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seventh-fantasy · 2 years

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Vegas Theerapanyakul, heir of the minor family.

I couldn’t stop thinking about how the minor family is presented in the image of traditional Chinese mafia / triads - a stark contrast to how the main family appears like a corporation. I couldn’t stop thinking about how that that means they would have emphasised on values of community and loyalty. Although the show doesn’t go far and deep into it in the main narrative, there are clues that this is more than just an aesthetic choice of their living compound and dressing - particularly pertaining to Vegas’ character (and because of course that’s all i care about).

Visually, we see that in their Guan Gong worship (typical deity worship by triads), the locals hanging around at the shophouse front of the manor, and also in the group feasts (I had such a good mini exchange in the tags with @bocje-ce-ustu about this that made me want to write this post). This post expounds on this nature of the minor family so much better in detail. *blows kisses to op*

Since we didn't get to see enough of Vegas papa outside of being VP's plot device, we don’t know a reliable amount about him to determine how his leadership style was like to have us seeing what we saw around the minor family house. Personally I just can’t take Kan’s character in ep 11-13 too seriously. He literally appears to bitchslap Vegas based on the most simplistic *handwaves* reasons and then he was gone - as if you didn’t need to go through the hassle to cross the river to get to the safehouse. (crossing rivers everyday just to bitchslap your son? that’s some commitment) The earlier episodes and ep 14 may be more reliable but it’s still limited.

Nevertheless, how did he raise Vegas as a heir of such a community? I want to think that as much as a piece of shit we saw Kan as for most his screentime, he still had a strong sense of their triad values in his blood, and it gets into Vegas as a person (for better or for worse). At the very least, he was shown seated with the rest of the gang at the table (in the above screenshot). How did such a community raise Vegas as a potential successor in general? What was his and Macau’s childhood like? (I have not read the novel so don’t @ me.)

It’s so interesting to think about those given what a complex guy Vegas turned out to be. (Complex as a character itself but also made even more complex with how the narrative over the episodes had nebulously shaped audience perception of him - like, you can get a different side of Vegas in each episode and have no idea where the fake or real Vegas starts and ends as we saw him. That ended up being a charm of his character.)

(Vegas + Kan + Macau + minor family community)

I got the impression that it has been pretty much assumed that Macau could also be frequently physically abused by Kan like he does with Vegas, and so Vegas would have to actively protect Macau. But also consider this possibility: Kan just doesn’t hit Macau at all. It’s only Vegas he hits.

Macau simply doesn’t strike me as someone who has to live in constant mortal fear. He’s innocently mischievous and sociable; clearly not as emotionally burdened as Vegas. But he's not naive. He’s aware of Vegas’ plans and whatever politics is going on in his extended family. I just don’t believe that Vegas’ form of protection and care for Macau is to completely hide all the ugly stuff from him like what Porsche did with Chay.

At the same time, Vegas is too much of a pleaser to be opposing his dad all the time for Macau to be consistently safe and stable. Especially considering that we can safely guess that him talking back to his dad at the safehouse in ep 13 was one of the first times he had explicitly stood up to his dad in some way. (a side note: the way Kan responded may seem on-the-nose after a succession of Kan scenes just appearing out of thin air to hit Vegas and galvanise the VP narrative - but it hits a raw nerve like yeap I 100% believe that’s how an Asian parent would respond to such a statement from their kid.)

That’s because Kan’s expectations for Vegas, the eldest son and potential successor, just aren’t the same as for Macau, the younger son.

I can imagine Kan putting all his attention, energy, and pressure on Vegas - not only as his heir but a chess piece in his competition with his older brother and the main family. At a cultural-social level, as an eldest son of a family, like a crown prince, he was fed with expectations that he is the leader of his people - that he will have responsibilities to them and to conduct himself with grace. But at the same time, because of personal and familial reasons, he was also fed the belief that he and his family will forever be inferior to the main family - having anger and bloodlust be seeded and harnessed in him to be used on the main family.

On the other hand, I see more realistically of Kan as a neglectful father to Macau. As a second son, Macau isn’t anything to Kan in business sense and just too young to be useful to him. Thus, we have Kan insisting that Macau is useless (SLANDER) despite Macau having done nothing to offend him. It’s precisely that Kan doesn’t do anything but the bare minimum with Macau and lets him be, that he thinks that Macau had wound up as “useless”. It checks out.

Like what many have pointed out, Vegas surely would have taken up the responsibility of giving the care and love to Macau that they never get from their father. Essentially, Vegas had to fulfill Macau’s emotional needs (to his best) while being actively hurt by his father and strangled by his expectations.

So, imagine Macau as a much younger child having to watch his older brother get beaten or go through corporal punishment (kneeling before the ancestral altar, anyone? wow I’m so original). It’s then Macau who may have been protecting or provides relief to his older brother in some way or another. He knows - largely - what his older brother has to go through, and it is this Macau who probably gets confided and eventually got in the knows of his brother’s schemes.

On this note, it’s probably worth noting that there’s after all a community around them so Vegas may not have had to raise Macau - emotionally and socially - all alone. Of course, these are merely weak ties - given that those underlings are socially inferior to the brothers and they clearly still show deference to Vegas. So what their presence can do to fill the voids of the brothers’ family life is only so limited. The important thing, however, is that the brothers do have a community that surrounds them. A community that has already pledged loyalty to the family. A community that would care and show respect - any inkling of non-hostile social interaction - to their young masters which their own immediate family couldn’t offer. A community that Vegas as a heir would have been drilled into his head since day one that he is obligated to keeping together. This sense of community, as vague as it was, preserved Vegas emotionally somewhere deep down, grounding him to be a person that still has the capacity to care for others - to be human.

This isn’t anything nearly suggested in drama canon, but the many families and street vendors working for them doting on and showing tenderness to the brothers as children is an image I have in my head.

Vegas personally has no problem being respectful and affable with the people who are supposedly lower in status than him. Evident in ep 7 (ep 7 my beloved) from how he interacts with them - addressing them in familiar, polite terms: he even calls the street vendor khun lung - uncle, inclusive of honorifics(!) It’s also in how he entertained Porsche, Pete and Arm like they’re his guests and not his family’s bodyguards. He repeatedly makes sure they’re fed: first he offers moo ping to Pete and Arm then shortly after he asks again whether they’re hungry. These are the kind of manners that are inculcated in a traditional Chinese family, in which you show respect to anyone older than you and make sure your guests are never hungry. Even if he was overdoing this just for Porsche at this moment, it was an act he was willing to put up and in a manner of his choice.

(On this note of Vegas’ manners and politeness, I can never forget how much I love Vegas politely pre-empting Porsche and co. at the beginning of his torture session in ep 7 that they would be uncomfortable. like?? thank you evil man?? that’s so considerate of you)

(Just realised that there’s even a plate of buns?? On...a gambling table...?? Minor family is serving their guests well.)

It was so intentional of the drama to dedicate time to scenes of Vegas and co. entering the market and through to the minor family manor and office, even when it didn’t necessarily have to - apart from the purpose of illustrating Vegas' character. If the Vegas we saw in early episodes hanging around main family compound was indisputably a pretense as he was in foreign territory, then this Vegas being in his home ground was surrounded by an expectation to see him being supposedly who he really is. Partly due to Porsche being around, we still see the same Vegas - but now with an inkling of the idea that how he acted with Porsche before is also how he acts daily in his own space: He has to pretend. Socially, that is who he is. (See why he and Pete are mirror images of each other). Those moments of going after Porsche wasn’t an exception he was making for Porsche as the prey and his Grand Scheme. All the more, this makes the ending scene of ep 4, the first time we saw him truly all alone, fascinating to watch.

(Vegas + Porsche)

I guess tangentially related is...how I found the Soft™ Vegas of ep 13-14 in his interactions with Porsche so fascinating because it does instinctively feel different. Was it just the effect of Pete in the most romance drama cliche fashion or does it adhere to Vegas as a character? Sometimes you have to take the way this show portrays its characters with a pinch of salt because it does take liberties with using them as plot device when it is needed of them. But I’m going to say this side of Vegas is also him. It feels different because it’s the barest we’ve seen of him emotionally yet.

Porsche makes for an ideal litmus test of who Vegas really is because of their past mode of interaction for comparison and also Vegas’ character gets to exist outside of romantic/familial narrative filters in this case. With Porsche no longer being his prey and his newfound attachment to Pete, he had nothing to hide, and now there’s even a reason to bare himself to others.

This is me extrapolating at this point but - when he calls Porsche to warn him of the impending coup - despite not actually being friends, that just *handwaves* spelt out like an act of 义气 to me. 义气 has apparently been translated as “righteousness” but acknowledged to contain cultural connotations too complicated for the translation to be wholly representative. If I had to describe the connotations according to my understanding of it, it’s an idea of a code of honour and brotherhood - in some ways favours and debt-based. So you commonly see that term associated with triads and secret societies.

At this point, Porsche and Vegas are expressively in a collaborative relationship, they helped each other out on what each other needed the most at that point. Vegas is indebted to Porsche. So, even during a time of crisis, he made sure to help Porsche out one last time based on their short-lived allyship and Porsche’s favour to him. But it was a situation beyond his control, so he pays back what he owed, and that was it. Given his upbringing, it is then no surprise that he has such a strong principle and value in him. Vegas is a villain - yes, even after falling in love with Pete and all - but a villain with a code of honour.

(Vegas + Kan + Pete)

Vegas has 义 (yi, righteousness) and he has 忠 (zhong, loyalty) too: with his father. Vegas clinging to his father despite the toxicity and destructive nature of their relationship - even if to the point of silliness and *chef’s kiss* pathetic - can perfectly be explained as something innately human. But on top of that, the way and the degree he went for his father’s approval was likely also culturally enforced given the environment he was brought up in.

Back to the Guan Gong, aka god of loyalty, worship at the minor family house. I didn’t get to talk much about this in the post I made about it but it’s definitely worth going into it here about Guan Gong:

Just as important, at the grassroots level of society Guan Yu became a kind of patron saint or protector god for everyone from blacksmiths and opera performers to triads and police officers. (...) Guan Yu’s steadfast, sometimes bullheaded adherence to the principle of zhongyi proved key to his meteoric rise. China’s emperors, who valued loyalty in their subjects, saw Guan Yu’s obedience and respect for his superiors as a value worth propagating. To ordinary people, meanwhile, it was Guan Yu’s yi that made him a legend worth believing in. (...) Guan Yu was capable of acts of cruelty and extreme violence, but his yi manifested as a strict code of behavior and sense of honor, two necessary components of any good folk hero. If anything, the flawed side of Guan Yu’s yi actually enhanced his popularity with regular people — his imperfections only made him seem more relatable. (x)

Sounds familiar.

When you swear loyalty - in the presence of the Guan Gong idol, you swear to give everything you have to the organisation. This loyalty is unquestioning and servile. And that’s the kind of loyalty Vegas has to his father. We know that he pleases his father because he craves for his father’s love and recognition - but why this way? Why is he doing it so willingly? Even by the end of the show he barely showed anger and hatred towards his father. He lashes out at the situations of being let down by his dad, but not at his dad (at least that’s what I think) - because he then goes back home and was 100% ready to go kill some people just because his dad wanted to and he never considered once he could defy that. Perhaps this is why.

So when Pete prays to Guan Gong - in Vegas’ home, it’s as if unwittingly pledging his loyalty (and obedience) to Vegas - even before he or the audience was supposed know anything that was going to happen. That’s just a coincidence, yes? While I don’t think Pete was doing that because he was thinking about swearing loyalty to the minor family but just a general sentiment of ‘I see a deity figure and I will pay respects to it for general good blessing’, it was indeed in Pete’s nature to do that. Nothing is a coincidence. Once again, they’re mirror images of each other.

(Vegas + the main family)

The first time we saw Vegas and Korn in the same room was when Macau came running in to the meeting room after getting bashed in his head. But the first time we really saw them interacting was in ep 14 (correct me if I’m wrong though). I love that scene for so many reasons and all of them are because of Vegas and it being the culmination of the family drama in the show (!!!! bounces in excitement)

This face when Vegas realised that his uncle had killed his father and was about to draw his gun at him:

It just struck me that it was nothing like all the faces he had made before when he was about to torture or kill Kinn/Porsche earlier in the episode too. This is just the face of a boy broken for life, yes?

He draws his gun but he doesn’t shoot right away. Why? What directly got him retreating was not at all Pete telling not to shoot - Pete said that before Vegas drew his gun and was standing away from Vegas’ sight the whole time. It was only right after Korn dismisses his guards and tells Vegas that he will take care of him and Macau, that Vegas stops and leaves.

His uncle just killed his father - maybe it was an inevitable ending he was expecting. But was he expecting his uncle to react so calmly and even extend mercy to his family? I want to know so badly what their relationship was like. How did they interact all along before this? Judging from what we’ve seen of Korn, I’m sure he would have been a respectable and presentable uncle. I’m sure they had family gatherings especially when grandfather (who kidnapped Porsche mama) was still alive.

Hesitating to shoot such an uncle, for a man with a strong sense of loyalty and family? Sounds fair. I would like to think that is the reason of his struggle there since Vegas has no qualms about killing people. Killing people is fine for him but killing his uncle is different. Additionally, I like to think that he was also thinking about Macau’s well-being. If he died here as a murderer of the main family’s leader, what would happen to Macau?

Also bringing us to this one shot in this same scene of Kinn gently shaking his head at Vegas pointing his gun at Kinn’s own dad:

I’m enthralled. It wasn’t an expression of anger or disgust, it was deep disapproval hand in hand with concern. Or something like that. I don’t know if Vegas saw that but I would like to see his face if he registered that. It just felt like a conscious choice to me that Kinn was shown doing this in the midst of an intense moment between his dad and his cousin. I want to know what was going through his brain.

What I would like to extrapolate from this is that there is ultimately not really any real hostility between them, personally. Just as Korn had (even for secretly manipulative reasons) shown gentleness and mercy as a family member to his nephew who was trying to kill him at that moment, I want to think so that Kinn was raised to react similarly except without the ulterior motives Korn harbours.

Did they get along as kids somehow? How have they always been interacting with each other before Porsche came into the picture? I can’t shut up about how Vegas has always referred to Kinn in affectionate familial terms - as p’rung (idk the correct romanisation), the second brother. (Hits close to home because I also refer to my own cousins on sibling terms). Even when he had been harbouring desires to kill Kinn, they’re still family. The only reason he wanted so badly to kill Kinn is the agony that he can never get away from the fact that his family is beneath his. It’s that they are, unfortunately, family.

I lowkey resent that I don’t really have much to say about Vegas and Kinn’s relationship in relation to the topic of this post. I just love them as each other’s foils - both forced to grow up too soon as crown princes of their families and main protectors of their brothers but each raised by two quite different fathers who are brothers in rivalry + Vegas having a one-sided obsessive rivalry with Kinn which is just too funny. The drama sadly doesn’t give me as much as I would have wished for. But we make do. <3

That’s all. ✌️

#kinnporsche #vegas theerapanyakul #theerapanyakul family #vegaspete #my posts #and in this house we dont talk about ep 10 vegas except how he was seducing kinn's loved ones left right centre #i have a soft spot for chinese community portrayals in thai media bc they're inevitably teochew in some way and i'm teochew #(not that kp presents anything distinctively teochew. unlike mafia lakorns set in the 60s)#it's a more reliable source of southern chinese rep than cdramas. and also ofc immigrant/seasian chinese culture too #by ep 9 i was saying vegas being the epicentre of the kp narrative was closer to what i wished the show to be #vegas and kinn's narratives are like two shoots off the same branch for me #so ideally kinn's story would also have rocked me the same way vegas does...but you know. yeah #the way you can't tell but I KNOW half of this is like me exporting my hlht brain into vegas.pdf #when i say i started watching kp thru hlht lens i mean it LOOSELY. like i'm actively shaping it in my mind to be a much fuller #character-centric family dysfunction + political intrigue drama that i desire it to be. and i had to borrow ideas from THE exemplar #this isnt even meta it's just me running my mouth off based on the most tangential clues and making sense it thru my own brain #bc i NEED to study vegas in the context of his family #of course in NO way xdq and vegas are the same. but they are a very similar kind of desperate son-heir archetype #both morally grey but INTERESTINGLY. each are on the opposite ends of the moral greyness spectrum #oH- AND THEY BOTH TORTURED THEIR LOVE INTERESTS BEFORE KNOWING/FALLING LMAO #and i had a galaxy brain moment like. i was talking about xrj and his sons the other day. we dont know how he raised xdl #but it was as good as xdq being more like a father figure to xdl than xrj ever was #and it was probably how xdl turned out so well-adjusted unlike his three older brothers!!!! lol #xdq and xdl vs. vegas and macau parallels waaaa-#anywaysss. oh god vegas. what a guy #def the most complex and layered thing this drama has #this was supposed to be a quick post but it turned into a full-length meta that i have been working on for days...wtf

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fromevertonow · 5 months

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Suzanne Collins is one of the few contemporary writers who realizes the importance of names in her stories and the significance they bear. They add so many layers to the story, additional meanings that otherwise would not have existed.

The original trilogy:

Katniss: named after a plant of which you can eat the roots. Her father taught her where to find it and told her that “as long as you can find yourself, you’ll survive” (quote may be a little bit off, but it’s from one of the early chapters in THG). Additionally, the leaves are in the shape of an arrowhead, referencing her skills with the bow which her father also taught her how to use.

Peeta: literally bread lmao. But bread is one of the basic nutritions humans need, a little bit goes a long way to keep you alive. Peeta’s presence in Katniss’s life also kept her alive, literally and figuratively—the burned bread he threw her in the flashback and their complicated relationship.

Primrose: a plant with medicinal purposes, even more significant in light of her work as a medic in Mockingjay.

Gale: literally means “strong wind” and considering that in every encounter with Katniss he’s caused some reaction, he pulls her into directions she maybe initially doesn’t want to go in. Additionally, his name also represents his determination and steadfastness in his beliefs.

TBOSAS

Lucy Gray: named after William Wordsworth’s poem “Lucy Gray” which is about the titular character of the poem who got lost during a blizzard. She literally got lost in snow. Rachel Zegler sang this poem in two parts on the original soundtrack of the movie. When Snow asked who the girl in the song is, Lucy answers that she’s a mystery, just like her.

Snow: aside from the obvious snow references, I think his name is most significant in relation to Lucy and the poem. The only one who knows what caused her disappearance is Snow. He is the reason that Lucy is gone. But her traces in the snow are still visible. He will always remember her because the memory of Lucy has manifested itself in every part of his life.

Coriolanus: named after the Roman general (and also the titular character of Shakespeare’s play), Coriolanus wanted to attack Rome and become its ruler. He was scorned and celebrated by the people, only to be later exiled from the city by them. In TBOSAS, Coriolanus is the star pupil at the Capitol’s academy but sent into exile to the districts after he won the Games with Lucy through cheating.

Volumnia: Coriolanus mother who played a part in his ascent to power. In TBOSAS, she almost serves like a mentor to Coriolanus, teaching him how to think in terms of power.

(Edit) Sejanus: a roman soldier who was betrayed by the roman emperor Tiberius, just like the future president betrayed him.

(Edit) Plinth: got this info from here, but it was too good not to include here. A plinth is a base for a statue or vase to stand on. After Sejanus’s death, all of the Plinth fortune was given to Snow for being such a good to friend him. It was this money that skyrocketed the Snow family from poverty to filthy rich. The Plinth money was the foundation upon which Snow built his power.

There are so many other names that have historical (mostly Roman and Greek) connotations—Plutarch, Seneca, Cinna—but also regular names like Trinket and Beetee bear meanings that represent the character beautifully.

Names are important. For any lover of literature or (aspiring) writers, please look closely at them. They can shape your story into something unique.

Feel free to correct me if I’ve said something wrong. I know there are many names missing, but I can only add so many examples ✊🏻😔

#tbosas #the ballad of songbirds and snakes #the hunger games #thg #katniss everdeen #peeta mellark #gale hawthorne #lucy gray baird #coriolanus snow #suzanne collins #literature

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tanaor · 2 months

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Want simple tips to heavily improve your skills with character voice??

(📝Note: character voice is the way you convey your character's personality though their pov or dialogue when you write. No two characters speak the same📝)

I speak from experience when I say character voice is hard to get right. Characters, like people, have lots of layers that affect the way they see the world around them and how they interact with other characters. That's why character voice is so important in stories, and why if you write it in a compelling and effective way it will hook people into your story. I hope you learn something new in this post!!

When writing character voice, there's a list of things that you should take into account:

Where are they from? Their past and what they've lived plays a huge part in character voice. Maybe your character grew by the ocean, and so they compare things from the present to the beach, the rocks or the sea itself. You will rarely read about a sailor that is an expert in pants and compares scents to flowers. They might, instead, talk about how a house smells like the wet wood of a ship.

Think about how their personality shapes their language. If they are insecure, they might end most of their sentences with "isn't it?" or "right?" and ask a lot of questions, whereas if you have a confident character, you might find them saying things like "we should do this" or "that will be fun" instead.

What their "lense" is. This is more of an ethic aspect of the character. What have they learn it's okay, and what do they find uncomfortable? Would they find it gross if their friend left laundry on the floor?

Give them special traits (both for dialogue and narration). Maybe character A quotes a lot when they narrate and uses long paragraphs, or maybe B speaks about their past a lot and uses popular sayings. Personally, one character of mine has the tendency to repeat himself when he speaks, as in "yeah, yeah, I'll do it" or "no, no, no. Never" because he is really enthusiastic, and it fits really well with his character.

Pay attention to how they would talk about themselves. Maybe your character doesn't like people to know they're sad because it makes them feel vulnerable, so they will just say they feel annoyed or don't want to talk in that moment. This also means that they will not tell the reader something they are not comfortable saying in the first place.

How is their education? Education is also very important in this context. Did they went to university and have a rich vocabulary and structured sentences, or where they rised in a little farm far from town? You can also play with both a bit: maybe your character did go to university, but maybe they also came from a low income family, and characteristic of both things merge when they talk. Example: long, structured, sentences but a simple and sight forward vocabulary.

That's all for now and happy writing!!

Other tips for writers: previous | next

#writeblr #writing #writer #writers #writers of tumblr #writers on tumblr #writerscommunity #creative writing #character development #current wip #tips for writers #writing tips #tips #main character #original character #character dynamics #oc #ocs #writing advice

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inkskinned · 2 months

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most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.

i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.

sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.

repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.

but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.

it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.

i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.

my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.

back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.

hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.

it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.

the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.

i love you, keep going.

#warm up #writeblr

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obscure-entity · 7 months

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your shading is AMAZING specially when its conveying organic forms..... do you have any tips for people who dont know wrf going on (with shading)

ok so HI. hi. my old tutorial pisses me off so i will make a new one

i made a guy whose sole purpose is to be shaded so dont worry he likes it. and his name. his name will be mr. Boob. mr boob does not have to be blue

theres probably way better explanations of how to do it but unfortunately trying to "emulate" shading does ask you to somewhat understand ur character in a 3d way. like what would the 2d shape be if you "sliced" it? mr boob is made of so many circles. his tail also does a kind of weird perspective foreshortening thing because its pointing at you. is this being conveyed

you obviuously dont have to draw a horrendous grid on your characters skin to do this . BUT it helps you put down (or at least envision) the lines of the form shading :

dont worry about cast shadows or the shading color because this is FORM SHADOW time only. think about what surfaces of the character are obviously facing away from the light source and put down the "separation line" of the shading based on that. thr most important thing is that youre trying to separate light from dark

im going to pick the first one for cast shadows bc it will be the most obvious to me

ok so. his ears and snout are blocking other surfaces of his body from the light, which means a shadow is cast!!!! bam. i saw someone describe cast shadows as what the light's pov "can't see." his entire body is putting down a cast shadow on the ground too

im impatient so i blended the form shadows now. its usually the easiest to just NOT blend cast shadows as a way of conveying that they are still cast shadows. but you can still blend them if you want to show "distance" between the obstruction and the surface its blocking. but its just a way of saying form and cast shadows should not be treated the same even if their softness coincides

im going to lump reflection and ambient light together because theyre like. similar. reflections dont just happen in mirrors

since the sky is blue, making the ambient lighting, i tinged mr. boobs existing shadow to be a bit blue. (*this is kind of important because it can help you decide a shading color, which should USUALLY be based on the environment) (unless your character is just in the transparent void then it doesnt matter)

since the ground is pink, i made pink light bounce off of him. pointed and labelled. i dont rlly know how to go more in depth than that

contact shadows are literally shadows formed from direct-touching contact. very little light can reach in there, even from how reflections disperse, which means youre free to use the darkest color available (black). in this case mr. boob is making contact with the floor. because he is sitting on the floor.

i touched him up a bit and wow!!!!!!!!!! look at mr. boob!!! he is so beautifully sculpted.

and one more thing

thats right. i made mr boob PINK. hes fucking ruined now. just kidding i would never say that to him

what im trying to convey here (its the easiest with really light colors) is a transitional color. this can also show subsurface scattering depending on how you use it which is fun to look at. the mistake i made on my last tutorial was "Just pick a warm saturated color!" which is really wrong in examples like Blue mr boob. because it would be weird to use a warm color to transition from blue to blue.

if you have a character that isn't bright enough then obviously the shadows wont be as visible. its BEST to bring more attention to highlights and reflections to reveal the form a bit. they play the biggest role with darker colors

thats all i can think of. fun things to look up:

structuralization + contour lines + foreshortening etc. 3d lingo

form shadows

cast shadows

ambient light

contact shadows

subsurface scattering

im also just speaking out of my ass otherwise. i didnt look up any of these terms until the end now im inferring and hoping i got them right

and remember every time you shade mr boob will be rooting for you

#art tutorial #shading #lighting #long post

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rainyyynightssss · 27 days

Text

Twisted Wonderland

Reacting to you trying to go back home

Characters: Overblotters

Notes: Yandere/Toxic themes involved

"Crowley thinks he might've found a way for me to get back home!"

Riddle Rosehearts

He looks at your smiling face and something in him breaks. He should be happy for you, he really should. This is what you had wanted from the beginning. To see your family and friends. To be free of magic and almost getting killed by overblots.

But you should've been happy here. He'd order his card soldiers to keep the rose garden in prim condition for you to gaze upon whenever you visited. The birthday parties always included a dish you liked. You got along well with Trey and Cater. Sure, Riddle was strict with his rules, but he grew more lenient with you. Surely, you could see that.

"That's wonderful news. And you're...happy to leave?" He tries not to let his voice crack as he grips one of the legs of the table they had just used to share dinner together. Apparently for the last time.

"Of course, I'll be happy to see everyone back home. It is a bittersweet feeling though. I'll miss you all." He chooses to ignore the 'all' part of your phrasing for a moment. You'd miss him and isn't that enough reason not to go?

"We'd all miss you as well....I, especially,-"

"But I think it'll be good for me to go and be back with my family, you know?" You add and he tenses again. He knows well how important family could be, and he also knows how burdensome they are. His mother forced him to adhere to strict guidelines, and while it shaped him into the respected house warden he is today, it also made him afraid. Terrified, even, that everything would go wrong if the rules were not followed.

Perhaps that's what you needed. A healthy dosage of fear and some rules to keep you in line. You were his perfect rose, blooming and unblemished. You had always managed to drag him away when he got too deep in his studies and talked him down when his face became as red as the flowers in his garden. But now your edges have grown frayed. You're trying to go back to your roots but he'd rip you out of the ground, thorns and all, to keep that from happening.

"Right. Well, it's gotten quite late and it wouldn't be proper for you to walk back to Ramshackle this late at night." He sensed your confusion even before you could voice it. You've taken plenty of late-night walks before and this would hardly be on the top list of most dangerous things you've done at the school.

"I can walk back-"

"I insist. I couldn't let you go...to your dorm! This late." Riddle shakes his head and covers his blushing face with a hand as he stands up from the table. "I have a room for you. If you'll take it?" He offers his hand to you, hoping you will miss the small trembles.

You smile at him again and take his hand, sending warmth even through his gloves.

"Just for tonight." You nod. Riddle gives you a small, though tight at the ends. His rose didn't need to know about the details of their stay, only that it was going to last longer than they thought.

"Of course. Although I must make sure you have an adequate stay. Rules indicate that guests should have the most hospitable experience, no matter how long that takes to fulfill." Riddle answers with ease and you see nothing wrong with it. His rose would blossom even more under his careful watch.

Leona Kingscholar

"And?"

The notion of you leaving was laughable to him. You had already managed to barge your way into his life, ruining his plans at the Spelldrive competition, ruining his nap routines, and ruining his pride as a prince. And he wouldn't have it any other way. Though the latter is still mostly kept intact.

You look at him, seemingly flabbergasted by his dismissal.

"And...that means I'll likely be leaving soon." You tell him. He sees your small frown. You must think he doesn't care that you're leaving. But it was quite the opposite. As much as he would never admit it to himself, he cares so much that he denies any possibility of it happening. He knows you don't actually want to leave.

Leona watches you sit up from his bed that both of you had been lying in for the past few hours. He grasps your wrist before it can leave the sheets. His grip is tighter than usual. Leona had always been like that. He demanded respect and expected you to follow. You, of course, were not so willingly submissive to him but that made it all the more fun for him to make you.

"Ruggie isn't going to be back 'till later tonight. I've got more sleep to catch up on. Especially after you bothered me last night." Leona tugs your wrist to bring you back closer to him while he rests his other arm under his head. Last night you had came to him, clearly anxious about something and didn't want to be alone. Anyone else he would have turned away with a scoff, but he's found over time that he has a hard time refusing you. As long as it didn't involve you trying to run away from him.

"Are you even listening to me?" You narrow your eyes at him and he smirks.

"I have and it sounds like a buncha nonsense. Go back to sleep and maybe you'll forget your dumb ideas in the morning." Leona grumbles and pulls you to his chest. He hears you huff but you don't resist, lying back down beside him. He doesn't know exactly why you're having these kinds of thoughts but it doesn't really matter to him. If you want to run, he is glad to give his precious prey a chase.

Azul Ashengrotto

Azul's hands freeze in the air, his fork and knife about to cut into the juicy salmon that had been plated beautifully in front of him. He glances up at you, his smile also frozen on his face, as you were just talking about how much you enjoyed Night Raven College and the Mostro Lounge. All until you abruptly switched to this topic he thought he was doing a good job at evading.

"Ah, isn't that...delightful?" His words would have come off as calm to anyone else, but you notice the slight strain in his voice. You always seem to see right through him.

"I'm sorry, I didn't mean to upset you-"

"Upset me? No, quite the contrary. I think it's wonderful the headmaster has finally secured your passage back home." Azul muses and goes back to cutting his salmon, though it's obvious that his cuts are a bit more jagged.

"Yes... he said it could be any day now." You respond carefully. You try to offer him a smile as you take another sip of the drink he gave you on the house. He could see the small ounce of hope in your eyes of going back to your world. That wouldn't do.

"Is that so?" Azul takes a bite of his food, swallowing before adding, "It's really too bad you won't be able to go then." He continues eating, ignoring your confused eyes as if he didn't just say the strangest thing.

"Why wouldn't I be able to go?" You ask slowly. "I mean, the transportation might be difficult but-"

"It has been a while so I suppose I shouldn't be surprised you forgot." Azul sighs and dabs his face free of any smudges with his napkin. "You may not step out of the bounds of Night Raven College by any means, including the Dark Mirror."

"According to who?" You let out a disbelieving laugh.

"According to Article 3 Section 5 of the contract you signed." Azul takes another bite of the salmon, not letting himself react when you slam a hand on the table.

"What contract?! I never signed anything!" You snapped. He remains as calm as ever. This time, you couldn't read him, couldn't even see his eyes through the glint in his glasses.

"You must remember when you agreed to work in the Mostro Lounge for a couple months. I had you sign an employment contract. I warned you about reading it through to the end. A suggestion I don't give to most poor, unfortunate souls in this school." Azul answers.

He did indeed give you the small packet to look through and recommended reading it all. It wasn't his fault that Floyd made a commotion in the kitchen just as you started reading the end portion. Azul urged you to sign it while he dealt with the mess that Floyd undoubtedly caused and you did, just missing the statement that required you to be on-call even after your employment ended, and being on-call meant you always had to be within a certain range of the lounge.

"You can't be serious." You utter quietly with wide eyes, realizing exactly what he was talking about.

"I'm afraid I am. But don't fret too much. I think you'll come to like it here." Azul smiles again. A smile that's hardly recognizable.

He watches you jump up from the table and storm out of the lounge, passing confused customers who glance back at him. He takes a drink from his glass. Azul isn't worried about you walking out. You couldn't leave here, leave him, anyway. And if you tried to hide from him, he would just send Jade and Floyd to hunt you down. You have become one of his prized possessions, and he isn't going to let you go that easily.

Jamil Viper

"Really? It's about time." Jamil comments as he starts chopping the vegetables you prepared in a bowl.

He had invited you to try some new recipes with him that he'd then distribute to the Scarabia students. For the past few months, you had been inviting yourself into their kitchen, much to Jamil's annoyance. You always offered to help him and he always declined, especially when it came to Kalim's meals. He was not going to lose his job over a pretty face. You respected his refusals but you still liked to watch him for some odd reason. Today, he finally decided to let you help him.

He appears to be half paying attention to your words while you're stirring the stew. "Haven't you been waiting a while?"

"I have. Crowley's been pushing off researching but I finally made him go through with it!" You look quite proud of yourself and if Jamil wasn't so irritated, he might have thought it was cute.

He simply hums in response and continues swiping his blade through the onion, each cut sharper than the next. He should be fine with you leaving. People come and go, after all. It would make things easier for him as well. He would stop getting distracted so easily, riddling his fingers with knicks from the blade when his thoughts drifted off to you.

"Kalim also promised to help me pack my stuff. He's eager for me to see my family." He sees you smile absentmindedly as you stir. Jamil's hand clenches tighter on the knife.

"Of course he did." He mutters to himself. Kalim got everything we wanted, didn't he? He got the wins, the praise, the Housewarden title. And now he was going to send you off. Jamil bet he was even encouraging you to go and like always, Jamil would just have to accept it. Only this time, he wouldn't. Jamil never got anything he could have to himself, always having to share with Kalim. You would be the one thing he could keep just for him.

"That reminds me, I needed to ask you something," Jamil says and you look back at him. He takes a step closer to you and leans forward, whispering the name of his unique magic. His lips widen into a smirk as he watches your irises fade to red.

"You'll be staying here, won't you?"

Vil Schoenheit

He raises a perfectly trimmed eyebrow as he works to pluck yours with tweezers.

"Hm? That's not the line, darling," Vil says. In your hands is the large packet of paper that contains Vil's script for his upcoming film. He had asked you to practice lines with him. You agreed and in exchange, you asked him to put some makeup on you. It was something he's been wanting to do anyway so he obliged. All was going well until you dropped this bombshell on him.

"I know, I was trying to figure out how to tell you and I accidentally just blurted it out," You sigh.

"Mhm. And Crowley has- Close your eyes, now - provided a way for you to get back home safely?" Vil asks as he moves on to your eyes, brushing an eye shadow across your lids that matches your skin.

"I don't know if anything about that man is safe, per say, but he did seem pretty confident about this." You respond as you keep your eyes closed for him. Vil shakes his head with a small 'tut'. The headmaster didn't exactly have a track record for reliability. He voiced exactly this to you.

"Crowley may just end up sending you on a one-way ride to nowhere. There's no telling where he could send you, why not wait for a few trial runs?" He places a hand under your chin. "And besides, why do you need to go home so badly?" Vil puts the palette back down and takes a tube of lipstick in his hand.

"Well, I want to see my fam-" You're forced to stop talking until he finishes applying the lipstick, "I want to see my family and finish everything I had going on there."

"If that's the case, I don't see what you could do back home that you're unable to here. And if you want to see your family, shouldn't you make sure your travel is safe so you can get back to them in the first place?" Vil questions as he wipes the small smudge of lipstick from the bottom of your lip with his thumb.

"That's...true." You nod reluctantly. Vil smirks a bit as he moves his hand towards the back of your neck, his thumb tilting your head up so you can look at him properly.

"Correct. And if I'm not mistaken, you've built quite the life here, haven't you?" He watches you slowly nod and he soothes the back of your neck with gentle fingers.

"You really want to throw that all away?" Vil looks down at you with questioning eyes even though he already knows the answer. You shake your head.

"No...but I also know that's something I'll have to do if I want to go home." You tell him firmly. Vil lets out a sigh and turns away from you for a moment.

"If you say so, but at least let me leave you with a parting gift." He turns back towards you and presents a small perfume bottle with a fancy font across the lid that you can hardly. It would no doubt cost hundreds in the market.

"My own creation that I've been working on. You're the first to have it." Vil says as he hands it over. You take it with a bright smile.

"Thank you! I'll try it on as soon as I get back to Ramshackle." You respond excitedly as you move to stand up from his makeup chair but he places a gentle hand on your wrist.

"I'd like to hear your critique as soon as possible. You are my perfect model, after all." He says with a glint in his eyes. You didn't seem to have any problem with that and sprayed a few spritz of the perfume on yourself, promptly passing out in the chair. You would get it through your head eventually that you belong here. You just need a little more convincing.

Idia Shroud

"Hold up, what?"

Your sudden words caused him to press the wrong button and his character gets brutally killed by one of the forest monsters in the game. You wince and put down your controller, turning towards him on his remarkably soft couch.

"Yeah...sorry to tell you so late but it looks like it could be soon." You say and Idia tosses his controller to the side, facing you as well.

"So you're gonna go? Just like that?" He asks in shock. You only recently just started playing video games with him in his room. Before, you had to practically beg him just to play a game with you when you were both in different dorms. It took a lot of convincing but he soon gave in after some persuasion from his brother. Once, you showed up to his room to see if you could play in person and he stared at you with wide eyes for about five seconds before slamming the door in your face, apologizing later over text.

He was unbearably anxious around you at first but he got used to the idea that you wouldn't judge him so easily. So he showed you another side, his more competitive and ill-mannered side to see if that would make you go away. And you still didn't. You instead embraced him for it. So why now were you just going to forget about all that?

"I-I mean I have to," You were clearly caught off guard by the intense look in his eyes, "I have a home and a family and friends-"

"Yeah, yeah, sure but what about everything you have here?" Idia insists.

"Everything I have here?" You ask.

"Y-Yeah, those first years, Grim, your dorm, me- many other things!" He stammers out. It would be way too cringe to mention himself deep down he hopes he's one of the things that could keep you here.

"Of course I'll miss everyone, but I miss everyone back home too," You say. Idia sighs deeply as he throws his head back on the couch.

"You're reallly set on this, huh?" Idia asks. You bite your lip and nod.

"But I still-" You try to add but he cuts you off.

"No, I get it. I wouldn't wanna be around me either." Idia sighs again. You look at him with wide eyes and fervently shake your head.

"No, it's not like-"

"You must have better friends back home if you're so desperate to see them again." He adds as he looks away with a frown. You don't notice him peeking back at you. You sigh and tilt your head so you can fully meet his gaze.

"Look, I'll talk to Crowley, see if he can push it back a bit." You tell him. He looks at you curiously.

"Are you sure? I don't wanna pressure you if-"

"No, it's okay. I want to spend more time with you and everyone anyway." You give him a small smile and he smiles back. He could play the pity card all day if it meant you'd stay.

Malleus Draconia

Malleus pauses in his steps, looking at you with a wide, curious gaze.

"You're leaving?" He utters. The two of you had been enjoying your nightly walks together back to Ramshackle. After one too many fights and attacks happening after hours on campus, he thought it best to escort you back home. He could easily teleport you both back to your dorm, but it gave him a good excuse to be around you more.

"Yes, hopefully it'll be soon. I'm excited to go back!" You smile enthusiastically and Malleus can only offer a grimace back.

"I suppose you could say I'm a little surprised. I thought you were happy here. Did I assume wrong?" He asks as he continues walking you to your dorm. Normally you would have never been able to keep up with his pace but he always kept a slower one for you.

"Oh no, I am happy here. My friends have been wonderful and I'm glad I'm friends with you. There's just some things I could do without." You mention offhandedly as you gaze up at the moon. He looks down to see it reflected in your eyes. The moon is wondrous but all he can see are the eyes that pinned a man who could never yield so deeply. You managed to befriend a dragon who is intimidating in every manner. That kind of connection isn't so flimsy that it could be dismissed by thoughts of departure.

"Things such as what?" Malleus perks up at the idea of solving one of your problems. As powerful as he is, there are a number of things he can't help you with. He couldn't do anything about your assignment getting deleted after your internet 'crashed' or about the friendship problems you once had with the Heartslabyul boys, but he's always eager to listen, just as you always do with him.

"It's just some rowdy guys from Savanaclaw who are still mad about the Spelldrive competition. They've been bothering me a bit but it's not a big deal." You tell him and he stops the both of you this time with a hand on your shoulder.

"Bothering you? For how long?" Malleus didn't mean to turn his hard glare on you but he couldn't help the fury building up inside of him. Many of the students already noticed your looming shadow that often followed you around like a lost puppy, which was usually enough to keep them from trying anything. Malleus isn't naive enough to believe that students at this school are always on their best behavior when he has his own business to deal with in the Diasomnia dorm. However, he swiftly and discretely took care of any nuisances that he happened to notice. He didn't think you were keeping anything from him.

"Like I said, it's not-" You try to soothe him but his glare only hardens.

"For how long?" Malleus repeats and he doesn't plan to a third time.

"For about a month now...but I can handle it myself!" You insist but he ignores the latter half of your sentence as his face morphs back into a gentler one.

"So that's what's been burdening you? I wish you'd have told me sooner but it's no matter. I'll take care of it." Malleus assures you.

"I mean that's one thing, but I have other reasons-" He cuts you off with a pat on your head as the two of you stop in front of Ramshackle's doors.

"You don't have to ruminate on it any longer. Do try to tell me about any other troublesome students in the future. I'll handle them and anyone else who tries to ruin your happiness here at Night Raven College." He vanishes in a flurry of lights before you can say a word. Any serious notion of you leaving is unthinkable to him, and if you do come up with more reasons, he'll make sure to take care of those as well.

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neteyamsilly · 1 year

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i will soften every edge, hold the world to its best | 5

summary ;; What could Jake do? How was he supposed to fight when he had no concrete opponent? PART 4 | PART 6 pairings ;; dad!jake sully x reader, mom!neytiri x reader, sully family x reader genre ;; pure angst and family feels notes / explanations ;; jake is so depressing here. i also took liberty with his character and the reasonings for his decisions in atwow, sorry in case if thats not how you see him LMAO happy reading 💞 please excuse my mistakes if you see any! ‼ I DONT TAKE TAG REQUESTS ANYMORE ‼

“One chance, Jakesuli. You will only have one chance. Use it well. Our Great Mother favors you, that we know. But this favor hasn’t been granted to you. It has been granted to my granddaughter.”

“I won’t fail.” Not again.

“What does failing mean, I wonder. Would you fail if you take her soul back from her happiest? Or would you fail if you let her have the peace our Great Mother has laid her into?”

“I will get my daughter back. This isn’t her time. If Eywa has given me this chance, then she thinks the same as me.”

“You will take that honor from her, then?” Mo’at was being cryptic, but Jake saw through the exterior of the neutral Tsahik into an exhausted, mourning grandmother. “She was the daughter of Toruk Makto, and he was her last shadow.”

It came back to Jake in a gut-churning realization, it was his shadow that had fallen over you from the light of the torches on the walls as you’d given your last breath. It was his shadow. “No,” he refused, adamantly. “She will get to achieve greater honors of her own than that. I won’t be the one defining her ending.” The last bead of your songcord having his name, Toruk Makto’s name, was supremely wrong to him. He would not accept this fate for you.

“Very well, then.” Secretly, she was pleased with him. With his answer. “Get going. As I said. One chance.”

Jake would never be able to get used to the magnificence that was Vitraya Ramunong, or, the Tree of Souls. To him, Pandora itself was a marvel already too good to be true that he’d fallen in love with, and abandoned his own race for, there was no getting used to the beauty for a human like him who’d only found it once in neon lights, ever. He could reach the end of his natural lifespan in this body and still there would be much left to discover. That’s why Jake was more vulnerable to one of the beating hearts of Eywa in the shape of a giant, glowing willow tree.

No Na’vi was immune to the soul-purifying, all-consuming, yet being-dwarfing peace enveloping one’s very spirit, in a cradling hug as if they were nothing but a newborn in their mother’s arms. In here, only one fact mattered: they were childrens of Eywa, all of them dear, all of them seen, all of them safe and sound, including him, once alien to Eywa the way Earth was related to Pandora. Everything spoke to him here in a language he didn’t understand, but could respond to, again, in a language he didn’t understand, his soul doing the communicating.

Jake was also a child here, Eywa’s chosen child.

And he had come to her door for the most difficult request of his life, feeling like he was asking his mother for money right after he had crashed their car, unable to look her in the eye and expecting the biggest of scoldings for his shamelessness.

This was nothing like asking for her assistance against the sky people, back then, he had agency, power, the clans backing him up, Toruk. If Eywa didn’t hear him, he would fight until the last drop of blood in his body was spent anyway, he was ready.

Now, he had nothing.

Nothing to offer in return, not one concrete reason as to why he should have his daughter back other than being a desperate father with nowhere to return to other than the mercy of the Great Mother. He just wanted his child. Nothing mattered.

Not how and why Quaritch had spawned right under his nose with an avatar body, not how they could even slither in without detection, not the threat of what the sky people could bring upon their heads with that — nothing, not now. Nothing mattered until he saw this through.

Jake had found the will to quite literally tear himself from your side like nail from flesh only when you’d stabilized enough. Stabilized, as in, the faintest rise and fall of your ribcage Neteyam had to stare from where he was sitting like a sentinel for a full minute to spot, a tideless, still ocean only moving with whiffs of wind, his own breathing unnoticeable — to match yours, or to silence the sounds in his own body to hear better, Jake didn’t know.

No sky person was allowed to take over from Mo’at and Kiri. Norm had told Jake none of this made sense, if the bullet had nicked the bowels enough and the dirt leaked into the bloodstream, the possibility of sepsis was eventual, and if it didn’t, you had bled too much anyway, a blood transfusion was necessary, and the internal organs... — Christ, the amount of bad end scenarios Jake had been subjected to was as if they were telling him to open a grave for you anyway. Tsahik had scoffed into their faces. The way of healing was something none of them would see, she had scoffed. Now ally, or not. You can’t fill a cup that’s already full. Jake was in a hopeless need for water into wine kind of miracle, and honestly, he wasn’t complaining.

Leaving High Camp behind to set off on a journey calling for only him was one of the hardest things he’d done yet, the silhouette of you lying motionless, his family scattered around the tent, shadowed in their own mourning, folded into themselves was burned into his mind, glimpses of their pain visible from eclipses of light occasionally falling on their faces. A sight he never wanted to see again in his life if he could help it. It was a frosted, iron-thorned hand squishing his heart into ground meat.

Tuk, ever the stingy monopolizer, had brought her favorite toys to scatter around you because she thought they’d comfort you the way they comforted her, had tried snuggling with your unconscious body and was warned by Kiri only to hold your hand instead. She had taken to playing with your fingers, the depressive gloom of years beyond her age crooked on her. Jake couldn’t stand the sight of the little girl telling you bedtime stories he and Neytiri used to, for a moment only, he could pretend you were just going along with your sister’s whims and smiling with your eyes closed as you listened.

Kiri, buzzing around to change the bandage-leaves that soaked up some sort of sickly black colored puss every couple hours, had explained to him the salve they used on you was getting the infection and the splinters of the bullet they couldn’t get out of your body, which had turned the color of your blood into that — but the thing was, given the dwelling of the woodsprite in your mouth, they couldn’t feed you the porridge-like mix to speed up the process of blood production in the bone marrow, and she was exerting herself looking for some other way.

Before he’d left the tent for good, she had handed him the bullet— or, the biggest piece of it they’d taken out of your body, it was a mere pursed and shriveled, tiny metal. The exhausted girl had stammered when explaining that whatever they’d hit you with, had broken into shards inside you upon impact, creating severe lacerations and lethal hemorrhage that they’d worked tirelessly to pick out.

Jake had stared hollowly at it for the longest time. This small thing. It was such a small thing that took you from him.

The sentence that sent you away was also as small, and damning as this bullet. ‘Go.’

Kiri had seen it sink in his face, closing her five-fingered hand on his palm, on the bullet. “You should get going, dad,” she’d said. “We’re okay here.”

Jake had taken one last look. At Neytiri wiping your body to clean all the congealed blood. At Tuk holding your hand. At Kiri trying to fill in shoes bigger than her feet. At you lying down with trinkets surrounding you like funeral flowers. And forced his body to keep moving when all he wanted to do was stay.

He’d then heard Lo’ak complaining to his older brother outside the tent, “How can he be so cold?” The heaviness was getting to the boy, agitated and misapprehending. But he was always this way, if something was out of his control, the inability to act to change it manifested as frustration, blind anger. “Why is he so… unresponsive? Emotionless?”

Jake would have let it slide had it been about something else, but his children running their mouths not knowing he was a hair's breadth away from going clinically insane had gotten to him. He was burning alive.

“You think I don’t care, boy?” He emerged from the tent like some last boss, initially not caring he’d scared the brothers. “You think I don’t feel at all? My own child dying in the same arms I used to hold her as a baby — you think that doesn’t faze me?”

Neteyam, the mediator, or rather, the blame-taker, ran to his little brother’s rescue, the latter too flabbergasted to form any words yet. “Dad, he doesn’t mean—”

“I know exactly what he means.” When the anger subsided, Jake sighed with the weariness of an ancient man. The flames had died before they could climb, he was too exhausted for it. Honesty and trust, as Neytiri had said.

Having lost everything, having nothing to lose, and having a lot to lose were somehow simultaneously the same thing to Jake in the predicament he’d found himself in. “I know how you see me. You only know me as the person I want to show you.”

Lo’ak’s go-to answer was presented to Jake on a silver platter. “Sorry, sir.”

It wasn’t what he wanted to hear at all. Jake wasn’t trying to get Lo’ak to bow his head. “Don’t apologize—” He cut himself short, licking his chapped lips, and after rubbing his face, he’d put his hands on the boy’s shoulders. “Lo’ak. Son. I feel this, alright? Of course I do. I’m your father.” He shook him gently, feeling the words weren’t reaching him, who was just staring at something on the ground off to the side. “There’s no greater pain a parent can go through in life than losing his child. You can’t understand what this means right now—what it’s doing to me. You will only know when you become a father yourself.” He gently tapped Lo’ak on the chin so he would raise his head and look at him in the eye already. And when he did, Jake said what he said slowly, hoarsely. “But know this. Know I will lose myself if I lose you, or any of your siblings.” He turned to Neteyam as well, who was watching in full alert mode. “I’m fighting not to lose my sanity as we speak.”

Lo’ak swallowed, unsure and weirded out to hear something like this for the first time in his life. Jake didn’t blame him. He was never emotionally upfront or honest before, not even used to it, more awkward with it than his boys were. But none of that mattered. Not anymore, after what happened to you because of his shortcomings. “You just look so composed—“

“I have to be.” Jake shook his head, eyelids hanging heavy, his whole head was heavy. “I just can’t crumble under it, do you understand? I have to be strong. I can’t lose myself in it. Your sister needs me. You need me. To be strong.” He took his hands off the boy’s shoulders, putting a palm on his cheek and patting a few, fatherly times before backing off altogether. “Never say that I don’t care. Never. I might not show it—and it’s a father’s duty not to show it, so my family will have a stable anchor. Get what I’m saying?”

Lo’ak looked reassured, lighter. So that’s what Neytiri had meant. “How… how can I help?”

His youngest son’s inclination to get to the root of the problem and pump out solutions was in consanguineous with his inability to stop and wait, uncomfortable in his skin when he couldn’t do anything to improve the situation and was confronted with the intimacy of having to feel, always wanting to act. Lo’ak was like Jake in that way. Awkward when it came to communication. Dishonest with themselves.

“Stay here.” Jake said, right from his heart. “Stay safe. I don’t wish for anything else in this world.”

Lo’ak’s eyes softened, and as the father, Jake felt the renewal of the bond between them, saw the understanding in his youngest son, saw something else than the guilt and regret over being caught after mischief, for once. “I’m sorry, dad.”

“Don’t apologize.” He shared a meaningful look with him, trying to convey, again, his apology wasn’t what he wanted. Yet, his sons were defaulted to saying sorry half the time they spoke to him nowadays. Jake was understanding the severity of it, too much too late. Lo’ak nodded, ears tipped down slightly.

Then he turned to the eldest. “Neteyam—”

But he opened his mouth before Jake could say anything else. Ready. Always on his feet. “Yes, I will—”

Jake clicked his tongue. “Rest.”

Neteyam was about to say yes to whatever he was told to do, as always, but stopped right in the middle of it, voice catching in his throat, eyes blinking in confusion. “What?”

“Rest.”

“But—”

“Rest, Neteyam, I won’t tell you again.”

God knows he needed it. Neteyam looked like he’d been having night terrors for days, accumulated anxiety making him jumpy. “Sorry, sir.”

“Stop—“ Jake caught himself before he could raise his voice. “Why are you apologizing?”

Neteyam didn’t talk for a while. But when he did, he was looking up at him underneath his lashes, unable to keep eye contact for more than two seconds. “It’s my fault.”

“Bro,” Lo’ak said, a pitiful objection.

Jake knew where this was going. “What is?”

“I should have been there.” He pressed his mouth into a thin line before furrowing his brow, closing his eyes. Jake knew what he was seeing, repeated over and over again in his mind. “I should have known right away when I couldn’t catch up to her. I could have prevented it. It’s my responsibility.” One tear slipped by as he hung his head. “My fault.”

There it is.

Jake had told him before. “You’re the older brother, you gotta act like it.” — even though you and him were more like affable twins than older brother and younger sister that he never had to explicitly be a guardian to you like he was to Lo’ak, he had to be thinking this was his biggest failure. Neteyam was just reflecting what he’d been taught, the standards his father was holding him up to. Of course the boy had been overthinking it to the point where he was the catalyst to the event by not predicting your fakeout.

“No,” Jake rasped, after a beat. “This is on me first, and the sky people who got to her second. And that’s the end of the story.”

Neteyam, up until this point, had to bear half the blame, if not the rest of it, for the consequences of his siblings’ actions. Upon receiving this kind of answer, he startled with an incredulous gasp and full stare at Jake. “But I—”

“It’s not about you, Neteyam,” Jake explained, although the words were harsh, he had done his best to soften the impact. “I did this. Blame me, okay?”

‘How could I?’ was written in neon letters over the boy’s head even if he didn’t say anything. Too good-natured. He idolized Jake a lot more than the man deserved. “Mother was… she was… She is grieving, she doesn’t mean it.”

“You gotta stop making excuses for people, boy. Especially when they’re in the right.” A smile pulled on his lips, but died as it was born. “I pushed and pushed until we reached the edge, thinking there was never an edge at all. I should have known better. I should have been better. This is between me and your sister, and that’s why it is me who has to go to the Tree of Souls.”

And he’d left, but not before pulling his boys into his chest, cradling the back of their heads against himself, the smell of home repulsing instead of comforting. Prickles on his skin was the comfort he got from being able to hug his children when you were absent. It didn’t feel right.

He missed you dearly, an aching, gaping hole in his very being that only grew larger as he saw what you left behind half-completed or messy like you’d stood up and gone off for a minute to come back to it later —

The unmade pallet from the night of your Iknimaya argument that Jake had shed tears on when he’d seen the state of it, having the signs of someone getting up from it like you would be returning to go back to sleep any second.

The unfinished bark plate you had set aside to eat later and fought Lo’ak not to touch it. a squabble Jake had to break before you started wasting food by throwing it at each other.

The stack of fruits you’d gathered that you never shared except for Neytiri sometimes.

The half-carved cup you were working on because the regular cups weren’t big enough for your water needs and you didn’t like to refill it about three times until you were satisfied.

The incomplete anklet you were making out of rainbow beads for Tuk that was confidential to everyone but Jake, who knew from observing you, of course — you were missing a couple colors that you just couldn’t seem to find, nagging his head off to just let you roam around farther and there was no danger as the sky people couldn’t get in the vortex.

The little animal doodles you scratched at your side of the tent when you couldn’t sleep at nights, waking Jake up in the process every single time to listen until your breathing evened out as sleep retook you in its arms again, because he was bodily programmed to startle awake at one single rustle in his living quarters from his Marine days and fell into old habits after the return of the sky people, he knew you had developed insomnia from being uncomfortable at High Camp, longing for your hammock cocooned in the safety and comfort of the forest.

And the dumb romance novels you had taken from the humans that you, Kiri and Tuk giggled about at girl’s nights reading out loud, Spider invited as an honorary guest at times, just so you could tease Kiri about him and annoy your brothers that they weren’t allowed in, but the human boy was.

All of them had no owner now. Neither of your family members could look at them, your ghost would appear in precious memories beside your belongings if they looked too much. He didn't need to concentrate for a phantom of you to appear, you were everywhere he looked, and even now, as the gently pulsating lavender humming, a song from Eywa herself, right underneath the veinlike, labyrinthine roots was the cool summer rain on Jake’s sizzling skin, all he could see was your first communion with Eywa in his arms while Neytiri formed the tsaheylu, the clan spread all around them in celebration.

“You’ve called, and I’ve answered,” he greeted in positivity. “I think this is the most direct you’ve been with me in a long while.”

He didn’t know if it was Eywa or you he was saying this to. He genuinely didn’t know.

Kneeling, and putting his arms on the mossy, thick root, he looked up to see the woodsprites swaying and floating in the air. He reached for his braid, letting the squirming nerve-endings coil around the white-cored lavender thread closest to him, taking in the presence of Eywa, all around yet nowhere at all, but listening. No sign of you. Was he supposed to talk like this? Just like this? Was he not allowed to see you?

Jake had to admit he had been harboring the tiniest expectation of meeting you somehow, or hearing your voice through the connection like he did with a Tree of Voices when Mo’at had cryptically informed him of his chance. But this was it?

If he failed, this would be it.

“I guess this isn’t all that different,” he said out loud, instead of thinking inwards where the confusion flew. “It’s been like this for a while now, you and I. You talk, I don’t hear you. I talk, you don’t hear me. We throw the same ball at each other only for it to bounce back. Monologuing to a tree is the same thing, except it doesn’t talk back like you do.”

He looked up and around, there was nothing else to do. The air was the same as it always was in here. Always accommodating to what each Na’vi found comforting. “The last time I came here like this was to ask for Eywa’s help in the last stand against sky people. I told her I would fight either way, I knew that’s why she’d chosen me. All my life, all I’ve done was fight. Even when I wasn’t able to, I was fighting lesser battles with the excuse of not having anything to fight for. It’s all I’ve known. All I’ve ever done. It’s what I was best at.” His brow twitched, and Jake tried to keep his composure, not because he didn’t want anybody to see, no, it was to keep his shit together so he didn’t fuck this up. He had to be honest. His pride was the last thing he needed in his way at the moment.

“You were born to a different man. To a changed man. To a father who could let go because he thought his family was safe. You got to meet the man I used to be when my reason for fighting came back from my star. I know you don’t like that person — you can’t — couldn’t get used to him. I know.”

From the discomfort, his fingers dug into the moss first, and found the bark of the root, his fist curling on it next. “But I had to keep fighting.” He softly brought his fist back on the root. “The strong prey on the weak, that’s just how things are. That’s how I had it on my star. And my kids — you, you are weak, and it’s not an insult — it’s not me criticizing, Jesus, you are just children, and there’s a war on your damn heads. That’s what I mean. That’s what I’ve always meant. It’s natural that you are weak, Eywa was kind enough to let you be soft. Not Earth, though, never Earth.”

Jake had to clench his teeth and bite the anger into the inside of his mouth to not be boiled alive — not to let it reach to your side. He let out a soundless snarl. “You would never be ready for the cruelty of Earth, I would never wish that upon any of you. But it was brought to you. Right at your doorstep. I couldn’t protect you from it by hugs and kisses. You wouldn’t be safe from a gun extended to you by extending a branch in return. No.”

He reached and caressed the glowing thread, brows furrowed. “I did what I thought was right to prepare you. Every single one of you. I was making you tough. I had to. To protect you. And of course there would be clashing along the way, it’s what happens between parent and child. We fight. We fight like cats and dogs for dominance. You try me to show strength. I stand my ground to let you know you gotta do better.”

He had fired those sentences with incoherent speed, and when he got to the end of it, Jake got choked up. Stopped for a moment, took a breath. Blinking several times, his tone became vulnerable, he didn’t have anyone in front of him, but he tore away his gaze anyway. “Somewhere along the way, things just… Without me noticing, everything…” He sighed through his nose, his voice nothing but a whisper. “I fought more battles than I fought for my family. I thought I was doing my job as a father when I didn’t even know shit about being a father.”

A couple seconds floated by, and his gaze was stolen by a lone woodsprite descending down until it staggered on the fist he had against the root. The shine of it reflected from the mistiness of his eyes. His lower lip slightly trembled at the thought of it being you. This little woodsprite. You?

“The thing is, I’m lost, sweetheart,” he admitted quietly, small, shaky, not taking his eyes off the woodsprite. “I don’t know what I’m doing. I sit here, I look back, and think why I keep fighting. We could have migrated. Looked for a new Hometree. Another forest. Left the humans alone. Or made peace. A treaty. Something. None of your lives had to be sullied by war. Yet I chose this. I chose to fight, as I ‘ve always done, because now I had something to fight for. And the fighting wasn’t limited to them, I fought Neteyam, I fought Lo’ak, I fought you, my own kids, and I didn’t even know.”

He reached for it with his other hand, tentatively, scared that it would fly away with the slightest contact. But he was able to touch the top of the woodsprite ever so slightly, the little zap making all the hair on his body stand up. Jake swallowed thickly, his whole head on fire. “I don’t know what to do. I just miss you. I miss you so much, sweet girl. I wish you would scream at me. Say you hate me for all I care. Anything. Hate me until the day you die, but do it with all of your family surrounding you in old age, in peace. I would be content knowing you are under the same sky as me. But I’m forgetting your voice already, and I—” He held back a violent sob, hissed to not let it out, and groaned, getting angry at himself for the emotions. He shut his eyes tightly, willing away the tears. “I wish I could say these to your face. I wish I could see you one last time, smiling at me.”

Having everything to lose. Having lost everything. Having nothing to lose. Three different meanings had coiled around each other like snakes to become one singular outcome in linear relation of cause-and-effect through you. It wasn’t a cycle.

Having something to fight for. Having nothing left to fight for. Having nothing to fight for. You were everything. Everything. What could Jake do? How was he supposed to fight when he had no concrete opponent?

“I see you.”

The voice — your voice, albeit much, much younger, almost made him jump. When his eyes shot open, Jake was in a different location. He knew this place. The creek away from the village he and his family often frequented.

The twilight penumbra of the eclipse dimmed the shadows embracing the forest, but the ethereally glowing lights of all colors illuminated and got reflected from the water as if it was a mirror. Above and all around him were lazily dancing fireflies — or, rather, bioluminescent bugs he didn’t know the names of, tiny stars floating in the air like glitter. It was magical.

Jake realized with aching melancholy that this was the first time he’d taken you out on an eclipse to show you the beauty of the forest on a special father-daughter date. The exact memory.

The breath that left him was shaky as he felt the presence sitting right beside him, in the corner of his vision, he saw the ripples on the shining water made by swinging legs.

Jake froze for a second. Unmoving. Not looking at all — because if this was a dream, or a hallucination, he wouldn’t be able to bear it. His breathing got louder, more labored, the log underneath his hands was so realistically textured and damp. If he looked. If he looked, you would disappear. That’s how he felt.

He was supposed to talk. But now, his ribcage was holding the words hostage, burning with the strain of the pile-up.

“But I’m sad you don’t see me,” you said, and he was shaken by hearing your voice yet again, remembering the moment he found himself here, how he’d heard — ‘I see you’. “You don’t even want to look at me.”

So much hurt and vulnerability in that sentence that it left him breathless.

It all happened in a matter of seconds. Him launched into his own turmoil racking his brain about how Quaritch was back as an avatar, ignoring to look at you to protect his composure and just trying to think, think — think, of a plan, of a how, of what to do. You calling after him once Neytiri, you and he arrived at High Camp after dodging Quaritch’s men. Him purposefully walking away because he needed to cool off and not to explode on you right there and there.

That whole time, Jake hadn’t looked at you. If he did, he would have seen you needed help.

He shattered, all of his walls crumbling down, stripped down to bare despair.

“Oh sweetheart.” Before he knew it, he had wrapped his arms around you in a crushing hug, basically snatching you off from where you were sitting and on his lap, and your warmth, your pulse, your tangible existence wrenched a shiver out of him — and he buried his face to the little crook of your neck, taking your scent in, hiding his trembling face and the quiver of his arms by holding you tight. You were here. As your younger self, no older than eight, but he had you. Not bloody and battered in his arms, but alive, so alive. “Oh sweet girl, my sweet girl… I’m sorry, I’m so sorry.” He kissed the side of your head, felt the real tickle of your hair against his face, blessed with the soothe of his child’s smell. “I see you. Of course I see you. I’ve always seen you.”

The snowflake-frail snivel followed by your sobbing sniffle broke his heart into pieces. “You’re a liar.” He shook his head, hugging you tighter. “You’re mean to me. You’re so mean to me.”

“I’m sorry.” That was all he could say. All he could do with his thrashing soul smoldering at the wetness of your tears on his shoulder. “I am mean. I’m sorry… You’re right, I’m sorry.”

“It hurt so much.” You wailed. “It hurt a lot.”

Jake began to caress your head with an awkward, clumsy, panicked hand, disturbed as to if you meant the moment of your death — at him pressing on the wound with all he had to stop the bleeding, or he and your strained relationship in general. “I know, sweetheart,” he said anyway, a stone clogging his throat. He didn’t try to explain, or tell you why, didn’t argue that it wasn’t what he meant to do. It didn’t matter. Nothing mattered. He had you in his arms. “I know. I know.”

You wouldn’t get to be younger than this. And maybe, he would never get to see you be older, either. The thought crumpled his face like some piece of paper. Jake just wanted to hold you. And when you wrapped your little arms around him too, freely crying in his arms, a couple tears escaped his eyes as well, he didn’t know what kind of face he was making, perhaps it was better that you didn’t see him crumble.

In the middle of it somewhere, he realized that you were younger because it was your inner child that needed this, she was more honest — more open with Jake. It caused him to sway with you back and forth, ribcage hurting with each breath. And you let it all out, clinging to him.

“I love you, always,” he whispered, watching the bioluminescent bugs, when you were calmer and had fallen silent on his chest, not wanting to let him go and just listening to his heartbeat. “Even if I don’t show it — especially when I don’t show it. You are loved, my sweet girl, more than you know. More than you’ll ever know. More than I can show.” He looked down at the top of your head, agonized. “But I want to try. I want to show you more, moving forward.”

Knowing what he was insinuating, “But it’s nice here,” you said, voice thick and coarse from crying. You still didn’t pull back to look at him. Both of you, from the start of this, never looked at one another. Not once. Embarrassed and shameful to be honest, Jake thought. That pride you two shared. “You’re not mean to me here.”

But he needed to see you. You needed to be seen. So, as gently as he could, he unwrapped your arms around him, and took your baby cheeks in his hands, and looked you in the eyes. Another tear slipped from him. “You been listenin’ to me, right sweetheart? From the start?” You nodded adorably. You wouldn’t have said oel ngati kameie and accepted to let him see you if you hadn’t felt his true intentions and heart through him pouring it all out at the Tree of Souls. “I’m hiding a lot of things. But I want to be open with you. You wanna know the secret why I’m… mean?” You nodded again, more reluctant this time. “It’s because I’m scared.”

You gasped, genuinely lost and shocked, and he tried not to smile at the purity, the innocence. “You? You’re scared?”

“All the damn time,” he whispered, landing a kiss on your temple, his opposite thumb tracing a loving line on your other temple. “Every day. Every night.”

“But you’re Toruk Makto. You’re never scared.”

“I’m also a dad,” he said sorrowfully, as if he was giving out a secret. “And it’s precisely why I’m scared. I’m scared for you. For your siblings. Of losing you. It turns into anger. Anger turns into irreparable damage. Things I can’t take back.”

In the blink of an eye, you were back to your real age. For some reason he couldn’t quite grasp, you had shed the exterior of your childhood. But he didn’t mind, didn’t let you off his lap.

“Don’t be scared, I’m here,” you said, putting your own small palm on his cheek, upset by the fact that he was feeling like that in the first place rather than whatever explanation he had. Your response was also childish, but he leaned into your touch anyway, comforted regardless, even if you were already gone — for this moment, he could ignore that no, you weren’t here at all. “If you told us, we would have been more careful not to make you sad.”

Ah, he was being lectured on communication by his kid. It had a certain flavor of humbleness to it. Jake adored it nonetheless. “I know,” he said, “I’m sorry. I won’t be mean anymore.”

“That’s a lie.”

Jake couldn’t stop the laugh, though it was tottering. “Yeah, it is. But I promise you that I’ll never hurt you again.”

“That’s a lie too. Wasn’t it you who said not to make promises you can’t keep?”

“Alright, smartypants, let me rephrase it then,” the little glimpses of your brash self made him happy. “I will never intentionally hurt you, and if I end up doing so, unknowingly, I will always make it up to you. No exceptions.”

You were acting uninterested, but stole intrigued glances at him. “How are you gonna make it up to me?”

“I’ll let you choose, how does that sound?” Jake tapped your nose. “In return, if I don’t know and haven’t taken the first step, you’ll have to tell me outright what I did.”

You deadpanned. “But I always do.”

“No, you don’t.” He raised one of his eyebrows. “You become passive-aggressive when you’re annoyed and pick fights with me.”

“That’s not—”

“Sweetheart.”

“Okay, fine.” You huffed. The normalcy had made him forget just what he was doing here. “But you get angry.”

“What I get angry at is—” He cut himself off with a tongue click. “Not important. I do get angry. But at sincere honesty, us just talking it out, I could never get angry at that. Is the difference clear?”

“I think it is.” You were apprehensive about something, your fingers on his neck flexing as if you wanted to pull them back and break the hug. “But you have to promise.”

“I promise.” And then, Jake remembered, a new fire hardening his face, not in anger, but determination. “And speaking of which. I would never. Ever. Not in a million years would get angry or blame you for getting hurt to that degree — for others, humans, avatars, whoever and whatever the hell they are, hurting you, I could never get mad at you for it. Do you understand me? Your safety is the most important to me. I could never hate you for it.” His voice dropped down to a softer, gentler tone just above a whisper. “There is nothing in this world that’ll make me hate you. Nothing. I will love you through the most heinous crimes and in inexcusable deeds, you will find forgiveness in me even if there’s nobody left, that’s a father’s heart. Forever and always, I am with you.” He touched his forehead, and then yours. “I see you.”

You avoided eye contact.

Ah, yes, the famous emotional awkwardness. He was sort of aware his feelings had reached you, you just didn’t know what to say. Jake hadn’t been like this with you for the longest time. So, he decided to make you more comfortable. “Yes I will get mad at you for breaking curfew, and yes, we might stop talking for a while and beef about the dumbest things if the fight is too intense — but always, always come to me when something is wrong. I will drop everything without hesitation.” He leaned in a bit to catch your wayward stare. “Got it?”

You murmured. “Okay.”

“Are we clear?”

You murmured once more. “Yeah.”

“Repeat it, then.”

There was something between cringing and unwillingness on your face, but at his pointed look, you sighed, giving in. “Always come to you if something’s wrong even if we’re fighting.”

“That’s right,” he affirmed, encouraging to let you know this wasn’t embarrassing. “What else?”

You shrugged. “I don’t know.”

“Dad will always love you.” He nudged you, noting the flick of your ears in happiness when he’d said it. “Come on, say it.”

You didn’t look at him when you said it, but your voice was light. “Dad will always love me…”

“Dad will never hate you.”

Sheepishness took over, making Jake smile. “Dad will never hate me.”

“And. Come talk to me about it if I’ve ever hurt you without noticing so I can make it up to you.”

“Always go to you if I’m hurt and you’re unaware of it.”

“That’s right,” in this form as well, he gave your temple another kiss, heart soaring at your beautiful smile he had been dying to see. “Good girl.”

“You’re giving me a lot of power.”

“Nothing my mighty hunter can’t handle.”

The smile on your face died down. It came to Jake right away what had gone wrong. “Sweetheart—” “I didn’t mean that. You know—” But you didn’t know. Jake had to stop trying to make it easier on himself. “I’m proud of you. I’m so proud of you. About everything. About the ikran, I’m so goddamn proud. I said it, and I can’t take that back, I was angry and I was trying reverse psychology — you know what, it doesn’t matter. But you are my mighty hunter. Will always be.”

You got confident a bit, but were still testing the waters. “Well I proved I am.”

“Yes, you did,” he rejoiced, no rejection or doubt whatsoever. “Message received, Lima Charlie.”

You giggled freely, joyfully at the recognition, and Jake ached again remembering how much he’d missed that carefree, precious thing, he swore pixie dust was in it. You slipped from his lap to sit crossed-legged beside him, and he instantly missed being able to hold you close. “Wish you were there to see me.”

“Me too, sweet girl.” Your Iknimaya was a disaster. A long-passed, sacred tradition broken wasn’t as important to him as it was to Neytiri — but he knew she longed to see you complete it, by your side, as eagerly as he did. And you had been alone in your pride, when he knew from a very young age, you had been the most excited for it. Everything had been ruined and there was nothing he could do to undo it. “Will you tell me about it?”

The phantom of pensiveness on his face hadn’t quite registered with you yet, getting excited to tell him all about it like nothing had happened the moment you knew Jake wanted to know. As if you weren’t dead. As if nothing was wrong. “Well first of all, I broke Neteyam’s record.”

A mournful smile tugged on his lips. “Did you now?”

“Hell yeah!” You started gesturing with your arms. “It took, like, two minutes? One minute? Too easy.”

“You know easy means the ikran didn’t give you much of a fight, right?”

“Or, or.” One finger was raised up at him to raise another option. “I was too skilled.”

“The ikran might have been meh about you.” Jake teased. “You sure it chose you? Or did you just chase it down and it was stuck with you?”

“That’s so wrong!” He threw his head back to laugh at your outburst. “He was watching me get there the whole time! Like, from the start. His eye was on me, I just know it. You’re just jealous you didn’t get Bob like I got Jack. I was badass.”

That made him pause. “Jack?”

“Yeah, his name’s Jack.”

He couldn’t imagine Neytiri’s reaction to the blandest name imaginable, oh god. “Why?”

“Named him after you.” You tipped your head at him, raising your brows. “It’s healing, you know. He listens to me without questioning. He’s also very sweet. Unlike a certain someone.”

“Oh you little shit—”

“I didn’t say anything.” Raising your hands in defense first, you crossed your arms on your chest next. “Certain someone can mean anyone. It can mean Lo’jack—”

“Lo’jack, really? Really?” Jake half-snorted, half-scoffed. “This a new one after Lovak?”

“Jackiri—”

“Jackiri is pretty sweet, c’mon now,” he gave a blank stare. “Hope you’re not gonna say Jackeyam.”

“Jacktirey?” You asked, undecided. “She’s an anklebiter.”

“Oh, for sure.”

“Could be Jack the Ripper, Bojack Horseman, Jack-in-a-box. Jack-o-lantern.”

“All people, of course.”

“Yeah, all people.” You snapped your fingers in mock-remembrance. “Hit the road Jack.”

“Oh wow, even him?” Jake lowered his voice, leaning towards you, mocking astonishment. “Legendary figure, that guy.”

“Jack of All Trades.”

“Well, that ikran really seems to be one to me.”

“I know, right?” You stopped, and he saw that thought process, and before he could open his mouth, you blurted it out. “Unlike a certain someone I know.”

“You punk.” Jake pushed you lightly by your shoulder. “You’re pushin’ it.”

You smiled with all your teeth at him, with hands on your calves, leaning down to act cute, and Jake could pretend this was normal. That he’d fixed everything. And all was right in the world now that you were laughing with him — he’d made you smile. .

But suddenly you looked scared, looking at something over his shoulder, shrunken pupils focusing on him and whatever it was rapidly. It kicked him awake from his delusion. He tensed, tail jumping upwards, straight as a rod. “What is it, sweetheart? What’s wrong?”

Your breath hitched, and the next thing he knew, you had pushed him away, and he was falling towards the water. The last thing he saw was only a blur of you — the bioluminescent bugs became shooting stars with a thread of glow left behind them, the whole world tilted, but he didn’t hit the water, instead, he rolled down the small slope he had to climb to reach the tree.

Disoriented, he saw the root was almost split in half — bullet marks, a cloud of splinters and debris was flying around where he used to be sitting.

A lone avatar just ahead. Having made it all the way to the Tree of Souls. He didn’t know where this man had come from.

Heart picking up and roaring in his ears, all Jake could think about was, One chance.

He hadn’t even spoken to you properly yet, hadn’t said all the things he wanted to, hadn't even gotten your word, and this man — this son of a bitch — humans had taken you once again.

Once again.

You will only have one chance.

“Lucky asshole,” the man looked at him behind the barrel of the long assault rifle. “Gonna make you pay for what you pulled yesterday.”

Your ethereal smile going up in smokes at the back of his head, Jake saw red.

taglist: @ihonestlydontknowwhattonamethis@alohastitch0626 @jackiehollanderr @lucciera @qvrcll @iloveavatar @velvtcherie @ssc7514 @goldenmoonbeam @neteyamforlife @itsluludoll @jakesullys-bitch @blubrryy @sully-stick-together @arminsgfloll @alice121804 @noname2246 @justthingzsblog @eywamygoddess @m-1234 @ellabellabus07 @hellok1ttycake @dakotali @bluefire12348 @abbersreads @yellooaaa @aimsro @octavias-next-meat-bite @nikqdn @nao-cchi @spicycloudsalad @yeosxxx @heybiatchz @winxschester @elegantkidfansoul @eichenhouseproperty @kakimakiloh @dueiosy @liyahsocorro @dimplesxx @tigresslily@n8ivatar @strnqer @lillybbyy @jakesullyssluttt @r3dc4ndy @myheartfollower @gcldtom @bunnyrose01 @aceofheartzzz @ghoulbli @slasherfcker505 @ducks118 @megsthings @graykageyama @gwolf92

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#dad!jake x daughter!reader #dad!jake sully x daughter!reader #dad!jake sully x reader #jake sully x reader #jake sully x daughter!reader #sully family x reader #mom!neytiri x reader #neteyam x sister!reader #neytiri x daughter!reader #lo'ak x sister!reader #kiri x sister!reader

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impactedfates · 6 months

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Love In Different Shapes - Various HSR Boys x GN! Reader

★ Summary: Your lover loves to show that they love you, however some of their methods to do so, aren't something you'd expect - i.e HSR Boys and their love languages (but it's not your typical love language)

☆ Characters Included (Separate): Dan Heng, Jing Yuan, Blade, Welt, Luka, Sampo, Gepard, Loucha + bonus character

★ Genre/Trope: Romantic + Crack (?)

☆ Warnings: None

★ Extra: Just had random thoughts about HSR characters love language and decided to write about what theirs is in my opinion - just not your typical ones. // Not proof read - we die like Himeko // There's a HSR Girl version as well! Right here.

Dan Heng shows his love unintentionally by staring at you. Just full on staring. I mean, I'm sure most of us agree that Dan Heng is a man of few words, but I feel like you could be getting up to get water and you'll come back to Dan Heng staring at you. You might think 'oh, he wants me back in bed'

no.

He's just staring very lovingly at you, as creepy as it is. He wants to make sure he sees you. He can't explain why it gives him comfort to just look at you or why he decides to show that he cares about you this way. But he does! It's his way of saying he cares, and although not many may see it as him showing his love to you. Both you and him know what it means when he decides to look at you for more then 5 minutes without talking.

Somehow, Jing Yuans love language consists of making sure you aren't able to do your work. Somehow his love language is doing everything in his power to get you to pay attention to him.

You know those videos of cats knocking over a cup? That's him, and all he wants is your attention. He loves seeing what ways make you look at him, even for a split second. Would it be a surprise kiss? Softly rubbing your arm up and down? Knocking over an expensive vase??

He wants to find everyway to ensure you look at him with those pretty eyes, and as confusing as this love language may be to others. He truly does just enjoy messing with you.

Biting. I will not elaborate (Well I am but-)

Blade just bites you. Not harshly, just nibbles. You could just be doing some work, and your neck or shoulder are exposed, he'd just come up to you and just.

Nom.

You have so many bite makes because of him, but he doesn't care. He's at work often and as much as I'm sure he loves kissing you. He loves biting you playfully just as much. The amount of bite marks around your body that keeps multiplying is just a show of his love to you.

Welt shows his love by drawing you. He loves sketching you doing whatever and showing you. He enjoys looking at your face and capturing every detail with a stroke of a pencil. He probably has a sketch book dedicated to drawings of you, but most are ripped out as you stick it on your wall.

If you offered to model for Welt he'd be more then happy and ensures to be extra careful - not like he wasn't before but he wants to capture every single detail there is that he sees. And honestly? If you were to draw your own drawing of him then he'd be so happy. It's stuck on his wall, it's his wallpaper and it'll even by his profile picture for awhile.

Luka shows off. He's one of the guys that's like

"This is for you babe!"

But he fails, miserably even. He's usual so good at showing off, but when he tries to show off to you to show you how much he absolutely adores you he fails.

Every.

Single.

T i m e.

It's okay though, you get the gesture. You understand what he's trying to do, even after the countless fails. He wants to be successful even once as he feels if he continues failing you won't love him anymore.

You do though, you understand. And honestly? It's kinda cute how hard he tries trying to score a basket just to show you he loves you.

Reverse scamming (credits to my friend for this idea :D)

Sampo loves scamming others, but you? You're no exception sadly. On the other hand, how he scams you isn't what you'd think. He'd maybe scam you until getting what YOU want. Now what HE wants. Sometimes he may even scam you to get just a simple kiss or a hug.

You try to tell him if he wants a kiss or a hug he can just ask, but he finds it more fun this way. And you may even try to convince him to stop "scamming" you into getting the things you want, but he also refuses.

We all know Gepard is trying to garden and failing (I think) right? So what does everyone think of getting a half wilted flower from this man :D

He tries I swear, he just cannot do it correctly. You may even just get a tomato as an anniversary gift as he just couldn't take care of the flowers he was trying to grow for you. Bro may be more upset with being unable to grow you the best flower then he is about not catching Sampo.

He keeps trying and failing but, he still gives it to you in hopes you'll accept it! You will right? Even if he's given you a potato that's about to go bad?

Loucha can and will pat your head to show how much he loves you. As a merchant and a doctor, he doesn't necessarily have the time to sit down and relax, and even so. He doesn't seem like the type to want to. However he doesn't want his partner to feel neglected either, so to sure that he does love you so you don't forget. He pats your head with a small smile.

It doesn't even matter if your taller then him, he'll find a way to pat your head, whether it be to punch you in the stomach so you can bend over, pull you down by your collar or even just climbing onto his coffin to just pat your head a few times. He will pat that head of yours so you're reminded he still loves you despite his schedule.

Dr Ratio definitely info dumps to show his love. I don't even know much about this man yet but I know for a fact that he'd be casually talking about the history of something or in general just anything he knows whilst you two are eating.

He'd say something that's so jaw-dropping and continue eating and I love him for that. He seems sweet honestly, and if you want to info dump about anything you like? He listens with such intent, asks questions and remembers every word. I love him so much (I know he isn't out yet but-)

Hehehe. I spent a good bit rambling with my friend about certain HSR characters "unusual" love language and decided to write one! It's not proof read as most of the time, my rambles aren't proof read. But as always, if I messed some spelling or grammar up. Inform me and I'll fix it :D

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elucubrare · 10 months

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What are your biggest turn-offs when reading/watching historical fiction or retellings of myths?

this is really complicated - i can put it in two boxes, both of which are packed very full.

disconnection from the material reality of the past

when characters display a very specifically modern mindset (about social issues especially, but other stuff too)

(I also get bothered by some kinds of modern language - I don't mind it when, idk, an author uses "sensible" with the modern connotation of "practical" and not the 18th century "emotional" or "empathetic", but "yeah" or "okay," or even, as i found out when someone used it in medieval fantasy, "holy shit" will get on my nerves.)

there are modern things where (made up example!) a character who's supposed to be a cook will talk about making caprese salad for a fancy restaurant in December, and someone snarking on the book will say "yeah, right, they should know better than to make something that depends on a fresh summer vegetable!" and even with greenhouses, that's pretty fair. and that's even more extreme in the past. it's 1650 in Verona, it's December, you cannot obtain fresh tomatoes. i don't think this means that people in the past were, necessarily, more emotionally or spiritually in tune with the cycle of the year, or the labor it took to get clothes, or furniture, or any other material item, and of course wealth can insulate people from some of that difficulty, but it does mean that the seasons had more direct impact on people's lives. It's possible to, for example, buy clothes ready-made, but for anything fancy, it's more likely that it'll be made to fit if it's new, or altered extensively and painstakingly if it's not. that means that tearing or staining a fancy dress isn't just an issue of looking bad - you can't just replace it, and you probably won't throw it out - you figure out how to reuse it. those concerns of access to material goods are just a lot closer to the surface of the world than they often are now.

my objections to modern attitudes about the world are not that people in the past 100% accepted the views of their contemporaries - there were always people who didn't, and it makes sense that a protagonist would be one of them. but people wouldn't phrase those objections in the same way that modern people would - say your main character doesn't want a woman accused of being a witch burned. "God's power is such that the Devil cannot give this woman the ability to sour milk" is most likely going to be more persuasive to the crowd than "witches aren't real." and sometimes that's rough - it's not super fun to read about a Roman with Roman attitudes about provincial wars, or slavery in the city, but I put something down because a Roman character said (in internal dialogue) that he was disgusted to see that a man had been tortured because "Romans simply didn't do that." Historical Romans did do that, routinely - a slave could not testify in a law court unless they had been tortured. Even with distasteful things like that, I'd much rather it just be glossed over than to have them say the "correct" modern thing. It just makes it feel too much like the theme park version of the culture.

Both of these are because of specific things I come to historical fiction for - I want that sense of alienation, the gulf of experience. I hate that most historical fiction (and fantasy set in semi-recognizable periods) characters don't really care about Honor, except as a joke, because I love when characters organize their lives around arcane rules and systems that cause tiny things to escalate into blood feud. I just think they're neat! I like it when people's worldviews are shaped by their lack of scientific certainty about what causes crops to fail! If I wanted to read about people who thought and acted like me, and had lives that were mostly similar to mine, only cooler, I'd just read contemporary fiction.

#my thoughts on...

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croakings · 2 years

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this is news to no one ik but conglangs are SO HARD lmao it's even harder when you're being lazy......... the things we do for art

#*#complaining #I DONT EVEN REALLY NEED IT LOL I MOSTLY JUST NEED NAMES FOR THINGS........#but how would i know what people call things if i don't know their words for stuff. i ask you.#(i've come up with almost no names for the things i need them for in this process.)#(and today i've just been poking at a generator for hours trying to get shapes for an alphabet i have literally no use for at all #but will need 40-something-ish characters because i for some reason (heehee hoohoo) decided to make the writing system phonetic)#sometimes being a writer means you do almost no work whatsoever on the main body of the story and instead put all of your brainpower #into things that will perhaps show up in the background once or twice.#i could be using this energy to make maps but that's actually harder adjskdjs. also i hate all the websites #ANYWAY #wip blogging #I DONT EVEN HAVE A NAME FOR THIS STORY YET....... i've made up the history of the entire world i guess more or less and then perhaps 2/3 of #the actual plot. my most developed country is one that's basically hiding under a blanket most of the time #double anyway #im having fun going off the rails but also lmao. so much time in things no one else will ever see.........#also yes ik why being lazy is actually in many ways harder in language construction BUT i really am phoning some things in to compensate.#its fine. im fine. (my brain is melting)

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4dbarbie-archive · 9 months

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4dbarbie remix: How to realise Self?

Disclaimer: This remix/mashup post was compiled by me, a student of 4dbarbie as a way to make sense of everything and to understand how to apply the knowledge practically. I went through all her posts and answered asks to make this which is made up of various parts of 25 49 (omg lol there was a lot of good stuff) different posts and answered asks. It is not an original post by 4dbarbie herself but all words are directly from her various posts and answered asks (except for my clarification notes which are in purple text in brackets & the last section after the last divider where I make some closing comments). Hopefully the way I've organised the information in this post makes sense and helps some Vanessas out there. ♡

Fair warning as this is a pretty long post essay (!) so maybe grab a cup of tea or something :) If you are really new to all this then take some time to really process it, there is no rush. My personal notes and highlights are in pink for main points and purple for 'action' points.

May we all realize our Self ♡

There would be no steps necessary, no process to undertake if you would just establish yourself in the I AM alone. You are so lost in your play you forget reality. 1 If you are "I AM", it means you are not the person experiencing the world/thoughts/circumstances, you never were. 2

The external world, you control it (because it is you!, in you), you make it, fully, even when you tell yourself you don't. 3 To know yourself as the source of all that is, you have to first remove the veil of what's stopping you from seeing it in the first place. To know your real being, you have to first abandon what you thought yourself to be. 4 There is no external life, there is no need to use any methods to recondition or train your mind. It is much faster, much easier and you are hundreds times happier just letting go of the mind. 5 The process is one of letting go more and more until you find yourself having nothing, being nothing. The thing about nothing though is that it's the only thing that can take the shape of everything. 6

A jeweler who wants to refashion an ornament, first melts it down to shapeless gold. Similarly, one must return to one's original state before a new name and form can emerge. The only way to renewal lies through destruction. You must melt down the old jewellery into formless gold before you can mold a new one. What refuses to die cannot be reborn. - I Am That, Nisargadatta Maharaj 7

Stop thinking you are Vanessa, the thoughts of needing this or that drop away. By thinking you are it, you create a character who desires and then identify yourself with it. You can only have when you let go of thinking that you don't. To change, you need to give up this conviction of being this person. You need to disbelieve. 9

Most of you can't change because you are so desperate TO change... but there is nothing to want to change. Things just are. Don't work with changing self, just realize who self actually is. 10

You have it, all is well. Just stop believing the illusions born out of thinking you're a person. 11

Unless they understand who they really are, that Vanessa is a habit and nothing more - that nothing has existence outside of awareness, including her, that awareness assigns reality and is the only reality - they're always going to struggle to control something and get frustrated they don't see what they think they're aware of. What you're aware of is what you're being. You can't be aware of being something new while also being Vanessa. 12

Knowing is being. If you really knew, the thing you knew would be materialized. You know you are Vanessa so you're being Vanessa. Would you want Vanessa if you were her? No. You are her so you don't desire her. And you won't be able to be Vanessa 2.0 if you don't shed this Vanessa first. That is, let go of thinking the thoughts are yours. 8

Your memories of the life Vanessa lived are now and not in a past. You are imagining her past being now. Her past exists now because you are aware of it now. If you were Lara you would be aware of a different past, still now. Basically there was no yesterday and you are imagining "a past having been" today. 13

Anon: "Do I have to endure the world while I know my self as awareness and disbelieve that I am Vanessa???" Ada: THE POINT OF KNOWING YOURSELF AS AWARENESS IS TO DO WHATEVER THE HELL YOU WANT AT ALL TIMES, FOREVER. It's complete, incomparable freedom and power. It's the only real love. 14

You are either your Self with nothing attached to it or you're an ego. Disbelieve you were ever her. See what happens. 41

A lot of beliefs are subconscious. "I am a body", "I am Vanessa", "There is a world" are all subconscious, automatic beliefs. Upon investigation you can get rid of any belief (by making them conscious and then dropping them). 15 How do you drop a belief? (see part 1 and part 2)

HOW TO STOP?

The body and the mind are only symptoms of ignorance, of misapprehension. Behave as if you were pure awareness, bodiless and mindless, spaceless and timeless, beyond 'where' and 'when' and 'how'. Dwell on it, think of it, learn to accept its reality. Don't oppose it and deny it all the time. Keep an open mind at least. Make your mind and body express the real which is ALL and beyond all. By doing, you succeed. - I Am That, Nisargadatta Maharaj

You need not take time to meditate or put time aside to contemplate and "apply". All you need to do is detach from this form during the day, let life happen as it happens while reminding yourself it's a dream, a dream that doesn't have to be yours. 16 It is your own desire to hold on to it that creates the problem. Let go. Stop imagining that the dream is yours. As long as you give reality to dreams, you are their slave; see all as a dream and stay out of it. 17

You imagine that there is an external world in which the you that you're identified with lives, but all of that is in your mind. Stop imagining it's true and it dissolves, which can only mean it never was. Which can only mean you assigned reality to it by thinking you're it 18

I've said it before, you don't have to convince Vanessa that she's unreal. Just stop taking the thoughts you don't like for truth or reality. There is no convincing involved, it is all letting go... you're holding so tightly onto your ideas now, that's why you can't see their falsity. 19 You don't have to convince anyone of anything. What I teach here is to leave your mind alone, that is all. Don't go along with it. 2 Thoughts will keep on coming for a while, just now you know they have nothing to do with you. Get into a habit of watching, letting them be but not identifying with them. If you can observe them, it means you are not them. 32 Doesn't matter what the thought is, leave it alone, ignore it BUT not by force of will, just indifference. We've established you aren't the ego, alright? Thoughts, right now, are from the ego. 20

Thoughts of the past life come, remember they no longer have anything to do with you. Literal full delusion (I only call it that because after being identified with a person for so long, it's mind-blowing to grasp you are not that). Thoughts are not yours, complete indifference - no need to fight them. Where they come from, none of your business. Only know they are not yours. YOU not being in your desired reality is a thought, got it? This body and this world are not forced onto you, they exist through your identification with them. Not yours, remember? Repeat. Not yours. You won't lose your mind, you'll only lose your misery. After you've detached, you'll easily shift to as many realities as you want - don't put any on a pedestal of desire, they are equal. See this world and the body as not real first. What is true is only what I AM is identified with, right now this body which is not in that TV show (referring to anon's desire). Correct this first by letting go of thinking it's you. 21

You don't need to convince yourself they're unreal, just dismiss them as not yours. They will disappear more and more through your newfound indifference, then their physical counterparts will, too. Detachment is by doubt and indifference. First you start doubting "the facts", then you become indifferent to the facts, lastly there are no facts anymore and you can establish your own. 20

Start letting go bit by bit, just to see what happens, you won't start "acting crazy" just because you become uninterested in thoughts, I promise 22

What I recommend you to do is bring your self into focus, become aware of your own existence. See how you function, watch the motives and the results of your actions. Study the prison you have built around yourself because of credulity. By knowing what you are not, you come to know your self. The way back to your self is through refusal and rejection. 23

Here's a scale of emotions you go through, from bottom to top: apathy, grief, fear, hostility, anger, indifference, acceptance, freedom finally - and then unlimited, independent joy. You can review this to see where you are on the journey and what should come next. You can't skip them, all of them have to happen for you to have the all. 14

Do not try to understand any more, just be. And let other things be as they are. Even if you're not happy about what you see, there is no way around it besides accepting it. As long as you fight it and try so hard & incessantly to change it, you're only giving it further reality. 14

If you are angry or in pain, separate yourself from anger and pain and watch them. Step away and look. The physical events will go on happening, but by themselves they have no importance. It is your mind alone that matters. When you identify yourself with them, you are their slave, you think you have to act on them. When you stand apart, you are their master. 24

One thing is certain: the real is not imaginary, it is not a product of the mind. 23

You are beyond the mind. Mind and body become your servants once you discover your Self. The present moment is all that is, so yes - become aware of having never been the ego, of your ego being just one of your creations. Ego is the concept of individuality, of separation from the “I", and the All. Therefore ego is a false assumption. We are really the Supreme Reality, we are not separate from It. To "fix" the separation, reject what you are not. Only look at who you are, over and over and over until it becomes the permanent identification and replaces the ego. 25

Once you are convinced that you cannot say truthfully about your self anything except ‘I am’, and that nothing that can be pointed at, can be your self, the need for the ‘I am’ is over — you are no longer intent on verbalising what you are. All you need is to get rid of the tendency to define your self. All definitions apply to your body only and to its expressions. Once this obsession with the body goes, you will revert to your natural state, spontaneously and effortlessly. 23

Drop the false ideas first and watch. After what keeps you stuck goes, you can do whatever you want. You can think the ugliest thoughts and nothing will happen if you know yourself as who you are. It's your identification with the thought that causes the thought to be true. 26

The guilt is because you think you're running out of time and you need to change "your" life now. Be patient with yourself because you don't lose any time, just get to that place I'm telling you about and then you can just go back in time if you so wish. All worry is pointless! And there is nothing to fear, things just happen, do not claim them as yours for a while. Unclutter your mind, it becomes your servant after you've freed it enough. 27

She (Vanessa) will vanish yes, you ask how because you still think waking is more real than a dream. Do your dreams not vanish? Do you wonder how they vanish? They just stop existing all of a sudden when you go into another dream (waking). What if you've lived all your life as Ada and woke up one morning and were suddenly Vanessa with no memory of Ada, would you know anybody vanished? Nope. All you know is who you are right now (because present is all that is), which is Vanessa. 28 Leave poor Vanessa alone, with both her desires and fears, disbelieve you are her until reality becomes self-obvious.

By being your Self you gain the freedom of existing as anything, anytime. You don't lose Vanessa's pretty body if you don't want to stop imagining yourself as being Vanessa with her pretty body. 29

Nothing is lost, awareness just shifts. You can always go back. We're just removing the obstacles that stop you from having this freedom of choice (your identification with this person). You can completely wipe out Vanessa's existence as well. Later if you change your mind, you can make it so that she actually existed again. You are no form, you are formless, the form only is when you imagine there is a form, be your favorite form and dream beautiful dreams :) 30

There is no difference between sleeping and waking, awareness is the background of both. You just think the waking state more real because you've dreamt it over and over and reinforced your belief. They're equally imaginary. Become aware of this and life will forever be a breeze. 31

All depends on you. It is by your consent that the world exists. Withdraw your belief in its reality and it will dissolve like a dream. Cease from looking for happiness and reality in a dream and you will wake up. - I Am That, Nisargadatta Maharaj 17

Your next step will be realizing there is nothing to learn in a dream. You'll find yourself having less and less thoughts, then none at all. Then, only if you want, you will be able to reinstall the mind, now of your choice, and change the dream. 16

Past doesn't come up anymore, memories don't come up anymore after you've ignored (thoughts) & detached yourself enough. They just don't. You can think freely now about being something different. If you can't, don't get mad, don't blame, only know that the one that's doubting isn't you, so the doubts are totally fine to be. They'll be for a while and then they dissolve too, because by ignoring, not getting involved - you forget. And by forgetting not only do you free up so much mental space, but possibilities of what can be, become unnumbered. 36 Anon: Is it okay to feel completely indifferent after learning about this stuff? Like, not feeling as worried about what is playing in front of me since I know its not me Ada: That's the goal. Then become indifferent to the thoughts you get as well. Those aren't yours either. You'll become aware they've dissolved & you can reconstruct the mind however you want because you have no attachment to past beliefs anymore. 33

Even the process is very beautiful... but the very best is when your Self becomes the permanent background instead of Vanessa. Now you always return to Vanessa, later you'll forget to consider her ♡ Dream not of a character who wants and desires, there is nothing to long for — only things to be. 16

To not depend on anything but everything to depend on you is a top state you can grasp with no method. 5 The experience is of being empty, uncluttered by memories and expectations; it is like the happiness of open spaces, of being young, of having all the time and energy for doing things, for discovery, for adventure. A sense of 'there is nothing wrong with me. I have nothing to worry about'. But not one you condition yourself into like you conditioned yourself into a body, it is one that naturally and effortlessly dawns on you by itself when you reject all else, because it is your natural state. 34 Real freedom and real love only emerge when you're not identified with a transient ego. 35

All you are doing is becoming lucid. Becoming able to control the dream. You won't be able to, unless you step out of it. That is, stop thinking this story you tell yourself is true. When Vanessa is no longer all you are, you'll be able to 'change reality' the way you change the film in a video projector. You'll be able to have as much fun in the play as you want to, change it when you no longer want this one specifically. The emotions of the character are fun and welcomed, because they no longer imprison you, there's the background of love to it all - that once you gain, it can't be lost, it's ever present. 36

What you are identified with materializes. If you are not, it disappears. 37

Just let go of the ego, that’s how simple it is. All you need to fix is your wrong identification. There isn't anyone who couldn’t materialize anything right now if he or she would just let go of identifying as the limited body. 38

Only by letting go of all do you gain everything. But once it's done, it's done irreversibly. Fear is no more, control is fully yours. You are free, completely. And with the bliss of freedom no human pleasure compares. You become full love, full power. The absolute and only power. Sooner or later, you will arrive at the same conclusion. You can't stop being what you are, all else can stop existing, but you can't. The only thing you have a choice in is delaying seeing it by thinking you are this or that. Only see it (I Am), then you can imagine whatever you want and it will be. 39

If you project the world, it is within your power to change it. But you must stop identifying yourself with it first. Go beyond, then you have all the power to destroy and recreate. All everybody wants is to be free, but to do that you must know two things: what you are to be free from and what keeps you bound. 2

Your own self is your ultimate teacher, the outer teacher is merely a milestone. It is only your inner teacher that will walk with you to the goal, because he is the goal. - Nisargadatta Maharaj 40

Got more questions? Recommended reading:

Ada's recommended guides on realizing Self: 1, 2, 3

My recommended posts from Ada*: 1, 2, 3, 4, 5

All references from the remix post

Books: I Am That by Nisargadatta Maharaj** and Keys to The Ultimate Freedom by Lester Levenson

*in addition to the sources linked in the post **a lot of her posts incorporate quotes and excerpts from this book, moreso than Lester Levenson's Keys to The Ultimate Freedom and she also shared a lot of excerpts from the book

What does this look like when applied?

Experience is the best teacher and learning from other's experiences and how they applied this knowledge can be really valuable and insightful. I don't define success based on materialising things necessarily although that is one result of realizing Self.

From 4dbarbie students: see the tag

Other: 1, 2

Okay, what to do after reading all this?

Apply apply apply. Don't wait, nothing will happen by waiting. There is only now. Inquire who is causing trouble and to whom. You can't think yourself into realization. 'You' are beyond the mind. You are the creator of the mind. It must be experienced.

#remix #4dbarbie #nonduality #non duality #nondualism #non dualism

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