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mismatched-sockss · 3 months

Text

You're my future, past and present

» Pairing: Spencer Reid x fem!Reader » Word count: 6,4k » Warnings: spoiler mentioned for 9x23 Angels / 9x24 Demons, Spencer's POV, exes to lovers, set after s15, anxious!Spencer, reader feels guilty at one point, language? (one 'bitch' from reader to reader), mentions of past fights, minor misunderstandings, random old lady plays cupid <3, fluff, kissing, how many phrases for being in love can one pack in two paragraphs? me: yes., » A/N: my brain is on strike for finishing bingo fics for some reason, it instead gave us this so yay!, i'm still working on those of course but i can't tell when i will get the next one done (in the words of one Penelope Garcia: Why do the last 10% always take the longest?), hopefully by the end of the week; it's lightly implied that reader can get pregnant in the beginning but it's not explicitly said (only mentions of kids), which is the reason i tagged it as fem but no mentions of anything body related or any pronouns (i think so, please let me know if i missed pronouns), so it might as well can be read as gn; no body description --- pls take a look here for more info about my reader descriptions in general

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He should have asked Penelope for a favour to look you up, before he came here. He had no idea how your life had changed in all these years he hadn't seen you or if you even wanted to see him again. It didn't particularly sound like it the last time he saw you.

You could be happily married with kids for all he knew. The thought alone almost made him turn around without even knocking on your door. He didn't know what he would do if this was the case. Or maybe you didn't even live here any more, you could have moved; to the other side of the city, to another state. Another country. You had toyed with the idea to move to Scotland back then, it very well could be that you had acted on it.

Too much time had past, five whole years – five years, three months, twenty-one days and eleven hours, forty-two minutes to be exact; but who was counting, right? – and there was too much history, too much heartbreak. Too many reasons why it hadn't worked out.

The main – and kind of only – ones being his job at the BAU and everything that came with it. The travelling and never being home, not even a free day or annual leave really meant not getting called in, the late nights, the worries that he could get hurt and may not be coming back home, the worries when he got hurt.

You had your reasons to break it off and he still thought that you were right to do so. He never held it against you, never resented you for leaving. Because he understood. If the roles would have been reversed, he may would have made the same decisions.

This whole idea was stupid. Why was he even here. He should just leave.

What did he think would happen when you saw him? That showing up out of nowhere – with no contact since the break up, not even a single text message – and having a 'new' job would change everything and would make you jump back into his arms in an instant like nothing happened? Yeah... Sure...

Maybe, deep down and in the tiniest crack of his heart, he didn't even want you to open the door; didn't want to see your reaction to him just showing up and the inevitable rejection that would surely come. He was sabotaging himself, really. And if he would be more honest to himself, he'd knew that. Maybe he did, but just didn't want to see it.

Spencer had been pacing back and forth in front of your door for an eternity by now; walking closer to it and already lifting his hand to knock, but changing his mind before his fingers even came close and he was walking a few feet away to leave, only to change his mind again and repeat the whole ordeal. Over. And over. And over.

He just couldn't make his mind up, he didn't know what to do. It shouldn't be this hard to knock on a door. Especially yours. But maybe it was this hard for him because it was yours.

At one point, he, a man of science, even asked the universe to give him a sign, to show him what he should do; if he should do it or if he should go.

That's when it happened.

Right after, as he was walking closer to the door again, he tripped over his own damn feet and he ended up kicking the door with his shoe; not hard, but audible enough.

Shit. Not the sign he was looking for. A pedestrian screaming something outside that he could twist into an answer, a car honking when he either was close to the door or walking away; hell, even a spam mail popping up on his phone that had a certain word in the subject line... No, it had to be this way.

Now he had to knock.

Taking a shaky breath, he hit his knuckles against the wood a couple of times and started fidgeting with his fingers as soon as he had lowered his hands. His heart was in his throat as he waited anxiously. His mind in a constant battle of 'please be home' and 'please don't be home'.

A moment later – both too short and too long at the same time – the door opened just a crack and it was really you standing there. Not some random person that would tell him you moved. You.

You didn't turn your head just yet, looking back over your shoulder instead, you held out your arm behind you and said “Stay there” in a soft voice to someone behind you. When you turned you blocked the entrance with your body and kept your left hand on the door.

Your eyes grew wide when you saw him. Spencer probably was about the last person you would have expected to see when you opened the door. He couldn't bring himself to break the silence first, didn't dare to speak.

“Oh, hey... Uh-”, you stammered looking for words, blinking in confusion. For a moment you opened and closed your mouth, and he knew you were hating that you looked like a fish out of the water, before you gave up and just settled for another “Hi.”

“Hi.” He hated how shaky his voice sounded. He cleared his throat and averted his eyes for a moment, looking down at his hands and the floor before he met your gaze again.

“Wow, it- it's been a while.”

“Yeah...”

“How long 's it been? Five years?”

“Five years, three months and twenty-one days.” Spencer pressed his lips together before he could blurt out the hours and minutes as well.

You laughed – not mean, but endearing – and the sound combined with the smile that spread on your lips made his heart leap. “Right.”

God, how much he had missed your laugh; how much he had missed you. Now that you stood before him, it became evident, that all the longing and yearning he had felt in the past years had been nothing more than a fraction of what he was really feeling; repressed by throwing himself into work and keeping his mind off you as much as he could.

His love for you never went away, never dulled even the slightest bit, and seeing you now was almost too overwhelming for him, his feelings for you crashing over him, nearly sweeping him off his feet.

“Uhm, I was just about to go to the park with Cleo”, you started, shooting a look over your shoulder and Spencer's heart dropped. He could have sworn it stopped beating for a few seconds as well. The Stay there hadn't rung any alarms in his mind, it could have been said to any person really. Going to the park with Cleo however...

He really should have asked Penelope to look you up before he came. You had a kid.

And since he could only see the heel of your left hand and not your fingers, he couldn't be a hundred percent sure, but there was a high chance there was a ring on your finger.

“Oh, I'm sorry to hold you up. I'll just, uhm-”, he stammered choked up and pointed his thumbs over his shoulder, taking a step back, about to turn away and leave.

“No”, you exclaimed, maybe a bit too quickly and panicked, as you held out your right hand like you wanted to reach for his arm; even making a small step out of the door. “You don't have to leave. You could- uh, you could come with us? If you want to.” If he wouldn't know better, he'd say there was a pleading look in your eyes, begging him to say yes and stay.

His mouth opened, but no words came out, no matter how hard he tried. He didn't even know what he wanted to say.

'Yes sure, let's go to the park with your daughter and rip my heart into pieces seeing and hearing about you living the life I dreamt of having with you, with another man'.

A plain 'No.' would be too rude, wouldn't it? Even if he would add a 'thank you' at the end, it didn't feel right.

“She uh- she likes meeting new people, she's really open; sometimes I'm afraid she'll walk off with anyone. Come here, girl.” You looked over your shoulder again and tapped your flat hand against your thigh a couple of times, then some clicking and scratching could be heard behind you on the parquet floor.

The speckled snout of an Australian Shepherd pushed in the space between your knee and the door, then tried to push through further after seeing Spencer. With a laugh you took a hold of the collar and held the dog back from running out.

“Cleo, stay.” You squatted down next to her, petting her head and scratched behind her ear. ”I have to warn you, she can be a bit rough when she gets excited.” A wide smile was on your face as you looked up at Spencer. “I've been trying to teach her to not jump up on everyone she meets, but it doesn't stick.”

Just like that, he felt like he could breathe again. Cleo wasn't your daughter but your dog and the ring you were indeed wearing on your left hand was one he recognized from your jewellery box.

A relieved chuckle left his lips and he mirrored your position. He held out his hand for Cleo to smell before he touched her. She really was excited; she was pulling against your hold and tried to get closer, her tail was waggling so hard her whole body moved in the rhythm and she nudged her nose against his palm hard after a short sniff, so he would pet her.

You did your best to hold her back, but after Spencer verbally said hi to her and was petting her on both sides of her head she surged forward; your hand slipped from the collar and Cleo threw her whole weight against him, making him loose balance and topple over.

With an outstretched arm he held himself up, laughing, as your dog rubbed her head against his torso and hand and was spinning around a couple of times between his legs, repeatedly leaning herself into him with every turn.

“Cleo!” Your voice had a warning tone to it that hadn't fully replaced your laugh though, not until she let out a small bark and started to lick over his face. “No! Stop!” You pulled her away and moved her back into the apartment; Cleo only reluctantly complied.

Before he could react, you shuffled closer on your knees until you kneeled right before him and in between his legs. You reached out and started to wipe the side of his face clean; the sleeve of your sweater pulled over your fingers. “I'm so sorry, she's usually not that excited. I have never seen her do this to someone that isn't me.”

He froze when you got close and he felt your touch, every soft stroke leaving behind a trail of fire, even with the thin fabric barrier between you. One would think his heart couldn't pound any faster in his chest than it already had since he had laid eyes on you again, but it did.

“It's- hu, it's okay”, he stammered as he was watching you intensely, with wide eyes.

“No, it's not”, you said softly and took his chin between your thumb and index finger, slightly tilting his head to the side as you tried to get everything off. “Do you want a wet wipe or something? You can come in and wash your face if you'd prefer that.”

Spencer couldn't help the smile stretching on his lips, his heart warming over the fact that you were still looking out for him, after all these years; after everything that had happened and all the things that had been said the day you broke up with him. His hand moved on its own accord and he wrapped his hand around your wrist, stopping you. “Really, it's okay.”

You met his gaze, heat rising in your cheeks and it was like you only now realized how close the both of you were sitting and that you were touching him. For a second you froze, your eyes wide. Then, after a deep breath, you pulled back to bring some distance between you and cleared your throat, looking away.

He could tell there was an apology forming on your tongue, but you swallowed it down. You began to nervously fidget with the hem of your sleeve and cleared your throat. “So, uh, do you want to come with us? There is this coffee shop on the way that opened about six months ago and they're really good, we- we could grab a coffee and catch up...?”

“I'd really like that.”

It was easy, talking to you. The initial awkwardness and anxiety he had been feeling had quickly faded and the both of you were talking as freely and open as before, like no time had passed; and he was incredibly grateful for it. Neither of you had been going to personal topics for now though – the closest thing to personal in a deeper sense was when you asked about his mom –, the both of you had been talking more about everything and anything.

[..] Did you end up getting that book collection you had your eyes on? - When did you get Cleo? - Oh, do you remember my coworker Grace? All the rumours really were true! - Is your neighbour still vacuuming solely in the middle of the night? [..]

About halfway to the park you stopped at the café you had mentioned and while you were waiting in line, you told him about the different coffee varieties they offered; the flavours, how strong they were, how sweet, the seasonal ones. You had drunk your way through the list three times and until you decided on your Top 5.

He crinkled his nose in adoration as he was listening to you rambling about the coffee – what you liked about each one and why you didn't like another – totally engrossed by you; you had done this in the past as well and it made Spencer happy that you still were. It was adorable. He wondered, if you still wrote down your Top 5's in that little notebook you had always kept in your purse.

The one you recommended to him was really good, you had met his taste precisely; the perfect amount of sweetness just how he liked it, and with a hint of vanilla and cinnamon.

There were many occasions he was about to reach for your hand, it was almost instinctually when you were this close to him. He didn't know if you would let him, if you would want it. So Spencer didn't. Instead he buried his hand deep into the pocket of his coat to keep himself from reaching for you, holding a tight grip on an old pack of gum he forgot was even in there.

Throughout the whole way from your apartment to the park, Cleo was happily dancing around you, just shy of making one of you trip over her. That she didn't circle around the both of you to wrap the leash around your legs – all '101-Dalmatians'-like – was all.

After you arrived at the park you walked a bit further in until you came to a fenced area that seemed to be reserved for dogs for them to freely run around without having to be leashed. As soon as you unhooked the leash from Cleo's collar she dashed forward, joining a group of dogs playing.

Spencer and you sat down on a bench and just sat in comfortable silence for a moment, watching her. His hands got clammy as he got nervous because of the proximity, and he tried to wipe them on his pants as discreetly as he could. You were sitting so close to him, your thighs and shoulders were almost touching; he could feel the warmth radiating from your body and with every soft breeze the smell of your shampoo got carried over.

“So, uh... How have you been?”, you asked after a few minutes.

He huffed out a small laugh and licked over his lips. Where should he even begin. “Long story short? Not good then somewhat okay, bad, worse, better, okay.”

"Sounds like one hell of a roller coaster."

Oh you had no idea how much. And 'hell' sounded about right to be honest. "You could say that... How about you?"

"Wasn't much going on for me to be honest. I've been... okay? After some time at least...”, you admitted nervously, following Cleo with your eyes. “Everything alright at the BAU? How is everyone?”

“Good, they're good.” Spencer started telling you about all the changes within the team, but he left out all the bad stuff for now – he told you about Alex leaving, about Tara joining after practically a 36 hour long job interview for the open position, JJ and Will having a second child, that Morgan left and had married Savanah and that they had a son as well, Garcia vehemently trying – but ultimately failing – to hate the newbie Luke.

“Rossi got married last year.”

“Really? Again?” You let out a soft laugh.

“He re-married his third wife actually. They got back together after-” He had to stop for a second and swallowed hard as the spark of hope was reigniting in his chest. If Dave and Krystall had found their way back to each other after thirty years and made it work, five years didn't sound all that bad in retrospective. He tried to play it off like he was trying to remember the exact number of years. “Around three decades, I think.”

“Wow... That's a lot of time..”

“It is.” For a short moment Spencer didn't say anything more, trying to muster up the courage to tell you he left the team as well.

“And I- uh” He huffed out a small laugh, nervous, and let his gaze wander over the meadow. There he goes... “I'm not- I'm not with the BAU any more, actually.”

“...Oh”

For a moment you didn't say anything else and his heart beat faster. He couldn't a hundred percent gauge what your silence meant. What the oh meant. Did you care? Were you relieved or maybe even sad for him? Could – would – it change anything between you, even after all this time? Would you give the both of you a second chance? Him?

Hope started to rise up again in his chest and he tried to stop it and keep it at bay, so it wouldn't take over him; it would only crush him even more to lose you a second time if he'd let it happen. Spencer's breathing became more shallow and slightly faster as he waited for you to say more.

He could just turn his head to look at your face of course, study your expressions to get his answer without you saying another word. He didn't. Something held him back; maybe it was only because he was respecting your wishes from years ago not to profile you. Maybe it was fear of what he would see.

He heard you clear your throat and when you spoke, your voice was shaking, almost undetectable however. If you wouldn't sit so close to him – and if it wouldn't be you and he wouldn't be him – one probably wouldn't have noticed. “Why not?”

“Re-assignment due to budget-cuts or something like that. There were a couple of people higher up the food chain than Emily that had it out for us for a couple of years now.” His eyes followed Cleo sprinting over the grass, chasing and playing with the other dogs.

“Emily is back?”, you asked. The last thing you knew was that she had left for London not long after she came back from the dead.

“Yeah, she took over from Hotch after-” He stopped himself.

Telling you about Hotch and Scratch and why Emily fully became Unit Chief of the BAU, meant he had to tell you about everything else; everything that had happened to him. He just wasn't ready for this yet. This would have to be a story for another day; for both your and his sake.

“Anyway, I uh- I'm teaching now. Full-time. Mostly at the academy and some colleges here and there. But all in all-” Spencer took a deep breath. “Fixed work hours and no travelling for longer than a day.”

Only when he felt you tense up did he bring himself to look at you. You were sitting up with a straight back, eyebrows furrowed, lips slightly pursed. Your eyes were darting around and he watched a muscle twitch on your jaw.

He quickly looked away again, concentrating on Cleo again, before he could read you more. He couldn't help it, it was hard not to and turn it off. By now profiling was in his blood, it was a subconscious habit he couldn't always control, it just happened. You didn't want to get profiled, so he did what he could do to not use his profession on you. If it meant turning away and not look at you, even if he was only looking just to see you, he'd do it.

Also, he knew that he was biased; another reason why he shouldn't. What he would see and read would not be accurate. Usually, this was not a problem, he could read body language and micro-expressions with a 99,42% accuracy, since he'd do it with a neutral stand. But right now it was personal.

What ever Spencer would see in your non-verbal communication, he was too involved to not let his judgement get clouded by his feelings for you, his hopes and his fears. He would only see what he wanted to see, or what he not wanted to see, depending on which part of his heart was winning at the moment; the confident and hopeful part, or the insecure and anxious part.

“That's... That's nice. Do you like it?” He wished, he knew what you were thinking right now. Your tone didn't give much away on how you were feeling, but you seemed a bit more relaxed to him.

“Yeah, it's fun. There are some key topics on the curriculum I have to cover of course, but other than that I have pretty much full reign over the subject matters. Learning is more fun when it is about something you're really interested in, so I take suggestions from my students for a lot of the lectures. It's been paying off already.” He smiled proudly. “They contribute more and most grades have gone up.”

Slowly, the longer you talked as the evening proceeded and the sun slowly began to set, he let himself go, allowed his heart to open up and he welcomed the prospect of having you back in his life – to what ever extent it may be, even if only as a friend if that was what you wanted.

His heart had leaped when you shared you weren't seeing anyone and it hadn't slowed down it's pace ever since. Both of you had been talking and asking about it in the most complicated and conspicuously inconspicuous ways one can ask 'are you dating someone?'.

Not only this, but you wanted to spent more time with him. Spencer couldn't believe his luck. It was almost too good to be true and he feared he might wake up from this wonderful dream any minute.

He could tell how nervous you were when you asked him; hands and voice shaking, fingers fidgeting with Cleos leash in your lap, your eyes not daring to meet his.

"Tonight is this big bonfire at the Benson's farm, you know, the one with the apple orchard? I was thinking of going and.. maybe if you- I mean, if you are free tonight and want, uh- Would you like to go with me?"

There was nothing he'd rather do, nowhere he'd rather be.

After a short stop at your apartment to bring Cleo home and for the both of you to freshen up, you made your way to the farm. It was a fairly short drive and the roads were mostly empty as it got later, a bright full moon illuminating the way now.

When you arrived, there weren't too many people present. It felt more like a large family gathering than a big event. At a decent distance were benches placed around the huge bonfire, there was a tent where various beverages and a few food options were served. Next to it stood a truck from the fire department and an ambulance; a precaution if the fire got out of control or someone got hurt.

The air smelled of smoke and burning wood, french fries, beer and Mrs. Benson's home made apple pie.

Sorry, Mr. Benson's apple pie as Spencer learned some time after you arrived. You introduced him to the hosts and you started to talk about a new recipe for the pie filling you had tried to make and Mr. Benson explained what he would have done different than the recipe you found had stated.

The Benson's were nice people – he had met them once when he had accompanied you to the farm to get apples and honey. You had gotten closer to them since then, dropping by to help them out from time to time, especially when it was time for the harvest.

He had to catch his breath as his heart fluttered, his eyes glued to your face as he watched you talk with old man Benson. The way your eyes wrinkled at the corners when you smiled and the excited glint in your eyes, how the fire painted beautiful orange patterns on your face as the flames danced high, fuelled by the soft breeze; combined with the silvery light of the full moon shining bright. You looked ethereal.

Spencer became increasingly aware of said man's wife and her three friends, who stood a little farther away. The women were whispering to each other and kept looking over, one of them not so subtlety pointing at the both of you. They weren't talking badly, not at all; they were smiling and giggling as they were talking, nodding at what the other ones were saying, swooning with their hands over their hearts from time to time.

It could only mean one thing – and he wasn't sure if he should be embarrassed about it, or not: that he all too obviously for everyone around looked as love struck as he felt; utterly bewitched by your beauty, completely head over heels, truly madly and deeply in love with you in every way, a total goner who was worshipping the ground you were walking on.

Thank god for the warm shine of the fire, or they would be able to see the blush rising up his neck in this moment as well... He just was glad that he had finished his piece of pie before this, otherwise he'd probably stand here with an open mouth and the fork frozen in mid air as he was looking at you. Now, that would have been a good picture.

What he didn't know though, was that they weren't just talking about the smitten look on his face, but yours as well. The longing glances you shot his way whenever he wasn't looking, how you were orbiting around him like the earth around the sun, a magnetic pull to each other that not even the both of you seemed to realise you had as you unconsciously stepped closer to the other when you stood too far apart. They talked about the fact, that you looked at Spencer with such a happy and beaming smile they hadn't seen on your face in a long time.

And that they could tell how hesitant and shy the both of you were about getting closer.

It's not like he didn't want to, believe me. The urge to hold your hand or wrap his arms around you – to kiss you – was still burning in every fibre of his body and it got more and more challenging to hold back, the longer he was around you. Leaving out the tiny part in him that was still afraid of getting rejected, he didn't want to impose on you by acting on it. He didn't want to possibly make you uncomfortable, so he left it to you to initiate any physical contact.

Admittedly, this was very much a bad plan if you were doing the same and were waiting for him to make the first move. However, the universe seemed to take matters in its own hands again.

Spencer had to remove himself from of the situation for a moment to restore some of his composure and not ogle you non-stop; especially not in front of all these people. He let you know that he would get the both of you something to drink and asked what he should get for you; when he came back, Mr. Benson had left.

For some time you stayed close to the fire, until he saw you lift your hand to fan yourself some air. “Too warm?”

You let out a small laugh and smiled at him. “Yeah, it starts getting a bit too much.”

He took the now empty cup from you and with a tilt of his head he signalled you to follow him. He gave the cups back to the person behind the make-shift bar counter and you walked a little farther away, putting some distance between you and both the tent and the fire. And the people too actually, the majority had gathered close around the flames in small groups.

“That's much better”, you sighed. “I like a nice fire as much as the next pers- oh.”

Before you could finish, you lost your balance when a body collided with yours from behind. You stumbled forward and Spencer instinctively reached out to catch you – he got a hold of your arms with a firm grip on them right above your elbows as you fell into him, bringing up your own hands to hold onto his shoulders.

“Oh, dear, I am so sorry, I must have tripped over something. Are you okay?”, the voice of a woman came from behind you.

Neither of you let go of the other as you turned to face her. Spencer recognized her as one of the women that had talked with Mrs. Benson earlier and the look on her face told a whole different story than her words; that she wasn't sorry at all and that it had been deliberately planned to bump into you.

“I'm okay, no worries. Are you?”, you asked her and quickly scanned her for injuries.

“Ooh, I'm good. I'm good...”, she replied, almost in a sing-sang kind of tone and a wide smile on her lips. She snickered softly and walked away, her hand raised with a lazy kind of flick in her wrist as a wave good-bye.

The both of you watched her walk away, baffled.

“Okayyy”, you let out as you kept your eyes on her for a moment longer. “As long as she didn't twist her ankle or something.”

You turned your head, and just like earlier in front of your apartment, it seemed like you only just now realised the position you were in when your eyes met his. How close you were and that you were still holding on to each other.

Only this time, you didn't pull away.

The world around him seemed to fade away, time standing still, as he held your gaze. Your breath hitched and when his eyes flickered down to your lips, Spencer felt your grip on him tighten, subconsciously pulling him closer to you. His heart was in his throat and it beat so loud that he was sure you were able to hear it. He let his eyes wander back up and when he saw that you were looking at his lips as well, he threw all caution in the wind and just... did it.

He let go of your elbows, took your face in his hands and leaned in, hovering his lips over yours for a short moment to give you an out, to give you time to pull away, but you didn't; instead you closed the small space that was left between you.

A long and deep sigh rumbled in the back of his throat when your lips met and he pulled you closer; as you leaned into him, your hands moved higher until your fingers were tangled in his hair, slightly tugging on it.

When you pulled back – more than reluctantly, but the both of you were still in public – , you were panting, your breaths mingling as your faces were still so close to each other. Spencer kept his eyes closed for a moment longer, not quiet ready to open them yet, afraid that when he did, he would wake up from an incredibly vivid dream.

“I'm sorry”, you suddenly choked out, which made him open his eyes in an instant. Tears were streaming down your face and you took a step back, keeping him at arms length. “I am so sorry, Spencer.”

“Hey, what's wrong? Talk to me, please.” Your emotions had changed so suddenly, he didn't know what happened, what made you cry. He wasn't sure what he should do, how he could help you calm down.

“I'm sorry”, you repeated, shaking your head.

“What for?” Did you regret letting him get close to you again; kissing him? Did you regret, that you hadn't just closed the door right in his face as soon as you had seen him this afternoon?

“Everything!” you choked out. “For how I acted all the time and for leaving like that, for leaving when I did. That I didn't contact you even once. For saying all those things, it wasn't fair. It never was. You didn't deserve it. I was so mean for no reason...” You sniffled and wiped the back of your hand under your nose. “I regretted every word the moment I said it, I didn't mean any of it. I couldn't stop talking and it was like I was losing control over myself and it all just came out and-....”

“Hey, I know...” Spencer took a small step closer to you. “In that moment it hurt, yes. And it took a lot of time until it stopped hurting; sometimes it still does. But I get it. You were scared. Some people get angry and lash out at the people around them when they are scared, especially directed at the person they are scared for; everyone reacts different. It's a totally normal reaction, I don't blame you.“

A sob came over your lips, your face twisting in pain. “Please don't be like that...”

His brows furrowed, a short and sharp pain in his chest. “Like what?”, he breathed out.

“So understanding... I acted like a total bitch to you! You should hate me... Why don't you hate me?” Your voice broke and got smaller with every word.

The corners of his mouth slightly raised to the whisper of a smile and Spencer closed the distance between you, lifting his hands to cup your cheeks. He wholeheartedly meant what he said next; there was not one thing he could think of that would change anything about it.

“I could never hate you.”

“You were shot. You needed me and left you alone and-”

“I've had worse. Before that day in Texas and certainly after”, he trailed off and softly shook his head when your brows furrowed even more, pain and fear so evidently in your eyes; he could tell that you knew he wasn't talking about anything related to the break-up.

“It's okay, I'm okay.” Spencer brushed your tears away, holding your face so gently in his hands as if you'd break into a million pieces if he wasn't careful enough. By the looks of it, you may very well would. Not a risk he was willing to take.

You opened your mouth to say something, but he stopped you from asking what had happened after, by placing his thumb over your lips. “Not tonight.” Gently, he brushed his thumb over your bottom lip to the corner of your mouth. “We'll talk about it all and I will tell you everything, I promise. Just.. not tonight, okay?”

He wanted to stay in that little bubble you had created a little longer and ignore everything else but the feeling of having you back in his arms, being able to kiss and hug and touch you again, he just wanted to revel in your presence and your love. Everything else could wait; the guilt, the talking it out, the pain and especially all the bad stuff he had held back.

You pulled him closer by the collar of his jacket until there was no room left between you. For a second you fought with yourself, your eyes darting back and forth between his like you were looking for something in his gaze before you acted on what you wanted to do. Then-

“I love you.”

Before he could say, think or do anything else, Spencer dove down and pressed his lips against yours, smiling widely into the kiss. His heart was racing and he felt like a huge burden had fallen from his shoulders that he didn't even know he had been carrying. When he pulled back he rested his forehead against yours, his eyes closed. “I love you.”

He couldn't hold back his own soft laugh when he heard you giggle happily before you said: “I can't believe you still want me...”

“It's you. It's always been you and it always will be you.”

#spencer reid #spencer reid x reader #spencer reid x fem!reader #spencer x reader #spencer reid fluff #spencer reid fanfiction #criminal minds #criminal minds fanfiction #ghosts can write #💜 s.r.#--- mismatched🧦

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cripplecharacters · 6 months

Text

The Mask Trope, and Disfiguremisia in Media

[large text: The Mask Trope, and Disfiguremisia in Media]

If you followed this blog for more than like a week, you're probably familiar with “the mask trope” or at least with me complaining about it over and over in perpetuity. But why is it bad and why can't this dude shut up about it?

Let's start with who this trope applies to: characters with facial differences. There is some overlap with blind characters as well; think of the blindfold that is forced on a blind character for no reason. Here is a great explanation of it in this context by blindbeta. It's an excellent post in general, even if your character isn't blind or low vision you should read at least the last few paragraphs.

Here's a good ol’ tired link to what a facial difference is, but to put it simply:

If you have a character, who is a burn survivor or has scars, who wears a mask, this is exactly this trope.

The concept applies to other facial differences as well, but scars and burns are 99% of the representation and “representation” we get, so I'll be using these somewhat interchangeably here.

The mask can be exactly what you think, but it refers to any facial covering that doesn't have a medical purpose. So for example, a CPAP mask doesn't count for this trope, but a Magic Porcelain Mask absolutely does. Bandages do as well. If it covers the part of the face that is “different”, it can be a mask in the context used here.

Eye patches are on thin ice because while they do serve a medical purpose in real life, in 99.9% of media they are used for the same purpose as a mask. It's purely aesthetic.

With that out of the way, let's get into why this trope sucks and find its roots. Because every trope is just a symptom of something, really.

Roughly in order of the least to most important reasons...

Why It Sucks

[large text: Why It Sucks]

It's overdone. As in — boring. You made your character visibly different, and now they're no longer that. What is the point? Just don't give them the damn scar if you're going to hide it.

Zero connection with reality. No one does this. I don't even know how to elaborate on this. This doesn't represent anyone because no one does this.

Disability erasure. For the majority of characters with facial differences, their scars or burns somehow don't disable them physically, so the only thing left is the visible part… aaand the mask takes care of it too. Again, what's the point? If you want to make your disabled character abled, then just have them be abled. What is the point of "curing" them other than to make it completely pointless?

Making your readers with facial differences feel straight up bad. I'm gonna be honest! This hurts to see when it's all you get, over and over. Imagine there's this thing that everyone bullied you about, everyone still stares at, that is with you 24/7. Imagine you wanted to see something where people like you aren't treated like a freakshow. Somewhat unrealistic, but imagine that. That kind of world would only exist in fiction, right? So let's look into fiction- oh, none of the positive (or at least not "child-murderer evil") characters look like me. I mean they do, but they don't. They're forced to hide the one thing that connects us. I don't want to hide myself. I don't want to be told over and over that this is what people like me should do. That this is what other people expect so much that it's basically the default way a person with a facial difference can exist. I don't want this.

Perpetuating disfiguremisia.

"Quick" Disfiguremisia Talk

[large text: "Quick" Disfiguremisia Talk]

It's quick when compared to my average facial difference discussion post, bear with me please.

Disfiguremisia; portmanteau of disfigure from “disfigurement” and -misia, Greek for hatred.

Also known as discrimination of those mythical horrifically deformed people.

It shows up in fiction all the time; in-universe and in-narrative. Mask trope is one of the most common* representations of it, and it's also a trope that is gaining traction more and more, both in visual art and writing. This is a trope I particularly hate, because it's a blatant symptom of disfiguremisia. It's not hidden and it doesn't try to be. It's a painful remainder that I do not want nor need.

*most common is easily “evil disfigured villain”, just look at any horror media. But that's for another post, if ever.

When you put your character in a mask, it sends a clear message: in your story, facial differences aren't welcome. The world is hostile. Other characters are hostile. The author is, quite possibly, hostile. Maybe consciously, but almost always not, they just don't think that disfiguremisia means anything because it's the default setting. No one wants to see you because your face makes you gross and unsightly. If you have a burn; good luck, but we think you're too ugly to have a face. Have a scar? Too bad, now you don't. Get hidden.

Everything here is a decision that was made by the author. You are the one who makes the world. You are the person who decides if being disabled is acceptable or not there. The story doesn't have a mind of its own, you chose to make it disfiguremisic.

It doesn't have to be.

Questions to Ask Yourself

[large text: Questions to Ask Yourself]

Since I started talking about facial differences on this blog, I have noticed a very specific trend in how facial differences are treated when compared to other disabilities. A lot of writers and artists are interested in worldbuilding where accessibility is considered, where disabled people are accepted, where neurodivergence is seen as an important part of the human experience, not something “other”. This is amazing, genuinely.

Yet, absolutely no one seems to be interested in a world that is anything but cruel to facial differences. There's no escapist fantasies for us.

You see this over and over, at some point it feels like the same story with different names attached.

The only way a character with a facial difference can exist is to hide it. Otherwise, they are shamed by society. Seen as something gross. I noticed that it really doesn't matter who the character is, facial difference is this great equalizer. Both ancient deities and talking forest cats get treated as the same brand of disgusting thing as long as they're scarred, as long as they had something explode in their face, as long as they've been cursed. They can be accomplished, they can be a badass, they can be the leader of the world, they can kill a dragon, but they cannot, under any circumstances, be allowed to peacefully exist with a facial difference. They have to hide it in the literal sense, or be made to feel that they should. Constantly ashamed, embarrassed that they dare to have a face.

Question one to ask yourself: why is disfiguremisia a part of your story?

I'm part of a few minority groups. I'm an immigrant, I'm disabled, I'm queer. I get enough shit in real life for this so I like to take a break once in a while. I love stories where transphobia isn't a thing. Where xenophobia doesn't come up. But my whole life, I can't seem to find stories that don't spew out disfiguremisia in one way or the other at the first possible opportunity.

Why is disfiguremisia a default part of your worldbuilding? Why can't it be left out? Why in societies with scarred saviors and warriors is there such intense disgust for them? Why can't anyone even just question why this is the state of the world?

Why is disfiguremisia normal in your story?

Question two: do you know enough about disfiguremisia to write about it?

Ask yourself, really. Do you? Writers sometimes ask if or how to portray ableism when they themselves aren't disabled, but no one bothers to wonder if maybe they aren't knowledgeable enough to make half their story about their POV character experiencing disfiguremisia. How much do you know, and from where? Have you read Mikaela Moody or any other advocates’ work around disfiguremisia? Do you understand the way it intersects; with being a trans woman, with being Black? What is your education on this topic?

And for USAmericans... do you know what "Ugly Laws" are, and when they ended?

Question three: what does your story associate with facial difference — and why?

If I had to guess; “shame”, “embarrassment”, “violence”, "disgust", “intimidation”, “trauma”, “guilt”, “evil”, “curse”, “discomfort”, “fear”, or similar would show up.

Why doesn't it associate it with positive concepts? Why not “hope” or “love” or “pride” or “community”? Why not “soft” or “delicate”? Dare I say, “beauty” or “innocence”? Why not “blessing”? “Acceptance”?

Why not “normal”?

Question four: why did you make the character the way they are?

Have you considered that there are other things than “horrifically burned for some moral failing” or “most traumatic scenario put to paper”? Why is it always “a tough character with a history of violence” and never “a Disfigured princess”? Why not “a loving parent” or “a fashionable girl”, instead of “the most unkind person you ever met” and “total badass who doesn’t care about anything - other than how scary their facial difference is to these poor ableds”? Don’t endlessly associate us with brutality and suffering. We aren’t violent or manipulative or physically strong or brash or bloodthirsty by default. We can be soft, and frail and gentle and kind - and we can still be proud and unashamed.

Question five: why is your character just… fine with all this?

Can’t they make a community with other people with facial differences and do something about this? Demand the right to exist as disabled and not have to hide their literal face? Why are they cool with being dehumanized and treated with such hatred? Especially if they fall into the "not so soft and kind" category that I just talked about, it seems obvious to me that they would be incredibly and loudly pissed off about being discriminated against over and over... Why can't your character, who is a subject of disfiguremisia, realize that maybe it's disfiguremisia that's the problem, and try to fix it?

Question six: why is your character wearing a mask?

Usually, there's no reason. Most of the time the author hasn't considered that there even should be one, the character just wears a mask because that's what people with facial differences do in their mind. Most writers aren't interested in this kind of research or even considering it as a thing they should do. The community is unimportant to them, it's not like we are real people who read books. They think they understand, because to them it's not complex, it's not nuanced. It's ugly = bad. Why would you need a reason?

For cases where the reason is stated, I promise, I have heard of every single one. To quote, "to spare others from looking at them". I have read, "content warning: he has burn scars under the mask, he absolutely hates taking it off!", emphasis not mine. Because "he hates the way his skin looks", because "they care for their appearance a lot" (facial differences make you ugly, remember?). My favorite: "only has scars and the mask when he's a villain, not as a hero", just to subtly drive the point home. This isn't the extreme end of the spectrum. Now, imagine being a reader with a facial difference. This is your representation, sitting next to Freddy Krueger and Voldemort.

How do you feel?

F.A.Q. [frequently asked questions]

[large text: F.A.Q. [frequently asked questions]]

As in, answers and “answers” to common arguments or concerns.

“Actually they want to hide their facial difference” - your character doesn’t have free will. You want them to hide it. Again; why.

“They are hiding it to be more inconspicuous!” - I get that there are elves in their world, but there’s no universe where wearing a mask with eye cutouts on the street is less noticeable than having a scar. Facial differences aren’t open wounds sprinkling with blood, in case that's not clear.

“It’s for other people's comfort” - why are other characters disfiguremisic to this extent? Are they forcing all minorities to stay hidden and out of sight too? That’s a horrible society to exist in.

“They are wearing it for Actual Practical Reason” - cool! I hope that this means you have other characters with facial differences that don’t wear it for any reason.

"It's the character's artistic expression" - I sure hope that there are abled characters with the same kind of expression then.

“They’re ashamed of their face” - and they never have any character development that would make that go away? That's just bad writing. Why are they ashamed in the first place? Why is shame the default stance to have about your own face in your story? I get that you think we should be ashamed and do these ridiculous things, but in real life we just live with it.

"Now that you say that it is kinda messed up but I'm too far into the story please help" - here you go.

“[some variation of My Character is evil so it's fine/a killer so it fits/just too disgusting to show their disability” - this is the one of the only cases where I’m fine with disability erasure, actually. Please don’t make them have a facial difference. This is the type of harm that real life activists spend years and decades undoing. Disfiguremisia from horror movies released in the 70s is still relevant. It still affects people today.

"But [in-universe explanation why disfiguremisia is cool and fine actually]" - this changes nothing.

Closing Remarks

[large text: Closing Remarks]

I hope that this post explains my thoughts on facial difference representation better. It's a complicated topic, I get it. I'm also aware that this post might come off as harsh (?) but disfiguremisia shouldn't be treated lightly, it shouldn't be a prop. It's real world discrimination with a big chunk of its origins coming out of popular media.

With the asks that have been sent regarding facial differences, I realized that I probably haven't explained what the actual problems are well enough. It's not about some technical definition, or about weird in-universe explanations. It's about categorizing us as some apparently fundamentally different entity that can't possibly be kind and happy, about disfiguremisia so ingrained into our culture that it's apparently impossible to make a world without it; discrimination so deep that it can't be excised, only worked around. But you can get rid of it. You can just not have it there in the first place. Disfiguremisia isn't a fundamental part of how the world works; getting rid of it won't cause it to collapse. Don't portray discrimination as an integral, unquestionable part of the world that has to stay no matter what; whether it's ableism, transphobia, or Islamophobia or anything else. A world without discrimination can exist. If you can't imagine a world without disfiguremisia in fiction... that's bad. Sad, mostly. To me, at least.

Remember, that your readers aren't going to look at Character with a Scar #14673 and think "now I'm going to research how real life people with facial differences live." They won't, there's no inclination for them to do so. If you don't give them a reason, they won't magically start thinking critically about facial differences and disfiguremisia. People like their biases and they like to think that they understand.

And, even if you're explaining it over and over ;-) (winky face) there will still be people who are going to be actively resistant to giving a shit. To try and get the ones who are capable of caring about us, you, as the author, need to first understand disfiguremisia, study Face Equality, think of me as a human being with human emotions who doesn't want to see people like me treated like garbage in every piece of media I look at. There's a place and time for that media, and if you don't actually understand disfiguremisia, you will only perpetuate it; not "subvert" it, not "comment" on it.

I hope this helps :-) (smile emoji. for good measure)

Mod Sasza

#mod sasza #disfiguremisia #face difference #mask trope #writing trope #writing resource #writing reference #writing resources #writing advice #writeblr #writing tips #long post #burn survivor representation

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cheeseceli · 5 months

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Dream of you

Pairing: hwang hyunjin × Gn!reader

Genre: angst, a little of fluff, friends to ??

Prompt: "I don't want to want you, but in my dreams I seem to be more honest. And I must admit, you've been in quite a few"

Warnings: none I'm aware of, please feel free to correct me if needed!

A/n: I felt a little bit like a genius in the last paragraph ngl. Let me know what y'all think about it | join the 1K event!

Falling in love with his best friend was not what hyunjin wanted.

Sure, the friends to lovers trope was adorable in books and movies. There's something amazing about the feeling of falling for someone who you know will catch you. It must be an incredible feeling to be understood and loved in the same amount by someone who has been there with you way before any romantic feelings could develop. Then you know that the feeling is real, deeper than the skin and will last longer than a passion.

It is, indeed, an amazing feeling. However, it is way more terrifying than what fiction portrays it like.

He couldn't tell exactly when it happened, when he fell in love with you. He remembers how you got along well with his members and how his mother always asks about you. Even kkami likes you. Maybe he fell for you when he felt you were closer to his world than ever. He also remembers how some acquaintances would constantly ask for your number and how you commented about how jeongin was cute and funny once. Maybe he realised his feelings when he felt that he could lose you forever.

Either way, he felt it was wrong. He didn't want to want you. So why did he feel like he was made for you?

Lately he started to dream about you. He dreamt about how it'd feel to wake up with you and to walk side by side. Sometimes he wasn't even in the dream, the only thing he could see was you and your smile. It was like you were always on your golden hour. You couldn't seem to get out of his mind.

Those oh so romantic nights became sleepless nights after a while, with him not wanting to fall in love with you even after closing his eyes. But that didn't seem to be so smart considering he would spend those late hours on the phone with you, muffled giggles and whispers.

He didn't want to fall for you. He tried to say countless times that it meant nothing, that you were just friends. But he knows it's all lies. He's fallen for good, and the only thing he can do about it is wait for the night to come so he can see you again, be it either through the phone or with his eyes closed.

Masterlist | you'll probably like: 305

Thank you for reading <3

Taglist (open!): @yuyubeans @dandelions-143

Credits for image 1 , 2 and 3

Dividers by @cafekitsune

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lu-is-not-ok · 2 months

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Sonya themed ask jumpscare

Of his design, there are a few things to note. First is how he wears a strap full of bullets on his leg [though he hasnt yet been seen with a gun to my knowledge, its in his bag maybe?] but bullets in The City are notoriously expensive, and while Hermann did mention how he 'burned all that cash' I must wonder why he wanted them in the first place is he already carries a perfectly suitable weapon.

Smaller details that stuck out to me are the eye like pattern on his goggles, and his hair. Namely the lite specs of blue in it and how it was described as 'hyaline' - a word both relating to a form of cartilage and a way to describe something with a glassy appearance.

Onto his role in the story going forward: I believe that cantos 1-3 all set up the three major forces we shall be dealing with for the remainder of the story. N corp with canto 1, Demians group in canto 3 and the Yurodiviye in canto 2. Now at first it was unclear how exactly the YRDY would be able to have as much influence as the other two, but TKT sorted it all out. While Hermann represents the power held from corporations and Demian the power gained from the outskirts/stars/things that aren't fully understood, Sonia then stands as the representative for the power of people - namely in terms of tenacity and shear staying power.

He very clearly has connections to both Hermann and Demian, through both the chat at the end of canto 2 and the fact he's got the mark. This puts him in the position that oddly enough many though Asaeh was in before his icon was fixed, as one wearing multiple hats for his own gain. He does not hide his cause.

He actuallt reminds me a lot of Ayin. However this is already quite long and my brain is currently a plate of scrambled eggs so I shan't elaborate further. Plus I am not sure if what I've got is actual analysis or my desperate want to talk about Ayin again.

Only tangentially related but the author of C&P has also written a book called 'White Nights'. Neato.

That's all for now, we got like 2 hrs til we hopefully get a teaser and I'm bring so normal about it. I swear.

Ok let me go through this one paragraph at a time because Sonya is one of those characters that makes me go a little insane as well. Read more because. Yeah.

Point 1 - The Bullet Strap

The design detail of the bullets strap on his leg is intriguing and one I didn't notice initially. I went through to look through Canto 2 CGs of Rodya's flashbacks and all the Yurodiviye related character sprites in the recent Intervallo to check if this is something that's a part of the standard Yurodivy uniform and what I've found is... interesting.

For Canto 2 Yurodiviye, the only one whose legs we see clearly is flashback Rodya, and she doesn't seem to have that same strap as Sonya.

However, for TKT, something interesting happens. All of the Yurodiviye in District 20, including the Detective captain of their group, wear straps on the same leg as Sonya... except instead of bullets, the straps have a bag attached.

That difference in uniform between Rodya and this branch of the Yurodiviye is notable because of how differently they see Sonya. Rodya sees Sonya as someone with big ideals but not enough initiative to actually see them through, meanwhile the District 20 Yurodiviye look up to him so much as to call him a Saint, a term which we recently learned can refer to the most high-ranking members of the Dieci, the association that deals with knowledge (thank you Dieci Meursault uptie story). This difference in opinion would explain why these Yurodiviye are more invested in mimicking Sonya's uniform more closely, whereas Rodya's seemed more distinct and thus more distant.

Of course, the difference between the straps holding bags for the Yurodiviye while it holds bullets for Sonya is not lost on me. As you mentioned, bullets are expensive, which means it makes sense for the District 20 Yurodiviye to not be able to afford them and thus resort to using the strap to hold something else to have it still serve a similar function. Though it does bring up the question you posited: how was Sonya able to afford his own bullets?

It's important to note we don't ever get to see whether or not Sonya had the bullet strap before Rodya left the Yurodiviye. The only CGs we get to see his legs in are ones where his current self invades the flashback Rodya is having. If he got that after she left, it's possible his cooperation with N Corp granted him enough support to get the ammunition. Note that if Hermann is to be believed that Sonya would burn any and all cash he was granted, it's not impossible for N Corp to just give him bullets out right instead.

On a more symbolic side of analyzing his design, the bullet strap is a subtle way to show Sonya's own turn towards more direct action after Rodya left, while also emphasizing how he goes about that more direct action.

Just like a gun firing its bullets, Sonya's "direct" action is him telling people around him to do the deeds for him. Whether it's through inspiration like the District 20 Yurodiviye, or whether it's through networking and sending his people out to take money from the rich like we see in Canto 2. He's not the bullet actually breaking through a wall, he's merely the finger pulling the trigger. He aims and gives command to fire, but that's where his involvement ends.

Point 2 - The Goggles and Hair

This is something I touched upon in another post I made about Sonya, so I'm gonna be brief. Sonya's visual design with regards to his eyes, hair, and accessories, has a dual purpose.

For one, it implies that Sonya is albinistic. The color of his eyes, the lack of pigment of his hair to the point it's described as glass-like, and the inclusion of eye protection and gloves (accessories that is lacking in other Yurodiviye) points towards that idea.

This directly correlates with his own tendency to try and avoid the spotlight and redirect it to others whenever possible, see my point earlier about how his direct action involves sending other people out to do his bidding + his actions before and during the game in Canto 2 are all in favor of pulling attention away from him, such as deflecting Aida's comments about him by calling her the protagonist of life, or constantly asking Rodya questions to put the spotlight on her.

For two, it makes his design a direct opposite to Rodya's, matching with their opposite tendencies with regards to being put in the spotlight. Rodya's design is notably plain for what you'd consider a Slavic woman, with wheat brown-blonde hair and blue eyes, whereas Sonya's is extremely distinct with his purple eyes and hyaline hair.

And yet, like I mentioned earlier, Sonya is the one that wants eyes off of him, while Rodya is constantly trying to be the center of attention whenever possible. They're major foils to one another down to their visual designs.

Point 3 - Sonya and Yurodiviye's spot in the story

Ever since the first batch of Cantos, Sonya struck me as a sort of double agent between the New League and Demian's Blue Man Group. We know that he clearly has connections with both, but the fact that the color his name is put on in the dialogue box is purple, the mix of red (associated with the New League) and blue (associated with the Blue Man Group), only further adds to that idea.

Plus, I feel like his attitude towards Mirror Worlds and their usage should also be pointed out. Whereas Demian directly states he wants the Mirror Worlds to be left alone, comparing their exploitation to that of stealing chips from a bag, Hermann is on the other spectrum of that through wanting the desctruction of all Mirror Worlds.

Sonya is somewhere in between, clearly wanting to make use of them to bring about what he sees as his ideal world, but not wanting to touch them beyond that.

I think the above fact combined with how he acts in the Canto 2 post credit scene is leading to the possibility of Sonya outright betraying Hermann and the New League, which would make sense with how his side is meant to represent the common people. Project Moon ain't subtle about their critique of capitalism, so it only makes sense for Sonya to eventually turn on the representation of the power the Wings hold.

Which, speaking of that, I want to note how Hermann manipulated people to her side through exploiting Mirror Worlds. Yes, her main goal is to destroy all of them, but she's willing to twist the truth when trying to get other people to her side. With her and the New League representing the power of the corporations, those empty promises and white lies feel especially fitting. That sort of "Well if you join us we will keep This One Specific World You Want alive just for you" and "Well since we're already destroying them wouldn't you like to destroy this specific part of each of them with us" shit she's been pulling.

Point 4 - WAIT WHAT DO YOU MEAN WHITE NIGHTS IS ALSO A DOSTOYEVSKY REFERENCE-

Ok. No. Anon, you can't drop a bombshell on me like that. WhiteNight is one of, if not the most important Abnormality to Lobcorp and thus Project Moon lore. It's one of the Carmen abnos. It's the final Abno boss alongside Apocalypse Bird. It's symbolically tied to the White Nights and Dark Days event through its name, one of the most important events in the fucking series.

And. Here's the thing Anon. If that's true, then that means Dostoyevsky's works being consistently important to PM lore is no longer just a coincidence, it's a pattern.

You see, there's another important Crime and Punishment reference in this series outside of Rodya's existence, it being the other abno tied to WhiteNight.

One Sin and Hundreds of Good Deeds.

You see, this abnormality's name? It's a reference to a fucking quote from Crime and Punishment, and a pretty notable one in that!

Now, mind you, the exact wording in the version of the quote is a bit different, likely due to differences in translation, but it's pretty fucking close don't you think?

One Crime, One Sin. Thousands of Good Deeds, Hundreds of Good Deeds.

Add to that the fact that One Sin is always the first abno you get in every LobCorp playthrough AND acts as an instant alternate way to defeat WhiteNight, and the fact that these two are both named after Dostoyevsky references should start raising some eyebrows.

With all of that pointed out, I'd like to adress the potential importance of both Sonya and Rodya in the wider plot of Limbus Company, based on the fact that Dostoyevsky references have been highly important to the lore from the very fucking start.

Let's start with Sonya. He and the Yurodiviye are in a bit of a unique spot compared to all the other factions Limbus Company is contending with. While sure, both the New League and Blue Man Group have a leader who is directly tied to one single sinner (Hermann tied to Gregor, Demian tied to Sinclair), we see that it's not an exclusive connection.

We know from Canto 5 that Rim, someone from the League of Nine, is definitely a part of the Blue Man Group, and the New League has not only two former members of the League of Nine (and is named to be a replacement for that group), but also Jia Huan of Hong Lu's family fame is there too for some fucking reason.

Sonya and Yurodiviye are thus far the only faction that is only connected to one single Sinner - Rodya, and thus only connected to a single source - the works of Dostoyevsky. The fact that Sonya is all but stated to be the connection between the two other groups and the effect he's had on the City thus far only add to his future importance. I don't think I need to go on about that for much longer.

That only leaves Rodya's importance undiscussed. Thus far she's the only Sinner to have recieved a "second Canto" in the form of TKT heavily focusing on continuing her character arc, but that doesn't really say much. For all we know we could see something similar be done to both Gregor and Sinclair at some point in the future. No, there's something a bit more subtle potentially going on with Rodya.

However, to explain this, I need to go on a tangent.

Let's put this out here: The Little Prince is the single most important book with regards to Limbus Company's running themes and motifs.

The "Seeing with the eye vs Seeing with the heart" motif is the single most long-running and important theme throughout the work. Demian directly says the fucking quote at the end of Canto 3 and consistently references the Little Prince whenever he appears. Blue Man Group is set up to be the ones who see with the heart, while the New League and N Corp as a whole are set up to be the ones who see with the eyes. Eyes and Hearts keep coming up in random places all over Limbus. The fucking name of the game and company itself, Limbus, can refer to two different parts of the body - corneal limbus, a part of the eye, and limbus of fossa ovalis, a part of the heart.

Why is all of this important? Because two of the Sinners explicitly have their symbols be a Heart and an Eye respectively, that being Rodya and Hong Lu. Add to that the fact that, similarly to Rodya and Sonya, Rodya and Hong Lu are essentially foils of each other with regards to how they view the world , and the fact that they're assigned the numbers 6 and 9, which in numerology are associated with yin and yang, which we know PM loves making references to spirituality and religion, and all of this is just a big ol nothing Game Theory that I'm just spitting here.

The rundown is this: Rodya and Hong Lu are both associated with symbols that are seemingly tied to key motifs and themes of Limbus Company and PM games as a whole. Rodya's focus through TKT and her connection to the one faction that isn't tied to any other Sinner makes her stand out. PM seems to fucking love making Dostoyevsky extremely important for some fucking reason.

All of this to say I would not be surprised if Rodya turned out to be one of the most important Sinners out of the cast.

...This post was supposed to be about Sonya. Whoops.

#lu speaketh #ask #anon #limbus company #lcb analysis #limbus company analysis #sonya lcb #rodya lcb #rodion lcb #timekilling time #limbus company intervallo 6.5 #limbus company spoilers #im so normal about this fucking game i swear

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cowboydisaster · 1 year

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Hiiiiiiiiiiiii!!! ❤️❤️❤️❤️ i would love a scene with Arthur and fem s/o cuddling up together and just chatting away about life and her telling him how handsome and attractive he is! also a bit of smooching if that’s okay with you! ❤️

Sweet Dreams

pairing: Arthur Morgan x fem!reader

word count: 1.4k

summary: cuddles, kisses, and sweet dreams

a/n: Thank you for this lovely prompt! I really wanted to write some fluff, and I love this prompt. It's simple, sweet, heartwarming love, and I love that. The fluff in this is teeth rotting, no warnings necessary, and no smut, just cuddles and kisses. Also if you've noticed, I started putting my taglist at the bottom cause it takes up too much space up here.

You can't sleep. Your eyes run over the open page of your book, the same paragraph you've read nearly three times without the words ever sinking in. Glancing at Arthur's golden pocket watch that sits on his table, you see that it's nearly three in the morning, and you sigh. The book you're reading has an incredibly slow exposition, and you're left wondering if anything is ever going to happen as you slam the pages shut, tossing the book next to the watch. You leave the candle lit, and just as anxiety starts to plague your mind from the late hour, you hear footsteps approaching your tent. Then the canvas parts, and he walks through. As soon as his tired eyes fall on you, he smiles.

"You're back." You smile as Arthur comes forward. He looks tired, but not hurt or scuffed up. His black shirt carries some rust colored dirt, and the bags under his eyes are darker from not sleeping, but importantly, he looks safe and happy to be back. Being further south has brought out some of the freckles across his nose, and you smile, seeing that more have popped up today. All the worry and the boredom float away once your eyes are on him, safe and home. He feels the same. Once he's in his tent, the sight of you in his bed waiting for him eases all his worries. In a few long, sleepy strides, Arthur comes over to the bed, cupping your cheek as he places a sweet kiss to the top of your head.

"You didn't have to wait up for me sweetheart, it's late." Arthur whispers, stepping back to unclasp his gun belt. He turns away from you to place the worn belt and guns on a crate across from the bed, and you watch as he takes his satchel off and begins to undo the buttons on his shirt.

"Couldn't sleep without you." You reply, yawning and earning a smile from Arthur. He turns back towards you, pulling the shirt over his arms. As he kicks his boots off, he catches your eyes, and sees the warm glint to them.

"Why you lookin at me like that?" Arthur chuckles, wondering if it's the sleep deprivation that has you looking at him with such dreamy eyes. You smirk at the little confusion on his face, the holes on his union suit, the way his hair sticks up in places from his hat.

"Because I love you, and because you're quite a catch, Mr. Morgan." You admit, heart thrumming with more love than you ever thought possible as he pulls his jeans off, rolling his eyes. Now fully dressed down in his union suit, Arthur stands over the bed, chuckling.

"I reckon you've finally lost it." He jokes, always terrible with taking compliments.

"Shush, now come to bed. I'm cold." You ask of him, holding the blankets open so he can come into the warm cocoon you've created. Quickly he blows out the candle, letting the smoke float up to the ceiling in swirling wisps. Then he climbs into bed beside you. Immediately you curl into his chest, nuzzling yourself against his warm figure tightly. He situates the thick blankets over the two of you, getting you all tucked in. Your nose tucks into his neck, and you hum at the way your bodies fit together so perfectly.

"Hmmm. This is better." You sigh as Arthur wraps his arms around you, pulling you closer into his toasty warm chest. His breathing, combined with the darkness soothes you, and though it would be easy to slip into sleep, you fight to stay awake and savor the moment. Arthur's fingers rub up and down your back, and yours grip onto his union suit, pulling him closer to you still.

"How was your day? You were gone a long time, I missed you." You remark, thinking back to Arthur leaving early in the morning.

“It was busy. Helped those two lovesick fools pass notes back n’ forth most of the day. Star-crossed lovers I guess, ones’ a Gray and the other a Braithwaite.” Arthur explains, running his hand up and down your back. You chuckle lightly against his skin.

“Lovesick fools? Are they as bad as us?” You ask, pressing a soft kiss to his chest in front of you.

“Not nearly.” Arthur smiles, leaning down to catch your lips. You lean up to him, meeting in a sleepy kiss. His lips are warm and familiar, a nice greeting after a long day. It’s over far too soon as you pull away for breath, nuzzling back into his chest to cuddle.

“A Gray and a Braithwaite? What a scandal.” You joke, knowing that it must be the talk of the town. Arthur snakes his hand between you two, gripping your hand with the one not tucked under your head.

“A scandal indeed. I felt like a goddamn paper boy, goin’ back and forth, but they paid me good.” Arthur adds, voice growing quieter. You can hear the chirping of frogs outside, and the gentle lapping of the river as he continues.

“What about you? What did you get up to?” He asks as you let go of his hand, sticking yours through the opening of his union suit, warming them against his radiating chest.

“The usual. Laundry, cooked dinner for Pearson, yelled at Micah which was fun.” You whisper, yawning, and Arthur presses a kiss to your hair.

“He buggin’ you again?” Arthur asks, pulling you closer to him as you toss a leg over his own, getting comfortable.

“A little.” You admit. Arthur nods, a wrinkle of concern between his eyebrows.

“He does it again, let me know.”

You nod, sighing and pulling your hands from Arthur’s suit. You wrap them around his neck instead, and pull him down closer to you. It’s almost like you can’t get comfortable, with the way you keep readjusting against him.

“What’s with you?” Arthur chuckles as you press against him as tightly as possible.

“I missed you.” You whisper, and a beautiful smile lines his lips as his hand cups your cheek.

You lean up to kiss him, lips locking together slow and sweet. There’s so much passion behind your actions, so much love. You give him access to your mouth, and his tongue gently prods inside. He pulls back for a breath, and then he’s coming back to you, tilting his head as he catches your lips again. You smile against his mouth, lips slotting together until you pull away.

“That you did.” Arthur chuckles, pressing one last, soft kiss to your lips, “I missed you too.”

You run your hands through his beard, looking up at him. Just enough moonlight trickles in to highlight his ocean-colored eyes. You look at the depth of them, then the little scar on his chin, and the bend of his nose.

“You’re beautiful.” You exhale, looking over his perfect features, wondering how you got so lucky. Arthur scoffs as if humored, leaning his head back for a second.

“What–” He starts, but you stop him.

“Stop it. You are. Look at you. You’re strong and tall and you have the most strikingly beautiful eyes I’ve ever seen. Your nose, and your scars, your beard and your lips– I love everything about you…” You admit, truthfully. Your heart swells with love, so much that it could burst as you look up at him. His arms grow tight around you, and he pulls you back flush against his chest, resting his chin atop your head.

“I don’t deserve you, y’know that? You’re far too good for me.” Arthur chuckles, covering up the deep emotions that he feels with laughter. You shush him, not having any of it.

“Stop bein’ mean to yourself. Put that mouth to better use, and kiss me again.” You ask of him, and with a chuckle he does. His lips meet yours in strewed, slow kisses, but you can barely keep your eyes open as your lips begin to fall slack against his own.

“Sweetheart?” He asks with a small smile, pulling away from your lips.

“Hmm?”

“Get some sleep, alright?” He asks, hand on the back of your head as he pulls you against his chest.

“Okay Arthur,” You mumble, eyes already closed, “Sweet dreams.” You tell him, and he smiles bright at the way sleep seems to have clouded your mind.

“Sweet dreams, darlin.” He replies, holding you close.

taglist: @margofiore @mrsarthurmorgan7 @woman-with-no-name @tillith @luvliewriting @pine4pple-b0i @photo1030 @dudsparrow

#arthur morgan #arthur morgan x you #arthur morgan x female reader #arthur morgan x reader #arthur morgan x y/n #red dead redemption two #red dead redemption 2 #rdr2 #rdr2 fanfic #arthur morgan fluff

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edenfenixblogs · 8 months

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hey, gentile here. just came across this post of yours and, first of all- it's SUPERB. it showed me a perspective on being a jewish ally that i really wouldn't ever have considered by myself, made me more confident in my choice to put combating jew-hatred above the friendships I've recently lost, and gave me a really useful direction on where to go as an ally to jewish people onwards. that being said, there's a few details about it I'd like to press you about, if it's not too much trouble.

this point is probably worthy of an eyeroll as i'm a culturally christian atheist (making a concious effort to not be *that* kind of atheist), but: when you refer to G-d as the creator of all things, you stress that that includes evil- but that, in so doing, G-d is not evil themself. now, I'm asking this with the express purpose of you correcting me, so: why does this G-d- as a G-d fundamentally distinct from the Christian conception of God as a Super-Mega-Ultra-Perfect God Who Can Do No Wrong Ever- create evil? i, personally, have been led to believe by @/spacelazarwolf that it is simply because G-d, too, makes mistakes just like any human being, but the way you worded it in this paragraph (which I've included as a screenshot below) had me interpret G-d creating evil as a concious, intentional action. did i just not read it correctly? and, if i didn't, then is the reason G-d creates evil part of this central struggle you went in detail into in the same paragraph, and as such, a very individual part of Jewish belief that no two jews agree on? and if that is so, would you be comfortable with sharing your version of it?

a few paragraphs after that one, you dedicated many words to make it absolutely crystal clear that, in the process of unlearning and combating jew-hatred in the society around me, i should, in spite of the vitriol that they propagate, love the former friends i lost to antisemitism. how- and *why* should i love the people who, on an early october 8th morning, actively celebrated the news of a massacre of Israeli civilians? who mocked- and still mock- the survivors and the families of hostages? who wield the memory of the holocaust as a baton against Jewish people's right to self defense? who deify terror groups who are up to their necks in atrocities? who make an active effort to spit on the face of *reality?* How could i possibly look at the face of a friend who chose allegiance to a terrorist group she did not even know existed four months ago over me- who she had actively interacted with for much longer?

would you rather we called ourselves "gentiles" or "goyim?" I've been calling myself a gentile for the longest time because i see jamming a word from a language i don't speak at all in an otherwise english sentence to be disrespectful and constitute appropriation, but you and other jumblr blogs have given me the impression that that is not the case. furthermore- i believe it was @/bambahalva who pointed out the usage of the word "gentile" in antisemitic segregation policies.

that is all- i hope this message finds you well. oh, yeah one more thing- what do you think of The Forward news network? i came across them by chance and next thing i knew I'd gotten into their newsletter.

WARNING: I HAVE FINISHED WRITING THIS AND IT'S LONGER THAN I EXPECTED AND ALSO MORE JEWISH THAN I EXPECTED LOL! I have done the most Jewish possible thing I could do and answered all of your questions with questions. I'm sorrryyyyyy! This is what happens when you grow up surrounded by rabbis and future rabbis! LMAOO

Oooh! What a good ask! I love this ask. OK, so! Let's go in order.

First of all, thank you so much for your kind words. And thanking you for backing your words with the action of prioritizing kindness over hatred. It matters. More than I can ever explain. Thank you.

You know, it's funny. People ask me a lot of questions about i/p that they think will have simple and straightforward answers that just don't. And I end up writing a lot of essays because of this. The questions you wrote me seem like they should be complex, but feel relatively straightforward to me.

Now, to your first bullet point: I don't know. I truly do not know. I think that G-d is fundamentally just...G-d, and in so being, G-d is truly unknowable to me. I think many Jews have many different interpretations on why G-d creates evil. I'm no rabbi, but one of my BFFs is and so is her mother and great grandfather. That doesn't give me any kind of authority. It just means I've spent a lot of time thinking about theological questions like this. As for my perspective, I'm a progressive/reform Jew, not a humanistic Jew. I do actually believe in G-d, but I vibe with the community philosophies of Humanistic Judaism a lot. So that's the perspective I'm coming from here:

I'm not a particular fan of the Book of Job, because I think it gets twisted and interpreted in Christian ways more than most Hebrew books and it can too easily be twisted into a "Don't question G-d, because G-d is perfect" narrative that I find to be fundamentally at odds with how I practice Judaism. Also, it's just a very sad story about how a good and kind man lost everything, and it makes me sad to think about. HOWEVER, that traditional "Don't question G-d" narrative is not how I learned to think about that book. The way I learned it, I believe the Book of Job describes this issue most explicitly. After Job loses everything he holds dear and talks to all his friends and begs again and again "Why? Why did G-d do this to me? Why would G-d do this to me when I'm a good person?" And basically G-d hears everyone answering for G-d with various reasons, "Maybe you were bad." "Maybe you should make an offering" Maybe this. Maybe that. And eventually G-d responds from within a storm (paraphrased of course) 'Why the fuck do you think it's your business to know? I made the whole universe! I made everything you see. I made the world that gave you your family in your first place. Why do you think you get to question my motives?'

The way I always interpreted that is: I don't fricking know! It's not really my business. What am I gonna do? Stop G-d? How does my knowing why G-d creates evil help anything? It doesn't mean we don't question G-d. It means we should instead focus on what we CAN control. I can't make 10/7/2023 not happen any more than I could stop The Holocaust or form an ocean. That's divine business, not human business. What I CAN do is make the world better now. What use is it challenging things that we cannot change? Things that are in the past? What's the point of asking why bad things happen when we can instead focus on stopping more bad things from happening. G-d named us his people when Abraham fought with G-d to stop the destruction of Sodom and Gomorrah. Abraham repeatedly asked, "But are you sure? But what if there are 100 good people? 50 good people? 10 good people?" And G-d kept responding, basically, 'I mean, there aren't. I know this cuz of how I'm G-d and know all the things. But knock yourself out looking.' My interpretation of this was that G-d doesn't get mad when we do our utmost to help our fellow human beings. G-d gets mad when we waste our energy that we could be using to help our fellow man to instead be angry and rage futilely against the past. I say this as someone with PTSD as someone who attempted to stop a tragedy from occuring and failed and can never understand why. What informs my trauma and what makes it so hard to get past isn't that G-d allowed it to happen. It's that people did. It's that I begged for help before it happened--over and over and over to dozens of adults in various positions of authority in order to prevent this terrible thing from happening (no, I will not now or ever disclose what that thing is). And all the people who could have helped failed me, and now two people are dead. Because someone did an evil, evil thing. And a bunch of other people let it happen. I'm not mad at G-d. I'm mad at people. And yet, I also know that hating people and finding reasons to dismiss them and despise them is what leads to more tragedies like that happening. So, despite my rage, truly the only thing to do is to love people. It's the only that helps. It's the only thing that repairs the world. It's the only thing that we can control. So, in short, my answer to "Why does G-d create evil?" is "Why should I spend my valuable time on earth trying to answer that question when, instead, I can spend that same exact amount of time asking millions of people, 'How can I help? What's wrong, and how can I help make any part of it better?'?" We don't need to understand G-d to make the world a better place. I'm fine leaving G-d stuff to G-d and spending my time on the human stuff.

Now, your second bullet point. Love their souls. You don't have to love what they've done. But they are human beings, as are we all. I think this can also easily be twisted into the Christian framework of "Hate the sin, love the sinner," but that's not what I mean at all. People's evil deeds are a part of them. They need to take responsibility. There is no divine absolution for crimes that people do unto each other in Judaism. If you harm a person, G-d cannot forgive you for that. Only the person or people you harmed can forgive you. And to a certain degree, we are all defined by our actions toward others. And so, no. I do not forgive the terrorists who woke up and decided to kill a bunch of Israelis and Israeli-adjacent humans. I do not forgive those who celebrate the deaths of Israelis because of some misguided sense of justice. I do not forgive the people who continue to send me hatred and death threats day after day after day after day. And I do not love the parts of them that did and do those horrible, unforgivable things. But my goodness. They were babies once. They either had parents who love(d) them, which is so sad, because they have this life of love and they chose instead to fill it with so much hate. Or they didn't have any parents or loved ones or anyone to guide them and, my goodness. That is so sad. How terrifying and alone that must feel. Maybe they have friends and family who love them and are instead wasting their precious time on this planet directing their energy at raging against me and 15 million other Jews they've never met. Or maybe they don't have anyone who loves them and they think that hating me and harming me will bring them some sense of purpose and joy. What a horrid way to live.

My Grandpa died last year. I have a wonderful family for whom I'm very grateful, and I even have good memories with my Grandpa. But he was not a good person. He came from an abusive home, and weaponized that abuse on his loved ones until he drove them all away. He was a narcissist. Not in the pop psychology sense. But in the actual clinical sense. He ruined every relationship that ever mattered to him--personal and professional. And in the end, because of his own actions, he died alone. He had pushed everyone so far (often with legal threats and action) that when he died, he laid on a slab for weeks because nobody could figure out who to call, because he had no one left. (For reference, Jewish burials are supposed to happen rather quickly and two weeks is...not good.) He was the only person in his generation who was not born in Israel--my family on his side has lived in Israel since looooong before even the British Mandate and he was the only person in his family born and raised in the US. As far as we can tell, the family on that side has been in Israel for as long as Jews have existed. He was religious. And while I've never been to Israel or met any of my family there, he did go. And he kept in touch with his relatives there before driving them away too. He was a wealthy man, but convinced himself that everyone only wanted him for his money and then decided to horde it instead. He left nothing to his children or to me. He left all his money in an endowment to his university--a place that uses that money to fund anti-Israel organizations now. He died alone, without his family that lived nearby, and with a legacy that will now cause active harm to the family that lived far away. He could have died surrounded by the loved ones from around the world who wanted nothing more than to be near him and loved by him. His story is a tragedy. The story of every person who chooses hatred over love is a tragedy. The story of someone who woke up and chose to murder others or to delight in the death of others is a tragedy. I love the soul in the center of these people. I loved my grandfather. I could not be around him. I cannot forgive some of the things he said and did. But I love the person he could have been. I love the part of him that gave me some good memories. I love the family he gave to me.

No, we do not all need to love or forgive those who have wronged us or terrorized us or murdered our loved ones. But that is different from mourning a human soul. From loving the potential of a human soul to do good in the world, and mourning the loss of that soul and its potential. Every human being--every single one no matter what they have done in their lives--has the potential to create goodness and make the world a better place. Every moment of every single day is a new chance to meet that challenge and do our best. Sure, not all of us have it in us to try our best every single moment. Sometimes life is hard and we're sad and tired and hungry and angry. And that's ok, because we have tomorrow, and an hour from now, and a minute from now. But the moment someone chooses to take action and decides that action should be to cause another harm or celebrate the harm that was caused? That's a tragedy. And when a life is extinguished, that is a life that loses its potential to try again and do better. We shouldn't love people because we deem them worthy of love. We should love people because they are people. And so are we. And how wonderful is that? I could choose to hate them. It would be so easy! But why should I do that? What do I gain? What do they gain? And isn't it so wonderful that I chose to love instead? And isn't it so wonderful that you can, too?

As for your final bullet point: I have no preference. I say goyim cuz it's easier for me. Goy/gentile/non-Jew are all fine to me. I have some icky feelings about the word gentile for a variety of linguistic reasons I won't bore you with. But some other people don't like when non-Jews appropriate Yiddish words. Others (including me) find it wonderful when non-Jews call themselves goyim. All my closest non-Jewish people call themselves goyim, including my sister! Non-jew is the most neutral in English and least likely to offend anyone. But it still separates Jews as an other whereas "goy" is a way to distinguishing yourself from Jews while also being an acknowledgment of our culture. As far as I'm concerned as long as a goy is being a goy (ally, positive) rather than a goy (derogatory) I don't mind that they call themselves goyim. LOL! Idk, friend. Do what makes you happy! What do you prefer?!

Regarding The Forward news network: They are a reliable Left-Center source with a high credibility and reporting rating and only one failed fact check in the past five years for which they issued a correction. I would consider them a reliable source. They cover legitimate issues of people who support Palestinan self-determination ostensibly being punished for their stances. They publish Op-eds critical of Netanyahu, who is terrible. And they address how antisemitism is harming diaspora Jews. They seem to consistently emphasize the humanity of everyone, which you can tell based on the rest of my post is very important to me, but they also avoid over-editorializing on news that is not in the Op-Ed section. I'll never endorse any source as perfect or guaranteed to be free of problems or harm or bad takes, but they do seem to make a genuine effort to be factual, clear, and wholly truthful. Note: I highly recommend that everyone installs the Media Bias/Fact Check extension on their web browsers. Get in the habit of checking and evaluating sources critically. It's a skill that will serve you your whole life.

@clawdia-houyhnhnm I hope this helps. And thank you for your thoughtful ask and commitment to intercultural understanding. <3

#ask me stuff #clawdia-houyhnhnm #leftist antisemitism #antisemitism #jewish muslim solidarity #jewish goyim solidarity #Judaism #jewish culture #jumblr #how to help #allyship #media literacy

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crumblinggothicarchitecture · 5 months

Note

I read your fake smart-girl coded Taylor Swift post. Ended up on my feed because it was tagged philosophy. It was long enough that I caught a few words and actually read it. Honestly thought it was satire until I read your answers to other people.

I do not care about TS. But I do care about philosophy. You have a degree in it ? Funny, I have one too. You've read Aristotle ? I did too. But did you read though ? Did you really get into philosophy, and heard what the people you, I'm sure, can quote really well, actually said ? Because what it looks like, is that you got a degree in philosophy, but did not get philosophy at all. What makes me say that ? Your attitude, and that paragraph :

"Also, for the record, I don't think Taylor Swift knows anything of substance about Aristotle. I, on the other hand, took a three-hour long oral exam over Aristotle's life work while out-of-my-mind-high on Dayquil and pain meds after a surgery. I got an "A", and, somehow, I lived through that, I doubt the validity of Swift's claims to know anything at all about philosophy. Especially, considering how all her songs are about as deep as a puddle. "

Sounds like you're here to show off, and to make yourself look like something, without having a clue what it means to have the inclination of a philosopher. Or you know what it means, and you've lost it somewhere along the way.

If you've studied philosophy, and actually took time to read and understand the words of philosophers, you know not one of them would condone your attitude, the way you use their names, the way you're making your arguments. Having an A for an exam on Aristotle does not guarantee that you'll be able to make good arguments for the rest of your life. Nor does it guarantee that you understand his work, or are good at philosophy. It just means that, at one point, on a very specific part of Aristotle's work, you had enough knowledge to be rewarded with a good mark. It stops there. It does not mean anything else. Even if it was for your master's thesis. Sure, you know more than TS about philosophy and she fakes knowledge in her songd, but is showing off your grade and putting yourself as the center point of your argumentation the best way to convey that message ? No. You're trying to put her down by putting yourself above others. To anyone with a sense of philosophy, it just looks like you're a student who never understood the works he/she read, and focused on grades and others' approbation instead.

You care about your degree ? Re-read the books and make use of your ability to understand them. Not as a way to show off, but as a way to lean into the attitude a philosopher might have.

You write posts using philosophy ? Make it palatable to others, and show its uses. Be humble. Same thing for literature. The people whose books you read, they want knowledge to be spread. Studying philosophy should have, at the very least, helped you see that. The degree you got is here to push you to continue doing what all previous philosophers and writers did before you got to read them. Otherwise, your degree serves no purpose, other than satisfying your ego. At least, that's how it looks in that post.

Anyway, it'd just be nicer if you used your degree to show the benefits of philosophy, rather than to stroke your ego. Think about Socrates for a while. He asks questions, he makes simple arguments, he rarely talks about himself, he wants others to learn. That's the idea. Not showing off. Not being an ass to a girl you've never met. But being open for discussion, and make sound arguments, for others as well as yourself. What was the point of you fixating on the misuse of 'soliloquy' ? What did it bring to others ? And your anger towards TS, why ? Why write a whole post about it, shove it in her fans' face, what's the point ? Did anyone get anything positive from that ? And why bring your degrees and grades into the mix ? Anyone can make an informed and sound argument, even without a degree. What did it give you to say all those things ?

Fyi, I was taught philosophy in France. I know people in America and the likes get taught philosophy differently than how its done here. Wouldn't be surprised if there was a cultural difference in the way we understand the discipline. I've got a master's degree in the subject, and six years of study under my belt, if that matters to you. Was top of my class also. And I've lived with a philosophy teacher for eight years, too. In case you try saying I have no place speaking about philosophy the way I do.

There is barely anyone who gives a damn about philosophy. You're one of the few who cared about it enoigh to study it. Make good use of your degree, and don't be an ass to others.

Let me give you a piece of my mind, because, honestly, my dear friend, what are you doing?

Is this some kind of moral flex in which you prove to be the better person because you’ve never implied that there’s no way a certain person knows anything about Aristotle? You want to seem like the better person, because I took one single cheap-shot at Taylor Swift’s intelligence amid a full literary explanation as to why she is using a specific term wrong? Are you joking? You want to call into question my entire education? Because I said Taylor Swift is not as “deep-thinking” as she claims? Okay, yeah... you’re right I guess that makes my entire education invalid. My bad. I’ll go rip up my degrees.

First of all, let’s address your arrogance. You write, “Sounds like you are trying to show off, and to make yourself look like something, without having a clue what to means to have an inclination as a philosopher” (para.4) in response to me saying Taylor Swift probably doesn’t know anything about Aristotle. Yeah, obviously that line is a quick jab at Taylor Swift. So, what? Am I writing an essay? No. Am I writing a journal article? No. Am I writing to a conference committee with a submission of my finest work? NOpe. I’m saying that I would bet money that I know more about Aristotle while suffering the effects of surgery-induced delirium. It’s not that deep. It’s not meant to be a deep, philosophical take on the nature of Taylor Swift’s work. I’m throwing a metaphorical tomato at her, while yelling “boooo.” So, what? You say, “Play nice.” No. Taylor Swift is not my student, nor my friend. I, thus, have no obligation to try to teach, guide, or help Taylor Swift understand anything. I’m not her philosophy teacher, and, you know what, I don’t think she cares about philosophy at all. You know why she name-dropped Aristotle? It rhymes with “full-throttle” and “Grand Theft Auto” (Swift “So High School”). I’m laughing at her so-called poetical lyricism. In the same breath, I’m judging her for relegating Aristotle to a cheap throw-away line in a dumb pop-song in which she sings about how her football boyfriend makes her feel like she’s 16 again. It’s so mind-numbing.

I’m sad. It’s not anger that compels me, but sadness and disappointment. I’ve been a fan for nearly 15 years and my original post came from lamentations about outgrowing an artist I once respected. Granted, I might have been angry while writing that post (sue me about it).

I do respect Taylor Swift’s work enough to criticize it, however, do not twist my words to mean that as an attack on her personally. I do not wish harm to other human beings, yet it is worth noting that I talk in many other posts about my disgust towards her immoral actions. Even still, most of my posts about Taylor Swift are linguistic or literary criticisms meant to help me process this absolute let-down of an album. I’m also just practicing my literary criticism abilities (I start Grad School in like 2 months, so I’m trying to keep my skills sharp). It’s all low-stakes. And, you’re mad at me? You think I’m being mean? Why? You think that I’m “being an ass to a girl [I’ve] never met”? (para. 8). Taylor Swift is not a girl, first of all, she is older than me and I’m a grown woman. She is way richer, and way more powerful too. What is your point?

Let’s talk about the next line in question: “What is the point of you fixating on the misuse of ‘soliloquy’? What did it bring to others?” I’m fixating on the term soliloquy because Taylor Swift has been using this faux literary/ dark academia aesthetic to sell her records for years now. She’s wears “my coat” (if you catch my meaning). She’s using my real-life study as a way to sell shoddy, sloppy records. I’m going to call that out. Despite her using all the aesthetics of academia, she’s not intelligent enough to even just use the term soliloquy correctly. I noticed it right away, and so did many others. If she can’t even get small details correct about literature, why should I believe that she even knows anything about literature at all? It destroys her creditability. I’ve taught students the term ‘soliloquy” as high school kids. It’s not too much to ask for the biggest pop star in the world, and someone who claims the title of “good” writer, to teach herself what a soliloquy actually is before using it in a song just because it sounds similar to “sanctimonious.” If it’s wrong, she’s just wrong. She could have hired an editor. Now, I won’t go into the context of the line here, too much, but the whole line is her calling her audience a bunch of sanctimonious morons who are talking to themselves. (Is Taylor Swift playing nice enough for you? I wonder....)

Let’s move on.

Now, let’s talk about your concept of “inclination of a philosopher.”

You are correct in saying that often teaching Philosophy varies remarkably from country to country. I was weaned on the analytic philosophy, whereas I believe the French are more continental. (Correct me if I am wrong.) So, the effect of this is that I am obviously quite blunt and fond of Aristotelian logic. Who doesn’t love a good syllogism? A funky little linguistic proof? Yes? Still, I must remind you that I wasn’t really making an argumentative point about actual philosophy in relation to Taylor Swift.

To the crux of the issue, however, I must say that I was actually showing the inclination of philosophy by correcting the intrinsic flaws of the songs I disliked so much. What is philosophy if not the spirit of seeking truth and wisdom? Critique and analyzing poetical works often tie directly into the philosophical field of aesthetics wherein the goal is true, fruitful, understanding on how literary devices and aesthetic representation actually function. If anything is also in effort of seeking truth, surely, you see that critique and correction is? And asking for better workmanship? I was only mad, because mining Taylor Swift work for aesthetic meaning is like searching for Gold in a parking lot. : (

Next point: “to anyone with a sense of philosophy, it just looks like you’re a student who never understood the works they read, and focused on grades and others’ approbation instead.”

First of all, this is rude. You don’t know me. You read my honest, brief anger, that I managed to condense into a couple lines in one single tumblr post, and that gives you the audacity to say I’m a bad student who sought grades above all else? Yeahhhhhhhhhhhhhhh................. Okay, tell me why I spent hours in study rooms and sent countless emails begging for guidance through things I didn’t understand. Tell me why, I’ve stood in front of people and blatantly admitted that I did not understand the readings. Learning takes time, and there is no shame in taking your time. Grades are just letters. What matters is how the strength of what you learn impacts how you act in life. I’ve learned my lessons with all the ferocity of a child falling down a hill and running back up it again. I know my own intentions, and you don’t. I mentioned my "A" in the post really just to lend credibility, through professorial authority (lol), to the fact that I think Taylor Swift is fake smart.

Next: SocRaTeS? You're Joking! What is he doing here?

In an eternal quest for my own understanding, I often returned to Socrates. Did you not see my profile picture? Socrates is my homeboy. If ever I get to choose how to die, I will die like Socrates. Willingly, and with a full-bodied credulity of my own philosophical stances.

You say, “Think about Socrates for a while. He asks questions, he makes simple arguments.” First, he does not make simple arguments. Is it not a syllogism? He writes full dialectical structures. This is some of the most complex stuff I have ever read. Let’s talk about why: Over the centuries, we’ve come to call it the Socratic method. This method includes discursive questions meant to make people question not only others on their reality but to question the most internal mechanisms of the mind. It asks them to think about why we believe or hold the beliefs that we do. He, famously, likens it to a child's development in the womb. The questions are meant as an external way to engage with mechanistic development of thought itself- thus we untangle the dangerous thread of rhetoric internal to our own rational minds. It’s a type of meta-analysis of the self-more than it a simple game of question and answer. Like children from the womb, according to Socrates, we must develop our rational minds too. And, above all else, the Socratic method seeks truth.

Socrates would approve of my literary criticism of Taylor Swift, because I am using it to seek a higher truth. And, in some way, I am inversely questioning my own reasons for seeking what I do. I enjoy poems for a reason. I like to ask myself why I like what I do, and what meaning it brings through my unique perspective. (Applied to others as well, I love to hear from others). I critique Taylor Swift not because I hate her, but because I want to engage with the aesthetic qualities of the material world that elevate my ability to empathize, to think, to engage, to feel the world around me. I love art. I love reading, I want people to write with intelligence. You know then, the soul-crushing feeling of realizing an artist is actually bad. She rhymed Aristotle with Grand Thef Auto... Socrates himself would shudder. Socrates would also recognize that aesthetic quality ought to undergo critique and beauty interrelates to moral value. He was of the belief, and I dare say I believe it too, that beauty, aesthetic beauty, can be likened to moral value through the identification of ways in which it reveals the truth of our very souls. To him engaging with aesthetics is one way in which to reach out and connect the metaphysical to the material, in such awe-inspiring ways.

Ever been moved to tears by a painting? I have, but the question is WHY? That is why I critique literature, poetry, art... music. Whatever I can get my hands on really. I really want to find out, WHY? why was I crying in the Art Gallery, right next to the ice cream shop and everything.

You are perhaps right that I could make more of an effort to explain my points, and also the "moral of the story" or what I hope other people will take away from what I wrote. I’m only ever critical of something if I care enough to either love it or wish it was better so that I could love it. To be honest, I didn't think anyone would read my silly vent post about Taylor Swift, but here we are. I could do better. I usually save my real efforts for my published work, though.

And you, my dearest colleague, are apparently spineless. If your conviction on philosophy is that we must all be kind and precious to each other for fear of causing offense, then I think your career will sink like a rock. Socrates was mean as hell, though not spiteful or malicious. He was mean in the sense of asking people to take a good, long hard look in the mirror. I would ask Taylor Swift to look in the mirror too, but she has a whole song about how she’s not going to do that (Anti-Hero). As you see, I hope that I am not spiteful either. But I do want people to be better and make better art. Socrates would say the same. I say what I say and I mean it. Because I am desperate for something true and beautiful and real. There is no one on earth above reproach. There is no school of philosophy which suggests passivity is tantamount to intelligence. I will not be passive.

You say: “Make it palatable to others. Be humble”

How’s this for palatable: No <3. Why diminish myself? Why should I obfuscate and dance around my own hard-won intellectual skill? Why should I dumb it down? It is not egotistical of me to use my own skillset. Does a doctor not save lives? Do they apologize for using their skills? Does a mechanic not do the same? Does the poet not also do the same? What of the critic?

I can be humble, though. Humility is being self-aware enough to recognize that some might have a skillset more advanced than your own. I seek guidance and consistently challenge myself in academic endeavors. I can recognize the authority others have just as well as I can recognize my own authority. I will not, however, shrink down because you think I’m being too know-it-all-y.

Humility does not require that I speak only when choking back apologies for the audacity I have to speak. I am not sorry. I spent the last 6 years of my life working on two degrees while working 3 jobs. It was hard. I’m proud of myself. If someone feels upset that I speak about the field of study I have fought to participate in, well, I genuinely don’t know what to tell them. Intellect is not a threat (to most). I would say, “if you have a question, ask it.” I actually am very friendly despite my sharp tongue. I am a teacher to my bones <3 and I love my job.

Anyway, if I missed any of your points, misrepresented them, or offended you greatly- my inbox is always open. And I love a good, well-structured argument. However, next time can we talk about actual philosophy instead of you just attacking my character, thanks. <3 Obviously, I took offense. I think you meant to offend me though, for whatever reason. Really, I did go back and crack open a few books to write this, double check some things, so thank you.

Did you get your graduate degree in America? Would love to know. I am planning on getting another Master’s after I am done with this first one. I want to study aesthetics ( LOL).

Ps. Why can’t people show off? I love when people have a talent that they aren’t afraid to share.

#philosophy #anti taylor swift #ex swiftie #english literature #literary criticism #socrates #philosopher in training- dont worry about it #english lit student #academia #aesthetics #literary aesthetics

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allthingswhumpyandangsty · 6 months

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I read your post about not letting kudos and hits upset us. I try to think this way but I'm curious about something else. I've written many fanfics for my fandom and they're all "flop". I don't mind that honestly. But then some writers have written only one fic about the ship I do and and it gets hundreds of kudos. How do some writers achieve that when I'm doing the same and it doesn't get the same response. What else can I do?

I’m afraid I can’t give you a definite answer about what you should do or why this person’s work is more popular, but what I can give you are some advice and, from my experience, some reasons that might explain why other’s works receive more hits and kudos.

start with why other writers’ works are more popular when it’s the same characters, same ship, same fandom. there are various factors at play that might be it;

maybe the person already has large audience base prior to their posting about the fandom you’re in, I know a few authors who already have these sorts of loyal readers that would read any work the authors posted even if they (the readers) were not in that fandom.

maybe someone, anyone, decided share the link to this person’s work on Tumblr or Twitter (X) or any social media platform, and it kind of became viral, thus it drew in lots and lots of readers. it could take just one person, didn’t necessarily have to be the author themself, to share the link among the fandom as a recommendation, or maybe a screenshot of one sentence from the fic that they liked, what happened next is that the replies were filled with people asking for the link.

tags and summary are important factors when people are looking for a fic to read. so maybe this person’s work is tagged with the content people were looking for? maybe their summary grabbed people’s attention or curiosity?

these are just what I can think of over the top of my head.

as for what you can do to gain more readers, I’ve never seen your work so the advice I can give will be a general one; I believe the trick lies in summary, tags as well as the format of one’s work.

when it comes to AO3 (I assume it’s your platform?), tags and summary are the main things people use to determine whether or not they want to click on the fic.

tag your content properly, what characters or pairings it’s about, as well as what the readers will find upon reading your work (you don’t have to spoil it, only the general tags that will give your readers an idea of what they’re in for).

summaries are just as important. there are no “rules” obviously, and I’m not telling you or any writers what to do. though a little advice that I personally take is that you use this little summary section AO3 gives you to do anything to make sure it stands out and that people will see it and want to click on it. that means leave “author’s note” out of the summary section. folks, AO3 summary is the first glimpse into the fic itself that people will see prior to clicking on it, most of the time, people look at the summary to see the author’s writing style and if what’s written, plotwise, grabs their interest. personally, when I see an author use “summary” as a place to write “author’s note”, chances are, I will scroll past that fic as I am interested in what the fic is about, not what the author has to say about their opinion on said fic or their personal life or anything (there’s an author’s note section for that) and if I can’t get a glimpse of what the plot is about or what the author’s writing style is from the summary section, then I won’t click on it, and will look for other fic that can get me interested instead.

moving on to fic format, again, I am not telling anyone what to do here. this is only a suggestion, an advice I’ve learned and want to share: when you write your fic, make sure to use line and paragraph spacing. if your 10k word long fic is one long block of text with no paragraph break, chances are, people will back away from it entirely. also, if it’s two different characters talking with dialogues, don’t put all of their dialogues in one paragraph. for instance, a paragraph for character A’s dialogue, then another separate paragraph for character B’s dialogue and so on.

and I think that’s it for my advice? however, I’ll say this again that the secret to truly enjoying your role as a fanfic writer is that you only focus on yourself. write whatever you want for yourself. it doesn’t matter if this person’s work is more popular, because fanfics and fandoms aren’t a competition. you are your main audience. just have fun creating the stories you want to create for you.

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hunnysnoops · 4 months

Text

˗ˋ𝕎𝕙𝕚𝕥𝕖 𝕋𝕖𝕖𝕥𝕙 𝕋𝕖𝕖𝕟𝕤ˊ˗

Chapter Six: Sweater Weather

Kyle Broflovski x fem reader

I don’t mind if there’s not much to say.

Premise: It may be possible that hatred is beginning to dissolve. Peace ensues or at least something similar to friendship.

Also available on Ao3 and Wattpad!

Warnings: mentions of blood and injury / crude humour

MASTERLIST

It felt weird sitting next to Kyle willingly on your sofa but you hadn't had much of a choice when the due date for your final project was cutting so close. You were in too much pain to fill the static silence of the room with mindless chatter that would grate in his head, so you stuck asking him which parts of the assignment were already done before settling back into silence.

He wanted to say something, he just couldn't figure out what. It was unnatural to the both of you.

Kyle was still wearing the same thing he had gone to school in, a simple t-shirt, flannel, and jeans- you had resorted to poaching clothes from your dad's closet while he was out of town for a concert. The second you and Kyle got to your place you ran upstairs to slip into a pair of well-worn sweats and one of your dad's old t-shirts from when he was on his college rowing team. His clothes were just about the only thing that didn't irritate your turf burn further than the red segments where your skin had been scraped off.

You had slathered some type of aloe vera ointment all over the burn on your shins and elbows which scent strongly resembled eucalyptus and florals, leaving you and Kyle to work on your Biology project in a living room that smelled like a Bath & Body Works.

"Do you wanna write about the genetic basis of behaviour or should I do that?" You had broken the fifteen-minute silence which seemed like a record for the both of you. Your parents would've been astonished if they were there to see the pair of you sit without insulting the other. The only sounds that filled the room were the rain beating heavily outside like it wanted to be let in.

"I got it, don't worry," He said absentmindedly, focused on making the slide show look presentable.

"I'm not worried," You answer. As much as you liked to complain to your friends about having Kyle as a partner, he was one of the few who actually did their portion of the work instead of texting you last minute that it wasn't finished. You were still suffering PTSD from having to work in a group with Cylde.

There were some beats when the stillness was growing so unbearable that it almost made you squirm, you fought the urge to put on a sitcom as background noise, knowing that you would get distracted and veer off from the task at hand.

You were disrupted by heavy thumps making their way down the stairs "Hey, Kyle," Weston said, making his way to plop himself between the two of you on the couch, a backpack in his lap.

"Hey," Kyle gives your brother a quick glance paired with a smile before his eyes shift back to the screen of his laptop.

"What are you wearing?" You squint your eyes while trying to read the text on his shirt "The worst day of fishing beats the best day of forcefully withdrawing in jail," The shirt had the graphic of a bass splashing around in a lake beneath the lettering "Where did you get that?"

"I bought it."

"With what money? You don't work."

Weston shrugs and there's the glint of a smile on his face. You stare at him blankly until he answers "Okay, fine, Uncle Richie bought it for me, it's an early birthday gift."

"Dad will kill you and Richie if he finds you wearing that."

"Good thing he's in Vegas seeing Doodle mood," Weston leans back, wedging himself deeper between the two of you in a silent attempt to separate you.

"Depeche Mode," You correct and Kyle huffs the briefest of laughs, a grin lingering on his face while he rakes through paragraphs to find spelling errors. He didn't look in your direction but you could see the slight curve of his lips and the smile lines forming around his straight nose "Why are you down here anyway?"

"To see my sister," He raises his chin, tilting his head in your direction to see the screen of your laptop "What the hell is Pathophysiology?"

"I think it's too big of a concept for you to grasp," You say. While Weston's heart was usually in the right place, his head certainly was not.

"Huh?" He furrows his eyebrows "What?"

"You're dumb, shrimp."

"Hey, I'm not above hitting an old woman," He points at you, finger almost touching the bandage over your nose.

"And I'm not above hitting a toddler," You push his accusatory finger down and away from you. Kyle tended to stay out of bickering between you and your brother, the same way you let him and Ike fight it out without interfering. It would be like disrupting the intricate ecosystem that was siblings "What do you actually want?" You look down at the backpack in his lap, it was dirty from all the places he dragged it to. Both of your parents had begged him to wash it for months and when he finally got around to it, it did nothing, like the grime had set into the navy blue cloth.

"Can you drive me to Dustin's?" His face morphed into a tight-lipped smile, feigning innocence.

You let out a long, exaggerated groan and throw your head back into the plush sofa. The rainy atmosphere didn't help you to stay energized, halfway through the school day you decided that you would take painkillers and not leave the couch. You should've predicted that your brother would make plans on the one night when your parents weren't there to drive him and you were lethargic from pain meds. "Dude, I have so much work to do," You really didn't, all that was left on your part was a couple of passages and a statistics graph, you still had a week until you had to turn the project in.

"Why do I even have an older sister if you won't drive me places? I wish I was a lonely child," He rolls his eyes, shaking his head in the slightest.

"It's only child, Wes, a lonely child is what you'll be when I sell you."

"Can you please drive me? We're having a hurricane party and I'm sleeping over."

"We live in Colorado, there aren't hurricanes, just wine-drunk tourists," You turn your focus back to your laptop, turning it away from Weston so he can't see you open a Wordle tab.

"Don't be lazy," He grabs your bicep and begins to shake it back and forth.

You pull your arm out of Weston's grasp "I'm injured, you should be waiting on me and nursing me back to health like a good brother."

"And you should drive me to my friend's house, like a good sister."

"I can take him," Kyle peeps up and Weston swerves his head to look at him.

"For real?" Weston asks.

"Yeah, I need to fill up on gas anyways, I can drive him down and swing back to finish the project."

"Are you sure?" Your eyebrows were slightly furrowed. Usually, these conversations ended with Weston shaking you down and getting what he wanted, whether it was you buying him v bucks or taking him to the movies.

"Yeah, I don't mind," Kyle shut his laptop and gingerly placed it on the coffee table, pushing himself off the couch.

"Sweet," Weston slinked off the couch, hopping over your legs and making his way towards the door but not before slapping the exposed turf burn on your forearm. He hadn't intended to hit you as hard as he did but the skin contact made an audible sound that echoed in the room. A hand flung over his mouth as he watched you jolt forward, jaw hanging slack and eyes wide while you gently held your forearm. The look on your face alone made him grab a pair of sandals and run out the door before he could even put them on or close the door behind him.

"Oh my god," You turn back to look at Kyle who was slipping into a pair of your dad's hiking boots since it was quicker than the century it took to lace up his Converse "Please drive him off a cliff."

"That would make your life too easy," Kyle looks up at you through a mop of red curls, hazel eyes imploring; they tended to look like different colours depending on the light source, at that moment with the dim living room light and dark skies looming outside they sparkled with the rich colours of autumn, a beautiful medley of amber, green, and gold, like fallen leaves swirling in the crisp, cool breeze "Nicer," He says.

"What?"

"For your wordle," He points at the screen of your laptop.

"Oh," You look at your screen where 'river' had been the last guess, you type in 'nicer' and surely all letters flip to green. "Thanks," You say "Uh, do you want money for gas or-

"No, I'm good," Kyle dismisses immediately "My cab services are free, you've done it for Ike more than I can count."

"Okay," You scrape the walls of your brain for something else to say "Drive safe, don't actually drive my brother off a cliff."

"Got it," He shuts the door behind him, shutting out the roar of a heavy downpour. The rain was powerful, a relentless cascade, each drop hitting the ground with force, creating a thunderous choir that drowns out all other sounds, evoking a sense of calm within you, albeit muffled by the walls.

"Is she mad?" Weston stood at the edge of the lawn, waiting by Kyle's car for him to unlock it. He held his backpack over his head in a feeble attempt to keep himself dry though it didn't work, his shirt was soaked and his hair was so full of the droplets that he had to shake them off like a dog at the beach.

"Super mad." Kyle pressed the button to unlock his car, the moment Weston heard the locks shift, he dove into the passenger seat "She's waiting by the door with a shotgun for when you come home."

"Is she actually?" His voice was one hundred percent serious, he fully believed Kyle despite your family not even owning a shotgun.

Kyle ducked into the white Nissan, he prided himself on keeping his car tidy so it was the exact same every time he entered aside from the air fresheners that he swapped out. "Nah, you're fine."

"Phew," He dropped the backpack to his feet "I like your car way more than my sisters, hers always smells like cigarettes and girl stuff."

"Girl stuff?"

"Yeah like deodorant," Weston scoffs.

"You should be wearing deodorant."

"That's what my mom says," He reclines back in the chair, taking in a deep whiff of the air freshener that smelled of Jolly Ranchers "I wish I had a brother but I guess you and Ike are kinda like brothers." It was one of those rainy days that came to mind when someone mentioned a storm brewing.

The skies were grey as cracked pepper, a steady, rhythmic pattern of rain creates a continuous murmur, a comforting white noise that enveloped the surroundings, each drop merging into a flow that washes over the earth. Overhead he could hear thunder rumbling like an angry god was stomping around in the clouds. Cozied up in Kyle's car, safe from the elements, Weston thought that would've been the perfect environment to fall asleep.

"Brothers are overrated," Kyle casually gripped the steering wheel as the rain hammered down on the windshield, the wipers working furiously but barely managing to keep up.

"So are sisters, you're so lucky that you don't have one."

"You're actually pretty lucky that you do have one," His eyes were fixed on the road, a blur of grey and blue on the pavement and his voice was flat "Especially yours, she really loves you."

Weston cast him a sideways glance like he didn't believe him but he didn't prod the topic any further "What are you guys gonna do tonight?"

"Finish our project then I'm headed home," He answers, what he thought to be truthfully.

The younger boy nods, turning his attention to the world outside of his window. He wasn't used to seeing you spend so much time around Kyle or share mutual stories from track or biology, he had always hoped the two of you would get closer and now that it was finally happening he wasn't sure if he liked it.

Kyle cast a look down to your brother, realizing that the talking was over for the time being, he cranked up the radio until Nirvana filled up the car. The trees lining the road swayed and shuddered under the weight of the wind and rain, their leaves rustling like whispers in the night. Kyle could feel the tension in the air, the electricity of the storm to come.

As they drove on in relative silence, the rain seemed to intensify, each drop striking the car with a force like bullets beating down on the roof of his car. He squinted through the windshield, the headlights carving out a narrow path through the darkness, revealing the familiar road ahead.

"I'm just gonna grab some gas up ahead."

"Where do gas stations get their gas?" Weston asked, a crease forming between his brows at the thought.

"Do you actually not know the answer?" Kyle instinctively looked at him with eyebrows furrowed with confusion despite the urge to keep his focus on the road.

"Like did they just find a spot where gas magically comes out of the ground or do they build it over a gas mine?"

"Weston," Kyle said, flat.

"Or is it from a gas pipe that runs underground?" Weston leaned forward in his seat, elbows resting on his thighs and hands clasped together like he was deep in thought.

"No, they build gas storage tanks under the pumps, there aren't gasoline pipes or mines or whatever else you just said," He was utterly perplexed by your brother and it wasn't the first time Weston asked a question that left someone shocked with its absurdity.

"What happens when they run out of gas?" He asks like an interrogation "Do they tear the gas station down?"

"No, they refill the gas tanks."

"How?"

"Tanker trucks deliver it and they just fill the tanks up when they run out."

"Okay, okay," Weston rubs his chin, humming "So where do tanker trucks get their gas?"

Kyle's hands go flat on the wheel for a brief moment "From gas stations."

"And they all get their gas the same way? would it be illegal if they got their gas in another way?"

Kyle maneuvered the car off the road and into the gas station. The fluorescent lights flickered slightly, casting a cold glow over the puddle-filled lot. He was quick to bring the car to a pump and step out, Weston's questions were becoming a little too much.

"Stay here, I'll run in quick then you can show me to your friend's house," he said, pulling up his tighter before stepping out into the downpour.

"Can you get me some beef jerky?" Weston sweetened his voice "Please." He watched Kyle shut the door and raise his voice slightly so the ginger could hear him "Teriyaki flavour?"

The cold rain immediately soaked through his shirt, Kyle wished he had worn a hoodie to keep some of the rain off his head as he stepped out of his car and into the stormy night. He glanced at the neon glow of the gas station sign, a small beacon of light amidst the darkness and the swirling tempest. The wind howled, pushing him sideways as he made his way to the pump.

He fumbled with his wallet, hands slick with rain, and managed to slide his debit card into the slot. The machine beeped, and he selected his grade of fuel, gripping the pump handle tightly as he began to fill his tank. The rhythmic sound of gasoline pouring into the car was almost drowned out by the rain hammering on the roof of the gas station canopy.

Kyle squinted through the downpour, seeing the lights inside the convenience store flickering. With a sigh, he replaced the pump handle, pocketed his receipt, and jogged towards the entrance, each step splashing water up onto his jeans. The automatic doors slid open with a whoosh, and he was greeted by the bright, fluorescent lights and the comforting hum of refrigerators lining the back wall.

The smell of coffee and hot dogs greeted him, a stark contrast to the cold, wet night outside. Kyle wiped dribbles of water off his brow and ran a hand through his damp hair, making his way to the 'Jack's Jerky' stand he grabbed a bag of the teriyaki as per Weston's request, and he grabbed one for the boy and a little baggie of sickly sweet gummies to give to Ike when he got home.

That was all he had intended to buy but his feet had carried him to the back of the rest stop to the coolers. He opened one, the chill air a refreshing break from the humidity outside. He thought back to which flavour of Powerade was your favourite and silently prayed it was still the same from three years prior when you went camping and stocked up on solely green apple Powerade. As he closed the cooler door, he heard the rattle of thunder outside, the storm intensifying.

He walked up to the counter, the clerk giving him a weary smile. "Rough night, huh?" the clerk said, scanning the drink. Kyle had expected that he would see Kenny behind the counter that night since he had informed him that he would be busy and he tended to take the graveyard shift over weekends for some extra cash.

"Yeah, I don't plan to be out long," Kyle reached into his pocket for his wallet, sifting through it until he found his debit card.

The man nods, typing something into the computer "This is everything tonight?" He looked up at Kyle.

"Yup," He offered a tight-lipped smile, swiping his card through before snatching the green apple Powerade off the counter.

"Stay safe out there," His voice was gruff like he had been smoking for decades and singing folk songs around a campfire.

"Thanks, you too," He walks back out through the doors faster than he entered, rushing to the car like he was trying to race the rain.

Weston peered through the foggy window, watching the rivulets of water race each other down the glass. The interior of the car felt warm and safe compared to the bleak, wet world outside. He glanced at Kyle, who was bracing himself against the wind, his silhouette blurred by the rain.

The doors slid open, and he dashed back to his car, rain soaking through his clothes almost instantly. He slid into the driver's seat, shaking off the water, and turned the key in the ignition. Kyle placed the Powerade into the cupholder, tossed the beef jerky over to Weston and tucked the gummies into his pocket, buckling himself in and readjusting himself until his hands had thawed enough to grip the wheel. "Okay, what's Dustin's address?"

Weston took one look at the green drink sitting between the two of them and looked back up at Kyle "Do you like my sister?"

Kyle nearly laughed, but he caught himself, recognizing the seriousness in Weston's voice. "What?" The tone his voice carried was utterly perplexed "I think there's something in that jerky."

"I'm serious, don't get any funny ideas," Weston spoke through a mouth of beef jerky, words muffled.

"I promise all of my ideas are very unfunny," Kyle shook his head, trying to focus on driving through the storm.

"Yeah, sure," Weston's voice was dripping with sarcasm.

Kyle felt his face flush, thankful for the darkness that hid his reaction. They drove in silence for a few more minutes, the storm raging outside, the only sound inside the car being the rhythmic swish of the wipers and the occasional rumble of thunder. Finally, the headlights illuminated the house where Weston's friend lived. His eyes weren't on Weston as he walked into the house but on the green bottle sitting in his cup holder.

By the time Kyle got back to your house, he was soaking wet, curls defined by dampness and clothes clinging to his body. "Is Kyle back? Is that him?" Your dad asked through Facetime to which you nodded "Turn me around I want to say hi."

Kyle squinted his eyes before recognizing it was your dad on the phone "Hey," He smiled "How's Vegas?"

"It is awesome," Your dad said "I got Ike and Weston these trucker hats," he held his phone away from him while he held up the merch "And I got you this hoodie, made me think of you," Your dad flipped the camera around to show the hotel bed where a black hoodie was sprawled out with the album cover of 'Violater' on the front.

"What did you get me?" You ask, turning your phone screen back to face you where you were bundled up and tucked into a corner of the sofa.

"Erm," He sucks a sharp breath through his teeth, turns his head and goes out of frame while he shuffles through some things. Your dad places his phone down, thinking that he has muted himself "Honey, what did we get for our daughter?"

"I dunno, we can buy her something at the airport." You hear your mom say "Can you tell her that I bought her ticket for the lock-in?"

"Oh my god," you can't bite back the smile you have purely from how ridiculous they are, looking at Kyle who has his eyebrows slightly raised.

"Gimme that, I wanna talk to her and Kyle," The phone shifts, and the view of the ceiling is replaced with your mother's face, she's holding the phone far out "Hi, guys."

"Hi," Kyle says half-heartedly.

"Did you guys read the storm warnings?" Your mom asks and continues before either of you has the chance to answer "There is a storm outside."

"Yeah, we know, we're in it," You say blankly.

"Yeah, big storm tonight," Your dad crams himself next to your mom so he can squish in frame "I got a notification from my weather app."

Your mom nods like this tame fact needed confirmation "He did."

In his damp pocket, Kyle feels his phone vibrate, his mother is on the other end waiting for him to pick up the call "Mom?"

"Kyle," Sheila says, she's on Facetime as well, wearing a blue silk heatless on the top of her head, red hair braided around it. It was the one you had gifted her for Secret Santa "Are you guys okay?"

"Yeah?" He furrows his eyebrows, looking up at you though you were just as clueless as he was.

"I want you guys to stay inside until this storm is over, there's gonna be hail and the last hail storm his not go well for you," This was very much true. The last hail storm was a year prior in early September, huge chunks of ice had plummeted from the sky in excruciating force. Kyle was at Stan's house when it happened, Sparky had gotten out and the two boys were desperate to chase him back outside but the hail only startled the dog further causing him to dash around the streets in a panic, not even resting for a moment. By the time Sparky was back inside safely, both boys had bruises cascading down their backs in an array of deep purples and reds.

Others weren't so lucky to get away with bruises. Butters had been hit smack in his head and had bled into Cartman's white headrest while being driven to the hospital. The poor guy ended up with five staples in a jagged line on the back of his scalp and a wicked scar to show for it.

"Is that Sheila?" Your mom asked, "I want to see her."

Both you and Kyle had turned the phone screens to face each other, trying to ignore the weirdness of doing so. "Hey," Sheila said, "I was just telling the kids to stay inside, there's a big storm down here."

"And hail," your dad added, matter-of-factly.

"There's going to be hail the size of tennis balls," Gerald hadn't heard your dad through the phone, you could hear him sink into the bed beside his wife.

"What?" Your dad asked "Gerald?"

Gerald peeped over at his wife's phone "How was the concert?"

"I know, crazy storm right," Your dad had taken his phone back from your mother and pretended that he could understand what was being said 562 miles away in the Broflovski household. "Kyle, why are you so wet?" He turned his attention to the boy awkwardly holding his screen out.

"He was driving Weston, you know this." You answer for him.

"In the storm?" Sheila asked.

"Don't go out in the storm," Your mom called from somewhere else in the room.

"Okay, I'm gonna hang up, we will stay inside you have my word," You wait for your dad to answer before hanging up.

"Okay, love you Jellybean, save me that gouda in the cheese drawer," His eyes shoot around the screen, in search of the exit button though, he taps around for a minute, muting then unmuting himself before finally hanging up.

Kyle had wandered off, slowly pacing around by the front door while nodding along to the things his mom was rattling off. It took eight minutes until Sheila finally let him go with one last goodbye "Okay, love you too, Mom."

"Uh," You look at Kyle, who was quite literally dripping on the floor, the white shirt beneath his flannel had turned translucent, clinging to the muscle of his stomach "Do you wanna shower or something?"

He looks down at himself his jeans wet and heavy before he looks back up at you "Yeah, I do."

You pry yourself off the couch, wrapping the blanket around your shoulders like a cape while you lead Kyle upstairs. You were forbidden from touching the thermostat without your father's permission and even though he was in another state entirely, you had a sinking feeling that some way he would find how so you thought it better to bundle up instead.

"Use whatever products, I don't really care," You open the door to the bathroom even though Kyle knew where everything in your house was and would've been fine on his own. To you, it felt like he was more of a formal guest than a friend and you had to show some form of courtesy. "I'll find you something from my dad's closet."

"Alright," Kyle says as you turn away, pushing the door to your parent's room open. You b-lined for the wardrobe, rifling through until you found plaid pyjama pants and one of his well-worn t-shirts that you had seen in pictures from his college years.

On your way back to the bathroom you stopped in your room to shove your feet into your cow slippers since the storm was quickly cooling your house down. Your knuckles wrapped on the door "Are you naked?"

"No," He answers. "Why are-

You push the door open and find him standing shirtless by the sink, looking at something on his phone while his wet shirt and flannel are hanging over the shower rod. Your eyes catch to the glucose monitor patch stuck onto his toned bicep before you catch your eyes shifting down towards the well-defined ab muscles, catching yourself within seconds and plopping the clothes onto the counter. "Taking mirror pictures?" You joke halfheartedly.

He turns his phone around to show you his 'mySugr' app where he had been checking his glucose levels "Yeah, something like that."

"It's just a shirt and pants, I don't want you sharing underwear with my dad," You say abruptly, giving the folded clothes a little pat.

"I don't want that either, so thank you," He presses his lips into a thin smile.

"Okay," You say, glancing around the bathroom to see if you were missing anything before you left, closing the door behind you.

You kept listening for the hail but all you heard was a soothing backdrop to the otherwise quiet house, Kyle's shower blending seamlessly in with the rain. You stood at the kitchen counter, wincing slightly as you adjusted the bag of shredded cheese in your hand. Your broken nose, swollen and tender, throbbed dully, while the turf burns on your leg stung every time you shifted your weight. The painkillers you'd taken earlier had dulled the edges of your discomfort, but they left you feeling groggy and disconnected.

With slow, deliberate movements, you laid a tortilla on the skillet, the soft sizzle of the heating pan. You sprinkled a generous handful of cheese onto the tortilla, your fingers fumbling slightly as the drowsiness made even simple tasks a challenge. You took a deep breath, steadying yourself against the counter, trying to focus through the haze of the medication.

The rain grew heavier, a steady drumming that matched the dull ache in your body. You reached for the second tortilla, placing it carefully on top of the melting cheese. Your reflection in the window caught your eye—a girl with tousled hair, a bandaged nose, and dark circles under her eyes. The bruising was beginning to ebb away and by the time of the junior lock-in, you would be able to take the bandage off for good. Eventually, you would be left with no more than a scar on the bridge of your nose and mark this down as your most tormenting injury yet

The smell of melting cheese filled the kitchen, a small comfort amidst your discomfort. You flipped the quesadilla, the action sending a sharp pain through your wrist, making you gasp. You clenched your teeth, riding out the wave of pain until it subsided to a more manageable level. The medication dulled the pain but didn't erase it, leaving you in a strange limbo between relief and awareness.

As the quesadilla finished cooking, you carefully slid it onto a plate. You cut it into quarters, each movement slow and deliberate, then carry the plate to the table. Sitting down, you gingerly touched your swollen nose, wincing at the contact, then picked up a piece of the quesadilla.

The first bite was heavenly, the warm, gooey cheese a small relief against the storm raging both outside and within your body. You chewed slowly, savouring the simple pleasure of a hot meal on a rainy day. Each bite eased a bit of your tension, the repetitive motion meditative in its simplicity.

You heard the familiar thumps signalling someone was coming down the hardwood stairs and didn't need to turn your head to know that it was Kyle. "Quesadilla?" He sits on the opposite side of the couch from you, grabbing his laptop off the coffee table from the exact spot he had left it.

Silence stretches between you as you wait to chew your bite thoroughly and swallow before answering him "Yeah, do you want one?"

"No, I'm good," He opens the tab with the presentation, picking up right where he left off. He would be stuck with you until the hail hit, and then he would leave. Like he told Weston, he was going to finish the project and go home.

"That's good, I wouldn't have made it anyway."

"Why would you ask me then?"

"Courtesy?" Your answer comes out sounding like a question.

While Kyle was dropping your brother off, you had finished your portion of the assignment, leaving you to scroll through your timeline, tuning out to the constant sound of rain and Kyle's quick typing. With a small groan from the soreness of every inch of your body, you grabbed the remote off the table and began to flip through thumbnails of shows and movies.

You had flipped your phone face down on the table and put on Do Not Disturb. You were the kind who didn't pick up the phone when they didn't want to speak and in that moment you had been forgetting that Kyle was even there until you heard him shift.

"Are you going to the lock-in?" You lift your head the slightest to look at Kyle.

"Maybe," He hadn't entirely wanted to go to a school event where nearly everyone in his grade would be locked in the school's gym overnight, it sounded similar to the nightmares that kept him awake though he was being coerced not only by his mother but Kenny who had been the first of his friends who paid for a ticket. "Are you?"

"Yeah, I was gonna stay at Red's and just tell my mom I went but she's going so," You blow a raspberry "I guess I am, I'll probably wanna shoot myself in the head though."

"Huh," He utters simply in acknowledgment.

Settling on watching a reality show where everyone was yelling at everything all of the time, you pulled your blanket higher, letting your head rest on the arm of the couch. Kyle would claim to hate trash reality but you always caught him sneaking glances at the screen whenever it was on.

The soft glow of the television cast flickering shadows across the room. The wind howls and rain lashes against the windows, creating a constant noise that only heightens your sense of isolation.

The reality TV show you're watching is a mindless distraction, a parade of drama and superficiality that you shamelessly indulge in. It's a welcome escape from the throbbing pain in your nose and the raw sting of the turf burn consistently stinging. You shift uncomfortably, trying to find a position that doesn't exacerbate your injuries, wincing as the movement sends fresh waves of pain through your body.

"How's it going?" you ask, your voice thick from the congestion caused by your broken nose. Speaking still hurts, but the silence is becoming unbearable. You had to say something, anything. It was like there had been a shift, where once you happily accepted ignoring Kyle in silence, now you felt like you were being smothered. You needed to talk even if your conversations were stiff and awkward like they had been all night and would only continue to be.

Kyle looks up. "Getting there. How's your nose?"

"It's chill right now." You lie through your teeth, it was hurting badly. "How's your eye?"

His hand absentmindedly moved upward to gently touch the bruised area. There were a few days when it looked like it was healing nicely but it quickly went downhill, he woke one morning to find splotchy colours over his eye and all he could do was accept the fact. "Better than your- well, everything I'm guessing," He gestured to the burn on your arm.

You glance down as well, moving your arm to inspect the injury "Yeah, it feels like a million miniature humans are stabbing me and kicking me like all the time."

He nods, a sympathetic look crossing his face. "Do you need another painkiller or something?"

You shake your head, regretting the motion almost immediately as it sends a sharp ache through your skull. "No, I'm okay, I have so many painkillers in me that I'm rattling like a maraca."

The room falls silent again, save for the drone of the TV and the relentless battering of the storm outside. You pull the blanket tighter around yourself, wishing you could fast-forward through the next few days of recovery. Your eyes drift back to the TV screen, where contestants are arguing over something trivial.

Kyle's fingers tap away at the keyboard, a steady stream of clicks. Finally, he sits back, stretching his arms and letting out a sigh of relief. "It's done," he announces, closing the laptop. "The project is finished."

"Woohoo," You bring your hands together to give him a weak round of applause. Still facing the TV you hadn't noticed the small smile that Kyle cracked, it wasn't the sheepish thin-lipped ones you had grown accustomed to but one that showed his perfect rows of teeth.

He leans back onto the couch, arms crossed while he lets himself tune into the awful show. Feeling a slight chill, he tugged on the blanket sprawled over you until it covered his lap. You hadn't minded when Kyle came under the blanket, giving him leeway so he wouldn't freeze.

You lay on your side, reaching to scratch an itch on your upper lip but instead being met with warm liquid on your fingers. Immediately you shoot up your hand out in front of you, the TV shifts scenes and the room is illuminated, the blood on your hand illuminated.

"Mother fucker," You hiss pushing yourself off the couch to rush to the bathroom before blood from your nose could trickle onto your dad's shirt.

Kyle wasn't sure what had you storming off, he partially thought you were upset about him tucking himself under the blanket but he didn't say anything, he just watched you usher off and up the stairs with perplexing eyes.

You slap the light switch to the bathroom, hands bracing on the bathroom sink while you assess the situation on your face. Sometime while you and Kyle were sitting in darkness lit only by a TV screen you must've irritated the laceration on your nose as it was nose gushing blood and soaking the bandage lying over top.

Despite the pain, you muster the courage to attempt changing the bandage on your own. With trembling hands, you carefully begin to peel away the old bandage, wincing as the adhesive pulls at your tender skin. You grit your teeth, determined to see this through, but as you try to pull the bandage away, you shudder, it is clinging to your nose from the blood soaking in and binding it.

"Shit," you mutter under your breath, frustration bubbling up inside you. You glance at yourself in the mirror, the sight of your bruised under eyes and the trickle of blood making you feel even more helpless. Pounding on the bathroom window you could pinpoint the exact sound that the hail had begun, the patterns of rain turned into a harsh banging noise that crashed over the roof.

Sticky blood gripped onto your skin and the more effort you put into clearing it away, the harder you were pushing on your broken nose. Taking a deep breath, you grab hold of one end of the bandage then rip it off at record speed, trying to ignore the pain that shot through you and how it had tugged on the stitches but it was impossible.

"Fuck, ow!" You shout, throwing the soiled bandage into the sink in anger "I'm not fucking doing this."

Looking up and into the mirror, you see the gash over your nose, the blood dripping from it and pooling around the area, slinking its way into the crevices of your under eyes and knowing that you didn't have much choice. Dabbing a bit of rubbing alcohol onto a cotton pad, you brought it up to your nose and winced on instinct, body shuddering from the sting.

You put the cotton pad down, chewing your lip in an attempt to bite back the tears and the array of colourful words you wanted to scream. Tears were brimming in your eyes purely from the sensation. "Kyle!" You call out, hands cupping your mouth.

It took him a minute to reach you but when he did he paused in the doorway, taking in the sight of you "Are you taking out your stitches?" His voice bordered somewhere between panic and intrigue.

"No, but it's bleeding and I need to fix it and it really fucking hurts so can you please do it?"

He spends a moment just staring at you, drinking in the request before it finally rendered "You definitely can't do it yourself?"

"Yeah."

"And it's not one of those wait-it-out things?"

"Don't be a dick, are you helping me or not?"

He runs a hand through his hair, the other on his hip. His nose wrinkled slightly at the thought of pressing too hard on your nose or making the stitches bleed even more "What if I hurt you?"

"I'm already hurt."

"Yeah, okay, fine." Kyle pulls his phone from the pocket of his flannel pants and begins searching for guidance.

You propped yourself to sit up on the bathroom counter, eye level with Kyle as he bent down just the slightest. "Do you know what you're doing?"

"Uh, yup," Beside you, he placed his phone, it was open to a wikiHow article on bandaging a broken nose. He carefully soaked a cotton pad and began to clear away the blood, revealing the raw, stitched wound beneath. You clenched your teeth, eyes watering from the sharp, stinging pain that accompanied the exposure of the wound. "Sorry," Kyle murmured, his voice bordering somewhere between concentration and sympathy. "I'll be quick, I promise."

"Okay," You cast your gaze to the side, trying desperately to avoid making eye contact with Kyle when he was so close to you and studying your face with such intensity.

He dabbed at the wound with a clean cloth, wiping away the fresh blood with gentle, meticulous strokes. The antiseptic came next, its cool sting causing you to flinch despite your best efforts to stay still. Kyle couldn't help the face he made at the sight of the bruising swallowing up your nose and the irritation surrounding the wound itself.

You were quick to catch onto this "I know I look gross."

"No, you don't look gross," He shook his head slightly, his hands moved to bring your head upwards, chin between his index and thumb while he wiped away the last of the blood. You held your breath, The strength in his hands and forearms was evident though each movement was slow and benign as a feather-stroke.

He looked like honey and you couldn't ignore that. His ginger hair was streaked with gold from sun exposure, and his hazel eyes were flecked with brown. He remained sweet as honey too, and as gentle as the wings that made it.

He placed the gauze on your nose for padding very meticulously and followed the guide on his phone while taping it. "Done," Kyle said finally, pressing a new, clean bandage over the stitches. He secured it with tender, precise fingers, then looked into your eyes for reassurance "How does that feel?"

You took a deep breath, feeling the snug, secure fit of the new bandage. With a gentle touch, you tapped around at the freshly bandaged area "It's good, thanks."

Kyle nodded, quickly backing up, throwing out the soiled medical supplies and tucking the first aid kit back underneath the sink. He cleared his thought, looking at the window where the hail was slowing down, it was back to the heavy rain "Hails passed, I'll grab my stuff and head out."

"Um, okay," You stayed on the counter, watching him fumble around to his clothes that had been drying on the shower curtain rod. In one minute a million thoughts were mauling at your mind but there was one that stood out from the rest "Or we could watch a movie?"

Abruptly his head swerved to look at you. He had assumed this to be mocking but you just stared at him and waited for an answer, as cool as he wanted to play it he broke into a small small with furrowed brows "Yeah, okay." Suddenly he was wishing he had given you the powerade that he bought for you.

A/N: oml I meant to post this days ago, it’s just been chilling in my drafts

#kyle broflovski #south park #kyle south park #south park x reader #south park x y/n #kyle broflovski x reader #kyle brovlofski #south park hcs #south park kyle #sp kyle

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sgiandubh · 10 months

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I have a question! You're a shipper. Therefore, you like both S&C, but you only post about Sam and the posts are about him not doing enough to expand his brand, how he is miscast and untapped potential. You've said you were a defender of Sam, but I did not think you came across that way, you mostly write about what Sam isn't doing to your liking. So, my question is why don't you post about Caitriona? One Belfast post some weeks ago and a paragraph about her non-existent branding. Of course, this is your blog, and you can post and say whatever you'd like, I'm just an anon so I don't have a leg to stand on here, but I'm being genuine in asking.

Dear Caitriona Anon,

Yours is an interesting, provocative question and for this reason alone it did not make the classic trek to the bin (yay?).

Oh, yes, a shipper I am. Probably not what you folks call an 'extreme shipper', but a staunch, firm shipper, whose convictions aren't just based on wishful thinking. Enough said.

May I ask (and I swear I am doing it without malice) for how long have you been following my page? I wrote about C quite a number of times, even specifically about her, in a very positive way, if you'd just care to look into the archives. For example, this post: https://www.tumblr.com/sgiandubh/724773265698062337/la-passante-de-la-place-des-vosges-the-passerby. And I have always, always ferociously defended S, against all odds, especially when the Disgruntled Tumblrettes (probably the most unkind, dishonest, cynical tribe of this fandom) went for him in a rather unsavory fashion.

Now, Anon, do not expect me to constantly fangirl over These Two, because this is not going to happen. They are my age and as such, I see things perhaps a bit differently than OL's main demographic. Cynically speaking, I can afford the luxury of being a bit irreverent, from time to time, about two people I find extremely endearing (make no mistake) and worth of my attention. Not a mommy, nor a worshipper. Just a rational shipper (we are quite a few, in here, you know), who does not think this is all about unicorns and leprechauns for ever frolicking at the end of the rainbow.

Because it's not - this is about two people who make terrible gaffes and horrendous mistakes, too. This is about a girl who sometimes shows such entitlement and wrath, that it is almost too hard to like her, at times. And about a boy whose foot in mouth syndrome is, by now, proverbial. This is about two people whose lies and coverups slowly turned them into cartoonish, PR-generated versions of themselves. And this is about two people who, almost like in a Wilde parable, unexpectedly found fame, fortune and love on their path. Will they squander part of it? All of it? Will they be wise about it and learn from their own blunders? This is something I find fascinating to observe, Anon.

My critiques of S's branding have always been, I think (or at least, I sincerely hope), respectful, motivated and constructive. Mainly because I think that (particularly) in his case, there is a deep chasm between his PR and real personas. He would have everything to gain if he stopped trying so hard to be someone he obviously isn't. And so would she.

If my thoughts are not your jam, Anon, simply stop reading me. What you do seem to conveniently forget, too, is that this blog is also, and maybe above everything else, about these two people falling for each other, for real. And it is my deepest belief that we do not help this story by turning it into a cheap cliché or behaving like a hungry mob prone on tantrums if they do not deliver what is conventionally expected. And perhaps you are right, in a way: I seldom post about them as separate entities. In my mind, they are one.

You are welcome to answer, Anon. And I hope I managed to do the same with your question.

#Anon #fandom

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unbidden-yidden-deactivated20240 · 7 months

Text

This is extremely long and apparently subject to change, which is part of why I'm copy-pasting this version below. I don't agree with significant parts of it (in particular, I take umbrage with some of the delegitimizing language she uses for the Jewish/Israeli narrative and history that she doesn't use with the Palestinian narrative and history), however, I think it's a really really important read, because she addresses a lot of the real problems with the current discourse and real-world impacts that has.

I think this paragraph in particular was something I needed to read:

Arguing with the far left is a waste of time. They have no self-awareness, they are delusional, and they will never stop. They are as fanatical as any of the mob. The only way to make them stop talking is to actually sort this problem once and for all and work for the freedom and dignity of all. And when all is said and done, the ones that will keep complaining will finally be exposed for what they truly are.

She also winds up positing the A Land For All solution as the most likely to succeed, which I do agree is probably correct, for the main reason she argues, which is that it is the option that gives the most people the greatest amount of what they want, the basics of what everyone needs, and hews most closely with answering the competing narratives that exist.

There is No Magic Peace Fairy. Version 2

For anyone who might have read the previous version of this piece of writing, this is quite different from the original. Its spirit and essence are the same, but much has been added. It is very long, but it seeks to understand some extremely complicated and difficult things.

I should have realised when I first wrote it, and then sought to follow its instruction — to listen and learn from a wide spectrum of other people — that it was only ever going to be a working and evolving piece of work. This is version 2. There may yet be a version 3, 4 or 5.

Why did I even write it? Initially — truthfully, and honestly — it has been for myself. It started as catharsis, and it has become a compulsion — the way to “make it make sense.” The way to cope with horrifying scenes across the television and social media, witnessed day after day, and feeling utterly powerless to stop it.

It comes from years of witnessing, and sometimes partaking in long and sometimes very bitter family arguments. Arguments that became spectator sport for friends who would come over especially because they knew they would happen. Arguments that, in retrospect were not actually remotely funny for those of us living through that constant emotional turmoil, nor considering the subject matter. It has been the way to work through those conflicted feelings, and some things that were never really reconciled.

So, yes, it started for myself. But now I have written it, I do want people to read it. I think it may help others to work through some of the same things. And then it would have been worthwhile, especially if it may help some people to find a way to salvage lost friendships and lost relationships from the last few months, because it seems there is a giant rift forming in our communities in Britain.

This has nothing to do with ‘both sidsing’ anything, and it has everything to do with problem-solving. As far as I am concerned, in all of life, you cannot solve a problem that you do not understand. And I really want to understand it. So, I look at both narratives that the Palestinians and Israelis know as the history of their peoples, and think about the lives of individual Palestinians and Israelis, and then I wonder, how could this ever actually be fixed? Is there really any hope for the future?

It is not meant to justify or apologise for anything anyone has done.

I am sure this writing will includes things that almost everybody will take issue with, but it is my hope that by doing my very best to do justice to our collective stories that people can read without anger what it is that I have to say — and please do read to the very the end if you are intending to pass judgement on what that is.

Most of all, I think this will interest people in the diaspora with family, friends, and personal links and connections to the region — Israel or the Occupied Palestinian territories — who wish nothing more than to see their friends and family living in freedom, with dignity and security.

If you have read version 1, the stories of the 15-year-olds have only minor additions, but the narratives and the rest of the article have changed a lot. If you get to a bit that sounds very familiar, skip a bit further down — it is very long to read it twice.

~~~~~

What is the most important narrative of the Palestinian people?

(You do not have to agree with this — I am just telling it how it is told).

Something like –

“The defining event of our history is the Nakba (Catastrophe)

Before 1948, we used to live in Palestine. We loved Palestine. We lived there for centuries. We lived peacefully. We had a deep spiritual and emotional connection to the land. Our ancestors are buried there. Religious sites — Christian, Muslim, Jewish — that had great meaning to all of us were there. It was a rich tapestry of different religions and cultures containing a beautiful and sacred shared heritage.

We had wonderful villages and beloved homes that we built with our own hands. We had gardens with trees and plants that our grandparents planted. We had treasured possessions. We had friends and families and good lives. We could go and come as we pleased.

We had neighbours of all faiths, including Jewish neighbours. We lived contendly together. Some of them had been there for centuries just like us and we liked them, we lived there together happily and in peace.

In the 1900s, more and more started to come. They were fleeing persecution. We gave them refuge. We had no problem with them coming. They were being hounded in Europe and they needed somewhere else to go. Where better for them to be but here in Palestine, where the history of their people was born? And many of them were respectful and we had good relationships with them. We liked them.

But some of them wanted a country. Some of them fought with us, and some of them attacked us, and terrorised us. How could they have had a country in our land? We had been there for generations, and what would have become of us if we had agreed to it? Where would they have stopped? The problem was never them. It was them trying to make a country. And if they hadn’t tried to make a country, everything would have been okay. We could have had a country all of us together. What a beautiful country it could have been. But the country they wanted did not include us.

Some of them were clear they would have kept going until they got more and more of our land, and there is no question they would always have driven us away. Some of their leaders where unashamed and brazen in the way they looked down on us, in their statements that dehumanised us, in their disdain for us, in their colonial intent. They under-estimated us.

The Nakba (catastrophe) was a disaster for our people. In 1948, there was a war. During that war, the Israelis attacked us, killed us, stole our property and ethnically cleansed us from our land in order to create their Jewish state. We left in fear of our lives. We were not the ones that started that fighting. We wanted nothing to do with it. That is why we left.

We didn’t think we would be gone for long, surely once the fighting had subsided we would be back. But then days turned into weeks, and weeks turned into years.

Then it finally sunk in — they weren’t going to let us back. And we realised we were divided and dispossessed. That nightmare was only the beginning for us. They have never, ever allowed us back for 75 years. We lost everything. Our human rights are denied to us. More and more of our land is taken every day. We are not free. Some of us have no freedom at all and no rights.

We want to stop being ethnically cleansed. We want to go home, to go back, to see our homeland, our ancient sites, to be back where we belong, where we have always belonged. We want our dignity, and we want our freedom."

~~~~~

You do not have to agree with the way this story is told, but it has, in some form, been passed down through generations and generations of Palestinians.

~~~~~

What is life like for a 15-year-old Palestinian who lives in the West Bank?

You are told this story of your people from the day you were born. You live under a military occupation. More and more violent religious settlers move into the lands around you. They build new homes and can do whatever they want. They come and go as they please, in and out of Israel. You are not allowed to go anywhere except the West Bank. Their soldiers are always there with guns. They are in charge.

The settlers terrorise you all the time. They stop people farming their land and so you struggle to survive. A few weeks ago, a settler shot one of your friends. They never get punished and they never go to prison. But recently your best friend went to prison for throwing rocks at the soldiers. You really miss him.

Your grandparents left Palestine in 1948 with four children, and very few possessions. Your grandmother thought she would be back in a few days or weeks. Your grandmother’s sister ended up in Gaza and they never saw one another other again. She died recently. You have a cousin who is the same age as you. You know you could have been close if only you had even met.

You see no future the way things are now. There is no hope. You want a different life. You want the things your grandparents had. You don’t want to be constantly afraid of being attacked. You dream of leaving. You dream of the day you go back to Palestine where the house you should have had is, even just to see it, to be truly home, to live the life that is rightfully yours.

What do you do? You resist. In the only way that you can, with the only things that you have. You throw rocks at the soldiers. One day, you get caught, and you get put in a prison. You are tried by a military court, and you stay in prison for a really long time. In prison, people do appalling things to you. Finally, they let you out. What do you do?

~~~~~

What was life like for a 15 year old living in Gaza?

You are also told the Palestinian story from the day you were born. There are good things about your life. You go to school, have friends, and family who you love, you can go out and do things. There are hospitals, and you can get a lot of things that you need. You love Gaza. But you can’t leave Gaza. You can’t go anywhere else in the land or the world except Gaza.

Your life is still hard. Your family struggle for money and to survive, to get the things that you all need. There are a lot of things that would make your life better and easier, but you can’t get them in Gaza. You know that if you lived in Israel, you could get whatever you wanted and needed. You have family in the West Bank you have never met, but you know about their struggles. You have a cousin the same age, who is enduring unimaginable hardships.

The people in charge of Gaza are not good leaders. They can be dangerous and violent if you oppose them. A lot of people in Gaza don’t like them, although some people support them. Your own parents really can’t stand them. These people have been in charge of Gaza since before you were even born. You have learned that there was a civil war in Gaza before that and hundreds of people were killed or wounded. There has never been an election since.

You know they fire rockets into Israel because they want to dismantle it. You want a different life, but it’s never really worked or got anywhere. It seems futile. And you know that every few years, the bombs will come. Everyone you know has lost someone or something from the Israeli bombs. You don’t remember that much about the last time, but you do remember being really terrified, and you remember that your Dad cried when his brother was killed.

Then one day you hear news. News that Israel has been attacked by Gaza. Israelis have been killed, and some are even being brought into Gaza. Your heart sinks. You have a funny feeling in your stomach. You know what is coming.

~~~~~

To these two children, these cousins, Zionism can and only ever will mean catastrophic dispossession, oppression, and Jewish supremacy. The only Jews or Israelis they have encountered have either bombed them or terrorised them. Israel is a colonial entity. It never had a right to exist. Israelis are settlers. All they ever do is steal land. How could you expect them to see it any other way? There can never be any nuance, or any grey area about it. It could never have any legitimacy in their eyes. How could you expect or ask them to empathise with Israelis when you consider what they have lived and are living through?

For them, anyone who describes themselves as a Zionist in any form, even a liberal Zionist, could only ever be perceived as somebody that cannot be reasoned with, is trying to justify and support the unjustifiable, and is nothing but a settler and a tool of their oppression.

~~~~~

What is the dominant narrative of Jewish/Israeli people?

(You do not have to agree with it — I am just telling it how it is told).

It may be slightly different for secular Israelis and Diaspora Jews, but it goes something along these lines:

“We are the people of Israel. This is where our religion and our language were born, where we built temples and our ancestors are buried. We have and always have been surrounded by enemies on all sides. For millennia, we have been scattered throughout the world. We were driven from Israel and we went to Europe, the Middle East, and Africa. Throughout history people have always tried to kill the Jewish people. They didn’t like us being Jewish. There were always pogroms and mass killings. In some places people would hide and pray together in secret. It is our duty to keep the Jewish religion alive in their honour.

In Europe the pogroms got worse and worse. A few of us left Europe for a better life in Palestine. But most of us stayed in Europe. And most of us died in Europe. Six million of us. They did it because they said we were responsible for everything bad that had ever happened in the world.

Most of our so-called friends and neighbours said nothing as we were terrorised and led away. They carefully planned and counted how they could get rid of each and every one of us. They tried to annihilate us completely from the face of the earth. But as a people we lived on.

Jewish people had been coming to Palestine from Europe for years before 1948 fleeing the persecution. We came and we bought land fairly and built our lives there. We were happy. We wanted to all be together again, in a place that had meaning to us, where we would be safe. We knew we needed freedom and independence, so that this time it would never, ever happen again.

People say that we never needed a country, but what do they know? Jewish history has taught us things that they can never possibly understand. Jewish history has taught us that the world will always betray us, and when that day comes, our friends and neighbours will walk on by. We are a minority, so we must stick together, protect one another, keep one another safe. We knew we needed freedom and independence, so that this time we would have a safeplace where we can go and live when the world finally turns us on again, as it always does.

And In 1947, the UN agreed we could finally have a state of our own. We were so proud and overjoyed. What an achievement for us after everything we had been through.

We never wanted to fight with the people already living in Palestine. Yes, before 1948, some of us lived together peacefully. But it wasn’t a Utopia. Some of the people welcomed us and provided us with a safe place to live. We had good relationships with them.

But some of the people didn’t want us there, we were outsiders and they never liked us. Some people went to the British to get them to stop us from coming to Palestine. And even before 1948, there was a lot of fighting between us, and some of us were massacred even in Palestine.

But we could have found a way to live together peacefully, in two states, and they could have lived in our state just as we could have lived in theirs, just so long as we had a State. That is all we ever wanted. We could have divided and shared the land.

But they could never let us have it. Never. And when the British finally left, we saw our opportunity, we declared our state. We had no intention of taking anything from anyone. We just wanted a state. And then every single one of our neighbours, all the countries around us invaded us, from every corner of the land. Enemies on all sides. They surrounded us and we found we were alone, again, just as we always have been.

But this time we fought back. We fought for our freedom and independence and dignity, and our right to live and exist and not just accept to be killed, and mainly, for most of us, because we actually had nowhere else to go. It was a war, yes, we took land yes, but we didn’t start that war. It was existential, because how else exactly do you expect we could have guaranteed our security and safety surrounded by neighbours who were baying for our blood? What would you have done?

Then after 1948 the Middle East erupted. The Jews in the Middle East had always experienced persecution. But this was worse than ever. It was intolerable. They blamed those Jews for Israel. Hundreds of thousands of us were ethnically cleansed out of homes we had lived in for centuries, from Ancient communities all across the continent, and we left to build new lives in Israel. Over half of Israelis today are descended from those Middle Eastern Jews.

Now we live together in Israel. We stick togehter and we fight together. We have fought war after war after war. They have tried to kill us from all sides, time after time. But each time, we fight back harder, and we win. We have and always will be surrounded by enemies, but we will always fight back.”

~~~~~

You might not agree with a single word of this story. But this story, in some form or another has been passed down through generations and generations of millions of Jewish and Israeli people.

~~~~~

Now imagine the life of this 15-year-old born and living in Israel

You have been taught this story since the day you were born.

You live in a Kibbutz. You have friends. You like the outdoors and sports. You get good grades in school.

Your grandparents live nearby. Your Grandad came from Yemen as a refugee, as a child. He told you that his family were being attacked and threatened after the 1948 war, so they left their possessions and homes behind in Yemen, and they came to Israel instead.

Mostly you are happy. You are so excited you have a new boyfriend or girlfriend who you really like, but your parents don’t know yet.

But you really hate the rockets. You have never known any life without rockets. You know that some of the rockets get intercepted, but they still get through all the time.

There are bomb shelters everywhere. At school, in the playgrounds, in the bus-shelters, and at home. The sirens can go off at any time and then you have to run to the shelter. Even if you are busy doing your homework, or asleep, or on the toilet. The noise of the sirens never stops making you jump. You are used to it, but you still get scared and you hate it, and the sounds of the rockets make you shake.

You know in a couple of years you will be conscripted into the army. Everybody goes. You do and you don’t want to go. You want to go because you know it is your duty to protect the State from its enemies, just as everyone in your family has always done. But you are scared about it, and you don’t know what it will really be like. People don’t talk about it.

One weekend, your parents agree you can spend the night with your cousin. They live 40 minutes away. She is like a sister to you. So, you go on Friday. You have fun, watch a movie, chat for ages, and you fall asleep late.

The next thing you know your Aunt is waking you both up. It is Saturday morning. She is in a panic. Something is happening. Your parents have messaged. Something is wrong. She says there are men everywhere in the Kibbutz with guns. You turn on your phone. There are messages from your parents and your brother. They are in the bomb shelter. You try to call them. You can’t get through. You feel the panic rising in your chest. No, please, no. You ring your boyfriend or girlfriend. No answer.

~~~~~

This child has never met a Palestinian that lives in any Occupied Palestinian territory. All he/she knows about them is that they fire rockets at Israel and have done his/her whole life, and once every couple of decades they commit extremely violent and horrific terrorist attacks. That is what he/she knows because that’s what they have been taught and also what their lived experience has taught them.

Many Jewish and Israeli people believe when they talk about Zionism they are talking about, “Somewhere safe for Jews to live where they will not be attacked, where they can call home, and where they have self-determination.” How is it possible for this 15 year old child, given the stories they have been told and the life they have led, to be anything other than a Zionist, when it is defined like that? And if they are told they are a ‘settler’, or an ‘evil oppressor’ and that that is why they deserve to die, they will look at you with wide eyed wonder and assume you are a lunatic.

The reason they can conceive of the Jewish people as settlers who live outside 1967 borders and not themselves is because they do not see them as being in the, ‘Right for somewhere safe to live’ group of Zionists. They are considered to be religious extremists and supremacists, what they see as a distorted and extremist form of Zionism, and they don’t consider it the same.

~~~~~

There are many incredibly sad and depressing things about all of these stories. But the part to me that makes it seem most tragically futile — is that for a very large number of individual human beings that ended up living in either Israel or in the Occupied Palestinian Territories in the 1950s -1960s — their stories are almost the same. Most of them were running away from something, and most of the time, the people who are doing the running away are not the people doing the fighting or the massacring.

It is a story of being a refugee, of fighting for survival against all odds, of 20th century dispossession and mass displacement. A story of being blamed for things they did not do and being held to account for debts that they did not owe. The tumult of 20th century history created a shared heritage — that over a very short time hundreds upon thousands of people were displaced — Jews fleeing Europe to Palestine, Palestinians fleeing during the creation of Israel, and almost all the Jews across the Middle East then fleeing to Israel in the few years after it started.

Part of that shared heritage became about yearning to return to a Holy piece of land that carries promise and a deep spiritual connection. It really shouldn’t be that hard to explain to one another — and indeed the rest of the world, why we cannot just ‘let it go’.

I am not trying to rewrite history and say that every single person in the years leading up to and including events in 1948 was an innocent bystander. Absolutely not. I am just saying that, generally speaking, as is almost always the case — when it comes to atrocities, it is normally extremists that engage in it, that end up calling the shots for everyone, and it is them that end up dictating history.

And it is extremist ideologies that are plaguing us today. One is an ideology of Jewish supremacy. God’s chosen people, Israel is God’s gift and therefore comes with a right to take land off anyone and everyone. The other is an extreme, dangerous and corrupted version of Islam — a highly repressive ideology where human rights do not exist, and it exalts in the death of Jews.

These people — all of them — they are the mob. ‘Death to the Jew. Death to the Arab’ One or the other in their rightful place, subservient to the other, or better yet, dead in the ground.

Most people are not the mob. Most people are not sociopaths. Most people just want to live and get on with their lives, they want to have their basic needs met, their human rights, and they want their children to grow up happy and healthy with a bright future ahead.

It is important to understand though that the bonds of community and peoplehood are also part of a basic human need. The need to maintain relationships with brothers, sisters, cousins and friends who live in our communities together with us, who have a shared history with us, who support us, and to whom we are loyal — it is part of the human experience.

The stories of our own and our friend’s grandparents, the loss of livelihood and dreams for the future as they packed their bags and fled — these are the stories that make us peoples. And it is these stories that bind us together within our communities much more closely than any ancient religious text or any ancestral DNA test ever could.

And so when people say, “The Jews and Israelis are not a people. They are fakers, they are ‘Europeans’ pretending to have links to a land that has nothing to do with them.” Or people say, “The Palestinians are not a people. They are just ‘Arabs’ who could have gone anywhere, who have no real history and whose only goal in life is to terrorise Jews,” these will both only ever be seen as inherently anti-Semitic or Anti-Palestinian statements that erase and deny large parts of our collective heritage, and neither will lead to any kind of constructive dialogue. Who is anyone to make judgements about what another people is that they do not belong to?

And so we end up where we have got to today –

From the Palestinian side, what I think is difficult for somebody who is not Palestinian to understand, is that telling them that they should give up on the right to return — for many — is impossible. They can’t do it. Understanding and honouring Palestinian history, which is rich, and complicated, and is largely unknown to many people, for them it is part of their identity. Poetry, art, great thinkers, great writers — they are all there for the world to see if only they would bother to look.

And even worse for a Palestinian, to suggest that everything that has befallen them was somehow their fault because they refused to give up on their history, this could only ever be met with fury and be seen as gaslighting.

It is essential as well to remember that this land — it is not just any land. It is not so easy to walk away from it as any other place on earth. It is Holy Land. It has meaning to everyone associated with it, and everyone wishes to be able to walk free inside it.

Having an enduring determination to free themselves from a brutal occupation that does nothing but dehumanises them and steals from them — and a longing, ultimately, to return to their homeland, this is inherent to being a Palestinian. They cannot ‘Un-Palestinian’ themselves.

So the Palestinians will say, “What world would you have us do? You the world have done nothing to help us. You who have been silent and you care nothing for our oppression. You have abandoned us to unthinkable injustice and suffering for decades. You who sit comfortably in your homes have no right to moralise at us or criticise us and tell us what we should or shouldn’t do. We have no means whatsoever to fight for our freedom. No one is on our side. We are alone. We will do whatever must be done to fight for ourselves, our human rights, our land.”

The Palestinians are living in an impossible nightmare. There seems to be nothing they can do to free themselves that doesn’t make their situation worse. What exactly are they supposed to do when they live under an occupation, have no civil rights, no means to fight for themselves, and the people with power that could do something are not standing up for them? And when all means of civil and non-violent resistance are completely denied or futile, support for more violent resistance will become inevitable.

And it was indeed inevitable that 7th October would come. Warning after warning has been given about the Occupied Palestinian territories and the blockade. Warnings about human rights abuses have gone unheeded. Warnings that if Palestinians are not given their freedom what would happen. Warnings that it was totally unjust, immoral and illegal for Palestinians in the West Bank to be under military occupation. Time and again it has been said it is a danger to the security of Israel, and it was ignored.

But the problem for the Palestinians is that terror was never ever going to work — because the people in Israel believe it was established and is needed as security because of the risk of terror against them. So the idea that they could be terrorised into giving it back, or into leaving — this is an absurdity. People talk of ‘Hasbara’, but terror is and feeds Hasbara. October 7th has done nothing but make people believe in Zionism even more (a safe place to live in their eyes). Zionism burns greater than ever with the fuel of the fires from the Hamas rockets. All terror has and can ever achieve is further encroachment onto Palestinian territory — the literal opposite of a free Palestine.

What happened in 1948 is horrendous. But what of it, to that 15 year old Israeli child? Whose own grandparents had nothing to do with it, and were themselves dispossessed, as is the case now for so many people living in Israel. That child who has only ever known Israel as their home.

So Israelis will say, “World, what would you have us do after October 7th? People outside Israel, you can say whatever the hell you want, but we are here alone. We have and always have been surrounded by people on every side who wish to murder each and every one of us until we are annihilated, and in the most painful and brutal possible way, as has just been demonstrated plainly for all the world to see. You, who do not have any understanding whatsoever of what that is like, do not get to tell us what to do. We will do whatever we think is necessary to strengthen our position to ensure this cannot happen again.”

What people are missing is that this conflict is unique to any other case of the ‘coloniser and colonised’ in history, because the people doing the ‘colonising’ are half the people of the land, people who have a genuine existential fear of everybody around them that does not come from nowhere, and is deeply ingrained into most people’ psyche. Most do not have anywhere else to go, because most of their grandparents came to Israel as refugees, and so they cannot perceive themselves as a ‘colonial settler’ in any way. So they will never stop fighting back at terrorism for their right to live without fear of attack.

This links to the Jewish people in the diaspora who support Israel and is extremely difficult for non-Jewish people to understand.

For many Jewish people, memorialising the repeated attempts to eradicate Jews throughout history, most notably the Holocaust, and remembering and honouring ancestors who have died to keep the Jewish religion alive is considered essential.

Every festival, every prayer book, every cultural activity and a very large number of conversations includes this on some level. It is integral and inherent to most people’s identity. So if people feel that their Jewish counterparts, and very often family in Israel are in existential danger, they can and only ever will see it as a moral imperative that they must be supported.

Asking Jewish people to somehow disavow themselves of this notion is impossible. To tell most Jewish people they need to ‘get over it’ because, “they are a coloniser and their needs do not matter,” is completely meaningless to them.

It is not grounded in reality, and something that can and will only ever be perceived as an attempt to ‘UnJewish them’. I.e. to eradicate significant parts of Jewish history and day-to-day life and community, and thus could only ever be perceived as deeply antisemitic in its very nature. The more these things are denied as relevant, the more people will fight back against what they see as gaslighting.

But for those people in the diaspora who have blindly, unquestioningly, dutifully and uncritically supported Israel, while its government drifts ever further into the grip of right-wing extremism and corruption, must surely now see that was a mistake. If you had a friend or a loved one on a destructive path of self-sabotage, would you just let them carry on?

It is great tragedy of Jewish history for both Jews and Palestinians alike that self-determination and independence for the Jewish people, at a time when they needed and wanted it so badly would come at someone else’s expense. Something that is so freely and unquestioningly given to so many other peoples, but not the Jewish people. Yes, it is unfair. But it did come at their expense. I think that most Palestinians only opposed it, not because they oppose Jewish people — it is the bit about it being at their expense.

We can argue forever and eternity about, “Oh, but it never needed to be this way. If only you could have shared with us. If only in 1947 this or that. And if only in this peace agreement this year or that year,” or whatever.

But what of it to those 15 year olds living in Gaza and the West Bank? It is an irrelevance what was ever intended. What was intended bears no resemblance whatsoever to their lived reality. The Jewish dream of Zionism became their nightmare. I know this is an extremely painful and bitter pill for people to swallow, but Zionism since its inception has resulted in nothing other than subjugation for them. And it is not normal for a country to not have any proper borders, and for one people to control another in some parts of it.

And while it continues to happen, Zionism will continue to be seen as Jewish people being allowed to have control over other people. This was never ever how Zionism was originally intended for a lot of people, and it is not what they think it means. Far from it. But this is where it has come to, and intentions do not matter, because it is our actions that count. Once you understand this, it is really not difficult to see how this is fuelling dark and extremely dangerous conspiracy theories about Zionism, which are dragging us back to a place in history that we most definitely do not want to go, and it endangers us all.

We need to open our eyes to reality. As the bombs reign down in Gaza, destroying thousands of lives, after well over 100 days, there are people dying from starvation. This must end, immediately. It is abominable. The rockets are still coming. And even if you stop them today, while there is occupation in any part of the land, they will just come back tomorrow or the next day or the week or the year or the decade after that. And surely from the Israeli side, negotiating whatever terms to get as many of those hostages out alive, going through what must be unthinkable terror, at any cost, must be prioritised above all else.

And I am very sorry, because I know people will not like this. But this ‘war’ — it is not about destroying Hamas. It is becoming increasingly clear by the day that not only is destroying Hamas impossible, but Israel’s government are violent ethnonationalists. The far right threaten to collapse it at every mention of a ceasefire — the only thing that will get most of those hostages back alive — and so it carries on. And extreme ideology is much more widespread within the government than just the furthest right that are propping it up. The very leader of Israel himself is at the heart of it.

When you hear what they are saying, it is very clear that they have far more sinister intentions, and we must take them at their word. Allowing people to starve, making plans to drive them off their land into other places, destroying heritage sites, and yes, mass killing — that is ethnic cleansing. It is the definition of ethnic cleansing. It is illegal under international law, and it must stop.

People say, “Oh, but Hamas are stealing the aid.” Maybe they are, maybe they aren’t. I don’t know. I don’t know and I don’t care. I don’t care because it is an irrelevance at this moment in time to that woman looking into the eyes of her hungry child as they wither away and die. It is enough.

Could it ever be solved?

There are those of us that would be willing to give up on the dreams of our respective peoples, and not because we wish to throw them under the bus. But simply because we would just accept any solution, in whatever form, that would bring the suffering of all people to an end, and as quickly as possible. Because we believe that none of any of this is worth the blood of anyone’s children.

Because we look at those dreams of security through self-determination, rights to return, and we look at where we are today, and we see that none of any of it has delivered on its promise. We see that the world is a very different place to what it was in 1948. We recognise that there are people on the ‘other side’ that we would much rather share a country with than the ‘mob’ on our own side.

Because we know that our histories are worthless if they demand that we ‘unhuman’ ourselves.

Because we recognise that we have inherited the most Unholy mess.

But we are few in number, because the majority of most peoples cannot let go of their respective narratives, either in whole or in part. And so the solution that must be found is one that could satisfy the majority of the narrative of both peoples.

Israel already has half of what it wants — it has the state. But it does not have security, and any pretence of it has been an illusion, one that was violently shattered on October 7th.

The Palestinians meanwhile — they have nothing of what they want.

A one state solution — this does not satisfy the Israeli narrative, because it requires the undoing of Israel. It gives many Israelis nothing of what they think they want and everything they are afraid of. If you were that panicking aunt of that 15 year old Israeli child just now, would you be agreeing to open that border?

But I do not think the two-state solution really satisfies the Palestinian narrative. Because in that narrative, things were better before Israel, before Zionism, where everybody just lived together. And mainly because people want to able to walk free across the land — the right of return. The two-state solution may bring freedom and dignity, but I am not sure if it would give enough people what they really want.

Ultimately it comes down to one of the reasons this has been so intractable for so long. The Jewish State and the desire to control and ensure the continued right of Jewish immigration to Israel, and the presumed need to maintain a Jewish majority to enable that, vs the Right to Return of the Palestinians. ‘The War of Return’ as it has been called. The thing that neither side seems to be able to give up, that seem to be in direct conflict.

So what do we do? Throw our hands up, put it down to a bad job and just give up. (What the world has done). Keep blaming each side’s ‘propaganda’, each side’s education system, each side’s unwillingness to budge. But it won’t work, because it is asking people to let things go of things that they cannot let go of, things that are integral to the history of their peoples.

Human beings have been solving problems since we existed and there is no reason why we cannot solve this one.

There are many possible ways to solve it. The confederate two-state-solution is one example of a way to square the circle: https://www.alandforall.org/.

I suggest it not because I am wedded to it but because it seems to me that it would satisfy enough of both narratives to work. There may be multiple other ways to do it.

How do we get to it? As a possible example. We start with two states. Real states. Not a bit of a state or half a state with the other bit not connected to it and some people still being occupied that could never be acceptable, and was always going to be fought against. A real Palestinian state, whose borders are secured through international peacekeeping. But with that state must also come the promise and the goal that over a reasonably short period of time, everybody who wishes to cross that border gets to cross that border, until eventually, one day, ideally, there isn’t a border. People live wherever they want, but retain citizenship in their own state. And with regards specific land and homes that cannot be returned, real reparations are made. This is just one example of how it could be done.

As we keep hearing — 7 million Israelis, 7 million Palestinians. No one is going anywhere. But at some point, it is my opinion that, probably, for this to ever end, everyone must be able to go everywhere.

Two peoples living side by side. All free to live and move freely across this ancient and Holy land that is so special and meaningful to all and must be shared. Finally able to mix and become humanised in each other’s eyes. Christian, Jew, and Muslim, free to access their ancient and Holy sites. All of us united together in the spirit of mutual respect and tolerance.

Cooperating together to fight the only war that there should ever have been — the only war worth fighting.

Everybody vs the mob.

Not a religious war, not a war of the us or them, not a war over rights to the land and houses. But a war of the moderate and the just against the extremists that have desecrated our respective religions and turned them into something ugly. The lunatics marginalised, silenced and rejected. As opposed to what we have now — the sociopaths leading the charge and everyone else marching dutifully along behind.

People will say this is idealistic nonsense, a pipe dream. But what is the other option? Another twenty or thirty years of failed peace agreements and more of the same all over again? And with every round of violence, the violence gets more violent, the mob gets stronger and more popular on both sides as their ideas are seeded. And the mob is hard to fight, because the mob involves fanatic religion that cannot be reasoned with.

If we keep allowing them to get stronger and stronger, I think they will eventually set each other, themselves, and quite possibly the entire world, alight. Literal World War 3 with Jerusalem at the centre.

“How can you ask us to negotiate with them?” I hear you say. “Them, who are ethnically cleansing us,” or, “Them who wish to annihilate us,” depending on which side you are on. But here is the rub — you cannot terrorise people into leaving and you cannot bomb people into submission. Neither has ever worked. We cannot ethnically cleanse or genocide our way out of this for either people, one way or the other. Any other solution other than a diplomatic solution will lead us nowhere but the abyss.

Israelis and Palestinians are not all inherently genocidal oppressors or inherently genocidal terrorists. (As unfortunately lots of people are saying) Of course they are not. Maybe right now in Gaza most Palestinians do support Hamas in what they see as armed resistance, and most Israelis do support the actions of their government in what they see as a war. But both things have become intertwined with both mobs, and so they are not what each respective side thinks they are. The ‘armed resistance’ — a pogrom style massacre by the ‘death to the Jew’ mob, and the ‘war’ a flagrant breach of international law and an obvious attempt at ethnic cleansing by the ‘God gave us Israel, death to the Arab’ mob.

I am not very sure that most of any of them either know or believe exactly what has or hasn’t happened. The information they are receiving is very different to ours. And in times of heightened escalation of violence, people retract into the respective narratives of their people as they become reinforced. “If it’s a choice between us or them, I choose us. And for me to be able to look myself in the mirror, I must choose to believe what I choose to believe.”

Both believe so deeply within their heart and soul that they are on the side of righteous justice. For one it is ‘the right to just exist’, For the other, it is ‘the right to life, dignity, freedom from cruel and violent oppressors’. So they are both engaging in the collective delusion that because theirs is the side of the right and good, their soldiers/fighters must also be right and good.

Their people can’t possibly be the ones committing the crimes against humanity, and they cannot believe the worst things that are being said about their own side, only the other. But this is not the reality of wars and fighting, and definitely not in a conflict that has gone on for this long where this amount of hatred has become so entrenched, and most of all not ones which involve religion. To me it seems very likely that most of the worst things that are being said about both sides, are in fact, the true things.

As it turns out, many of them were always, are becoming, or have become, the mob.

I think almost everyone, whatever they say, would in fact be appalled if they were actually to see the violence that has happened, and is happening with their very own eyes. But they do not want to open their eyes to see it for what it really is, because they are on the side of the right and the good.

I know there are people of every colour and creed who no doubt I could become friends with, get along with, and love dearly. But also there are people of every colour and creed that I could not stand to be in the same room as. I know this because I am not a racist. Human beings are human beings, that is all we need to know. And if we find ourselves making any collective statements about all of a people, we are probably becoming the very thing we so vociferously claim to the world we are not.

I think that racism may well have become entrenched on ‘both sides’ but I am not sure that it is exactly racism — perhaps a better way to put it would be ‘othering’. “They did this, they did that. They support this, they support that.” And the only way to stop doing it is not to tell each other that we need to unlearn or erase our respective histories and ‘un-brain’ wash ourselves. It is the opposite.

We have to first human ourselves. And then we might have to temporarily UnJewish and UnPalestinian ourselves for short amounts of time. Then we learn each other’s history. Then we will be able to find solutions together.

How can we work together to solve this?

This part of this piece of writing — specifically — it is for us in the diaspora. Hardly anyone in the Middle East is in a place to hear any of this this right now, and too many of them are much too busy trying not to die or get killed.

We in the diaspora, we are trying very hard to do what we can to stop this, and to help. But how is it possible, that all of us who seemingly so desperately want the same thing — freedom and dignity for everyone, and yet still don’t seem to be able to get anywhere without offending and upsetting one another? How can we expect people in the Middle East to co-exist, if we cannot even have a conversation?

I believe we are talking to each other in languages we do not understand, and until we realise this, we will only ever talk past each other. Almost every conversation will have the opposite of its intended consequence, and make the other person believe they are even more right.

We will only ever find it inconceivable that people or friends or colleagues that we thought were ‘nice’ could have views that seem totally barbaric in our eyes. But if we could talk in languages each other could understand, it would get easier. Or at least if we can’t, if we tried to hear what the other is really saying.

We are not listening to, or being respectful of one another and as a collective we are so much weaker and so much less powerful for it. Because the discourse has become so toxic that we cannot work together to find solutions.

I know I myself have been done these things, but even as we try to so hard to understand and explain, it is so easy to offend. I think the reason we are offending each other is because the words in the mind of the speaker sound very different to the ears of the listener.

If the conversations are had respectfully in the spirit of achieving genuine mutual understanding, that is great. But if it is an argument to convince the other person that you are right, forget it.

Take the debate about whether shouting ‘Intifada’ is Anti-Semitic.

If you tell some Palestinians that shouting, what to them means ‘resistance’ against a state which is and has been exercising immense and disproportionate power against them and has done for three quarters of a century, is anti-Semitic, they will inevitably wonder what planet you are living on. How exactly it is that you expect they can possibly fight for their freedom? And why do you continue to engage in this collective delusion that just condemns them to suffer and die?

But if you try to tell most Jewish people, that what they perceive as the indiscriminate killing of Jews in terrorist attacks is not antisemitic, it is inevitable that they will not believe you. In fact, they will see you as yet another of the seemingly innumerable people in the ‘Death to the Jew’ mob.

Every conversation is having the opposition of its intended consequence. Convincing the other person they were more right than they were before.

Think about the way that we frequently use each other’s non-mainstream diaspora voices as a stick to beat each other with. (And this is not necessarily a criticism of those voices — some of them are very important — it’s just explaining how they are seen).

People say to Palestinians:-

“Look, this Palestinian is good, they think Zionism is okay, and you should just accept it. If only you could stop being so silly like them it would have all been over a long time ago. They agree that you haven’t exactly helped yourselves.”

How could a Palestinian ever consider this as a legitimate argument? Views that surely could only be perceived as incredibly anti-Palestinian. Surely they must think something along the lines of…

“You are privileged not to be in Gaza grieving incommensurate losses. You are one of the lucky ones whose entire family is not now dead. You who are not hungry and ill and exhausted and cold and terrified of being killed. All of your hopes and dreams do not lie in ruin before your eyes. You are enabling and emboldening our enemies. You are throwing us under the wheels of the bus of occupation all the while benefitting from living in the countries that side with our oppressors. You do not, and you will not ever, speak for us.”

Equally Jewish people are constantly bombarded with -

“Look at this Jewish person or that one. They are reasonable. They believe Israel is a colonial entity and should be entirely dismantled. They agree you are weaponising the Holocaust and playing the victim. Why are you not a good Jew, like them?”

This is not in any way a mainstream Jewish view because it is mostly perceived as -

“Lucky you, not to be one of almost half the Jews of the world that ended up living in Israel, to not have been born there, to not have a friend or family member that has been killed or taken or mutilated.

Lucky you, who can align yourself with the baying mob, and in so doing throw your Jewish Brothers and Sisters in Israel under the wheels of the bus of annihilation by the people that have demonstrated time and again that they hate them, because it is not your problem. You are not and never have been part of the community, and you do not speak for us.”

If we constantly tell both groups that we don’t hate them, just so long as they agree with something that is a total anathema to them, it will never wash. I am sure it is incredibly offensive to everyone.

“From the River to the Sea.” What do you mean? Genocide the Jews? Genocide the Palestinians? Arab Nationalism? Jewish Nationalism? Or simply freedom and equality for all?

And when it comes to ‘Zionism’. Forget about different languages. We are on completely different planets.

For everyone and anyone else watching the nightmare unfold, who can’t make sense of any of it, they must be thinking, “Surely none of any of this can be okay in the name of human decency?” But they do not know what to do. Because to ‘both sides’ it is to offend everyone and convince no one. ‘Both sidsing’ it has been declared not allowed. You will always be seen as a sell-out or a bus-thrower-under, one way or the other. So they are silenced, their voices not heard, reduced into a despondent, hand-wringing depression.

Yes, in the Middle East, one group has all the power. But in the diaspora, we are more equal. We have equal rights, we mostly live in countries where we are free to speak our minds.

Both sides are busy trying to expose each other’s mob. Both sides have “traitors” who are busy helping. The traitors have totally denounced their own side as either misogynistic, or racist, or both, and have joined the other team. And most of everybody else is on the scale of moderate, somewhere in between the views of the ‘mob’ from their own side, and ‘traitor’ for the other side. None of us even agree with each other on our ‘own side’, and very often, the people on our own side annoy us even more than the people on the other, and amazingly, sometimes the people we find the most annoying are the people we agree with the most.

In the first version of this I wrote, “We are mirror images of one another, yet it seems we mainly hold the mirror up at each other, not at the self.” So we never get to see what it is that we might have been missing.

Maybe is the other way around — we only hold the mirror up at the self and not the other. Something like that.

This is a long and, yes, very complicated story affecting and involving millions of different people across the world, across time and space, with millions of different stories to tell. For there to be any genuine hope of mutual understanding or respect, every single person is going to have to concede that most things about this story they can never truly understand because they have not lived them.

We cannot know, if we have not lived it, what it means to be born and live in a country that has only ever been at war. We cannot know, if we have not lived it, what it means to be born and live your whole life in a territory that is brutally occupied, or is under a blockade, by another people. Nor can we know, if we have not lived it, what it is like to have friends and family caught up on any side of this, whose safety and wellbeing you are desperately worried about.

We in the diaspora, so desperately worried for people in the Middle East, we are all working so hard, but we are not doing the right work. We are digging the hole deeper than ever. The magic peace fairy is not coming. They will not simply just descend from the sky, sprinkle us with magic fairy peace dust and make it all better.

When was the last time we tried to have a meaningful conversation with someone who is saying things that seem incredibly offensive to us? When was the last time we took the trouble to ask them why they think what they do? Or to ask why it is that we have offended them? To ask them about their lives, what happened to their grandparents, and their families and friends, and their parents and the stories that they were told growing up. About their hopes and dreams and aspirations. About their fears for the future.

Whenever the violence escalates, the historians cash in. Suddenly people have more motivation to understand, so we start reading and re-reading the history books. But mostly history will not give us the answers that we are looking for. It is people’s stories that will do it. And reading books that reinforce things that we already agree with will not give us the understanding that we need. It is the great writers from the other side that might.

Social media has many ills. But one huge positive is that it allows us to connect with all sorts of people whose thoughts and ideas we would never have been exposed to. We can observe fascinating conversations between other people we would never have been party to before. We can gain understanding, share ideas and solutions. It is definitely happenning. None of this was there in any previous attempts to fix this. It might just be the gamechanger that we need. We must make the most of it.

We cling to our positions like shells to a rock, not budging at all, so sure that we and we alone can see this for what it really is. I know I was. We could have been working together to stop this, but we never make any progress, and as a result, inadvertently, each and every one of us is complicit in the most unforgivable human suffering.

People say that there is no point talking about peaceful co-existence because it has never worked — but neither has violence. Ultimately there are only two choices — wait for the magic peace fairy, and die together. Or we can do the work to make the ‘peace’ that we all want, and maybe we can live together.

Addendum

And now I speak “as a British Jew,” to anyone in our community who is willing to listen.

I can tell the story of the Jewish story because I know that story. I have grown up listening to it. I was taught it in the Synagogue, in Sunday school and by family and friends. I have also tried, as best as I can, having not lived it, but by listening to the voices of Palestinians and with the help and feedback of allies, to do justice to their story. I hope that I have. It may not meet the mark, after all, this is only version 2. And anyway, neither ‘side’ is a monolith, we would all tell our histories a bit differently, so I definitely cannot satisfy all.

It is important to say that there is one thing yet unmentioned about these two stories. It may be the most important thing. I think it belies the biggest lack of understanding between us.

I have talked much of the similarities in our stories. But there is one very big difference.

The Israeli and Jewish story is about running away. It is about running away from terrible persecution, and of moving forward. It is about moving on and building a new life. The idea of wanting to go back in time, wanting to turn back the clock — it is unconscionable. There was never anything worth going back to. So, for example, when some of us are suddenly being offered citizenship in European countries because our grandparents lived there before the Holocaust, this is not something that we could ever comprehend wanting.

So many Israelis feel, “Why couldn’t they have just moved on like we did? Why did they spend all of their efforts ruining things for us when they could have just moved forward, let it go, made the best of a bad lot, and made new lives like we did?”

Apart from the multitude of reasons I have already explained as to why it was never that simple and why their material circumstances and the occupation has made that impossible for most people — what we need to realise is that their story is the other way around. Our story starts from a place of misery, and moves onto something better. Theirs starts from a place where they were happy enough, and moves onto something horrific. It starts from being at least content for hundreds of years, running away — something they thought was temporary — and never being allowed to go back.

And I say this part as gently as I possibly can. There is a very deep and particular sorrow that many Jewish people will know. It comes with realising that we do not want to look back, because looking back is much too painful. Knowing that for some of us there is no point going on ‘ancestry.com’ because there is no ancestry left to trace. And is it that sorrow that was felt so keenly after the atrocity that was October the 7th. People do not understand that something cannot be weaponised when it is so genuinely heartfelt — there is no intent behind it.

But for the Palestinians — seeing that people from other countries can go and visit, go on holiday, and walk around in a land where their grandparents built their homes, left with whatever they could carry only for them and their families to encounter ever more worsening horrors on their onward journey right up until this very day — and yet they can never set foot in that land — I think what they experience when they see that — it is a very similar sorrow. And I am sure that they have been feeling that sorrow most keenly with each and every passing day, and most particularly in these last months.

I do not believe, as I have argued, that is the case that Israel must cease to exist with all the people in it, to allow the Palestinians what they clearly want, need, and, I believe, are indeed entitled to. The idea that our millenia-old right of return is still in date but their 75-year-old right of return has somehow expired is completely logically incoherent.

And I am coming to understand that suggesting that it has somehow been indulged is a bit like telling us we are weaponising the Holocaust. I think that nothing could be more insulting.

The problem with our version of the story that we were taught — The story of the Jewish people, our losses, our sacrifices, our spilled blood — it is only half a story. It is history through only one lens.

And that story is not the only thing that is taught in our homes and in our Synagogues and in our Sunday schools. We are taught values. We are taught values of respect, justice, and ‘do unto others’. We are taught the words of the Talmud ‘Whoever saves a life, saves the world entire,” (words that can also be found in the Quran).

Most importantly of all, we are taught, “Do not stand idly by while the blood of your neighbour is shed.”

And because we are taught those values — there is a cognitive dissonance that so many people in our community feel — but don’t quite understand — that parts of this story don’t really make any sense, that what happened, and is happening, is definitely not okay. That dissonance — it will not hold forever. It will tear our families and our community apart. It already is.

Yes, there is a death to the Jew mob. Yes, they are a massive problem. But I think we have no right to make mention of that mob unless in the same breath and multiple times over we are making mention of our own mob. Because our own, ‘Death to the Arab’ mob — they have been running around the Occupied Territories unchecked for decades. And it is both mobs that need to be brought under control before there can ever be any hope of resolving this. The Death to the Jew mob will come back stronger than ever while the Death to the Arab mob roam free. And who are we to lecture Palestinians for not getting their house in order, when it is our side that has all the power and all the resources, and yet we have allowed it to carry on? We who demand that they condemn the “resistance” whilst refusing to condemn the “war”.

And we must understand this — If Gaza is allowed to be resettled — it is over. Ever more untold and unimaginable horror for the Palestinians, and in our silence we will have handed Israel on a plate to those ethnonationalists, to the people that should have had nothing to do with what Israel could have been — and in fact people that have nothing to do with us and our values.

People keep talking about the two-state solution like it is some kind of utopia that, like the magic peace fairy, it will just fall from the sky. It is not that easy. Trying to dismantle settlements in the West Bank to make that possible — it is probably almost undoable as it is. Some of them have been there so long now and the Palestinians have very little faith that it could or would ever be done. In fact a confederate version of the two state solution may in some ways be easier to implement because it does not necessarily require the dismantlement of all settlements, something that looks like it is getting harder to do.

And If we think antisemitism is bad now, it will be nothing compared to what is in store in years to come if the resettlement and reoccupation of Gaza were to happen. Israel, hated among nations like never before, until eventually the world will finally not tolerate it. It is dangerous and it leads I know not where, undoing it, I know not how. An epic holy war ahead of us, and in the process we will see what we are already seeing in Israel — free speech and dissent a thing of the past — and Israel’s democracy — burned to the ground.

We are doing our cousins and our friends no favours by parroting off the same old arguments, and ignoring the occupation that has been allowed to become normalised within Israel. It is high time for a different conversation. It was a long ago, and it is now or never.

We need to speak up, loud and clear. When it comes to armed Jewish settlers running around the West bank and terrorising Palestinians, we are anti — it, and we always have been. But how can we expect other people to know this if we do not have these conversations in the open? If we do not call a spade a spade. Our refusal to use particular words and talk about things in a particular way in front of other people even if we do it behind closed doors has led to a lack of education within our community — and I am sure that there will be some people when I talk about these things, that have literally no idea what I am even saying. This is a very big problem. I hope some of those people are reading this now.

And what exactly is it that we are so afraid will happen if we put our heads above the parapet? It is evidently clear that Israel has not been abandoned by its allies. Put yourself in the shoes of an ordinary Gazan just now. Heartbreakingly, it seems to me, that being abandoned by the world — that that has become their destiny.

And, “What of the far left?” people will say? How are we to do deal with their antisemitism?

Yes, the far left think they are supporting armed resistance but have in fact aligned themselves with the ‘death to the Jew’ mob. They bleat on about ‘Hasbara’ — something they clearly have no understanding of whatsoever because if they did they would realise that they are it. Or at least that they are feeding it. Literally they are walking, talking Hasbara.

But of the multiple problems with the far left — and there are many — to me the worst is that there are those of them who have no connection whatsoever to the lives of anyone in the region — no ordinary Israelis or ordinary Palestinians, and yet they cheer for ever more death and destruction. They cheer on “armed resistance” from their comfortable homes in their comfortable lives, and it is not them who will have to face the consequences.

And maybe this round of violence will be the last round, the round that ends it once and for all — I hope so. But it has come at the most appalling and unacceptable cost.

Who are they to think they have a right to declare that somebody else’s family, somebody else’s child — Israeli or Palestinian — even one — let alone thousands and counting — is an acceptable sacrifice?

Maybe it is because they did not understand that October 7th could only ever have been a suicide mission. Because as a consequence of the rigidness of far-left ideology that does not allow for self-critical thinking, they refuse to understand this problem in more than one way. That you cannot fight evil with evil. That yes, it is more complicated than just ‘oppressor’ and ‘oppressed’, more complicated than their warped version of reality where even children are fair game.

Probably there are some of them that knew what would happen after October 7th, and just decided it was probably worth it if it would eventually ‘free Palestine.’ Either way it is unforgivable because it was not their decision to make. And all that has happened as far as I can see, all October 7th has achieved is all it would ever achieve — to enable an extremely racist, harmful, problematic and untrue stereotype that ‘Palestinians are genocidal terrorists’ to be reinforced in the eyes of Israelis and the rest of the world. Around 3,000 people crossed that border on October 7th, of a population of over 2 million. But undoing that sterotype will be extremely difficult, taking us further away from where we need to be.

You cannot help but wonder where we might be right now if only all those people had used all that effort to lobby for a real diplomatic solution. But we can’t turn back the clock.

That there are outspoken people within our community that think that the correct response to these people is for us to align ourselves with far right Islamophobes — we who have traditionally been proud of being anti-fascist — this could not be more ludicrous. It will lead us into that abyss. “I think the Jewish Chronicle is the Daily Mail for Jews.” Yes Dad, we all finally agree.

So where do we go from here? We need to start doing that right work. It is incumbent upon us more than anyone. Because it is only us who can help our friends and family in Israel, because it us who share history with them, who love and care about them. It is us who can help them see this through another lens.

We need to change the conversation, and we need to do it fast. Because the Palestinians do not have the luxury of time, and as far as I am concerned, neither do we.

There are people in our communities — both Israeli and Jewish — that have already been doing that right work for a really long time. It is time to listen to them, and elevate their voices. We need to start to be willing to be offended and to listen to other points of view. And unfortunately some of the right work does sometimes involve wading through what feels like a massive steaming pile of anti-Semitic shit, in order to get to the heart of some of the problems. But we also have an opportunity to meet some incredible people, and hear some amazing and wonderful voices that we would never have had a chance to hear. We have to get this done, to fix this once and for all.

We cannot hand this legacy to our children. We have to fight (non-violently) for a different future. This is the chance to do it. The world’s eyes are on Israel, and the time is now.

#i/p #המצב #jumblr #a word of warning:#when I say it's extremely long #I mean that this will likely take you an hour to read properly #I'm not getting an easy word count on it #but it's Long

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xxsksxxx · 14 days

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Almost Heaven

Summary:

Mulder’s attempt to find more exciting cases to investigate while stuck in the bullpen turns into another weekend trip to the forest.

Meanwhile, Scully is faced with a tempting offer that could change both her future and their lives.

Notes:

This little story has been stuck in my head for almost a year. It’s taken more than one change of direction over the last months until I was happy with where it was going. I hope you'll enjoy reading this fic as much as I enjoyed writing it.

And if you want to leave kudos or a comment—no matter if it’s an emoji or several long paragraphs—that would make my whole month.

I also want to say a huge THANK YOU to the wonderful @baronessblixen!

If it hadn’t been for her, and her constant encouragement to continue working on this story and her questions about its progress, I'm sure this story wouldn't be the same. Your input and excitement for this spark of an idea during a Sunday evening chat about something completely unrelated was invaluable. Thank you, my friend!

This story is complete, and I’m going to post one chapter a day.

AO3 | @today-in-fic

Chapter 1: To the Place I Belong

J. Edgar Hoover Building, Washington, D.C. FBI Headquarters – Bullpen Friday, November 27th, 1998, 3:30 pm

“Any plans for the weekend, Scully?” Mulder placed a sunflower seed between his teeth and looked at Scully questioningly. He leaned back in his desk chair, slowly bouncing backward and forward, returning Scully’s questioning glance with an innocent look.

Mulder was completely bored after spending days doing nothing but paperwork and sorting files. He knew Scully was bored too, even though she didn’t mind doing reports half as much as he did.

Scully reached for her coffee cup and sipped the hot liquid, closing her eyes in appreciation. Mulder grinned; he loved watching Scully enjoy her coffee. Mulder could tell she was frustrated by their punishment, which was exactly what was happening. They were being punished. This was also why he had started making an extra effort to get her a cup of coffee just like she wanted every morning and afternoon. She had stoically navigated his frustration with their current situation over the last few months, keeping him in line. And it hadn’t been that long ago that he had had to reassure her that she played a major role in his life. If getting the perfect coffee for her made her happy, he was all for it.

Scully opened her eyes and hummed appreciatively before looking back at him, and he gave her a knowing look. She blushed a bit but didn’t avoid his gaze, her eyes full of warmth. “Did you finish calling the letters ‘H’ and ‘I’ already, or are you planning on spending YOUR weekend catching up?” she quipped and turned back to her keyboard.

“I don’t care about any ‘E’s and ‘I’s. No one is going to follow up on this, anyway. They just want to keep us busy and off any real cases!” he said emphatically, pushing off the floor with his foot and bouncing his chair back and forth again.

“’H’ and ’I’, Mulder. Not ’E’ and ’I’. You did the ’E’s’ last week already. Remember that report I had to rewrite for you because you couldn’t help but add your opinion on why you consider this pointless?” Scully took a new file off of the pile and gave it a cursory glance before sighing.

“Aha! See? You’re just as bored by this as I am, Scully!“

She slowly rotated her shoulder and neck before turning back around to him. “I never said I wasn’t. Of course, this is pointless. None of these people ever so much as stole a chewing gum, much less organized a terrorist attack. But the more we protest, the longer they’re going to keep us assigned to this, and we’ll never get the X-Files back.” She gave him a sympathetic look. “Let’s just focus on getting this over with. If we keep our feet still long enough, they might trust us with the X-Files again.” She smiled tightly, and he knew she was trying to sound confident.

He gave her a long look before sighing and turning back to his overflowing pile of folders. “I hope you’re right, and we’re not wasting our time expecting they’ll forget about us.”

He knew Scully was hoping for the same. He despised sitting around, working on senseless tasks, following up on even more useless information when he could be on the road or talking to people who had actually seen something related to the truth.

“Well, at least Kersh didn’t make you recheck your report this time. Maybe he’ll give up sooner than later,” Scully joked, looking away from her monitor for a second.

“Yeah. By the way, thanks for going over it. I doubt I’d have gotten the same reaction to my original draft. You’re a lifesaver!” Mulder gave her a half-smile and pursed his lips.

She returned his smile with one of her own before turning back to her task.

“So, about those weekend plans—” Mulder began, only to be cut off by the ringing of his phone. “Hello?” he said into the receiver, grimacing at Scully when he recognized the voice of Kersh’s assistant. “Yes, we’ll be right there,” he clipped before hanging up and getting up from his chair, grabbing his jacket. “We’re expected in the Deputy Director’s office asap, Agent Scully,” he parroted, not waiting for her before taking off towards the open reception area of Kersh’s office.

He could hear Scully sigh, but she followed him without comment. What now? he wondered. Nothing good ever came out of being called into their boss’s office.

Office of Deputy Director Alvin Kersh

“Have a seat, Agents,” Kersh greeted them without looking up from his note-taking. His tone was as unreadable and impersonal as ever.

Mulder glanced at Scully, but she wordlessly took one of the two seats in front of their boss's desk.

The minutes passed slowly, and Mulder counted the ticking of the analog clock hanging on the wall at the side of the office, which signaled the passing of time. Kersh was making them wait, and Mulder hated every second of it. Just as he opened his mouth to ask if they were keeping him from his work, Kersh looked up and put his pen aside.

“I have a new assignment for you,” he began, giving them both a calculating look. When neither agent reacted, he slid a thick brown folder across the desk towards them. “There have been reports of some nighttime activities down at the Waterfront Resort. I want you to investigate those reports and ensure that nothing illegal is going on there.”

Mulder reached for the file and started to read the top sheet. The more he read, the angrier he got. “Nighttime activities, sir? From what I’m reading here, there have been reports of some kids staying out past their curfew down there. That’s not an actual assignment, a security guard could easily take care of this.” He angrily snapped the file shut and threw it back on the desk.

Kersh’s eyes narrowed, and his tone became even colder if that was possible. “What is an assignment and what isn’t is still something for me to decide, Agent Mulder. Are we clear on that?”

Scully quietly cleared her throat and reached for the folder. “Yes, sir. Agent Mulder and I will take care of this.” She quickly got up from her chair, placing her hand on Mulder’s arm.

Kersh nodded, his eyes still piercing Mulder’s with a cold glare. “Very well, Agent.” He took his pen back in his hand and began writing again, dismissing them wordlessly.

Mulder stood up abruptly, and for a moment he was tempted to have Kersh have it. He was so tired of being roadblocked every step of the way. A gentle squeeze of Scully’s hand on his arm kept him quiet, though, and with a last glance at their boss, he turned around and headed for the door.

FBI Headquarters – Bullpen

Mulder watched as Scully sank into her office chair, her exasperation clear. Another day, another senseless task, he thought.

Mulder frustration was close to exploding. The longer they worked under Kersh, the worse it seemed to get. Scully glanced over at him, and Mulder realized he had been morosely staring at his monitor. He started to bounce his leg, trying to get rid of some of his anger. He’d definitely have to go for a long run tonight, he mused, or his head would explode.

“Mulder, stop fidgeting!” Scully slapped her hand on his bouncing knee, forcing the offending appendage to stop moving.

Mulder sighed and crossed his arms over his chest, trying to stay still. “I just hate this, Scully. We’ve been sitting around, doing nothing, for weeks now.” He slowly moved his head from his left shoulder to his right, trying to stretch out the stiff muscles. “And now this! We both know this assignment is just to keep us sidelined. I don’t know how long I can stand waiting around! What are they even planning to do with us at this point?”

Scully nodded, her own frustration evident. “I don’t know, Mulder. I just know fidgeting is not going to change anything. What I do know, however, is that we have to play along for now, or this is going to escalate even higher up, and then we won’t ever get the chance to get the X-Files back.”

Mulder turned to face her directly. “It’s just so frustrating! We should be investigating real cases, not watching some teenagers commit the unspeakable crime of underage drinking.”

Scully gave him a sympathetic look. “I know, Mulder. And I’m just as frustrated as you are. I didn’t choose the FBI to do this kind of grind work either. I want to find the truth just as much as you do.”

Mulder didn’t reply, his eyes firmly fixed on Kersh’s reception area, where the Deputy Director had just appeared and had started laughing with his assistant. Mulder deflated once again, dropped back in his office chair, and gave Scully a pointed look. Kersh had them right where he wanted them.

Scully returned his look grimly before turning back to the folder with their assignment and started rubbing her temples.

He watched her for a few long moments before jumping up and grabbing her arm, pulling her with him. She let him drag her out of her chair, hissing, “Mulder, what are you doing?!” while taking a cursory glance around the large office space. No one was paying them any attention.

Mulder reached for his jacket from the back of his chair, shrugging it on. “This assignment is going nowhere. I’m pretty sure no one has even glanced at this file in the last several weeks. Let’s get out of here, Scully.” He grabbed his keys from his desk and slipped them into his pants pockets before putting his arm on her shoulder, squeezing softly.

She gave him a long look before sighing. “Might as well,” she added, grabbing her coat and putting it on.

Mulder placed his hand against her lower back, and together they walked down the hallway towards the elevator.

#xfiles #mulder and scully #xf fanfic #dana scully #fox mulder #msr #i wrote this #Almost Heaven

34 notes · View notes

lebbys-world · 2 months

Note

Hi 💜, I'm same anon who requested the todoroki x reader fic, where reader has a hyper fixation with mugs. And It's been great comfort to me, it warms my heart when ever I read it, so thanks for doing it.

But if it's okay, I like to request another todoroki x reader, comfort fic, where reader's dealing with anxiety, and to cope with the overwhelming and confusing feelings she cleans and listens to music to distract herself. But then she also finds it difficult to communicate her feelings because she's overthinking them, like "what if I'm overreacting," "what if it's really not something worth talking about," "what if the person I'm talking to either doesn't try to understand how I feel or get mad at me for feeling the way I do."

And the worst part of it all is, reader despises crying in front of people, like something about it just makes her feel worse, but she can't talk about how she feels without crying, so it's just a lot to where reader doesn't love talking about it, but she knows that communication is what makes relationships works, so she tries to pull together the courage to talk about how she feels with Todoroki, so whenever she feels like this again she has someone to talk to.

-------------------------------------

So not gonna lie, this is very self indulging, I had a rough day a few days ago and another one now, so I kinda need the comfort. But again, you don't have to use this, and I hope you have a great day.

Also I've seen other blogs do emojis for anons as like an identification, so you as the writer know what kinda of things you're getting into. I guess, so if you plan to do that for your blog, I'd like to be "💜" because I love your writing and would like to request more if you're okay with it.

Beside Me

Todoroki x gn!reader; description of panic attack, self deprecating thoughts (the italicized paragraph - can be skipped over), angst to comfort, reader comforted by character

notes: welcome back 💜Anon !! always feel free to send in any requests you’d like !! sorry things have been a bit rough for you lately, but i do hope that this helps to bring some comfort !! hope to see you around my blog again soon !! <3

The heavy, pulsing drum of your heart beats loudly in your head.

It feels as if every breath you take is suffocating; each could easily be your last.

The world around you feels as if it were off its axis, making your hands shake, and your legs go numb.

You managed to force your body to sit down, finding some stability on the floor of your dorm.

You’d tried dealing with the anxiety the moment it came on, desperately searching for a quick distraction.

Music was an easy go-to. It drowned out your thoughts for a little while - long enough so that you could try and focus on another task.

But it was all too much.

Everything was just too much.

The music that was meant to be comforting suddenly became a violent backing track for your crescendo of thoughts:

The day had been fine. You’re just overreacting.

No one is actually gonna help you, you know?

Why is everything going so fast?

This is so pathetic.

I just want to feel okay again.

Why couldn't I even just clean my room?

Someone, please, help me.

Getting my hopes up is ridiculous.

Everything is just worse when I inevitably get let down.

Why can't we just try?

Do they even care? It doesn’t seem like it.

Maybe one day I’ll be loved.

Maybe someday, someone will-

Your thoughts are cut off by the loud knock outside your door.

You take a shallow breath as you crane your head to the doorway, watching as the door slowly opens.

“Hey, y/n, I called you a little while ago.. You didn't pick up.”

The door opens and your eyes meet the heterochromic ones of Todoroki, staring at you ever so gently.

There’s no condemnation in his eyes.

No disappointment, or judgment.

He looked at you so softly, the only thing behind his eyes being concern and love.

You took another shaky breath as a tear unknowingly fell down your face, leading the man in front of you to prompt more questions.

“Is everything alright? What happened?”

You remain wordless as he approaches you, carefully reaching out a hand to hold yours.

He quickly takes note of your hand’s slight shaking, placing his other hand on top in an attempt to steady you.

“Do you wanna talk to me?”

You nod, more tears falling quietly down. You can already hear your internal thoughts berating yourself for being so weak in front of someone else.

“How about for now, you just breathe with me.” He suggests, trying to demonstrate to you a technique to lower your hurried heart rate.

“Just breathe with me. When you’re ready, we can talk about everything on your mind.”

With a few in sync breaths, you huff out a small laugh,

“Thank you, Shoto.”

He looked at you with such tenderness and earnesty, as he uttered his response:

“I’ll be right here when you need me.”

And he always was.

all fictional works are for entertainment purposes only. all rights to characters, media, references, and other third party materials belong to their respective owners. do not repurpose, modify, copy, or repost my work to other sites without permission. © @lebbys-world 2024.

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#if only fictional characters were real amirite #bc real people never act like this when ive got problems bro #bnha x reader #mha x reader #shoto todoroki #shoto todoroki x reader #shoto todoroki x y/n #shoto x reader #shouto todoroki x reader #todoroki x reader #todoroki x y/n

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the-bad-batch-baroness · 5 months

Note

Alright, and here's request #2

May I ask for Fives and Fox

with Prompt 14: Last Words

Where Fives is haunting Fox after his death. Where "the nightmares are over" is twisted to "the nightmare has just begun".

Girl, you helped me come up with this, you know what to write, lol

❤️ - @vodika-vibes

In Your Head

Fox

Summary: Fox has a hole in his memory that he can't seem to fix, and when he starts hallucinating about the clone he killed, it leads to dire consequences.

Pairing: none

Characters: Fox, Thorn, ghost!Fives

Tags & Warnings: character death, alcohol, drunkenness, hallucinations, paranoia, minor suicidal ideation, violence, whump

Word Count: 6.2k

Author's Note: First of all, I'm going to apologize for how long it's taken me to write one of these requests. Second, all of the requests are still sitting in my ask box. I haven't gotten rid of any of them and I still plan on writing all of them. It's just gonna take me a bit. To be honest, this fic is more Fox whump than Fives whump, but eh, it's still whump and it still includes one of the 501st boys, so that counts, right? As always, please enjoy 💚

Beta: @beating-a-dead-plot

Fox sits hunched over his desk and anxiously raps his stylus against the side of his data-pad. He's read the report five times now and each pass yields the same results. His CC number is littered throughout the paragraphs, but for the life of him, he can't remember any of it. He looks up at the chronometer again and shakes his head. Time has moved, but he hasn't. He's been sitting here at his desk doing flimsi-work since early morning, but the report states otherwise.

It's not just the strange lost time that concerns Fox either, or the fact that his CC number is in a report. That's normal. What bothers him about this report is the fact that it clearly states in paragraph four, line six, that he shot and killed a clone. And no matter how hard he racks his brain, he can't remember it. He hasn't moved from his desk, and yet, the timestamp puts the incident at an hour ago. An hour ago he was at his desk. An hour ago he was doing flimsi-work.

Fox raps his stylus faster and taps his foot to match the rhythm, the nervous energy in his body escaping through the repetitive movements. He wouldn't shoot a clone without a reason, would he? The Coruscant Guard has stunned countless rowdy and reckless, and even dangerous clones, but a brother doesn't shoot another brother with the intent to kill. That's not part of their culture. Even bad clones deserve to explain their actions, but those are few and far between.

It must be a mistake. A typo. There has to be a logical explanation as to why his CC number is in the report even though he wasn't there. Still, he has this odd sinking feeling scratching at the back of his mind that it might not be a mistake. The clone he allegedly shot was from the 501st, from Torrent Company. One of Rex's men. Fox sent a simple comm message to Rex, offering his condolence, but Rex's silence worries him. It's not like Rex to leave a comm unanswered.

Fox drops the data-pad onto his desk with a loud clack and his chair creaks when he leans back. He wipes the sweat off his forehead and brushes the damp curls out of his eyes. It must be a mistake. There is no other explanation. He doesn't have an explanation for the lost time, but there must be a reason for that as well. Maybe he fell asleep. It's not impossible since he doesn't get the best sleep. His caf is cold, so obviously time has passed since he last filled it.

The data-pad dings and Fox leans forward to see what the notification is for. He sighs and taps on the icon to open it, and his brows furrow as he reads the new information. A surveillance holo-recording of the incident is now available and has been attached to the report. Fox huffs. This should clear up everything. He taps the icon to play the recording and watches intently. It was probably some trigger-happy shiny that he'll have a stern talking to later on… but it's not.

Fox's breath hitches and his eyes widen. That's not some random corrie. That's him. That's his armor. He has the fleeting thought that someone stole his armor and impersonated him, but he quickly realizes he's still wearing it. He hasn't taken it off since he put it on this morning. Panic rises in his gut and he continues to watch the recording. He flinches at the moment he pulls the trigger. A blaster bolt leaving the barrel instead of a stun bolt. He killed him. He killed a brother.

That explains why Rex never commed him back. Rex's emotional plea, Fox don't, stabs him in the heart, turning his innocent condolence message into him just rubbing salt into an egregious wound. The report noted the clone killed as ARC-5555 – Fives – one of Rex's best. Fox only remembers the name because Rex sent him a holo-photo of his two new ARC troopers when they graduated. Rex was so proud. Then he lost one on Lola Sayu, and today, he lost the other.

Fox has seen and read enough. It was him, he knows that much, but he still doesn't remember being there. He doesn't remember aiming his blaster, or flicking the safety off, or giving a warning, or pulling the trigger. It's like he was sleep walking, even though not a single clone out of millions has ever been noted to do so on record. He finds it even more odd that he was on scene for the shooting and then left. It's not like him to leave a scene without getting statements or starting his report. Now that he thinks about it, he didn't even write this report. Who did?

Fox yells in frustration and kicks the leg of his desk. Why can't he remember? How could he forget he shot and killed a brother. How could he forget Rex's voice begging him not to? How could he forget leaving his office and coming back? Fox feels sick. Not only did he kill a brother, he killed one of Rex's. A beloved brother. With Rex's radio silence, he probably lost Rex too. Fox doesn't blame him. Not after watching the footage. He would hate himself too, and he does.

Fox pulls a ring of keys from his belt pouch and inserts one into the lock on the bottom desk drawer. It clicks and he pulls it open, revealing a small stash of alcohol resting against the back. The glass bottles clink as he searches for a specific one. Finding it, he pulls it out of the drawer and places it on his desk. He leans down to grab a glass, hesitates, then closes the drawer without taking it. He twists the cap off the bottle, grabs the neck, and tilts the opening to his lips.

"Fox?" Thorn whispers as he peeks into the dark office. "Are you in here?"

Fox groans in response. His torso rests on top of his desk and the side of his face lays on the cool surface with one hand loosely wrapped around an almost empty glass bottle.

Thorn sighs and shakes his head. "What are you doing, Fox?"

"Go away," Fox slurs. His body twitches at the sudden exertion.

Thorn ignores Fox's inebriated order and pulls up a chair to sit opposite Fox's desk.

"Talk to me," Thorn says.

"Nothin'... to talk about," Fox answers.

"You're drunk while on duty," Thorn says. He grabs the bottle out of Fox's loose grip and sets it out of reach. "Why don't we start with that?"

Fox slowly picks his head up to look at Thorn, and he struggles to keep it steady. "Usen'ye," he says, then lays his head back down onto the desk making the room stop spinning.

Thorn taps his fingers against the desk's surface next to Fox's head and Fox flinches at the magnified sound. "I read the report."

Fox groans, but this time with more indignation.

Thorn crosses his arms and sits back in his chair. "I've got all night."

"You're so… annoying," Fox slurs as he slowly picks his head back up to look at Thorn. "You know… that?"

Thorn smirks. "Part of my charm."

"Karking… banthas… have more charm," Fox says, his head swaying as he tries to keep it upright. "You're ugly… too."

Thorn rolls his eyes. "You're getting off topic."

"Why… are you… even here?" Fox asks. He reaches for the bottle and Thorn leans over to move it again.

"You killed a vod," Thorn says.

Fox huffs. "What... do you… know about it?"

"Nothing," Thorn says. "That's why I'm here. To talk to you about it, because clearly it's affecting you."

Fox reaches for the bottle again and Thorn moves it. "I'm… not effective."

"Yeah, I can see that," Thorn raises an eyebrow. "You can't even talk straight."

"Blow it out your… exhaust port," Fox sneers, then reaches for the bottle once more.

"Really?" Thorn asks, as he lifts the bottle up out of Fox's reach. "If I give you the bottle back, will you talk to me?"

Fox smirks through hooded eyes. "Sure."

Thorn places the bottle back down onto the desk and pushes it towards Fox. Fox grabs it, sits back in his chair, and shoots the last burning drops down his throat, then slams the empty bottle down onto the desk.

"Talk," Thorn says. "Why'd you kill a vod?"

Fox chuckles. "I don't know."

Thorn's eyes darken. "This isn't a game, Fox."

"Nah," Fox says with a dismissive wave of his hand. "Games… are fun. This... This isn't..."

Thorn tilts his head to the side and studies Fox for a moment. Even drunk, Fox usually makes some sense, but this particular time he's making zero sense. It's not that hard of a question, but his avoidance in answering it is making Thorn worry. There's something Fox isn't telling him and he needs to know what it is in order to help him get out of this slump and back to normal. Having a drunk Marshall Commander leading the Coruscant Guard is going to get them nowhere fast.

"Fox," Thorn prods.

"Don't Fox me," Fox spits in response. "How'd you… like it… if I said your name? Thorn. Thorn. Thorn. Thorn–"

"Alright, I get it," Thorn interjects. "Just tell me what happened."

"I don't know," Fox lazily shrugs.

"What do you mean you don't know?" Thorn asks.

"I don't remember," Fox says.

"You don't remember shooting a vod?" Thorn asks, narrowing his eyes.

"Nope," Fox says, making a popping sound on the second consonant.

Thorn pinches the bridge of his nose and sighs. "You have to remember something? You killed him. Don't you remember that? Were you drunk then, too?"

"No, I wasn't drunk," Fox says, his agitation growing at the continued questioning. "I just don't remember!" He pounds his fists on the desk, making Thorn flinch.

"Easy, vod," Thorns soothes and reaches out a hand to try and calm him down. "It's okay."

"No!" Fox yells with a jerk as he weakly bats Thorn's hand away. "Is not. I shot… a vod. I killed… a vod, and I can't… kriffin' remember!"

Thorn realizes he's not going to get anywhere with Fox being this drunk and worked up, so he decides to cut his losses and try again later. "Get some rest," he says before getting up from his chair. He looks down at Fox's dilapidated state, shakes his head, then turns to leave.

"Bring me… more booze," Fox demands.

Thorn turns around and scoffs. "You don't need any more of that."

Fox grabs the empty bottle and throws it towards Thorn, but it hits the wall by the door instead and shatters into a million pieces. "Shabuir," Fox snarls.

Thorn sighs. "We'll talk again when you're sober." He turns back towards the door and leaves Fox alone in his office.

Fox grumbles and lays his heavy head back down against the cool desk. He's not really angry at Thorn, as annoying as he is. No. He's angry at himself. Angry that he can't remember what his own two hands did. Angry that he can't remember where his own two feet took him. Angry that his brain won't put all of the pieces together or fill in the blanks. Where did his memory go? Did it grow legs and walk away from him? Did it leave him or did he leave it? Is that even possible?

Fox would stay laying against his desk all night if he could, but the ache in his back is beginning to overpower his drunken haze. Part of getting old, he guesses. He needs to try and make it to his couch where he can stretch out and fall asleep. At least while asleep he won't have to think about it. That was the idea behind the alcohol in the first place; drink to forget, but it didn't have the effect he was hoping for. If anything, it only made it worse. Then Thorn butted in and ruined it.

Fox tries to peel himself off of his desk, but his body is heavy. He manages to sit up, but then slumps back into his chair, whacking his head against the back of it. He groans at the pain and rubs the spot. When he opens his eyes, the room is spinning, and it makes him feel sick. Well, sicker than he already felt before he was drunk. He chuckles to himself. The good stuff was really good. He hasn't been this drunk since he was a shiny new commander hot off Kamino.

Trying again, Fox plants his hands squarely on his desk and rocks to push himself out of the chair. He tries once and can't get it. He tries twice and still can't get it. He tries thrice and finally he's on his feet, although he uses a little too much force and falls forward onto the desk. Maybe it's better if he crawls to the couch instead of walking there. He lets the weight of his lower body slide the rest of him off the desk until he's sitting on the ground and leaning against the desk.

He leans past the desk and turns his head to see where the couch is, but he leans a little too far and slumps over onto the ground. He groans. This was a terrible idea. He wishes he could get Thorn to come back and carry him to the couch, but that would bruise his ego into an irreparable state. No, he has to make it on his own. With a little wiggle of his hips, Fox rolls himself onto his stomach and crawls towards the couch. Usually, it's closer, but right now it feels klicks away.

Maker, he's tired. Why did he have to put the couch so far away from his desk? Or better yet, why can't it come to him? You'd think someone would've invented a moving couch by now, but no, the Galactic Republic is too busy making clones to do anything of real use in his lifetime. And yet, Fox continues to crawl towards his couch, cursing it every time he scoots closer. With one final push, he makes it, but accidentally bumps his head against the leg. He curses it again.

Now, it's just a matter of hoisting himself up onto the stupid thing so he can finally go to sleep. Once again, something that used to be so trivial is causing him grief. Why is it so high up? Why is the floor so far down? Why won't the room stop spinning? He wishes he could steady himself long enough to get a grip, but his body is heavy from the alcohol. However, with a little more effort and a lot more cursing, Fox grabs one of the cushions, pulls himself up, and flops onto the couch.

Thank the Maker, he finally made it. Fox rolls off of his stomach and situates himself with his back against the back of the couch so he doesn't suffocate himself within the couch cushions. Although, at this point, that doesn't sound like such a bad idea. He chuckles to himself about the thought. Thorn would kill him. He would find some way into the afterlife and kill him again for being such an idiot. Although, to him, it's a comforting thought; Thorn coming after him like that.

Even if Fox hates to admit it, Thorn is still his best friend. Some days they absolutely can't stand each other, but when push comes to shove, there's no one he'd rather have his back in this war. Perks of growing up together, he figures. Fox releases a wide yawn that makes his stomach churn, but he's happy that his body wants to rest. With a few slow breaths, he lets himself drift off to sleep, wondering if he'll wake up and finally remember or if his memory will still be adrift.

Fox groans as he stirs from his sleep. He slowly opens one eye and sees that it's still dark out, which means either he slept until the next evening or he barely slept at all. He doesn't feel drunk anymore, so maybe he did sleep for a while; an absolute miracle. Even more surprising is the fact that no one bothered him while he slept, which also means Thorn kept everyone away and covered for him. The idiot. He'll need to apologize and thank Thorn the next time he sees him.

Fox carefully shifts to sit himself up, holding the side of his head as it pounds from the hangover. He hasn't had a hangover like this in a very long time. He'll have to look at the label on the bottle and get himself another one of whatever it was. Blinking a few times to get rid of the glaze over his eyes, he looks around the room, but frowns when he sees the broken glass by the door. Oh yeah. I broke it. Guess he won't be buying another one of those anytime soon. What a shame.

With a deep breath, Fox hoists himself up off the couch and grabs the arm to steady his shaky legs. He doesn't feel woozy, but his body still feels heavy, like there are rocks in his head weighing him down. He rolls his neck, then his shoulders, and then arches his back to stretch it out. One of his vertebrae makes a popping sound and he groans. Even though he tried to lie down in a good position, couch-sleep is still not as nice as a bunk. He needs some ibuprofen.

Fox hobbles his way to the refresher connected to his office, and is, once again, thankful for the amenities he has access to as the Marshall Commander of the Coruscant Guard. It would be embarrassing to walk down to the guard barrack's communal refresher to compose himself. Thorn would get a good laugh, though, the jerk. He'd say something stupid just to piss him off. But that's the game they play, because Fox has embarrassed Thorn on multiple occasions too.

Fox steps into the refresher without flipping the light switch on, and twists the faucet knob to run the water cold. He cups the rushing water in his hands and splashes it onto his face. The cool water feels good on his hot skin and soothes his throbbing headache. He does that a few more times, and then one last good splash that he smooths over his unruly curls. He pats his face with the towel and stares at himself in the mirror, except something about his reflection is… off.

Fox rubs the towel across his face again, thinking he has some water stuck in his eyes making his vision blurry, but the reflection still looks odd. He then uses the towel to wipe down the mirror, leaving small streaks of water where he swiped, but that doesn't clear it either. Refusing to play with it any longer, Fox opens the mirror cabinet and grabs the bottle of ibuprofen. He pops a few and swallows them dry, wincing as he feels them go down his throat, then closes the cabinet.

Hi Fox , a voice says.

Fox startles and stumbles back, crashing against the opposite wall with a loud thud. "Kriff, Thorn!" Fox exclaims. He turns his head towards the refresher door to rip Thorn a new one, but he's not there. "Thorn?" he calls, but there's no answer. He peeks his head out of the refresher to see if there's anyone in his office, but it's still dark and empty. It's just him. He's never had a hangover that made him hear things before… he thinks. Fox's heart races with adrenaline.

Fox , the voice says.

Fox flinches at the sound of his name, and whips his head around to try and figure out who's calling him, but there's still no one there. "Thorn," Fox says. "I swear to the Maker, I will kill you."

So, you like to kill, huh? the voice says.

Fox freezes, his blood running cold. He didn't just hear that, did he? The sound of another clone talking to him, but he's still alone in the refresher. His instincts are screaming for him to run and find Thorn, because clearly he's hallucinating, or sick, or dying, or all three at once. He shouldn't be hearing voices, or at least he doesn't think he should be hearing voices. Fox closes his eyes and takes a couple deep breaths to calm himself and just hopes that whatever it is will go away.

It's rude to ignore people, you know , the voice says. Especially dead people.

Yup, he's crazy. He's one hundred percent certified crazy now. Not only is he hearing voices, but he's hearing voices of the dead . What did he do while he was drunk and asleep? Conjure a demon? Summon a spirit? Invite a deity to chat over some caf? How did he even do that? The other option is that he's still plastered and is hallucinating being sober. Honestly, both ideas sound equally as insane, but do they really make any less sense than him hearing voices?

"Whatever you are," Fox begins with a nervous voice, "I'm sorry for bothering you, but I'm going back to bed now."

Fox pushes himself off the wall and walks towards the refresher door to leave, but it slides shut before he can exit. He stares at the closed door and takes another deep breath, then releases it slowly. He slides his hands over his holsters, but the blasters are missing. They must have fallen out while he was sleeping and he didn't notice. He kicks himself for being so absentminded to leave them on the couch, but in his defense there aren't many who'd attack him in his own office.

Fox runs his tongue across his teeth and puffs his chest out before turning around to face whatever it is that's messing with him, but when he does, there's no one else in the refresher besides him. He bites his lip and nods his head. It must be a dream. He's living in a dream and he can't wake up. That has to be the answer. There's no other explanation. Once he wakes up, he's going to find Thorn and make him get rid of all of his liquor, because this isn't worth the trip.

I'm still waiting , the voice says impatiently. Are you gonna answer me or not?

Fox grits his teeth and thinks for a moment. If he answers the voice of the dead, is something bad going to happen to him? It's not like his life could get any worse. He's a dog of the Republic, he's shot and killed a brother, and he's probably the most hated commander in the GAR. There's not much else they can do to him. Fox startles at a sudden realization. The voice of the dead… a dead clone. Voice of the dead… killed. Fox's heartbeat pounds ferociously in his ears.

He takes a few steps towards the sink and peers into the mirror, the same mirror where his reflection didn't look right. He was so groggy when he first came in the refresher that it didn't dawn on him what in the reflection was off, just that it didn't look right. He stares at his reflection, and tilts his head to the side, furrowing his eyebrows as he studies the image, but his eyes grow wide when he realizes that the reflection didn't follow the tilt of his head. He moves in closer.

Boo , the reflection says with a smirk.

"Kriffin' osik!" Fox screams and out of reflex he punches the mirror, cracking it. He heaves in his breaths and pulls his fist back from the mirror, his glove protecting his skin from getting cut by the broken shards.

The reflection sighs and side steps into the part of the mirror that isn't as broken. Really? the reflection asks.

Fox is on the verge of hyperventilating. Fear and adrenaline taking control of every muscle in his body. His reflection is talking to him. It's moving without him. But it's not even him. He can clearly see that now. Fox takes a moment to study the image in the mirror. The armor is white, like a shiny's, their head is shaven, they have a goatee, and an Aurebesh tattoo on their right temple not far from a small linear scar. Fox's jaw drops. It's him. It's the clone he shot and killed.

Figure it out yet? the reflection asks, almost bored.

"You're…" Fox tries to speak, but he's still unsure of what he's actually seeing.

The name's Fives , the reflection says while tapping his Aurebesh tattoo. You should remember, since you killed me.

Fox is speechless and wide-eyed. He feels sick to his stomach. He knows who Fives is, but he still doesn't remember shooting him. He's never met him, and the only images he has are of him in his ARC armor, not whatever it is he's wearing now. Fox thinks back to the recording that was attached to the report, and remembers seeing himself shoot the white-armored clone. He did find it strange at the time, and it made him wonder why, but not enough to hallucinate about him.

"This isn't real," Fox says as he backs away from the mirror. "You're not real! You're dead !"

The reflection snorts. What? No remorse? No, sorry I killed you?

"I don't remember killing you!" Fox yells, half in shock and half in self-defense. His back touches the hard durasteel wall and he slides down it until he's sitting on the floor.

Don't remember? the reflection asks. You shot me! How could you forget that?

Fox pulls his knees to his chest, clasps his hands over his ears, and squeezes his eyes shut. "Just leave me alone!" he yells again, trying to make the voice go away. "I said I don't remember!"

I'm not leaving , the voice says. Not until you remember what you did to me.

"Go away!" Fox practically screams. "Leave me alone!" His breathing becomes labored and he feels like he's going to pass out. "This is… a nightmare."

Oh, Fox , the reflection chuckles, then pushes out of the mirror and folds its arms to lean on the edge of the sink and stare down at Fox. Your nightmare has just begun.

The next rotation has Fox feeling insane. The voice inside the mirror isn't just a voice anymore. It's a full body apparition that follows him around wherever he goes. He can't even take a piss without that thing watching him. He still wonders if it's the actual Fives or if it's just a figment of his imagination; maybe the subconscious part of his brain conjured it up because of the guilt he feels for killing the clone. He wants to tell Thorn about it, but even Thorn has limits on disbelief.

Hour after hour, the apparition asks if he remembers killing it yet, and hour after hour, Fox still has the same answer – no. Maker, he wishes it would just take a hike and go haunt someone else, even if it's just for a couple of minutes. There's nothing worse than trying to work or sleep while it watches him from across the room with its dark, cold, dead eyes and smug expression. If this is the real Fives, then he doesn't understand why Rex liked him so much.

Although, today has been strangely quiet. The apparition is nowhere to be seen, or heard, and Fox is taking the much needed alone time to catch up on the reports he's been neglecting since it first appeared. It must have been a figment of his imagination brought on by stress or something along those lines. There's always a logical explanation for everything, or so he thinks. Fox looks up from his data-pad when he hears a soft knock on his office door frame.

"I brought you some caf," Thorn says with a friendly smile. "Can I come in?"

Fox nods.

Thorn walks into the office, places the cup down in front of Fox, and sits on the corner of his desk.

Fox grabs the cup of hot, black caf and deeply inhales its alluring aroma. "Is this a peace offering?"

Thorn snorts. "You should be bringing me a peace offering for all that name calling."

Fox winces at the vague memory, then takes a sip. "Sorry."

"Apology accepted," Thorn says. "You're still a di'kut, though."

"So are you," Fox smirks.

Is he a friend of yours? the apparition asks as it appears next to Fox.

Fox startles and accidentally drops the cup of caf onto his lap. "Kriff!"

Thorn also startles and jumps off the corner of Fox's desk. "Are you alright?"

"Yeah," Fox sighs. "Just grab me a towel, will ya?"

Thorn walks off towards the refresher to grab a towel.

He seems like a nice vod , the apparition says as it watches Thorn with interest. Is he your best friend?

Fox chooses to ignore the question and the ghost.

You know , the apparition continues. It hops up on the desk to sit in front of Fox, its legs dangling over the edge. I had a best friend once – actually two. They're both dead, now… Like me. Must be nice to have yours still alive, huh?

Fox glares at the apparition and snarls. "Don't you touch him!"

The apparition chuckles. I'm a ghost, remember? I can't even touch you. The apparition reaches out to touch Fox, but its hand goes straight through him. See? I'm not going to hurt your friend.

Fox continues to glare, not fully trusting what the apparition says. Thorn is his best friend, but this is his issue to deal with, and he's not going to drag Thorn down this insane hole of guilt and self-loathing with him. Even so, it would be great if Thorn could see the apparition too. Maybe then, he wouldn't feel so crazy about the whole situation. A little validation goes a long way in his mind. He just needs Thorn to see it once, then he can feel safe again, feel normal again.

"Fox?" Thorn asks in concern while handing him the towel. "Are you sure you're alright?"

Fox grabs the towel and pats himself and the chair dry. "Yeah, I'm fine."

Thorn isn't convinced, but doesn't argue.

I'm not fine , the apparition says. I'm dead .

Fox wants to say something in rebuttal, but Thorn's lack of comment about the elephant in the room makes him wonder. He turns his head to the apparition and then to Thorn, and then back again. "You don't see it, do you?"

"See what?" Thorn asks, a confused expression on his face.

"Nothing," Fox sighs and tosses the towel onto the desk before slumping back into his chair. "Nevermind."

"Fox," Thorn begins hesitantly. "I think you should see a medic. You've been acting strange lately and I'm worried."

Yeah, Fox , the apparition adds. You should see a medic for that missing memory issue . Maybe they can tell you why you killed me.

"I don't need a medic!" Fox exclaims. Thorn flinches and Fox bites his tongue. "Sorry. I'm just tired is all."

Thorn still isn't convinced, but he sighs and shakes his head. "Alright, I trust your judgment."

I don't , the apparition says. You shot me .

"Thanks," Fox says. His eye twitches. It's hard enough to keep his thoughts straight, but it's even harder when he has two people talking to him at once and only one of them is actually there.

"I'm here if you need me," Thorn says as he places a hand on Fox's shoulder. "Even if you just want to talk."

You can talk to me too , the apparition says.

"I appreciate that," Fox says, trying to give him his best fake smile.

Thorn throws Fox another look of concern, but turns and leaves his office all the same.

Fox immediately turns his attention to the apparition. "Can you just shut up?!"

No , the apparition says. That's the whole point of haunting. I'm supposed to be annoying.

Fox drops his head onto his desk and yells in frustration.

The apparition hops off the desk and kneels so it's face is on Fox's level. Just tell me why you killed me, Fox, it whispers. And I'll go away .

Fox clutches the sides of his head. "I'm trying," he chokes out. "But I can't remember."

It's been a week and Fox is on the verge of losing himself. He can't sleep. He can't eat. He can't do anything. The reports are piling up and questions are being asked. Thorn continues to check on him, and he appreciates it, but he wishes he'd stay away from him. Every time Thorn comes into his office, the apparition stares at him like he's a piece of meat. Fox knows the apparition can't hurt Thorn, at least, that's what he's been made to believe, but what if he's wrong?

He can't let it get Thorn, too. It can torment him all it wants, actually, it can even kill him if it wants, but he will not let anything happen to Thorn. Thorn is too good for this kind of torturous hell. Thorn hasn't killed any clones. He probably hasn't killed anyone . There's no reason for Thorn to be brought into this. It's him that the apparition wants. Its blood is on his hands, not Thorns. Thorn has nothing to do with any of this and Fox will do anything to protect him.

Hi Fox , the apparition says while leaning against the door frame of the office.

"What do you want?" Fox sneers from where he sits behind his desk.

The truth , the apparition says with a smug grin. You've been keeping it from me.

"Like I've said," Fox says. "I still don't remember."

Not good enough , the apparition says as it pushes itself off the door frame and approaches Fox's desk.

"I won't let you hurt Thorn," Fox says as he stands up.

What are you talking about? the apparition asks.

"Don't play dumb with me!" Fox exclaims. "I know you're going to hurt him to get back at me."

Are you alright, Fox? the apparition taunts. You seem a little off today.

"Get out of my head!" Fox yells as he clutches the sides of his head. "I know what you're doing!"

What's the matter? the apparition taunts. I've never seen you so unhinged before.

"Leave me alone!" Fox yells.

C'mon, Fox, the apparition walks closer. Tell me.

Fox draws one of his blasters and points it towards the ghostly figure. "Get away from me!"

Whoa, there, the apparition says, putting its hands up and taking a single step back. There's no need for that.

Fox breathes heavily. "I'm warning you!"

You won't shoot me, the apparition smirks. You have no reason to shoot me. Put the blaster down, Fox.

"I won't let you hurt him!" Fox yells, then fires a single bolt through the same spot as before, on the apparition's chest, through its heart. He watches as the apparition falls to its knees and clutches at its chest. That'll stop it. That'll shut it up. That'll make it leave him alone. That'll keep it from hurting– Thorn?

Fox pants with exasperation as his senses begin to clear. The vision of the apparition slowly dissipates, leaving behind the image of Thorn grasping at the hole in his chest. A look of pain, shock, horror, and confusion painted on his face as he looks at Fox. No. No, this can't be happening. He didn't. He couldn't. Did he shoot his best friend? It was the ghost. The ghost was right there. It was talking to him. It was taunting him. It was going to hurt Thorn.

"Fox," Thorn gasps. "Why?"

At the sound of Thorn's voice, the gravity of what Fox has done hits him like a ton of bricks. His eyes widen and his voice quivers. "Thorn."

Thorn collapses forward onto the floor and Fox rushes to his side.

"No, no, no, no," Fox rambles as he pulls his brother into his lap and applies pressure to the wound. "I need a medic!" he yells. "I'm sorry. I'm so sorry. I… I didn't know it was you. There was a ghost and it was in my head and I couldn't remember." Tears begin to well in Fox's eyes as he tries desperately to explain.

Thorn reaches up a hand to touch Fox's cheek and Fox grabs it with his own.

"I'm… sorry," Thorn says weakly. "I… wish… I… could've… helped… you…" Thorn's hand drops as his body goes limp and he breathes his last breath.

"Where's my medic!" Fox yells, tears now streaming down his face unabated. "Hang on, vod." He pulls his brother's lifeless body close to his chest and rocks him back and forth. "Please, don't go. Don't leave me."

The apparition appears once again, crouches down in front of Fox, and looks apathetically at Thorn's lifeless body. It shakes its head. And to think all of this could've been avoided if you would've just told me what I wanted to know.

Fox looks at the apparition with murderous intent.

A vod for a vod , the apparition says with a smirk. At least you'll remember this one.

Event Masterlist

Masterlist

AO3

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