaela has a similar line of thought, but scoots over anyway, saying that the seatbelt line was a “smooth move”. It wasn’t, but if I picked apart every single bad line Sam had in this film, I’d be here all day.

Mikaela questions Bumblebee’s taste in alt-mode, which offends him to the point of dumping both her and Sam out in the street and driving away. He returns, moments later, as a sleek new Camaro, that I’m sure some car aficionados would call “sexy.”

Bumblebee’s alt-mode is a 2009 Chevrolet Camaro, of which there were none during the time of filming. It was put together for this movie in roughly five weeks. Sam is blown away by the fact that he now owns a car that does not currently exist in his universe. Mikaela is impressed, or at least she would be, if women were allowed to show that emotion in a non-horny way in a Bay film.

Judy doesn’t count.

As Bumblebee breaks into yet another restricted area, we get a shot of the Earth from orbit, as several objects rocket towards the planet. Sam and Mikaela watch the Autobots burn up in the atmosphere, and Mikaela tries to hold Sam’s hand as they do, and it’s at this point that I have to address how much I hate these two’s dynamic.

I don’t give a single solitary shit about this romance, because A) it’s poorly written, B) Mikaela could do infinitely better than Sam, C) I dislike Sam so very much, D) Mikaela, who is a way more interesting character, got placed on friggin’ love interest duty because ~girl~, and E) it’s useless padding to try and make me care about what’s happening here, and I just DON’T. I do NOT care about whether these two get together or not.

We see the Autobots crash-land, three out of four of them causing massive amounts of property damage and possibly killing at least one person. Their stasis pods crack open, and they each climb out, completely naked and in desperate need of clothing to hide their shame. With a quick scan of nearby vehicles, they’re once again decent to be seen in public.

Bumblebee drives the kids out to what I can only assume is the warehouse district he sent that beacon out in, as our collection of good guys finally come together at long last. A massive Peterbilt semi-truck stops directly in front of Mikaela and Sam.

We’re over an hour into this film, and we’re just now getting to the quintessential Transformer, Optimus Prime himself.

In the original cartoon, Optimus’s alt-mode was what’s known as a cabover truck, one where the cab- where the driver sits- is seated directly over the engine. These were popular during the days when maximum truck-lengths were much shorter than they are currently. This is why when you look at height charts for Optimus over various continuities, his G1 cartoon counterpart much shorter than his other iterations.

Modern trucks are longer, and don’t need the cab to sit on top of the engine to save on space. The designers chose to use a Peterbilt to make sure that Optimus would have an imposing stature when compared to his fellow Autobots.

Because heaven forbid we not have heightism come into play in this film.

Our Autobots transform, and say what you will about these bastards being visually incomprehensible, the transformations themselves are cool as hell. My personal favorite is Jazz’s, where he does a cool windmill into his root mode.

Optimus crouches like he’s looking at a cool bug on the sidewalk and addresses Sam by name. He doesn’t even acknowledge Mikaela, which I find to be a bit rude, but whatever. He then introduces himself as the leader of the Autobots.

Peter Cullen is back as the voice for Optimus Prime, sounding wonderful as always. He almost wasn’t brought on for this project, because Michael Bay didn’t want him. If the fans hadn’t thrown a hissyfit, who knows who we would have gotten to be our space dad for the next hour and a half?

This is actually an issue that’s recurred several times in the last few years, and not just with Cullen; Frank Welker, the voice of Megatron, as well as many other Transformers, has been refused roles within Transformers properties. In general, this is because both Cullen and Welker are union actors, and Hasbro would prefer to hire sound-alikes than pay more money for the originals. This isn’t to shame the non-union actors, goodness no, just to merely point out less-than-fantastic business practices.

I realize there have been a lot of tangents, but you have to understand that I am suffering as I do this.

Optimus then introduces his team- there’s Jazz, whose first line is “What’s crackin’ little bitches?”, Ironhide, who incorrectly quotes Dirty Harry, and Ratchet, who calls out just how obnoxiously horny Sam’s character is. We also finally get Bumblebee’s name.

Mikaela asks the very good question of why the fuck the Autobots are here on Earth. Optimus explains that the AllSpark is here, and they’ve got to get to it before Megatron does. He then goes on to explain who Megatron is, stating that he “betrayed” the Cybertronian empire.

No, how exactly he did that isn’t addressed. We’ll just have to take Optimus’s word, I suppose.

If you’ve sussed out by this point the the AllSpark and the Cube™ are the same thing, congrats! You win. Megatron followed the AllSpark to Earth, where he promptly was neutralized by the cold of the Arctic circle. This was 110 years prior to the events of this film, and where Archibald Witwicky came in to the story.

When the expedition was happening, Archibald fell through the ice during a collapse, and ended up finding Megatron’s frozen body in an ice cave. He went poking around on this strange metal giant, and ended up activating Megatron’s navigation systems, which imprinted the coordinates of the AllSpark onto Archibald’s glasses.

Don’t ask how that works, it just does.

So, the Autobots need the glasses, so they can find the AllSpark before the Decepticons do, so those guys don’t use it to build an army out of Earth’s machines, which will destroy humanity.

Sounds simple enough, let’s go get that vision correction device!

Back with the military dudes, everyone’s taking a gander at the tail that Scorponok left behind. They theorize that the metal that makes up these giant murder-robots reacts to extreme heat, but elaboration on that point will have to wait, because the tail has begun to flail. They quickly strap it down, then call the military to let them know to strap anti-tank guns onto anything that’s going to be approaching any giant robots.

Meanwhile, in an interrogation room, Maddie and Glen have been left to sweat a bit. Glen takes to stress-eating, while framing it as a psychological tactic to subconsciously prove his innocence to the FBI.

This is a fat joke, with the added nasty layer of Glen being a black man about to be interrogated by one of the most intimidating white cops I’ve seen in a hot minute.

Glen immediately folds, pinning all the blame on Maddie, and claiming that he’s been a perfect angel his whole life. We get some weird purity culture out of him, before Maddie lets the FBI know that she needs to talk to the Secretary of Defense, NOW.

Over at the Witwicky household, Sam’s parents are watching the news, trying to find out what all those loud crashes were about. Optimus Prime drives down their residential street, the rest of the gang in tow, then they all park to wait for Sam to go get the glasses.

For about 20 seconds.

Sam has to physically hold the door shut to prevent his father from coming out and seeing several very tall robots from outer space tip-toeing around his freshly-landscaped yard, I guess because they got antsy. Optimus plods around on the grass and breaks a fountain, and our benevolent god Mojo comes out of the house, assuredly to smite the leader of the Autobots.

Mikaela runs onto the scene, and Sam chastises her for not controlling the robots who didn’t even acknowledge her existence, outside of pointing out Sam was sexually attracted to her.

Mojo pees on Ironhide’s foot, which prompts Ironhide to threaten to shoot the creature. This is why Ironhide isn’t getting into heaven. Sam, one of Mojo’s chosen few, claims that the mortal shell of his god is seen as a beloved pet by many humans. Sam runs into the house, before Mojo can incur his divine wrath on the Autobots.

While Sam goes to get the glasses, the Autobots decide to do a little peeping on the house, watching his parents watch TV. Sam tears his room apart trying to find the glasses, and Optimus thinks that it would be helpful if he brought Mikaela up to help look. It’s at this point that I realize that Sam has an utterly bizarre fish tank.

I mean, legitimately, what the fuck is this? No filter, no plants, might not even have any rocks on the bottom. Is this a comically oversized bong Sam threw a couple fish into? What the fuck.

Mikaela starts looking for the glasses, running into what is likely a box of porn mags, then they both look out the window to find that the Autobots have decided to hide in plain sight by transforming... in the middle of Sam’s backyard. Amazing work, gentlemen.

Sam finally convinces the Autobots to go sit in the alley and wait, only for Ratchet to run into a power line and trip into a greenhouse. The resulting impact is interpreted as an earthquake. Judy does not have the reaction one might expect from someone who’s lived in California for at least ten years.

Ratchet’s fine, by the way.

The power cuts out, and Ron goes up to check on his son, because he’s at least a halfway-decent father. Ratchet’s shining a light to aid in the search for the glasses. Sam’s parents notice this bright light, and bang on Sam’s door to see what’s up.

Sam quickly hides Mikaela and then attempts to salvage the situation, answering the door and trying to control the narrative. Unfortunately, Ron is far too inquisitive for Sam to do this, and then Judy asks if Sam was masturbating.

Judy, is privacy just not a thing to you? Because if not, it really ought to be.

She keeps going with it too, trying to come up with code words, until another one of the Autobots trips and causes Ron to panic again, climbing into Sam’s ancient claw-foot bathtub to protect himself. He looks out the window to check on his beloved yard, lamenting that the earthquake tore it up.

Ironhide is strongly considering killing Sam’s parents. Optimus tells him that they don’t harm humans, and also begins to wonder if he made a mistake bringing this guy along.

Back in Sam’s room, it’s becoming increasingly obvious that Sam is an absolutely terrible liar, and Mikaela reveals herself, if only to prevent Judy from trying to talk about self-pleasure again. Of course, now she gets to be subjected to both of Sam’s parents objectifying her, so this might be a lose-lose situation.

Sam is reminded that his backpack is in the kitchen, just in time for the government to show up at his house. Mikaela makes a comment about Judy being nice. I suppose on a surface level, yes, being told that you’re gorgeous by someone’s mom is nice. I do have to question the context that compliment took place in, however.

Sam’s about to hand the glasses over to the Autobots, when someone rings the doorbell. It’s Sector Seven, and they’re here to talk to Sam about his stolen car being part of an issue involving national security. Ron and Judy are more concerned about their yard being torn up, Judy yelling that they “need to get their hands off [her] bush.”

We still have another hour of this movie.

The agent leading this mission asks Sam to come with him for questioning, which his parents are very much against. Mojo also voices his displeasure, but it would seem that Agent Simmons is not a follower of the Tenets of Mojo. Sam gets geigered, and his readings are high enough for Sector Seven to take him and everyone in this house into custody.

As Sam and Mikaela are riding in the back of the car, Simmons brings up Sam’s Ebay account, and also the phone video he took of Bumblebee earlier in the week. Mikaela is rather unimpressed with Sam at the moment, probably because he’s gotten her arrested. She still tries to help him out though, because she really is just the nicest fucking person on the planet.

Alas, the combined efforts of these two teenagers isn’t enough to fool the long arm of the law, especially when it’s a branch of said law that deals with extraterrestrial activity. Simmons threatens to lock up these literal children for life if they don’t start talking. Mikaela isn’t taking the bait, so he goes after her father’s parole hearing instead.

Yep! As it turns out, Mikaela and her father stole cars to get by, and she’s got the record to back that claim up. Simmons calls her a criminal, then says that criminals are hot. Mikaela looks like she’s about to cry, and I don’t blame her in the slightest.

Optimus, I suppose because his dad senses were tingling, takes the opportunity to place his leg in the road for the car to run into, then grabs said car like an unruly cat and lifts it until the roof rips off due to stress. The agents in the other cars pile out and point their guns at the giant space robot. The rest of the Autobots quickly relieve them of their weapons.

Optimus notes that Simmons doesn’t seem surprised that a bunch of giant robots just took all his guys’ guns, and demands that he exit the vehicle, posthaste. Simmons obliges, after a bit more prodding. Mikaela undoes Sam’s handcuffs, and he gets fucking pissy about it, as if this girl he’s had a grand total of three (awkward) conversations with should have told him something as personal as “hey, so my dad’s in jail and I’ve been to juvenile detention.”

Luckily, she doesn’t let him get away with it, calling him out as the spoiled, self-centered, privileged little shithead that he is.

Of course, we don’t get any sort of real acknowledgement from Sam, having to move on with the plot. Perhaps, if we hadn’t spent the last hour and 20 minutes faffing about on drivel, we could have had Sam get an actual moment of self-reflection, and potentially even character growth. However, this is Bayverse, and everyone knows that personal accountability is for fucking sissies.

Mikaela and Sam ask several questions, but get no answers from Agent Simmons. And then Bumblebee pees on him.

I hate that I had to write that. I hate it very much.

Anyway, I don’t know why that had to happen, but it did, and I’m nothing if not thorough.

Optimus tells Bumblebee to cut it out, and with that the Sector Seven agents are cuffs and left on the side of the road. Mikaela orders Simmons to strip, as punishment for threatening her father, then cuffs him to a street lamp.

...Yes, that does sound like a bizarre sexual fantasy, doesn’t it?

Unfortunately for our teen heroes, they forgot to confiscate everyone’s phones, and Sector Seven knows what’s up, thanks to the power of speakerphone. More cars and a couple of helicopters show up basically immediately, and the Autobots decide it’s time to dip.

But not before Ironhide fires off a pulsewave into the ground that causes a five-car pileup.

Optimus, I suppose because he knows he chose a ridiculously flashy alt-mode that is in no way practical, just picks the kids up in and places them on his shoulder like a couple of parakeets, then takes up a leisurely jog to get away from the eyes in the sky. He runs through the city, racking up what is likely millions in property damage, as the helicopters pursue. He passes by a “Legalize LA” billboard, which feels odd to see, given what movie this is.

The ‘copters somehow manage to lose Optimus, despite him being relatively slow, and having a notable radiation level that they’ve been using to track him. He hides inside the scaffolding of a bridge, only for Mikaela and Sam to slip off of his polished body to their deaths, thus ending the film.

No, they don’t die. I just told another fib. I’m sorry.

Bumblebee snatches them up just before they hit the ground, the impact of his metal body catching them at 75 mph, killing them instantly and ending the film.

Nope, that doesn’t happen either.

Mikaela and Sam are fine, some-fucking-how, but Sam’s dropped the MacGuffin glasses. The helicopters swing back around, having noticed the sound of a car crashing into the ground and the screams of two whole adolescents. They break out a fucking harpoon gun and fire on our kid appeal character.

Repeatedly.

They wrap up Bumblebee in a series of cables, as he screams like a moose. Mikaela and Sam are held at gunpoint by what is honestly far too many dudes, and are then arrested for the second time in ten minutes. Bumblebee is smoked... because he’s a bee? Sam, not liking this one bit, finds the strength in his weenie body to push a cop off of himself, run at one of the dudes with the smoke guns, throw him to the ground, and then start smoking him. He’s immediately tackled, but points for trying.

Sam and Mikaela are placed back into custody, and the rest of the Autobots regroup with Optimus to see what the plan is. Optimus says that they can’t save Bumblebee without hurting humans, so I guess Bumblebee is just a POW now. Well, at least they got the glasses. That’s cool.

Back at the Pentagon, things are getting dicey, as the other world powers are starting to suspect that something’s up. The Secretary of Defense is approached by a man with a mustache and a briefcase. He’s from Sector Seven, but the Secretary gives not a fuck about mysterious organizations. All the computers in the room suddenly go down, the virus from earlier working its magic- only this time, the blackout is global.

Mr. Mustache opens his briefcase, while explaining that Sector Seven is something known as a “special access” sector of the government, which is why nobody’s ever heard of it; it’s beyond top secret. Commissioned by President Herbert Hoover 80 years prior, it deals with alien life.

When the Beagle 2 spacecraft was lost on the way to Mars in 2003, the mission was declared a failure. This was a lie. The Beagle 2 recorded several seconds of Mars before being crushed to death by a Transformer. This tidbit is pretty funny, given that the Beagle 2 was rediscovered on Mars in 2014, seven years after this film released. Not a terribly mysterious death anymore, is it?

Comparing the footage from Mars to the footage from Qatar has Sector Seven thinking that these are the same species. Which they are. God, it’d be so fucked up if there were two species of giant robots in this film.

Mr. Mustache theorizes that because the Transformers now know that they can be harmed by human weaponry, they’re being proactive about their safety and shutting down all forms of communication technology with that virus that keeps popping up. It’s only a matter of time before the shit hits the fan for humanity.

Mr. Secretary tells his guys to try going analog with comms, breaking out the short-wave radios, to tell their ships to return home.

Over at an Air Force base, Lennox and the gang have landed, only to be scooped up by a bunch of dudes in suits.

Back with Maddie and Glen, the two of them have fallen asleep in the interrogation room, Maddie still wearing her friggin’ four inch pumps as her legs are propped up on the table, crossed in a way that seems rather uncomfortable. Glen gets to sleep like a normal human being, with his head resting on his forearms. Why this place doesn’t have a holding cell for these situations is beyond me.

Mr. Secretary comes in to bring Maddie on as his advisor. Glen can come too, I guess, considering he’s the one who actually figured out the sound file virus.

We get a little military glorification, and then it’s revealed that Mikaela and Sam, as well as Maddie and Glen, are aboard this helicopter. Their paths cross at last. Our heroes are transported to the Hoover Dam, where Bumblebee is also. They are still smoking him.

Meanwhile, the Autobots are figuring out where to go, with the power of Archibald’s glasses. Ratchet, who I guess is omnipotent, senses that the Decepticons have also figured out the location, and that this is going to be a race against the clock. And I mean, he’s right, but the phrasing is a bit odd.

Jazz wants to know when they’re going to save Bumblebee. Optimus says that they aren’t, and that Bumblebee’s sacrifice is noble, and that he would want the Autobots to leave him and complete the mission. As this is said, we get another shot of Bumblebee getting smoked and trapped in a lab. Yep, this is totally what he would want. He absolutely signed up for this, giving himself up to the government and not at all fighting like mad to not be captured.

I don’t think Bayverse Optimus actually knows what martyrdom is, which is bizarre, given that it’s a major trait in a lot of other iterations of the character.

Ironhide isn’t even sure why they’re bothering to save humanity, given that humans are violent and awful, his point being hammered home as Bumblebee is tortured for scientific reasons. Ironhide seems to have forgotten that Cybertron has been at war for literally millions of years. Optimus has faith in humanity, however, stating that we’re “young”.

And then he says that he’s going to end his own race, by destroying the Cube™, which is how they reproduce, because that’s the only way to end the war.

Which is arguably one of the most hardcore fictional applications of eugenics ever conceived.

Being advocated for by Optimus Goddamn Prime.

We still have another 50 minutes of this movie.

Optimus then proves that he does, in fact, know what self-sacrifice is, stating that, if all else fails, he’ll shove the AllSpark into his spark, which will destroy them both. He’s pretty chill about it, too.

Up on top of the Hoover Dam, Frenzy has fallen out of Mikaela’s bag.

Mr. Secretary is also at the Hoover Dam now, as is Lennox’s team. Oh, and Agent Simmons, who is thankfully wearing pants. He offers to buy Sam a coffee, as repartitions for threatening his family, arresting him, and being a complete creep to a teenage girl. Sam gives not a fuck about caramel macchiatos with extra foam and chocolate drizzle, however. He only cares about his car.

Mr. Mustache, who is also here, needs Sam to spill the beans on all these friggin’ giant robots that are running around. This is where Sam realizes he has the upper hand for once, and he starts making demands. One such demand is having Mikaela’s record scrubbed clean, which is an actually very nice thing for him to have done for her. We’ll see if his intent comes to fruition. For now, it’s time to talk about Bumblebee.

We get a shot of all these folks heading into the secret base hidden inside the Hoover Dam, and it’s at this point that I notice that Maddie’s shirt is basically see-through.

Inside the Dam, we see that Sector Seven′s been keeping Megatron this entire time, keeping him neutralized with cryo-stasis since 1935. Cryopreservation was invented in the 50′s. This isn’t a nitpick, I just thought it was a neat little fact.

Megatron being on Earth has resulted in most modern technology. This sort of plot point always bothers me, because it takes away agency from the entire human race. We didn’t use our own ingenuity and work ethic to advance society, we plagiarized from a more advanced species. I dunno, it just rubs me the wrong way.

We get the part of the movie where info is hashed out, so that everyone is on the same page, Sam spouting off Autobot propaganda. We can forgive him for this,considering he’s 16, and no one is immune to propaganda, especially when they have zero way of doing their own research to form their own opinion with.

Sector Seven also has the AllSpark, kept in the room next to Megatron’s, like the chumps they will soon find themselves to be. It’s about ten stories tall and the reason the Hoover Dam exists. With so much concrete suppressing its alien energies, surely no one will ever find it!

Except for Frenzy, who came in through a mouse hole. Whoopsie-doodle!

The AllSpark zaps the nasty little man, restoring his body with its weird MacGuffin powers. Frenzy tells all his coworkers that he found what they were looking for, and everyone starts heading over.

Maddie asks Mr. Mustache what exactly he means by “energies”, perhaps worried that this whole thing has been some elaborate ploy to get her to invest in magic healing stones. Mr. Mustache brings everyone into a testing chamber, since the best way to explain how the AllSpark works is through a demonstration.

There’s a big fish tank in the middle of this testing chamber, in which Agent Simmons places a donated device from the crowd- Glen’s Nokia phone, specifically. Simmons makes a geologically-confused comment. When this is pointed out by Maddie, Mr. Secretary hushes her, simply saying that Simmons is a strange man. The tank is locked down, and then the show starts.

Cube™ energies are shot into the tank, and the phone explodes into life, transforming into a gorilla-shaped gremlin creature. Happy birthday, little dude!

Little dude starts shooting at the tank walls, cracking the glass until Simmons pulls the trigger and ends it. Happy deathday, little dude!

The Decepticons are making tracks towards the Hoover Dam, but Starscream- yeah, he’s in this now, don’t worry about it- arrives first, because he is a very fast jet. He transforms, showing off his ridiculous Dorito body, and fires on the base’s generators. The resulting explosions can be heard all the way down in the testing chamber, and Mr. Mustache calls upstairs to see what’s up. Looks like Megatron may be getting warmed up, seeing as his ice bath has been cut off. Lennox asks if there’s an arms room in Sector Seven, which sort of feels like asking a bakery if they have any flour.

Frenzy has entered the room that houses the controls for the cryo-stasis and set that whole system to “no, thank you”.

Mr. Mustache runs through the base, screaming for everyone to get to the Megatron chamber. Off in the distance, the Autobots approach. Could probably used some fliers on your team, huh Optimus?

Back with Frenzy, he’s decided to just straight-up raise Megatron’s core temperature directly. Hope he doesn’t do it too fast; rewarming hypothermia victims recklessly can do some serious damage.

Outside of the base, Lennox and the boys are loading up with weaponry, along with what’s the entirety of Sector Seven′s cannon-fodder department. Oh, and all the main cast. Yep, just got a couple of teenagers chillin’ in the munitions room.

Sam wants Simmons to take him to his car- he hasn’t used Bumblebee’s name in a hot minute, not sure what’s up with that- even though Simmons is currently busy loading a very large gun. Simmons doesn’t want to do that, because he’s got no idea if what Sam mentioned earlier is even true, and he doesn’t want to pin the fate of humanity on a single Camaro. Lennox takes this opportunity to tackle Simmons, despite likely not knowing that Bumblebee is one of the “good guys”. A Sector Seven guy very much doesn’t like that, and points a gun at Lennox, which prompts all of his guys to also start threatening folks with guns.

Mr. Mustache walks in on the scene, but doesn’t do anything, since he isn’t armed and knows better than to tangle with someone who’s packing. Simmons tries to intimidate Lennox, because he must have missed the day of boot camp where they tell you that guns kill people. Lennox is fully committed to shooting this dude in the lungs before Mr. Secretary suggests he give the people what they want, before things get ugly.

Simmons takes everyone to the robot torture department of Sector Seven, where they are still smoking Bumblebee. Geez, you’d think they’d have something in place for if they ever came across another giant robot after Megatron, but I guess not. The gang gets everyone to stop smoking Bumblebee, which allows him to stop moose-screaming and strongly consider murdering everyone involved with his forced captivity. Unfortunately, revenge with have to wait, as we’ve still got to deal with the AllSpark, and the fact that the Decepticons are here.

They take Bumblebee to the AllSpark, where he makes direct contact the thing, causing the AllSpark to transform, compacting itself down into a far more reasonable size that Bumblebee can carry in one hand. It doesn’t seem to weigh more than a grown adult, if his body language is saying anything. I’d make a joke about the conservation of mass being ignored, but since this is Transformers, I can’t really say much. Conservation of mass doesn’t exist for this franchise.

Bumblebee would really like to get this show on the road, and Lennox agrees, quickly formulating a plan to get away from Megatron and taking the AllSpark to Mission City, which is relatively close to their current location, so that they can hide it there.

Lennox, I know this plan is a first draft, and we don’t have a ton of time for revisions, but the whole point of building a whole-ass dam around the Cube™ was because it was very difficult to hide, given its magical MacGuffin powers. Regardless of this flaw, Mr. Secretary agrees. Lennox also asks that the Air Force be involved in this, I guess because the U.S. military wanted more screentime.

Of course, that whole “global blackout” thing is still going on, so we’re going to have to get creative with how we’re going to contact the Air Force. Mr. Secretary and Simmons make a break for the WWII-era radio Sector Seven has, while Lennox and the boys head out to shoot things, and Mikaela and Sam hop into Bumblebee with the Cube™.

This is about the point that Megatron wakes up. The first thing he does is introduce himself, which I thought was very polite of him. Then he breaks out his flail and starts bashing shit around. Not so polite, that.

Over with Bumblebee, we’re shown that the AllSpark, all-powerful object that can create life and is the whole reason this conflict is even happening, is just chillin’ in the back seat by itself. It’s not even buckled up.

Megatron escapes the base, and it’s actually super easy. He just transforms, goes through the tunnel, and he’s free. I feel like we could have at least attempted some security measures for in case the cryo-stasis failed, given that we’ve had this dude in containment for the last 70-something years, but okay.

Starscream comes over to say hi to his boss, not that Megatron gives a shit. He just wants to know where that fucking Cube™ is. When Starscream tells him that the humans have it, Megatron makes a comment about how Starscream has failed him yet again. This is their first interaction in this movie, and Starscream’s been in the story for a grand total of five minutes at this point. I know that this is a reference to their dynamic in just about every installment of the franchise up to this point, but it doesn’t feel earned in the slightest. Even if it’s going to be expanded upon in future sequels, this is a shit-tier way to set their (awful) relationship up.

Not that anyone should ever bank on getting a sequel anyway, but that’s a discussion for another time.

Megatron tells Starscream to retrieve the AllSpark, and then we cut over to the radio plotline. The radio, which is so cobweb-covered I feel like Sector Seven needs to have a serious discussion with their custodial staff, has its nobs and buttons fiddled with by Simmons until it crackles to life. But where are the microphones? Everyone starts looking for the mics, as Simmons pushes Glen into the seat, I guess because hacking modern computers and using Depression-era radio tech are similar enough.

Maddie asks Glen if he can hotwire a 90′s-era computer to transmit a tone through the radio, so that they can send a Morse code message to the Air Force. Which sounds ridiculous to me, but I don’t know enough about radios or computers to know if that sort of thing would be possible. Maybe it’s fine. Or maybe it’s Hollywood bullshit. Who knows?

Back over with Bumblebee, we get a bunch of car commercial shots, of both him and the other Autobots. Aww, the gang’s back together again! Nobody tell Bumblebee that Optimus was completely cool with leaving him to his fate.

Optimus and the gang whip around to join the convoy, and everyone makes their way towards Mission City.

Back at the radio subplot, someone’s bangin’ on the door, trying to get in. The others try to block the intruder, while Glen does his hacking stuff. Mr. Secretary breaks a case and pulls out a gun that’s about as old as he is.

Glen gets the computer working, and Mr. Secretary gives him the Super Secret Military Codewords™ to use to talk to the Air Force. While he does that, Simmons finds a flamethrower and starts burning Frenzy as he attempts to enter the room. The Air Force receives the message for an air strike. Oh, goody.

Over with the convoy, it appears that the Autobots and Lennox’s boys are being pursued by the Decepticons. It’s difficult to tell, seeing as the cameras have gone full Bay-mode, but I’m guessing that’s what’s up. One of the Decepticons flips over a minivan, likely killing a family of five. another causes a multi-car pileup.

Bonecrusher transforms, then Optimus transforms. Bonecrusher iceskates across the highway, slamming into a bus so hard it just straight-up explodes. He is on fire. He tackles Optimus, and they proceed to fall off the side of the raised highway they’re on. Then they beat the shit out of each other, until Optimus decapitates Bonecrusher with his arm-sword.

Yeah, space dad is a little intense in the Bayverse.

Back at Sector Seven, Frenzy’s decided to leave the door alone, and instead is crawling through the ventilation shaft. Mr. Secretary and Simmons fire off shots into the duct above them, as if bullets would do anything against this nasty little pile of needles.

Frenzy bursts through the bottom of the duct and crash-lands into a glass case, taking cover behind a pillar and fires on the humans on the other side of the room. While this shootout is happening, Glen receives a response from the Air Force, just in time for Frenzy to accidentally decapitate himself with one of his own spinning blades of death. This time, he does not survive losing his head.

The Air Force will be sending fighter planes to Mission City, and to establish this, we get several shots of what some might call “military porn.”

Over in the city, the convoy has arrived. Lennox hands several short-wave radios over to Epps, telling him to use them to direct the Air Force when they arrive, so they can take the AllSpark... somewhere, I guess. Above, an F-22 zooms across the sky. It is not one of the Air Force’s F-22s.

Ironhide recognizes Starscream, and gets ready to throw down. Bumblebee grabs a nearby Furby truck and hoists it up to use as a shield. This marginally works, as the missile that hits the truck doesn’t immediately kill him, though it probably did all those Furbies inside.

The resulting explosion throws all the humans around, Mikaela getting weird heaven lighting as she lies unconscious on the pavement. Sam gets it too, though, so I suppose I can’t complain too much about this particular shot. They touch hands. I really wish that I could take this moment of vulnerability as being anything other than an attempt to set up a romance between these two teens who have known each other for maybe half a week. This movie has so starved me of genuine human interaction I'm jumping at the smallest of scraps.

Bumblebee actually didn’t get out of that missile-strike unscathed, his legs having been blown off. All those Furbies died for nothing. Tragic. Sam asks Bumblebee if he’s alright, and immediately tells him to get up. Sam then remembers that Bumblebee’s legs are off, so he yells for Ratchet.

Over with Lennox and Epps, they’ve realized that the plane they saw wasn’t one of theirs. Which, you know, has already been established, but points for getting caught up, fellas. Sam is crying and still telling Bumblebee to get up. Bumblebee is dragging himself across the pavement and whimpering. It’s awful. Where the fuck is Ratchet? This is basically the only reason he’s in this film, and he’s nowhere to be found.

The actual Air Force calls on the radio, asking for their location. Brawl, who is a tank, starts firing on Lennox’s gang. Jazz and Ratchet race through the city streets. How they were separated from the rest of the team is anyone’s guess.

Sam takes a little sit on the pavement to be with Bumblebee, while Mikaela decides to problem-solve and heads for a nearby tow truck. Bumblebee hands Sam the Cube™ because, as the designated protagonist, it’s his job to handle it in the climax of the film.

Ironhide is shot at several times by Brawl, narrowly avoiding being hit each time. This, of course, means that the people he drives by in this shot are almost assuredly dead, since they’re right next to the explosions. He transforms and does a flip, as the film goes slow-mo on a shot of a woman in a low-cut dress watching him flip. She screams. Ironhide screams. I scream, though probably for a different reason.

Jazz jumps on Brawl, managing to kick off a couple pieces of kibble before Brawl grabs him and throws him into the side of a building. Ironhide, Optimus, and Ratchet descend on Brawl, and so does Lennox’s team, Brawl losing a hand and getting thrown into his own building as a result.

Mikaela breaks into the tow truck and starts to hotwire that shit. Wow, a relevant back story that culminates in her being able to save the day, thus completing her arc and staying on-theme for her character. Why isn’t Mikaela the protagonist again?

Oh, right, because ~girl~.

Megatron lands in a nearby alleyway, and Ratchet, knowing this dude is bad news, tells everyone to head for the hills. Jazz isn’t fast enough, however, and gets shot for his troubles.

Mikaela drives the truck over to Sam, who is still sitting there with the Cube™, and tells him to get his ass in gear.

Jazz gets taken to the top of a nearby building and is ripped in two by Megatron, who acts like a bird of prey the whole sequence. Down on the ground, Brawl is starting to get back up from his smackdown. Blackout appears on a nearby skyscraper. Things are looking grim for humanity.

Mikaela and Sam hook Bumblebee up to the tow line as Lennox approaches them. Sam has left the AllSpark out of his line of sight, like a fool. Despite seeing this, Lennox still gives him the flare to let the military know where to pick up the AllSpark. Doesn’t even acknowledge Mikaela. He tells Sam to head for the white building with statues on top of it and set the flare on top of the roof. Lennox can’t leave his men, because he’s the head of his operation. Why he can’t send literally anyone else who isn’t a 16 year-old boy isn’t made clear.

Sam really doesn’t want to do this, probably because he’s a child, but Lennox has recruited him to the military against his will, so he must. Lennox then attempts to make Mikaela leave for her own good, but she tells him to fuck off, because she’s gonna save Bumblebee. Clearly, this is a win for feminism.

Epps radios the choppers coming from the Air Force to let them know they’ll be picking up a package from a teenager, thus locking Sam into the job. Ironhide and Ratchet vow to protect Sam from the Decepticons on his way to the pickup point. Not one single person has pointed out how fucked up this is.

Sam starts to run off, when Mikaela stops him to let him know that she’s glad she got in the car with him roughly an hour ago. They don’t kiss goodbye, which, honestly? Good. This fucking movie hasn’t earned that. Sam for sure hasn’t earned that, even if he did clear her juvie record. No word on that having actually been done, by the way. Sam never got confirmation, and I feel like he’s not really the type to follow up on things.

Brawl fires off some shots and makes things explode. Ratchet and Ironhide provide cover fire as Sam sprints down the road. Yep, they’re making this idiot WALK to the pickup point. Sure hope the elevators are working today, otherwise this is going to take forever.

Sam carries the AllSpark like a football, and in a better movie, this would have been foreshadowed by Sam having actually been a football player prior to the events of the film, perhaps removed from the team for some character flaw he’s since grown from/accepted. However, this is Bayverse, and well, men don’t have to justify their existence in the story with things like themes and having even an ounce of thought put into their character.

Back with Mikaela, Lennox has refused to learn her name, calling her “girl” as he screams at her to get Bumblebee hooked up to the tow truck. Which she was already doing when he got here. Lennox, dude, you’ve got a daughter now, you’re super extra not allowed to treat women like this.

Optimus Prime pulls through an alleyway and crashes into a pile of garbage. I can forgive him being late, seeing as he is a big rig, and probably had to take the long way into town so he didn’t get stuck in too-low tunnels. Don’t worry about how we briefly saw him during the Brawl take-down. This is his for real entrance into the climax.

He whips around and transforms, ready to throw the fuck down. Megatron spots him from his perch and descends.

Y’know.

Like a vast, predatory bird.

Megatron shoots at Optimus in his alt-mode, and Optimus catches him like a frisbee. Unfortunately for Optimus, it would appear that the horsepower on a Cybertronian flightcraft is hella intense, and he’s carried away. The two of them crash through an office building, then roll around in the streets punching each other in the face, debating the worth of humanity as they do so. Wish I actually gave a shit about either of these people, but alas! The film spent most of its runtime objectifying women and insulting minorities. I know nothing about Optimus, and even less about Megatron.

Megatron transforms his arms into a laser gun, and Optimus does the same. They shoot at each other. Optimus gets thrown into a building, then lands on the sidewalk below, definitely crushing a dude underneath him, but I guess we didn’t check that the shot was clear for where the CGI was gonna go, so he’s fine.

Sam’s still running through the streets, while Blackout murders, like, so many people behind him. Starscream lands in front of Sam, running into roughly 30 cars as he skids to a halt. Ratchet and Ironhide fire on him, as Sam takes a breather behind a car. Starscream transforms and blasts off. He was here for about 15 seconds. Sam begins running again.

Megatron is now following Sam, because he wants that Cube™. Sam is hit by a car- not an evil one, just a regular car- and trips. The impact makes the AllSpark activate, which grants several machines in the vicinity the gift of life, including the car full of bitchy women that just hit Sam, who are upset that hitting a human being might have scratched the paint.

I get it, you hate women, can we PLEASE stop beating this dead horse?

Sam finally gets to the pickup building, which turns out to be abandoned and fenced off. Good thing the gate was open, otherwise things could get really complicated. He heads inside, Megatron crashing through a floor-to-ceiling window shortly behind him. Megatron makes the claim that he can smell where Sam is. I’m going to choose to believe that he isn’t lying here, since Ratchet did something similar earlier.

Sam finds the stairs, and Megatron calls him a slur.

He doesn’t, really, but the voice modulation certainly makes it sound that way.

While this is happening, Mikaela is driving the tow truck down an alley, dragging Bumblebee behind her with the tow cable. She stops for a moment to have a short breakdown, seeing as she is a teenager in what is currently a warzone.

Sam is still running up the stairs. Outside, the military shoots at one of the Decepticons. It is, of course, doing absolutely nothing to the giant metal space robot. Mikaela concludes her moment, looking back at Bumblebee, who gives her the okay to keep going with dragging his ass across the pavement. She whips the truck around and tells Bumblebee “I’ll drive, you shoot.”

Mikaela then proceeds to speed down a main road of this sizable city backwards, running into cars and more or less shoving Bumblebee along to his destination.

The military has finally realized that their efforts have been pointless, but it’s okay because Bumblebee is here with his superior firepower. Bumblebee proceeds to shoot Brawl in the chest, which kills him. After this, he tries to act cute, lifting up his battle mask in a very “did I do that?” way, as if he’s not the same guy who ripped Barricade apart earlier.

Sam, meanwhile, has finally reached the top of this dilapidated building. Helicopters are approaching his location, but will they make it to him before Megatron does? Honestly, I’d be more worried about Starscream on the building just due East.

Sam is just about to hand the AllSpark over, when Starscream fires at the ‘copter, causing it to crash and nearly chop Sam to pieces. Optimus Prime runs towards the scene, on a roof that I refuse to believe could actually support him. Megatron punches thought the roof from the bottom and asks Sam some philosophical questions. Sam can’t answer, given that he’s hiding on the edge of this building, his flimsy grip on one of the angel statues being the only thing keeping him from falling.

Megatron tells him to give him the AllSpark, and in exchange he might not kill him immediately. Sam tells him to fuck off, and Megatron flails the chunk of building he was hanging on to, causing Sam to fall to his death, thus ending the film.

I’m lying to you. Michael Bay is making me into a liar.

No, Sam is, instead, caught by Optimus, very likely breaking several ribs on impact. This is the point where I realize that they’ve given Optimus fingernails. Sam clings to him like a baby koala, as Optimus parkours down the sides of two buildings, Megatron in pursuit. Megatron actually lands on Optimus 2/3rds of the way down, causing the both of them to fall onto the pavement below. How Sam survives this is a mystery.

Megatron recovers from the fall first, flicking a human away from him for having the audacity to exist in his space. The flicked person hits a car, and is almost assuredly dead. At least, I sure hope so, given that this is the director cameo by the Bayman himself.

Feminist icon Megatron?

Feminist icon Megatron.

Optimus comments on the fact that Sam almost fucking died to get the AllSpark out of dodge, and we get the return of “No Sacrifice, No Victory”. Which, I mean, I guess he’s allowed to say that, since he’s actually had to do something that warranted it. His dad doesn’t get to, though.

Optimus then tells this teenage boy, who has already had a hell of a day, to kill him by shoving the AllSpark into his robot-soul-heart, should he be unable to defeat Megatron.

I dunno, I just feel like it’s a bit of an ask.

Sam climbs off of Optimus so the Prime and Megatron can rumble. He runs through the ruined infrastructure of the city, so he’s less likely to be crushed. Optimus tells Megatron to square the fuck up, stating that “one shall stand, one shall fall.”

Then he gets ragdolled around a bunch, so maybe he should have saved the talk for later in the game.

The military is running around some more, stopping in an alley to see Blackout transform to root mode. Yes, the goo-goo eyes were indeed made by several members of the watch party that started this whole thing. People went wild for Rotor-Cape Johnson.

The fighter jets from the US military are arriving in a minute. Epps warns them to aim for the robots that aren’t evil. Lennox and the gang spread out, reminding each other to aim for the underboob, since Transformers’ armor is weak there. Epps marks Blackout with a little green light, which Blackout almost immediately notices. Blackout fires on the military.

Lennox has stolen a motorcycle and is driving through the streets to circle back around and jump off of the bike, sliding on his back to shoot Blackout directly in his underboob. Wonder what his uniform is rated for for road rash.

Sam is watching as Optimus gets his ass handed to him. Up in the sky, Starscream commits identity theft, and then attacks the Air Force. The Air Force can multitask however, and light Megatron the fuck up. Sam has, for some reason, come out of hiding, and Megatron uses this to his advantage, trying to take the AllSpark from him.

Optimus tells Sam to put the AllSpark in his chest, but Sam has a better idea. He shoves it into Megatron’s chest, which has been basically shot open at this point. Megatron makes a Space Invader noise, convulses a bit, then falls over dead.

Congrats on your first murder, Sam.

Optimus tells Megatron’s corpse that he got what was coming to him, then implies that they’re brothers. What flavor of brother isn’t established, but neither was basically anything between the two main faces of the franchise in this film, so it’s fine.

Ironhide walks up holding the two halves of Jazz. Optimus informs Sam that he now has a life-debt to this child. Whether or not Sam is absorbing any information at this point is up in the air. Mikaela shows up, with Bumblebee in tow.

In tow.

In tow-

Sam stares at her blankly. Mikaela stares back, making the pretty girl face. Man, what a great dynamic these two have.

Jazz is dead. That sucks. Optimus is handed his corpse to hold, while he thanks his new friends for helping out.

Then Bumblebee talks and he’s fucKING BRITISH.

Sam is obviously shocked by the fact that Bumblebee is British able to talk now, since not talking has been his whole thing up to this point. Optimus doesn’t let it phase him. Neither does Ratchet, despite having been working on Bumblebee’s throat injury for centuries at this point.

Bumblebee wants to stay on Earth with Sam. Optimus is just like whatever. Sam agrees to have a sweet Camaro from outer space.

Optimus pulls what is left of the AllSpark out of Megatron’s chest. I’m sure that’s not a setup for potential conflicts, not in the slightest.

Over in Washington, D.C., the US President has ordered Sector Seven be terminated, and all the Transformer corpses be disposed of. And by “disposed of” they mean “thrown into the ocean.” Dang, sure hope Earth signed some sort of agreement with the Transformers so that they never come to Earth again. You know, just be proactive about our galactic safety.

The Linkin Park kicks on, as Optimus gives us our bookend narration, telling us what the Autobots plan to do now that their race is at a genological dead end. As he does, we see Lennox reunite with his wife and child, who I had genuinely forgotten were in this movie.

Optimus is pretty chill with Cybertron dying out, because now they know about Earth. We get a shot of Sam and Mikaela making out, a shot that becomes more and more horrifying the further they zoom out, because they’re making out on top of Bumblebee. Who they KNOW is a sentient creature at this point.

And then it gets even worse, because the shot changes, and oh hey! Turns out that the rest of the Autobots were just chillin’ off to the side while this went down. Optimus continues his monologue, just walking around in his root mode as he tells all of Makeout Point how they’re “robots in disguise” now.

The monologue is actually a transmission he’s sending out into space, inviting any of his leftover pals to come kick it on Earth with them, because Earth is pretty cool.

And that’s where they leave us.

IT TOOK THREE PEOPLE TO WRITE THIS SCHLOCK.

So. Bayverse 1. A film showcasing xenophobia, misogyny, and toxic nationalism. It’s rough. Is it the worst film I’ve ever seen? Not even close, but it’s bad, and it was a huge deal at the time of release. Everyone was seeing it, everyone knew the actors and robots, everyone had a scene that they liked. Everyone was exposed to Bayverse, and as a result, a lot of people entered the Transformers franchise thinking that it was all like this.

And really, how far off would they have been in 2007?

When a franchise refuses to introduce female characters until years after being established, when all those female characters have the exact same body type, when a franchise hires misogynists to write stories, when it allows shit like “Prime’s Rib!” to be published- no wonder Michael Bay was approached to direct.

What a mess.

--------------------------

COMING SOON:

TRANSFORMERS: REVENGE OF THE FALLEN (2009) - MEGAN FOX I AM SO FUCKING SORRY

TRANSFORMERS: DARK OF THE MOON (2011) - WILL YOU JUST STAY DEAD

TRANSFORMERS: AGE OF EXTINCTION (2014) - SHUT UP ABOUT THE LAW SHUT UP ABOUT THE LAW

TRANSFORMERS: THE LAST KNIGHT (2017) - ACTUALLY, FUCK CONTINUITY

#transformers #bayverse #part one #maccadam #Hannzreads #Hannzwatches #text post #long post #film analysis #off topic

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solliewriter · 3 years

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Archery for Writers

In this post, I'll basically tell you the small stuff: e.g., what your archer will complain about to other archers, how different bows sound, what it's like shooting in the rain or snow, finding the goddamn arrows, etc. I’m also going into technical details and will discuss the legendary Robin Hood shot.

If you want a good basic primer, T.S. Strange on Instagram did a pretty good job https://www.instagram.com/p/COat-W1rQ7o/?utm_source=ig_web_copy_link

But, if you're ready for beyond the basics, I've got you covered.

To be clear, my knowledge of archery is primarily Western traditional archery. PLEASE research the history of the type of bow you choose as they’re all unique. There’s a reason why Mongolian bows are so different than English longbows.

I have primarily shot in thick, brushy forest (not parks, actual wilderness), so when you read, that I'm talking about that setting unless specified. My favored bow is a reflex/deflex, which is basically a recurve/longbow hybrid. I have also been doing archery for as long as I can remember, so yes I know how to shoot.

SOUNDS

Different bows make different sounds. Recurve bows are loud. They make this twangy sound when you use them, unless you put a silencer on the string. This silencer is usually a fluff-type thing that is woven around and through the string. The silencer doesn't make them perfectly silent. It's more of a muffler than a silencer.

Longbows are quieter, but they still make noise. It's short, grunt-like hum that usually only the archer and their immediate compatriots can hear.

For Your Character (FYC): a recurve archer and a longbow archer will very likely pester each other about noise.

SIGHT, pt1

You can shoot blind. Sorta. No, you can't put on a blindfold and still hit your target, but you can and will extrapolate what you see. As mentioned, I've done almost all of my shooting in the forest, in the mountains. Visibility is less than perfect. You have to aim through hundreds of branches, and the likelihood of hitting a branch and sending your arrow flying into No Man's Land is very likely as a beginner and amateur. Shooting through the forest isn't like in Lord of the Rings or Hunger Games, unless that forest is a well maintained park with marked trails made by things other than deer and bear. (FYI, bear trails are perfect for humans.) Half the time, if you move an inch the wrong way, your arrow will be way off target. Missing by an inch means missing by several feet, which is really far in archery.

More than once, you see your target at one angle, but can't shoot it at another. I've experienced this frequently because my Viking sized dad will pick targets that I, his 5'2" daughter, am too short to see. I have to stand on tip toes to see his target, then lower myself into almost a crouch to shoot. I still hit the target.

FYC: Besides the obvious banter that comes from discussing height differences, there are a few other things to note. In the forest, it can be hard to find two good angles to shoot something. This can lead to frustration, complaining, attempts to get the other archer out of the way, and etc.

SIGHT, pt 2

I’m talking about recurve/longbows, so there are no actual sights to look through.

This is where things are controversial. There’s a gap shooting and an instinctive shooting. Gap shooters guess the distance, then aim. Instinctive shooters just sorta ... wing it.

I’m not going to throw shade at either method. But here’s a key reason why one would use one style or another: gap shooting is largely ineffective in mountainous, forested terrain when you can’t really see much. So, if you have an archer from a prairie and an archer from the mountains, it’s likely they use different aiming styles.

Side note: Flu-flu shots are unique and fun shots that use big feathery arrows. You shoot nearly straight up in hopes of getting your arrow on top of the target rather than straight toward it. When doing this, you can either look at the target or look at your arrow angle, but you can't do both at the same time. You have to shoot blind. Flu-flu shots aren't good for killing creatures, but they are pure fun. This is a good example of using instinctive shooting rather than gap shooting. Also, flu-flu shots are prone to being highly effective by the wind, and it’s very easy to get them stuck in a tree for all eternity. There’s a shooting area my roving family calls “The Valley of Lost Flu-Flu’s.” It’s called this for very good reason.

SMELLS

Bows don't smell, unless you've just added beeswax to the string (strings fray, wax stops that). Arrows smell for about a day after you paint them and glue them.

Leather, however, smells and remains smelly forever. I personally like the smell (though I suppose I'm actually smelling the oil, not the leather). It's very hard to describe, partially because I have so many memories involved. Unfortunately, I have to leave this to you. Just note, leather from armguards, quivers, and pouches don't smell the same as couches and your typical urbanite materials. Find your hippie friend and ask them to make you a leather bracelet or something. That'll teach you the smell.

FYC: Your archer will have very strong memories associated with the smell of leather and beeswax. They will be warm fuzzy memories.

TOUCH, aka shooting in the cold weather

All right, it's cold, and your character is wearing a big coat. Big, puffy sleeves to fit all those layers beneath. No biggie, just nock the arrow, draw, and shoot ...

FWAP!

The string hits the character's coat sleeve. The arrow goes about ten feet before falling limp to the ground like a sad puppy.

To fix this, you need to tie a thick band around your character's sleeve. Easy peasy.

Now, your OC tries shooting again. Unfortunately, it’s been raining, so to their dismay, they've noticed that their turkey fletchings (standard in the western US states) have flattened and shrunk. It looks like there is barely any fletching at all. Fear not, the arrow will still fly. It'll just make aiming a bit harder, but not terribly worse. Those fletchings are just stabilizers.

Your OC goes home. When they take off their shooting glove/tab, they notice their fingers are yellow. Oh no! Don't worry, your OC is not sick, the dye has just come off the leather in the rain. It'll wash off, but it'll probably happen every time the leather gets wet for the next few months unless your OC makes a new glove/tab that isn't dyed.

LEFTIE VS RIGHTIE

It is extremely uncommon to find a left-handed archer. This is because even if someone’s right-handed doing their day-to-day things, it doesn’t mean they’re going to be right-handed for archery.

In archery, whether you shoot left or right handed is determined by your eye dominance. Most people are right-eyed dominant, so much so it’s very hard for a left-eye dominant archer (such as myself) to find new bows. And I mean really hard. Go anywhere and there’s a severe shortage of left-dominant archery gear simply because it’s that rare (hah I’m special- jk).

BOWS

There are manufactured bows (lame), and there are good bows. Yes, there’s a huge difference.

I’m not sure of the technical terms, but here’s my experience.

Manufactured bows, i.e., the cheap bows you find at a renaissance fair, are typically made from a type of plastic. Good traditional bows, from almost any country, are custom-made from wood that the bowyer (bow-maker) has shaped, treated, and glued.

Bows are a lot like musical instruments. Essentially, manufactured bows (or guitars, violins, etc.) are poor quality because they’re made of cheap materials which make the shooting quality less than superb (more on that later), and because they aren’t given the attention they need, which makes them of lesser quality because they’re just ... eh. Special treatment makes for a better bow.

Like musical instruments, there are a lot of different types. Most websites say there are only four (recurve, longbow, compound, and crossbow), but that’s not quite true. These acknowledge the four general shapes of a bow, but not the subtypes. For example, Mongolian bows are recurves, but tend to be shorter than Western recurves because Mongolian recurves are meant to be shot on horseback.

SHOOTING QUALITY

So, what is it like shooting a good bow?

Again, I’m speaking from experience with recurves, longbows, and reflexes.

A good bow has good speed. It moves the arrow faster than slower. This is a relative scale because recurves shoot arrows faster than longbows, and reflex/deflex tend to shoot faster than longbows but slower than recurves.

WEIGHT

Is it possible for people to have pulled 100 pounds of weight in a bow back in the olden days, or are people just confused?

Yes, it’s possible.

My dad, who used to do archery once or twice a week, had a 100 pound bow that he shot fairly regularly. That was before his shoulder injuries and, y’know, age.

Also note that he’s practically a Viking.

I pulled 50 pounds at 28 inches when I was doing it regularly, although now I probably have to go back to 45 pounds.

BASIC SHOOTING FORM

This is going to be heavily effected by your character’s culture, bow, and upbringing.

There’s the English, upright stance for shooting a longbow. The archer stands very straight, and their pull hand goes to anywhere between the lip and the ear.

There’s the forest stance, which is my own, and that’s slightly bent over to avoid string-slaps, finger to cheekbone. Also, I made up the forest stance, so don’t Google it.

Then there’s Walt Wilhem, who, due to physical disability, had to shoot from the hip and was still one of the best archers in the world. Watch the video of him and his brother:

https://www.youtube.com/watch?v=np8u69YfSA8

THE ROBIN HOOD SHOT

This is actually very attainable. I’ve done it six times. My dad has done it about 30 times. I have a friend who did it about 25 times.

In order for this situation to realistically happen (if you’re writing something unrealistic, you really shouldn’t bother reading all of this), the character needs to prep a few things.

1. Years of experience. At least six, and that’s assuming your archer shoots at least seven hours a week, without missing an hour.

2. At six years the archer might get a few Robin Hood shots. Very likely, it’ll be at a shorter distance and the arrow they’re shooting will be cross-wise instead of straight down the shaft.

3. At ten years, it’s quite likely your Robin Hood has shot straight down the shaft a few times.

4. Your Robin Hood must seek to improve every week.

SOME QUICK TIPS

unless you’re Walt Wilhem, you always pull from your back, not your arm

you never fire an arrow

back quivers are quieter and more mobile than hip quivers (suck it hipsters)

it takes practice and long fingers, but it’s quite doable to hold both a bow and an arrow in one hand while shooting

there is a system for very fast nocking

beginners have no clue what this system is and so take several minutes to nock their arrow.

contrast, it takes a second for an experienced archer.

someone who doesn’t take long to aim is often called a snap shooter, and this isn’t exactly complimentary.

This ought to take you far in your journey of writing an archer. I’ve been sitting on this post for about a year now, but still need to add to it. PLEASE google the following in case I don’t get to sharing the info.

arrow breakage

bow breaking

materials for arrows

types of wood for bows

types of wood for arrows

arrow spine weight

bow tuning

bow shelfs

different forms

holding a bow

stringing a bow

bow at rest

temperatures + bows

fletching types

aerodynamics

quivers

moving around

how to find the goddamn arrows

#archery #writeblr #writing #archers #bow and arrow #wip #writing tip #writing advice #don't tell anyone it's been 2 years since I've shot my lovely bear bow #I need my bow again #I need to shoot

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generallypo · 4 years

Photo

in all sincerity, kim dokja makes me happy and he deserves to be so too :^(

incoherent yelling and sobbing under the cut. these fEELINGS will not be contained aaauuunnghhh.

------

anyway i binge-read all 500+ chapters of ORV this week and i honest to god feel bad for this -- completely! fictional! aghhhh -- guy. in case you haven’t figured it out, the following is some spoilerly shit

i went in expecting a fun, brainless power trip fantasy for dudes with an isekai addiction. instead, it turns out ORV is actually a gigantic, self-deprecating prank on the entire genre itself. kdj plays more into the sad -- if high-functioning-- clown trope than the sexy, edgy, chuuni bastard type i was prepared to laugh at. there were -- gasp! -- female characters with personalities! parents (aka ADULTS who act like ADULTS) who actually survive and feature prominently! adorable children! a real sexy, edgy bastard! a power trio with amazing fashion! sexual tension and bickering! friendship! life and death bonding!

*breathes in deeply* fouND FAMILYYYYYYY.

like, yeah, the plot around the first few arcs seems a little aimless, but the buildup is worth. the world-building is pretty decent. there’s discernible effort put into the fight scenes, and i can appreciate that. but -- but! what i stayed for were the characters -- namely, the fantastic OT3 of KDJ, HSY, and YJH -- who come together despite their initial rivalries and end up saving each other’s asses, like, every other day. granted, the other characters don’t get as much focus, and they do fall into certain character tropes..

but a trope done well is nothing i would gripe about. every significant character in ORV has a coherent, and more importantly, respectful take on their respective trope. maybe it’s because sing-shong is actually a married couple, but all the interactions between even minor characters are a convincing blend of awkward rambling, suggestive humor, sharp remarks, and casual banter. in other words, this cast of mostly working adults (plus a teen and two kids) talks like working adults. the relationships built throughout the story are, frankly, some of most realistic of its genre. sing-shong has managed to craft a dynamic that undoubtedly brims with fluffy fondness all around, but also drips with sarcastic tension, with unspoken urgency, with a wariness that softens into sincerity over the course of many, many chapters. it’s the kind of progression that makes even stock characters read like more than just the 2-bit villain or comrade or love interest. here, we have relationships both straightforward and not, strained or otherwise, romantically-oriented as well as decidedly the opposite -- and then numerous others scattered along the spectrum with the freedom to shift either way.

it’s also an interesting point of note that our MC kdj actually does not end up with a stated romantic partner, much less a conventional heteroromantic harem. he gets teased about that fact from time to time, but it’s with less of the sleazy shonen locker room humor one would expect and more of the good-natured ribbing you’d find among friends or that one especially nosy auntie at the yearly family reunion. kdj is a grown ass man. in the background, i applaud his maturity, and he handles all the prodding like a champ.

so instead of finding and fulfilling his horny, he builds himself a wealth of loving family. yeah, there are beautiful men and women around him. yeah, they unequivocally adore him. but they’re also adults, and they have priorities, too -- which are not so much finding a way to bang kdj’s brains out and more so simply keeping the damn guy alive. this is truly not ‘oblivious mc with his thirsty, sex kitten harem’. it just so happens that a guy proves himself to be unflinchingly gentle and capable in an apocalyptic setting despite his broken self-esteem, and lots of people find that attractive, romantically and platonically.

it.. kinda makes sense? he’s a hard worker, thoughtful, and good with kids. kdj is the kind of guy you know would make a reliable partner, and anybody with eyes can plainly see and appreciate that.

and it’s not that our MC’s a total brick wall. in fact, it’s likely the opposite, and he’s just too darned repressed to admit it. from what has been implied, kdj does indeed recognize and accept love, or at least a primitive concept of it. i like to imagine that the kind of love that he ends up seeking out simply manifests itself more easily as acceptance and safety, as warmth and a home of people to return to every day. even better, the people who surround him know this, and they give him exactly that. it’s refreshing, and honestly, really sweet.

(as a side note, i really, really do appreciate the cosmic bi energy radiating off of kdj, who canonically earns the title of being loved by all and is all but in name married to yjh and hsy. he also respects women and small children and honestly anyone who isn’t total scum to him or his family. i respect that.)

but the happy stuff aside, you know it it just ain’t ORV without the generous screaming dollop of angst. admittedly, there’s self-sacrifice, injury, lonesome wandering, more sacrifice, some epic fighting, reunion and confrontation. all of it is a lot to digest, sure, but never does it feel entirely hopeless, or truly, truly heart-clenching. ORV, up until the final act, is a mostly light read. you relax in your chair, thinking that nothing beyond this point can disturb you.

yeah fucking right.

------

and then the beginning of the end arrives. when the squad finally break through to their ‘ending’, the scene that kind of breaks me is the reveal of the Most Ancient Dream. it ties so much thematically into the little tidbits that we get of kdj’s past, and it though it feels like almost a joke that the source of the goddamn apocalypse is a kid with bruises smeared across his skinny ass body -- it’s such a pathetic picture that it’s kinda poetic, actually. you’re left mystified but somewhat convinced, like a math problem explained halfway through. this.. child.. is a villain somehow, isn’t he?

and then 999th turn uriel speaks up, and she. just. hugs him.

[[You are this universe’s most powerless existence, aren’t you.]]

that. that gets me. kdj’s reaction immediately upon this revelation? absolute murder. seeing him essentially self-destruct upon realizing that all these people he’s surrounded himself with -- some who continuously proclaim their loyalty and affection for him throughout their journey, some who suffered eons of war and loss and trauma because of his existence -- not only forgive his younger self but smother him with unconditional acceptance and love is stifling, is too vulnerable and exposed and he simply can’t cope -- it’s so telling of his true mentality, of his crippling insecurity and crumpled sense of self-worth. kim dokja is a liar, through and through, so much that he fails, or perhaps refuses, to comprehend the veracity of others’ kindness and love towards himself.

by some miracle, the events at the end of the world somehow resolve.. or so it seems. there is a departing train, a liberated team of ex-gods, and a child rousing from his slumber. in the aftermath, i am left shaking. somehow, despite the ending having been (happily?) reached, there’s still another chapter ahead. what is this witchcraft?

------

and then ah, yes -- the epilogue arc. i teetered on the edge of being critical for a little bit there -- is that display of deus ex machina, of sad, self-sacrificing nobility a bit too egregious to be acceptable? is this some wild last let-me-yank-this-outta-my-ass plot twist to drag out the chapter count? i sincerely thought that the arc before it would have been the finale. i was wrong. thank god.

anyways, as an answer to the above: no, and no. i stake my firm claim on the belief that the epilogue arc was meticulously planned out well in advance of its release, confusing and time-warpy as it is. i liked it. tremendously. even if it entirely invalidates all of kdj’s supposed development (”haha lol yeah sure i won’t sacrifice myself or anything anymore guys don’t worry about me” -- KDJ, at some point because he’s a lying rat bastard). actually, our beloved MC disappears for a large chunk of this arc, and i think it’s great. in his absence, the other characters not only go absolutely fucking nuts, but they have to figure out this new problem on their own, even if the lure of peaceful complacency in the newly saved Korea might convince them otherwise.

and then the whole time paradox thing comes around. yjh goes to space, hsy saves the only life she can, and kdj grows up. the crew waits, holding onto their hope even if it bleeds them dry. sing-shong does a damn good job of illustrating their fraying calm, their lurking madness, the unseen but pervasive depression that seeps in from kdj’s absence. the kids lose their father, lhs and jhw lose their reliable leader figure, ysa loses a best friend and confidant, lsk -- as distant as she pretends to be from her son -- loses her only child. and then there’s hsy and yjh , who are essentially bereft of the other half of their existences. their pain is palpable, is grounded in the hopeless, gnawing frustration of an utterly meaningless victory. emotionally, ORV hits all the right -- if agonizing -- beats.

however, a story can’t sustain itself just through its pathos. i’m happy to say that ORV doesn’t drop the ball after the first milestone, and after all the hurt, the characters do leap straight back into action. even better, the plot holes actually do get patches, and the poetic cycle of writer, protagonist, and reader comes full circle by making use of all those supposedly throwaway characters from the myriad world lines.

at the end of the road, there is a distinct sense of unity, of a delicate but undeniable cohesion to the world lines and their origins. sing-shong lets us guess a little here at the finish, but there’s just enough information to feel hopeful. maybe there never had been a definite start -- or finish -- to the story of kdj company, and... that’s okay. everybody ends up where they were meant to be, where they fought and struggled to reach. it’s.. almost like a happily ever after, if we’re allowed to dream of that.

------

now, i realize, this was all an orchestrated maneuver.

i’ll take it.

to me, all of this work sounds like someone put some serious thought into this behemoth of a plot. it cements the entire original premise of the story. it suggests -- but never explicitly confirms! -- the possibility that breaking free of the cycle is possible through the exact same system that sustains it. it’s terribly interesting -- and inspirational! with all the dramatic revelations and life-threatening scenarios and the cast’s resigned acceptance of them that essentially make up ORV’s entire mood, there’s still that last hint of rebellious and righteous anger that lights up the whole damn nebula. it’s like the kdj company blasting away at the heavens just to yell into the nether: we’re not looking for the happy end, but the free one. stay alive.

it’s subtle, and yet it’s such an emotional gut punch. i came away with the most ruinous, frustrating, bittersweet sense of longing in ages. i pined. for these fictional darlings. god, i am weak.

so. yeah. ORV is pretty good. flawed, but ambitious and impressively thought out. i’m stoked that the webtoon is making pretty good progress, even if it’ll take an eternity and a half to meet that monstrous chapter count. i’m still gonna follow it. hell yeah.

------

(by the way the idea that secretive plotter and co are literally gonna take care of and raise baby kdj and spoil him and be the best friggin family a kid could ever want does things to me. protect him. he’s suffered too much. let at least one worldline’s version of him know happiness. and actually, aLL OF THEM DESERVE DOMESTIC BLISS TOGETHER IN A BIG OL MANSION WITH SUN AND FRESH AIR AND TENDER FAMILY MOMENTS UGH)

------

and there you have it, folks. you made it to the end. in the far, far distance, i’m cheering you on and crying my eyes out in gratitude. thanks for tuning in!

#omniscient reader #orv #omniscient reader's viewpoint #kim dokja #fanart #kdj happiness rights!#protect him!#let! him! have his big house! with everyone! he loves!#please!#long ass emotional screeching #look i can't do him justice with drawing but hell can i yell out my love for him :'^DD

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vincess-princess · 3 years

Text

war?

Fandom: Motley Crue Characters, pairings: minor Nikki Sixx\Vince Neil, Nikki Sixx, Vince Neil, Tommy Lee, Mick Mars Rating: Teen so far, may change in the future Warnings: displays of extreme radiation poisoning, violence, unreality (so far) Summary: The boys go into a post-nuclear war-themed quest room, but is it really just a quest room?

idea by @dopefreshprincess, thank you so much for giving me inspiration <3

Chapter 1/?

Word count: 8059

“Wow!” Tommy looked around, eyes sparkling with excitement. “This is sick!”

Nikki did not reply, as did the others were gaping silently at the landscape extending in front of them. Escape room managers always tried to assure them of the reality of the experience, but the layout of all the escape rooms they visited before could be usually proved fake, sometimes by smallest of details. Not this one, though: the desolate, ravaged, post-nuclear war landscape looked uncannily real. They could even feel the hot breeze in their hair, bits of sand carried by it scraping their skin.

A desert sprawled in front of them, the ceiling that imitated the sky painted pale orange, no clouds, the lamp replacing the sun emitting so much heat Nikki could already feel droplets of sweat sliding down his back. Here and there bare, skeletal-looking trees stretched their branches up towards the sky – they barely reach the group’s waists, but trailed along the ground for meters. The only other plant around was spiky grey grass with frail stems. Nikki kneeled in front of one of them, trying to understand how it managed to grow through a completely dry, hardened soil. Wait, that’s a fake, he reminded himself. It was probably made of rubber and just stuck into the ground, it didn’t need no water.

Nikki reached out and tried to tear the plant out of the ground, but quickly drew his hand back with a hiss. The stem had little hair-thin thorns, sharper than needles. A few of them pierced through his skin and got stuck in his finger. Fuck, those sure as hell weren’t rubber.

“Huh?” Vince turned his head, distracted from fascinatedly observing the location by Nikki’s hiss. “What’s up?”

“Nothing,” Nikki said quickly, knowing how sharp-tongued Vince was. “Just got a splinter.”

“Are you gonna survive?” Vince inquired in a serious tone, but with a sly smile on his lips.

“I hope so,” Nikki muttered, trying to be angry at the mocking smile Vince shot him and failing miserably. “Careful with these things. They’re damn realistic.”

“Told you, these guys make the best escape rooms I’ve ever been in,” Mick said. He was the only one to remain relatively unimpressed, though his gaze lingered on the sand dunes a little bit longer than needed. “It’s gonna be a real survival quest, so buckle up.”

“Ain’t no quest too hard for us,” Tommy grinned. “Let’s set a world record on this one, lads.”

“Hell yeah!” Vince joined him, eyes sparkling. “The harder, the more fun!”

Mick rolled his eyes in exasperation. “That’s why you two absolutely can’t have nice things. You’re on a thin fucking ice, Sixx,” he added, side-eyeing Nikki.

“Hey, I haven’t even said anything!”

“I know you well enough.”

Nikki huffed with annoyance, but purely to keep face. He knew, of course, that Mick was right.

“Are we setting off at last?” Tommy was practically jumping with excitement. “Come on, come on, you snails!” he waved his hands in an inviting gesture. “Could you speed up a little?”

“We ain’t in a hurry,” Mick cut him down, but carefully stepped off the platform that took them to the location. The platform rose up swiftly and disappeared in the sky. Nikki traced it with his eyes. They would not be able to call it back, only in an extreme emergency, and the level of emergency was going to be decided by the quest room staff, who were supposed to watch the travelers constantly. In reality, though, when Nikki peeked into the security room half of the cameras weren’t working, and the only guard there was too busy playing his new Nintendo switch. So they couldn’t really count on staff; from now on they had to complete the quest to get out. Usually it added to the thrill, but now Nikki’s guts felt uneasy at the thought.

“Hm.” Mick stomped his foot on the ground. “The sand is very thin. We shouldn’t have any problem walking.”

“Then let’s walk!” Vince called, fidgeting in his place. “I wanna see the destroyed city replica! Is it gonna have real radiation there?”

“You ask me? Boy, I’ve never been here. I can only tell you what Chris told me, and he never mentioned it. Everything is possible. Do you even know where the city is?”

“It’s gonna show up eventually anyway, no?” Vince tilted his head. “The quest zone is not that big.”

“Why are you so sure?” Mick raised an eyebrow. Nikki could feel frustration radiating off him. He probably wanted to make every second of this adventure worthwhile instead of speedrunning it. “Besides, you ain’t getting to no goddamn city without supplies and gear.”

“Aren’t they in the backpacks?” Vince frowned, then pulled his backpack off his back. The easiness with which Vince tossed it around was suspicious, like it carried no weight whatsoever.

Nikki weighed his own backpack with his arm and a cold shiver ran down his spine. How could he not notice how light it was?

Meanwhile, Vince had already opened his bag, and his eyebrows arched in surprise.

“There ain’t nothing there!”

“The hell-“ Nikki pulled at the zip and tore the backpack open. His bad feeling proved right - it was empty.

“Mine too!” Tommy shoved his hand inside, feeling the material up as if trying to find secret pockets there. The thin, chip fabric of the backpack couldn’t hide any pockets within it even with the most intricate design.

“Same thing”, Mick pursed his lips, having checked his. “Shit’s getting interesting.”

“The hell we’re gonna do without supplies? We are in a desert!” Tommy exclaimed, throwing his backpack to the ground with frustration. “We paid for an empty backpack?!”

“What, the quest suddenly too tough for ya?” Mick snorted, but then his face softened at Tommy’s helpless expression. “Relax, kid. They ain’t gonna let their clients die. We’ll probably find supplies along the way.”

“They probably aren’t gonna just lie there in the middle of a desert, though,” Nikki said. He could understand Tommy’s disappointment – the quest from the average difficulty just switched to expert, and Tommy was never the one to enjoy meticulous resource-gathering instead of fighting and cracking codes. He, however, didn’t seem to share Tommy’s feelings – instead, he could feel anticipation building up in his chest. This was gonna be a real test of character, and he was gonna show everyone he could pass it. Especially Vince.

“No shit, Sixx,” Tommy murmured, still worked-up, but relaxing slightly. “Then where the hell are we supposed to find them? We don’t even have a map.”

“Hey, quit whining,” Vince joined in. He didn’t seem to be upset in a slightest, though his flippant smile disappeared from his lips. “Nikki is right. We gotta find a city or some settlements. They must be full of lost stuff. And we’ll get a shelter from the heat.” He wiped sweat off his forehead, caught Nikki’s gaze and smiled with corners of his mouth. When he turned away, Nikki smiled back.

“Well, I’ll look at y’all after a couple of hours walking through the desert,” Tommy muttered indignantly, but didn’t continue his rant. He went to a big rock a few feet away and plopped onto it with a grim expression. Mick, Nikki and Vince exchanged looks.

“Okay, so what are we doing now?” Vince asked in a low voice. “I’m already thirsty. Where’s that city of theirs? Mick?”

“Don’t ask me,” Mick waved his hand. “I haven’t been here before, remember? I just know that it exists. I don’t think it’s that far away, though. The zone can’t be bigger than a day or two of walking. The building didn’t look that big to me from the outside, at least.”

“These plants probably have some water in them, like cactuses,” Nikki nodded at the grey spiky grass. “You could try sucking on them-“

“No, thanks, I’m not that desperate,” Vince interrupted him, rolling his eyes. “So what, we’re looking for a city?”

“Well, you’d rather stay here?” Mick raised his eyebrow. “No? Good. I swear, a little bit more of this senseless talk and I’m leaving without you.” He turned his back to them and headed forward, not sparing them a single look.

“Why is he so pissy?” Vince muttered to Nikki.

“Angry because of the supplies?” Nikki shrugged in response and looked back at Tommy, who was still sitting on the rock with his back turned to the rest of the world. He seemed to hunch, looking at something on the ground. “Hey, T-bone! We’re leaving!”

“Uh-huh,” Tommy murmured, not paying them any attention. What, was he refusing to come with them?

Well, that was getting ridiculous.

“T-bone!” Nikki approached him and not so gently slapped him on the shoulder. “Are you coming?”

“Yeah,” Tommy looked up at Nikki distractedly. “Nik, do you think this map is supposed to have enemies?”

“I’m gonna be disappointed if it doesn’t” Nikki grinned. “But probably not in the middle of a desert. Maybe in the city. But we’d be supposed to find weapons for them, wouldn’t we?”

“Yeah,” Tommy nodded and rose up from his rock. “Where we going?”

“Looking for the city,” Vince said from behind Nikki’s back. “We’re pretty sure it’s somewhere close.”

“You’re sure,” Tommy made a dissatisfied face. “Okay, if you’re so sure, let’s go there.”

“You’re such a pain in the ass today,” Vince told him, but with no malice in his voice. “How’d you survive in a real apocalypse? Y’know, when there are no supplies lying around, prepared specifically for you?”

“Well, there ain’t gonna be no apocalypse in my lifetime,” Tommy shook his head, picked up his backpack and headed after Mick, who was already a tiny silhouette against the orange skies and seemingly had no intention of waiting for them.

The thin layer of sand was easy to walk on, and their heavy boots prevented them from getting sand between their toes. What they weren’t preventing them from, however, was the heat. The lamp imitated the sun a little bit too well; as it traveled across the sky (Nikki wondered if it was fixed on a rope or if some mechanism did the moving), it became hotter and hotter. Soon their jackets were off, and their t-shirts were soaking wet.

“How long has it been? Two hours?” Vince asked, fanning himself with his stupid cowboy hat that Nikki hadn’t managed to talk him out of wearing. “I swear, if we don’t find water soon, I’m gonna drink my own piss.”

“I can offer you another, much more nutritious fluid-“ Nikki was interrupted by a backpack flung at his face and barely managed to duck in time. “Hey, you could’ve just said no!”

“I’d rather die of thirst,” Vince promised gloomily, but before he turned away, Nikki caught a glimpse of a smile on his face. He sped up to catch up with Mick. Nikki didn’t want to march forward alone, so he slowed his pace, waiting for Tommy.

“What kind of enemies do you think we’re gonna encounter?” Tommy asked him, somewhat anxious.

“No clue, dude,” Nikki said carelessly. “Some mutated rabid rats? Mad scavengers? I hope it’ll be mad scavengers. The robots we were shooting last time were too predictable.”

“And the weapons?” Tommy didn’t seem relieved by his words in a slightest.

“I hope paintball guns – so you can see when you hit someone, y’know. Laser guns are too glitchy.”

“You think it will be just actors?” Tommy shot him a glance. Nikki frowned. Why was he so worked-up anyway? They were on a quest, they were supposed to have fun, not worry.

“Of course. Do you think they’re gonna release actual animals on us or something? That’s just a game.” Nikki shook his head at Tommy when he opened his mouth again, no longer willing to answer weird questions. “Come on, let’s catch up with those two. Or they’ll find loot earlier than us and will take all the alcohol.” He grabbed Tommy’s arm and pulled him forward. Tommy followed, like a puppet obeying every twitch of its master’s fingers.

Half an hour later, literally nothing changed. The sky was the same sickish orange; the sand was crumpling under their boots with barely audible crunching sounds. The tension was hanging in the air like fog, enveloping their little group whole, getting more and more thick. The frown on Mick’s face deepened with every their step.

“I swear, if I knew how fucking big it would be…” he began.

“Hey, hey, no need to apologize,” Nikki interrupted him.

“I wasn’t,” Mick flashed him an irritated glance. “I wanted to say I’d tell Chris to stuff his recommendations up his ass. I fucking knew he’s a survival games junkie. He gets a kick out of harsh conditions. Unlike me.” He stopped so suddenly Tommy almost collided with him. “That’s it. We’re making camp here.”

“Not that we have anything to make that camp with,” Tommy murmured, but wilted under Mick’s stern gaze. “You can sit on your backpack,” he suggested hastily. “Or on that rock over there-“

“Um, guys,” Vince, who wandered away during their conversation, spoke up from where he was bending over to the rock Tommy offered Mick to sit on, “you need to see this.”

“What’s that?” Mick shuffled towards him. When his gaze landed on the rock, his eyebrows flew up. “Holy shit.”

Mick and Vince’s troubled faces evoked a bad feeling in Nikki’s gut. The feeling of wrongness that hatched in his stomach ever since they discovered the backpacks were empty raised its head again, making him shiver. He almost didn’t step forward to look at the rock, almost turned away. Almost.

Run, the rock said in uneven, shaky handwriting, probably done with chalk, probably in a hurry. Run.

“What the hell?.. Nikki raised his head to meet Mick’s gaze, knowing he had no explanation for this, but still nurturing a stupid little spring of hope that the smartest of them, the oldest of them would be able to explain it. But Mick’s face showed nothing but bewilderment. And… what was that?

Tommy approached them quietly from the back, read the inscription and inhaled sharply through his teeth with a hiss. He said nothing. It was weird, but not weirder than this entire fucking thing.

“It’s a joke, right?” Vince said in a shaky voice. “It must be a joke.”

“I’d love to tear off the arms of whoever wrote this and shove them up their ass,” Mick muttered disgruntledly. “Not funny at all.”

Nikki just nodded, kneeling in front of the rock. He rubbed the word with his thumb, wanting to see if it could be erased easily. His thumb got a little dirty, but the writing remained intact. Nikki licked his finger and tried again, to no avail.

“That’s not chalk,” Mick said, frowning. “It would erase. Why the hell didn’t Chris tell me about this shit? Maybe he did it?..”

“I don’t think so,” Tommy said suddenly. “It looks old.”

“And the sky is orange here, do you think it really is in real life?” Mick cut him off angrily. Tommy bit his lip and stared at the ground, fidgeting with something in his hands. “It’s probably just a prank by another visitor. Well, good job, asshole, now you’ve got everyone worked up.” He turned his back to the rock. “Dunno about you, but I’m not gonna stand around this goddamn rock all day. We still need to get supplies somehow.”

“Yeah, right,” Nikki nodded, getting up and lining up with Mick. “Let’s go, guys. It’s getting late.”

“I’ve heard deserts get super cold at night,” Vince remarked. “We better find a shelter by the time the sun sets.”

They set off again, but the decisiveness that floated in the air when they just entered faded. Instead the tension and frustration returned, and there was a new one now - fear. The latter was completely illogical, Nikki tried to persuade himself, but all in vain – the icky cold lump in his stomach remained, gaining more thorns the more Nikki thought about the writing on the rock. Fuck, he definitely needed a drink. He could only hope the supplies would have alcohol – they usually did, allegedly for medical purposes.

Nikki didn’t know how much time passed. Maybe half an hour, maybe more. It was hard to determine with the sky the same orange color, the “sun” invisible behind thick clouds. Eventually, though, it began to get colder – Nikki only realized that when he caught Tommy shiver. Already sulky, Tommy now looked like a ruffled chick that just fell out of the nest.

Nikki was already thinking about suggesting calling it a night and making camp where they were when Vince broke the gloomy silence.

“There’s something ahead.”

Nikki squinted, staring forward. Against the sky, now reddish as the “sun” was setting, was a group of silhouettes.

“Those might be just mountains,” Mick said, barely trying to cover the exhaustion in his voice.

“They’re too upright for mountains,” Vince shook his head. “The sides are too flat. And anyway, that would be better than spending the night in the middle of a fucking desert. My throat is dry as a fucking sandpaper.”

“Whatever,” Mick threw his hands up. “We ain’t got nowhere else to go anyway.”

They headed towards the shadows in the distance. Although none of them was ready to say it, reaching something after an entire day full of sand already felt like a small victory. They might even find a cave to sleep in there, Nikki mused. Now even a rough rocky mountain soil was better than getting sand in their asses.

But as they drew closer it became clear those were no mountains. Though destroyed and decayed, those were buildings. Soon they reached a road – battered and covered in sand, but a road nevertheless.

“Hell yeah!” Vince smiled triumphantly. “Told ya we’re getting there!”

“Okay, okay, don’t forget to mark this date down. It’s not often that you turn out to be right,” Mick grumbled, but relief in his voice was obvious. Vince rolled his eyes, but did not say anything in return – maybe didn’t want to spoil the mood. Even Tommy cheered up. They sped up to reach the city before the night set.

It turned out to be farther than they imagined, and when they did reach the city, it was already night. Just as Vince said, the heat was soon replaced by freezing wind, so they weren’t feeling picky and headed to the first building on their way. The left half of it lay in ruins, concrete mixed with metal, crooked metal rods sticking out of the walls that were still standing. Nikki touched the concrete – it was cold and coated his fingertips in dust. The right half, though, remained relatively unharmed, apart from shattered windows. It even still had a door intact.

“With our luck, I won’t be surprised if the door is locked,” Mick muttered as he touched the door handle with uncertainty. It easily yielded under his touch. He carefully pushed the door.

A musty smell enveloped them, the dust in the air making them cough. It was dark inside, and the windows didn’t provide enough light to make out details – the night was moonless, and there were no stars in the sky, - but this just made the image more uncannily real. How did they make the dust covering the floor look like it hasn’t been touched in ages while the building probably had visitors the very night before them?

“I can’t fucking see anything,” Mick grumbled somewhere ahead. “Should’ve brought headlights.”

“There must be at least some loot in here,” Nikki tried to cheer him up. “Maybe there’ll be flashlights.”

“There might just as likely not be any,” Mick sighed. “But at least we won’t have to sleep in a freezing wind. Though it’s not much warmer here either, those goddamn windows-“

A loud crash followed by a yelp interrupted him. Mick and Nikki shot each other alerted looks and sprinted towards the source of the sound. In the corner of the room, there was a hole covered by a thin sheet of metal – apparently not strong enough to hold a man’s- Vince burst into the room, waving around a metal rod in his hand that he probably pulled out of a broken wall, - not strong enough to hold Tommy’s body weight. Nikki plopped onto his knees and peered into the hole. Vince grabbed him by the collar, to make sure he wouldn’t fall. It was so dark down there they couldn’t even see the floor.

“Drummer, you alright?” Mick called out anxiously, staring into the darkness of the hole intensely. A second of silence felt like an hour, Nikki’s heart skipped a bit. Then Tommy spoke from down there.

“Yeah… I think.” They listened intently to the rustling and creaking from down there as Tommy tried to get on his own two feet. “I’m al- oh, shit!” something heavy fell onto a metal sheet with a loud clatter.

“T-bone?” Nikki called again, but received no response. A little lump of anxiety in his stomach reminded of itself again as it began to unravel. “Tom, fucking say something!”

“Fuck,” Tommy finally hissed. “My knee hurts as shit.”

“Broken?” Vince tried to catch a look of Tommy, but the view of the hole was obstructed by two dark messy heads.

A few pained breaths later, Tommy replied. “No, I don’t… think so.”

“Can you stand?” Nikki jumped up, looking around the room for a ladder, or a rope, or, at least, a wooden bar to put into the hole. But the room was barren, apart from a few chairs looking like they would turn to dust the moment they’re touched, ruined bookshelves with burned black books scattered across the floor, and a broken computer standing on the only remaining desk.

The desk had three drawers and a cabinet. The cabinet was locked. The drawers were mostly empty, one even had a couple of dead cockroaches in it. Nikki almost overlooked a little cylindrical object in the corner of the lowest drawer. He carefully touched it. The surface felt like cheap plastic.

Upon closer inspection it turned out to be a flashlight. Nikki fidgeted with it for a bit and found a button, which he carefully pressed. The first couple of seconds it wasn’t lighting up Nikki’s heart skipped a bit; but then a weak ray of light shone through the dirty glass.

“Guys! Look what I found!” He dashed back to the hole, where Mick and Vince still stood, quietly discussing something. Tommy’s voice from down there joined them occasionally.

“A flashlight?” Mick raised an eyebrow. “And that’s all?”

“Well, do you want a stage projector instead?” Nikki snapped back. “This is better than nothing. Tommy, can you walk?”

“Not sure,” came a muffled reply. “Gimme a sec… Ouch.”

“So no?” Nikki frowned.

“Well, I can stand, but it hurtsб” Tommy reported. “Not sure about walking. I can’t see a thing, and there’s so much debris here, I don’t wanna break a leg on one of them.”

“Well, then I’ve got you covered, pal.” Nikki showed him a flashlight. Tommy squeezed his eyes, trying to make out what Nikki was holding. Then he beamed.

“Man, that’s great! It’s definitely a part of the quest, so we’re on the right track! Give it to me, I’ll try to look around.” He caught the flashlight thrown by Nikki. “Eh, man, they could have put better props here. This one looks like it’s from a gas station.”

“What, you think they would give you top-tier gear here?” Mick raised his eyebrow. “Be thankful for what you have.”

“Hey, don’t be so bitter,” Vince stood up for Tommy. “For all the money they get, they could have bought better props as well. This thing looks like it may kick the bucket at any moment.”

Nikki decided not to listen to their banter anymore. “Look for a ladder, or at least a rope,” he told Tommy and moved away from the hole to walk one more time around the room in case he missed something. He tried to sit in a chair, but it cracked so threateningly under him he decided not to tempt fate. Then he turned to bookshelves. Books were often used to hide clues; maybe that was the case here as well?

However, most books were burnt and battered. Nikki opened one, but the pages were so dark the text was unintelligible. Some of them were glued together, others torn. It was just another fucking prop, Nikki realized, flinging the book into the wall in frustration. Just a waste of a good book-

The book crashed into the wall and fell onto the floor, pages flying around. One of them was significantly lighter than the others. It landed right next to Nikki’s feet, as though inviting him to pick it up.

Well, Nikki rolled his eyes, for sure that wasn’t supposed to be a clue or something like that, not at all.

He picked up the piece of paper and turned it upside down. On it a few numbers were written, in ornate, neat handwriting. Must be a password or something. But for what?

Nikki turned around, and his gaze fell on a seemingly dysfunctional computer. Why did he assume it was dysfunctional first hand?

Nikki carefully touched the keyboard sprinkled with dust. They really did a good job making everything look old and abandoned. He pressed the space key, then ran his fingers along the keys, pressing many at once – no reaction. Then he reached out for the turn-on button. Also no reaction.

Oh well, it wasn’t going to be as easy as this, after all. Nikki stuffed the paper piece in his pocket and returned to the hole, where Mick and Vince conversed lazily. Judging by the occasional streaks of light landing on the walls, Tommy was exploring down there.

“Oh, hey, guys, it’s pretty nice in here!” he shouted, attracting their attention. “Is that a fucking potbelly stove?”

“What? Are you sure?”

“Well, I’ve only seen those in movies but it does look like one. And what are those…” his voice quietened for a few seconds as he was fussing with something. “Guys! There are sleeping bags here!”

“Really?!” Vince would have dove into the hole headfirst if not for Mick who grabbed him unceremoniously by the collar. “Hey, what the fuck, man?!”

“Who the fuck is gonna drag you two up then? My back won’t let me, you want Sixx alone to do it?”

“Well, if there are sleeping bags, then there must also be a ladder or something,” Vince muttered, ashamed. “Isn’t it clear that’s a checkpoint?”

“No, it isn’t,” Mick cut him off. “Not until we find a lad-“

“I found rope!” Tommy’s jubilant voice rang through the building. Mick, stopped mid-sentence, pursed his lips.

“Hey, Mick, do you think I should start a notebook to mark down when I’m being right?” Vince patted his shoulder, grinning. Mick shook his hand off.

“Bring it here,” Nikki said, looking around for something to fix the rope on. The table seemed sturdy and heavy enough, but they all were grown adult men as well. Nikki headed over to the table and tried to move it, to no avail. Maybe it was screwed to the floor for this very purpose.

“Hey, we can fix the rope to the table over here, if it’s long enough,” he suggested.

“Might work.” Mick glanced towards it and nodded. “Though I’m not a keen rope-climber…”

“Me neither,” Nikki tried to reassure him. “I always failed at it on the P.E. lessons”

“You had rope climbing on your P.E. lessons?” Mick raised an eyebrow. “Wow. Schools sure have geared up since I graduated.”

“We also jumped a bench,” Nikki recalled, “and did pull-ups on a bar. Oh how I hated it.”

“Y’all are spoiled,” Mick murmured. “All we had were a ball and the teacher’s whistle. A volleyball net, if the school was fancy.”

“Hate to interrupt your sweet chatter.” Vince suddenly appeared behind their backs. He already held the end of the rope in his hands. “But if I don’t get into a sleeping bag within five minutes, I’m gonna riot. You checked the table?”

“Yep, seems trustworthy.”

“Mick, your time to shine,” Vince offered him, the only one among them knowing how to tie a reliable knot, the end of the rope.

“You forgot a magic word,” Mick grumbled but kneeled in front of the table. “There are rope traces on this table leg already, so it must be the right way.”

“Are all clients supposed to hurt themselves falling through the floor?” Nikki wondered, kneeling beside Mick. He loved watching his rope work, though never managed to do it quite like him.

“You wanted adventure, you got it,” Mick replied, his fingers quickly working.

“Well, yeah, we all know it’s just an imitation,” Nikki shrugged. “A pretty good one, but still.”

“There wouldn’t be one if all those people didn’t actually want it to come true, even in part.”

“Well, I don’t,” Nikki resented. “I don’t want the world to fucking burn to the ground. And all those people don’t, too. They just want to… I dunno. Feel like movie protagonists for a while?”

“Movie protagonists always have a purpose. They don’t go out into the wild just because they love the wild that much.” Mick finished the knot and got up, cutting their conversation short. Nikki tried to follow him but hit his head on the tabletop.

“Ouch!” he fell back on his knees, checking his head for damage. Just as he reached for the sore spot on his head, he noticed a wire that was running along the wall of the cabinet and sliding into a hole on the floor. The wire was connected to the computer. Oh, so they need to fix it in the basement for the computer to start working, Nikki realized. That the computer was supposed to be turned on he had no doubt, or there wouldn’t be a password in the book.

“You alright?” Vince asked when Nikki crawled from under the table and got up. “We don’t need any more injuries here.”

“I’ll survive,” Nikki promised. They headed towards the hole where Tommy already stood with the flashlight, waiting for them.

“Wait a sec, I’m gonna move all those debris away,” he hurried to clear the floor under the hole, stumbled on something and hissed in pain. “Shit! I hope there’s a first aid kit somewhere here.”

“If you still can walk, then it’s not that serious,” Mick told him. “Not a fracture or a broken bone at least. Gonna heal in a couple of days.”

“Yeah, but where are we gonna get these couple of days?” Nikki murmured so that Tommy wouldn’t hear him. “Our time here is limited. We can’t just waste it waiting for him to recover.”

“What are you gonna do then, send him back?” Mick snapped. “Let him hobble through the desert alone, with no supplies?”

“Well, no, of course not,” Nikki mumbled ashamedly. “But we could… I dunno… investigate the location while he heals his ankle?”

“Yeah, and he totally won’t jump after us on one leg the whole way,” Mick said sarcastically, diminishing Nikki to a puddle on the floor. He didn’t bring the topic up anymore.

Vince was the first to descend, carefully sliding down the rope. Tommy, beaming, waved the flashlight around, demonstrating the room so proudly he as though had decorated it himself. A smile slowly widened on Vince’s face.

“Come look!” he called them. Nikki climbed down the rope so fast he burned the skin on his palms. Mick wasn’t that eager to follow; quite on the contrary, he stood up there looking around for a few seconds and then hurried out of sight.

“The hell he went to-“ Tommy began, but Mick was already back, dragging something clanging with him.

“We are gonna attract the entire local wildlife with the light and the voices,” he explained, breathing heavily. “Better cover up.”

“Oh, Mick, c’mon!” Vince laughed. “Who are we gonna attract? Actors are all at home sleeping at this time.”

“Some of them work night shifts,” Mick reminded as he carefully lowered his legs into the hole and wrapped them around the rope. He grasped the metal sheet he brought and drew it over the hole, leaving only a small crack. “And some of them aren’t people,” he finished once his feet were firmly on the ground.

Vince huffed, but did not continue the argument. And Nikki was thankful to him for that.

The shelter they accidentally discovered was small but neat. It was a little bit warmer here, without the wind, but the walls still couldn’t really protect from the cold. They were probably drywall, but they did look appropriate for the location - like old, weathered-down concrete. Even the smell was authentic, dusty and heavy. Four sleeping bags were laid out around the potbelly stove in the center, looking old but functioning. A pipe ran down one of the walls with a very convenient tap in the middle. Every now and then a drop of water fell down from the tap onto a small wet spot on the floor. In the corner there were some boxes piled up on top of one another, and in the other – wooden crate. The entire location was poorly lit by groups of green, toxic-looking mushrooms in the corners and on the ceiling. They looked so real Nikki had to grab and feel the material of one to confirm it was rubber.

“Were you in a real apocalyptic setting, this one could have burned off the skin on your fingers,” Mick muttered.

“Glad we aren’t,” Nikki said, words coming out a little bit strained. “Though there probably wouldn’t really be mushrooms glowing with radiation. Is that even possible? Won’t it just kill them, like any other living thing?”

“Nature always finds a way,” Mick said, kneeling on front of the potbelly stove and peeping inside. “Jeez, this one belongs in a museum. And we need coal or wood to light it up.”

“There were carton boxes in the corner,” Nikki nodded towards them. “What about a lighter? I hope we won’t have to use a flint or something.”

“I have one,” Tommy said from the corner where he examined the crate, fingers carefully running over the lid. He “I had to take out my sigs, but they didn’t notice the lighter.”

“That’s technically cheating,” Vince said lazily, already sprawled on a sleeping bag. “But practically you just saved us a lot of trouble.” He sat up, his shoulders twitching from cold. “Damn, it’s freezing here. Gimme the lighter.”

Tommy threw it over his shoulder in Vince’s direction, missing by a few feet at least. Vince caught it nevertheless – probably the only time his baseball school team skills were put to use.

“Don’t burn the entire basement,” Mick advised half-heartedly as Vince trudged to the boxes in the corner. Vince grumbled something unintelligible in reply.

The cracking sound from the other corner distracted them.

“Guys, I think I found supplies,” Tommy said, holding up the lid of the crate that he had just opened.

“What’s there?” Mick and Nikki rushed towards him. Vince looked at the box he held in his hands for a second, dropped it and joined them. “Any food?!”

“Well, those feel grainy,” Tommy brought a plain fabric bag to his eyes, dug his fingers into its sides. “Cereals, probably.” He put it back, picked up some other package and shook it. “Those sound like crackers.”

“Three cans with corn,” Nikki reported, rummaging in the other end of the crate. “And, uh, ramen,” He dug out a familiar-looking box. At least they removed the plastic wrapping that they have on in stores.

“Any fruit, veggies?” Vince peered over their shoulders. “No? Well, we aren’t gonna last long on such a diet.”

“We aren’t gonna stay here long either,” Nikki reminded him. “What did you expect from a post-apocalyptic setting, an all-you-can-eat buffet?”

“Nothing, man,” Vince retreated, “I’m just saying, we’ve seen plants and trees on our way here, some edible plants could as well survive too- uh, nevermind.”

“That’s all good and stuff, but where are we supposed to put them? I haven’t seen any plates here.”

“Over there, in the corner,” Mick headed to the farthest, most poorly lit corner of the basement, which Nikki overlooked at first, and with a clang pulled out a pot, rather old and battered, but seemingly without any holes. “But these need to be washed first, or we all will get poisoned.”

“I’m busy with the fire,” Vince immediately said, grabbing the box he dropped and holding it in front of himself in a protective gesture. “Tommy can do it. Or Nikki.”

“Guys, there’s something else beneath the food,” Tommy said, pulling out a yellow box with a black wire. “Some device?”

“Oh!” Mick’s face lit up for the first time during the day. “That’s a Geiger counter, if I’m not mistaken. Since we’re in a post-nuclear war wasteland, it’s gonna prove useful.”

“Does it work from the batteries?” Tommy turned it over in search of a switch. “Because there might be problems with electricity here.”

“It’s supposed to,” Mick took the box and examined it as well. “The limit for this one is 5000 mSv – uh, what are mSv? – and I have literally zero idea how dangerous it actually is. Did anyone read up on the theory before the quest?”

He received only confused mumbling in response.

“Do you think anyone else who completed this quest did?” Vince finally said defensively. “I’m pretty sure they weren’t experts on radiation either.”

“That does not excuse our ignorance,” Mick sighed. “Well, 5000 is a big number so if there is this much radiation, it’s not safe.”

They fell silent for a second, only Tommy kept rummaging in the crate. Finally, he fished out something with a victorious yell.

“Knew it would be here!” He waved a piece of paper in front of their faces. “Vince is right – they wouldn’t have given us this thing without explaining how it works. There are some numbers here – I guess radiation levels, but I can’t see them, it’s too dark.”

“Gimme,” Mick immediately snatched it from Tommy’s hands, receiving an indignant yelp in response. “Shit, I can’t see a thing either. Vince, what’s up with the fire?”

“This damn carton doesn’t want to burn,” Vince said from where he was kneeling in front of the potbelly stove. “It just chars.”

“Lord, why do I have to do everything myself,” Mick raised his eyes to the moldy ceiling. “Hold this and don’t let go for dear life,” he handed Vince the piece of paper. Vince pressed it to his chest in an overplayed protective gesture. A few curses later the carton finally caught fire from the lighter, and the flame started strengthening slowly but surely.

“Now, gimme.” Mick grabbed the paper and brought it closer to the fire, maybe a little bit too dangerously close. “Yeah, drummer was right. So, 2 mSv is what a person receives daily, 100 is what radiation workers receive in 5 years, 1000 causes cancer in 5% of people exposed… doesn’t sound too dangerous to me. 5000, though… kills a half.”

“Shit,” Vince commented laconically. “So anything above 1000 is a big no-no, we get it.”

“Pretty much,” Mick nodded. “How much is here, I wonder. Turn this thing on.”

Nikki reached out and pulled the switch. The arrow wandered a little over the bar, but never ventured into even remotely dangerous areas and finally stopped on 12 mSv.

“Well, that’s a little more than usual but still not much,” Mick concluded. “But we should be careful when advancing into the city. It’s supposed to have suffered a nuclear blast, and radiation will go up the closer we are to the center.”

“You think it will ever reach the limit on the counter?” Tommy asked, anxious.

“Don’t think so.” Mick waved his hand in the air. “But we gotta check it frequently, just in case.”

Nikki, who was silent all this time, finally spoke.

“I mean, it’s nice that y’all are enjoying yourself so much, but can we at least stop pretending that there’s actually radiation? This thing just shows what it’s programmed to show. There ain’t no radiation neither here nor in the city center. Where the hell would they get it from?”

Mick raised his eyes, examining Nikki with his piercing gaze. He wasn’t angry or disappointed – thoughtful, rather.

“Well,” he finally said a few seconds later, “there are two things to this. First – when in Rome, do as Romans do. Second – how do you know the radiation isn’t real?”

“How?” Nikki frowned, surprised by Mick’s answer. Mick’s, who was the most sensible of them all and the least prone to stupid illusions. “Because this ain’t real post-apocalyptic wasteland, and these walls are built out of drywall, the sun is a lamp and the mushrooms are made of rubber!”

“And what is radiation made of?” Mick asked. “No, really, how can you fake radiation well enough to deceive a Geiger counter? Because the counter is very real, we’ve been given those at school”.

“Well, then it’s programmed to show what it shows,” Nikki retorted. “And we can’t actually prove it’s not lying.”

“Nor that it is,” Mick replied. “Of course, this is all just a big game of pretend, Sixx. But it doesn’t matter that everything here is fake. We’re gonna take the counter with us anyway; even if it’s lying, its data will show us what places to avoid, since it’s been programmed, as you’re claiming. It was left here for a reason.”

“I guess,” Nikki sighed, turning away. He didn’t know how to explain that their interest and excitement was a little bit too fake in its genuineness. He knew how quests worked. He has completed them many times. A couple of riddles to solve, a couple of actors dressed as zombies to “kill” with laser guns. The ultimate satisfaction upon reaching the end – and after that, all-encompassing boredom again, again, until the next dose of adrenaline.

And this one is going to be just the same. Should be just the same.

Oh god, please let it be just the same.

“Anyway,” Mick broke the silence first. “I’m putting this thing in my backpack, but we’re gonna take it out regularly to check radiation level. Now, I don’t know what about you, but I’m hungry as hell, and the dishes question still stands.”

“Nikki should do it,” Vince said immediately, receiving an “et tu, Brute” look from Nikki. “Since he’s such a wet blanket.”

“Yep,” Tommy quickly counted the odds and sided with the right people. Nikki shot him a death glance. Tommy smiled sheepishly, but didn’t take his words back.

“Well, then go on, Sixx,” Mick handed him the pot, and Nikki wanted to put it on his friend’s head. With a loud bang. “We’ll sort out the rest of equipment while you’re busy.”

The water from the tap was cold, but seemed clean and only smelt a little of metal. Nikki rinsed the pot and the plates he was handed, not quite thoroughly, but the others were too hungry to notice. Meanwhile, Vince and Tommy dug out of the corner three empty plastic bottles, tastefully rumpled to look old, but nevertheless functional. As hard as they tried, they couldn’t find any cutlery, though. Apparently, desert rogues in a post-apocalyptic landscape were too down-to-earth to eat with spoons.

Soon they were sitting around the potbelly stove watching the water heat up terribly, terribly slowly. Nikki never paid attention to how much time it takes to heat a liter or two of water. This fire was no match to his electric kettle back in his apartment. But that was probably why kettles were made anyway.

“So, what do we have?” Mick spoke again. He didn’t seem to like the role of a leader much, but this quest was like no other – without him, the other three would have probably given up by now. “Three packages of cereals, four packs of crackers, three cans of corn which we’re gonna eat right now, a pack of noodles, the Geiger counter, a flashlight, sleeping bags, a pot and four plates and three water bottles.” He sighed. “And not a single medical item. That’s not much. Drummer, how’s your leg?”

“Hurts,” Tommy said honestly. “But like, more in a dull, pulsating way. I can bear it. I can walk even. I won’t make you wait, I promise.” He was nervous, his eyes darting between the other three, checking their reactions. “Just don’t send me back. This quest is so much fun, I don’t wanna miss it.”

“Okay, okay,” Mick raised his hand in a calming gesture. “Nobody was going to leave you behind anyway, right?” His eyes stopped on Nikki, and a frown was sent his way. Nikki huffed and turned away.

“Thanks, guys,” Tommy said with visible relief. “I took one for the team to find this amazing place, after all.”

“Yeah, yeah, you’re a hero,” Nikki reassured him distractedly. He was getting cold: he could feel how icy the floor was even through the fabric of the sleeping bag. “D’ya wanna light up the fire a little bit? It’s freezing here.”

“You can try, but I tell you, that won’t be enough,” Mick shook his head. He was sitting hugging himself on the sleeping bag, his feet propped up right against the stove for more warmth. “These boxes don’t burn hot enough. We’re gonna need coal or lighter fluid. Which we don’t have.”

“Sucks,” Vince murmured, for the first time in a while. That was strange – he was usually the most talkative one of the bunch, challenged only by Tommy.

Nikki leaned in to him, examining his face anxiously. Vince looked at him tiredly from under his eyelashes, but didn’t move back. His lips were of sickly bluish color, his fingers grappling the folds of his jacket, fruitlessly squeezing them together, unnaturally white.

“Are you alright?” Nikki whispered to him. Vince jerked his head towards him, a sarcastic retort ready to drop from his lips – but then, a tired sigh replaced it.

“Is that really so noticeable?” he whispered back. “I mean, you guys don’t seem to be bothered by it much. But Nikki, man, I’m gonna turn into an ice statue soon. I can’t feel my toes already.”

“Shit,” Nikki ran his gaze across the room again, hoping to find something, anything that could help. But, apart from the trash in the corners, discovered nothing new.

“Get in the sleeping bag,” he said finally. “At least put your feet in it. And take my jacket. Corn’s gonna be done soon, a nice hot meal will warm you up. And we’ll put together some kind of tea after that-”

“Hey, chill, man,” Vince smiled slightly. Nikki felt the tips of his ears warm up. “I ain’t taking your jacket, I don’t want you to freeze to death. Just… I dunno. My hands are so cold…”

“Here,” Nikki moved so close to him their knees bumped together, gently wrapped his hands over Vince’s wrists and guided his hands under his jacket, where his body warmth collected. They felt like ice chunks even through his t-shirt. Vince sighed with pleasure and closed his eyes. Nikki caught Tommy chuckle quietly and made a scary face towards him. Tommy raised his hands in pretended surrender.

Everything was okay. Everything was going to be okay.

The corn was consumed in tired silence. Thanks to the potbelly stove, the room did warm up slightly after a while, and a meal after a long day of walking made them all drowsy. By the rules, they should have left a guard up, but none of them dared to suggest it, afraid of being the one picked to watch. And what could get them in a basement of a destroyed building in the middle of a desert?

A lot, it turned out later, but that night they slept soundly, still happy in their ignorance.

#motley crue #motley crue fanfiction #vinikki #vinikki fanfiction #nikki sixx\vince neil #mick mars #tommy lee #nikki sixx #vince neil #post apocalyptic #post apocalypse #post apocalyptic fiction #wow look at me actually putting something out as though im not a loser who hasnt updated in 4 months #i dont know what this is. i dont know where im going with this #i just know that this is and im writing it #and i dont know what im gonna write next right until my fingers hit the keyboard #war?

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thejudgingtrash · 4 years

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@aph-usa-is-my-dad Thank you, thank you! 🙇🏽‍♀️

Alright lads, looks like it’s time for hot takes part III!

Here’s Part 1//Here‘s Part 2

Apollo won’t get Zeus position. Why is everyone wishing for that? And why should he? All of you really want to romanticize/project yourself onto him, huh?

Casual Reyna >>> praetor Reyna

Grover has the fattest ass in the Riordanverse, I don’t make the rules

People lack of basic reading skills part III

The fact that adults in New Rome let kids rule the fucking place is still mindblowing

Rick apologists are lame. People calling out shit isn’t an attack on you. Stop defending a product‘s/public figure‘s honor. Defending Rick Riordan is the equivalent of you defending the honor of a snickers bar. Dude doesn’t know you and dude doesn’t give a fuck about you. You are a walking dollar bill at best

Romans are still fucking wacky and despite Camp Jupiter being superior allegedly it’s a whole damn chaotic mess. Where are the supposed civilized Romans because I don’t see them?

Camp Half-Blood >>>> Camp Jupiter, especially when Percy trains in his summer vacations and beats praetor Jason’s goddamn ass who’s been training for 12 years

Why did Riordan even try to make Jason appear to come close to Percy’s level? The imbalance of power is so abundantly clear and makes Jason seem even smaller in that regard. Riordan is truly Percy’s biggest hater

The fact that CHB also glamorizes child soldiers in a more fun and relaxed way. Yikes

Nico is a white™ (again, he is European)

Rachel was annoying but didn’t deserve the blatant hate.

Annabeth should’ve had another possible love interest to spark some pissed Percy. Luke doesn’t count. Percy’s jealously revolves around (the possibility of) her not being around him (e.g. the hunters), not him ”losing“ her to someone else romantically speaking

Silena is the OG Aphrodite kid, fuck the rest

Amazons >> hunters by a slight margin. They’re also an awful bunch

The execution of the hunters is so bad omg, just let me revamp them, Ricardo

If a different take on a headcanon/characters really offends you/paint that much of a different picture of op, then I’m not sorry (only exception if the headcanon is based on discriminatory means. Someone saying they don’t like A and someone using slurs and being a douche are two different things)

The entire Aphrodite cabin is pan FYI

Team demigods who receive periods would probably be extra fucked when it comes to monsters and stuff. Let’s address this

Why exactly couldn’t the gods handle their own shit? Hunting monsters in your area makes sense as a demigod job. But stuff like retrieving Hermes‘ staff (especially when the dude is the speedy traveler guy) makes no goddamn sense

Let’s face it: Annabeth is the only good female character that Riordan pulled off. Also wasn’t she based off his wife? If so, that’s why.

The lack of irl examples for his POC and other women is abundantly clear as he can’t lure everyone from his environment into the stories especially because he has no irl connection to minorities. So he fabricated stuff/did his 5 mins of wiki and got it severely wrong. Clock that tea!

Camp Half-Blood t-shirts belong to the trash. Orange is Yellow‘s cousin and both are ugly to the max. Let’s just switch colors of both camps. Let the Romans deal with the hideous shit

Chiron and Paul are Riordan‘s self-inserts

Tbh giving Hazel super mist powers and tying Frank to Poseidon was stupid

Skater!Percy is pretty much canon but I just can’t envision it? The thought of it is cute and so 2000s but my brain goes fjfldlsöwlwbvd (and tbh gymnast!/dancer!/Parcours!Percy >>>>> skater!basketball!Percy)

People are forgetting that Percy is the unpopular kid both in the mortal realm and at camp and partially chose to be so? Let me remind you of the truth real quick

Beckendorf and Silena are the horny bastards of the Camp Half-Blood. Issa fact

The gods not really immortalizing Chiron and simply saying that he’ll live as long as he’s needed turned him into the cryptic fuck we all know. That’s why he barely helps out (On that note a tiny Chiron essay)

A headcanon, regardless of how popular it is, isn’t factual/reality. So fighting over different takes of the exact same issue is rather pointless but you do you. Some popular blog having an opinion with a large following doesn’t automatically negate your sentiment

Piper being ”unconventional“ as in hating make-up and being dressed up is in itself more than fine but the execution was lacking and her coming off as pretentious and annoying was the result

Piper also has no taste in men if she thinks that amnesia brick boy Grace > Percy. Just no. Lesbians claim haaa

If I see another Amandla or Zendaya or another biracial/lightskinned face claim for Hazel I will lose it

Everyone and their mother having a crush on Percy fuels them Gary Stu feelings, just saying

The fact that Riordan casually drops the abuse that Percy has suffered from like some fucking tic tacs just to never be spoken about should be a reason enough to whoop his ass

Not maturing and darkening HOO (there were good thoughts but also many whacky executions) was the biggest mistake Riordan had made. He should’ve went the Rowling route and transitioned from kids books to YA

The whole fire stick thing that Riordan ripped off from Meleager and slapped onto Frank was terribly executed

A lot of you people should open up more to jokes and not take everything all too seriously

The fact that people seriously ship/ped Reyna x Apollo is proof enough that this fandom should burn

Why do Luke discussions at this point still exist? You’re essentially glossing over the same four things

Hyping up fanfics to the max is a terrible idea. Also don’t shy away from giving writers constructive criticism

Stoner headcanons are here to stay and slay!

On one hand seeing discussions from the science side of PJO talking about the biology, physics etc. is super interesting but on the other hand getting heated over the illogical basis of ”magic“ is pretty much a waste of time

Riordan‘s world building is truly awful

Frazel is a crime against humanity

If you don’t get someone‘s post actually look op up and read the tags? No need to spam the exact question to everything

Fat Frank stays. I get it, Greek gods are hot, they are conceited and choose to fuck people that they perceive as attractive, so their offspring also has some higher levels in the beauty realm. But why not explore the opposite? Why does every character need a makeover or a blessing that gives them enhanced looks?

Clarisse‘s thigh can break ya neck

Also Riordan is Annabeth’s biggest hater. Let’s throw all of her most important possessions away to proof that the smart one can survive without any of it. Sure, but the emotional attachment to the stuff still remains especially when everyone else is walking out of Annabeth’s life

Making Leo another horny bastard was an accurate portrayal of your casual 16 year old boy. Annoying, but realistic

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rant-2-me · 3 years

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My mental state has just worsened over the days, though I'm not sure why, and I just feel so unmotivated and lacking any energy to practice any self care other than napping, and also feel anxious because I'm not studying enough.. feel like I'm just 1/4th assing my responsibilities.. And when someone asks me how I'm doing, sometimes I blurt out that I'm not fine, and the guilt I feel afterwards for making them worry, so I find myself withdrawing from initiating conversation with them, even though I really want to, and this makes them worry about me more.. I just don't know anything anymore, everything feels too much, yet I can't rant in a clear conscience without feeling guilty for bothering them, and thinking how I don't deserve to complain because they have had so much worse (yes I know pain is relative, but I feel so horrible, like a whiny child, who doesn't know how to be content with her blessings)......

Sorry I know it's a lot.. feel free to delete it if it's triggering or making you uncomfortable in any way... I just needed to get it out..

My lovely nonnie, im so, so glad you sent this ask. and got it all out of your system. yeah this sounds cheesy but like ive been there, with not knowing how to reach out—im proud you had the courage to send this ask. girlboss vibes.

also this ask took a while to answer and im so so sorry about that, but I didnt want to do anything less than the best for you, so let's just jump right in <[:)

Lacking motivation, god I've been there, but doing self care is super super important so here is a how-to, hon.

How to do selfcare when you’re not motivated to:

1. Be a little “gross.”

Gross is in quotes because it’s so subjective, but you undoubtedly have a few behaviors you consider kind of gross regardless. Now’s the time to do them without judgment. For me, that’s meant showering less, eating weird food combos (sometimes in bed), and letting my brows and mustache grow magnificently unruly. For you, it could mean doing something you normally judge yourself for or cutting back on activities you only do for the benefit of others. Now is not the time to allow “socially acceptable” behaviors to rule you.

2. Eat whatever the hell you want.

This should be a rule always, but I’m not going to pretend there aren’t societal, social, and personal pressures that go into why we eat what we eat. Try to shut down the voice that judges or polices what you’re eating right now. We’re in the middle of a goddamn pandemic. If dinner has to be some slices of cheese and deli meat eaten in front of the open fridge, so be it. If you have a lot of cravings and are snacking more than you normally would, cool. If pre-pandemic you decided you were going to stick to a certain meal plan and it’s just not happening anymore? Don’t beat yourself up.

Yes, what we eat is connected to our mental health, and I don’t want to discount that—but if the stress of eating healthfully is making you feel like crap anyway, whether that’s because you can’t fathom cooking or don’t have the means to shop for certain foods during isolation, just eat the sleeve of Oreos and try again another day. It’s okay.

3. And wear whatever you want.

Or, more realistically, wear whatever you can. Even if it means wearing the same ratty sweatpants for a whole week. Or month. Maybe you started all this out aspiring to get dressed every day to work from home productively, or maybe you have a whole collection of comfortable loungewear you feel guilty for not utilizing. Whatever arbitrary rules and expectations you’ve set for yourself, you can throw them out.

On the other hand, maybe you need to quiet the voice that tells you there’s no point in getting dressed or feeling presentable. If it helps, by all means, play with your look, wear awesome or weird outfits, do your hair and makeup or whatever activity might feel a little silly given your current reality. In the middle of a pandemic, nothing is a waste of time if it makes you feel good.

4. Use shortcuts to avoid creating chores.

In my first week or so of working entirely from home, I was baffled by just how messy my apartment got. How on earth were so many messes piling up when I wasn’t even doing anything but working, sleeping, and eating? I hadn’t realized it, but a lot of my small tidying routines had become casualties to the pandemic. And, it turns out, slacking on the little ways I pick up after myself every day (such as doing the dishes right after I use them) added up quickly.

Instead of forcing myself to stick to the same levels of tidiness that I used to maintain, I’ve found shortcuts. For example, I use paper plates and plastic cutlery when I feel too fatigued to wash dishes so they don’t sit in the sink for days on end. Or I stick to the same two “outfits” to avoid clothes piling up when I’m too depressed to put them away every day. If you can find a small way to go easy on yourself, even if it feels a little wasteful or indulgent or gross, it’s okay to tap into those shortcuts right now.

5. Be kind to yourself if your place is messy or dirty.

I won’t lie: I’m someone whose space impacts my mental health a lot. Typically, keeping my apartment clean helps keep my mental health in check and letting my apartment get gross makes me feel worse. That’s still true in a lot of ways, but to adapt I’ve been trying to be mindful and accepting of where I’m at. And it’s…helped?

It turns out that taking the pressure off does a lot to mitigate the guilt and some of the other negative mental health effects I usually experience. In practice, it involves a lot of talking to myself. Instead of seeing my apartment turning into a depression cave and immediately thinking, “Oh, God, I need to clean up, this is so disgusting, I’m a monster for living like this, of course I feel depressed,” I go for kindness. I think (or even say out loud because, well, desperate times), “Of course my apartment is a mess right now. I’ll get to it when I get to it. I can handle the mess for now.”

6. Accept your new sleep schedule.

idk anyone whose sleep hasn’t been screwed in some way by all of this. Anxiety, depression, fatigue, pent-up energy from sheltering in place, tech use, new work responsibilities, screwy schedules…pretty much every aspect of our new reality can impact our sleep. Some people are sleeping a lot more, some are sleeping a lot less, and some are cycling through both extremes. Oh, and the temptation of naps! It’s all there.

Trying to maintain a healthy sleep schedule during all of this is a worthy endeavor—and more power to you if you’ve figured out how—but there’s a good chance that it feels impossible.

By “accepting” your new sleep schedule, I don’t mean pretending it doesn’t suck; I mean doing what you can to be gentle on yourself about it. For me, acceptance has looked like watching some comfort tv and reading my favourite books at 2 a.m. instead of staying in bed and anxiety-spiraling about how I can’t sleep. Is it ideal? No way. But I’m not going to waste energy stressing about something I currently can’t control.

7. Give yourself plenty of room to do absolutely nothing.

I’ve given myself permission to do a whole lot of nothing. That includes getting rid of the pressure to be productive and practice self-care, yes, but in a broader sense, it also means not forcing myself to actively “adjust” every day.

Some days, I just need to do nothing but feel my feelings. Or avoid feeling my feelings. Or stare at the ceiling. Give yourself space to do (or not do) whatever you need to.

also, nonnie? my love?

Never feel guilty about telling someone who cares about you when you don’t feel okay.

People who genuinely care about you—and I’m sure they are many—will care if you aren’t feeling good, there are always going to be people who care about you, who want you to be okay, that’s why they ask, why people make rant, why “how are you?” is such a common question.

But if you do need to talk, but you feel like you’ll “burden” people who you do talk to, here’s a guide to ranting.

Guide to ranting:

1. Pick the right person. Someone who’s in the right headspace to listen to you, you could also pick someone who cares about you—if you’re anxiety tells you nobody cares about you, pick someone who “should” care about you in your relationship, e.g: a friend you’ve had for a long time, a friend who’s told a few of their problems, or friend you might not feel close with, but seems very kindhearted and a good listener.

2. Pick the right time to talk to them, so you can have their undivided attention. If they are busy—as most people will be with something—they’ll have a hard time giving you good advice and listening to you. Ask them when they are free, and then ask them:

3. “hey, can we talk? I’m not mad or you or anything, it’s just that I have been not feeling great, and I just want to rant to someone about it.” and “No pressure to say yes, you might have your own stuff to do deal with.” to make sure they are the right person to talk to.

4. It’s ok to test the waters. Start slowly, you don’t have to share everything at once if you don’t want to.

5. You never know how your friend will react to what you say.While you can’t know how they’ll react, just remember that sometimes people’s initial reactions may come from a place of shock, surprise or not knowing what to say. Their initial reaction isn’t always their longerterm reaction, it may just take them a little time to process.

6. Look for ways to take action. Don’t get me wrong, ranting can be amazing for you, but on its own may not solve your problem.

But maybe venting to people isn’t for you. No matter! There are other ways to get out emotions:

Ways to rant without talking to anyone

1. Cry it out— simple and rewarding. When the baggage is just too heavy to carry cry it out. It can help you ease the pressure and ease your mind to think straight after days of holding that frustration in.

2. Work out — easy and fun. tire yourself out and release all the frustration in working out! This is going to be so satisfying for you as you try and punch, kick, balance, lift, and breathe those frustrations away.

3. Clean & rearrange — practical and can be fun. we get frustrated by so many things and one thing that can truly help clear our minds is to have a clean place where we can stay and live for the moment to breathe. Clean your room, rearrange your things and you’ll be surprised by the satisfaction this brings — a signal of a new beginning.

4. Scribble — simple and fun. Make scribbles, doodles, drawings, take a pen or a pencil, and let go. It does not have to be “good” art or professional at all. Just draw whatever comes to heart, sunflowers or clouds or rainbows—anything.

5. Write it down — fun and simple. Let those words out of your head and just live in the moment.

How to fight the lack of motivation.

1. Don't fight the lack of motivation.

If you feel down or unable to muster tons of energy, let it be ok. Be easy on yourself and acknowledge that it's ok to have a dip, especially at this time of the year.

2. Once you have accepted your slump, get to the bottom of it.

Ask yourself, "What is the root cause of this sluggish feeling?" Go deeper than the obvious reasons. Is it related to work? Your personal life? Relationships? It might also just be the weather. Get clear on what areas of your life you're feeling the most resistance.

3. Dig into that area. What is not ideal about this aspect of your life? What would make it better?

Make a list of how you'd like your current situation to improve--and be specific. If you truly can't find a reason to be less than enthusiastic, then accept your feelings and let them pass with time.

4. Take your list of what is missing and go through it.

What is holding you back from being able to create the things that are missing in your life?

5. Get support for creating the life you want.

Do some research and find an expert to help you. Even though they love you, friends and family aren't objective enough, and they tend to give advice that is a reflection of their own life and insecurities.

6. Think of current habits that are contributing to a less-than-ideal life.

Maybe it's fear, laziness, or not having enough confidence. Pick one to focus on.

7. Address this habit over the next 2 months.

They say it takes 28 days to create a new habit, but this varies from person to person. If you focus on it for two months, you are sure to build the neural pathways needed to call it a new way of being.

8. Buy a book, read articles or do some research on this particular behavior or feeling.

Read about the common causes of this habit as well as the proven ways to bust through and work around it.

9. Create a plan around shifting your current habit.

Make sure that changing this habit ultimately helps you move forward in the area of your life that is not ideal. The energy from clarity, awareness and then action will immediately get you feeling more motivated, no matter what.

10. When all else fails: make a list of activities that excite you, and do one of them right now.

Talk to a fun friend, dance around at home, workout, watch a funny YouTube video, tackle something on your to-do list. Accomplishing something will give you a hit of dopamine in your brain. If you're too overwhelmed by your day, sit for five minutes and meditate. Put on some soothing music and breathe.

okay, that's all nonnie, I hope you feel the lust for life in your lungs, please have all my love, i hope this helped, this ask took a while, but it was worth if it helps

and if you need to dont worry to send another ask, if you like spam the inbox!! queen!!!

take care, much love my sweet honey, bye <3

—*putting daisies in your hair as they leave* mod peppermint <[:)

#mod peppermint #ask #anon #rant

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ladyloveandjustice · 4 years

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Shadow of the Batgirl: A review type thing

I just read the graphic novel Shadow of the Batgirl by Sarah Kuhn and Nicole Goux, which reimagines the superhero origin of Cassandra Cain.

It was overall good and EXTREMELY cute! If you want an awesome story about a teenage assassin running away from her shitty dad and finding a neat library, a community of cool ladies and the hero within herself, AND WHY WOULDN’T YOU WANT THAT, definitely get this!

It’s a standalone Batgirl story completely accessible to all and with none of the weird baggage and the complicated continuity of the regular Batman universe! it’s appropriate for younger teens but still a good read for adults, the art’s colorful and great, it’s packed to the brim with joy and hope.

And on top of all that, it gives a great character who’s been traditionally horribly neglected by mainstream comics for some reason (*cough its because she’s not white cough*) a spotlight and a chance to shine (and get written by an Asian American author for once!)! This also features one of my other faves, who had her disability and adult identity erased in the main universe, but not in this comic, hurray!

SO YEAH, if you like superheroes at all, highly recommend this!

NOW for a more detailed review, calling on all my expertise as a Cassandra Cain superfan and going into pros and cons. This’ll be long, but I’ll do it as a list to break it down.

Let’s start with the good stuff, there’s a lot of it:

- This story takes place in world where Barbara Gordon as Oracle (and former Batgirl) and Cassandra Cain as Batgirl exist, but Batman and The Killing Joke do not appear to. That is honestly transcendentally great to finally see this as an officially realized concept, Batgirl allowed to stand on its own as a legacy of powerful women, with all history of these characters being victimized for the sake of manpain erased. I am elated.

-The art was adorable, the designs were great, the clothes and Cass’s costumes were super cute, the setting was vibrant.

-Jackie was a really fun character and mentor figure for Cass. Loved her snark and how she and Babs basically become Cass’s two Moms and an awesome team in their own right. The relationships in this were just heartwarming. Loved the range of characters in general.

-Cass basically lived in a library aka my life dream. I mean, she did it because she was homeless and on the run from her assassin father, but like.

-Cassandra FINALLY knows her own race, (she’s half-Chinese) and gets to have a goddamn connection and basic feelings about it (Jackie bringing up what the bat means to Chinese culture), etc, god it should not have taken this long for this to happen.

(And it’s really important to have a version of Cass’s story where, y’know, the positive inspirational figures in her life include other Asian people, they aren’t just white people. it wasn’t until I read this it fully dawned on me how screwed up it is she never had that before.)

-For the first time in her entire existence, Cassandra Cain got to be in a canon romance that wasn’t fucking awful, can you believe it. Her love interest Erik was adorable, and him being a budding romance writer was an especially sweet touch- and I think there’s an implication/hint his dad’s the Bronze Tiger? Which is really cute Easter Egg for Cass fans, considering she had a strong friendship with the dude in her original series!

-The idea of Cass liking to draw and expressing herself through art is really fun and fitting. Her being visually focused, it makes a lot of sense.

-Cass extending her body language ability to sort of being able to guess at people’s underlying emotional problems from how they carry themselves is a really neat idea- it could have been implemented a little more smoothly but I like the concept.

-Cass going after the “evil-doers” in the library after becoming a hero was one of the best things I’ve ever seen. Deserves to be framed. I love what a huge nerd Cass got to be in this.

-The comic understood that core of Cass’s character is compassion and empathy, that how she reaches out for people, refuses to harm, and really believes in people and embodies change, rebirth, hope. THAT’S IT, THAT’S MY GIRL, THAT’S MY HERO..

-I’ve read a ton of comics with Barbara Gordon and this is the first one I’ve come across where she discussed her relationship with her mother having any sort of influence on her interests and personality, she isn’t even the main character of this and her mother matters more in it than every other comic I’ve read with her combined how sad is that

-I liked Babs just casually making gadgets and stuff all the time, and loved that she expressed she honestly preferred doing this and that was why she was giving Batgirl to Cass. MADE ME WANT TO SCREAM FUCK YOU DC ALL OVER AGAIN.

-Compared to the original Cass Batgirl comics, this story is obviously more accessible as a standalone, but it’s also just overall more appropriate for a wider range of ages since the darker elements of Cass’s story are way toned down. I was a young teenager when I read Cass’s series and was fine, but there are young teenagers that DON’T want like, graphic onscreen deaths in their comics, so it’s good there’s a lighter Cass story for them. It was just a really sweet, affirming story.

Now for some cons, none of them damning:

The romance was cute, but wish it’d had room to breathe. Ideally, it didn’t need to be happening alongside Cass’s origin, I think it would have been better if it was just hinted at and then was allowed to fully play out as an after-she-became-Batgirl thing, but I can get that Kuhn didn’t know if this would get a sequel and there were probably a lot of good reasons she wanted to include it.

-I think this came from Kuhn being used to writing as a YA author rather than doing comics, but it was weird to read a Cass comic with so much narration and the way it was used really detracted from the potential power of the story. We’re told through Cass’s super chatty narration she’s not a normal teen, she TELLS US that she barely knows how to read and speak and TELLS US she’s better at reading body language-but we never get a sense of this, not even at the beginning, because the story doesn’t trust the reader to take in the visuals without narration, and then she’s able to talk like a normal teen pretty much right off the bat.

I’m okay with Cass becoming a chatty girl, and her voice in this comic was fun- I know “silent Asian” has a lot baggage and Cass’s original character leaned into some stereotypes- but the first chapter/part would been far more powerful if it had her world be a little more silent and fully emphasized the visual, for her interactions with people and words be garbled and confusing, and if it gave us more of a sense of the world she comes from and how her perception of things differs from the average person. Cass’s original debut and the beginning of her original series did a really good job giving us a sense of this, and took great advantage of comics as a visual medium, and I missed that.

-Cass learns to read and talk SUPER EASILY and it just comes off as unbelievable. I do like the idea of her camping at a library, eavesdropping, and teaching herself, but I would have liked to see her actually struggle like a person would. Moreover, while I know the presentation of it was very flawed, Cass basically had a learning/language disability in the original series. I was kind of hoping this comic would lean into that, and actually give a more realistic and nuanced representation of that kind of disability (it could have been presented as something she always had that was exacerbated by how she was raised, not caused by it!).

Honestly, I think her romance with Erik would have been far more interesting and meaningful and tied in better if she’d actually struggled to read, maybe even discovered she was dyslexic and couldn’t quite read the same way he could. That could have been a source of development between them.

-David Cain’s a super flat as a character in this comic, he doesn’t have much presence, menacing or otherwise, and Cass’s complicated feelings and relationship with him is not nearly as painful as they were in her original series.This is partly because there wasn’t a lot of a space for it though, and that’s fine.

-Overall, the main thing that hurts the story is that we don’t see all that much of what Cass’s life was like as an assassin, and her life with David Cain was like. It’s harder to invest in Cass’s transformation into a hero when we don’t really have a sense of who she was before,it’s hard to appreciate her breaking free when we can’t get a sense of what kind of cage she was even in. How much language DID she know? How much of the world was she exposed to? What was she really deprived of? I hope if there’s a sequel we can see more of this.

-Babs isn’t the main character of course, so this isn’t a real complaint, but I did miss her cynical and angry edge. She’s pretty much just a chipper nerd with no sign of her own baggage in this, and it makes her relationship with Cass less interesting. It’s implied that her “accident” did affect her and she just managed to work through a lot of it before she met Cass, but I missed the element of their relationship where they both were hurting from losing “the world they knew” and working through it together, sometimes clashing, etc.

-I read one of Sarah Kuhn’s YA novels in anticipation of this, and while I’m relieved this is better about it than her first book was (I expected it to be, writers improve, I definitely know how messy a first book is) there’s still some cringe-y ideas of how “average” teens talk creeping in, occasional clunky pacing etc.

But all in all? It was a really nice little story that did a lot of cool things, and I really want a sequel and want more of this version of Cass and her universe. As someone who was driven away from DC comics in part because of how badly they treated Cass, Oracle and the Batgirl legacy. it’s really like a salve on old wounds.

#cassandra cain #batgirl #shadow of the batgirl #oracle #barbara gordon #sarah kuhn #graphic novels #dc comics #my reviews #reviews #batfamily #nicole goux

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andcurioser · 5 years

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So. Let’s talk about Veronica Mars. *deeeeeeeep sigh*

Ok, friends. It’s been a goddamn whirlwind for me. I actually went to the Veronica Mars panel at Comic Con, which I thought was a highlight at the time. They screened the first episode before the panel, and I was all ready to report back to you all that it was real good and to get excited for the new season, but then Hulu had to go and drop the whole damn series during the CC panel, which was a STUPID thing to do (or, at the very least, an extremely stupid thing to announce to the panel at Comic Con - the exact people who would not be able to watch it until after Comic Con, putting them at risk for some really big fucking spoilers. It’s genuinely surprising to me how little the people who are in charge think about these things. If you want to do a surprise drop (which, why, but whatever), sure, go and do it, but definitely don’t announce it to a room full of people who can’t enjoy it and expect them to be excited??). But regardless. That was just a wtf moment. I was still filled with enthusiasm and excitement and happiness that this show was back and seemed to be in good form.

Oy.

Cut to Tuesday morning. I got back from Comic Con on Sunday night, and life goes on, so of course I hadn’t watched 8 hours of TV by Tuesday at 7AM. Which is precisely when my dear friend, whom I adore, but who is apparently an idiot, texted me about how terrible that VM ending was and how upset she was. Now, because I’m a good friend and I know what she likes and we’ve discussed VM at length, it took me all of four seconds to know the gist of what happens in the end. I didn’t know the how or why, but I certainly knew the what. Cue fun spikes of anxiety and random bursts of rage, because what the fuck. Truly, what the fuck. But I placed my certainty at 99% and hopelessly clung to the 1% chance that I was wrong, knowing full well that I wasn’t. This obviously completely stymied any excitement I had for the show, and I dragged my heels for a full month before finally finishing the goddamn show just to get it over with. And now we’re here.

I’ve had a month to ready myself for what I knew was coming. It was both a blessing and a curse, since while it pretty thoroughly ruined my good time, it also meant that I wasn’t totally blindsided by that ending. And man, I would have been blindsided, because there was Z E R O reason for that. None. And now I’ve read all the articles in which Rob Thomas tries to explain his reasons, and they’re all nonsense. Absolute idiocy. All I see is a guy who always, always resented the fans for loving a character he didn’t want us to, who tried and tried to redirect us to one of his preferred creations without success, and just when I thought he’d finally accepted defeat, he pulls the most nonsensical of fuckery just to finally win the battle. Fuck you, RT, forever and always. I can’t fucking believe that I allowed myself to think you’d finally seen the light. What a ridiculous fool I was for giving him the benefit of the doubt.

Since I knew what was coming, I could look for the signs all throughout the season. So I searched for foreshadowing, or at least a narrative through-line. And let me tell you: there isn’t one. The season finally, rightfully seems to address Veronica’s deep-set trauma and trust issues but treats them like a problem and not a secret superpower, and it seemed like the show might expect Veronica to grow up along with the viewers who’ve aged 15 years since the first season? I was excited to finally have Veronica be the problem in a relationship, frankly. It was hinted at with Piz, but glossed over because there was only so much time in the movie, but it was realistic for her to have some trouble adjusting to a long-term, committed relationship, and I was excited to see that journey! I thought it was such an interesting path to go down, watching Veronica grapple with what she wants (or maybe just thinks she wants) vs. what she’s always known, or thought she knows. Lots of stuff there! Good stuff! And you get all the way to the end, when she’s finally decided to try. It isn’t fixed, it isn’t perfectly, she’s definitely got a long way to go, but she’s taken a few tentative steps into an uncertain future. And all of a sudden, quite literally, boom. It’s all gone.

Listen. I was never going to be a fan of getting rid of Logan. However they chose to do it, it would always feel wrong. I have never trusted Rob Thomas to handle Logan well, because he’s always had this undercurrent of anger in every interview I’ve read, this frustration that people love and respond to Logan when he wanted them to love Duncan! Then Piz! Then anyone else! His creations took on a life of their own, and RT hated it. RT was one of the ultimate examples of writers/show runners who were simply watching a completely different show than the rest of us. I could never understand how he wrote such interesting stuff for Logan but didn’t want us to root for him. It never made any sense. But I didn’t think he would sabotage his own show this thoroughly.

Because here’s the thing: I was never going to like him getting rid of Logan, but I could have understood it. I could have gone along with it if it had been done right. Frankly, the way it was building, it wouldn’t have been a surprise, nor would it even have been a bad choice, to have Logan break up with Veronica at the end of the season. And if RT couldn’t handle Veronica not being the aggressor, fine, make Veronica do it. She decides she isn’t willing to put in the work to change that Logan needs from her, and she ends it. Fine. Could work, at least for a few seasons. Let her deal with the loss, knowing it was something she chose, and see how it affects her priorities as she continues on. Certainly could be interesting!

You know what isn’t interesting? This. This is the only - the ONLY - plotline that’s a watered down repeat of a previous story. Veronica Mars, traumatized and hardened by the shocking loss of someone close to her? Quite literally, been there, done that. I know RT has been trying to recapture the magic of season one for every season and iteration since, but just repeating the storyline? Really, really missing the mark. There isn’t anything new that can be added to this. We’ve done this. This will only ever be a pale imitation, a tacked-on sequel hitting the same beats with less force. Lilly was a fantastic inciting incident that yielded a tight, well-thought-out season arc. But why would we want to start over 15 years later? What’s to be gained from this? Literally ANY other ending would have yielded multiple storytelling options, branching out with so many possibilities on where the characters could go. This is the only one that simply slams doors shut.

The few supporters of this ending I’ve seen around the interwebs keep saying things like “this show wouldn’t work if Veronica was happy!” Hell, Rob Thomas is saying the same thing. And to that idiocy, I can only say 1. of course it would, if you write it well, dumbass, and 2. if you think Veronica getting married immediately = happiness, well, what the hell show were you watching? The marriage, much as it could represent a step forward, was still VERY CLEARLY a huge, impulsive jump that was more a reaction than a measured decision. And that was something I was looking forward to seeing. Fresh off of a near-death experience and a renewed assurance of her love for Logan, Veronica marries him thinking that’s the end of their troubles, only to realize that it’s just another complication. Now Veronica has to deal with the new experience of having no quick exit strategy. All the problems they had throughout the season still exist, thinly covered by the veil of newlywed bliss, and she has to reconcile her happiness with her frustration and uncertainty. Logan still disappears at the drop of a hat because of his job. She still puts herself in danger for the case and uses loved ones and acquaintances alike to her full advantage. They hide things from each other. They love fiercely, they trust the other with their own lives but can’t trust each other to take care of themselves. Doesn’t this sound like a complicated, tumultuous relationship full of narrative possibilities?

Well, forget it, because why break new ground when you could retread old storylines? Yeah, that’s what we all want. Great job, RT. So smart.

Something that keeps bothering me is that if RT didn’t want Logan around as the happy husband at home but didn’t want to write more relationship drama between them? He already had the perfect excuse to ship Logan off for entire seasons at a time. Look, Logan’s deployed, oh no, he can’t even skype, he’s undercover! Cool, problem solved. No more Logan, but in a way that still maintains possibilities for the future should we want them. Ideal. Again, options. All you want are places for your narrative to go. Multiple roads it could take so it doesn’t become predictable.

This is predictable. This is boring. This is trite. Our heroes, struck down in their highest moment of happiness. Holy fuck, it’s dull. It doesn’t feel edgy. It feels derivative, a tired rehash of a narrative structure that should have gone out of vogue ten years ago. The whole thing just exhausts me at this point.

And I’ve read Rob Thomas’s justification for why he did it. They’re all flimsy, but if he wants to go do a Sherlock-style, Ms. Marple mystery series, flitting in and out as he pleases, fine. It won’t be the worst show in the world. Veronica’s still a fun and interesting character, and I’ll always enjoy watching her. But removing her from Neptune, and more importantly, removing her from all of her meaningful relationships, takes away what made this show special. The new version RT is pitching could be fun enough. But it’ll still be just one in a long, long line of mystery shows that don’t have much claim to my emotional investment. I might watch, but I’ll forget about it the second it’s over. It certainly won’t be the kind of show with a fanbase that will still be interested in watching more 15 years from now. Rob Thomas won’t be getting one of those again.

So yeah, that’s that. I have much more to say, but really I just wanted to get this rant out so I can put it all behind me. I learned long ago that I can’t trust shows and showrunners, and it’s a lesson I learned partly, if significantly, from Rob Thomas. I suppose it’s on me for letting my guard down, but I guess my hope got grandfathered in from an age when I didn’t immediately mistrust the things that were supposed to make me happy. I’ll know better next time.

#veronica mars #veronica mars spoilers #just in case #so i'll just be here selectively ignoring canon because frankly i know better #the ending was so stupid and tacked on that it's honestly pretty easy to ignore #mostly i'm just fired up about a showrunner mistreating his fanbase so badly after they've stuck with him through so much #just a baffling misuse of the support he was so lucky to still have #so i'll be cherry-picking the parts of s4 i liked with one hand and flipping rob thomas off forever with the other

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killscreencinema · 3 years

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The Outer Worlds (PS4)

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Even in space you can’t escape the claws of corporate greed and rampant capitalism gone amuck!

Such is the case in The Outer Worlds, developed by Obsidian Entertainment and published by Take-Two Interactive in 2019, where you play as a mysterious “stranger”, thawed out of cryogenic stasis on a lost colony ship by a mad scientist named Phineas Wells, who barely introduces himself before dispatching you to an exotic world named Terra 2. Here you begin your quest either to help Dr. Welles shake off the chains of corporate tyranny that has run down the colony of the Halcyon star system or you can choose to assist “The Board” in catching the fugitive scientist and reestablishing its authority.

The Outer Worlds is kind of a mash-up of several sci-fi fantasy properties, most notably Joss Whedon’s Firefly, with a cup of Star Wars, a tablespoon of Mass Effect, with a big ol’ heaping of BioShock folded in for good measure. That’s not to say it’s a ripoff of those things so much as a loving homage that manages to use those influences to create its own universe.

Okay, well, your socially awkward engineer, Parvarti, who speaks in politely educated, old west vernacular is straight up Kaylee from Firefly but still not a ripoff!

Okay, well, there’s the preacher on your ship, Vicar Max, who may or may not have been an expertly trained assassin and secret agent in a former life, just like Shepard Book in Firefly, but still not a ripoff!

Anyway, I do enjoy the art direction and aesthetics of The Outer Worlds, which has the “steam punky” yet futuristic vibe of BioShock, mixed with the obnoxious inundation of advertising by all the corporate factions vying for your attention and you hard earned “bits”. Say what you will about advertising, but that’s when you know humanity has reached the final frontier - when the well-lit billboards and signs start going up all over space. That kind of stuff does make these sci-fi universes feel “lived in”. It’s one of many reasons I love the show Cowboy Bebop - the future it depicts seems realistic and believable because it’s not really that far removed from our present, to point of including commercials, tacky eye sore ads everywhere, etc.

I digress - The Outer Worlds is a first-person shooter, with RPG elements similar to the Fallout games. The game also has that really annoying RPG element of having to constantly clean out your inventory from the constant crap that you loot from vanquished foes, shipping containers, and random safes that you can crack if your lockpicking skills are high enough. This shit in particular really reminds me of the first Mass Effect, which often felt like I spent more time in the menu equipping new weapons and armor than actually playing the game. Thankfully, becoming over-encumbered is rarely an issue as the game gives you a pretty generous weight threshold, but you will still have to eventually halt everything to offload all the useless crap that has accumulated in your inventory.

The combat is twitchy, FPS style fighting but your character has the ability to slow down time in order to fire precise shots at vulnerable enemy spots. I found this “Tactical Time Dilation”, or TTD, to be a useless waste of a mechanic as your character slows down along with the enemy, making it rather pointless and annoying. There are “perks” your character can earn to make you slightly move faster while using TTD, but not enough to make it worth using a lot in my opinion.

The majority of the story plays out via dialogue trees, and this is where I derived a lot of fun from The Outer Worlds, as you can opt to give your character low intelligence, which opens up “Dumb” dialogue options. I can’t recommend this option enough, as the way characters react to your dumb responses is hilarious, and ultimately leads to an optional secret ending for the game. Using the dumb dialogue options made me feel like I was playing the game as an “Ash Williams” type hero - tough, effective, and cunning in his own way, but ultimately kind of an idiot who bumbles into victory. It really made the game all the more compelling for me, because I happen to love characters like that.

While overall I enjoyed The Outer Worlds, I was also disappointed by how the universe of the game didn’t feel very expansive. You only travel to a handful of worlds, and even then, you’re relegated to a small patch of the planet. A game like this should feel more epic, kind of like No Man’s Sky, but still a functional game (yeah, I know, the update makes it supposedly better but you get my point). There are worlds on your map you NEVER get to visit, except via DLC, but even then you travel to a space station in orbit above that world that looks like every OTHER space station. So in summary, for a game called The Outer Worlds, I found the lack of variety in said worlds to be deflating. This isn’t helped by how often the same character models, with the same exact haircuts, and odd smirks, is recycled throughout the game. Do all of these characters go to the same barber or what?

Ultimately, these are all minor gripes compared to my biggest complaint of all - the loading times. Jesus and Mary, the loading times are the worst. When I signed up to be a console gamer in the great “Console vs PC Wars”, I knew I was going to have to deal with loading screens, but The Outer Worlds is ridiculous. I actually dreaded going into my ship, or transitioning to another map, because I knew I’d have to sit through a nearly 1-minute long loading screen every goddamn time. It’s unacceptable even by console standards and I understand it’s not much better on PC.

If you can get over obnoxious loading times, though, The Outer Worlds is worth a playthrough, especially if you’re a fan of the sci-fi genre.

#the outer worlds #obsidian entertainment #ps4 #playtation 4 #sony #take two interactive #scifi #firefly #star wars #bioshock #mass effect

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purplesurveys · 3 years

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1032

survey by danceamydance

Have you ever witnessed a birth? Never have. I wasn’t present when my mom gave birth to my younger siblings and other than that there’s been no reason for me to be around for the birth of my other younger relatives.

What pattern does the closest tissue box have? I don’t have one in my room, but the one in our bathroom is brown. I think. I never actually checked even though I use it everyday lol.

Where did you lose your virginity, if you have? I truthfully didn’t really keep note of what counts as the first time because we had already been fooling around quite a bit. I’d guess either a hotel room or my room, or maybe hers. The one thing I can remember was that I was 18, so there’s that.

What color car(s) do your parents drive? We have two white cars and one teal. I still don’t know why my dad got a teal car when none of us in the family are into colored cars, but according to him getting the Vitara in white would’ve looked like an FX (a form of public transport here), so I’ve learned to make my peace with the teal car lol.

What are your views on getting rid of the penny? I can’t relate, because we don’t use pennies.

Which Asian country would you most like to visit? Aside from the ones I’ve already gone to, I’d love to take a trip to Thailand, Vietnam, Sri Lanka, and India.

Have you ever had a nosebleed? Nope. I fear the day I get one; I’m scared of blood haha.

How far away do you live from your birthplace? Maybe around 30 minutes without any traffic. A realistic drive to Manila would take me anywhere between 1 to 1.5 hours.

Do you have bangs? Yep, and they’re starting to get pretty long as well so thanks for reminding me that I’ll have to trim them soon. I want to get rid of them already as I’ve had my fun with them, but NO ONE HAS SEEN ME WITH BANGS loooool so they are still staying.

Are you a good driver? I wanna say I’ve been better through the years? Hahaha the consensus is that I drive a little crazy, but my friends still always pick me to drive them whenever we go somewhere because everyone apparently still finds me the safest driver to ride with despite my temper on the road. Having a tiny car, being bullied by bigger pickup trucks and SUV through the years has helped toughen me up.

Have you ever kissed someone underneath the mistletoe? No. My ex and I always celebrated Christmas separately, with our own families, so we never got the chance to do this.

Do you watch the Olympics on the television? No. It’s not really something that interests me.

What was the scariest experience of your life? The time I nearly crashed into a car that I didn’t realize was stopped in the middle of the road while I was going 80 kph, and having like 3 seconds to hit the brakes.

Do you have a Tumblr account? I mean...

Are your nails painted right now? What color? Nope.

Have you ever played truth or dare? Several times, though I always pick truth because I’ve never had a problem saying it. I also hate picking dares because my friends would usually make us do dumb things, like dance, or worse, make out with someone in the circle.

How long is your driveway? Not very.

Are there any tv shows you keep up with religiously? Mmm it used to be The Crown, but I probably won’t be watching it for a while despite the new season because 1) I used to watch it when my past relationship had still been smooth-sailing, so watching it would just remind me of that; and 2) Gabie loves the shit out of Gillian Anderson and she was brought in for season 4 lol.

Right now my focus is on a new Korean drama called Start-Up, which is currently ongoing and is so fucking good. Nam Joo Hyuk is also there, so it’s a sweet bonus for me <3

What is your favorite iPhone app? I’m using YouTube the most these days, so it may as well be my favorite.

Where is your mother right now? She’s at work.

Do you know anybody named Carl? I don’t think so. The only person that came to mind is an uncle named Carlo who I haven’t seen in more than a decade. My dad’s college group used to be super tight-knit and I used to be friends with his friends’ kids, so it’s sad to see them kinda grow apart and notice the others be more reclusive over the years.

Are you more of a night owl or a morning person? Morning person. Ugh, work is changing me as a person haha.

What is your favorite song at the moment? Saw You In A Dream by The Japanese House has taken the top spot again. It’s just too goddamn good of a song.

Do you have a weak stomach? Very. I’m awful with car rides, bungee jumping, fair rides, you name it.

Have you ever been to a party where people were drinking underage? Hmm, yes. Kaira’s 18th birthday – it was held in May but most of the people at her party weren’t going to turn 18 until the end of the year, so it was a lot of 16 and 17 year olds drinking. I had just turned 18 then, so I allowed myself to take my first sip of a margarita.

How many stores are in the mall closest to you? Malls here are generally packed compared to what people may have in the US or other countries, so even though our local mall isn’t anything notable, it still holds 200+ stores.

Do you know anybody who has been diagnosed with cancer? Yes, but they’re all outside of family. My mom’s side is very weird about cancer and never share information about family members who may have it and only ever refer to it as ‘the c word,’ so I may have more relatives who have cancer than what is made known to us.

How far away is the closest McDonald’s to you? We have one literally right beside the main entrance of our village but because our house is at the very end of the village, what should be just a couple of steps away is instead a 10-minute drive for me.

Would you ever meet someone in person that you met online? Yeah I’ve done that with a few people in the wrestling circle. Jila I met unexpectedly while we were both in line for the WWE house show in Manila in 2016; Javi I met when I lent him my Chris Jericho memoir; and Rafie was the one who gave me a free ticket to said WWE show. Rafie’s a local celebrity now and he has such a huge following, so as weird as it is I’m also glad I have that little memory with him before he blew up.

What was the last film you watched? That Thing Called Tadhana, but I was unable to finish it. I’m into TV shows these days and I’ve been all over Start-Up.

Does it snow where you live? Never has.

Have you ever been to an art gallery? Of course, I’m a sucker for those. I always go to one whenever I can; there are a lot of malls here that’ll randomly have pop-up art exhibits, so art galleries here actually aren’t limited to just museums.

What are your neighbours like? A lot of them have kids, that much I know because a lot of them play outside in the afternoon and make some noise. We all keep to each other, though, so I don’t know any more about them; the only time we get together is when the neighborhood organizes its own Christmas party for the community.

Do you visit your town’s library often? I would if we have one, but public libraries are not a thing here. If you needed to go to a library to find a book, you would have to go to a university.

Have you ever had to take care of an intoxicated person? This just gave me college flashbacks haha. Of course I have, and the most notable people for me are JM, Andrew, and Angela.

What flavor was the last ice cream you ate? It’s a red bean ice cream sandwich that also has a bit of vanilla ice cream in it.

Can you do a cartwheel? No but I definitely tried a thousand times as a kid.

Who is the last person you spoke to on the phone? Can I do video calls instead? I haven’t done phone calls in a while. The last people I was on a call with were Ysa and Bea.

^ What did you talk about? Secret work stuff.

Which website do you spend the most time on? YouTube, Tumblr, Reddit, Twitter.

Have you ever kissed someone of a different race? I haven’t.

What can you smell right now? My coffee chocolate chip cookie.

Do you read fanfiction? If so, what fandoms? I haven’t checked on my favorite authors since college, mostly because they went MIA at some point and moved on to different fandoms as well. But when I did, I mostly read ones for AJ/Punk and HHH/Steph.

What accent is your favorite? Man this question is asked a lot...

How did/will you celebrate your birthday this year? Gab gave me a cute digital present, I think I may have spent the whole day playing the Switch, and Hans and Angela sent over a box of sushi for me.

Are you more introverted or extroverted? I’m both depending on the people I’m with. If I’m with a crowd I don’t know all that much, I turn my volume down.

Do you tend to repeat yourself all the time? Yeah. I got it from my mom, who unconsciously repeats stories all the time.

How was the last chicken you ate cooked? Fried.

Is there anybody you always find yourself thinking about? Yes, but it has gotten easier to manage/ignore altogether these days.

What was your last argument about? Haven’t argued with anyone in a hot minute. It was probably my mom as always, but I no longer remember what it could have been about.

Are/were you part of any extracurricular activities in school? I had clubs in high school since it was mandatory. In college, I was in yearbook and a journalism org.

Do you want to get married someday? I don’t know about that anymore.

What colors are on your country’s national flag? Blue, red, yellow, and white.

Would you go back to your ex if he/she asked you? I’m pretty stupid when it comes to this, so yes.

#survey #surveys

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bat-losers-inc · 4 years

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Kintsugi: Chapter 11

Summary: Final Crisis/Red Robin AU. Dick admits Tim to a psychiatric facility after Bruce is lost in time. Jason finds him suffering at the hands of a Scarecrow-copycat and breaks him out. While safe in Jason’s apartment, Tim still struggles with panic attacks and drug withdrawal. At a loss for what to do, Jason calls Roy Harper.

Pairings: Jason Todd & Tim Drake, Jason Todd & Dick Grayson, Roy Harper & Jason Todd.

- - - -

Tim stood in the kitchen and spun Jason’s burner phone around in quick circles on the countertop. He glanced up at Jason who was leaning against the other side of the counter, trying — and failing— to look casual. Between them, the clock on the wall ticked out the seconds in its endless rhythm.

Tim sighed. “I’m calling him again.”

He reached for the phone, but not before Jason slapped his hand down over it. “You’ve already called him twice in an hour. Maybe give it a little longer, yeah?”

“He could already be on a flight back to Star City.”

“He can’t leave here without picking up his stuff first.”

“Yes,” Tim countered. “I’m pretty sure he can.”

He gestured toward the living room couch where Roy had recently been bunking. A duffel bag rested against a stack of folded blankets on one end of the couch. “He packed light to begin with. I don’t think he’s gonna miss a few pairs of clothes and a travel toothbrush.”

Other than that there was no evidence that Roy ever lived here. It served as another reminder of how easily he could lose this lifeline— how Roy could step out that door one day, not return, and who would Tim turn to then? Jason? Well… yes, there was always Jason— would always be Jason. At least that he was getting more and more certain of with each passing day.

Jason held up his hands, placatingly. “Look, all I’m trying to say is that I don’t think we want to come off as desperate right now.”

Tim rolled his eyes. “We are desperate. I sure as shit don’t know the first thing about safely tapering off benzodiazepine. Jury’s still out on if you do.”

Jason’s expression tightened. “Now that’s just rude.”

He didn’t doubt that Jason could step up to the plate, take a crash course in drug treatment and recovery, and help him through it. It was the steep learning curve he was afraid of and the trial and error that went with it.

“Well, not for nothing, Jason, but if you get it wrong I could die.” They locked eyes and held each other's gaze in what seemed to be the world’s longest, and most judgemental, staring contest. Finally, Jason pulled his eyes away.

“You know what? Nope. We’re not doing this.” He grabbed the phone off the counter and shoved it into the back pocket of his jeans.

Tim trailed him as he made his way out of the kitchen and headed for the garage. He called out at his retreating back, “Not doing what? Being realistic about this situation?”

“No,” Jason countered over his shoulder, still moving quickly through the rooms of his safehouse. “Turning on each other the second things get difficult and forgetting we’re in this together.”

Jason pushed open the door to the garage and Tim caught it behind him before it could swing shut in his face. “Whose we?”

“You, me, and Roy. We’re a team.”

Tim came up short, taking a moment to process that. He watched Jason from the top of the stairs as he messed around in a container, continuing his speech all the while. “We owe it to him to have a little faith and to give him some time to come back to us.”

“But what if he doesn’t—”

“Don’t think about that right now.”

Tim threw up his hands. “You say that like it’s so goddamn easy!”

“Give him time to call or come home, Tim. Until then, bristle brush or socket wrench?”

“What?” asked Tim. “What are we even doing out here?”

Jason smiled. “We’re gonna get my bike operational again. Take it apart, clean it, upgrade it if you’re still offering.”

Tim scowled. He knew what Jason was doing— trying to distract him with a project. If he really wanted him to get into a project he might let him get a head start on tracking down Bruce through all of human history instead of making him do manual labor. “I thought you were too poor to pay for upgrades.”

Jason shrugged and flipped an oil rag over one shoulder. “Eh, I’ll figure out something.”

Tim was beginning to think that was Jason’s approach to life.

“C’mon,” Jason wagged the bristle brush at him, smiling. “It might actually be fun.”

Tim descended the stairs and snatched the brush out of his hand. “You need to get out more if you think this is fun.”

Jason chucked a spare rag at him, hitting him square in the chest. “Wow, look who’s talking!”

Tim’s lips twitched into a smile.

He’d feared that hanging out with Jason would only be awkward— both of them too aware of their differences in age and personality. He was afraid that when reduced to casual small talk they’d suddenly realize how little they actually knew about each other. Eight years as “brothers”, coming together in blood feuds, stakeouts, and many dangerous missions and what did they really have to show for it? A couple of family photos, cell numbers saved in each other’s contacts list, and a handful of books shared throughout the years and forgetfully never returned.

But, despite his concerns, their time in the garage started casually enough as they shuffled around performing their own individual tasks. Tim laid down the tarps and placed the bike on its side. Jason stripped down to his undershirt despite the cold of the garage and put on a playlist jam-packed with Joan Jett and Blondie hits.

It was easy.

Before Tim knew it they had the bike broken down, all of its pieces spread on the tarp around them. The engine and some of the other larger pieces were pushed off to the side, a project for another day.

“Hey, Tim?” Jason said as he polished a tail light, “You know those emancipation papers you had Bruce sign.”

Tim looked up sharply from the exhaust pipe he’d been cleaning. “Yeah?”

“Well, I’ve been thinking about something that you said earlier… about how Dick and I were using you to put each other down. You were right. I first took those papers because I remembered how worried you were at the diner, how you just wanted to file them and get your independence back. But when Dick was standing here telling me how shitty a brother I’ve been to you, I’d be lying if I said I did it for selfless reasons alone.”

Jason placed the tail light down on the ground and stared at his dirty hands. Tim just watched him, listening.

“I did want to throw those papers back in his face,” Jason continued. “I wanted to prove to him that I wasn’t the only one who didn’t need this family and their judgment. That I wasn’t the only one who could separate from the pack— that I wasn’t alone.”

“Jason,” Tim started, but already his words failed him, his tongue sitting as heavy as his heart inside his chest. What could he say to such a confession? Was it enough to say I understand? About how Jason had tried and failed so many times to come back into the fold that when he was presented with someone else who also wanted to cut that cord, he couldn’t help but encourage them to pick up the scissors. If only because two black sheep might then be able to make a little family of their own.

Was it selfish to be so lonely? To want someone who didn’t keep a strike count of your past mistakes, who said, I choose you as my family— just as you are. Tim didn’t think so.

“I don’t think you should file those papers, Tim. Because, if you do, you can’t take it back.”

“If I don’t, how am I supposed to live my life the way I want to? With no money and no ability to make my own decisions?”

“It might not be such an either-or situation… Dick and I came to a truce of sorts last night.”

Tim blinked. “What?”

Jason shook his head with a smile. “Yeah, don’t ask. But, I think if you give him time to think things through now that he got a full picture of the situation, he won’t petition the judge to extend the psych hold. As for unfreezing your bank accounts… I have a feeling he’s only going to do that once you’re through the worst of your detox and he’s certain that you won’t blow your money on feeding your high again. And he’s going to want to see that with his own eyes.”

“So, you’re saying, eventually I’m going to have to go see him and talk things out?”

Jason shrugged. “I can’t hide you from him forever, Tim.”

“Yeah, I know.” Tim fiddled with the exhaust pipe he still held in his hands. He wiped at the remaining grime with a few half-hearted sweeps of the oilcloth. “Hey, Jason?”

Jason glanced up at him through his bangs. “Yeah?”

“For all those times I never said it… thank you.”

Jason was quiet for a while with an unreadable expression stretched across his face. Finally, he stood up and offered Tim a hand. “It’s getting late. How about we see what we have for dinner?”

Tim let him pull him up off the floor. He glanced behind him at the garage door as Jason brushed the dust off his pants. “What about Roy?”

Jason put his hand on Tim’s shoulder and gave it a faint squeeze. “Cmon.”

Tim had no idea if Jason didn’t hear his question or purposely ignored it. The time was beginning to creep into the early evening hours and he had a feeling they were both thinking the same thing, even if nobody wanted to admit it— if Roy didn’t come back soon, he probably wouldn’t be coming back at all.

Tim didn’t think he had the courage to ask again, so instead, he trailed Jason back inside to help with dinner.

But, it turned out that Jason didn’t need much help in the kitchen, so Tim settled for keeping him company while he went about his business. He leaned next to the stove and watched as Jason sauteed sweet potatoes, onions, and strips of chicken together in a pan— a meal that smelled good enough to make even Tim’s usually nauseated stomach grumble. It had been a while since Tim had eaten a full meal. And this morning or well... afternoon was no different with both of them too tired and edgy to make up their minds on lunch. So Jason had made them both toast, which they ate standing around the counter staring at Jason’s burner phone, waiting for it to ring.

Jason pointed his spoon off to the right. “Go into the far cabinet and get some plates. This should be ready in a few minutes.”

Tim was lifting down plates when he heard the sound of a door closing. He turned to find Jason with his back to the stove, staring into the living room at Roy’s sudden appearance back in their lives.

Tim clutched the plates closer to his chest. “You’re back. I mean, um, I’m happy you came back.”

“Yeah.” Roy barely seemed to hear him. He was too busy watching Jason watch him, a whole silent, unreadable exchange happening before Tim’s eyes.

“Can we talk?” asked Roy. It clearly wasn’t directed at Tim and Roy’s single-minded disregard of his presence struck him like a slap to the face.

Tim turned and placed the stack of plates on the counter, wishing he had a corner to hide in.

What a fucking idiot he was. In Roy’s mind, they were probably the farthest thing from friends and Tim couldn’t really blame him for thinking that. It was true. They were practically strangers. And after the stunt he pulled last night, Roy could confidently call him a stranger and an asshole.

“Sure,” Jason replied. “Tim, could you watch the food for me?”

Tim half-turned and accepted the wooden spoon out of Jason’s hand, managing a weak smile for his benefit. “Yeah, sure.”

Their footsteps faded out of earshot and then Tim was greeted with the slam of the garage door. He turned and stood alone in Jason’s kitchen, his only companions the sizzle of the skillet and his own troublesome thoughts. Of all the scenarios that Tim had prepared himself for, he’d never considered that Roy might show up again only to break it off officially.

Tim hurled the wooden spoon into the sink and sank heavily against the countertop.

We’re going to lose him and it’s all my fault.

- - - -

“New project?” Roy asked, toeing at the loose bike parts spread out on the loading dock floor.

Jason watched him as he picked up a piece and examined it. He leaned back against the workbench and crossed his arms tightly, afraid that if left to their own devices one of his hands would pick up a nearby wrench and chuck it at Roy’s stupid, thoughtless head.

“So, you don’t answer your phone anymore, is that it?”

“I was at Blackgate talking to Croc.” said Roy. “You know I can’t bring it into the visitors center with me.”

“And what were you doing for the rest of the day? You had lunch in my safehouse in Old Gotham—at least that hour I can account for since you triggered my security system when you broke in. What about the other ten hours of the day?”

“NA,” Roy replied. “Not that it’s any of your business.”

Jason laughed. “Wow! So you must have hit every NA meeting from Blackgate to Grant Park in that time.”

He clapped slowly so Roy had time to realize what a load of bullshit it was to pull his ‘Narcotics Anonymous is anonymous for a reason’ card right now.

Roy glared at him. “Just get to your point, Jason. I know you have one.”

Yeah, why beat around the bush? “Tim was trying to reach you all day today. He wanted to apologize for last night.”

Roy flicked a tangle of copper hair out of his eyes. “Good. He should apologize for how he acted. He nearly got us all killed.”

Unbelievable, thought Jason. What a goddamn hypocrite. Didn’t he remember all those nights they stayed in shitty apartments in God-knows-where, because he’d blown half their money and left them stranded? Didn’t he remember how Jason always came and pulled him back from the edge — how he stayed up with him as he shivered and puked himself through another withdrawal?

“You want to know what all this was for?” Jason gestured at the array of bike parts on the ground. “It’s because I didn’t know how to stand in that kitchen a moment longer reassuring him that it was all going to be okay when I wasn’t even sure myself.”

Jason shrugged and tilted his head in an attempt to catch Roy’s averted gaze— trying in vain to see past all the angry bullshit between them and find the friend he knew was still in there. “Did you even come back here to help?”

Roy kept his eyes on anything but Jason. “I came to talk to you.”

So, that was Roy code for ‘I haven’t decided yet’. Fantastic. “You should have called first.”

“Why?” asked Roy. “What does it matter if we talk here or on the phone?”

Jason stabbed a finger at the wall behind him. “It matters because of him. I made a deal with that kid to help him find Bruce if he starts to get clean— a deal that I can’t hold up without your help. It matters because— just now— when you walked back into our lives, Tim expected you to stay. I get it if you’re angry at me, but don’t you dare take it out on Tim.”

“Well, we wouldn’t want to upset precious Timmy now, would we? Heaven forbid—”

“Stop. ” Jason was in front of Roy in an instant, a lug wrench clutched tightly in his grip. “I know you’re not this much of an asshole to take shots at a kid who just wants your help.”

Roy’s smile was bitter. “There is it. That’s your problem.”

Jason’s breathing was heavy. He could barely make out Roy’s words past the angry thump of blood in his temples. “What?”

“You're always going to choose him over me. Despite all your talk about being the black sheep of the family, you want back in with them so bad. And now you have your chance to prove you deserve it by taking care of Tim.”

Jason tried to put as much conviction as he could muster into his voice as he stared up at Roy’s green eyes. “You’re my family. I chose you as my family— ”

“You chose me as a cheap substitute.”

“This is not a fucking competition!” he snapped, whipping the wrench at the far wall. It struck, taking a chunk out of one of the bricks. Better the bricks than Roy’s head. “You know it isn’t. You know I will always be there for you.”

How long had these thoughts been festering in Roy’s head? Since last night? Longer? They had been together through thick and thin for years. Did Roy really just think it was out of convenience that he stuck around? That he’d just drop him the moment someone else came into his life?

“Really? Because you threw me to the wolves real quick last night when it came down to choosing between me and Tim.”

“I didn’t know that I’d have to choose anybody when I started this!” cried Jason. “We’re supposed to be a fucking team!”

“A team? Jason, a team requires trust. How can I agree to help when I can’t trust you to make decisions that will protect my interests as well as Tim’s?”

“He told you about our deal, right?” Jason turned towards the sound of the voice. “When I agreed to that deal I did it knowing I wasn’t just agreeing to work with him, but with you as well.”

The door at the top of the stairs was ajar, Tim’s frame discernable in the darkening shadows of the unlit hallway.

“Fuck,” Jason sighed, rubbing at his face. “You weren’t supposed to hear that.”

Roy crossed his arms. “Anyone ever tell you it’s rude to spy on private conversations?”

“I don’t think it counts as spying when I can hear you from all the way down the hall. And I think I’ve heard enough to know that you two come as a package deal, because when left on your own… you’re both kind of shit.”

“Gee, thanks.” Roy's eyes narrowed. “You’re really nailing this whole apology business.”

“Then, let me finish,” said Tim. “I am sorry for what I put you through last night, but we both know my apology alone isn’t going to fix shit. So, I’m here to tell you that I’m willing to do all I can to get clean. From now on our interests are going to be the same.”

Tim slipped into the room, his eyes still trained on Roy. “NA meetings, the twelve steps, I’ll do whatever you tell me to do as long as it helps me get clean and find Bruce because those are things I need. And while I appreciate someone looking out for me— ”

Now he shifted his gaze to Jason. “I don’t need favoritism, nor do I want it. If this is going to work, I can’t have you feeling like you need to choose between us. You just need to choose ‘us’. Okay?”

Jason rubbed at the back of his neck, the skin under his fingers hot with embarrassment and nodded. Looked like some of Tim’s old spunk was coming back after all.

Satisfied, Tim shifted back to Roy. “In case I haven’t made it totally clear yet. I’m not trying to replace you. I’m trying to work with you.”

Roy sighed and carded his hands through his hair. “It’s moments like this that really make me want a drink.”

It was unclear if Roy was talking to them or to himself.

“Would you settle for dinner?” Tim asked. “I set out a plate for you.”

Roy shoved his hands deep in the pockets of his jeans. “You really want me to stay, don’t you?”

Tim didn’t even blink. “Yes. You're my sponsor.”

Roy glanced over at Jason and back to Tim. Jason held his breath afraid he was going to jinx everything if he so much as breathed wrong.

“Alright.” Roy sidestepped Tim and climbed the stairs.

Jason’s eyebrows shot up. “Holy fuck, does that mean the dream team’s back together?”

“Don’t call us the dream team,” Roy called out from inside. “There isn’t an earth in all of the multi-verse were we’re somebody’s fucking dream team.”

Jason hooked Tim around the neck as he followed him up the stairs. He ruffled his hair playfully. “Good job, kid.”