#statement of purpose format

[abyssal-luka]

that reminds me, have you ever seen how weird they got about stimboards on tiktok? fucking wild

[edwisefoundation]

How to Write an SOP for Australia: Tips for a Successful Application

Writing an effective Statement of Purpose (SOP) for Australia is crucial to your study visa application. The SOP helps universities assess your background, motivations, and academic qualifications. It should clearly explain why you are interested in a specific program and how it aligns with your career goals.

Key tips include:

Research the university and tailor your SOP accordingly.

Structure your SOP with clear sections, such as an introduction, academic background, work experience, and career goals.

Use concise and formal language, avoiding complex sentence structures.

Proofread multiple times to ensure clarity and professionalism.

For a detailed guide on writing a standout SOP, visit How to Write an SOP for Australia.

[valeriehalla]

actual writing advice

1. Use the passive voice.

What? What are you talking about, “don’t use the passive voice”? Are you feeling okay? Who told you that? Come on, let’s you and me go to their house and beat them with golf clubs. It’s just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language you’re writing in.

2. Use adverbs.

Now hang on. What are you even saying to me? Don’t use adverbs? My guy, that is an entire part of speech. That’s, like—that’s gotta be at least 20% of the dictionary. I don’t know who told you not to use adverbs, but you should definitely throw them into the Columbia river.

3. There’s no such thing as “filler”.

Buddy, “filler” is what we called the episodes of Dragon Ball Z where Goku wasn’t blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, “filler” does not exist. Just because a scene wouldn’t make it into the Wikipedia synopsis of your story’s plot doesn’t mean it isn’t important to your story. This is why “plot” and “story” are different words!

4. okay, now that I’ve snared you in my trap—and I know you don’t want to hear this—but orthography actually does kind of matter

First of all, a lot of what you think of as “grammar” is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning “correct-writing”). In fact, most of the “grammar questions” you’ll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.

If you’re a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:

English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashes—like this, with no spaces—while others will use slightly shorter dashes – like this, with spaces – to name just one example.

Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is “invisible”. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.

That doesn’t mean it’s not important. Actually, that means it’s of the utmost importance. Because orthography can only be invisible if it meets the reader’s expectations.

You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having “Good Grammar”, but so that your prose looks like other prose the reader has consumed.

If you printed a novel on purple paper, you’d have the reader wondering: why purple? Then they’d be focusing on the paper and not the words on it. And you probably don’t want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.

You may chafe at this idea. You may think these “rules” are confusing and arbitrary. You’re correct to think that. They’re made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: you’re not the first person to write prose, and you can’t expect yours to be the first prose your readers have ever read.

That doesn’t mean “never break the rules”, mind you. Once you’ve gotten comfortable with English orthography, then you are free to break it as you please. Knowing what’s expected gives you the power to do unexpected things on purpose. And that’s the really cool shit.

5. You’re allowed to say the boobs were big if the story is about how big the boobs were

Nobody is saying this. Only I am brave enough to say it.

Well, bye!

[shuraa-education]

How to Write a Great SOP for Australian Universities?

The Statement of Purpose (SOP) is an important aspect when it comes to studying abroad. This document is presented to the admissions authority along with the application form while applying to any university in Australia. A well-thought SOP for Australia can make your application stand out amongst the pool of applicants. Therefore, it is the prime responsibility of the applicant to showcase their ambitions, skills, and experiences considerately to the university in the form of an SOP. To get a better insight into the SOP for Australia, get a sample from the study abroad consultants at Shuraa Education.

[content-euphoria]

The Importance of Strong PHD SOP and How to Get Started

Understanding the pivotal role of a compelling phd SOP Sample is crucial for prospective doctoral candidates. This article delves into the significance of a strong SOP in the application process and provides actionable insights on initiating the writing journey. Learn about key components, effective storytelling, and aligning your aspirations with program offerings. With this guide, discover how to craft a standout SOP that not only captivates admissions committees but also sets you on the path to academic success.

[flwrkid14]

Okay so I just read your Duke learning to be a drake and would love to see the others reactions to it if at all possible?

hi anon! I loved this idea and had fun putting together a little snapshot of how the family starts noticing Tim’s influence on Duke, I hope you enjoy it <3

It starts small, like most things in the family do. A glance. A habit. A shift in dynamic that sneaks in between all the chaos.

One day, Duke is standing beside Tim at a gala, mimicking his exact stance—weight balanced, one brow raised, drink held in his left hand so he can shake with his right. Tim doesn’t notice at first, but the others do.

Jason raises an eyebrow. Steph nudges Cass. “Since when does Duke look like that much of a smug little vampire?” Jason mutters. Steph grins. “Since Tim decided he’s adopting him, apparently.”

It's not a formal announcement or anything. Tim never says, he’s mine now. But everyone sees it happening.

There’s the way Duke starts following Tim’s lead in meetings, deferring to his judgment. The way he unconsciously picks up on Tim’s phrasing—interesting, concerning, that’s one way to look at it—each phrase sharpened into something sly and deadpan.

Cass watches it like she’s watching a silent play. She doesn’t say much, but one day she pats Tim’s shoulder in passing, soft and approving. Tim blinks at her like he doesn’t understand why.

Bruce notices when Duke’s reports start mirroring Tim’s format. Concise. Clean. Strategically highlighted. Alfred notices when Tim starts pouring Duke’s tea without asking how he takes it—because he already knows.

And Damian… Damian doesn’t comment. Not out loud.

But he scowls a little harder when Duke laughs at one of Tim’s dry jokes. Crosses his arms tighter when Duke smooths the front of his blazer like Tim showed him. He won’t admit it, but he’s watching. Carefully. Warily.

Steph teases them constantly. She starts calling them “Drake One and Drake Two.” “You’re rubbing off on him,” she tells Tim. “Poor kid doesn’t stand a chance.”

Duke doesn’t mind. He just rolls with it. He lets Tim fix his collar before interviews, lets him edit his statements before sending them to reporters. And the thing is—it’s not just that he lets Tim do it. It’s that he asks.

He chooses Tim.

And that’s what the others see.

Jason pretends to be horrified when Duke starts organizing files like Tim does. “He’s got the spreadsheets,” he says, dramatically. “He’s lost to the Drake side.” But the truth is—he smiles when Duke corrects his mission logs with quiet confidence.

Damian might never say it, but his sparring gets more aggressive after Duke spends too long with Tim in the training room. Like he’s annoyed that the quiet fondness between them keeps growing. But he doesn’t stop it.

No one does.

Because—somehow—it fits.

Duke learns how to be a Drake the same way Damian once learned how to be a Wayne.

And there’s something about it—gentler. Warmer. Less about legacy, more about knowing which mask to wear and when to take it off. It’s learning how to be underestimated on purpose. How to say more with less. How to play the long game.

And maybe the biggest tell?

When Duke and Tim are in the same room, they move like synchronized clocks. Same rhythm. Same tilt of the head. Same dry, cutting commentary. Tim will start a sentence, and Duke will finish it. Or vice versa.

And no one says anything outright.

But the shift is undeniable.

Somewhere along the way, without announcement or label, Duke became a Drake. And everyone just… let it happen.

Like they knew it was right.

[val-of-the-north]

Renna's identity and more Caria stuff

I think we have finally come to a satisfying conclusion on the identity of the Snowy Crone, aka Renna.

This came from a conversation with Qamarmoon (not on Tumblr, but check out the Blusky account [x]), who pointed out an interesting bit about her and the two sisters Rennala and Rellana. Together they appear to follow the triple deity format: Renna being the Crone, Renalla being the Mother, and Rellana being the Maiden. It's also worth pointing out that each facet of this Triple Goddess is also connected to moon phases.

It was also correctly pointed out that Snowy Crone must have known the Dark Moon if she was capable of teaching Ranni about it.

But the only ones we have seen capable of such contact with the moons appear to be part of Carian royalty.

The one exception may be the Nox... however, they seemed to have owned the Moonlight Altar in the past, as the Cathedral of Manus Celes shares architecture with the Church of Vows, an old Liurnian ruin intimately connected to the Nox and their rituals.

(My friend @katyspersonal also believes the Nox's Black Moon might have simply been an imitation they created, as it seems to have worked differently than the other moons we know of. For example, it wasn't just one person envisioning it, but multiple. It was also physically present underground and was even broken apart by Astel, while these other moons seem much more distant. It's not necessary to believe this in order for the whole theory I'm proposing to work, but if it's true it would certainly strengthen it lol)

In any case, Qamarmoon also posited that the three sisters might have indeed referred to Renna, Rennala and Rellana, and that Seluvis' Rise wasn't the only one that got its name changed, but Ranni's too, leaving Renna's as the only untouched one. Interestingly enough, it's also where you find the Snow Witch set.

The whole convo made me suddenly remember something I had always taken for granted... the Ice Crest Shield.

This small shield, found in Caria Manor, has a snowflake design that was said to be the crest of a Carian princess. Now, I had always assumed this was referring to Ranni, but I realized something. If it were, it wouldn't have been vague about it. When symbols and insignias are relevant to a specific Demigod or important person they are never spoken about like that... and besides, the crest should be found somewhere else related to Ranni herself if it was hers.

But it's not, and what really seals the deal for me is that Ranni's connection to the cold wasn't something well-known, as it came from her secret mentor, the Snowy Crone.

Ranni, for all intents and purposes, was a moon witch like her mother, earning the title of Lunar Princess.

Even Blaidd's blade was imbued with frost only when he vowed to never leave Ranni's side no matter what, walking that dark path with her. The cold seems intimately tied to her secret grim fate.

Even more damning, is that the Glintstone Sorcerers of the Lazuli Conspectus, a Carian-affiliated branch of the Academy of Raya Lucaria, wield the Ice Crest Shield.

However, the Conspectus more than likely predates Ranni by a long margin and seems to have no connection to her overall. Furthermore, the colors of their robes, while likened to the hues of a Full Moon, do contain white accents reminiscent of the Snow Witch set, which was Renna's before it was Ranni's.

So then, could it be that Renna is the Carian princess mentioned on that very shield? Maybe even Rennala and Rellana'a older sister! There seems to be quite a bit of evidence for it!

But, I understand if you are skeptical. After all, why wouldn't she be the Queen of Caria if she was the eldest daughter, or even mentioned at all? Better yet, how would it work if Caria as royalty was established by Rennala herself as stated by her Remembrance?

Let's start with the latter. I do not believe that statement is proof enough to come to such a conclusion. Don't get me wrong, it would be, if it weren't for the fact it's the only instance of this, and it's contradicted by so many other descriptions.

And you may say it's not true. The Stargazer Heirloom also implies the same. After all, it speaks of a young astrologer finding the Full Moon and becoming queen.

It does sound a lot like Rennala, right? But two small bits prevent it from being the case. The first one is the fact that it's engraved with a "legend". The only other heirloom with this description is that of the Two Fingers. Meanwhile, the two heirlooms depicting Radahn and Malenia, prominent figures of the current Lands Between, are said to be depicting "a scene from a heroic tale". Legend implies a certain degree of antiquity, which Rennala does not seem to possess.

The other detail, which is even more weighty, is that she is referred to as an astrologer. Astrologers were ancient people situated on the Mountaintops of the Giants and were once their neighbors. So close was their bond that they created a sword to honor it.

Some of the Carians, like Rellana, even believed that Fire and Moon should always be together, which is part of the reason she followed Messmer during his Crusade.

So the astrologers are the ancestors of the Carians... but they are not the only ones who descend from them. All Glintstone Sorcerers are descendants, in fact!

After all, it was an ancient astrologer who once envisioned the Founding Rain of Stars, basis of all Glintstone Sorceries and the foundation of the Academy of Raya Lucaria.

If Rennala had been that very astrologer girl in the legend, then she not only would have been incredibly ancient by now, but it would also mean she enchanted the academy immediately after its founding, since they'd be part of the same time period. This would leave them no room to develop the opposing beliefs that created the current friction between the two factions, which doesn't seem to be the implication.

The woman in the heirloom is most likely just Rennala's ancestor, who envisioned the Full Moon and changed the trajectory of her branch of astrologers forever.

This isn't the only thing against the idea Rennala is the sole founder of the house of Caria as well as its one queen! Counter-evidence comes in the form of several descriptions mentioning long-standing traditions involving princesses and matrimony... which wouldn't make sense if Rennala had been on the throne child-free with only her little sister for god knows how long...

In fact, another point towards the idea that Rennala was a princess herself once is her use of a particular ability, said to be employed by Carian princesses specifically. And she's the only Carian character to ever use this technique...

My very last bit of evidence is the fact she is also known as the "last Queen of Caria". A title given to her by her own daughter Ranni.

Now, there would be no point in making such a specification if she had been the ONLY queen of Caria up to that point. What makes more sense, coupled with everything else we have already talked about, is that she is the last queen in a long line of queens...

Simply put, I don't believe the Remembrance implies that she is the sole founder of the House of Caria. It is already considered a "house" after all, so it had the status of nobility at least, and noble houses, as you may know, aren't always in charge as rulers. Several houses contend for sovereignty, and it's often a cyclical thing.

Perhaps Rennala was simply the one to bring Caria back to its former heights by discovering the very same Full Moon that once uplifted her people long ago... this also means that multiple people can witness the same moon, which fits nicely with both Renna and Ranni envisioning the same celestial object.

This leads us back to the question of "what happened to Renna then, and how can she be the older sister if she didn't inherit the throne and Rennala did?".

I think the answer lies in the moon she had discovered. @katyspersonal proposed an idea some time ago, that the moons discovered by the Carian royals sort of foreshadow their eventual fate (It's mentioned in this post here [x] though it's mostly about a hypothetical Moon Goddess as a counterpart to the Fell God). It's something Qamarmoon also concluded independently, so I wouldn't say it's a nonsensical conclusion to draw.

The gist of it is that Rennala's Full Moon foreshadowed her union with the Erdtree, as the full moon is the result of its surface being bathed in the light of the sun, Rellana's Twin Moon foreshadowed her fate intertwining with Messmer, their two powers standing together, and Ranni's Dark Moon foreshadowed the lonesome occult path she'd have to walk to "obscure" the light of Grace.

The theme of celestial objects controlling the fate of all individuals is something quite prominent in the setting, so I'm pretty sold on this concept personally!

So yes, I believe Renna simply walked an occult path that led her to obscurity, maybe even of her own volition. To renounce her birthright in pursuit of something different... it's exactly what Rellana had done in an attempt to stand by Messmer's side.

It's also quite common for prominent figures to completely vanish in the Lands Between, as odd as it is to say. For example, we know that all the Demigod children of Marika who did not survive the Night of the Black Knives (minus Godwyn of course) have all but disappeared from history. We only know they existed, not what they did or accomplished. It's bizarre, to say the least...

Not to mention the entirety of the Land of Shadow, obscured and forgotten as an endless war is waged. Rellana too has had any mention of her having existed seemingly scrubbed from history, at least in the Lands Between.

Furthermore, it's exactly what Ranni did as well, erasing all of her steps and seemingly vanishing without a trace.

But what became of Renna then? Perhaps her insistence that Ranni fears the Dark Moon is from experience, and she doesn't want her to commit the same mistakes...

The two most prominent traits of the Snowy Crone are the blue skin and the four arms, features that remind me of the accursed followers of the Royal Revenants, often known as Wraith Callers due to the bells they use to attract vengeful spirits.

Interestingly enough, Liurnia has the biggest concentration of these guys out of all locations in the game. Most prominent for this theory is their large numbers in the Moonlight Altar, a place that's very relevant to all Carian royalty.

These beings are said to be all cursed, explaining their spectral, twisted forms. Now, I don't think Renna became like the ones we find in-game. They don't seem to hold any connection to the moon and ice, but rather to curses and wraiths. However, she might have died and been cursed in a similar manner, twisting her into a form closer to that Ranni's body is based on.

It's also worth pointing out that Ranni is the one who hands the Spirit Calling Bell to us, which is basically the good version of the Wraith Calling Bell that the Revenant Followers use. However, it's unclear why she wants to give it to Torrent's new master, so it might have not belonged to the Snowy Crone originally.

-

So in conclusion... the idea that the Snowy Crone was actually a princess of Caria named Renna, sister of Rennala and Rellana makes a surprising amount of sense! It neatly explains the crone's knowledge of the Dark Moon, the existence of the Three Sisters in general, the identity of the princess the ice crest was a symbol of, the suspiciously familiar name of Renna feeling just like she is part of the Carian family... it just works so well I think!

Finally. It's a conclusion I am satisfied with... Elden Ring feels very complex regarding most of the unseen people in the cast. Gently waiting for the day we can finally understand the Gloam-Eyed Queen too in such a satisfying manner. Then I will know peace lmao.

---UPDATE---

Ok, so this line from Iji was brought to my attention in the comments, mentioning Ranni as the "first heir in the Carian royal line".

This almost makes it sound like there weren't any heirs before her, which would invalidate literally everything I've said so far about Rennala not being the first Carian queen.

So I decided to check the Japanese script [x], and this line is as follows there: "カーリ��王家正統の王女たるラニ様の、運命もまた同じはずです". The part we are gonna focus on is the one I've highlighted.

That doesn't translate to "the first heir in the Carian royal line" but rather "the legitimate princess (正統の王女) of the royal house of Caria (カーリア王家)".

This means that my argument is still safe and sound. Ranni is simply a legitimate heir to the throne, not the first one to be heir. There's also a possibility they didn't mean it to be taken literally, but you are never too sure with these decisions... so yeah, just thought I'd make an addendum so it's addressed in the post itself. I mean, not everyone reads the comments after all!

Okie, addendum over.

[skyefeys]

A Comprehensive Guide to Writing Gina Dialogue!!!

Do YOU like writing tgaa fics, but find yourself struggling to understand the speech habits of Gina Lestrade? Well, fortunately for you, I love linguistics and accents almost as much as I love Gina - so I've compiled a breakdown of every quirk in her speech!

(Full analysis under the break!)

Most of Gina's speech patterns can be broken down by three fundamental facts:

She speaks with a thick Cockney accent

She's uneducated, which leads to various grammar troubles

She uses a lot of informal cockney terms/slang

Let's get into it section-by-section!

(Note: Formatting looks a lot better on mobile!)

Section 1: Cockney Accent

So I’m an theater kid, and I've done dialect training for Cockney accents before - it's one of my best ones imo - so that certainly helped me write this section! Even without that, though, it's pretty easy to identify how her accent appears in her speech. Let's break it down!

Drop h's

Example: Here becomes 'ere

Drop g’s at the end of words

Example: Going becomes goin'

A few other word ends that get dropped:

Of becomes o'

And becomes an'

Th changes depending on the word - Thank you to annoyingloudmicrowavecultist for properly explaining how this works in the tags!

Voiced th becomes v

Example: With becomes wiv

Unvoiced th becomes f

Example: Nothing becomes nuffin'

For writing purposes, if a word would become unrecognizable with this change, it's left the same (but in actual speech, it would be pronounced differently)

Example: Father remains as father (but would be pronounced like fovva)

Th always remains intact at the start of words

Example: Thing remains as thing (but would be pronounced like fing)

Miscellaneous word changes

Something becomes summat (but other times is just somefin' - she's not consistent with either)

What becomes wot, whatever becomes wotever

Tomorrow becomes tomorra

Because is often shortened to 'cause, which becomes cos

Isn't almost always becomes ain't

Thank you / no thank you becomes ta / no ta

Some words spill together or are slurred

With that becomes wivvat, with it becomes wivvit (This one isn't actually used in-game, so you don't have to use it either, but it reflects how she'd actually be pronouncing it)

Isn't it becomes innit

Doesn't it becomes dunnit

Suppose becomes s'pose

Don't know becomes dunno

Probably becomes prob'ly

You might change - Another loose/inconsistent rule. Can depend on how the sentence would be pronounced out loud, but mostly is just a vibe

You becomes ya

Your/you're becomes yer

Yourself becomes yerself

Section 2: Grammatical Errors

Gina is an uneducated East End orphan, so it should come as no surprise that she makes mistakes here and there. Here are her consistent ones! Some of these are confusing/hard to explain, so I included specific examples.

Will say me instead of my, and meself instead of myself

Example: "I dunno much about guns meself."

Incorrect tense usage of was/were in negatives - Instead of I/it wasn’t, she’ll say I/it weren’t

Example: "I was up in a balloon, weren't I?"

Incorrect tense usage of does/do in negatives - Instead of he doesn’t, she’ll say he don’t

Example: "Somefin' wot 'e don't want people readin'."

Double negatives

Ever becomes never in negative statements

Example: "I swear on my life, I ain't never laid eyes on that dandy before."

Never + anything becomes never + nothing

Example: "I never done nuffin' o' the sort!"

Never + anyone becomes never + no one

Example: "All me life, growin' up in the slums, I've never trusted no one."

Haven't you ever becomes ain't you never

Example: "Ain't you lot never gone over an 'ouse lookin' for dough when the owners are out o' town?"

The word that or who in the context of ascribing a feature to a subject is replaced by the word what

Example: "She's always goin' on about all them cases wot Sholmes is lookin' into."

Other example: "I think I wouldn't fancy me chances wiv a lawyer wot lives in a place like this."

Will say them instead of those

"All them skylights open, dead easy."

Will say no more instead of anymore

"Ya dropped it, so it ain't yours no more."

She’ll sometimes mess up bigger, unfamiliar words. This one's entirely in your discretion what words she might mess up. Some canon examples:

“Supperment” instead of supplement

“Mantlescript” instead of manuscript

On a similar note, she'll sometimes confidently get sayings wrong and think she sounds smart

“Toby's...'ow did they put it...? ...Oh, yeah! A 'bone-fide' detective!”

Section 3: Cockney Terms/Slang

In addition to her thick dialect, growing up in the East End means Gina has also adopted a plethora of unique words and phrases. This'll be more like a vocab section!

Cockney rhyming slang - Some words are replaced with phrases that rhyme with them. She uses a few in canon:

Instead of believe, she’ll say Adam an’ Eve

“Would you Adam an' Eve it, eh?! Wot a mug!”

Instead of face, she’ll say chevy chase

“Yeah, I can see it written all over yer chevy chase!”

Interjections/Exclamations

Blimey - Express surprise or shock

"Blimey, yer right! That streak o' light in the photo looks just like an arrow, dunnit?"

Cor - A general interjection, kind of a euphemism for god

"Cor, listen to you! Ya stumble across a bit o' balloon an' suddenly yer the best investigator in the world!"

Oi - I doubt I need to define this one, but it's basically the equivalent of "hey"

"Oi! That's off limits up there!"

Words for people

Cove, bloke - A boy or man. Gina tends to use cove more often than bloke.

"That's where the cove ended up after 'is 'instant kinesis' or wotever they call it."

"When I lifted the last bloke's purse, 'e got wise to me."

Dandy - A conceited, fashionable upperclass man. Can be used as a noun or adjective.

In reference to Ashley Graydon: "I swear on my life, I ain't never laid eyes on that dandy before."

Dee - Thank you to uzukirie for figuring this out in the replies of this post - dee is short for detective!

To Sholmes: "I don't need no 'elp from some stuck-up dee!"

About Gregson: "Yeah, the dee let me keep it. After I looked daggers at 'im for long enough."

Swell - A wealthy or elegant person. In canon, Gina uses this exclusively in reference to McGilded.

"It's because o' that, this swell found me. …'E did 'elp me get away, mind."

Miscellaneous vocab

Dodgy - Suspicious

"It was amazin' when you showed that dodgy professor's dodgy experiment was a total fix!"

Rum - Odd or strange

"I mean, wot's the point of spendin' a joey to make a few bob, eh? That's a rum idea, innit?"

Coppers - Cops

"If you do wot the grown-ups tell ya, it'll get yer mates dragged off by the coppers. Or worse."

Scarper - Flee/run away/leave in a hurry. Also comes from rhyming slang - Scarper = Scapa Flow = Go

"If I did that, 'e said 'e'd let me scarper before the coppers showed up."

Have a butcher's - Take a look. Also comes from rhyming slang - "butcher's hook" = look

"Most days I push the cushion up wiv me 'ead an' look out the crack. Then I can 'ave a butcher's at who I'm gonna fiddle."

Rude words/phrases :)

Gordon Bennett - Expresses surprise or contempt - kind of a euphemism for goddammit.

"Gordon Bennett! You lot!"

Flamin', bleedin', - General emphasis. Pretty much just gentler ways of saying fucking.

Note!! You might be tempted to make Gina say "bloody", since that's well-known British slang, but she never says that. She says bleedin' in its place.

"Don't be so flamin' rude, 'Oddo!"

"It's lies every bleedin' place ya look in this world, innit?"

Bleedin’ Nora - A variation of "Bloody Norah", a surprised/irritated interjection.

"Wot the bleedin' Nora, 'Oddo?! Wot 'ave you gone an' done?!"

Bogtrotter - A derogatory term for an Irish person. She uses this to refer to McGilded.

"Look at the mess it's got you into, believin' in that bogtrotter!"

Mug - An idiot.

"You can't do it from inside, you mug."

Blue blazes - An alliterative exaggeration of "blazes". A euphemism for hell.

"Where the blue blazes 'ave you been, eh?"

Cobblers - Rubbish/nonsense. Literally, it means testicles - derived from Cockney rhyming slang, where "cobbler's awls" = balls.

"All this nonsense about the boss plannin' to kill people… It's cobblers!"

And 1.2k words later, that's pretty much it! Now you can write Gina dialogue spot on <3

Feel free to suggest anything I'm missing/got wrong - I come back and edit this for accuracy's sake every time I notice something I left out, or when people in the replies/tags point things out!

[arminthada]

About TOSAA (Thai On-Screen Actor Association)

On February 24, Thai media reports that actors and actresses in Thailand has established TOSAA - Thai On-Screen Actor Association with the purpose and announced the first/current board of members.

Nat Kitcharit - President Works: Fast and Feel Love, 4 Kings, 4 Kings II, In Youth We Trust, Delete, I Told Sunset About You...

Nonkul Chanon Santinatornkul - 1st Vice President Works: Bad Genius, I Feel You Linger In The Air, 46 Days, The Revenge, 23:23, Operation Undead, Wannabe, Remember, Project S: Shoot! I Love You...

Ud Awat Ratanapintha - 2nd Vice President / International Coordination Division Works: Doi Boy, Operation Undead, Haunted Universities 3, Doctor Climax, Project S: SPIKE, Hormones The Series...

Aelm Bhumibhat Thavornsiri - Secretary Works: Spare Me Your Mercy, In Youth We Trust, Tomorrow and I, The Broken Us, Mom's Recipe, Nakorn-Sawan, The Up Rank, Khun Phan 3, Girl From Nowhere 2...

Ek Thaneth Warakulnukro - Advisor Works: Thai Cave Rescue, Hurts Like Hell, In Family We Trust, Tee Shot: Ariya Jutanugarn, Bad Genius, One For The Road...

Sine Inthira Jaroenpura - Spokesperson / PR Division Works: By the Time It Gets Dark, Nang Nak, 4 Kings II, Taklee Genesis, The Unborn, The House, Absolute Zero...

Oh Anuchit Sapanpong - Spokesperson / PR Division Works: Malila: The Farewell Flowers, The Overture, Kahon Maha Ratuek (Inspector Vedas), Thicha...

Donut Manatsanun Panlertwongskul - International Coordination / Special Actitivities Division Works: Thai Cave Rescue, The Edge of Daybreak, Rivalry...

Meng Chaiwat Chartsuriyakiat - Special activities Division Works: In Youth We Trust, Khun Phan 3... Meng is the drummer for Thai rock band Desktop Error.

Jaii Itkron Pungkiatrussamee - Director Works: In Youth We Trust, 4 Kings, 4 Kings II, The Cliche, The Stone... Jaii is the lead vocalist and guitarist of the Thai modern folk rock band TaitosmitH.

Linn Mashannoad Suvanamas - Director / Treasurer Works: Queendom, Voice In The Rain, Investigation of Love, Sampat Ruttikan, Lhong Fai, Mr. Hurt...

Best Nathasit Kotimanuswanich - Director Works: My Sassy Girl, Friend Zone, Friend Zone 2, Dark App, Sleepless Society: Insomnia, Fleet Of Time, Ghost Is All Around, Alone In Outing...

Mook Minrayaporn Somnongkham - Registrar Mook is an event planner and organiser at Bhorncheewaa Entertainment.

Although the official board has only been announced very recently, the association released its first statement on the objectives of the establishment of TOSAA in March 2024. Essentially, the main purpose is to gather Thai actors in any mediums such as feature films, documentaries, dramas or series with a common goal of creating professional standards for actors, facilitate an environment for exchange and development and be one of the driving forces that pushes Thai industry to the global standard.

Throughout the year of 2024, TOSAA hosted their series Monologue talks and roundtables between actors, similar to the format of Variety's Actors on Actors and The Hollywood Reporter's Roundtable.

1. Aelm Bhumibhat Thavornsiri and Pat Chayanit (EP 1 & EP 2)

2. Sine Inthira and Namfon Kullanat (EP 3 & EP 4)

3. Noi Pru, Jaii TaitosmitH, Nat Kitcharit (EP 5 & EP 6)

4. Monologue Roundtable with Aelm Bhumibhat, Anne Thongprasom, Oh Anuchit, Fresh Arisara, Nat Sakdatorn, Aom Phiyada (EP 1 & EP 2)

5. Monologue Roundtable with Nat Kitcharit, Gap Thanavate, Mote Pramote, Top Todsapol, Meng Chaiwat (EP 3 & EP 4)

Nat and Nonkul are actually members of Film Subcommittee for Thailand Creative Culture Agency which is an agency established by Thailand's National Soft Power Strategy Committee. (Bonus fun fact: Actor Tong Thanayut Thakoonauttaya, more known to QL fans for his roles in Kinnporsche, Man Suang, Tharntype... is actually a member of the Series Subcommittee of THACCA)

Here's an excerpt from a Deadline article detailing some of THACCA's plans.

Inspired by organizations such as Korea’s KOCCA, Taiwan’s TAICCA and France’s CNC, THACCA is described as an organization that “oversees strategic collaboration between the government and private sectors to create income and opportunities for the Thai people through soft power by using its cultural industries as a powerful tool.” It also oversees Thai creative industries including music, publishing, sports, games, design, fashion and food.  While total budget was not mentioned, THACCA is spending spending some $6.7M on Thai films, series, docs and animation in 2024-2025, investing in around 30-40 projects, and also plans to launch a new international film festival and T-Expo showcase for Thai content. A further $5.25M is being spent on reskilling the workforce. Longer term, there are plans to launch a Thailand Film Council, invest more in local productions and international co-productions, as well as promote Thai content overseas. Thailand’s government is also planning to establish Media Business Economic Zones, with Pattaya mentioned as a location, and expand cinema circuits in rural areas. 

So at the same time that THACCA was being worked on for its pilot programmes in 2024, Nat and Nonkul were already gathering their actors friends to come together and plan the establishment of TOSAA (Thai On-Screen Actors Association).

I did wonder if this association would be similar to the American Screen Actors Guild. And I found in this article with Meng Chaiwat Chartsuriyakiat that the 2023 SAG-AFTRA strike for fair wages was indeed one of the reasons that sparked the actors to come together to push for on-screen standards for Thai media.

pinging friends @flowerbeasblog @virtualtadpole @mukaikun @thomaskong @chayatorns @kittychicha who may be interested in general thai media landscape news.

[maybe-boys-do-love]

I think pretty regularly about the claim against the queerness of BL that BL was originally constructed for and by women, especially straight cis women. To begin, the last clause of that statement frankly has no possibility for legitimate measurement. Even without the problems of queer identity formation and identification that might prevent people from identifying themselves as such, publishers and marketing analysts haven't actually been going out surveying sexualities. My bigger issue with the claim, however, lies in the implication that women ought to have no voice in the creation and depiction of queer male characters, when the relationship between women and queer men has been foundational for both at a broad level (and for many queer men like me, personally).

On my bookshelf, I have a collection of personal essays titled "Girls Who Like Boys Who Like Girls: true tales of love, lust, and friendship between straight women and gay men." I've had a preoccupation long preceding my engagement with BL with those types of relationships. I looked for it in media to feel represented. The ending of My Best Friend's Wedding where Julia Roberts character ends the movie dancing with her gay best friend was an even happier ending in my mind than romance. Then, there were the women who had their hearts broken by a gay protagonists coming-out narrative like Abby in Love, Simon only to reassemble it with a deep friendship. I had to adjust my ideas of queerness when viewing stories from cultures with gender segregation in schooling or more broadly. For me, gay male identity had a relationship to women (all shapes, sizes, and sexualities) at its core. We all lay distanced from macho masculinity and its orientations.

Queer men had a role in constructing many revolutionary female personas and characters that influenced women's self-perceptions and societal roles, for better and for worse. Think of the Euro-American fashion designers, the hair and make-up artists, the writers and directors who collaborated and/or shaped the great models, divas, and icons of the twentieth century, and likely prior (although the concept of queerness becomes a very different beast beyond Euro-America in the past 100 years). Behind the Screen: How Gays and Lesbians Shaped Hollywood, 1910-1969 by William J. Mann provides a wonderfully intricate and well-researched history about that work. Both women's rights and women's wrongs: queer men created them and queer men celebrated them, ideologically and in the marketplace, in a partnership that had a purpose for mutual freedom from puritanical laws and social expectations.

Did they always hone in on the realities of women's experience? Certainly not. Realism, as we know it, was neither in-line with the genre expectations at the time nor a fully-realizable possibility for men who only bore passing witness to their female allies. Witness always comes with its limits on perspective, but those limits are the forges of storytelling. Instead, these men, despite the areas of ignorance, designed complex and empathetic portraits of power, faltering, suffering, and striving, across the spectrum of feminine to butch.

I will forever kick myself for forgetting the book or article or post I read where a gay-identified man discusses how women might not have insight into all the aspects of every day gay life, but they see and create a version of gay men that's devoid of the self-pity and self-effacing irony gay men have portrayed themselves with historically, which somehow arrives at an emotional reality that feels more honest to his experience. That's the essence of BL for me. The queerness lies not in the accuracy of anal sex depictions or relationship dynamics--some reflect reality and some don't, so what? The creators of BL as a genre develop queer male characters that are soft, sensitive, and often without the artifices gay men have had to put on to endure. To quote a Carly Rae song, they 'Cut to the Feeling.'

Women's fictional prowess in writing queer men isn't novel to BL. One of the most notable examples is Mary Renault, a prominent queer English author in the mid-twentieth century of especially historical fiction, like The Charioteer, The Last of the Wine, and her Alexander the Great trilogy, among others. Enjoy here a elder gay man's engagement with her fiction for The Guardian. It's not simply that her books struck a chord with some gay men, they influenced their self-perceptions, influenced the genre of gay fiction, and garnered an even broader audience of support for queer characters, holding bestseller status prior to the legalization of homosexuality.

What's so noxious and ignorant about the criticism with which I started, even as some people bring it up with good intent, is the idea that an identity is created in isolation. Our experiences are not ours alone. We impact other people, and other people are watching us with care. Women have long had an outsized role in producing influential fiction and circulating it with joy over its observations about people and their social dynamics. Why set a boundary for them around queer men, when in fact we have a whole history of reasons to understand one another? Not all women will get it because they're not a monolith, and not all queer men will vibe with each or even any of the stories because neither are they. Still, BLs' observations might hold truths about queerness for some that other genres don't offer.

We actually have a few scholars offering evidence of BLs' influence, if so far limited, in queer self-concepts. In "Faen of Gay Faen: Realizing Boys Love in Thailand betwixt Imagination and Existence" by Kang-Nguyen Byung'chu Dredge, the author describes how in Thailand "gay couples recreate Japanese bishonen (beautiful boy) and BL imagery in their own photos." That essay's alongside many others that detail the relationship of BL to fan identities across East and South Asian nations in a collection, Queer Transfigurations: Boys Love Media, edited by James Welker, with the input of many Asian scholars (2022). I'd recommend it to people interested with the caveat that there's been massive political and cultural shifts regarding these topics in those regions since even 2022. Thailand's marriage equality law wasn't initially submitted until 2023! And the BL industry has grown dramatically.

Women and queer men and, in fact, plenty of people with gender identities outside of the western binary have built up these stories and this industry together. Women's contributions or exclusions of certain gay male practices don't necessarily make a work less gay. I probably sound like a broken record at this point trying to widen the breadth of queer inclusion on my blog.

Is there even a possibility for something not to be queer in my book? Well, yes. Boys kissing boys won't fall into that category, though, unless its played to disgust the audience and discourage queer relationships. And there are instances in many queer works, Western and BL alike, including media by queer-identified individuals, that disparage specific queer relational dynamics or behaviors or simply fail to evoke the full-force of queer desire. Of course, we all fail on these fronts sometimes, allies and queers alike.

What I will say is that many women were and continue to be as much as a part of my queer development as queer men, if not more than. I value their insights. I value how they have listened to me. I value their observations about what they see in me. I value their vision for my feelings and future even if it's not always what I have in mind for myself. They have an important place in my life and have every right to have an important place in queerly crafting BL. If we have an issue, let's do our best to name the actual issue rather than revert to over-generalizations about someone's identity.

[goddessinnerglow]

Become Your Best Version Before 2025 - Day 6

Creating Your Personal Mission Statement

Hey Goddesses! Isn't it amazing how getting clear on our goals yesterday made everything feel more focused? Today, we're taking it one step deeper by creating something really special, your personal mission statement.

You might be thinking, "Isn't that just for businesses?" But think about your favorite Disney princesses, Mulan discovered her true mission wasn't about meeting society's expectations, but protecting those she loved. Tiana's dream of owning her restaurant gave every decision purpose. And Moana? Her mission to save her island helped her overcome every obstacle. Their stories remind us that having a clear purpose changes everything.

Let's make this super practical. Grab your journal (yes, again, we're becoming best friends with it by now!). Instead of trying to write some grand, fancy statement right away, let's start with three simple questions:

"What lights you up inside?" Think about those moments when you're so engaged that you forget to check your phone. Maybe it's helping others learn, creating art, solving problems, or making people laugh.

"Who do you want to be for others?" Not what you want to do, who you want to be. A source of strength? An inspiration? A helper? A creator? The person who always knows how to make others feel seen?

"When your story is being told, what do you want people to say?" Not about what you achieved, but about the impact you had on others and the world around you.

Look at your answers. See any patterns? Circle words or phrases that make your heart beat a little faster. These aren't just words, they're clues to your mission.

Want to see how this works? Take someone like a teacher who wrote: "To spark curiosity and confidence in young minds by creating a safe space for questions and mistakes." Simple, right? But it guides every lesson they plan and every interaction with their students.

Or, to continue with the Disney Princess metaphors: think about how Aurora had to find her own path between two worlds, your mission statement helps you navigate your choices. And like Jasmine, who knew she wanted more than what palace walls could offer, your mission statement helps you dream bigger.

Now it's your turn. Look at those words you circled. Start playing with them. Try these formats:

"To bring more _________ into the world by ____________" "To help others ___________ through_________ " "To create __________ by _____________"

Write down a few versions. Say them out loud. Which one feels like it could be your "Part of Your World" moment? Which one makes you feel like you're ready for your own adventure?

Here's the beautiful thing, your mission statement isn't a cage, it's a compass. It doesn't limit your path; it helps you choose which paths are worth taking.

Put your statement somewhere visible. Let it challenge you when Netflix asks if you're still watching. Let it guide you when opportunities come knocking. Let it remind you of who you're becoming.

What's your personal mission statement? If you feel comfortable sharing it in the comments, your words might be exactly what someone else needs to read today!

See you tomorrow for Day 7 of our journey to become our best selves before 2025!

♡ ☆:.｡ Keep glowing, babes! ♡ ☆:.｡ With love, Goddess Inner Glow.

[literaryvein-reblogs]

Writing Notes: Editorial

An editorial - an opinion piece published by a news organization.

Types of Editorials

The vast majority of editorial pieces assume one of four formats.

News interpretation: This type of editorial attempts to frame recent news reporting in a specific light or position a recent event in a broader context. Often it will reference reported stories in the current issue of the same publication.

Persuasive editorials: Many editorials are persuasive writing pieces that start with a thesis statement or argument that the writer spends the rest of the piece attempting to prove.

Praise editorials: Some editorials exist to champion a person, institution, or work of art.

Critical editorials: Some editorial writers use the editorial format to share critical opinions of a leader, institution, policy, or work of art.

How to Write an Editorial

If you have experience with persuasive essay writing or drafting research papers, you’ll find the editorial writing process somewhat familiar.

Thoroughly research your topic. Before you start the writing process, ensure you have a thorough knowledge of your topic—particularly if it’s a complex issue. Read newspaper articles, scholarly journals, and history books to fully understand the topic and context surrounding it.

Pick a thesis statement. Your thesis statement will form the foundation of your editorial. Take the time to craft a clear, concise statement that will lead into the rest of your editorial structure.

Back up your thesis with several main points. Depending on your prescribed word count, plan to pick two to four main points to buttress your thesis statement. Expect to dedicate a paragraph or two to each of these points.

Acknowledge counter-arguments. You can concede points to the other side or spend a paragraph refuting counter-arguments, but it’s important to address alternative points of view to buttress your own argument.

Conclude with a call to action or summary of your main point. If your editorial is intended to address a problem, inform readers about possible solutions. If you want to empower your readers to learn more about the topic, provide links to resources or book titles to explore. At the end of an editorial centered on praise or criticism, return to your thesis statement and connect any ideas that remain open-ended.

Edit your work until you reach a final draft. Self-editing involves revising your editorial for quality and clarity. Read over your draft and remove unnecessary words, clichés, or sentences that distract from the central argument. Once you’ve revisited your draft for substantive issues, proofread your editorial for grammatical errors and typos.

Major newspapers typically hire op-ed columnists to provide a certain number of published editorials in a calendar year.

Some college and high school newspapers have their own op-ed columnists, who provide editorial content on a regular basis.

A great number of these publications also solicit guest editorials.

These are similar to letters to the editor, but they are usually granted a more generous word count.

A publication’s editorial board hires op-ed writers and selects guest editorials for publication.

They may reject some editorials if they touch on a needlessly controversial subject or expose the publication to legal ramifications.

In other situations, an editorial board may simply send the piece back to the writer to rework or streamline, after which they can resubmit it for publication.

Editorials can appear on TV, the radio, and the internet, but the iconic editorial format is a piece of writing that appears in newspapers or magazines.

Publications like The New York Times, The Washington Post, and The Wall Street Journal are famous for their opinion-editorial pages, commonly referred to as op-ed pages.

An editorial is not a reported newspaper article.

While a good editorial article may include some original reporting, the purpose of an editorial is to convey the author's personal opinion.

Editorial writers typically write in the first person, and many pride themselves on tackling controversial topics that grab a reader's attention.

Most editorial writing is cordoned off from the news section of the newspaper, making it clear that editorial essays are not the same as news reporting.

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs

[edwisefoundation]

Statement of Purpose (SOP) for Study Abroad: How to Write an Impressive SOP

A Statement of Purpose (SOP) is a crucial part of the application process for studying abroad. It provides admissions committees with insight into your academic background, goals, and personal motivations beyond your grades and test scores. A well-written SOP can significantly enhance your chances of acceptance by showcasing your unique qualities and passion for your chosen field. The essay should also address why you are interested in studying abroad and how you plan to contribute to the institution.

For more details on how to craft a compelling SOP, visit Statement of Purpose for Study Abroad.

[saym0-0]

grah Thinking About my tma x mechs au again,,, Lyf is there bc im obsessed with the aus where they reunite with the mechs,, this wasnt meant to be the purpose of the post but heres a lyf doodle im still trying to figure out their design:

i dont like much of it but the bifrosty bits are awesome,,, ANYWAYS where was i,,

rest is under the cut bc my ramblings got long

ashes toy soldier and jonny were blasted down to earth for some reason against their will by the other mechs (probably just for fun) and toy soldier immediately wandered off and found (was found by?) the stranger; ashes and jonny are having a competition to see how many fucked up things they can do without anybody catching on and discovering who they are. they did not anticipate the sheer amount of supernatural stuff on this planet that Nobody Talks About

jonny refers to the way he dresses as the archivist as his lyf cosplay

also in this au jonny uses he/him but as jon uses they/them,, i said this in a previous post but in case anyone's confused about how i refer to him in this post

back to toy soldier with the stranger, nikola finds them and is like 🫵 ur just like me fr and like. idk if she yoinks its voicebox (third hand smh) or if she just has a different one but its uh,, i lost my train of thought hang on

actually i think it would be funnier if it somehow took nikola's place on accident. maybe it yoinks her mannequin head and cool outfit (it likes fun uniforms!) and everyone just believes it.

idk man i thought it would be funny if the two animate models played by jessica law were somehow stuck in the same body, but reading up on toy soldiers backstory my idea wouldnt work,,

maybe toy soldier comes to earth way earlier, back when nikola is made and whatshisname mr orsinov models nikola after them and they're kinda just there from the beginning,,, i need to relisten to nikola's statement

sorry this has devolved into me thinking out loud in text post format but like. im having fun

[shuraa-education]

How to Write a Stellar SOP for Canada?

With Canada being one of the most popular destinations for education, students from all around the world are striving to pursue their studies in this country. However, often students are denied visas because of a missing piece of a document which is a mandatory requirement while applying for an international university. The Statement of Purpose, or SOP for Canada articulates the academic and professional achievements of the applicant and serves as a decisive factor for the officials to consider their admissions. Connect with the experts of Shuraa Education to get a detailed format of how to prepare an SOP for Canada.

[cinnamoonblue]

MASTERLIST

all of my work you can find here ♡ thank you for reading it ♡

©cinnamoonblue, do not copy or plagiarise my work.

PORTGAS D ACE

FANFICS:

The Neighbourhood - Modern!AU || Portgas D. Ace/Reader (angst, fluff, smut) || ongoing

"You moved to one of the biggest cities in the world - Grand Line to pursue filmmaking career. Soon enough your path will cross with the vocalist of upcoming band called “The Neighbourhood”. At first you decided to be just friends - because it would be easier, but sadly as everything in life sometimes by taking the easy path we regret a lot of things."

BLUE BANSTER - Modern!AU || Portgas D. Ace/Reader (heavy angst, smut) || on hold

Being an artist was your life purpose and you figured it out at a very young age. No one was surprised when you quickly made a name of yourself among the art communities around the world. Everything was going according to your life’s plan, until you were diagnosed with a life changing condition - Parkinson's disease. Since that day everything started to slowly collapse for you. Looking for an escaping, moving to a small, forgotten from the world sea coast town was the only solution you could think off. Buying an old beach house, which was screaming for renovation, was the greatest escape - until you met your annoying next door neighbour and his dog. A neighbour who had his own issues and demons to deal with but somewhere between the pain and the obstacles life has thrown to both of you, you found comfort in each other. All because he had the right colour of blue paint for your staircase banister.

The Choices We Make - Modern!AU || Portgas D. Ace/Reader (fluff, angst, smut) || NEW

One reckless night leads to the biggest and most unexpected change in your life. How will this affect your current life and how you and the charming stranger you met only once will manage to handle the bringing of a new life to this world together is a challenge yet to be discovered. Will you be able to make the right choices while battling your own demons? Who knows, all you must be worried about now is that your period is late...

ONE-SHOTS:

Early Christmas - Modern!AU || Portgas D. Ace/Reader (fluff, slight smut)

"It's the day before Christmas and you are exhausted from work, but your firefighter fiancé has a surprise for you."

Troublemaker - Modern! AU || Portgas D Ace/Reader (fluff, smut, slight angst)

“You are known around school as quite the rebellious girl, who makes more of her statements by wearing high knee stockings which are against the school dress code. He is the new guy in school who always sits on the back of the class and every time he puts his glasses on you find it him extremely adorable. The problem is that he doesn't seem to want to socialize with anyone and you don't know how to approach him until one lucky day you get to become his project partner.”

I forgot something - OP Verse || Portgas D Ace/Reader (fluff, slight angst)

“It's your birthday and something or rather say - someone is missing."

The 'Nice Lady' - OP Verse || Portgas D Ace/Reader (fluff)

"You have become his wife and he wants to introduce you to his reckless little brother."

RYOMEN SUKUNA

ONE-SHOTS:

It reminds me of you - Modern!AU || Ryomen Sukuna/Reader (fluff)

"You want a Labubu so bad, especially the one which reminds you the most of your boyfriend, and he makes sure you get everything you want."

writing, format, header & dividers © cinnamoonblue