#someone asks him if hes alright

[incendiaryrequiem]

i can be called a loen enjoyer

[fairandfatalasfair]

I know people have posted about this before but it honestly it striking how much the boys do not default to violence as a way of solving problems. They're detectives in the classic sense - they're looking for clues and unravelling mysteries, and most of the time they can handle things with subtlety instead of force. It's not off the table, but it's very much an option of last resort.

The first time we meet them they're dealing with a ghost that is actively trying to kill them, and they're not fighting, they're running. While trying to figure out what happened so that they can go back in with a better strategy. Even when the cursed ghost catches up with them, Charles hits it exactly once, to get enough breathing space that they can get back to the office and get the resources they need to break the curse. Their plan with Becky was to slip in and out while Esther was distracted - they only ended up in a fight because hauling Edwin and Becky out of the magical void took longer than expected.

And as much as Charles comments in Ep. 3 about puzzle solving being "Edwin's way" and hitting things with a cricket bat being his, that absolutely goes for him as well. In the flashbacks where he confronts his friends, he pulls them off and puts himself between them and the kid they're beating up - he doesn't continue the fight once the victim is safe. In the Devlin house he's visible shaken and upset from the first round of the cycle, but it's not until they've witnessed the murder several times and Edwin's plan to break the loop has failed and he's confronting the possibility that there may not be another option that he tries to fight Devlin directly. Most of what he does with his cricket bat is pull it out and plant himself between Edwin and whatever he's decided is a threat.

I suspect that's part of why Edwin was so rattled by the first encounter with the Night Nurse - not because it was wrong or unjustified, but because it's not normal for Charles to hit first.

And these are not normal circumstances! Charles has been pushed pretty hard at this point, and has just been assaulted in a way that Edwin probably isn't fully cognizant of, and was acting urgently to stop the Night Nurse from doing the same thing to Edwin. I think his reaction was absolutely justified, and possibly necessary. And I think Edwin's response, whether it was intended that way or not, did read as condemnation - at least to Charles who is already beating himself up for not being able to protect the people he loves and doubting whether he's a safe, trustworthy person.

But I also think it's notable that the next time he deals with the Night Nurse - after he's processed some of his feelings of anger and helplessness, after he's been reassured that he's still the best person Edwin knows - he takes a different tack. She's still imminently threatening to split them up and send Edwin to hell, which is probably Charles' worst nightmare. But this time he turns to negotiation, to appealing to her sense of justice, to looking for a loophole that could let them stay together. He's back to trying to solve problems by working through them.

And in fairness, the fact that she came back after being eaten by Angie is also a pretty strong indication that trying to fight her wouldn't have worked. But I do think it says something about Charles' attitude to the world that despite describing himself as "the brawn" and thinking of himself as the fighter between him and Edwin, his reflex is still to problem solve first, to use force defensively and only when necessary. That yes, he's angry and justly so, but unlike his father, or the boys who killed him, he doesn't choose to turn that into an excuse to hurt people. That his use of force is judicious and careful and is always, always about preventing harm.

[liliakier]

@ricstarweek2024 ended like 2 days ago but I was sad I didn’t get to post my last entry due to timing issues, anyway, belatedly:

Day 7 - Family

I want them to have a slightly awkward but emotional and sweet meeting while Rictor acts as emotional support 😔

[natelia-aldelliz]

Guys imagine, Roach died, before the creation of 141, but Soap is able to see his ghost. He was originally following Ghost around, really annoyed that he was using his death as an excuse to not get close to anyone, but when he found out Soap could see him and talk to him he started following him around instead.

And they get really close, like two peas in a pod, except they have to be discreet about it because no one else can see or hear Roach, and they'd think Soap was crazy if they saw him talking to no one.

They use that for shenanigans too: Roach will go follow someone else and report back to Soap, Gaz is genuinely starting to believe Soap has superpowers or something. It's really useful on missions as well, and Soap managed to successfully rescue team members thanks to Roach being able to move through walls and everything.

(Roach is not the only ghost Soap is able to see btw, just the only one he's talking to.)

And then Roach is witnessing his past lover trying really hard to not fall in love with Soap, and Soap trying really hard to not do anything about the love he already feels, and he has to try and convince Soap that he is dead. During that conversation he finds out that something else that keeps Soap from doing something is that he feels very confused about everything because he also has feeling for Roach.

So now Roach has to try and convince him that even if he was still alive he wouldn't have a problem with that. He's known for a while that he was polyamorous, but he hadn't really dared talking to Ghost about that because he thinks he's jealous and possessive.

And Soap is like "oh yeah, you want me to go say to Ghost 'don't worry about your dead lover that I'm not supposed to know, he's actually polyamorous and also in love with me, I know because his ghost told me!' ??? I'm sure he's gonna take that well!"

But Roach is nothing if not resourceful and he manages to put Soap in situations where he's forced to interact with Ghost, and eventually they kiss and their relationship is beginning to be something. They're not really sure what.

And Roach is sad, because he has to watch the two men he loves being in love without him, yes, but at least they're both happy, and it makes him feel a bit better. And then during a mission Ghost almost dies.

Because he was alone and Soap and Gaz were together, Roach was following Ghost this time, ready to fly to Soap in an instant if there was any problems. But there was and he didn't have time, so he instinctively grabbed the gun being pointed towards Ghost's head and moved it as the person was shooting, saving Ghost's life, giving him enough time to shoot the enemy himself.

But even as the threat is eliminated, Ghost is still looking up from where he's on the ground, staring right through him, looking shocked. No, not right through him, he realises when he moves to the side and Ghost's eyes follow him. He also realises that he grabbed the gun. He's never grabbed anything before, in all his years of being a ghost.

Then suddenly Ghost's eyes move wildly around, and he figures he disappeared from his view. He can still go through the walls, but he's kept the ability to grab stuff when he wants. It gives him a ton of new possibilities, to fuck with people and, of course, to touch Soap.

"I wish you were actually alive," Soap whispers to him, holding his hands against his face as he's falling asleep.

"What the fuck," comes Ghost's voice the next morning, waking both of them up - wait, since when could Roach sleep?

Soap doesn't understand immediately, because he's always been able to see Roach. But Ghost is standing in the door, looking straight at dead past lover.

Turns out Soap is a necromancer and he had no idea, though the whole 'I can see dead people' should probably have told him sooner that he wasn't normal... The more he wishes Roach is alive, the more he actually is. And they all end up happy and together. And Gaz is very happy to have won the bet that Soap indeed has superpowers.

The day Roach says, in a wondering voice, "I... I think I'm hungry" is the day they understand that something is really happening and he's actually coming back to life.

(Also, Soap has no control at all on his abilities, he has no idea what does what and why, he knows nothing. No one knows.)

[kitnita]

jason robertson on having carson take part in practice — 01.05.24

when some kid from another country picks you as his favorite player — what’s that do for you?  oh, it’s obviously very exciting, I mean, um, not just, just me, but it being a dallas stars fan from, I mean, ottawa, is kind of like �� you don’t — I don’t really hear that often, so. um, it just goes to show you how much support is for our team around the country — or, north america, and I’m sure in other continents as well, so. um, but I mean, especially me, I mean, all I can do is be, uh — I mean, try to be the best player I can be on the ice and be a good role model and have a little fun with him when he came here.

[1000sunnygo]

Ok so sometimes I see people claiming Oda originally planned for Law to be evil. Did he actually say that? I can't find much on it

This and "Law is Oda's wife's favorite character" ROFL

Videos like this might've been the culprit behind this rumor. Law being 'named after a brutal pirate and allegedly had terrible rumors about him', doesn't equate to "Law was meant to be evil." No matter how canon-coded it seems, something can't be called a "fact" unless there's a legitimate reference. So far, Oda has made no such statement about Law.

The video used a draft image to back the point that Law was depicted as "scheming and manipulative" during Punk Hazard, taken from OP magazine vol. 8:

Sanji's dialogue, roughly: "Your strategy is to go head on against Doflamingo and Kaido, and to weaken Kaido's military strength, isn't it? And we're *in it together* because we believe the outcome benefits us, as well.

What are you planning?

I don't mind going ahead (to Zou), but I won't leave my friends in danger."

Law: Sharp at bargaining, aren't you...

It's not from Punk Hazard, it was Dressrosa.

Not to mention in both draft and finalized versions, it was Sanji cornering Law, not the other way around. IMHO it didn't add or subtract much from law's character as we already know him.

It's very likely that Law was planned to be (more) morally grey and manipulative. But inflating it as Oda's statement makes it a misinformation. This fandom sadly has a lot of these, thanks to engagement farming content creators.

[youngpettyqueen]

do you ever think about Garak waking up and seeing Julian in that chair, uncomfortably crammed in and slumped over asleep, and wonder how he must've felt when he realized Julian wasn't going to leave

[tangledinink]

You've mentioned that rarely Swanatello's family is unable to come visit him. What would make it so that they couldn't?

Overall, they're very on top of coming to see Swannie and making sure someone is with him at just about all times, but there have been one or two occasions when things have popped up-- and even then, it's not that the family didn't come to visit him for the day, but rather that they were delayed. Think things along the lines of "X villain is doing something completely fucking batshit and we need all hands on deck to make sure no one dies and get things under control before we can go visit" and/or just simple miscommunication about what the plan is. It should also be noted that they are currently almost entirely reliant on Leo to portal them over to the Lake. If Leo is incapacitated or occupied for whatever reason and can't portal them over... then they can't visit.

[silverpiwon]

I’m going to be mean for a second

People who dig into, speculate and make fun of Jiung’s and Keeho’s relationship in a malicious way can go fuck themselves 😌

[starheirxero]

Could you imagine if Sun had transitioned while Eclipse was dead so when he goes to do his dramatic monologue on the balcony, he gets jumpscared by just Some Girl being there

[carefulfears]

what do you think mulder thinks of diana fowley after biogenesis through amor fati? i don't think we really see anything on screen/in text (though i think it says a lot that he didn't have much of a reaction when scully came to his apartment & instead focuses on scully & their relationship lol)

yeah there’s basically NOTHING in the text but tbh i think finding out for certain that she was working with CSM really kindaaaa snapped him out of some things…mulder doesn’t give a fuck what people do to him, obviously, but it’s a different thing entirely to find out that your ex is involved in something like that. like there are MILES from “my partner makes me feel like shit and is maybe pretty abusive” and “my partner is like 3rd on the call list of a eugenics group that treats women like test subjects”

like, scully was right, diana was monitoring MUFON women and collecting data on them. she was heading up the tests on cassandra. she probably knew the truth about samantha the whole time. just nasty nasty shit.

she’s the villain in the amor fati dream: the dismissive symbol of abandonment that offers another path.

one of the most interesting scenes of diana’s character to me, is in the sixth extinction, when she comes to see mulder in the hospital. and she knows what the effects of the artifact are, that he can hear what she’s thinking. that, therefore, he knows who she works for and what she’s doing. (imagine your ex-husband/wannabe boyfriend/obsession finds out you’re lying to him because he can read your mind….shit is crazy!)

and she tells him that she knows he knows. but that he also knows that she loves him.

and she does love him. there’s no reason to lie about that then, she knows he would be able to tell.

scully knows it without hearing it, that’s how she gets diana to save mulder’s life, ultimately. she comes to her and begs. tells her to please just think of him, who he is, who he was when she met him, who he is now. in the end, because of scully weaponizing how diana feels, diana can’t go through with it. she gives her life to help him.

diana seems to be one of those influences on mulder that’s only really all that significant when she’s close by. it’s like how all the tension in the beginning builds up to him getting in her car when she tells him to, leaving scully, when diana is there instructing him.

i think being able to know who she truly was and her true intentions and allegiances, prior to her death, really goes a long way in the way he responds to losing her.

don’t get me wrong, i think he’s upset. you can kind of see the shock cross his face when scully tells him. but he stays focused on his goal, which is to express to scully how important she is to him, in the wake of how discarded diana always made her feel.

mulder loved diana and grieves that she was killed, he doesn’t have it in him not to, but mostly he…wanted something from her, right? he wanted that approval and “affection” and to please her. he wanted her to believe him. the first thing that she says to disarm him (in the end) when she can tell he’s uneasy, is, “hey. i’m on your side.”

learning who she really is, it’s easier not to crave her approval so badly.

(this is the crux of amor fati’s “last temptation.” it’s diana saying: you’re childish. you are going to fail. your path is not your own. “you have to let go, fox.” and it’s scully countering: we need you. this is who you are.)

(it’s why he responds in the end by telling scully that it’s her that’s the voice of truth.)

and then in death, diana’s not…there for him to want anything from!! so it’s like, again, yeah he obviously feels the loss, this was someone who meant a lot to him for over a decade. but also it’s likeeeeee freeing in a way? it makes things simpler in a way? (he’s able to communicate all of that to scully instantly after hearing diana is gone, after over a year of the tension hanging around it)

if you asked him about diana now, or even a year later, i think he’d be like…damn that’s crazy! 😭😭 mulder doesn’t have an awful lot of object permanence you guys sjdjsjfj

when scully comes to tell mulder that diana was killed, and he says to her, “you were my friend, and you told me the truth,” the language matters so much. that’s what scully called diana, “i know she was your friend,” and he turns it back onto her. you were my friend. you told me the truth.

in my opinion, it’s not that he doesn’t love and grieve diana, but that there’s a freedom in knowing the truth. knowing who someone is, and their intentions. knowing who has your best interest at heart. knowing where you stand in the world, what you want to do.

that’s really what allows for the openness and lightness of s7, in the wake of diana’s absence. mulder’s always seeking, always learning.

[mad-hunts]

oh, by the way, it's random headcanon time because i thought y'all should know this: barton's doll motif does, in fact, go deeper than his 'doll-making.' because although his hair isn't always this way, you can always sort of tell when barton is really spiraling, because he will just stop brushing his hair to let it become matted and resemble a ' doll's ' hair more closely. and as for what that looks like, think the ringlets that seem to resemble a doll's that has yarn for hair that i used in my pinned post, except they're blonde. so yeahhh. though, of course, there's nothing really wrong with that. however, comma, did i also mention that he is SO wack that he stitched someone else's arm onto himself and now uses it as his own like one of his ' doll-like ' creations?

and as you guys can probably already tell, there are definitely some things wrong with that 💀 i mean barton just cannot go even one day without causing some sort of horrific upset, am i right, guys? JSJSJ / j NAH i'm kidding, i'm kidding (... actually, i might not be this time. idk LMAO ). but anyhowww, i'll tell y'all more about that later because it will probably be a long post due to the nature of how that came to be, but how are we feeling about barton now with this information? like has your opinion of him changed or is it pretty much the same? i am just genuinely curious so feel free to leave a comment below to tell me.... because i know it is gross to think about and also terrifying, but barton is SEVERELY demented so he doesn't think of it that way personally

[jrueships]

r u the grew up poor never being able to buy the little things in life u always wanted as a kid so now u buy whatever little thing u want as an adult and struggle with saving for the big mandatory thing,

or the grew up poor never being able to buy the little things in life u always wanted as a kid so now u just never buy anything small bcs u had to learn to live without it and constantly try to save for the next big thing in 500 yrs

[feralferretxp]

I've noticed these small moments here and there of Bang getting scared, either by fear of getting yelled at or being in danger. But guys, I think I'm onto something...

There was a previous post about how Bang seems to cover his head with his arms when feeling threatened, which were these two last clips from ATS. But then there's also when he visibly shields his face after being yelled at for thinking when garbage goes in a can it just goes away. He even cowers a bit and closes his eyes, squinting them open to make sure it's safe. And then when Bang fears that Emmett is gonna freak out about seeing all his models destroyed by accident, covering his head once again and bracing for the worst.

All of this genuinely makes me feel so bad for Bang, I mean, this seems like a defense mechanism he adapted after some incident. Like look, he's scared of being yelled at and shields himself, even with his friend Emmett. That is not normal, especially for a chill character like Bang.

Paired with the headcanon of him coming from a wealthy family that had some nobility, I wonder if he got yelled at for making a mistake. Like being a kid and accidently knocking over a vase, or not being smart enough like his parents expected and prepared him to be with education. And even other thoughts that could explain why he covers his head when he feels he's in danger...

Okay wow, got a little heavy there, but if you guys have thoughts, please share them! I just think these small moments like this are really interesting. I mean, the storybot animators add so much detail to these shows that I feel like these gotta have some significance. Maybe Bang's just flinchy, but what do you guys think?

[tennessoui]

i really like your take on padme in mermay au, she is straight up vicious, it somehow suits her better than her canonical persona? i don't know i never saw her as particularly, overly kind in canon, more like someone who definitely cares but is downright manipulative? idk if i'm making sense, long story short, this version of padme scratched an itch in my brain i didn't know i had

i think padme is always fun to write because versions of her can be very complex and when i write her i like to focus on her capacity for anger (in fics where she and anakin are still together when the fic starts) i'm sure that gets a bit tiring to read for people but i just can't see her character just being calm and placid and ok with losing anakin immediately. she seems too fiery in canon, and she seems to love anakin too much to just let him go

and when im writing padmé in canon fics, i want to balance that part of her with her other parts, like her kindness and a sense of justice and empathy ('a more perfect union' padmé for example is all of those things), but i think all those parts are important.

so i've really liked how easy it's been to lean into padmé's viciousness in the mer au!! it's been super fun for me, because one of my favorite parts of writing different aus is playing with how much a character is of a particular trait (ie., how much of a bitch obi-wan is, how much of a brat anakin is, how much of a good jedi is anakin, how much infinite sadness does obi-wan have etc etc) so i've liked dragging padmé's viciousness all the way up to the top of the scale here

she's a mermaid queen who is queen of a vicious and vain society and being queen means different things in this au than it does in star wars canon, a lot of which boils down to never really hearing the word no and maybe being a bit callous and naive because of it. she's also the most mer in the au because anakin was human for 21 years and obi-wan was human for likeee ~15 years (?) but padmé has been mer all her life and would never want to be human - she's fascinated by anakin, but not in the same way obi-wan was by the humans when he first discovered them and i love trying to distinguish that

[monkee-mobile]

Do you think Davybaby ever regressed before meeting/joining the Monkees? Either in England or after moving to America

And if so how do you think he dealt with it?

I feel like he did but to a different level. he probably never really OFFICIALLY regressed and was really of seen as a little one during it until he came to the states, but when he was particularly stressed out while still in england he’d often go into a kind of weak state if his defenses were really down, he just didn’t process it through really regressing like he would later on. in england, he’d try his absolute hardest not to have that happen. he’d just feel really small and vulnerable and had no one there to protect him or help him through it except his sisters, but they didn’t jump right to babying him, they’d more just help him through the panic attack part of it all. usually he’d just lock himself in his room if he couldn’t brave through it and curl in on himself and sob until he fell asleep (poor thing). he’d often start sucking his thumb, but he just took that as a “weak” behavior that was just coming back from his childhood. He’d also often go pretty nonverbal for a while afterwards but he’d push through it all and move on (which definitely wasn’t the best for him, but it got him through that time. poor little guy didn’t face his own emotions at all). this kind of shutdown didn’t happen all that often cause davy worked hard to build a tough shell and braved it through all the way to when he moved to america and got out of the pressures of his family.

the move really did break him down because suddenly he was alone in a strange country so when the boys first met him he was definitely flighty and not the suave kind of guy he got to be once he became more comfortable, but they were all new to each other so davy didn’t really have a chance to feel super safe to just let himself feel things so he kept up the hard exterior he had built at first. but of course the monkees became very comfortable with each other and basically climb all over each other at all moments so davy started going “feral toddler mode” a lot where he would just go all silly and giggly and playful, so his comfort came through in a relatively childlike way, but he didn’t panic regress until a while after the guys were a group.

but eventually it happens and davy breaks down really hard at some point. it’s the boys who really start babying him when it happens. in the past he didn’t have anyone to really take care of him but things kind of clicked when he was held and talked to softly and he just sunk into the love that was given to him and it helped him process everything anew.