#there are other queer endings

[alphabetacomics]

Mercedes and Byleth are 2 of the 5 characters in Fire Emblem 3 Houses that can canonically have a same sex marriage, so here’s a wedding scene for pride :). The rest of the crew is down below

[yeehawpim]

"What are you gonna do now?"

"I want to destroy her."

"That's awful."

[khruschevshoe]

There's just something very specific about homoerotic character-enveloping friendships from around 2010 where they're semi-aware that gay people exist but queerbaiting isn't quite a thing yet sp their relationship consumes the narrative and changes them both irrevocably forever and they end in tragedy but the ending is JUST open enough for the fic writers to wriggle into that just makes me go fucking FERAL

[redysetdare]

I think there's a genuine conversation to be had about how aro spaces have begun pushing QPRs in a similar way that amatonormativity pushes romantic relationships onto people but a majority of aros just refuse to engage in the discussion because they see it as an attack on QPRs or people saying QPRs are romantic relationships lite instead of actually looking at the fact it's critiquing how some Aros have begun pushing it almost like an alternative to romance and something all Aro's want.

No one is saying QPRs are bad but rather that there is too much push that the idea of a QPR will fix people's problems. "oh you're lonely? just find a QPR!" "You dont have to be in a romantic relationship you can be in a QPR!" "QPR is MORE than friendship" etc etc.

There's a genuine critique here of QPRs being used to continue to push amatonormativity by again assuming that every aro wants a partner - even if not romantic - and I think we can have a genuine conversation about this rather than going at each other throats over a fake argument of "QPRs bad"

[stagefoureddiediaz]

No no you don’t understand - that it was Buck (and another guy) ripping the sleeves off Eddie’s PINK shirt is so interesting and loud. Pink representing innocence and naïveté this season as a theme - so Buck ripping off a sleeve (and waving it around) is a physical representation of buck being the one to rip away part of Eddie’s innocence- his naïveté

[lonelyspacedragon]

gosh just this whole scene.... yeah

it speaks so much to me gosh, even the metaphor with the food, it also applies to my relationship with food with my parents growing up

also also, the trans flag in the background

I see you show, and I say thank you

[yusakiiiii]

The Crossovwr really was something. Here’s one of my favourite interactions. What’s yours?

Scott: I hate the gays!

*Joe Hills begins shooting Scott*

Scott: Joe I can say that! Joe I am gay!

Joe Hills: Okay, so not everybody has that context. My viewers don’t know that. I don’t know that.

Scott: I am very gay which is why I’ve said that Joe.

Joe Hills: That is a valuable bit of context to provide

Scott: I’m aggressively homosexual. I’m very aggressively homosexual Joe I thought everyone knew. It’s kinda my brand.

Joe Hills: There’s a lot of inter-audience cross pollination right now.

Scott: I did appreciate the aggressive nature you took right away though, that was a good ally.

Joe Hills: I do what I can.

Scott: I thought Joe when I said I’m gonna say the one slur I can you’d have picked up.

Oli: Did you say a slur?

Scott: No I didn’t. I said when Jimmy was copying me I was tempted to do it and then I said “I hate the gays” and then Joe decided to shoot me cos he didn’t realise I was gay. Even though I’m aggressively homosexual.

Joe Hills: I don’t have time to know every gay person!

If you want to watch this properly. Go to the 2:40:00 mark in this video: https://www.youtube.com/live/2heYeEOTqrw?si=a1urB22nQZZPq_tk

[muppetbyers]

doing wayyy too much for it to be unrequited

[spacedace]

I love the posts talking about how everyone in the BatFam keeps stealing all of Dick's friends and it made me think of a dc x dp thing where Dick keeps stealing the Fentons from his various siblings.

Dick and Jazz become best friends, bonding over their Eldest Sister Complex, worrying over their younger siblings and the stress of trying to be the diplomats between their parents and younger siblings. They get into their shared trauma of a younger brother dying and coming back and how they feel like they're not doing enough to help and help each other with the hard days.

All while Jason is annoyed that his older brother keeps stealing his girlfriend so they can have a No-Siblings Spa Day.

Danny thinks Dick is the coolest dude ever and looks up to him as someone who started being a vigilante at a young age and knows hoe hard it is to be a kid fighting guys bigger and meaner than you. They have the most god awful pun competitions where the only true loser is everyone else stuck listening to them. Dick teaches Danny insane aerial stunts and they have fun giving everyone around them heart attacks by throwing themselves off the highest buildings possible.

Tim is losing his mind because Dick will just drop in while he and Danny are mid date and derail everything by delivering the worst joke Tim had heard in his life and the two are off trying to out cornball each other.

Damian thinks he's safe because he and Elle aren't dating - aro/ace queer platonic Damian/Elle superiority- but NO, Elle and Dick have a blast hanging out and pranking everyone and being total chaos gremlins. And they talk about the joys of traveling around and Dick talks about how that was one of the hardest things about living with Bruce after his parents were killed was that he was suddenly stuck in one place and then he and Elle are off on a spontaneous road trip.

Damian gets a call from Elle that she can’t join him for dinner because she and Richard are in Peru and about to get on a boat to they don't know where but they probably won't have cell service for a while.

Just, Dick getting his revenge on his siblings by "stealing" the Fentons from them 😂

[akindplace]

being “different” is a lifetime of people telling that they hate me without trying to understand me. being “different” is very isolating until i find community with other “different” people and realize my experiences are not that exceptionally strange, that other people can relate to me and i can relate to them. there is power in realizing that we’re not as alone as we think, because we can’t be excluded anymore by those who want us powerless. being “different” is realizing i’m not that different and i’m not alone and i’m not powerless. it’s being arm in arm with someone and telling the world you can hate us all you want, but we’re not going anywhere.

[pariaritzia]

Queerness in Indian Media

↳Film: RRR (2022, Telugu), dir. S.S. RAJAMOULI

RRR is a historical fantasy action drama that follows Bheem (NTR Jr), a Gond warrior who is in search of a Gond girl who was taken away from their home, and Ram (Ram Charan), the British Army officer assigned to catch him. Ram and Bheem meet under false identities and quickly grow closer, but everything is thrown into chaos once the truth is revealed and Ram is forced to choose between his ambitions and his attachment to Bheem.

Long before any white person had ever heard of RRR, queer Indians were cautiously optimistic that there would be something for us in this movie. There was the song Dosti, which felt more romantic than the average song about friendship; Bheem's intense declaration toward Ram in the trailer; Rajamouli explaining that there is no boy-girl romantic song (a staple of masala Indian cinema in any language) because "the romance angle is between these two guys only...bromance...they are the heroes, they are the hero and heroine, and they are the hero and villain"; the lead actors repeatedly questioning interviewers who referred to Jenny and Seetha as Bheem and Ram's love interests; and the writer, V. Vijayendra Prasad, being a huge fan of Salim-Javed movies, particularly Sholay, whose homosocial pairing has been read as queer by queer Indians for decades.

The movie itself gave us more than we could have hoped for from a project made on such a huge scale. Ram and Bheem mimic many of the "hero and heroine" pairings in so many masala movies, doing everything from the "slow-mo staring" for the first meeting, to getting a whole montage song for the progression of their bond, to dressing each other up, to dancing together at a party, to carrying each other, to rescuing each other.

The final rescue scene is perhaps the most telling, as it twists a well-known myth from the Ramayana by putting Ram and Bheem in the position of heroine and hero. It is not Hanuman who tells Rama where to find Sita in Lanka, but instead Seetha who tells Bheem where to find Ram. Bheem, upon finding him, promises to get him out 'even if [he has] to burn this Lanka down to do it'--then promptly carries him on his shoulders the way Hanuman carried Rama, to do away with any suspicions from homophobic audiences.

Those homophobic audiences still made their complaints--a glance at the oldest comments on any clip or behind the scenes video for RRR will make that clear--but they were drowned out by the many fans of the movie. Ultimately, like with any coded movie, the interpretation is up to the individual, but it is undeniable that a number of queer Indians felt that there was a romantic bond between Ram and Bheem. To dismiss that would do a disservice to the many queer people who have, are, and always will work quietly behind the scenes to write our stories, even if they can never say so directly.

[fionacreates]

Harriet and Emma

Reading queer things into Jane Austen. Emma the demisexual.

The aces, they up in everyone else's love life and totally uninterested in their own.

Painting reference by Angelica Kaufmann (1741–1807) - The Artist in the Character of Design Listening to the Inspiration of Poetry 

[ourflagmeansgayrights]

community that has only seen themselves represented in a small handful of romance stories that aren’t explicitly about their real-world oppression, watching a new show or movie where they are represented in a romantic story that isn’t explicitly about their real-world oppression: getting a lot of “that other show with a queer romance that isn’t explicitly about real-world homophobia” vibes from this

[piosplayhouse]

they just don't make vocaloid songs like they used to.. where did all the 10 book long convoluted time loop plotlines with the shittiest manga/anime adaptations you've ever seen go

[mechieonu]

AT THIS POINT. AT THIS POINT. AT THIS POINT. AT THIS POINT.

[on-a-lucky-tide]

Devastated doesn't even cover it.

I'm never trusting a cishet writer of queer people again.

For someone who had given up on being happy, of being whole. For someone who only existed for someone else because there was no reason to be alive (I certainly wasn't worth anything beyond the service I could render to others), Izzy Hands gave me hope that it was never too late to be your true self.

He found love, acceptance, and he was beginning to take those tentative few steps towards being whole. He didn't need Ed. He was worth something all on his own.

And they killed him.

They killed the old, disabled queer who had lived a hard, lonely life where his only purpose was to be someone's loyal attack dog, and was finally finding happiness, a family.

"It's about belonging."

"This is a story about queer love, about queer joy."

But not if you're old, disabled, battling with the scars the world has left on you, had to do things to survive. The best you can hope for is to apologise to your abuser and then find peace in death.

Queer joy is only for the right kind of queer.