#so much of it depends on context though

[icewindandboringhorror]

Just curious what the average level of personal investment in these sorts of things is. Like, how much do people usually get into silly stuff like this their friends ask of them? etc. etc. Which I know, only surveying a small sample on a very specific website means I'm not getting an exact average idea lol, but.. curious nonetheless .. Maybe reblog for bigger sample size but also this is not very serious at all/not worth a call to action gbhjbhjb

[shimmerluna]

WAIT Elle has box braids in s3??? I could cry

I don't think she had bad hair in s1 or s2, but I'm excited that they're actually giving the Black girls Black hairstyles instead of having them wear it out.

Before, it felt like the (all-white, for context) hair department was just ignorant about Black hair, so they put wigs on the Black actresses and only did styles that also work on nonblack hair for their own sake/convenience. This theory was especially supported by the fact that Tara, whose 4c hair couldn't really be styled the same as nonblack hair, wore a twistout that would take literal hours to do every day, but she had box braids in s2! and Elle has box braids now!! I'm so excited!!!

I also feel like this fits her bold, fashion-loving personality so much better than leaving her hair out. Our hair is basically its own accessory, and the long box braids are very feminine. Again, I'm not saying not having a protective style isn't feminine or fashionable (I myself am a fashion girlie with an Afro), but having one is another outlet for her creativity, and I'm glad they're recognizing that now.

[vaniliens]

I keep forgetting about how people actually use pronouns for me instead of just referring to me by name. Like sometimes id get she/her'd or they/them'd and it always feels so trippy because i have never been called that in my head!!!! Its always just been 'Dude' 'You' 'Man' 'Me' 'Girl' and 'He' but idk. I feel like id get tripped out if i start going by he/him too.

[sleepdepravity]

I know I’ve been on this big blue planet for three decades at this point but conceptualizing social boundaries is hard what do I do when a guy I sort of know just messages me out of nowhere that he had a dream about me rocking a bikini

[farlooms]

wow my english is just. really just getting worse and worse. noticably.

[autisticchangeling]

Actually I think my hot but somewhat depressing take is that in a society this binary there is no gender-neutral clothing. There might be an extremely tiny window that you can fit that will get people to not know what gender you are when they see you, but that is extremely contingent on what your actual physical body looks like, and a lot of the time that winds up actually meaning that 50% of people read you one way and the other 50% read you the other way, rather than actual confusion.

Clothing that gets labeled as gender-neutral is often actually just relabelled men's clothing, which I believe has been raised as a problem by trans women and amab non-binary people in the past.

I'm sure there are a few small fashion brands out there trying to create things that are genuinely breaking the mould of how we generally gender clothing, but by and large I think it's not something we actually have enough of a concept of to properly recognize and exist I guess?

That's not to say that people cannot be gender nonconforming, or that clothing choices cannot be gender nonconforming. Just that even though I don't necessarily like it, almost all clothing as it exists today, at least in the societies with which I am familiar, is gendered, with the possible exception of certain specific styles of men's clothing but even those are generally adapted to fit differently when worn by women.

[im-still-a-robot]

Man. Turnabout musical.

[eff-plays]

The way Astarion reacts depending on how you compliment him in the mirror scene (I have no interest in insulting him so I won't be covering that here, have fun though!) drives me fucking insane.

"I want to know what the world sees when it looks at me. What you see."

And you get two types of responses. First, your choices for compliments are

Strong, piercing eyes.

The creases when you laugh.

Pick the first, and he's pleased. "Go on," he says, sounding very seductive. You're giving him exactly what he wants, and he's encouraging it.

Pick the second, and he gets upset. He's an eternally young vampire, not your doting grandmother! You can do better than that. Even if you meant it as a compliment (I know my Tav definitely did), he doesn't seem to take it that way.

Your second options are

That dangerous smile.

The way your hair curls around your ears.

Once again, the first one pleases him, and he even praises your efforts. Very good. Now finish the scene and tell him he's beautiful.

But if you say the second, he gets exasperated. This is meant to be flattery, not poetry. Just tell him he's beautiful and we can call it a day, he says with a dismissive wave of his hand. He doesn't need to hear this crap, just tell him what he wants and fuck off.

Of course, it doesn't matter how you get to this point, and every dialogue option at the end of the scene nets you the same amount of approval. If you call him beautiful, it's +1. Call someone else beautiful, it's +1. If you ask whether he just wants shallow praise (aka don't call him beautiful), you get +1. So this is me pulling this out of my ass I guess.

I always choose to call him beautiful becuase 1) he is and 2) my Tav thinks so too and would oblige him if he asked for it that directly.

But I am obsessed with the different routes you can take to get to this point and what they imply.

Strong, piercing eyes and dangerous smile pleases him more outwardly, but doesn't actually affect the outcome. He's satisfied and confident with these compliments. They confirm what he's trying to project into the world, what he aspires to have and to be.

The creases when he laughs? The hair curling around his ears? Those are things he can't control, can't use against someone else. But he asked to be seen, and if this is what Tav sees, then what does that mean for him?

Why are they complimenting his laugh lines? Why are they speaking poetry at him? Why are they seeing things he has no control over, and why are they revealing them to him?

He doesn't want shallow praise. Questioning this nets approval, and giving it to him doesn't increase approval. What he wants is assurance that what he's trying to be is what the world sees, that he's in control.

And if you actually act as a mirror, point out the things unique to him that you see, he gets uncomfortable, because you're showing a reflection of someone he thinks he's not, of someone he has no control over. And that's scary, even if it's supposedly complimentary.

Because what's scarier than losing control?

But then, compared to how genuinely upset he seems when you insult him (I looked these up on YT for context), the laugh lines and hair curls are still accepted as compliments. So what does he think when Tav says these things?

They see past his piercing eyes and dangerous smile. They see something else that they like even more, things he's not aware of or doesn't appreciate as much. What does that feel like, to cultivate such a perfect image of oneself for the purposes of seducing and tricking others, and then be stumped when someone walks past all that and points out something entirely different that they noticed and found endearing?

Do you do him a favor, and tell him you see only what he wants to be? Or do you speak the truth, and show him what he actually is? Which one is better? Which one is worse?

[diluc33rpm]

oh boy 200. here we go:

1/2 Do you speak multiple languages? Which do you dream in? What language would you want to learn?

a few. but i'll have you know i dream exclusively in whatever the fuck this is

[kindacreepy-kindaugly]

...

[eggonthemoon]

Alien Stage Round 6 Character Analysis and Lyrics Breakdown

Okay so obviously spoilers, don't click Keep Reading if you haven't watched Round 6.

God fuck it's so fucking beautiful, where do I start?

I don't even know what is going on with those rapid shots of what I assume is some form of experiment that Till was involved in. I have no clue what the goal was or if it succeeded but somehow (for no real reason other than that one image of Luka standing behind Till ominously) I feel that Luka is involved with it.

Was this an attempt by Heperu's (Luka's guardian) rival to make a human capable of going up against Luka? Till being the youngest and Luka being the oldest also means that Till's guardian could have caught on to what Heperu was planning to do with Luka and then start experimenting on humans shortly after and it would still somewhat line up with the timeline.

But I'm getting into conspiracy territory, back to suffering!!

Allow me, to the tips of your fingers

Allow me, to the ends of your feet

Dissolve me in your gaze

I don't want to let you go

Oh this hurts. Seeing him look so defeated and exhausted, you can tell that even though to the public it's not certain whether Mizi died or not it doesn't matter to him. Because she's still gone away from his world, where he is unable to reach her. He wants to dissolve and die but he also doesn't want to let her go if there is even a sliver of hope that she lives.

Please, leave me scars

Please, hurt me so that

Not a single drop of me remains

Let me drown in you

The footage that plays to these lyrics really show how defeated he is. He refuses to sing, his passion for the art completely dead and buried. And (his guardian I assume) when someone shoves the fact that Mizi is gone in his face he lashes out and punches one of the aliens near him.

Until these falling stars

Are buried in the blur of time

However his heart isn't entirely in it and is quickly apprehended.

He is beyond exhausted and doesn't even protest or put up a fight while (the same alien he punched btw) another alien runs their fingers through his hair.

On your icy lips

Read my soul

Yes, my soul

He hopes that even if Mizi is dead that her spirit watches over him, seeing his soul and by extension, Him, for all that he is. Every thought and breath until he falls asleep is for Mizi.

But didn't we already know this is how he'd be like? Time for something juicier~

Even if your cold words

Carve scars beneath my eyes

May they linger on your tongue

You can break me apart

God this is heart shattering. Even if Till doesn't care for him, even if Till throws hurtful words his way, Ivan will still lie awake at night, cherishing what sliver of attention he is given. It doesn't matter if Till hates him, because as long as he is on Till's mind Ivan is happy. He is entirely in Till's hands, capable of being build up or torn down depending on how much (or how little) he is perceived by him.

Notice my pain

And mend me right now

To quiet my fears

I'll drown in you

He wants so deeply to be seen by Till, noticed. Till who doesn't let anything hold him down and always picks himself back up became a pillar of hope and strength to Ivan. It didn't matter how or in what context he gets to be seen, so he went out of his way to provoke him just to get Till to look at him even for a moment.

This was mentioned a while back on VIVINOS Patreon but the entire incident where Mizi and Till got attacked by that hound monster was orchestrated by him. I feel like there is two possible reasons for this depending on when in the timeline this takes place.

Either he wanted to test Till's resolve in hopes of being proven wrong about his courage (after all your hopes can't be dashed on the rocks, if you never had hopes to begin with) only for his obsession to end up growing even stronger than before.

Or he tried to let Till get roughed up enough that he'd be transferred (solitary confinement? emergency room?) somewhere else away from the others at Anakt, so they could escape together.

But we all know how that turned out.

Either way what Ivan wants isn't freedom, he's long since given up on that. There's no point in his freedom if the person that inspired him to yearn for it isn't by his side. He needs Till there, his very presence to reassure him that no matter what Till won't falter. But he failed to take account of the one thing that weakens Till's resolve.

Mizi.

Mizi is to Till what Till is to Ivan. And so without Mizi in his world Till crumbles. Since Till will only go where Mizi is and Mizi already gave away her heart to someone else, it's impossible for Ivan to be free while keeping Till in his world.

And so he follows him, resigning himself to a life without freedom.

Sick of these nights to come

To be engulfed in silence

But the distance between them is killing him, and each and every day they come closer to their inevitable doom.

It doesn't matter if they believe the lie the aliens told them, that if they die singing they will be blessed. Because what is the point in that? How can going somewhere far away from the people they love be a blessing?

In your gaze where I am seen

Consume me

Yes, me

His desires mirror Till's. He wants his soul to be seen by him, recognized for his undying love for him. He wants Till to see that he can give him all that Till yearns for in Mizi and more.

To this everlasting melody

Face to face we dance

And yet Till still refuses to look Ivan in the eyes.

Things get a little unclear but since they aren't shown singing here and there's no flashback to accompany the lyrics, we can assume that at this moment Till most likely gave up on singing.

With our story

Lost in forever's embrace

I'm not sure if Ivan intended this from the start or if it's a decision he made then and there but one thing is certain. If Till stops singing then that would mean he forfeits, he'll lose. Till has never once given up. Even when he went back for Mizi that night, he never intended to leave her in the first place. But now without her he crumbles.

And Ivan can't let that happen, not like this.

Moral grey area aside, this scene is so deeply moving to me

And I don't say that in a romantic context, absolutely not. This is something much deeper than just love. This is the culmination of everything they've been through, all those moments lead up to this.

Because this isn't a kiss.

This is Ivan throwing his life away for Till.

Till was going to loose, the only thing that could overturn that is if his opponent attacks him. The kiss was to distract Till and keep him from catching up to what Ivan was planning.

Just look at the contrast between their first and second kiss. As soon as the score board shows Till is in the lead, he gives him a gentle peck on the lips. The contrast is stark and full of meaning. This was the genuine kiss, hidden behind a smokescreen of aggressive bravado created from the previous one.

And it worked. Till was completely convinced that Ivan's intentions was to kill him, and he was fully intent on letting him.

I know a lot of people doubted his intentions. Because he didn't let go of Till's neck the minute he saw their scores, a lot of people assume that this was Ivan trying to drag Till down with him.

But the minute he coughed up blood what does he do?

He smiles.

and let's Till go.

He's only human. He might know logically that Till has won the match. But emotionally he refuses to let go until he is certain.

Until he knows for a fact that he is the one bleeding and dying he'll keep up his charade.

And then.

And only then.

Till truly sees Ivan.

As he dissolves in his gaze.

[skyefeys]

A Comprehensive Guide to Writing Gina Dialogue!!!

Do YOU like writing tgaa fics, but find yourself struggling to understand the speech habits of Gina Lestrade? Well, fortunately for you, I love linguistics and accents almost as much as I love Gina - so I've compiled a breakdown of every quirk in her speech!

(Full analysis under the break!)

Most of Gina's speech patterns can be broken down by three fundamental facts:

She speaks with a thick Cockney accent

She's uneducated, which leads to various grammar troubles

She uses a lot of informal cockney terms/slang

Let's get into it section-by-section!

(Note: Formatting looks a lot better on mobile!)

Section 1: Cockney Accent

So I’m an theater kid, and I've done dialect training for Cockney accents before - it's one of my best ones imo - so that certainly helped me write this section! Even without that, though, it's pretty easy to identify how her accent appears in her speech. Let's break it down!

Drop h's

Example: Here becomes 'ere

Drop g’s at the end of words

Example: Going becomes goin'

A few other word ends that get dropped:

Of becomes o'

And becomes an'

Th changes depending on the word - Thank you to annoyingloudmicrowavecultist for properly explaining how this works in the tags!

Voiced th becomes v

Example: With becomes wiv

Unvoiced th becomes f

Example: Nothing becomes nuffin'

For writing purposes, if a word would become unrecognizable with this change, it's left the same (but in actual speech, it would be pronounced differently)

Example: Father remains as father (but would be pronounced like fovva)

Th always remains intact at the start of words

Example: Thing remains as thing (but would be pronounced like fing)

Miscellaneous word changes

Something becomes summat (but other times is just somefin' - she's not consistent with either)

What becomes wot, whatever becomes wotever

Tomorrow becomes tomorra

Because is often shortened to 'cause, which becomes cos

Isn't almost always becomes ain't

Thank you / no thank you becomes ta / no ta

Some words spill together or are slurred

With that becomes wivvat, with it becomes wivvit (This one isn't actually used in-game, so you don't have to use it either, but it reflects how she'd actually be pronouncing it)

Isn't it becomes innit

Doesn't it becomes dunnit

Suppose becomes s'pose

Don't know becomes dunno

Probably becomes prob'ly

You might change - Another loose/inconsistent rule. Can depend on how the sentence would be pronounced out loud, but mostly is just a vibe

You becomes ya

Your/you're becomes yer

Yourself becomes yerself

Section 2: Grammatical Errors

Gina is an uneducated East End orphan, so it should come as no surprise that she makes mistakes here and there. Here are her consistent ones! Some of these are confusing/hard to explain, so I included specific examples.

Will say me instead of my, and meself instead of myself

Example: "I dunno much about guns meself."

Incorrect tense usage of was/were in negatives - Instead of I/it wasn’t, she’ll say I/it weren’t

Example: "I was up in a balloon, weren't I?"

Incorrect tense usage of does/do in negatives - Instead of he doesn’t, she’ll say he don’t

Example: "Somefin' wot 'e don't want people readin'."

Double negatives

Ever becomes never in negative statements

Example: "I swear on my life, I ain't never laid eyes on that dandy before."

Never + anything becomes never + nothing

Example: "I never done nuffin' o' the sort!"

Never + anyone becomes never + no one

Example: "All me life, growin' up in the slums, I've never trusted no one."

Haven't you ever becomes ain't you never

Example: "Ain't you lot never gone over an 'ouse lookin' for dough when the owners are out o' town?"

The word that or who in the context of ascribing a feature to a subject is replaced by the word what

Example: "She's always goin' on about all them cases wot Sholmes is lookin' into."

Other example: "I think I wouldn't fancy me chances wiv a lawyer wot lives in a place like this."

Will say them instead of those

"All them skylights open, dead easy."

Will say no more instead of anymore

"Ya dropped it, so it ain't yours no more."

She’ll sometimes mess up bigger, unfamiliar words. This one's entirely in your discretion what words she might mess up. Some canon examples:

“Supperment” instead of supplement

“Mantlescript” instead of manuscript

On a similar note, she'll sometimes confidently get sayings wrong and think she sounds smart

“Toby's...'ow did they put it...? ...Oh, yeah! A 'bone-fide' detective!”

Section 3: Cockney Terms/Slang

In addition to her thick dialect, growing up in the East End means Gina has also adopted a plethora of unique words and phrases. This'll be more like a vocab section!

Cockney rhyming slang - Some words are replaced with phrases that rhyme with them. She uses a few in canon:

Instead of believe, she’ll say Adam an’ Eve

“Would you Adam an' Eve it, eh?! Wot a mug!”

Instead of face, she’ll say chevy chase

“Yeah, I can see it written all over yer chevy chase!”

Interjections/Exclamations

Blimey - Express surprise or shock

"Blimey, yer right! That streak o' light in the photo looks just like an arrow, dunnit?"

Cor - A general interjection, kind of a euphemism for god

"Cor, listen to you! Ya stumble across a bit o' balloon an' suddenly yer the best investigator in the world!"

Oi - I doubt I need to define this one, but it's basically the equivalent of "hey"

"Oi! That's off limits up there!"

Words for people

Cove, bloke - A boy or man. Gina tends to use cove more often than bloke.

"That's where the cove ended up after 'is 'instant kinesis' or wotever they call it."

"When I lifted the last bloke's purse, 'e got wise to me."

Dandy - A conceited, fashionable upperclass man. Can be used as a noun or adjective.

In reference to Ashley Graydon: "I swear on my life, I ain't never laid eyes on that dandy before."

Dee - Thank you to uzukirie for figuring this out in the replies of this post - dee is short for detective!

To Sholmes: "I don't need no 'elp from some stuck-up dee!"

About Gregson: "Yeah, the dee let me keep it. After I looked daggers at 'im for long enough."

Swell - A wealthy or elegant person. In canon, Gina uses this exclusively in reference to McGilded.

"It's because o' that, this swell found me. …'E did 'elp me get away, mind."

Miscellaneous vocab

Dodgy - Suspicious

"It was amazin' when you showed that dodgy professor's dodgy experiment was a total fix!"

Rum - Odd or strange

"I mean, wot's the point of spendin' a joey to make a few bob, eh? That's a rum idea, innit?"

Coppers - Cops

"If you do wot the grown-ups tell ya, it'll get yer mates dragged off by the coppers. Or worse."

Scarper - Flee/run away/leave in a hurry. Also comes from rhyming slang - Scarper = Scapa Flow = Go

"If I did that, 'e said 'e'd let me scarper before the coppers showed up."

Have a butcher's - Take a look. Also comes from rhyming slang - "butcher's hook" = look

"Most days I push the cushion up wiv me 'ead an' look out the crack. Then I can 'ave a butcher's at who I'm gonna fiddle."

Rude words/phrases :)

Gordon Bennett - Expresses surprise or contempt - kind of a euphemism for goddammit.

"Gordon Bennett! You lot!"

Flamin', bleedin', - General emphasis. Pretty much just gentler ways of saying fucking.

Note!! You might be tempted to make Gina say "bloody", since that's well-known British slang, but she never says that. She says bleedin' in its place.

"Don't be so flamin' rude, 'Oddo!"

"It's lies every bleedin' place ya look in this world, innit?"

Bleedin’ Nora - A variation of "Bloody Norah", a surprised/irritated interjection.

"Wot the bleedin' Nora, 'Oddo?! Wot 'ave you gone an' done?!"

Bogtrotter - A derogatory term for an Irish person. She uses this to refer to McGilded.

"Look at the mess it's got you into, believin' in that bogtrotter!"

Mug - An idiot.

"You can't do it from inside, you mug."

Blue blazes - An alliterative exaggeration of "blazes". A euphemism for hell.

"Where the blue blazes 'ave you been, eh?"

Cobblers - Rubbish/nonsense. Literally, it means testicles - derived from Cockney rhyming slang, where "cobbler's awls" = balls.

"All this nonsense about the boss plannin' to kill people… It's cobblers!"

And 1.2k words later, that's pretty much it! Now you can write Gina dialogue spot on <3

Feel free to suggest anything I'm missing/got wrong - I come back and edit this for accuracy's sake every time I notice something I left out, or when people in the replies/tags point things out!

[too-much-tma-stuff]

Finally Getting Help (prt 6)

Masterpost

The Wayne family gathered in the family room once Alfred was done setting up the projector, somehow there was also a plate of cookies and a couple pots of tea on the coffee table. How he’d found the time they didn’t know, he always seemed to be doing just a little more than should be possible but they didn’t question it. 

Jazz seemed nervous as she plugged in her USB and accessed the power point on Ghosts and Liminality. The tidal page had a picture of Danny in his Phantom form standing with a group of others, a boy with gray skin and blond hair, a girl with green hair and skin, and a goth with purple eyes and a dark skinned boy who looked around Danny’s age, and Jazz with the title “Ghosts and Liminals!” 

The next slide had simple text: “What are they and How are they made?”

With each slide she read the text on the screen allowed and then added any context or anecdotes she thought of, or had prepared. 

(Next slide)

Ghosts:

Made of ectoplasmic energy and obsession

Made either:

when someone dies with strong enough desires

An idea gains enough traction to take on a life of its own

Immutable concepts and gods

Must be allowed to indulge in obsessions or they will cease to exist

All have basic abilities such as flight, intangibility, invisibility, and minor shape shifting

On top of basic abilities most will have additional powers based on their obsessions

Immortal unless killed 

Love to fight

Liminals

Made when a human is exposed to high levels of ectoplasm for prolonged periods of time

Have some ghostly traits 

Ghostly traits vary person to person

Less susceptible to human illness and injury

“The ghosts on the picture are Kitty and Johnny, we’ve had problems with them but would consider them friends now. They’re the ghosts of two humans who died, but there are others, Vortext for instance is the ghost of Storms. Those ghosts who come from ideas are called ‘neverborns’. There seem to be almost an infinite number of ghosts, however not all of them are interested in having anything to do with us so we tend to get the same faces showing up a lot in Amity.

“I don’t know how many liminals there are. I thought they might be new with my parents' research but as I look into it more I think there are more natural sources of ectoplasm then my parents thought.” Jazz explained before going to transition to the next slide.

“I have a question-” Bruce started before Jazz hushed him. 

“Wait till the end please! I might answer it without you having to ask,” She scolded, and he felt very much like a schoolboy again as his children snickered.

(Next slide including a image of the glowing green viles in the Fenton’s lab and a glowing green crystal)

Ghost biology 

Ghosts do not have any recognizable organs or bones

The only solid part of their being is their Core which is the source of their ectoplasm 

Any injury to a ghosts form not done directly to their core is considered minor and will heal

A healthy ghost is fully capable of mending any damage including removed limbs in a matter of hours or days depending on extent of the injury

All injuries not including the Core are considered minor 

Ghosts are considered young for at least the first hundred years of their existence and are often not considered adults until nearly 500

A caveat to this is ghosts are heavily driven by emotion and will often be the age they feel they are allowing ghosts to mature much more quickly, or more slowly

When this is the case ghosts are treated as the age they present and behave

Ghosts reproduce by shaping ectoplasm and Wanting a child badly enough

“Believe me it was incredibly scary the first time I saw Danny in his ghost form have something go right through his stomach. It took him a long time to convince me it wasn’t a big deal and it barely hurt. He does have to make sure he repairs the damage Before turning human again though or the damage can transfer over and I don’t need to tell you a hole in the gut is a lot more serious for humans!

“If I’m honest I only know ghosts that have stayed younger then they really are, for instance Youngblood who’s a few hundred years old and could be well on his way to adulthood if he wanted but has remained a child. I assume it can go the other way though, if a ghost is very mature for their age.”

Ectoplasm 

Ectoplasm is the energy that makes up all ghosts and the Ghost Zone itself. All ghosts can feed on the ectoplasm around them as well as produce their own by indulging in obsessions. The ghosts Cores produce the ectoplasm like a brain produces neurochemicals when exposed to the right stimulation.

Ectoplasm is a powerful source of energy but unstable. When it is stabilized into an ecto-crystal it is more stable and can be used as a power source safely by ghosts and liminals.

“Most ectoplasm is green like you see in the pictures. But it isn’t the only colour, some other ghosts produce different colours and it is highly tied to what emotion drives them. When it’s pure it usually smells like petracore but it can get pretty foul.”

(next slide)

What are Obsessions

Every ghost has one or more obsessions

They can be very literal things such as boxes, or ideas and emotions such as Love

In rarer cases they may have dual obsessions

Unlike for humans obsessions are very healthy for ghosts

Ghosts need to indulge their obsessions

Sometimes the way ghosts indulge their obsessions might seem evil, however it is almost always just amoral 

Obsessions shape every part of a ghost from their powers to thier physical appearance, to befriend a ghost you Must understand and aid their obsession

In very extreme circumstances a ghosts obsession may shift, sometimes this is healthy, more often it is a result of extreme trauma

“With my interest in psychology this was sort of hard for me to accept. From the outside the way ghosts obsess seems really unhealthy but it’s what gives them life. When not allowed to indulge in their obsessions ghosts will dysregulate and go to extreme lengths to try and get their obsession, if that doesn’t work they either go dormant if their core is still healthy enough or they will melt. 

“Ghosts change their obsessions very rarely, I’ve heard of it happening as they heal. For instance once a ghost has gotten revenge for themselves, if that was their obsession, their obsession might shift to avenging other people, or even protecting them so they don’t need to be avenged.”

(Next Slide)

Ghost Culture

The Ghosts have a monarchy

The title of the Ghost King is not hereditary but passed through trial by combat

Under the monarch is a council of being known as Observants, and powerful and old ghosts called Ancients 

Ghosts respect strength and value power and cunning in combat a lot

Ghosts bond with each other through combat and play fight with family and friends often

“I have down that the ghosts are a monarchy, and technically that is true but the current Ghost King was a tyrant who was locked away thousands of years ago. I’m sure as soon as someone shows up who’s powerful enough to beat him his court will be happy to pick up where they left off with a better King, or queen, though I don’t think the title has to change based on gender.

“I really can’t stress enough how violent ghosts are! Because nothing short of having their cores shattered can kill them, play fighting for them can look Very Much like a murder attempt to a human. A lot of the issues we’ve had with ghosts have come from them just not understanding quite how fragile humans, and for most of them they feel really bad once they know they actually Hurt someone by shooting them. It’s really best for everyone when they’re kept separate and Ghosts can happily tear each other apart in peace.”

Liminals

The result of long term low level exposure to ectoplasm, sudden high doses are almost always deadly

Liminals Can have almost every trait a ghost can, usually having a combination of a few

Commonalities between liminals include

Minor cosmetic changes such as: glowing eyes, pointed ears, and/or sharp teeth 

Increased stamina, strength, and aggression

Increased obsessive behaviour

Liminals sometimes develop powers shaped by the strength and type of obsession 

“Most of the people Danny and I know are liminals. I don’t want to talk about them in case they don’t want to be outed so I’ll talk about myself and my parents. We all had prolonged exposure after all. My ears are pointed,” She said brushing her hair back so they could see them, “And Danny is a little more then liminal but even in human form he has fangs. 

“My parents didn’t realize it but they could to the point they could subsist on their obsession without needing to eat or sleep as often as a regular human would. About a year ago I started developing the ability to tap into and feel other peoples emotions, I can feed on them a little too but I try not to because the Worst ghost we met did that and I don’t want to be anything like her.”

(Next Slide)

In conclusion

Ghosts are not evil even though sometimes their actions are hard to understand

Never get between ghosts when they’re fighting each other but it’s usually safe to yell at them to remind them not to break anything

Never get between a ghost and their obsession

Don’t drink ectoplasm unless you know you’re already liminal

“I have a feeling the section about liminals will be familiar to a bunch of you. I know Damian is liminal though I don’t know how he was exposed to ectoplasm and some of you,” Her eyes skirted across Tim and Bruce. “Are toeing the line. You’ll probably notice Damian and Danny getting really close, and they might get in some really vicious looking fights. I promise Danny is playing at least.”

The family was left silent for a moment, Bruce knew he was thinking about Jason. Who had died, been exposed to.. What certainly seemed to be something like Lazarus water and come back, obsessive, aggressive, and emotional. He wished he’d had this powerpoint a long time ago. It helped understand Damian too but mostly he was thinking about Jason. He needed to reach out again, maybe meeting Danny would be good for Jason?

“So uhhh, ya, that’s the end of the powerpoint?” Jazz said, shifting from foot to foot in the awkward silence. “Any questions?”

Next

[anim-ttrpgs]

Help Save the World of TTRPGs and Their Creators.

Okay I’m being a little dramatic, but at the same time I’m pretty serious. This is a call to action, and the livelihoods of myself and lots of other people, many of them (like myself) disabled, are depending on it. This is a post about why, what you can do about it, and (perhaps least often answered) how.

This post is actually an accompaniment to another discussion by someone else. If you don’t want to listen to a 90-minute in-depth discussion of much of what I’m about to tell you, you can just keep reading. Otherwise, click here or here and listen to this either before or after you read this post. (They’re the same thing, just different sources.)

If you have ever made or reblogged posts urging people to switch from Google Chrome to Firefox, you should be willing to at least give a try to other TTRPGs besides D&D5e for much the same principle reasons. I’m not telling you you have to hate D&D5e, and I’m not telling you you have to quit D&D5e, I’m just asking you to try some other games. If you don’t like them, and you really want to go back to D&D5e, then go back to D&D5e. But how can you really know you won’t like other games if you have literally never tried them? This post is a post about why and how to try them. If you’re thinking right now that you don’t want to try them, I urge you to look below to see if any of your reasons for not wanting to try them are covered there. Because the monopoly that WotC’s D&D5e has on TTRPGs as a whole is bad for me as a game designer, and it’s bad for you as a game player. It’s even bad for you if you like D&D5e. A fuller discussion of the why and how this is the case can be found in the links above, but it isn’t fully necessary for understanding this post, it’ll just give you a better perspective on it.

If you’re a D&D5e player, I’m sure at some point or another, you’ve been told “play a different game”, and it must get frustrating without the context of why and how. This post is here to give you the why and how.

[The following paragraph has been edited because the original wording made it sound like we think all weird TTRPGs suck.]

Before that though, one more thing to get out of the way. I'm going to level with you. There’s a lot of weird games out there.

You are gonna see a lot of weird TTRPGs when you take the plunge. Many of them try to completely reinvent what a TTRPG even is, and some fail spectacularly, others really do even up doing something very interesting even if they don't end up being what a core TTRPG player wants. But not every indie RPG is a Bladefish, lots and lots of them are more 'traditional' and will feel very familiar to you, I promise. (And you might even find that you like the weird experimental bladefish type ones, these are usually ideal for one-session plays when your usual group can't play your usual game for any reason.)

You're also going to probably see a lot of very bad games, and man have I got some stories of very bad games, but for now I'm just saying to make sure you read the reviews, or go through curators (several of which will be listed below), before you buy.

Now that that is out of the way, I’m going to go down a list of concerns you may have for why not, and then explain the how.

“I don’t want to learn a whole new set of rules after I already spent so much time learning D&D5e.”

Learning a new set of rules is not going to be as hard as you think. Most other TTRPGs aren’t like that. D&D5e is far on the high end of the scale for TTRPGs being hard and time-consuming to learn and play. If you’ve only played D&D5e, it might trick you into thinking that learning any TTRPG is an overwhelmingly time-consuming task, but this is really mostly a D&D5e problem, not a TTRPG problem as a whole.

“D&D5e has all of these extra online tools to help you play it.”

So what? People have been playing TTRPGs without the help of computers for 50 years. To play a well-designed TTRPG you won’t need a computer. Yes, even if you're bad at math. There are some TTRPGs out there that barely even use math.

“I’m too invested in the narrative and characters of my group’s current ongoing D&D5e campaign to switch to something else.”

There are other games, with better design made by better people for less money, that are the same kind of game as D&D5e, that your current characters, lore, and plot will fit right into and do it better. And no, it's not just Pathfinder, there's others.

“I can’t afford to play another TTRPG.”

You probably can. If you’ve only played D&D5e, you might have been made to think that TTRPGs are a very expensive hobby. They aren’t. D&D5e is actually uniquely expensive, costing more than 3x more than the next most expensive TTRPG I can think of right now. Even on the more expensive end, other TTRPG books will cost you no more than $60, most will cost you less than $20, and a whole lot of them are just free. If you somehow still can’t afford another TTRPG, come to the A.N.I.M. TTRPG Book club mentioned below, nominate the game, and if it wins the vote we will straight up buy it for you.

(By the way, if you had any of the above concerns about trying other games besides D&D5e, that really makes it sound like you are in a textbook abusive relationship with D&D5e. This is how abusers control their partners, and how empires control their citizens, by teaching you to think that nothing could ever get any better, and even though they treat you bad, the Other will treat you even worse.)

“If I don’t play D&D5e, which TTRPG should I play?”

That’s a pretty limited question to be asking, because there will be no one TTRPG for everything. And no, D&D5e is not the one TTRPG for everything, Hasbro’s marketing team is just lying to you. (Pathfinder and PbtA are not the one system for everything either!) Do you only play one video game or only watch one movie or only read one book? When you finish watching an action movie like Mad Max, and then you want to watch a horror movie, do you just rewind Mad Max and watch it over again but this time you act scared the whole time? No, you watch a different movie. I’m asking you to give the artistic medium of TTRPGs the same respect you would give movies.

“I want to play something besides D&D5e, but my friends won’t play anything else!”

I have several answers to this.

Try showing them this post.

If that doesn’t work: Make them. Put your foot down. This works especially well if you are the DM. Tell them you won’t run another session of D&D5e until they agree to give what you want to do at least one try instead of always doing only what they want to do. This is, like, playing 101. We learned this in kindergarten. If your friend really wants to play something else, you should give their game a try, or you’re not really being a very good friend.

If that doesn’t work, find another group. This doesn’t even mean that you have to leave your existing group. A good place to start would be the A.N.I.M. TTRPG Book Club which will be mentioned and linked below. You can also go to the subreddit of any game you’re interested in and probably meet people there who have the same problem you do and want to put together a group to play something other than D&D5e. You might get along great with these people, you might not, but you won’t know until you try. Just make sure to have a robust “session zero” so everyone is on the same page. This is a good practice for any group but it is especially important for a group made of players you’ve just met.

“I only watch actual plays.”

Then watch actual plays of games that aren’t D&D5e. These podcasts struggle for the same reasons that indie RPGs struggle, because of the brand recognition and brand loyalty D&D5e has, despite their merit. I don’t watch actual plays, or else I would be able to list more of them. So, anyone who does watch actual plays, please help me out by commenting on this post with some non-D&D5e actual plays you like. And please do me a favor and don’t list actual plays that only play one non-D&D5e system, list ones that go through a variety of systems. The first one I can think of is Tiny Table.

“I can just homebrew away all the problems with D&D5e.”

Even though I want to, I’m not going to try and argue that you can’t actually homebrew away all the problems with D&D5e. Instead, I’m going to ask you why you’re buying two $50 rulebooks just to throw away half the pages. In most other good RPGs, you don’t need to change the rules to make them fun, they’re fun right out the box.

“But homebrewing D&D5e into any kind of game is fun! You can homebrew anything out of D&D5e!”

Firstly, I promise that this is not unique to D&D5e. Secondly, then you would probably have more fun homebrewing a system that gives you a better starting point for reaching your goal. Also, what if I told you that there are entire RPG systems out there that are made just for this? There are RPG systems that were designed for the purpose of being a toolbox and set of materials for you to work with to make exactly the game you want to make. Some examples are GURPS, Savage Worlds, Basic RolePlaying, Caltrop Core, and (as much as I loathe it) PbtA.

“I’m not supporting WotC’s monopoly because I pirate all the D&D5e books.”

Then you’re still not supporting the smaller developers that this monopoly is crushing, either.

Now, here’s the how. Because I promise you, there’s not just one, but probably a dozen other RPGs out there that will scratch your exact itch.

Here’s how to find them. This won’t be a comprehensive list because I’ve already been typing this for like 3 hours already. Those reading this, please go ahead and comment more to help fill out the list.

First, I’m gonna plug one of my own major projects, because it’s my post. The A.N.I.M. TTRPG Book Club. It’s a discord server that treats playing TTRPGs like a book club, with the goal of introducing members to a wide variety of games other than D&D5e. RPGs are nominated by members, then we hold a vote to decide what to read and play for a short campaign, then we repeat. There is no financial, time, or schedule investment required to join this book club, I promise it is very schedule-friendly, because we assign people to different groups based of schedule compatibility. You don’t have to play each campaign, or any campaign, you can just read along and participate in discussion that way. And if you can’t afford to buy the rulebook we’re going to be reading, we will make sure you get a PDF of it for free. That is how committed we are to getting non-D&D5e RPGs into people’s hands. Here is an invite link.

Next, there are quite a few tumblr blogs you can follow to get recommendations shown to you frequently.

@indierpgnewsletter

@indie-ttrpg-of-the-day

@theresattrpgforthat

@haveyouplayedthisttrpg

@indiepressrevolution

Plenty of podcasts, journalists, and youtubers out there do in-depth discussions of different systems regularly, a couple I can think of off the top of my head are:

Storyteller Conclave (I’m actually going to be interviewed live on this show on April 10th!)

Seth Skorkowsky

Questing Beast

The Gaming Table

Rascal News

Lastly, you can just go looking. Browse r/rpg, drivethrurpg.com, indie press revolution, and itch.io.

Now, if you really want to support me and my team specifically Eureka: Investigative Urban Fantasy, our debut TTRPG, is going to launch on Kickstarter on April 10th and we need all the help we can get. Set a reminder from the Kickstarter page through this link.

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, there’s plenty of ways to get one!

Subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

Donate to our ko-fi and send us an email with proof that you did, and we’ll email you back with the full Eureka prerelease package with the most updated version at the time of responding! (The email address can be found if you scroll down to the bottom of our website.)

We also have merchanise.

[cy-cyborg]

Tips for writing and drawing amputee characters: Stump Scarring

This was something I had originally intended to mention in this post but felt it deserved its own separate post.

A lot of people, when drawing and designing amputee characters, draw their characters with these big, gnarly looking scars all over the stump. I get why people do this, but in reality, most amputees have stumps that look more like this:

The only scarring that is inherent to amputation (meaning most amputees have) is a very thin line right at the tip of the stump that comes from where the stump was sewn shut. After 5-10 years though, these thin incision scars will fade to be nearly invisible in most folks other than the indent it usually leaves in the skin.

Of course, there are exceptions! My own legs are covered in heavy scarring like the pictures below.

but typically, you only see this in amputees who lost their limb in ways that required them to also need skin grafts, such as from a burn (fire or acid), gangrene, some types of rapid-onset sepsis, or particularly brutal animal attacks.

For context, I used scars from meningococcal as reference here.

I think this is another reason a lot of people, particularly in 2D comics and animation, cover their amputee character's stumps, because they think all amputees have scars like the ones in the second image and I'll be honest, that's a lot to draw when you're drawing it over and over again, but unless your amputee also needed skin grafts bcuase of their injury/illness, their stumps will look more like the first images.

Fun fact: on particularly pale skin, scars can change colour depending on temperature. scars have less circulation and the blood vessels are closer to the skin, which means if you don't have a lot of melanin, your scars can turn a grey-ish purple colour like so:

This information is brought to you by an especially pasty white person in the southern hemisphere (where it's winter atm) who's scars haven't seen the sun since june lmao.

A quick final note: If you look up "burn scars" or any other similar type of large scarring on google a lot of what you get are fresh scars, so they're going to look different than the ones here. On pale skin, large scars like the ones above start out very dark red and will fade to look more like the images here. The same is true for dark skin, typically fresh scars will be much darker in colouration and will fade to be closer to the natural skin tone with time, though on both, they will always be very visible. Some types of scarring on darker skin tones can cause the skin to become lighter, but they don't usually turn entirely light pink like I've seen some folks draw. This is why it's so important to look up references of the type of scar your character has AND how that looks on their skin tone.

And as always, listen to POC and seek out the recourses specifically made by them, especially if you're drawing characters with darker skin tones. Their lived experience will always beat my "what I found through internet research and from talking to friends"

[nativehueofresolution]

homophobic shiv memes aside, i do think there is actually something interesting about how shiv interacts with her brothers' sexuality/implied queerness. with roman, she seized on his sexuality as potential weakness, painting him as a sexual deviant to logan and seemingly being the one to reveal to logan that roman has had sexual interactions with men as an attempt to bolster her status and gain leverage ('i mean i think it's a potential problem. there's issues, you know? everyone says that he used to get jerked off by his personal trainer, and now there's this gerri thing... it's a, it's a track record you know?'). she also later uses their father's disgust with roman to try to convince her brother to go against their dad ('rome, you know dad is never going to choose you, because he thinks there's something wrong with you' --an ambiguously worded line but one i think in the context of what had just happened prior to that scene where logan literally asked roman 'are you scared of pussy, son?' during their last conversation, this makes the most sense as a reference to his sexuality).

she also just straight up uses the fact that he Does Not Fuck to be mean when she's annoyed with roman ('you can't hide under the covers with mommy... someday you know you're gonna have to actually fuck something.' a remark that connor and arguably kendall -depending on how sincere you think his comments to shiv are - immediately clock as being over the line, while shiv plays coy and pretends to not understand why roman's upset). it's a vulnerability for her to exploit. (though it's also interesting to note her success with this tactic is limited. logan is furious with roman, but he still brushes shiv off after she outs roman. roman's queerness may disqualify him, but it doesn't change the fact shiv is a woman and so was never a real option to start with.)

the possibility of kendall's queerness, on the other hand, seems more to strike her as a threat, the most obvious example being her already infamous face during the 'you kiss guys on molly' scene. regardless of how much you want to read that as a confirmation of a relationship between kendall and stewy (and i personally am inclined to take it as such), the basic facts are that kendall is attempting to cozy up to stewy and specifically bringing up his attraction to men on molly as something that makes stewy mundane rather than an edgelord, and shiv shows visible discomfort at kendall's blasé attitude and his intimacy with stewy. the director mark mylod has pointed to the scene in particular during multiple interviews as one of the earliest signs of shiv's wobbling, because she sees upfront the closeness between kendall and stewy and how she 'could be sidelined by that relationship'.

it's interesting that this comes after the past few episodes spotlighted kendall's relationship with nate, shiv's ex and the guy who - apart from stewy and possibly the waiter - has the most gay subtext with kendall. in 4x08, the fact that kendall was close enough to nate that he would call him to double check shiv's story and that nate, either on purpose or unknowingly, revealed shiv was lying, ended up destroying her only chance of staving off the mencken call. while the scene itself has nothing to do with sexuality, shiv's goals were undermined because of an existing relationship between kendall and nate. her relationships as a sister and a lover did not give her enough sway to stop the interaction from playing out as it did. as the lone female, shiv is constantly shut out by the homosocial spaces that exist in the business world that she cannot access (we see kendall and roman do business deals in the men's room more than once). still, we have seen with nate in particular shiv is sometimes able to use her sexual appeal to try and achieve her goals (flirting with nate to try and get him to do oppo research on marcia for example), even if it is not her preferred way to deal with things. but if kendall is also able to attract men, this is another way in which he's competing with her, and one she feels poised to lose at because kendall already has access to men in a way she can't in their spheres, and she's seen over and over the bond between men prioritized above all else. she's already inclined to think kendall will sideline her for a man he wants to keep on his good side - she just lived through roman as co-ceo - and now during their meeting with stewy she sees kendall show an easy familiarity with stewy's sexual history with men that he uses to butter him up. even if she isn't taking that to mean they've personally slept together (and i think she is), she's being reminded that kendall is someone who can form intimate relationships with other men (in contrast to roman, who is kind of repressed about it) and use that to his advantage, which undercuts her already limited influence. it's just the eternal boys club taken to another level.