#rules of writing

[10cities10years]

8 Rules of Writing

[This week, I led a session at the Madrid Writer’s Critique Group on important writing rules. My focus wasn’t on broad edicts like “write every day” or “write what you know,” but rather on the more technical rules of writing that elevate one’s work and give it the air of professionalism. This post summarizes that session.] Artists are rulebreakers. They want to pave the path, not follow it.…

[amaliadillin]

Sometimes the rules of writing hurt us more than they help. And that includes the mantra of Show, Don’t Tell.

[nonebinary-leftbeef]

DEVASTATING the lyric you've been mishearing is better than the real one

[merrybond]

The Rules of Writing

Somerset Maugham once said that there are three rules for writing a novel. Unfortunately, no one knows what they are. Well, a few people didn’t get the message. Here are rules for writing a novel, the process of it, the craft, editing, and then miscellaneous rules that go with. I’ve grouped together the rules that either say the same thing or contradict each other. Need I say not to take any of…

[elliotpsmoke-blog]

Gloves OFF; Weds Writer vs Elmore Leonard

Strap in; this is the big one; I get hot under the collar and take on four of Elmore Leonard’s 10 Rules of Writing and give them levels of disdain hitherto un-hinted at in parts one and two. Though admittedly, there were hints in the introduction to this endeavour. This, however, is the moment where my view count threatens to bust into double figures. Where Danny Robins has to leave the room,…

[the-cat-and-the-birdie]

british people im sorry for what we put you through

EDIT:

hispanic ppl im sorry for what we put you through

[poorly-drawn-mdzs]

Lap Pillow

[First] Prev <–-> Next

[stevefeythewriter]

Now What?

We lost these two friends this week. RIP Kitties! So, I’ve done two revisions of my first draft of my book with the working title Magic. What the actual title will be I have no idea, I have other things to worry about first. For instance, I’m not sure about the characters. Are they human? I mean are they believable as people? (They have some special abilities, but that’s not what I mean.) I…

[geezmarty]

I'be been watching a danganronpa 2 LP as I work I'm on the final chapter and I'd like to state I'd die for them

[mariana-oconnor]

Types of AO3 Summary

Option 1 - The Excerpt:

The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.

Best used for any fic, unless it's so short the excerpt would be the whole fic.

Option 2 - The No Frills:

Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.

Example: "A short character exploration of Blorbo's thoughts after Daisy leaves."

Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.

Option 3 - The Hook:

Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.

Example: "Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."

Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.

Option 4 - The Sitcom One-Liner:

"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.

Example: "The one in which Blorbo learns to like cake".

Best used for fics with at least a little humour in them.

Option 5 - The Rule of Three:

Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').

Example: "Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."

Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.

Option 6 - The Trope Lure:

Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.

Example: "The Space western / A/B/O / Mail Order Bride fic that nobody asked for."

Often tacked on to the end of The Hook or The Excerpt as a tl;dr.

Best used for fic that plays its tropes straight with no shame or second guessing.

Option 7 - The Pre-emptive Strike:

(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.

Example: "So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"

Best used for no fics ever. I cannot stress this enough.

(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)

Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)

Option 8 - The Unapology:

Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.

You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!

Example: "There aren't enough tentacle fics in this pairing, so I had to write one myself!"

Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.

Option 9 - The Interrogation:

What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?

Example: "What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"

Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.

Option 10 - The Multipack:

Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.

Example: "A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts. Chapter 1: Regency AU Chapter 2: Werewolves vs vampires Chapter 3: Ghost!Daisy Chapter 4: Space pirates!"

Best used for (obviously) works that are compilations of fic.

Option ? - The Void:

I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.

Example:

Best used for... nothing? Write a summary, guys. Please?

[whumpril]

Whumpril 2024 approaches!

Rules:

Anyone can participate.

Any media form is allowed (art, fic, gifs, music, whatever).

You can participate however much or as little as you want, no pressure to complete every single day.

You can post your work anywhere on the internet, Tumblr, Ao3, etc.

Tag potential triggers and NSFW accordingly.

If you want to be counted as an official participant and have the chance to be featured on the blog, post your content during the month of April. You can still use the prompt list after April ends.

I can’t guarantee that every single work will be featured but I’ll try to reblog as many as I can.

To increase your chances of being featured here, tag your post with the event name and the prompt of the day that you used (For example: #whumpril2024, #whumprilday1, #limp) 

You can also @ the blog, @whumpril.

Full write-up of the prompts can be found under the cut!

Whumpril 2024 Prompts:

Limp

Sweat  

Shame

Swaying  

Reckless

Dizziness

Hesitation

Bloodshot  

Self-Doubt

Adrenaline  

Can’t Sleep

Weak Pulse

Angry Tears  

Urgent Care  

Mind Games

Coughing Fit

Hallucination

Broken Glass

 “I need you.”

Touch Starved

“Just hold on.”

Stoicism Breaks

Presumed Dead  

No Time to Rest

“Brace yourself.”

“How could you?”

“Please don’t go.”

Fight/Flight/Freeze

Reluctant Caretaker

“We’re out of time.”

Alternative Prompts:

If there’s a prompt above you don’t feel inspired or comfortable doing, you can switch it out with one of these alternatives!

Crutch

Brain Fog

Contagious

No Appetite

Reassurance

Blanket Nest

Eyes Rolled Back

Allergic Reaction

“You’re pathetic.”

Reluctant Whumper

“Why didn’t you tell me?”

Caretaker Makes it Worse

“You brought this on yourself.”

[forecast0ctopus]

I reject absoIuteIy revenge, aggression and retaliation….

[unclewaynemunson]

Pt2 to this post

'Is something wrong?' Nancy asks, not long after the two of them have taken their familiar spots on the hood of Steve's car. They're basking in what might be the last warm sunlight of the year, looking out over the quarry, at a safe distance from the edge.

It's become a tradition the two of them share, ever since they reconnected back in March. It calms them both, to just sit here and take in the view, no one around but each other. Nancy is one of the few people Steve can share a comfortable silence with: sometimes they sit here quietly for what feels like hours, side by side, listening to music or to nothing but the birds singing around them. But they also have their best conversations here: it's the place where Nancy entrusted him she wanted to break up with Jonathan; it's the place where they talked about their shared past and decided they would always love each other as friends; it's the place where they finally talked about Barbara in a way they couldn't when they were younger. It's where Nancy talked about the ghosts still haunting her and Steve talked about how lonely he sometimes felt.

Steve huffs. 'How did you guess?'

'When you frown, you always do it with your whole face,' Nancy notes. 'So it's hard to miss, really.'

Steve glances at her side profile. There's a serenity to her features that's still relatively new. It means she's healing, slowly learning how to be happy again. It means she stopped waiting for the end of the world and started believing in a real future again. It makes Steve proud of how far they both have come.

'I had a fight with Eddie,' he confesses. 'And with Dustin, I guess.'

'What happened?'

He sighs. 'It's complicated.'

'Wanna tell me about it?'

The look in her eyes is kind and inviting. Steve hesitates. He wants to, but he doesn't know if he can. It's a risk. It's scary.

But he can't imagine Nancy Wheeler ever being careless with his secrets. He can't imagine her judging him, can't imagine her being as small-minded as most people in this town.

He was planning on telling her anyway, because things had been going so well with Eddie lately and – no, he shouldn't think about that right now. But maybe it would actually be nice to talk about it with Nancy.

'So, um...' His throat feels tight and his hands are sweaty. 'I recently discovered some things about myself. I-' The words get stuck somewhere on the way to his mouth, and he clears his throat.

Nancy doesn't push, but only gives him an encouraging nod, waiting for him to find his voice again.

'I found out I like boys,' he finally manages to confess. 'And I need you to know that – that that doesn't mean that what I felt for you wasn't real. It was. I loved you, and now I fell in love with a boy. And-'

'Steve.' Nancy's hand suddenly covers his, causing him to finally jerk his head away from the view over the quarry, to focus on her face again instead.

Her eyes are wide, and she squeezes his hand.

'You don't have to explain yourself to me,' she tells him. 'We're good. But thank you for telling me. For trusting me with this.'

Steve heaves out a relieved sigh, and Nancy smiles; it's that genuine kind of smile which reveals all kinds of dimples and soft lines across her face.

'We might be more similar than you thought,' she tells him, a faint blush spreading over her cheeks.

'Really?' Her words make his breath catch in his throat. He squints at her, trying to see her in this new light. 'Are you saying what I think you're saying?'

She shrugs. 'I don't know. I'm not sure yet,' she admits. 'Still figuring things out.'

'Take your time, there's no rush,' he tells her. 'But...' He bumps his shoulder against hers. 'When you're done figuring it out, talk to me, okay?'

She nods. 'Okay.'

For a while, it's quiet between the two of them. Some kind of raptor circles high above them in the sky. They both follow it with their eyes until it disappears among the tree tops west of the quarry.

'Is it Eddie?'

Steve blinks dumbly a couple of times.

'Wha- what?'

'The guy you were talking about. The one you fell in love with. It's Eddie, isn't it?'

'Jesus, Wheeler, what kind of sorceress are you?' Steve exclaims.

Nancy laughs again. 'You're not being as subtle as you think,' she tells him. 'The two of you have been hooking up for a while now, haven't you?'

Steve huffs dramatically. 'This is unfair. You know everything; I can't even tell you my own secrets anymore!'

'So what happened?' Nancy asks. 'You said you had a fight with him?'

'It's fucking stupid,' he sighs. 'Dustin was getting way too excited about the fact that I was gonna be hanging out with you, so I told him I was seeing someone. Next thing I knew, he was telling Eddie all about how I was seeing a girl.' He waves his hands around to make annoyed air quotations. 'I wanted to tell Eddie it was a misunderstanding, but Dustin was there, so I couldn't out us just like that, and he looked so betrayed and heartbroken... He didn't wanna listen to me.'

Steve sighs; he still can't manage to forget that look in Eddie's eyes when Dustin delivered the big news. 'I wish I would've talked about what I felt for him earlier. I should've been honest when I had the chance, y'know. But I was afraid he wouldn't wanna label what we had, that he wouldn't feel the same way – and now we're in this whole mess. God, he must hate me right now, Nance.'

To his surprise, Nancy gives him an unexpected slap against his arm.

'Ouch, what the hell was that for?!'

'What are you even doing here with me, Steve? You should've gone after him, tell him how you feel!'

'I tried, obviously, but he didn't wanna listen to me!'

'So make him listen! You're in love with him, he obviously feels the same way about you, and you let him leave to wallow in a broken heart he doesn't even need to have!' She rolls her eyes and slides off the car, adding something under her breath that sounds suspiciously like an exasperated 'Boys!' before she pulls Steve off the car as well. 'C'mon, time to get your ass over to the trailer park. Right. Now,' she says through gritted teeth. And, well, Steve knows better than to argue with a determined - and truthfully quite terrifying - Nancy Wheeler.

Read the last part here Taglist: @withacapitalp @ultimatedreamer104 @irregular-child @jcmadgirl @estrellami-1 @myguiltyartpleasure @hallucinatedjosten @jaybren @thew1ldblueyonder @melodymeddler @alycatavatar @zoeweee @lolawonsstuff @fairy-princette @saramelaniemoon @phirex22 @krazyperson @xxsky-shockxx (I only put people on this list who explicitly asked to be tagged. That's really no problem, I love to do that so dw about asking, but I got a lot of relatively vague reactions to the previous post that i'm not gonna dissect and interpret, bc I don't wanna clog anyone's notes unwanted. So just to be clear: i consider it a huge compliment if anyone asks for a tag but please do it clearly if you do!)

[ackermonie]

“listen. i’m telling you again. we’re NOT telling her i got you that lego set for winning that fight, am i clear?”

megumi nods with a roll of his eyes, arms crossed over his chest. “i don’t think she’s gonna be as mad as you think she will be. this isnt the first time this happens, you know?”

“regardless, the lego set remains unmentioned,” satoru points at megumi with a serious index finger, to which megumi rolls his eyes again as he resumes setting the dining table. “the tone of her voice on the phone said she’s coming for blood. i don’t wanna be on her bad side.”

“oh? so you set me up instead?!” megumi lets go of the plates to cross his arms over his chest. “is the strongest really such a scaredy-cat, now?”

“i’m not scared!” satoru is offended, even though he’s about to piss his pants. “and I wasn’t the one that decided that beating up 8 fucking kids on one go was the brightest idea ever, was i?”

“but you rewarded me for it!”

“he did what?”

the two of them freeze in their place, eyes widening as they hold each other’s gazes, too scared to look at the source of the voice coming from the kitchen entrance.

they stay quiet for a solid amount of seconds, and you remain unmoving. gojo gestures for megumi to look at you first, to which megumi replies with a subtle shake of his head, a thin sheet of sweat breaking on his forehead.

“i asked a question.”

thunder is rumbling, and when gojo decides to, very slowly, shift his gaze to you, it’s a scene right out of a horror movie when lightening strikes and thunder rolls on cue. you’re standing at the entrance, drenched from head to toe, a cut or two fresh on your face. your uniform remains unscathed, save for the water dripping to make a little damp pool beneath your feet.

“you’re home early, sweets,” gojo tries to approach, but you pin him in place with a glare. his nervous grin gradually falls from his face. “how was the mission?”

he hears footsteps approaching quickly, and when tsumiki comes to a halt behind you, seeing the state you’re in, she begins to slowly retreat despite satoru’s look of despair at her.

“you rewarded him.” you echo megumi’s words. the 14 year old swallows hard, eyes sliding from you to the suddenly more interesting kitchen sink. “he almost gets expelled, and you reward him.”

“but he didn’t get expelled!” satoru chuckles cheerfully. “he apologized, and all! didn’t you, megumi?” he nudges the teenager’s shoulder pushing him a bit forwards so he can take some of the impact himself. he lowers himself a bit to mumble to him through his teeth. “who’s the scaredy -cat now, huh?”

“I-i—“

“i leave the house for a couple of days— not even a couple, this was a day and a half, and i have to wrap my mission up quickly because my son’s being turned into a delinquent with his dad’s support?”

it takes satoru a couple of seconds to register the words that just came out fo his partner's mouth. he immediately looks at the flustered teenager by his side, to find a light blush on his cheeks and neck.

something warm settles behind gojo's ribcage. it was never addressed, that they're practically family. the only d word megumi calls gojo is dick, but fuck, by the look on megumi's face, the way his skin is painted pink, he knows that the seemingly stoic kid feels the same.

satoru doesn't even think you realize the way you addressed them.

tsumiki peeks her head from behind you. there's a sweet smile growing on her sweet face that he catches. he tries not to smile, he really does, but something in his demeanor is shattering right before his eyes.

"satoru!" you raise your voice, a frustrated frown painting your features, but all satoru feels is the love spreading through his body, his fingertips buzzing with it and all. "this is not rewardable behavior!"

"don't be mad at him..." megumi mumbled, finally taking a step forward. your gaze shifts to him, but he's looking anywhere but you. "he only wanted to cheer me up. this is my fault."

your eyes can't help but soften. gojo watches the change of expression in awe.

"if it helps, they were bullies." satoru chimes in a much softer voice, matching the look on your face. he ruffles the boy's hair, who doesn't push his hand away for the first time in a while. "it's just that megumi here has his own way of doing good. peculiar," gojo pauses with a little laugh when the teenager finally pushes his hand away grumpily. "but he's still doing good."

you finally spot the scar on his cheekbone, one that's already been tended to by satoru it seems, but you still walk across and hold his cheeks in your hands to check it out. its really not that deep, but something still tugs at your heart.

and satoru is still watching the changes of your expression, taking note of every little one. he knows you all too well, you see, and he knows that you're about to start tearing up any second now.

"why don't you guys go fetch angry mom here a towel or two?" he addresses the children, grabbing your wrist to let go of megumi, who looks too guilty for his own good right now. he brings you closer to him instead. "I'm afraid she'll only be grumpier if she catches a cold."

megumi hesitates, but tsumiki calls for him, understanding the cue better than her younger brother.

once they were both out of sight, gojo chuckles in endearment when you shove your face in his chest, uncontrollable tears escaping past your heavy lids. he grabs your head with one hand while the other holds you to him, soaked and all.

"oh baby," he sighs. he doesn't think he's ever been happier than this moment right here. "you just called him my son."

you punch him right in the gut. he groans out in pain, but his hold never wavers on you. "he is your son."

"i think we both prefer the name long-term pain in the ass, but that will do." he raises your head to look at him, and when he sees that red nose and tears down your cheeks, he can't help but giggle some more. "god, you're literally the best thing to ever happen to me."

"shut up." your cheeks burn in his hands, and you're unable to look away. "I was so scared something had happened to him. i would've never forgiven myself."

"the fuck do you take me for?" satoru fakes offense, raising an eyebrow down at you. you roll your eyes at him, from which he takes even more offense, letting you go with a scoff of disbelief. he dramatically removes his sunglasses and crosses his fingers in front of him. "I'll hollow purple your ass so hard right now and you'll never live to tell the tale."

"sure, honey," you pat him on the chest with one hand and wipe away your tears with the other, beginning to turn away from him with a, now more subtle, eye-roll. "whatever you say."

he grabs you and pulls you flush to him again, this time capturing your lips in a sweet, chaste kiss that has your whole body letting loose right there in his arms. your arms wrap around his neck like a reflex, and he squeezes you into him, a dull ache beating in him to just merge your bodies into one,, to have you in his very bones, and maybe even then it wouldn't be quite enough.

"i would rather be torn in two than let something happen to any of you," he breaks away from the kiss to peck your nose. you look into his eyes, and it worries you just how true his statement is. "what else do I have to fight for?"

=====================================

more?

[writingwithfolklore]

Punctuation Rules

Punctuation is like the very last thing I actively think about when writing something (what's the point of fixing the punctuation of a sentence you'll end up taking out or editing anyway?) but it is still an important step!

Having proper punctuation increases your credibility and the overall quality of your work. Also, it’s doubly important in professional work, emails, and resumes. With that, let’s get into it!

Commas

We use them all the time. We get them wrong all the time. There are six rules for where you can use commas:

Use to separate items in a list or series:

The book was long, tedious, and painful.

The comma after tedious is called the Oxford’s comma. Feel free to debate if you need it in the reblogs, but you won’t get in trouble professionally if you use it or leave it out (in most cases.) It always comes before ‘and’ in a list to prevent confusion of the items:

I ran into my mother, my best friend and a scientist. (1 person?)

Is very different from

I ran into my mother, my best friend, and a scientist. (3 people)

2. Use to separate independent clauses, with a coordinating conjunction.

An independent clause is just a sentence that makes sense on its own.

A coordinating conjunction is: and, but, or so.

Miley had a ton of work to do, so she set her alarm early.

3. Use after an introductory statement.

Introductory statements begin with many different words, but typically: Before, after, when, while, as soon as, etc.

Before her first class, Stacy looked up her prof on Rate Your Teacher.

Main point about this, “Before her first class” is not an independent clause, it needs a second part.

4. Use to surround info in a sentence

This info is not essential to the sense-making of the sentence, but it should be relevant.

Parents, no matter how skilled, cannot function at 100% all the time.

5. Addresses and Dates

6. And with direct quotes

Important for essay writing.

Casey said, “I hate this house!”

Colons:

Introduce a list after a complete sentence:

I have three favourite foods: spaghetti, chowder, and garlic bread.

2. Use after ‘the following’ or ‘as follows’

Please provide the following information: your date of birth, full name, and address.

3. Don't use with sentence fragments

A sentence fragment is an unfinished sentence (that doesn’t make sense on its own).

My favourite foods are: spaghetti, chowder, and garlic bread.

This is wrong because, “My favourite foods are.” Isn’t an independent clause.

4. Introduce an explanation

My parents ask one thing of me: that I try my hardest.

5. Introduce a quotation

Mom always quoted the bible: “The truth will set you free.”

6. And times (12:00)

Semi-Colon:

Not super common, but makes you look good if you can use it properly.

Separate two related independent clauses

I never drink Starbucks; it tastes burnt.

2. Similar, but with conjunctions: however, moreover, therefore, nevertheless, etc.

I don’t like Starbucks; however, it does the job.

Agatha didn’t witness anything; nevertheless, she was called in to court.

3. Use to avoid misreading in a series

The invited guests are the club leader; the treasurer; the new member, Jason Tanner; and Wanda Johnson, the investor.

Semicolons clarify the separation between the four people. Had it been, “The club leader, the treasurer, The new member, Jason Tanner…” it would seem that the new member and Jason Tanner are two different people.

Apostrophes – Possessive

‘s shows possession of a singular noun

The girl’s parents were quite rich.

2. S’ shows possession of a plural noun

The students’ books were all over the place. (there are multiple students who have books)

3. ‘s to singular words ending in s, and nouns that are plural

My boss’s office My children’s toys

Apostrophes – Contractions

Use to combine two words (they are, he is, there is, etc.)

It is -> It’s a beautiful park They are -> They’re really good friends You are -> you’re good at this and so on.

[elliotpsmoke-blog]

Elmore Leonard; the rules that sort of sit with me...

Last week, I started off on Elmore Leonard’s ten rules of writing by yakking about the two I unreservedly, totally, unequivocally agree with. Before the heavy stuff kicks in and I run riot and dismiss, or at least argue against four of the other rules, here’s the midpoint. Namely, a reflection on those rules I understand, though wouldn’t necessarily want to commit to. And again, before I start…