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#they’re just a fun specific detail to put in there!
paging-possum · 1 year
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If there is one thing I will always put in a lab drawing it is proper waste disposal bins
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estrellogy · 4 months
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Astro Notes Pt. 3
I have a lot of thoughts and observations that I want to share 😭 If you have any recommendations, please let me know as well 🤍
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- People often see 7th house as their ideal partner, but YOU are meant to embrace traits of that sign for growth.
For example, a Libra rising will begin to see more personal growth after learning positive traits from Aries e.g. Being more assertive, believing in themselves instead of looking for others’ approval, putting themselves first, etc.
- This might be a controversial opinion, but I don’t think minor asteroids influence your chart. Asteroids like Bride, Groom, and other very specific ones. The interpretations for them can usually be found somewhere in your main placements already. It can make you over complicate your chart and feel even more disconnected with yourself because you don’t focus on your core energy.
Not every small detail about you has to be explained by astrology. At the end of the day, you’re a person with free will and complex experiences that shape you beyond astrology. This is just a tool, not a determiner of your life.
- Pluto in 5th house 🤝 destroying/deleting your creative works when they’re not up to your standards
- The difference between Venus/Pluto hard versus soft aspects is in their expression. They all are intense, magnetic, and obsessive to some degree. However, hard aspects have a harder time owning these traits so they tend to swing between extremes (e.g. total obsession and then indifference). The soft aspects are just as intense and can have the same toxic tendencies as the hard aspects, BUT they have an easier time accepting it as a part of them and seem more ‘stable’.
- 6th house placements are so overlooked! That’s literally the house of your health and daily life. I notice that when you work with your 6th house energy effectively, other areas of your life also improve.
It’s interesting that 6th house comes right before 7th house of relationships. In order to be in a relationship with someone else, you have to take good care of yourself first!
- Aries and Mars aspects (especially hard ones) can overpower other aspects in your chart until you learn how to master that energy and channel them into something productive
- Jupiter in 12th house used to be seen as negative. But I think Jupiter here is one of the luckiest placements to have. This is the placements of coincidences happening in their favors, things lining up in crazy ways, book falling off the shelf right at the page they need to read. Their experiences feel divine.
They are very connected to the Universe, Source, Spirit Guides, or whatever you believe in! Anyone can with practice, but these things come more naturally for them.
- Shoutout to my Virgo Venus and Capricorn Mars for being the only things that stop me from going off the rails 😍
- Saturn in 11th house often feel unloved by the people around them due to earlier experiences with rejection. Saturn is trying to teach them to unconditionally accept themselves. Also, those bad experiences teach them how to read people a lot better and spot the ones with bad intentions. The reward from Saturn will be genuine, solid, and loyal friendships/connections.
I’m so glad you guys enjoy these silly notes! I have a ton of fun making them 😭
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python333 · 1 year
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bedbound — python333
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synopsis you're on a mission and oopsie daisy you get trapped under a building!! you end up in the medbay and tf141 visits you one by one, each of them giving you a lil piece of their mind for going and getting yourself trapped under a collapsed building.
relationships platonic!taskforce 141 & gn!reader.
characters cap. price, soap, ghost, gaz.
word count 4.5k
warnings pretty detailed (i think) descriptions of [reader] being in pain [specifically having a bunch of leg injuries], angstier than i usually write, 2nd person pov [you/yours/yourself], usage of c/n [code name/call sign].
note this is my first actual fic ive wrotten in MONTHS so i hope its okay! so sorry if it feels like a majority of the focus is on the reader, i had a too much fun writing out the first part where they get crushed :3 i am also once again begging for requests. like on my knees hands together begging for requests. its the best way of getting motivation istg. anyway, this is all mild hurt/comfort and some angst + fluff so enjoy!! :3
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You tried running out of the building—you didn’t expect the whole damn thing to come crashing down on you.
You’d just been chasing after an enemy soldier moments ago, dashing into the building, when suddenly the whole building seemed to shake. Then, the whole thing seemed to just collapse. When you think about it now, you realize the shake must’ve come from a nearby explosion, an explosion somehow powerful enough to damage the structural support of the building so terribly that it couldn’t hold itself up anymore and instead fell down onto you. 
Now, here you were, just ten steps away from the entrance of the building, stopped by the huge slab of concrete and twisted metal that pinned your legs down to the ground. Your earpiece fell off when you fell down, sliding across the floor, preventing you from calling your team.
Sure, you could try and move your legs, but the excruciating pain that came with each movement wasn’t worth it. You think your legs are broken with the way your nerves scream at you every time you move them, and with how uncomfortably and horrifyingly disconnected they feel.
“I’m making shit up,” You whisper hoarsely to yourself, ignoring the tears that welled up in your eyes from the debris and dust in the air, “They’re not broken. I’m making it worse for myself by thinking that.”
In the back of your mind, you remember that you’re quoting Price on that one, from the last time you got seriously hurt like this. You vaguely remember your panicked words and Price’s soothing voice that came after every worry, telling you that no, you’re not too badly hurt, it’s gonna be okay, you’re just panicking.
But in the forefront of your mind, all you can do is think about how you can’t reach your earpiece to talk to your team, the only thing you can do is listen to their worried voices.
The earpiece is loud enough for you to hear, even though you’re just out of arm’s reach from it, you can still hear your teammates repeating your call sign and asking how you copy. With the stupid Push-To-Talk thing, you can’t even just respond, no, you have to push the button on the side of your earpiece to unmute yourself.
You stretch your arm out just a little bit more to try and reach the earpiece, but when your leg starts to strain and your nerves light up you immediately give up, letting out a small, pained huff. You take a moment to just lie there and listen to your own labored breaths, every other breath hitching or catching in your throat.
You swallow down a sob that threatens to bubble out of your throat and try to reach again and—nope, that still fucking hurts.
You bring your hand back and put it over your mouth to muffle a small sob that climbs up and out of your throat, and try to take a deep breath the best you can with the debris in the air.
You feel a slight discomfort in your chest and cough, horrified when you see small specks of dust in the air you cough out, and God, the sight of it makes you want to rip out your lungs.
You feel the sudden urge to cough everything out, to flush out the dust in your lungs, to get rid of the uncomfortably full feeling you feel in your chest, but you know that every time you cough you can only exhale more of that debris-filled dust back in so now you’re trapped in a loop and—
“[c/n], how copy?” God, you want to yell at them that repeating that question won’t help, but you know there’s nothing else they can do. They’ve already asked where you are, if you’re okay, and how you copy multiple times, all of which got no answer.
They’ve only experienced radio silence on their end, and the thought makes you feel guilty for not being able to suck up the pain in your legs and just reach over to the damn earpiece and tell them you’re trapped.
You take a few deep breaths, trying your best to ignore the way you can literally feel the dust entering your lungs, and reach. You stretch your arm out the farthest you can, and feel the strain in your leg, and you’re almost to the earpiece, just a few more inches— pop.
A bone chilling pop rings through the air the moment you manage to snatch the earpiece, and good thing it was at least after you managed to grasp it firmly in your hand because you recoil back on instinct and gasp.
The gasp only lets in more dust, and you cough, wet tears dripping down onto your cheeks as you go through a seemingly endless loop of coughing out dust and inhaling debris and coughing it out again only for new dust to make its way into your system.
You stifle a pain-filled whimper and try to control your shaky breath, gripping the earpiece firming in your hand, looking down at it, looking at the sheer amount of debris on it. You bring your free hand out and wipe away the debris with shaky hands, making sure it’s clean enough to put in your ear before you carefully insert it.
It takes you a moment with your trembling hands, but you manage to do it, and you listen to Price ask how you copy one more time before you push down on the PTT button.
“Copy—” You hoarsely say, before coughing, everyone on the other line going silent, “Copy, not doing very well over here.”
“What happened?” Price’s voice crackles through on the damaged ear piece, “Are you hurt?”
“I got trapped under— under some concrete, and I…” You take a moment to catch your breath, “My legs are pinned, I can’t move.”
“Okay, okay,” Price’s voice softens, his tone becoming more soothing, “Where are you?”
“In a building— dunno which— which one… it’s by the really tall one,” You breathe out, mentally slapping yourself in the forehead for not being able to remember, “I’m sorry, I just know it’s orange and it has the entrance that Ghost bumped his head on—”
“It’s okay, I know which one you’re talking about,” Price reassures you, “Catch your breath. I’ll be there to get you out of there, okay? Just stay still, don’t move a muscle, you hear me?”
“I hear you,” You mumble, trying to catch your breath, coughing at the amount of dust that infiltrates your lungs. You bring your hand off of the PTT button and sob once, quietly, and sniffle to try and stop yourself from crying, blinking away tears.
The tears that trailed down your face earlier now only make you realize just how much dust and grime is on your face, how the tear trails must’ve been the only clean lines on your face, how there’s a whole layer of pure filth on your face and you can’t even properly wipe it away because your hands are dirty too.
The pain in your legs are throbbing and you know that you’ve torn some of the muscle in your thighs, and you know the popping noise had to have been your hip, from the unnatural way you’d twisted it to reach your earpiece. You don’t even have time to think about how pathetic you look when suddenly Price opens the barely-hanging-onto-the-hinges-door, looking at the floor for a moment before his eyes finally land on you.
He immediately walks over to the slab of concrete pinning your legs down and forcing you to lie on the ground and you can hear him faintly murmur, “Oh, God,” and kneel down to the same level as the concrete.
You turn your neck to look at him and watch as he looks at the concrete for a moment, trying to figure out the best way to lift it, before he simply grabs the edge of the concrete and, with a grunt and after a good thirty seconds, he manages to lift one end up and flip it over onto its other side. The circulation that immediately floods back to your legs and the sudden feeling of weightlessness you get is almost too much, and you can barely find it in yourself to feel shame as you let out a small, relieved sob at the sudden rush of blood to your legs.
Price immediately gasps and you can’t see much from your angle but in the midst of your relief you suddenly feel a pang of pain and oh God, that hurts. You can recognize now the warm blood that accompanies the drying blood on your calf, and with the blood rushing into your legs, more spills out from the wound in your leg. Vaguely, you can remember twisted metal doing something to your leg—stabbing it, maybe? Your brain becomes fog-filled; too hazy to think through but just clear enough to register the throbbing pain in your leg. 
“I’m so sorry,” Price murmurs softly, and before you can question him he takes the metal out of your leg and you let out a closed-lip scream, slapping a hand over your mouth to try and muffle the now uncontrollable sobs that break past your lips, the pain you feel making you light-headed.
Price quickly pulls a tourniquet out of one of the many pockets of his tactical best, wrapping the bright red strip around your leg just above the bleeding, blocking the blood from reaching past that point. He tightens it and rolls you over so that you’re laying on your back, making you stifle another pain-filled whimper. Without another word, he slips his arm under your knees and his other below your back and lifts you up bridal style, making you gasp sharply and cry out for a moment in pain, a few drops of blood making it onto the floor from your calf, the whole sight dizzying.
Being lifted up like this gave you vertigo—your head spun as you were lifted up and you could barely process anything with your hazy mind. Price mutters small ‘sorry’s under his breath, carrying you out of the door and quickly running with you in his arms back to where the others are, almost wanting to cry for you, seeing how much pain you were in.
Your eyelids drooped and your eyes shortly became half-lidded, and your ears started to ring, and everything was so overwhelming you just wanted it to be over. 
Price notices your eyelids drooping and quickly says, “Hey, hey, don’t pass out on me, you gotta stay awake, kid.” You can only shake your head ‘no’ because talking feels like too much right now and let out another small, pain-filled whimper, just the sound of it making Price’s heart shatter.
You can only find it in yourself to talk a moment later, your words slurring together as you try to speak, “I can’t— can’t… I’m sorry, I can’t—” You don’t even know what you’re trying to say, what you’re trying to warn Price about, but he seems to know.  
“No, no, no—” Price tries to beg you, as if you had enough strength to stay awake. Those are the last words you hear before you completely black out.
You wake up to a white ceiling and the faint beeping of a heart monitor. You move your head around a bit, trying to gauge where you are, when you realize— oh, I’m in the medbay. You blink for a moment before sighing and just resting there for a moment, trying to recount the events that happened earlier. You don’t have time to go down memory lane, though, because suddenly the curtains in front of your bed are pulled back to reveal your Captain. “You’re awake,” He states, closing the curtains behind him. “How could you tell?” He snorts and sits down in a chair by your bed. You look at him questioningly, “Where’re the others?” “They’ll be here soon,” Price assures you, looking at your blanket covered legs for a moment before looking back up at your face, “Medics said one at a time.” You hum neutrally in response to that and wait a moment before asking, “How bad is it?” “Your leg?” “Yeah.” “Well…” Price starts to list off on his fingers, recalling the doctor’s words, “The joint that connected your hips and your legs was twisted and it had to be set back to normal, your muscles were torn, your ligaments were torn, your nerves were so compressed someone had to physically massage your legs back to life, and the stab wound in your leg almost got infected.” “… Huh.” You blink at Price, before asking, “When can I get out of here?” “Why is that what you’re thinking about right now?” Price asks, confused, before sighing and answering, “Kid, your leg was basically broken. You can get out of here in maybe a few weeks to a month. Getting back to your assignments is a whole different story. It could take several months for your muscles to fully heal, and even then I don’t want you back out there for a while. Not until it’s guaranteed your leg won’t… give out, or something, out there.” You frown at Price, “So what, I’m just gonna be stuck here?” “What else are you gonna do with an almost-broken leg?” “…” Price sighs and puts a gentle hand on your shoulder, “Look, I know it’s frustrating, having to sit here for a few weeks then be able to get out only to not be able to do anything too physical, but your leg muscles were torn. You were trapped under concrete. You’re not going on any missions any time soon. I feel like that should be kind of obvious.” You can understand it, knowing the condition you’re in now, but you still deflate a little where you lie down and let out a tired, frustrated huff. Price chuckles softly at your clear display of disappointment and rubs your shoulder gently before patting it and getting up. “I guess I have to let the others see you too,” He muses, making your lips twitch up into a smile, the sight making him smile in return, “But I’ll be back tomorrow to talk to you again, alright?” “Alright,” You nod, watching as he walks past the curtains blocking your bed from the rest of the medbay and listen as the door clicks open and closes shut. Not even a few seconds later, the door opens again, this time with someone walking faster to the curtains, pushing them aside eagerly. You quickly recognize Soap as he walks in, quickly closing the curtains behind him before rushing over and leaning down to hug you. This all happens so quickly you have to take a moment to process it, but you eventually hug him back, sighing at the warm embrace. “I want tae call ye stupid sae bad,” Soap mumbles into your neck as he hugs you, “but it wasn’ even yer fault sae I can’.”
“That’s the worst thing that’s happened all day,” You mutter sarcastically, making Soap laugh quietly. He pulls away from you and looks down at you. “It is, actually,” Soap says, and at your confused and mildly offended expression, he adds on, “It’s been over a day since ye got yer leg fucked up.” “… Oh.” You dumbly said, trying to process that. Over a day. “Everyone was really worried about ye, too,” Soap tacks on, refusing to sit on the chair behind him, simply standing by your bed. You stay silent, and Soap takes that as an invitation to keep talking. “I think that's the first time I've actually seen Ghost stressed," Soap muses, making you huff out a small laugh. “Really?” “Yea,” Soap smiles, “I ken. Stone cauld L.t, suddenly worryin’ o’er ye.”
“Isn’t that a surprise,” You mutter, a small smile gracing your lips thinking about Ghost worrying over you, “So you were all really worried?” “Very worried,” Soap nods, “Gaz thocht ye were gonnae die, poor chiel.” “Hm,” You hum neutrally. Soap stays silent for a moment before his voice softens and he quiets himself down a bit. “Try no' tae dae that again, aye? Ye'll gie the captain a heart attack," When you give him a pointed look, he rolls his eyes and adds on, “And me. Possibly. Maybe.” “Uh huh,” You look at him, unimpressed, “Right. I’ll try to predict when a huge piece of concrete is gonna fall on me.” “Ye ken wha’ I meant.”
“Never said I didn’t.” “Ye— y’know wha’? I’ll just leave then,” Soap says, feigning annoyance as he walks away from your bed, making you laugh quietly. He slips out and doesn’t bother to close the curtains behind him, simply walking out the door, not bothering to close that either.
You can hear him letting someone else know you’re ‘free to visit’, and just a few seconds later you watch Ghost walk in. You shouldn’t be as surprised as you are, seeing as Soap had told you Ghost was worried over you, but you still find yourself a little shocked when he walks over to you and closes the curtains behind him. He sits at the chair beside your bed, and silently stares at you from the chair.
You stare back, not blinking, waiting for him to say the first word. You and Ghost’s silent staring match ends with Ghost sighing and speaking up. “How does your… leg feel?” “How do you think it feels?” You ask, deadpan, watching as Ghost’s eyes narrow. You blink at him for another moment before adding on, “It feels numb, right now.” Ghost hums at the actual answer and sits there awkwardly for another moment before stating, “Gaz thought you died. Or, were gonna die.” “I heard about that,” You respond, raising an eyebrow at Ghost, “Did he not know it was just my leg that got hurt?” “Hurt is a mild word,” Ghost mutters, before clearing his throat and saying, “No, he knew. He was more worried about all the stuff that got into your lungs.” “Oh.” “Yeah.”
You both stay silent for a bit, again, before you speak up, “So… are my lungs okay, or… ?” “No, yeah, they’re fine.” “That’s… good.” “Mhm.” Why is this so awkward? You purse your lips and turn your head back so that you’re staring at the ceiling rather than at Ghost, not knowing what to say. Why’d he even come in here if he was just gonna be awkward about this whole thing? It’s silent again, an uncomfortable sort of quiet that’s silent yet deafening at the same time—and you hate it. It seems Ghost hates it too, because he shifts in his seat, not saying anything verbally but you can tell by his body language it’s awkward for him too.
This goes on for maybe a minute or two, when suddenly Ghost gets up and walks the short one step between him and your bed and leans down to hug you. Like the silence, the hug is awkward, but unlike it, it’s comforting. A comfortable awkward? You tentatively hug him back and you feel his hands snake underneath your back, forcing his arms under you so that he can hug you properly. 
“I know Soap told you I was stressed and worried and whatnot,” Ghost mutters, his skull mask pressing into your shoulder, “… And he was right.” “… Did you think I thought he was wrong?” “Shut it and let me try to talk.” “Yes, sir.” Ghost sighs and takes a deep breath before continuing, “He was right. I was growing greys watching you passed out, and I think I almost passed out as well, hearing you were trapped under a huge block of concrete and got stabbed by metal.” 
“Did you ever find out what the metal was?” You ask after a moment, making sure he was done talking.
“The Captain said it was a twisted pipe.”
“Huh.” You lay there for a moment, simply enjoying Ghost hugging you, before Ghost speaks up again.
“I know it wasn’t your fault, but please, God, never do that shit to me ever again.”
“I’ll keep that in mind next time I’m in a collapsing building.”
“I’m serious,” Ghost pulls away from the hug and looks down at you, keeping his hands on both of your shoulders, “I had to drive a car with you in the back passed out laying in the trunk with Price, all while not knowing what happened, and having to drive you guys back to base.”
“… Damn, you guys didn’t get a helicopter, or anything?”
“[c/n].”
“Sorry.”
Ghost sighs, “I’m trying to say that I don’t like worrying over you like that. I don’t like knowing that my kid is hurt, and I can’t do anything about it. That was the first time I was seriously worried and— and stressed over you, and it was terrifying, seeing you just passed out with dirt all over you and blood all over your leg, and just seeing you like that— I can’t do that again,” Ghost takes a deep breath, and looks down at you, trying to gauge your reaction, trying to see what you think of his words, but all you can think is, wait, he called me his kid?
“You called me your kid,” You dumbly voice your thoughts, watching as Ghost’s expression becomes more confused, and he opens his mouth to deny that when suddenly— oh shit, he called you his kid.
“… I did,” He dumbly says back, sounding surprised by his own words, before he fully realizes what he said and simply blinks down at you, not knowing where to go from here. You both blink at each other, not knowing what to say, before he clears his throat.
“I’ll just… head out then,” He awkwardly says, slowly walking away from the bed.
You take the opportunity to say, “Alright, dad.”
He freezes and slowly turns towards you and mutters, “Don’t call me that.”
A grin splits across your face, “Oh I will. Dad.”
He points at you with a single finger, “Don’t. You. Dare.”
“I’ll call you it in front of everyone. I’ll gaslight them into thinking we’re related.”
“God, you better not.”
“I will. In fact, tomorrow, I’ll begin with the Captain. Then I’ll tell Soap, he’s the next most gullible next to Gaz, who I’ll see right after you. Gaz won’t fight with me over it, he’ll just accept it, I know he will, then, and only then, will I tell everyone else. I spread it across the base like the flu. Everyone, and I mean everyone will think that you’re my father, Ghost.”
“That is…” Ghost blinks at you, dumbfounded and mildly horrified, “... terrifying.” “Yeah, I know. Pretty sure I got that from you, dad.” “Oh my God,” Ghost groans, making you laugh at his misery. He walks out without another word, being sure to slam the door behind him, making the poor medic passing by jump at least a foot in the air. You giggle quietly in your bed, waiting for the next person to walk in. By the time you’ve contained your laughter, Gaz walks in, looking strangely sheepish as he walks over to you and closes the curtains behind him that Ghost had forgotten to close. He doesn’t say anything until he’s right by your bed and bends over to give you a nice, firm, quick hug before standing up straight again and clearing his throat. “Hi,” He greets you simply. “Hi.” “How’s the uh… how’s your leg?” “You thought I died?” You ask teasingly, ignoring his question. You can’t see any blush on his face, but you’re almost certain his face heats up as he looks away from you. “Listen…” He sighs, looking back at you, “Price ran over to the whole group, with you not moving at all in his arms, and a tourniquet wrapped around your calf. I feel like it was a bit reasonable for me to think you were dead for a second.” “Right, of course,” You nod, definitely not believing that he only thought you were dead for a second, “That’s totally why I’ve had both Soap and Ghost tell me you thought I was dead. They only told me that because you thought I was dead for a second.” “I’m gonna murder them both, I swear to—” He mutters, burying his face in his hands, making you laugh quietly. He glares at you from behind his hands and adds on, “Oh, you think this is funny? You having a laugh down there, knowin’ that I thought you were dead?”
“I think this is hilarious.” “You’re insufferable and I don’t even know why I try to care about you anymore.” “You don’t try, you just do,” You roll your eyes, “Don’t act like you have to actively try and care about me.” “You’re so snarky today, my God,” Gaz scoffs, “Wait ‘til I tell Captain Price about this.” “Alright, Draco Malfoy. You do that.” “I shouldn’t have ever visited you in here,” He mutters, crossing his arms and looking away from you, feigning annoyance. You huff out a laugh at that and that makes Gaz laugh a bit, though he keeps up his dramatics, continuing to look away from you. “You still think I’m dead now, or?” “Shut it, you.” “My bad.” “I wish they amputated your leg.” “No you don’t.” “…” Gaz can’t even argue with it, simply sighing and rolling his eyes before looking back at you, ”No, I don’t.” “I knew it,” You smile at him knowingly, making his lips twitch up into a smile. You think for a moment before tacking on, “Wanna hear what Ghost said to me?” That makes Gaz perk up and immediately reply, “Oh, absolutely.” Cue you both five minutes later, Gaz gaping at you while you laugh every other word, remember the horror on Ghost's face when he realized what he called you. Gaz covers his mouth with his hand, laughing into it, gripping the rail of your bed with his other hand, keeping himself up.
“He— oh my God,” Gaz laughs, trying to keep quiet so Ghost wouldn’t hear him, knowing the latter was right outside the medbay. He takes a deep breath and another before breaking into small giggles once again, making you do the same. After maybe a few more minutes of just pure laughter, Gaz manages to catch his breath and stop laughing, and you do the same. “I should probably head out now,” He says, sounding almost disappointed by the fact, glancing over at the closed curtain a few feet away from your bed. You nod in understanding and don’t say anything in response, making Gaz look back at you and add on, “I’ll talk to you tomorrow though, yeah?” “Yeah,” You confirm, making Gaz offer you a warm smile and lean down to hug you tightly one last time before getting up and walking over to the curtains, sliding them to the side and walking out, sliding them closed behind him. You hear the click open and shut of the door, as well as Gaz’s footsteps walking outside of the medbay and eventually fading into nothing.
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temmtamm · 13 days
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couldddd you POSSIBLY!.!!.!!! do a gravity falls yandere platonic ford which any age with a son!reader? Maybe around the age of 14 or younger. IF NOT THATS COMPLETELY FINE!
or if not that maybe a platonic yandere teen ford and stan with a younger brother?
Hii pookie!!
Friendly reminder once again, I do not do gender specific asks/headcanons!! Check my Gravity Falls ‘Asks Open’ post if anyone has any confusion on what I will/wont do!
As for a parental Ford…let’s see..
Well, at least in my opinion, Ford probably wouldn’t take that care of a child. He can barely take care of himself, let alone a kid.
But, if we are talking after the portal and everything, then I think that might be different.
Once again, Ford doesn’t have much of any parental bones in his body, but he does display more care and affection for the twins than I think he would’ve before the portal. I feel like he had matured and grown a lot through all the dimensions he had been in, and was able to recognize how poorly he was raised.
So, let’s say your home life wasn’t as great either, whether it be something as simple as your father being emotionally constipated, or your family just fights more than ‘normal’ ones, Ford WILL draw parallels to your home and his.
And Ford, after all he has learned, doesn’t want another person to wind up like him; craving validation and praise from others, to the point where he—I mean, you, seek it out from dangerous sources.
So…Ford starts hanging around you more.
He’s very…subtle with it. He knows kids, especially teenagers don’t care for adults getting all up in their business, so he tried to take it slow.
He didn’t expect how closed off you were, however. Your walls were completely up…So, he had to take some extra measures to get some details out of you.
Y’know the fun fact about all the weirdness in Grvaity Falls?? It means that there’s a lot of bugs that can repeat what it hears—So, it wasn’t that hard to sneak one of these copyroaches into your home and listen in on it repeating all that was heard in the home.
All the nasty fights, all the lonesome crying, all the times you’d gush to yourself or your friends on call about your special interests.
Don’t worry, he’s a good dad, he’ll let you keep SOME privacy…Just, a very, very, VERRYY small portion of it.
Slowly, you two start to bond more and more with him becoming more of a father figure to you with how he seems to always know what’s troubling you and the answers you need to hear in that moment…Not to mention, with him not being great with emotions, he tried to win your love with acts of service, such as making you dinner, saving the shoes you like on his DVR, and letting you spend the night at the shack when your parents fight.
Soon, he started to notice you staying at the shack more and more.
And more and more…He couldn’t help but grow discontent with the way your family treats you.
As said before, it doesn’t matter how small the issue is, if Ford had it his way, not a foul word should be spoken in your vicinity. Haven’t they already done enough damage to this child?? Do they want you to grow up in a broken home?!
In fact…He doesn’t think they’re fit to be parents. Not even in the slightest!!
He would be so much better…He’d actually take care of you, and he is smarter than any school they have been putting you in for that matter—All those kids are just so cruel to you, even if you don’t know it yet.
That…actually gives him an idea.
“So…anything happen at school today, champ?” Ford mumbled in his usual low, raspy voice as he scrubbed at the dishes in the sink, his apron still tied around his waist from cooking.
“Uh…Ford?” He didn’t even bat an eye or look up at you as you started to feel queasy, pushing the bowl of soup away from you at the dinner table. “I think the vegetables in this went bad…I think I’m gonna be sick.”
Ford just let out a good, hearty laugh. “Don’t be silly, I made it with all fresh ingredients. Have a look for yourself. Only the best for you.”
You could feel your stomach start to churn and growl, with the sight that greeted you when you looked down at your bowl not making you feel any better.
Was that an…eye?!
It’s the same shade as your mother’s.
“O-Oh god..” You bit down on your lip, bile starting to creep up in the back of your throat at the sight…and that’s when the melatonin had started to kick in, making your vision grow spotty. It was hard for Ford to find a dosage of that where it was not only over the required limit for a young teen, but also able to be hidden in food. He did it though. Better that than rat poison for his little baby.
“Aww, oh no? Are you having a stomach bug?? Don’t worry, I’ll make it all better.”
That’s the sick part. He genuinely believes it’s better locked in the shack for you. Why wouldn’t it be?? He’ll spoil you with all the care and love a child deserves, not to mention he will be sure to intellectually stimulate your brain as well.
You’ll see. He’ll be the perfect father for you.
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pansyfemme · 7 days
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I’ve got a question about packing- so I know some packers can be used as dildos as well (at least that’s what my high school trans friends said) so my question is- can *every* dildo be used as a packer? Or is it like- some packers are dildos but not all dildos are packers. I’m messing around with my gender identity and just trying to have fun with it. I’d like to wear my 9 inch sparkly pink n blue dildo out but im not sure if there’s a difference in the way packers lay in the underwear vs dildos. Sorry if this is convoluted ahsjfjsk I always talk too much
hey yeah this is a good question. this gets somewhat detailed and has a lot involving sex and masturbation for ftms so putting the rest under the cut.
so packing as an actuon is generally divided into two catagories, soft and hard packing.
usually when people talk about packing they mean soft packing. If packing in general is the action of inserting an object into your pants to create the illusion of a penis- soft packing would be creating the illustion of a soft or flaccid penis. this is for everyday use. this type is usually unoticable and can aid with passing or just be affirming for a person. This can be a sexual act but it’s most often a nonsexual act. When you look for packers, they’re usually made for soft packing. So they will be of a soft material and usually smaller. You can’t really penetrate with them because they are 1) much softer than a dildo and b) usually don’t have a lot of usable length. They’re not designed to have penetrative sex with. It’s also why people use socks or another soft object. You are simulating a flaccid penis.
The other type is hard packing. You are simulating an erect penis. So generally, you would use a dildo for this. However. because you are purposely putting an object that resembles an erect penis into your pants, it will look like you have an erect penis in your pants. There aren’t a lot of packers sold for this specific purpose, so you would usually just use a dildo. This is pretty much exclusivly for sexual use. Not always ‘i am going to have sex’ but if you are going to go somewhere purposely looking like you have a very noticable and very large erection, that more often than not will be for some sort of sexual purpose, whether it be exhibitionism/humilation, crusing or signaling to others you want to have sex or whatever else you may want to with it. I’m sure there are exceptions. but that’s the basic idea.
essentially if the object resembles a flaccid penis in softness, shape and size, that’s soft packing. if the object resembles an erect penis in softness, shape and size, thats hard packing.
What your friends were describing could be a few things. the first is often refered to as a 2-in-1 or 3-in-1 (or however many features it has) prosthetic. These are pretty special in a few ways. They are 1) usually on a spectrum from pretty realistic to ‘holy shit that’s not an actual penis attached to your body??’ 2) extremely expensive 3) handmade and often made to order 4) a very niche market and often seen as less of a sex toy or gender affirmation object and more of a.. bottom surgery replacement. they are very cool and very intense. There’s differences between different brands but generally it is one object that performs a variety of different functions based on how you wear it and different inserts. For example, someone may buy a prosthetic that claims to be capable of four whole things! Packing, Peeing, Sex and Masturbation. Packing: You put it in your pants. Depending on things you may use a harness or an adhesive to attach the prosthetic to your skin (which can look pretty seamless and last for days at a time which is pretty awesome) Peeing: You may use a stp (stand-to-pee) harness for this part but a prosthetic with stp capabilities is indeed hollow and acts as a funnel so you can indeed pee standing up. Sex/Masturbation: These often come with stiff inserts you put inside of the hollow stp cavity. These make the penis erect and sometimes have a stimulation area at the back of them so the part that presses agaist your genetalia can be stimulated during motions of thrusting/jerking. Some can even ejaculate! it’s pretty neat. But those are generally the things people talk about when talking about packers you can use as dildos. There are many variations of prosthetics that can and cannot do different things, I only really described one function. There are also bendable dildos and dual density dildos- but listen to me. silicone is great, but it can only do so many things. Things it cannot do is shrink in volume or change firmness. So while you could pack with a bendable dual density dildo, it will look more like you have a bent erection or at best a semi than it will a flaccid penis. If that’s what you’re going for, that’s great. But prothetics tend to go the route of a removable stiff insert for a reason.
I hope this made some sense. tldr. good luck and do whatever you want forever! however. packing with a 9 inch hard dildo is going to look like you have a 9 inch hard penis. do with that what you will.
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bombuni · 5 months
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contains: roommates!yungi x gn!reader, pre-poly (?), yes they r in love with u and each other yes they have no idea what to do about it
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“They’re gonna be so mad,”
Yunho turns to Mingi, who’s all too casually chewing on his sandwich you made him, with a swiftness that causes his neck to jolt. He purses his lips in frustration and furrows his brow so Mingi gets the message that his input is not needed.
Mingi keeps chewing and watching Yunho fumble with your now bleach stained shirt. Your favorite shirt, to be exact. All he’d done was put your laundry to wash and now he feels like disaster is imminent. He’s kneeling on the floor of your guys’ living room-on the patterned rug you bought-completely distraught and still in his pajamas. He’s been dealing with this predicament all morning, suffering by himself and trying like hell to get rid of the big, ugly thing. He’s starting to think it’s taunting him.
Yunho turns back to the shirt he’s flattened out on the floor, “What do I do?”
Mingi sits back on the couch and turns the TV on to his current watch, humming whatever song he heard on the radio as if his roommate isn’t 2 feet away and practically breaking down. Yunho runs his hands over the front of your shirt again, like he’s been doing for the past hour, as if that’ll make the giant mark disappear. The clock ticks and he’s all too aware of the time of your arrival slowly inching closer and closer.
Mingi internally giggles at Yunho’s disheveled hair, “Serves you right for touching their stuff,”
Yunho pouts from the floor, “I was trying to help them out!”
“So why didn’t you do my laundry too?”
Yunho pauses for a few seconds before turning to scoop your shirt up in his arms, carefully as if it’s not already tainted by himself, “You’re useless,” he stands up quickly and exasperated, turning back around with an accusing finger, “and you haven’t been working overtime. That’s why I didn’t do your laundry.”
“Hey!” Mingi pouts and stands with purpose, just as irritated as Yunho now. He wants to poke fun at Yunho some more, but he spies your lit hot buttered rum candle out of the corner of his eye. The one you lit this morning before you left for work so the house would smell nice for your roommates. He spies the neatly organized coat rack by the door, the one where he always haphazardly throws his jacket on but finds it neatly back in its designated spot the next morning. He spies the second wrapped sandwich left on the counter, the one you made specifically for him.
Yunho’s already gone into the kitchen to try, for the millionth time, to wash out the stain once Mingi’s had the little revelation that he’s so endeared by everything you do for them, or just you in general. He figures Yunho’s already realized this a while ago, based on his unrelenting efforts to save your favorite shirt. God, you haven’t even told them outright that it’s your favorite shirt but they both just know because of how often they see you wearing it. Mingi’s just thinking over every little detail about you he’s subconsciously stored in his brain, shelved right next to every little detail about Yunho.
He stands next to the brown-haired panicked man by the sink, now ready to double his efforts and put his all into saving your shirt. He starts scrubbing like the stain owes him money. He gets a strange feeling in the pit of his stomach now, standing next to a pleading Yunho and your material under his fingers. Mingi feels fully at home, servicing both of you, but he doesn’t want to unpack that now. Yunho feels a softness blooming in him, watching how focused Mingi is getting, and the softness grows until he feels like it’s going to burst out of him like the cotton fluff in a teddy bear. A knock on the front door takes him out of it.
They both look at each other with wide eyes, panic rising as the lock keeps clicking and the door creaks open. Yunho shakes the shirt wildly in a last, stupid attempt to magically get the stain off and Mingi bites his fingernails in anxiousness. Waiting, guiltily, to let you find them both like kids caught stealing out of the cookie jar.
“Hey,” your voice echoes in the kitchen as you casually walk in and unpack your lunchbox. It’s eerie because of the out of character silence. Usually you’re hounded by Yunho asking how your day was and Mingi complaining to you about whatever he wants to that day. They’re turned away from you, standing at the sink and fiddling with a cloth in their hands. The guilt is hanging in the air, almost contaminating you too. It’s so clearly written on Mingi’s pouting face every time he looks at you out of the corner of his eye and you don’t really have to wait to have your suspicions confirmed.
You lean on the counter and cross your arms, “Ok, what did you two do?”
They slowly turn to you, “Nothing, we ju-“
“Yunho got a bleach stain on your favorite shirt.”
You both look at Mingi, Yunho turning with a betrayed look on his face, “What? You shouldn’t have done their laundry without permission,”
You walk in between where they stand at the sink, taking the shirt into your hands and unfolding it until you spy the splotch. Yunho twirls his hands and watches you with puppy dog eyes, curling in on himself as if he’s preparing for a scolding. Mingi thinks he’s adorably pathetic, falling for his wide eyes even though they aren’t directed at him.
You hum and shrug, “I’ll just use this as a sleep shirt from now on.”
Yunho splutters and stands tall, offense overtaking his features and once again making Mingi the scapegoat to all of his problems, “You said they’d be totally mad at me!”
Mingi has a dumb smile on his face as Yunho keeps blabbering and smacking his side. You blow out the hot buttered rum candle on the counter, watching as the two keep battling and calling to you to ‘join their side.’ It turns out like always, with Yunho pinning Mingi to the couch and their ‘fight’ dissolving into soft giggles. It’s quiet for a moment as they catch their breath, before you come crashing onto Yunho’s back and forcing him to topple over Mingi. The room is loud again, filled with complaints and grumbling but none of you move. Mingi shifts so you’re both comfortably on top of him. His arms hardly fit around two bodies and Yunho’s practically falling off the edge of the couch but he’d rather die than purposefully leave the feeling of Mingi’s chest rising and falling under him, the feeling of your gentle hand running over the spots on his face. It’s another Thursday night in your crowded home and you can find love in every nook and cranny.
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bom note: love domesticity hope i can try it sometime
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ilguna · 2 years
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☼ clueless (Finnick Odair) ☼
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summary; with the help of his ex-girlfriend, Finnick realizes that the girl he's been wanting has been the one supporting him.
warnings; swearing,
wc; 1.9k
You’ve been friends with Finnick for over a decade now, long before he went into the Hunger Games. However, you’ve never quite seen him go through so many girlfriends in such a short span of time.
You two were next door neighbors in high school, making it impossible to escape him, not that you ever did. You’d hang out during school, and then go right home to do the same thing. And even with all the obstacles that were put in the way, and the time that’s passed, not a single thing has changed between you two. 
While he still goes out of his way to make time for you, considering you to be his best friend. You would drop everything and run, if he asked you to. You know everything there is to know about him, including the details you’d prefer to never hear, and the secrets that he would never tell his girlfriends but wouldn’t dare to hide it from you.
So watching him do this—burn through girl after girl—isn’t him. Finnick’s always been the person that looks for long-term relationships because he would rather settle down than hop from one girl to another. He’s not the image that the Capitol has forced on him. Finnick doesn’t want to be a casanova.
In fact, in the past, you’ve seen him break up with girls solely for the fact that they weren’t looking for anything serious yet, and he wasn’t going to go out of his way to change their minds. Finnick wants a girl that’s ready to spend the rest of their life with him, and will fight to stay together rather than let it fizzle out.
It doesn’t feel that way anymore.
Finnick’s always had a specific type when it comes to girls, but lately it’s been all over the place. It doesn’t matter what they look like, what they’re interested in, or what their personality is. It’s about how they make him feel inside. Every single time there’s a new girl, he swears that he likes them, because he gets that butterfly feeling in his stomach.
It was the case with one of the other victors in District Four, too. This time it was Annie Cresta. You’ve seen her at the reapings, she’s got long brown hair, and the typical sea-green eyes that many here seem to have. 
Finnick told you that it was easier to talk to her, because she understood what it was like to win the Hunger Games. She likes to spend time with him, and she could spend the entire day just being around him. She didn’t mind being around you, either, which a lot of his past girlfriends seem to be put-off by.
She was fun to be around, she wanted to do everything he wanted to do, no questions asked. In the times you were invited along, she went out of her way to include you in conversations, and half the time, Finnick would accidentally get shut out because you two were talking the entire time.
For the first time in several months, you thought that Finnick finally found one that he was going to keep. She seemed to follow most of the ideas that his previous long-term relationships had. He swore up and down that she would be the last one, and you believed him.
They lasted three months. Which doesn’t seem like a lot of time, but compared to the one month curse that he’d been a part of for the past year, it really is a feat. The difference between this break up, and the others, is that he was actually fighting hard to stay with Annie.
Finnick didn’t want to break up with her. When he realized that he was losing feelings, he tried going on more dates with her, spending time with her, buying her gifts. He asked you a couple times what he could do to fix it, and you didn’t have an answer for him.
As much as you hoped that he would stay with Annie so that he’d stop coming to you to cry after his break ups, there was a part of you that was rooting for their downfall the entire time. How could you not? You’ve had a crush on him for years, and he still hasn’t developed feelings for you.
You had your own phase where you dated guys to take your mind off of him, but the truth is that no one will ever know you as well as Finnick does. And you don’t want to go through the effort of teaching someone, when Finnick’s right there.
If you’re being honest, you don’t know how many girlfriends you can stand to hear about, meet and be around. If he’s going to end up breaking up with every single one of them, you don’t want to sit through it. You’ve tried to be supportive as long as you can stand it, but Annie might be your breaking point.
“I don’t know what’s wrong with me.” Finnick says, rubbing his face.
“Finnick, have you considered taking a break for a while?” You ask.
Finnick’s sitting on your front porch steps, watching as you water the garden in front of your house. He stops to look at you, “Take a break from what?”
“In general. You’re stressing yourself out, maybe you need some time to sort of your feelings.” You tell him.
And you’re thinking, maybe if he takes some time away from girls, he’ll think about you and what you said. How you’ve been there at his every call, comforting him, letting him sleep over, taking his mind off of things. You don’t know what else you can do for him. On one hand, you want to stop, because you don’t think you’ve ever been more miserable than you are now, but you know that if you stop, you risk losing his trust altogether.
You’d tell him how you feel about him, if it weren’t for the fact that you know he’d shut you down. He wouldn’t even bother hearing you out. He needs to be the one that comes to you, that’s the only way you’d stand a chance with dating him.
Finnick lets out a laugh, shaking his head, “Annie doesn’t think so. She says that I’ve already got it sorted out.”
Your face twists, you glance over at him, waiting for him to tell you more. This’ll be the first that you’re hearing that, and they broke up a few days ago. You thought that he unloaded everything on you already.
“What’d she say?” You ask.
“Forget it.” He mutters, “It’s what I told you yesterday.”
“That’s not true, you’re hiding something.” 
“It’s…” He starts, shaking his head. He ends up with his face back in his hands, and you swear that he’s going to start crying again, but he sighs. “She said something before I left that night.”
“Okay…?” You start watering your grass, hoping to bring it back to life. You think that you need to start over entirely and to spread more seed. That’ll give you a fair chance. “Is it about the other girls you dated? I think you told me that she knew about all of them.”
“It’s not that.” He says, you can see that his face is a slight shade of red, “It’s um—more of the fact of a girl I haven’t dated.”
“If you’re not going to spit it out, then forget about it.” You wave your hand, “I’m not going to try to read your mind, Finnick.”
“It’s not that, I’m just trying to figure out how to say it.” He takes a breath, “You know how Annie and I started fighting?”
“Yeah.”
“It was over you.” He admits.
You stop what you’re doing to look at him, and find that he’s watching you. “Did you really break up with Annie over me? You told me it was a mutual agreement.”
“It wasn’t.” He shakes his head, “Annie broke up with me.”
“Why didn’t you tell me this?” You ask, resuming what you were doing, “I mean, that’s nothing new. Half the girls you date end up hating me one way or another, and most of the time it’s cause we’re so close. If that was the case, we could’ve stopped hanging out for a while.”
“It wasn’t for that reason, though. She um…” He clears his throat, “She said that I was comparing her to you too often.”
You squint your eyes at the ground. Why the hell would he do that? “Like, bringing me up in conversation?”
“No.”
You turn off the hose, coiling it up to sit next to your house in a neat pile. You don’t understand what he’s talking about, “I don’t understand.”
“Well, either way, before she made me leave that night, she said, ‘If you wanted a girl like (Y/n) so much, why don’t you just date her?’.” He says.
You take a breath to regulate yourself, because you understand what Annie meant, now. It makes perfect sense with a statement like that, but you’re not entirely sure if Finnick understands. If he was comparing you to her, then that probably means he was insisting for her to act like you in some way.
And if she said that, then that means he’s been thinking about it for almost three days now, deciding if she’s right or not.
You look at him, “Huh.”
“That’s all you have to say?” He asks.
“Well, I mean, it’s a bold statement to make.” You watch him, “But it’s obviously had an impact on you, if you didn’t tell me about it.”
“I was thinking about the other girls I dated and if it applied to them, too.” He tells you.
Oh. You did not think that this was going to be the way things happened.
You make a face, “So?”
“I think Annie’s right.” 
Of course, he’d come to that conclusion, he’s not stupid. You don’t know what you and all those girls had in common. Although, now that you’re thinking about it, it could’ve been anything. It didn’t matter to him , as long as they had some quality of yours, right?
You try to smile, but it doesn’t come out that way, “It’s a shame you don’t like me like that, huh?”
You look away, Finnick lets out a noise, “You knew the entire time, didn’t you?”
“No, I didn’t. I knew that you were acting funny, because you don’t go through girls like you drink water. It’s not who you are.”
“Why didn’t you say something?” He asks, you can see him stand up from your peripheral.
“What was I supposed to say to you?” You ask him, looking over again, “That I’ve been in love with you for years? You would’ve turned me down.”
“You don’t know that.” He says.
“It took Annie for you to realize that you liked me in the first place.” You point out, “So what now?”
“We take it slow.” He leans against the railing, “If you want to.”
“I want you to take more than just a couple of days to think about it.” You murmur, “I don’t want to be a rebound because you don’t have your shit in order.”
“That sounds fair to me.” He says. Neither of you say anything for a long moment, while he watches you finish cleaning up your garden so that you can go inside. When you’re done, he stops you. “I’m sorry.”
“You have nothing to be sorry for.”
“I put you through all of that, and I didn’t think about how you might’ve felt.” 
You place your hand on his shoulder, “I hid my feelings for you on purpose, Finnick. Don’t be sorry.”
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getmeoutofhell · 11 days
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could you do slasher house with a reader who’s a vampire :33 like which slasher would let them feed on them and etc etc 🧛🏻‍♂️🩸
Reader being a vampire in the Horror House headcanons!
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being a vampire in a house full of evil spirited murders is something you don’t think of. as you arrive at the place, the slashers act like you’re one of them. well i mean, in some way you are right?
now, let’s talk about who would let you feed on them.
well, i know for a fact freddy would definitely let you feed on him, i think. maybe in dream world only tho, because you know he’s useless in real life. in the real world he’s all like “you ain’t sucking my veins, vampie!” but in dream world he’ll say something like “drink me baby!” or something like that.
as for some of the others, not a chance. more specifically micheal is saying hell no. 😂
if you’re out hunting or whatever, one of the slashers will be there with you. they like when the get the victim close to death, and then you step in and finish them off by taking their blood.
back to freddy he may find you attractive for being a blood thirsty creature. although aren’t they all blood thirsty? 🤔
anyway, you’ll have fun in the house. sometimes jason will let you drink his victims blood, he’s so sweet you just can’t help but love him.
hannibal knows that you don’t like garlic, so when he makes your plate of food, he won’t put none on there. sometimes if he pre seasons his food, he’ll let you know that there’s gonna he garlic in it. he’s a respectful human isn’t he? :)
patrick couldn’t give less of a fuck. i’m lying he is now more freaked out and worried you might try and steal his blood. so when he sees you, he immediately runs the opposite direction. you’re slight offended. he doesn’t wanna look like a raisin, what can i say?
oh yeah let’s talk about the sun light. you, valak, and malthus hate that shit. don’t worry, you won’t really be around it, since you know you’re not the only one who hates it. the floor their on is pretty dark, so that’s good.
as for the rest of them, they’re fine with you being a vampire. once they get to know you they fuck with your vibe.
the ghostface group think you being a blood sucking physco is awesome! going into more detail mickey alteri is gonna try to smash. that’s up to you if you let him 😂👏
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sammaggs · 29 days
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4x05 The Ladies’ Man | Details
due South is a show that puts a TON of time and effort into subtle details like set dec, blocking, and framing, which invites us to do close readings of particular scenes in great detail. Let’s examine this scene in Ray’s apartment from The Ladies’ Man with that in mind!
Another thing I find fascinating about this show is its continuity; how significant time can pass between episodes, and it’s up to us to use context clues provided in future episodes in order to piece together what we can about the past; the parts of Fraser’s life that we haven’t been permitted to see. This scene is crammed with context clues.
(It’s worth remembering that John Krizanc, who wrote this episode, is a playwright first and foremost. He basically invented the style of play that would go on to become Sleep No More. The way characters phrase things, where they’re standing when they say them, what they surround themselves with—these things all matter.)
So in order, we learn:
Fraser lets himself in — By this point in Season 4, he has a key to Ray’s apartment.
“You there, Ray?” “Mhm.” — Fraser comes over so often that 1) he doesn’t call ahead, and b) it doesn’t matter if Ray is home or not. Ray doesn’t even feel the need to sit up when Fraser enters, let alone answer with words. This is long-time familiarity.
The Hat - Fraser automatically tosses his hat down on a stool that’s been pulled out from the bar and remains there for this specific purpose. That’s where Fraser’s hat lives when he’s over.
Diefenbaker - The wolf is so comfortable at Ray’s place that he jumps on top of Ray to his usual spot on the couch. Reading Dief as Fraser’s Ego, he bounds into the apartment, directly onto Ray’s LAP before LICKING RAY’S FACE. Okay!
The VCR - Fraser knows how to use Ray’s VCR and his TV remote. Those of us who were alive in the ‘90s know how much practice this would have taken. (Also, hand porn, you’re welcome.)
Seating arrangements — Fraser sits right next to Ray, who sits directly in the center of the couch, between cushions. Cannot be comfortable, but their legs and arms are touching. Their usual spots? Fraser sits ON TOP OF Dief to do this.
“Bark tea?” — Ray immediately starts teasing Fraser about his flirtation with the records gal for information. It’s teasing without intent or malice; Ray knows it was just a front, like Fraser knows Ray’s barbs are just for fun.
“What, I’m a pig?” “No, no, not that.” — This is an old grievance. This is not the first time Ray’s apartment cleanliness has come up. It’s something they’ve bickered about many times before. No, no, not that, not the usual. Something else.
The Turtle - The shot lingers on the overhead here to remind us that the macguffin note is in the VHS case, but also serves to focus in on the turtle sculpture. It’s made to catch your eye, which means we are meant to infer something about it; otherwise, it’s an unimportant, out-of-place distraction from the shot’s real purpose (again, the VHS case). Given what I perceive to be the turtle's Indigenous style, I think this is clearly a gift from Fraser (maybe from the previous Christmas?). He either had it shipped down from a friend up north, or he whittled it himself, and I like to think it’s the latter. Fraser does, after all, think Ray is the world.
TL;DR Fraser is basically living there, oh my god these cops gay, good for them, good for them
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Linked Universe Links Custom Skates Explained!
yeah, i'm really milking this, aren't i? based on this post of mine!
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Close-ups and explanations under the cut!!
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Legend: his in-lines were half custom built, half attacked with leather/vinyl paint and stickers. Marin painted the hibiscus while Ravio put on the rupee sticker and Legend was gifted the pink bunny. The toe protector was an add on by Ravio to tie in the magenta wheels. They’re a bit of a hodgepodge but Legend likes them.
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Hyrule: his are hand-me-downs from someone in the chain. Wild, probably. Once he can actually skate he’s planning on getting a nice pair for himself. According to Legend these skates were once a nice light yellow.
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Warriors: CUSTOM SUEDE MOXI SKATES. Yes i am dropping names in this lmao. He originally started the sparkly wheel kick the chain seems to be on. His other skate has the reverse stopper (stopper on the back) as his are specifically made for dancing. He religiously takes care of the suede and keeps his bearings perfectly cleaned and oiled, and his trucks perfectly loosened to his liking. Yes they were over $500. Yes they were worth it. If you were wondering: yes. The wheels light up too. i want them so badlyyyy
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Wind: they were a regular pair of Rio skates that he let Tetra take leather paint to. She tried to paint the ocean but it turned out more like blue flames. Whatever, he likes them. They go fast and he had fun making them his. Once he stops growing he’s gunning for a better pair though, ones that go EVEN FASTER. my friend @/lunalia_121 on twitter helped me figure out the design of these!
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Time: He bought his Riedells back in ‘86 and he’s NOT giving them up. These things go for $2000 now! He recently had to replace his wheels since they finally wore out (again, they’re ancient), Warriors convinced him to join the sparkly side. He has long ass laces that he has to wrap around his boot at least twice before they’re even manageable. Next time Warriors is gonna need to bring him to get new stoppers, they are just about worn out too. He also likes keeping his trucks nice and loose, a trait Warriors learned from him.
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Wild: As i said; derby style skates. Flora painted the silent princess on his heel for good luck and he personally seeks out to murder anyone who makes him scuff it by accident. He skates for the Sheika team and therefore their logo is both on his helmet and scribbled onto his skates. tie up your goddess-damned laces
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Twilight: HOWDY. YOU ASK I DELIVER, WHAT CAN I TELL YA? But no, I un-ironically love these. He found them on the internet and fixed them up. He loves them so much, the matte leather is always taken care of perfectly. When he’s not wearing them he keeps a skate key in them. Since they were kinda cheaply made the trucks and shocks are always wonky so he has to fix them up at the beginning of every night. He’s saving up to rebuild them.
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Four: padded vinyl skates. They were originally made as dancing skates, but he just uses them for leisure. One of Warrior’s friends outgrew them so they sold them to Four for a good price. They’re a little much with all the gold and embellished stitching, but he likes them. He keeps up the different coloured wheels even if it means he buys Four packs when he needs more. Though, he doesn't have to buy a new set the next four times the wheels go wonky.
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Sky: gimme these i need them so bad please please PLEASE!!! They were just plain blue Impalas when he bought them, Sun said they were too plain. Sky painted the design on the tongue and the clouds, Sun found the wings in a skate store and added on the details so they looked more like Sky’s bird, Crimson. Another perpetrator of the sparkly wheel agenda.
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the art of this took six hours from start to finish, so yeah, I'm really proud of it! i may end up making more of these if you like them, and if you draw any of the characters in these, tag me!!!!
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pippin-katz · 1 year
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Okay I noticed something during the Red Room scene after watching RWRB for the "who knows how many"-th time.
When they hit the wall, Alex puts his right hand on it:
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But then they cut and it’s not there anymore:
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Now, I’m not pointing this out as an "oh look an editing error" or anything because that’s something that happens in pretty much every movie ever made. Somebody’s hand or leg is in one position, they cut to another angle, and it’s in a slightly different position. It’s what happens when you’re editing together several different takes of the same scene.
Hell, quick and fun tangent, feel free to skip ahead to where the text changes back to the normal color, but there’s a sequence in Clue, the movie, where Wadsworth, the butler, is retelling the events of the evening in very specific detail and reenacting it. This is a fantastic example of a moment where a very attentive viewer can see into the behind the scenes, and remember that when filming movies, they always do multiple takes of a scene, even if nothing went wrong; there’s only very unique circumstances where they film a scene and the entirety of the very first take is used.
Earlier, Mrs. Peacock freaks out because they think there might have been poison in the drink, and Mr. Green slaps her in the throat to stop her from screaming:
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GIF from here.
After he hits her, he says this:
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GIF from here.
When Wadsworth reenacts it later, he says the same line:
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GIF from here.
Notice that he’s accurately in character as Mr. Green, but he makes the gesture to push his “glasses” back up, which Mr. Green didn’t do. Tim Curry went through great lengths for this very long sequence to get all the little details right. The only reason he would do that would be if he did push his glasses up, but it was in a different take. That take wasn’t used in the final cut of film, but they had to have filmed a version of the scene where Mr. Green pushed his glasses back up, and Tim Curry copied it because he wouldn’t have been able to predict which version of the scene they would use, and that’s a specific detail he wouldn’t want to miss if they used that take.
In the easiest and perfect scenario, they pick the best take of each shot and splice them together, but sometimes they use multiple takes of one of the shots and use different pieces of them. Maybe the delivery of one line was better in one take, but another line was better in the other. If there's going to be a cut between those lines, they can cut out the line delivery they liked the best and splice into whatever take they're using the most of.
This is common knowledge, but I'm covering it just in case someone is completely unfamiliar with how films are made.
When the camera angle changes during a sequence, it doesn’t mean that they filmed up until that point, stopped and repositioned the cameras and the actors, and then continued. They set up a camera for one of the shots, they run through the scene start-to-finish, and once they have several good takes to choose from, they move the camera position to the next angle, and shoot the scene start-to-finish again. Sometimes they can knock out more than one angle at once if the cameras won’t get each other in the shot.
For example, scenes like Alex and Henry talking on the couch, in the cafe, on the phone on the bed, basically almost any scene where they’re looking directly at each other, has to be shot from at least two angles separately, at least if they want to show us both of their faces throughout the scene. If they filmed both of them at once, you would see the other camera in the background behind the actors.
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In the case of the kissing in the Red Room, there's three cuts, until the end when Amy walks in. I'm talking specifically about from Alex grabbing him up to the shot right before Amy walks in.
So starting there, we have the first shot:
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Then the first cut:
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Then the second cut:
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Then the third cut:
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Then Amy walks in:
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Now, cameras do move and/or zoom during most shots, even if it's a barely noticeable. For example, there is no cut while Alex crosses the room; the camera moves with him. It also rotates/pans a bit once they start backing towards the wall to keep that shot connected up until the first cut.
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Based on the angle, the framing, and their positions, I'm pretty sure these two are from the same shot/camera position, possibly the same take, with the close-up spliced in:
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Even if they aren't from the same take, I'm fairly sure, like I said before, that they ran through the scene start-to-finish with this camera blocking, and that these are both from that blocking, even if the second one seems slightly different. It's really hard to be 100% sure, but when I watch them side-by-side, their positions seem to line up. If you map out their starting point and ending point, and the gap of time where the close-up is, it feels like enough time and movement for them to get from A to B in one shot had the camera not cut.
But the camera does cut, which leads me back to here:
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The camera angle alone is a big indicator that they cut together multiple takes. I can't be positive, but I'm pretty sure that they couldn't have filmed this angle at the same time as the main shot.
I think about these sorts of things while watching movies; it's something I can't turn off in my brain. I'm hyperaware of the cinematography. I notice it, and thoughts/questions just bounce around in the back of my head.
Like if I was watching this for the first time, excluding all the internal screaming that would've been occurring, I would have probably thought: "Oh hey, that was a big camera change! They probably filmed this separately!"
But it's so brief and subconscious that I would've had the thought without those words actually forming in my head, does that make sense? It's like there's a little version of me chilling in my brain with a clipboard that writes interesting things down while the rest of me is screaming. He's just chilling, taking notes, and I can feel when he writes something down, even if I can't process it in the moment. Does that make any sense?? Whatever, it doesn't actually matter lmfao
What I'm saying is, while the camera change suggests the use of multiple takes being edited together, Alex's hand on the wall 100% confirms it, since it's not in the same position when they cut between the angles.
Which FINALLY brings me to my POINT!
Everything I went over essentially just proves that this shot:
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-is from it's own, separate take than the other shots.
And as I explained, they typically run a scene start-to-finish several times from each angle, which is why there's this variation. With choreography like this that's meant to be spontaneous and aggressive is impossible to perfectly recreate each time. It happens too fast, and their characters are so wrapped up in the moment that they're just grabbing and touching each other however they can, so there is going to be variation between the takes in what they do with their hands or exactly how they kiss.
WHICH MEANS
It is very possible that there's a version/take of this sequence of events from the other angle where Alex's hand is on the wall, and he is half pinning Henry against the wall for this interaction.
His hand is in the classic "hands on either side of their partner's head while kissing against a wall" position that basically traps them against the wall and the person they're with.
So there's possibly a version of this shot:
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-with Alex's hand pinning Henry against the fucking wall, before he lifts him onto the table.
And I want to fucking see it.
Update: If you enjoyed this essay & would like to support me, you can give me a tip on my Ko-Fi! ☺️
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literary-illuminati · 3 months
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2024 Book Review 32 – The Adventures of Amina al-Sirafi by Shannon Chakraborty
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This is the first book this year I picked up specifically and entirely because it got a Hugo nomination; I’d previously vaguely heard of it, but never in any detail and the title didn’t really grab me. Despite what an exercise in masochism the whole ‘read every nominee for best novel and novella’ turned out to be last year, I’m actually very glad I stuck with it. Not sure I’d actually vote for it – this years best novel slate is actually incredibly strong – but it was an absolutely lovely and just fun read.
As one might assume, the story follows the eponymous Amina al-Sirafi, infamous and legendary corsair, smuggler and general rogue plying the Indian ocean sometime in the 12th century. Dragged out of an obscure retirement by the aristocratic mother of a former crewman whose fate still haunts her, she is sent on a mission to rescue the crewman’s kidnapped (or runaway) child by the twin incentives of more money than she could ever spend on one hand and blatant threats to the safety of her own family on the other. From there, she puts her crew together, has an unfortunate reunion with her demonic not-technically-ex husband, makes a pact with an island of officious peris, and races to prevent a Norman warlock from seizing control of an ancient relic to make war upon God.
The setting is honestly the point of this as much as the actual plot or any of the characters are. The late medieval Islamic maritime world and the wider Indian Ocean trading networks are an incredibly rich milieu to sink your teeth into, and one the author’s clearly fallen wholly in love with. I can’t speak for their accuracy, but little details of life and flourishes of historical terminology drip off every page, and the whole thing sings with the amount of research that was put into it. It’s the vanishingly rare work of fiction with a list of further reading at the end that actually makes me want to go hunt them down.
Specifically placing it in the twelfth century is kind of interesting, in terms of placement in the Islamic Golden Age – long, long after political power became fully fragmented and the Islamic world was linked more by economic and cultural ties, in the midst of the Crusades in the Levant, but still a few generations before the Mongols sack Baghdad. I really don’t have any ideas or assumptions about te why here, it’s just centuries later than the voyage of Sinbad the book is clearly riffing off of, so it makes me curious.
The enthusiastically researched and real-feeling setting does sadly kind of stop with the characters. Amina is sincerely religious and comfortable with the supernatural in a way that feels much more fitting than the vast majority of fantasy protagonists, but in every other sense she is clearly written to be relatable and sympathetic to an assumed audience of modern liberals. (Near-)Queernorm settings are great, but does jar with the fixation on historical grounding a bit. (The whole beat where dragging a runaway bride back to their family and decades older rich fiancee is unfortunate but for their own good until it’s realized they’re trans also kind of feels like a parody of a certain kind of identity-focused liberalism).
Between this and the Radiant Emperor duology I’m definitely rediscovering a real love for historic low fantasy. The research burden is immense but it’s hard to beat the actual past for making a world that feels lived in and real, and provide the vital sense that there are a thousand other stories happening just out of shot. The complete lack of generic-western-fantasy magic and monsters is also nearly as appreciated as the lack of castles and earls.
Which is good, really, as if you ignore the setting there isn’t really much to chew on here. To an extent this seems deliberate – the story is trying to be a pulpy, larger-than-life swashbuckling adventure, what with the getting dragged out of retirement for one more big score and the getting the band back together and the cackling 1.5-dimensional villain trying to make himself as unto god. In the main it absolutely succeeds at this (though the introduction of a generous and competent pirate captain who lends Amina a ship and a spirit-cutting magic sword out of nowhere at the end of the second act does strain things a bit). It does end up feeling a bit like using the most gorgeous, lusciously details stage in the world for a bunch of puppets to act out a pantomime, though – Amina is basically the only character in the entire story that feels like a person instead of a cartoon. They are, at least, more amusing cartoons than not. Raksh the murderous but cowardly ambition-seeking incubus husband was a highlight.
All in all, a very fun, page-turning read. I’m looking forward to the sequel.
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thoughtsforsoob · 6 months
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places in Tokyo that they take you to :)
a/n: idk if y’all can tell but i visited Tokyo, Japan not so long ago and absolutely fell in love with it. it was such a beautiful experience and I hope that if you ever do go, you have fun too. please don’t skip out on it and make time to visit it if you can! this may be a little specific but i know this is self-indulgent. please let me know what you think of it !!!
yeonjun
team planets! i see him liking how artsy and pretty it is. he loves seeing you enjoy the different exhibits and takes so many pictures of you there. he whines when he has to take off his shoes for the water experience part (which is so beautiful btw). he whines because he knows you’re gonna tell him to “put his damn dogs away”. i think his favorite part of the flower room because he loves how you look among all the flowers. Says some corny ass shit like “yeah, they’re pretty but not prettier than you.”
soobin
Tokyo Disneyland! He is a total nerd so he would love this place. He makes you get up super duper early and rewards you with coffee (tullys tho omggg). You guys arrived early enough and are there for rope drop. He even dresses up all nice for the day. He buys the both of you matching character hats. He totally insists on porky and slinky hats (he begs to be porky so you let him). He loves getting on all the ride but his favorite was beauty and the beast. he loves the attention to detail. he even gives you a little kiss while the ending scene is happing and def makes you blush. Don’t even get him started on the parades. He watches every single one of them. Especially the last light show. He holds you close to his side and wraps his jacket around you. The whole moment just feels so sweet and romantic and he lives for it.
beomgyu
harajuku enjoyer for sure. he loves all of the clothing shops, shoe stores and everything else. He for sure goes into all of the stores and tries on a million things and has you give your opinion. Don’t worry, after all of that shopping, he’ll make sure to get you a treat! He’ll fill you both up on Okinawa ice cream, cheesy 10 yen coins and plenty of coffee!! I feel like he’d also take you to music stores. You both comb through the many floors of Tower Records and find your favorite albums. Also..what’s harajuku without a photo booth session :)) he makes you take one of those silly ones that make you look like a doll. Silly gyu
taehyun
sensō-ji! I feel like he really appreciative of older places and places that make for pretty pictures. he def makes you both put on kimonos for the whole experience (don’t be like me and def watch your step when walking in these narrow shops…aka: don’t skip down the stairs 😜) he loves the whole touristy vibe and he hopes you do to. He obviously also stops at all the food stalls and buys you and him treats to try. HE also takes a pretty picture with you in front of the temple…one where he even kisses your cheek. He is in that good of a mood omg. You two also do fortunes at the temple and you both get bad luck :(((( sorry I don’t make the rules
huening kai
snoopy museum for sure. Yeah ik this place is technically in yokohama but like…idc :) anyways, huening gives snoopy lover vibes so he would def love to bring you here. he loves looking at all of memorabilia with you and if you’re a snoopy enthusiast also, he asks you questions and makes comments. he def begs you to take a pic with him by the giant snoopy in the middle of the room. he keeps it in his wallet forever. he also loves the stuffed snoopies so you get matching ones!
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wavesalwayscrash · 6 months
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Hello!! If you don’t mind me asking, what’s your process for making backgrounds (if you have any process in particular!) They’re one of my favorite parts of the comic, and I’m interested to hear how you decide colors and stuff!
I sadly don't have a lot to say about this bc half the time i just raw dog the colors. I rely on complimentary colors (primarily orange/yellow and blue/purple, which is a fun secondary effect since Lain and Mariner are also yellow and blue) but if I want a very specific vibe I will often colorpick from pictures since I have a bit of trouble straying from my love of desaturated colors a lot of the time LOL.
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These were some scene preps I did for a couple of later scenes! I tried to find some where I made a couple of moodboard pictures to get the vibe down but i guess i deleted all of those whoops.
as for drawing them, i don't have a lot of tips on the actually RENDERING part (i'm a very bad teacher) but here's a breakdown of how i generally draw the bgs in wac
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bgs in comics are really an important aspect to me personally. the way I treat and approach bgs is to not treat them as just window dressing but instead treat them as an additional character. What is the bg conveying, whether it be a specific location, a vibe, or in terms of a den or a room or whatever, what can it tell us about the character it belongs to? I will admit I haven't done this as much as I would've liked to in WAC so far, but I hope that as the story progresses I can strive to put more life into the backgrounds. It's a little bit trickier since they are kitties living in a nature environment and not humans in houses, but I still hope to create that same sense of importance.
and I know backgrounds are often seen as "the worst part" of art, but I wholeheartedly believe you just need to figure out how YOU enjoy creating backgrounds. I love drawing them! I used to paint backgrounds for years before realizing I hated it so bad. Now I prefer this much blockier style and I love lining bgs. I highly recommend just sitting down, and doing some studies of photos of landscapes, of cities, or whatever else you want your bgs to be. appreciate the little details, figure out how to simplify them for yourself, think about the big picture of things, and it'll go a long way.
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luxaofhesperides · 7 months
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Listen. I love the dcxdp crossover. It’s a lot of fun! There’s so much that can be done for this crossover, with all the characters and settings and the many plots that can spring up from them. But as much as I love writing for it and sharing my fics with the community, there’s been a significant uptick in things that are rubbing me the wrong way. Some of these things have to do with canon vs fanon, but others are more about the shifting culture of the community.
(keep in mind that I only see things on Tumblr and am not in any discords, so my experience will be different from others bc I have a more limited experience with the wider community)
(putting it all under a read more bc its long)
Let’s start off with a look at what we’re doing as a group:
Building off of completed fics on tumblr: I always thought the etiquette is to not build off of a completed work without permission. Someone had an idea and executed it, then shared it with us. It should end there. If you want to add to it, contact the author first and see if it’s something they’re fine with; some will say no, some will say yes, some will say yes but be sure to credit them for the original fic. A lot of what I’m seeing is a completed fic gets added on to in a way that completely takes it away from the original idea. Having experienced this myself (on a requested prompt from someone else, no less), I found it kind of rude. Maybe it’s just me, but a completed fic is not a prompt request or something open for building up another story around. It’s already completed. Leave the story as is and let the author know you liked it.
Expecting others to write for you: the prompts are what build this crossover fandom, in my eyes. Prompts are posted and people create something around them, either as a group by adding onto what other people are saying, or as individual fics that one person wrote. Now I’m seeing people throw out prompts that are basically fic outlines, then begging others to write something for it. Like, those prompts are already written! They have very specific details! Why not write it yourself? You’re already halfway there, you can just write the thing you want to see and post it. It’s not about being ‘good’ or ‘bad’ at writing, it’s about crafting an idea to share to the world. Why ask others to write it for you when you’ve already practically done it?
But also, you are not owed fic. This might just be general fandom burn out talking, but being a fic author who has been treated like a machine? It sucks. I love writing, but I share what I write because what I wrote made me happy and I wanted to share that with others. I’m not a content creating machine who has to pump out fic after fic for other people’s entertainment. I just want to share what I love and having people pop up in my notifs only going “write more/tag me/sequel?/etc” is tiring. I get that it’s coming from a place of love bc you liked the fic enough to want to see more, but please actually talk about what I’ve already written instead of going “update? More? MORE????”
Hostility to DC canon: I get that DC canon is a mess, but it still is a canon and has a lot of cool stuff! I’m seeing a lot of posts recently about how dpxdc people refuse to engage with the comics, and I need to let yall know that this is not a new thing. DC fans also refuse to engage with the comics (it’s mostly batfam) and it’s very easy to tell who has and who hasnt ready batfam related stuff bc the fanon is incredibly wrong about characterisation and what happened in comics. But that’s for a different post.
I’m seeing both sides of the argument (this is for fun, reading comics isn’t required, don’t like don’t read vs it’s tiring seeing people butcher my favorite characters into ocs with their name/face, I want to share my love for comics but there’s so much pushback, it shouldn’t be weird to expect people engaging with a media to have actually engaged with that media). And I think you should engage with comics! DP is a unique case in which fanon is for the most part better and more interesting than the original show (also death to the author/butch hartman), but DC comics shouldn’t be engaged with in that way. If you like the characters you see in dpxdc, you should read about them in comics! The whole point of a fandom is that you’re a fan of the original media. That’s why you’re engaging with it in this way, writing within the world and characters and canon.
I don’t know how people write for fandoms when they’re not familiar with the source material. I wanted to write dcxdp so I started rewatching DP. I’m reading comics. I want to know the characters and their stories so I can have a foundation to write from, and also to better understand the media so I can share my love for it. The refusal to engage with source material while engaging with its fandom is so strange to me.
Also dc fans who love the comics are great! In my experience, they’re very kind and willing to help you jump into comics! Don’t know where to start? Pick a character or team and follow them! Want a reading guide? We’ve got TONS. want thoughts on a specific character or comic run? Just ask!
Now to more specific points about what I’m seeing in dcxdp works:
Mischaracterized batfam: this is a group of people who are disasters and have complicated relationships with each other. They’re kind, wonderful people who bring out the best and worst in each other. Why is Batman always adopting people. Why is this a running joke with the batfam. I get it being a joke the first few times, but I’ve seen it so often and done like it’s accurate characterization that I just. I can’t. I leave that fic immediately. I can’t do it anymore. Batman is paranoid and tried very hard to keep kids away from him/away from being a vigilante. Unfortunately all the kids he got are stubborn and smart so he was doomed from the beginning.
Superman and Kon: you guys are pretty much only pulling from Young Justice Animated which I think is a terrible adaptation, but that’s my own taste. But seriously. Clark is kind. That’s an important part of his character! He’s the strongest man in the world and he’s kind. He was also dead when Kon first appeared as a experiment from CADMUS in Hawaii. They’re not father-son, but they are family and they do care for each other, once they get to know each other. Also Kon is not an angry broody boy, he’s funny! And annoying! pls read kon comics guys, i promise youll like his actual character
Chronos??? Guys. Chronos is not a god in DC canon. He is in Greek mythology, but in DC he’s a Captain Atom villain and he’s literally just a guy who got obsessed with having perfect timing. He’s themed around clocks. He has nothing to do with time travel or time gods. The Speedforce is Time, basically, and it is not human. It is an eldritch being beyond our comprehension that can eat people. If it chooses to have a human form, it’s going to choose to look like Bart. Please read Flash stuff, it’s interesting!
Lazarus Pit Madness lasts like 5 minutes in canon. Jason having it, and being affected by it for years, is a purely fanon thing from the dc side. Not going to say anything more on this because it goes into Jason Todd discourse.
Repetition: I’m sorry but I’m tired of seeing the same things over and over. I barely see anything out of the dcxdp tags thats new and fun to engage with. Everything is the same variation of “Danny helps Pit Mad Jason”, “Bruce insta-adopts Danny”, “Superman is mean to clones”, etc etc. Think of any popular dcxdp trope and that’s all you’ll see. I get why these are fun and popular, but the way it’s being engaged with now? It literally makes me exit Tumblr and put my phone down.
Not every prompt has to go down the same routes as the other prompts. Please explore more options, branch out, twist those tropes around to do something new with them. And also stop going onto other people’s fics and saying “what about [dcxdp trope]? Cant wait to see [dcxdp trope]! You should have [dcxdp] trope.” If I didn’t include it, it’s not included for a reason. There are hundreds of other fics that write specifically about those exact tropes. Read those, or write your own. (im being super bitter here but please just let me write what i want to write without trying to pull the story into another direction for a trope you like. Im writing for me, but sharing it for you. Not every fic needs those tropes in them.)
Tumblr specific things: this is less about the content and more about general posting etiquette. Please put long posts under a read more. If it’s more then three paragraphs, consider adding a read more if there is significantly MORE than three paragraphs. Tag appropriately. Content warnings and trigger warnings should be at the very top of the post and in the tags so they can be properly blocked. If you’re posting fic/prompt, please double check your spelling and fix any typos you find because posts that are filled with excessive typos are difficult to read.
There’s probably a lot more to talk about, but just getting this much out is tiring and, frankly, I don’t want to think on it any more today. If you reply/add comments, I won’t get to them in a while bc I will be writing ghostlights and yhk fic to lift my mood :)
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deansmom · 1 year
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Everytime I point out that Dean Winchester is autistic, people get mad or look at me like I’ve spontaneously grown a second head, as if this man’s existence isn’t just checking off boxes for the diagnostic criteria
Special interests: westerns, cars, mechanical engineering stuff in general, 1960’s & 70’s music - specifically classic rock, monsters. You’re gonna look me in the eyes and tell me that it’s totally normal for someone who was born in 1979 to have borderline encyclopedic knowledge of two decades of music????? Hundreds of years of monster lore??? — for fuck’s sake, he had a train thing when he was little!!!! Those are special interests!!!!
Restricted diet: it’s mostly for Jokes but dean genuinely doesn’t eat much beyond burgers, diner food and pie.
Dean didn’t speak for months after Mary died and there’s 15 years of canon evidence where he loses his voice during moments of Big Emotions!!! He’s going nonverbal!!!!!!!
Trouble with social cues: literally look at every single instance of Dean trying to interact with strangers, ESPECIALLY in the early seasons. He’s not playing dumb, he just doesn’t get it. Also, watch any scene of this man TRYING to flirt and tell me that he’s any good at it. You know why? That bitch is mimicking the fucking movies and tv shows he grew up watching.
Sensory processing disorder: DO YOU THINK HE WEARS 87 LAYERS FOR FUN???? FOR FASHION????? WHAT DID YOU THINK ALL THE FLANNELS WERE ABOUT. THEY’RE SOFT. Also think about how much he liked the nightgown and the robe. ALSO, ALSO: school!!! It’s loud, it’s smelly, it’s dirty (his germ thing), the lights are too bright, there’s too much sensory input happening at one time. Between being so overwhelmed in school that he couldn’t focus and John pulling him left & right for cases and Sam, no wonder dean dropped out :(
14.04. The comic book episode is an ENTIRE episode about dean and his special interests!!!!!! And his social anxiety, hiding out in his room at the beginning of the episode because of all the strangers in his home 😤
Emotional regulation problems: those angry outbursts?? Destroying the Impala??? LOOK ME IN THE EYES AND TELL ME THATS NOT A MELTDOWN
His whole personality is a mask! He based his whole life and personality around the men he grew up around! John, Bobby, the other hunters - we all know that dean isn’t this rugged manly man he puts on. Sure people can have layers, but my man literally wore his dad’s actual jacket for fucking years
Black & white thinking: this doesn’t need anything else tbh
Strong sense of Justice: “how many people do you have to save?” “All of ‘em. Whole wide world of sports.”
Literal thinking: half the show is about how they both have to learn to look at monsters and not immediately go “monsters bad.” Also literal thinking is hard to explain, but I promise he does this.
Hyperlexic: “what? I read?”
“Too blunt”: all those times you thought “that was kinda harsh Dean” or “wtf that was so mean” - he doesn’t like lying to people when he doesn’t have to!
Hyper empathy: “The baby in the well? My bad.” “I do my best to be brave.” Sacrificing himself for people over and over again. The djinn episode and the speech he makes in front of John’s grave. His whole life he’s been told he cares too much!!!!
As a fellow AuDHD bitch, the most AuDHD thing Dean has ever said was “we know a little about a lot of things. Just enough to make us dangerous.” Also: “I got no idea. But what I do have is a GED and a give ‘em hell attitude, and I’ll figure it out.”
Like I could dive into the nuances of all of these and explain them in great detail and find textual evidence for basically everything, but it’s too early in the morning for that much work when I know that I’m right. Yeah he has adhd, obviously, but I will eat my left hand if that man isn’t autistic.
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