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#so I want to try it again!
gibbearish · 11 months
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love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking
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hansoeii · 6 months
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crowley
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ssalballoon · 9 months
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Mystra showed him the secrets beneath the veils. The gossamer veils first, draped across the Weave. The delicate veils next, draped across her body. 'Chosen One' she whispered, as she slipped them off completely.
poor gale :'(
- the dialogue is from ea gale's explanation about his folly
- i kinda like that she ended up looking like a mother-of-pearl inlay lacquerware!
- oh this was a subconscious choice, but Gale is sitting in seiza which is a posture for showing respect especially to elders. it's also known to be a painful position to sit in for extended periods of time, which is why it was sometimes used as a method of (morally dubious) punishment. however, experienced people can maintain this posture for much longer. food for thought :-)
- (edit: deleted this point bcs it didn't really make sense + detracted from the art a little;;)
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hinamie · 18 days
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spiraling
#my art#jujutsu kaisen#jjk#jjk fanart#jujutsu kaisen fanart#jjk art#megumi fushiguro#fushiguro megumi#gojo satoru#jjk spoilers#jjk manga spoilers#the minute i realized how tg coded the composition n colours were i decided to turn it up to 11#i was racking my brain trying 2 figure out how to get the layered tissue paper look tht i talked abt ishida's cover art having#cycled through all my usual layer modes n nothing ws Quite right#until wouldnt u know it . divide n subtract!!!!! i NEVER use divide or subtract bc theyre impossible#but fr this??? its like they were made for it oh my god#it makes the greys look translucent n all my textures pop in a way that makes them appear splotchy n Bruised#which ws the whole point thts the Look god i am so PLEASED#when the layer modes tht notoriously get No love finally find their niche <33 peace and love <333#filing this away fr later i am going 2 have a lot of fun with this new information i think#im very happy w how the colours look n i dont think anything else wld have kept the right Mood#but i am always so >:/ when i have to use a palette tht forces me into giving megumi blue eyes#had to set aside th green eyed megu agenda fr the Aesthetic unfortunately#anyway i knew from the minute i saw it that i wanted to do smth involving the opening panel of 268#bc that panel is S tier#i figured tht if nothing came 2 me i wld just redraw it as-is bc it's alr so good but as i ws sketching i was like#u know what u havent done in a while? art tht looks like u r going Insane#art tht makes ur family ask whether everything is ok#so i once again tucked megumi's knees up 2 his chest and apologized insincerely to him fr making the third megumi angst piece in a row#:)
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girlslashers · 7 months
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missed this guy
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sysig · 8 months
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Permission to headbutt: Granted (Patreon)
#My art#UT#Sans#Papyrus#Ft. something smol and I do on a regular basis ♪#This could be Handplates or it could be classic Undertale I leave that up to you lol#I definitely picked up a lot of the style quirks lol - but there are some of the ones that I like myself! Like Papyrus' darkmode clothes lol#And Sans' shorts having the stripe in the front haha - little details ♫#Realistically it probably is Handplates tho just based on where my head's at lol - I love the Handplates dynamic :D#Handplates#I talked myself into it! Pfft ♪#I found myself relating a lot to Sans especially while rereading - I want nothing more in the world than for my siblings to be happy! <3#So I gathered up a bunch of ideas of things especially me and smol do together and this was the most obviously cute one haha#Easiest to do! Tho I did still go a little extra on this lol#I'm trying to do more digital stuff ♪ It wasn't the best art day and I'm still a little nervous to jump right in :')#Not doing any sketches on paper beforehand feels weird but I guess it is thematic in a way lol#And I'm still pleased with how they turned out hehe#It really does feel nice to be drawing them again <3#And doing silly sibling things! Hehe#I dunno how clear it is since it's so ingrained into how smol and I talk to each other lol family language!#One of us will literally just announce ''bonk'' and the other will prepare for/lean in for a headbutt haha#She is a tiny bit taller than me - it's not quite /this/ extreme but she does lean down for me! S'cute <3#I like to think Papyrus would do the same hehe ♪ Let your lazy brother headbutt you! He can only reach so far!#On minimal effort anyhow hehe#It's just a fun way to be silly together ♫♪#Also yes I did show this to her and she cosigned lol - ''Cute'' -smol
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humans-are-tasty · 9 months
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supercutszns · 9 months
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a place with you; luke castellan
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wc: 2.8k (got a little carried away whoops)
pairing: luke castellan x f! reader
synopsis: luke is used to people coming in and out of hermes’ cabin without a second thought. so when you’re having a hard time adjusting to camp life, he doesn’t expect you to stick by his side, even after you’re claimed.
warnings/notes: shy reader going through a tough time, hurt/comfort, pining, kisses, fluff, potential ooc luke i don’t know what i’m doing, most of this is prob inaccurate lol, i got wayyy too attatched to this i am sorry, title inspired by dragon eyes by adrianne lenker
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Luke Castellan is the son of a messenger. He’s used to delivering, passing things along, letting them enter his life and leave him. Sometimes it makes him angry. At his father, at the world, at himself.
So when you passed through the Hermes cabin for the inevitable few weeks before getting claimed by your Godly parent, the last thing Luke expected was for you to stay.
When you first got to camp you were terrified. Luke remembers that much. He can still picture you in Chiron’s towering shadow as he led you up to Hermes cabin. He gave you the usual spiel about the cabin, the land of the unclaimed, but it clearly hadn’t quelled your nerves. You were wringing your fingers together when Luke first spotted you, your eyes blown wide in what he knew as shock and a sort of . . . grief. For a life you’d left for what Luke knows as a life you’d never really have. He’d seen it in so many campers before you. He’d see it many times after.
“This is Luke, Hermes’ head counsellor and one of Camp Half-Blood’s finest,” Chiron pointed him out to you at the entrance. After Chiron introduced you, Luke held your name in his memory. Not because there was anything particularly intriguing about you at first, to be honest, because he’d seen a lot of people like you that needed help settling in (although maybe not many his age). It was harder for some people to adjust than most. He knew that better than anyone.
“Nice to meet you,” he stuck out his hand for you to shake after Chiron left. “I’m Luke.”
You sniffed, shaking it without looking at him. You were so, so embarrassed. This whole time you’d been too stupidly overwhelmed to process anything. Why was this so hard for you? Was it this hard for everyone? “Hi,” you managed, and that was it.
Now, weeks after your first meeting, you’ve concluded that it was not, in fact, this hard for everyone. The camp is crowded but full of life. You’ve never seen more happy kids in your life. There’s a sense of community on the wind.
So why can’t you feel it? Why is it so hard to connect with people? To participate in the fun? Everywhere you look there’s people but it’s all just so . . . lonely. You don’t fit. You’re lost.
Luke wakes up at night when the cabin door creaks open. He’s already tossing, so it’s no surprise he catches it. Unfortunately, he’s supposed to be a good counsellor—sneaking out at night is against the rules, and you’ve gotta reign the strays back in before they cause a ruckus. Sure, Luke’s not exactly a stickler for the law, but the least he owes is to make sure everyone’s safe.
Groaning, he draws himself out of the comfort of his bunk but doesn’t get far when he spots a familiar silhouette slipping out the door. He knows it’s you. He’s been hearing crying at night, and this is confirming his suspicions. It makes him ache in a million different places. Every time he thought about approaching you he shut himself down almost instantly, because who the hell wants some random guy coming up to them in the middle of the night and drawing attention?
This time, though, he’s a little worried.
It’s chilly tonight but not too bad, especially when you’re huddled up in a ball on a hill in front of the lake, grass tickling your ankles. Your tears keep you warm.
It’s a sorrow that feels bottomless. You don’t know what’s gotten into you. You don’t know why everything’s so hard.
There’s a scuffling of shoes, and your name is carried to you on the heels of a breeze. Oh God. There’s someone else here.
You sniff and smear your tears on the palms of your hands the best you can but a little part of you only wants to cry more now that you’re all anxious, and you only have a few seconds to collect yourself before you turn around and see Luke, your cabin leader, with furrowed brows. “Oh, h-hi, Luke.” It’s hard to ignore the splinter in your voice. You curse yourself a thousand times.
“Hey,” he says hesitantly, eyeing you in a way that makes you feel entirely exposed. “You, uh, you know you’re not technically supposed to be out here, right?”
You start to scramble to your feet with an apology on your tongue but surprisingly he laughs, a gentle sound, and beckons you to sit back down. “No, no, I’m not gonna get you in trouble or anything, just . . . letting you know.”
It’s uncertain if you should keep sitting, but you decide to because well, you’re already down here, and things can’t go lower than this. Luke comes to sit next to you and you stare out into the sea like your life depends on it. “Wanna talk about why you’re out here?”
“Wh-what do you mean?”
“I mean,” Luke sighs, scooting a little closer to you. “Most people don’t up and leave in the middle of the night because they’re having a great time.”
The answer is too hard to say so you don’t reply.
Again, Luke sighs, and you try not to look at the shadow the moon casts on his admittedly handsome face. “It’s hard settling in, I know. It happens to a lot of people. I’ve . . . I’ve seen a lot of them, and it doesn’t get any easier.”
“Well it sure seems easier,” you snap, and your self-control flies away before you can stop it. “I have no idea why I can’t just suck it up and fit in here. Everyone seems so happy and it’s driving me nuts because I’m just so confused on why I can’t—why I can’t—process any of it.” Tears burn your eyes. “I’m just miserable. I don’t know what’s wrong with me.”
In the corner of your view, Luke’s face falls. “I’m your guide, you know that, right? I can help you.”
You sniff, embarrassingly pathetic. “I know.”
He comes even closer. “So why didn’t you ask?”
“Because I—I don’t know, you’re busy all the time with all the people in there, so I’m sure your job’s already stressful as is, so—”
“My job is to help you,” he says, a hand on your shoulder. “That’s what I signed up for. If you need something, I’m the one to ask.”
“I’m not sure you signed up for me crying like a baby,” you swallow, the ripples of the lake blurring together. “I mean, I’m like, older than half the kids here, and they’re all so much better than me. I’m not good at a—anything, and I’ve tried it all, and nobody’s claimed me yet, and I feel so weird and old and alone and . . .” It’s too much to think about so you dig the heels of your palms into your eyes, hoping the sting wards off the thoughts. “What if I’m nothing? Why am I here?”
You’re crying again, hiccuping into your hands. Shame sears into you. Luke’s arm curls around your shoulders and you realize how cold you are when he’s warm, so warm, and you want to cry even harder. You don’t even know him, but it’s the most tenderness you’ve received in what feels like years. “Hey, deep breaths,” he murmurs, rubbing your arm with his other hand. “It’s okay. Look at me.”
It takes a ridiculous amount of strength to heed him. His hand catches your cheek and you can’t bear to pull away. Something strange rustles in your stomach.
Luke’s taught instinct when faced with situations like these is to reassure that the Gods always have a plan. But he doesn’t feel like much of a liar tonight. Both his hands steady your face towards his, your skin damp and cold beneath his thumb. “It's not your fault. It always takes a little bit of time for people to get claimed, it’s never . . . well, you can never tell.”
“What if I don’t get claimed?” You say it so quiet you can pretend it was imaginary.
His eyes crinkle at the sides when he says, “Well, Hermes’ll always have a place for you.”
I’ll, Luke wants to say, I’ll. His father is not responsible for his cabin’s kindness.
“No one really prepares you for how overwhelming this is,” he continues, thumb rubbing the apple of your cheek. Your vision is clearer now, and Gods, he is handsome, isn’t he? Even when his eyes are forlorn. “It’s harder in a way when you’re older. More to leave behind. Less to look forward to. It’s easier when you have a friend. Or a great cabin head.” He tilts his head with a faint smile, “Lucky for you, I’m both.”
It almost makes you laugh, and that’s enough. “It’ll get easier,” he promises softly. “There’s nothing wrong with you.”
Your cheeks burn. It’s hard to keep his gaze, so you blot at your eyes with your hands as Luke gently slides his off your face. “Thank you. Sorry for, um, all that. And the crying.”
He chuckles, “Don’t even worry about it.” You watch him rise in the throes of starlight. He offers you a hand. “Aren’t you cold?” He asks after pulling you up, and you sheepishly nod your head. He tosses you a sweater he’s been wearing, and it smells like firewood. Nostalgic, in a way. “I’m gonna poke around for some tea. Wait for me back at the cabin.”
Before he leaves, he squeezes your arm and that thing happens again in your stomach. “No need to be embarrassed, by the way. You can come to me anytime. I’m probably less busy than I look.” As he walked away, he added, “And don’t worry about the crying. You’re pretty either way.”
Either way. The tea doesn’t seem important anymore because your face is on fire.
Time reveals that Luke is right. He is a great cabin leader and a friend, and it’s hard to tell which he’s better at. You fall in with him right away. Soon enough, you’re drawn into your new life, so slowly you barely realize it’s happening. The days get shorter and you start wishing they were longer. The nights get easier. And when they’re not, Luke tucks you into his bunk and folds you in his arms until you drift off. You pick up a bow. A sword. Luke tells you to straighten your shoulders with a hand on the small of your back, and you swear it always lingers. You braid garlands of carnations for your cabin mates and they wear them with pride. It’s warm, your cheeks hurt from smiling, and things start to feel like home.
Until you’re claimed.
Now you’re a ghost in Hermes cabin, another empty bunk to be filled, and Luke stares at it until he can remember every last detail of what it looked like when it was yours. A beautiful, gentle daughter of Demeter, no longer in arms’ reach. He should’ve seen it coming.
He sees you with your siblings all the time. You’re so happy and he envies it. You belong there, he knows that, the way your face lights up at the dinner table and how you giggle when your half-sister presents you a flower. But sometimes your eyes wander, and something inside them dulls, until you look at him, too.
Luke’s place at camp is to be nothing but a funnel for lost campers to find their home. He’s a temporary stop in everybody’s journey. He’d made peace with it a long time ago. But here you are, messing it all up, because you still don’t leave him.
You beg him to give you another sword-fighting lesson. You sit next to him at bonfires. You pick him for partner camp activities. It doesn’t matter how many younger boys want to latch onto him for guidance—he sees you heading towards him, and he can’t imagine choosing anyone else.
But you’re always whisked away by your siblings, separated at meals and in sleep and in activities so it’s never, ever enough. Why did he delude himself into thinking you’d stay forever?
After weeks of distance from you, he’s elated when you have even a fraction of a conversation. “Hey, Luke!” You call out to him, and he finds you instantly. You’ve broken away from your siblings to get to him.
“Hey,” he smiles, and hopes he doesn’t look too pleased.
You lean a little towards his ear, and you smell like every wonderful thing in the world. “Can we hang out tonight? On the hill?” You’re a little bashful when you say it and it’s entirely endearing. Even now, you’re still so unsure. “I miss you.”
“I miss you too,” he says almost instantly, and it makes you look less nervous. “Yes. Absolutely. But don’t get caught breaking curfew now, you hooligan.”
Someone calls your name and you give a curt, playful nod. “Yes sir, camp counsellor sir!” He carries your laugh close to his heart until night falls.
You’re already there when he arrives, a vision in the moonlight before he even sees your face. “Hey, angel.”
When you turn around you look flustered. He won’t pretend like it doesn’t flatter him. “H—hi, uh, hello.”
There’s a moment where the world is still. The two of you, alone, for the first time in ages.
He sits down next to you, and it’s like the first time all over again. You get to talking, about your days, your anecdotes, your cabins. The strangeness of it all. “It’s so weird waking up in the morning and not having you yapping in my ear,” you remark, and he teasingly pushes your shoulder.
“Well, one of us has to be the talker, and it’s clearly not you,” he retorts.
You fiddle with blades of grass between your fingertips, weaving them together. “I’ll have you know I had a cabin-wide conversation about Capture The Flag yesterday, and I contributed greatly.”
“Oh, really?” He grins, knocking your elbow to steal your attention. “Look at you, coming out of your shell. I’m so proud.”
It’s hard to hold his gaze for more than a second. You’re afraid you’ll do something stupid if he keeps looking at you like that, but you almost want to. “Oh, shut up.”
He puts a hand on your shoulder. “No, I’m serious. I’m proud.” His eyes rake over your face. “You’re flourishing. You found your place.”
You can’t stop yourself from saying, “I kind of miss my old one.”
There’s a way he studies your expression that makes you feel utterly helpless. You wish you could dish it back to him, but you know you just look awestruck whenever you stare at him for so long. He’s quieter when he replies, “I miss it, too. A lot. Sometimes, I—” His face scrunches up like he just tasted something sour. “Nevermind.”
Frowning, you prod, “What? What is it?”
He sighs and turns to the horizon. This is the first time you’ve ever seen him struggle. “Sometimes, I wish you hadn’t been claimed. Sorry, that’s . . . that’s awful, I know.”
His surprise is evident when you say, “Sometimes I wish I wasn’t either.”
He turns back to you. “Really?”
“Really,” you nod, staring at the beads on his necklace. “You’re the only reason I’ve adjusted here at all.”
“Don’t sell yourself short.”
“It’s true. And I miss you.” A few months ago you would’ve kicked yourself for saying this. But Luke has a way of inspiring confidence in people.
“I miss you, too. So much.” He gently prys the grass you’ve been weaving out of your hands, now a small necklace. “But look at how talented you are. I’ll tell you, I’m lucky you’re still sticking around. For most people, Hermes is touch-and-go.”
Luke leans forward to tie the garland around your neck, and your pulse picks up. “This isn’t about Hermes, Luke,” you try to be firm but it comes out soft. “It’s about you.”
His hands stop fiddling and rest on your neck. When he speaks, you can feel his breath on you. And you have no idea that he’s been waiting to hear that his whole life. “What’s about me?”
It’s not fair, your inability to string sentences together only worsens right when a beautiful boy is this close to you. “Hermes isn’t—it’s not special because of your father, it’s special because of you.”
There is nothing else you can possibly think of saying with the way his fingers trace up your neck and hold your jaw. “Yeah, well,” he murmurs, “The only reason anything in my life is special is because of you.”
You don’t know if it’s a lie or not; you don’t care. His nose nudges yours. There’s a moment where you wonder if this is as close to Elysium you’ll ever get. Then he slips a hand to the back of your neck and pulls you to his mouth.
He kisses you in a near fury, then when he knows you’re not going anywhere, it’s the gentlest thing you know. It’s hard to believe this is even happening. Your hands weave through his curls but he holds you steady, and thank the Gods for that because you’re pretty sure you’re melting. You kiss again, and again, and again, until you genuinely think you’re going to pass out and you have to pull away.
“Aw, look at you,” he murmurs when you can’t meet his eyes, a playful lilt in his voice. “Still so nervous.”
“Would you shut up?” You press your face into the crook of his neck with a huge smile.
He kisses the top of your head. “Love to, angel.”
Luke Castellan is the son of a messenger. He’s supposed to believe he’s bringing the best of humanity to the Gods and glory above.
But screw the Gods. He’s keeping this one for himself.
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h0estar · 2 months
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every now and then i look back on this GIF i have of nalu during tartaros arc and cry about how this particular scene alone solidifies the beauty of their relationship (natsu holding lucy's hand gently in the face of chaos and panic did wonders to my heart)
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licollisa · 1 year
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Three Earthlings
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In which Sans was a dinosaur kid instead of a space one (.)
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poorly-drawn-mdzs · 2 months
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Kiss Kiss Fallen Tree!
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#Sorry to everyone who was looking forwards to this comic only to find out I put WWX in the ugliest outfit.#Continuity came first. Plus let's be honest; he did *not* show up in anything fancy. Or in all black as seen in most fanart.#We are at the middle of WWX depression arc. His self-care was 100% because Jin Yanli would be sad if he didn't try to look nice.#Okay okay. Fine I've delayed talking about the kiss long enough.#It is absolutely a core LWJ scene over a WWX scene. Which is made even more fascinating because we don't get his POV.#But we get so many insights! His loss of control and his firmness all contrasted against how he trembles.#And all of that wrapped up in a wonderful self-loathing bow! You go Lan Zhan! You hated yourself so much for this!#WWX is a hilarious narrator for this because he is truly just...baffled by what's going on.#He would push the person away but he doesn't want to hurt their feelings or pride (putting other people first again are we?)#I do understand why this one is divisive for people though. I choose to look at it through a character/humourous lens.#I've seen people defend and admonish this scene as a particularly shitty thing LWJ did and let's be very clear here: It was.#That's why I like it. LWJ did a shitty thing and struggles with it. It's part of what makes him so robust as a character.#It's also fine if you enjoy this scene for it's eroticism. You're not a bad person for that. You are just A Person.#People will have their own experiences with this topic. Be kind to each other alright?
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shellshooked · 2 years
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children of the gods
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thetisming · 4 months
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amatonormativity: a romantic partner should be the most important person in EVERYONE'S life
NOT amatonormativity: MY romantic partner is the most important person in MY life, but i understand this is not the same for other people
allosexnormativity: EVERYONE should have sex and sex is something EVERYONE needs/wants/should want
NOT allosexnormativity: I PERSONALLY enjoy sex and love having sex because it makes ME feel good, but other people dont feel the same and that's okay
platonormativity: having friends is important for EVERYONE and EVERYONE needs/has/should have friends
NOT platonormativity: having friends is important to ME and I PERSONALLY love having friends, but there are people who dont and theres nothing wrong with that
faminormativity (is that the word?): family is important for EVERYONE and EVERYONE needs to have their family
NOT faminormativity: family is important to ME and I PERSONALLY need my family with me, but other people dont feel the same and i understand that
lovenormativity (again, not sure if this is a word): EVERYBODY feels love and there's something wrong wiith you if you dont
NOT lovenormativity: I PERSONALLY feel love and love people, but not everyone does and that's completely okay!
NOT amatonormativity: i dont have friends/have any desire to have friends, i am happy with other relationships/no relationships at all
NOT platonormativity: i dont have any desire to be in a romantic relationships, and i am happy with my platonic relationships
NOT allosexnormativity: i like hooking up with people and having one night stands or friends with benefits
NOT faminormativity: i care about my family deeply and am close with family members
NOT lovenormativity: i feel love for people i care about
it's not normative to personally enjoy something, so long as you respect that other people simply arent like you and aren't going to like the same things as you. taking down normativity is a two way street, allos and aspecs need to do it. support your local aros, aces, apls, afams and other aspecs today! remember to challange all normativities, and to not enforce other normativity by saying how bullshit other normativities are!
nothing is universal. romance is not universal. sex is not universal. friendship is not universal. family is not universal. love is not universal. nothing is universal.
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the-woman-upstairs · 5 months
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Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
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lotus-pear · 1 year
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"feels like we could go on for forever this way.." (x)
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ghost-bxrd · 7 months
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Prompt:
It’s not that Jason forgot, per se.
But between smuggling a toddler out of the League of Assassins, trekking halfway across the world, and finding a suitable hiding place that’s also child friendly… well, it kind of slipped his mind that he’s supposed to be… dead.
Something that comes back to bite him in the ass when he takes Dami out for some ice cream and just so happens to run into non other than Brucie-fucking-Wayne
#look I’ve found a new fave trope and it’s Brucie Wayne having to keep up his act while internally LOSING HIS SHIT#Jason isn’t very into the whole revenge thing here#his mind is 85 parts ‘keep Dami safe’ 5 parts ‘kill joker asap’ and 10 parts ‘avoid bats at any cost’#Jason doesn’t know who Damian’s father is#dealer’s choice if Jason establishes himself as Dami’s dad or older brother#his build certainly makes him look old enough#if you don’t look at his baby face lol#Jason runs into Brucie and goes straight into survival mode#Damian who is very observant for a toddler immediately clocks Brucie as THREAT based on Jason’s reaction#Brucie blue screens and desperately tries not to lose Jason in the crowd#jason is absolutely trying to lose Brucie in the crowd#while clutching Damian like his life depends on it#for all he knows it does#the visceral terror that your pseudo dad will take away your little brother/baby#Bruce who just wants to know if he’s hallucinating again: W A I T#jason who is terrified of being put in Arkham for killing people: no FUCKING WAY#hm maybe Jason plays the ‘I’m not Jason’ game again#it’s not gonna hold for long#but Bruce absolutely thinks that Damian is Jason’s bio child for a while and he’s on the WARPATH#Jason was sixteen when he died and never showed any interest in dating so literally every red flag is waving in brucie’s mind simultaneousl#or maybe Jason manages to get away and all Brucie is left with is the memory of his supposedly dead son#running away from him#and clutching a tiny kid#prompts#jason todd#batfamily#Damian wayne#batdad#brucie wayne
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