#she/her though

[lucihens]

Hi. I just want to somehow make catharsis about the whole Chenford break up going on and listen other takes on it.

Maybe Im just a girl going through Mercury Retrograde being delulu not wanting to aknowledge they are over. Having said that:

I just know this is not the end for them. But not for plot reasons that we are all speculating. I mean sure for plot reasons is necesary for Tim to get his shit together before taking the next step with Lucy (Eric said in his interview that Tim loves her and its seen in the lie detector scene and all the Tamara moving out storyline that has been going since last season they are sure heading to moving together). Also sure Lucy has suffered many things and is interesting to see her next steps.

But I just know this is for marketing reasons. They need the show to be renewed for another season and a massive cliffhanger like this one when there's a 3 weeks break between episodes where they know people will be engaged on it is a good way on getting that renewal.

They know people still watching the show because Chenford. They have stated they are endgame. But they are producers and writers and plan things ahead in order to keep the show going. Is just trust the process and the fact that they work on this and know what they are doing. I have seen many shows (most of them from ABC) to know they give the fans what they want bc in the end is a product that is sold and know that not doing something your target audience wants equals not product to be sold.

Also, even though Melissa and Eric had said that there are some things coming on Tim and Lucy on the season finale and blah blah blah. They are putting a lot of effort on the breakup promotionally speaking. The interviews released the second the episode finished, the TikToks from Melissa, the whole ice cream promo with letters to the cast about the breakup and they laughing and making jokes (also like the ig account still saying Chenford stan account) is more clear is about making the people engaged and furthermore, making the network renew the show for season 7. They are actors and know they must keep a good relationship with their fans (I mean if you make something that upset your fans then how would you keep getting called to act if you dont have people watching them for you and other actors can), what Im saying Is they are laughing and all of this because they know how it ends and know they end in a place where fans will love it, if not they are basically bullyng us lol.

So long story short: just keeping my peace of mind knowing it is just marketing. By the interviews we know somehow the season finale lets them in a good place, so if season 7 comes maybe we got time to see them making up with more time and development (things this season had been rushed bc the strike, not only here but in most shows) and if there's not season 7 it will end up with Chenford with a sort of an open finale where all points to them giving it another chance in their inmidate future.

Hope i made myself clear. Just wanted to vent haha. And lets chill and cross fingers for season 7 and an Oscar for Melissa and Eric because that break up was so CHEFF KISS like girlll I have felt that pain too.

hello dear anon! thank you for being my very first ask!

i hope you won't regret venting to me because this response ended up....well...extensive. i have many many things to say and a lack of adhd medication to contain them.

i would also like to note that i'm not at all experienced with writing think pieces on the internet. but even though i haven't written an essay since college, i can sure yap. and even though i'm a genius /s, this may not make sense to anyone. so here's what my chronic fatigue and i were able to conjure up:

yes, tv shows are primarily for an audience, whether writers and directors do accept that or not, that's what i'm guessing producers have in mind. tv is literally built 'for your viewing pleasure', and with this show in the past, and by past i mean season 5 especially (and the shock and surprise of 4x22), they (whoever they is) have been manically hitting that red button titled 'DO THE THING THEY WANT' just so they can say they did it and you as an audience can't complain. so yes in my experience, shows very often, if not always, write for an audience, otherwise the creators would just be giggling at themselves in their own private screening room at their custom, personalised tv show made only for them. when you give a show to the masses, it is, in certain ways, their's now. so going against everything an audience wants is certainly an interesting move, and since i have a common disease called 'being absolutely befuddled by the varying degrees of human nature' i don't know particularly what their aim is, what they're hoping this will provide an audience, as well as the show as a whole. what i do know however, is that there is not just one kind of audience, within the watchers of the rookie, there is obviously an abundance of angst lovers, an array of fluff lovers, complex think piece people, and apathetic 'this is what i fill the void of a tuesday night with' people (which is potentially what makes up a good portion of the viewers (?), not just the dedicated fandom we see on social media). with this in mind, the creators, the writers, are evidently incapable of satisfying every single diverse/contradictory demographic. so it's unclear which demographic they want to make happy at a given storyline. is this to give the angst lovers what they want? is this to give the comfortable fluff lovers a kick in the rear? or is this just to keep the average viewer interested in this ever-appealing show? i can't speak for them at all so i couldn't say which, but i also haven't a scooby doo. maybe others could give their opinion on which of these they think the creators are aiming for, because i couldnt tell you. then again, maybe it's all of them. maybe we let the rest of the season play out to completion, and we may know for sure. but marketing a show goes hand in hand with keeping the general audience as well as potential new viewers: 1. happy and excited, 2. interested in investing their time into the show. and given that season 6 is a short season: yes, i'm sure the marketing the break up is one of their best bets at keeping ratings up and viewers in, whether it comes directly from outrage or intrigue. and given how some other storylines seem to fall kind of flat (wink wink nol–), especially compared to last season, the initial lucy storylines and the now tim storylines are what is keeping up the hype for such a small season. and i'm sure (hoping) the other characters will have something to add to the s6 plate to further the impact of such a small season and the plots within. but for the most part 'chenford' is such an electric word. drop it in anywhere and the millions(?) who have ever laid eyes on the show just got a shock. and they know that, so of course they'll use it to their advantage in anyway they can.

and with this rambling: one thing i'm sure of, the only thing i'm sure of, is that yes: THEY LOVE EACH OTHER. and not just a slight admiration or a tinge of care. actual undying love. incomprehensible love. i don't know a lot about this topic but i definitely love to aggrandise the concept of love, and especially unto something harmless like fictional characters. in the real world, loving someone isn't always enough for sure. but not loving someone at all can also having no bearing in the upkeep of a relationship (i know this from personal experience). so whether or not two people end up together in real life, has no distinguished rule of 'do this and feel that and you'll be together forever'.

but this is fiction! WE make this stuff up. so we can do whatever we want! we can link A to B and say these characters love each other so they must end up together, and still be flawed along the way, because they are not real. so in my opinion the various ideas like "real relationships have people breaking up", "real relationships have people never getting back together", "real relationships have people never breaking up", and to follow, the incessant "real relationships have good communication!" don't matter anyway because ideas based reality have absolutely no impact in this fictional realm. yes bring in realism, be realistic if you want, but don't let reality dictate your fiction entirely (as well as the inverse). nor should you let reality make you want your fiction to be completely unreal. both fiction and reality have complexity in personality and characterisation. people have personalities and characters have characterisation. the one commonality is imperfection. but just because they are similar doesn't mean they have to be the same. it doesn't mean chenford are realistically doomed. and with this the plot that may unfold could be one unexpected, one unreal, or one completely real. tim and lucy could work through their own storylines, flaws and complexities separately and i'd be glad to see it.

i had a lot of issues with how fan service esque the initial 'canonisation' felt and maybe this is not just to market their show, but to finally listen to the majority of the audience, the particular audience that literally helps them market the show. aka the social media citizens. the ones who talk up a storm about what they love about the show and literally rope others into watching it. maybe they'll finally write them with more specific intentions this time, maybe this is what this is for. not just for drama but to give us what we wanted to watch in the first place but heavily missed out on: pining, feelings, dramatic reconciliation. who knows. we won't. not until the season is over and s7 inevitably comes (it's guaranteed).

i know many become angry with this show about what it does and doesn't do but one thing that helps me survive is this: it doesn't matter, the episodes exist anyway. they will continue to exist even if they don't have what we want. all we can do is feel every feeling this show evokes because that's really what it is to be entertained, at least for me. we're not the creators at the end of the day, no matter how much we've created. if something happens we don't like, we don't like it and we talk about how we don't like it. if we do like it, we talk about how we like it. and we praise the actors anyway, for the characters they bless us with. and the creatives, who gave us the masterpiece that is season 2.

and with that, i conclude. this definitely got away from me like the runaway train in my adhd brain. i wrote this sleepy and fatigued and i think i might be brain dead so if there are contradictions or things that make not a bit of sense feel free to call me out on it! especially those who are more experienced yappers, i'd definitely like to know what you disagree with or think has no place in this piece.

anyway, fin. thank you anon and TLDR; chenford will be fine and the show will always favour exploiting the most loved characters for marketing but with every PR box of ice cream sent and every article written brings in one more viewer to our beloved show and at least we'd stand a chance of a season 10.

[poorly-drawn-mdzs]

Expertise can't help you here.

[squidsmeister]

dungeon meshi is my favorite road-trip comedy film

[chloesimaginationthings]

Mike is gonna dread the next FNAF movie,,

[notbrucewayne48]

"aphobia doesn't exist"

bitch literally not that long ago an aroace youtuber animator was insulted by almost half of its community for being it

[ithinkdogshouldvote]

Guardian swap au for 4/13 ^ ^

[bluerosefox]

Uncle Damian Mode ACTIVATE

Twins Danny and Damian but! They both know where the other is (Damian going to Bruce and Danny being sent to the Fentons on a mission at a young age), has kept in touch and all that.

They just...never got around to telling anyone about the other.

That is until Danny comes interrupting Damian on patrol one night in a panic, pushes a bundle into his arms and hurriedly says "Read our texts! It'll explain! I gotta go, got a fruitloop on my tail! Be back when I can!"

And rushes off. When Damian looks down at the bundle in his arm, ignoring the yelling on comms and Nightwing rushing over, he is stunned to see a almost identical face to that of his brother staring back at him, only he can tell its female from the more delicate features.

When he later reads the texts his brother sent during his patrol... well he's tempted to go fruitloop hunting but he has a niece to take of... and inform his father of his granddaughter he's currently holding.

[nenayaquisieras]

my brain is saying 141 with a reader that sees dead people. like they notice how respectful she is to the dead. when she kills she moves the bodies, sometimes says a small prayer to herself. they see her looking at things that aren’t there. “Did you see that? Never mind.” or she mentions she feels something weird in the air, or something wrong. talks to the team about the sleep paralysis she gets, always leaving out the grayish dark figure that accompanies her on those nights.

She’s never told anyone until she got drunk enough to were she’s literally laughing saying

“oh yea i see dead people.” And the guys obv think she’s joking and egg her on about said dead people she sees. but then she tells them about the entities that follow them, the people they’ve killed, always following them around. some are very angry, she feels their malicious intentions. ends up describing them in grave detail, they way they looked, what they wore, the last words they spoke before her teammates pulled the trigger. Something that only THEY would know.

“oh man, let me tell you about Gilbert my sleep paralysis demon. I swear he’s been visiting me more and more recently.”

[greensaplinggrace]

I actually like it when ships hurt each other in long lasting and unforgiveable ways. I like it when they leave vicious, glaring scars. I like when they leave traumas. I like when they stab each other and torture each other and ruin each other’s lives and violate every inch of each other’s values. and I like it when they fucking kill each other permanently dead. 

[ruporas]

how to guide your mossball (ID in alt)

[crumb-crumblet-s-crumbington]

[beebeedibapbeediboop]

The fact that my oc is already four years old...She looks so different now!

[hollis-art]

women !!

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[chloesimaginationthings]

Abby finally meets FNAF game Michael Afton

[egophiliac]

like mother, like son, but less wholesome this time?

(I couldn't decide whether or not to put them together, so have them in all the different ways!)