#they're not naturally like that he did have bits cut out of them in his early twenties | Explore Tumblr Posts and Blogs

erinaeris · 3 months

Text

Laios Touden and the Responsibility of Power

First off, let me gush just a bit about how fucking STRONK this man is. Olympic weightlifters are dying of sheer envy and lust over this man. He is a FUCKING POWERHOUSE.

My favorite panels ever, and judging by the cropping of the second photo, Tumblr agrees.

AHEM, where was I?

Ah yes. He's not just strong and incredibly hot, my man is literally an invasive species in this dungeon. He knows every single weak spot of every monster Thistle tried to throw at him and when he finds it he just fucking RAMS HIMSELF AT THEM AND TAKES THEM DOWN.

And when he's a dwarf HE LITERALLY BENDS STEEL.

"Beat Namari at arm wrestling"? My boy, she wouldn't let you anywhere near because you'd FUCKING BREAK HER HER HAND ALONG WITH THE TABLE. (It's such a fucking shame we didn't see Senshi at least raising an (perfectly plucked except it just grows that way naturally) eyebrow in the background when he sees this. Alas, he was too distracted by his hair.)

But I mentioned responsibility, didn't I? Strength is power in the dungeon, and we all knows what comes with great power. And Laios is, in fact, very responsible with that power!

(Futther examples under the cut, wee bit spoilers for anime watchers)

This scene lives rent-free in my head forever, because of two things: Thistle suddenly realizing just what the hell he's up against,

And Laios breaking Thistle's arm.

Now, I think Laios didn't mean to actually break his arm here, he's just half-blind and dizzy and knows he has to restrain Thistle or it will all go to shit. So that's what he does. The move you see above is a restraining hold. The point is that the person pinned down can't struggle much because the position of the arm presses the suprascapular nerve, so it hurts a lot, but unless they're held that way for too long they'll be fine.

But Thistle is TINY and elves are generally fine-boned. I think Laios really did just underestimate his strength.

And the moment the dragons aren't an IMMEDIATE THREAT anymore?

Laios heals him. Thistle's a better mage than him by miles, he could have done it himself. But no. Laios does it. He was too rough, too careless with his strength, and he immediately backtracked, fixed what he broke, and continued with more mindfullness.

And these are just the examples that stuck in my mind the most. And it happens often enough that the team isn't even fucking surprised! Laios' strength would 100% scare people who only saw him in a barfight and didn't know anything else about him. Hell, the other adventurers they meet fucking quiver before this guy who just took down a monster they had nightmares about in one blow, up until he opens his mouth and they relax. You put more malevolent software in that sort of hardware and he'd be the next Shadow Governor.

But Laios is Laios. He's a gentle soul at heart (a Great Pyrenese, specifically, the gentlest souls ever unless you're out for their flock) and he is VERY CAREFUL with his strength, ESPECIALLY around his team. Chilchuck, who is literally half his size and underfed to boot, can smack Laios as much as he wants with ZERO fear because Laios is aware he can hurt Chilchuck by literally tripping over him, so he just stays still and lets Chilchuck smack at him. I'd be surprised if he ever managed to leave a bruise. Chilchuck has to aim at Laios' weak spot (back of the knee here) just to get Laios to notice him!

But because I have some experience with marital arts and close combat, I think the fight with Shuro exemplifies my point so fucking well! Laios is HURT here, he's living every autistic person's worst nightmare.

And he HOLDS BACK. His restraint is fucking IMMACULATE.

Shuro is fucking lucky Laios still liked him when he started talking shit, because he would have broken his spine otherwise. Laios doesn't even take the fight seriously! He starts with a fucking SLAP.

Shuro retaliates with an actual punch (that does nothing but piss him off)

Laios wobbles. Shuro HITS THE DIRT.

And this is the part where he realizes just how outside his weight category he is. Shuro definitely has technique on his side, but that means jackshit when you need ten blows to to even bruise your opponent, but one hit from them will leave you drinking through a straw for a week. For a second there, Shuro thought he was in ACTUAL DANGER.

But instead of finishing the job, Laios tries to talk him down, which just sets him off again. Man was at his fucking LIMIT, and it snapped. Self-preservation who?

And the best part is? Shuro is throwing all his strength behind his punches and Laios just takes them, but Laios? He mostly pushed Shuro around!

They're mostly grappling here, precisely because Laios is very conscious his friend is pretty fragile right now.

And when he does have enough?

Shuro is flat on the ground again, and Laios has a black eye and a bloody nose. He sits down and five minutes later he's ready to go! Like yes, Shuro was at a low point here, but he's been mowing through monsters at only a bit slower pace than Laios' party. He's no weakling regardless. And Laios had to HOLD BACK SO HE WOULDN'T HURT HIM. And it's so obvious that Maizuru takes one look at the two of them and leaves them to their toussling.

When I saw her reaction I had to scroll back and take another look, because I was sure she would intervene! But she doesn't! She is aware of Laios' strength, she has to be, and she doesn't lift a finger to help her precious charge. She knows the big dog he's wrestling with knows to watch his strength.

And that's my whole point: my boi is STRONK AF! And he is very aware of his strength, and how he could hurt the people around him is he wasn't careful, so he is ALWAYS CAREFUL. He has deeply internalized the fact that to have strength is to be careful with it, to use it in service of people rather than to hurt them (possibly from his dad). He is going to SUCH a good king! He's not going to like the job but by GOD he will do it really well.

And I will give my right arm to see a fic about the first corrupt lord/governor/courtier who attempts to misuse their authority for their own gain. Kabru's gonna have to talk Laios out of an execution.

#dungeon meshi #laios touden #delicious in dungeon

3K notes · View notes

wifelinkmtg · 1 year

Text

TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT

So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"

The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?

And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?

INTRODUCING: THE DITCH

There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.

And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?

So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.

Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?

There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.

Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.

There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.

Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.

And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.

There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...

SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]

We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?

Atraxa, Grand Unifier (art by Marta Nael)

In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.

So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.

Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:

Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?

Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?

SPELLING IT OUT FOR YOU

There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.

The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.

There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.

A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.

Do you get it now?

ENDNOTES

It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.

I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.

I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.

#phyrexia #not defining the ditch except by implication #thanks to all the very smart vorthoi on the flavor text discord server for helping me work through my thoughts on fascism and phyrexia #this is technically the march of the machine review also #or as much of one as i care to do

5K notes · View notes

iamespecter · 4 months

Text

TADC OCs: "The Die Quartet"!

"Oh but Ziku, who are these very handsome die?"

Well I'm glad nobody asked, because that would ruin the joke!

The Die Quartet are OCs of mine that I created for TADC, and for what purpose? Well, they're the minds behind show's music!

Hidden just behind a corner or two, or four, These obliviously mischievous and enthusiastic quartet play whatever music they can, one that certainly matches the current "mood" of what the cast is going through. Meet Cuba, Dodeca, Tetra, and Octa, The Amazing Musical Performers, for The Amazing Digital Circus!

LORE AND BOUNDARIES UNDERNEATH THE CUT!

When the Circus was initially created, it was feeling too barren for a place that's meant to be "lively". And so, Caine went and copy-pasted himself four times, while replacing the heads with some die props he found on the floor, retexturing and adjusting their bodies, to fit their new roles.

A little bit of a code rewrite to make them able of producing any sounds all on their own to be musically intertwined, and the quartet was basically ready to go: but there's only one problem.

Caine completely forgot to remove the admin privileges from their code.

So once the four spawned, they immediately began floating around, dancing and creating the main theme for the circus, and did it all perfectly. So Caine decided that as long as they don't interfere with anything major in the circus and did their job as the musical minds behind the show/game's soundtracks, he doesn't really care about fixing this error and would rather let these four run rampant to create more songs.

Ever since then, the Die Quartet has been messing with every circus members, most of the time playing obnoxious music that fits the "current mood". You'll even see their canes dance to the tempo they've set, like some backup dancers.

Think of it like: You now have x4 Caines with dice heads, flying and snooping around, so that they can "improve the mood" with their music! Ain't that swell??

(But really, all they do is just annoy the Circus members just like Caine does, for the better or the worse. Probably the latter.)

Fun facts about the Die Quartet!

Even though they've all been created at the same time and share the features of a die, they do not consider themselves as "brothers", and only see one another as colleagues instead.

Their names are related to the type of their die: Tetra (yellow), Dodeca (purple), Cuba (red), and Octa (green).

Despite being reused assets of Caine himself, they have distinct personalities that separate them from each other: Tetra is more joyful and playful, Dodeca is a more dramatic/theatric and over the top, Cuba is the natural lead and more stern than anybody, and Octa is the more closed off of the gang but willing to provide his best.

Yet, they all still lack awareness of personal space and boundaries just like Caine, and WILL be intrusive towards anyone they set their sights on, with the intent of predicting their mood and setting the current situation perfectly in musical form. (ex. if a character is sneaking, all four will follow "cautiously" behind while one imitates/pulls out a tiny piano playing to the theme of "tip-toeing". You know, like a cartoon gag.)

Although they can perfectly imitate ANY sound or instrument imaginable, They'll still pull out a "physical" instrument if the gag calls for it.

BOUNDARIES!

You can pretty much draw fanart of them! In fact I would REALLY love to see it and I encourage it! Really, just don't claim them as your own, or steal their designs.

NSFW of them is accepted, but please keep in mind that I have an SFW blog. Which means THERE ARE MINORS. Show them to me privately instead, I'd still love to see it <3

While NSFW is accepted (privately), please make it a morally decent one, because I don't really wanna see some disgusting stuff. This pretty much includes: non-con, scat, etc.

Aside from that though, I hope you all enjoyed these four! I really love how they turned out, and would love to draw them more. I was initially hesitant on showing my TADC OCs because I don't think people would like 'em, but fuck it.

My boys, they deserve to be seen even if just by a few people on the internet.

#tadc #the amazing digital circus #tadc oc #ocs #my ocs #oc info #the die quartet #the amazing digital circus oc #tadc original character #pomni #artists on tumblr #digital art #art #my art <3

542 notes · View notes

ittsybittsybunny · 7 months

Text

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

#atla #avatar the last airbender #avatar the last airbender tv #atla tv #spoilers #natla #i loved it i hated it i mostly sat through it #i would like a season 2 though #aang #katara #sokka #zuko #iroh #uncle iroh #azula #ozai

856 notes · View notes

cy-lindric · 9 days

Note

bonjour cy-lindric, j'ai une petite question. when I was a young person, I read The Three Musketeers and then eagerly started to read Twenty Years After and was so upset at what had happened to my beloved young heroes that I put the book down and never picked it up. what do you think, should I try again?

Bonjour !

After reading The Three Musketeers, I also wasn't sure I wanted to read Twenty Years After, and I took a break inbetween both to read something entirely different (The Locked Tomb, iirc). I think my reason for that was kind of the opposite of yours ; I enjoyed T3M a lot and loved the characters, flaws and all, but by the end they had somewhat crossed over the line into being Too Awful and the lack of retribution left me a bit frustrated. I didn't see it as a failing of the story - on the contrary, their strong character flaws and downfall in the conflict with Milady is one of the most emotionally intense and compelling parts imo - but I wasn't sure I felt like hanging out with these guys for a few hundred more pages at that point.

If your vision of the characters as a young reader was a very positive and perhaps idealized one, I can imagine why you might not have enjoyed entering into Twenty Years after. The illusion of glory has worn off ; the characters have separated, they live unremarkable lives, and their personalities have evolved drastically with the passing of time. It's almost a brutal return to reality.

For me though, it added layers of characterization to the point where now it's clear to me that this version of the Inseparables is by far the one I prefer.

I hope it's ok if I take the opportunity to talk at length about what I like about TYA below the cut. TL;DR : I love that Twenty Years After is a more realistic look at the big four's personalities and how they evolved while still keeping them thematically coherent, and that TYA makes them confront the reckless and cruel shit they did in their youth.

Spoilers ahead obviously.

We've often talked about how T3M is at its core a story about the end of knighthood. It's a tongue-in-cheek approach at chivalrous initiation, set at edge of the modern world, inbetween the time of ballads about knights in armor and that of adventures about journeying gunmen and soldiers. I think TYA embodies that particularly ; the story of people who have carried the last of these intense, dangerous chivalric ideals in their youths, and who have now grown into middle aged adults who need to find their place in the world.

For a good chunk of the book, the big four are separated into two teams ; that in of itself might discourage some, but imo it's genius. Instead of the natural two-by-pairings, Dumas goes for a d'Artagnan+ Porthos and Athos + Aramis split on opposite sides, which makes for good drama and develops lesser explored dynamics. D'Artagnan and Porthos form a scrappy team of opportunists with money on their minds, and Athos and Aramis a more idealistic duo fighting for a noble lost cause. I think it's a bold choice but also premium sequel writing.

I also love the way the young and wild characters we knew evolve into middle aged men ; at their core, they're still the same, but they've all changed and struggled against the sunset of the golden age in their own ways.

D'Artagnan, after knowing such adventures and subsequent rapid social ascension in his teenage years, has been met in his adult life with the harsh reality that he is, in fact, not a noble knight but a soldier on payroll. His modest origins give him little hope for any further career advancement, and he takes on a new mission in his early 40s for a man he has no devotion for and a cause he doesn't care about, simply because he is bored and broke. D'Artagnan still has his quick wits, his strategic talent, his fencing skills, but he has grown out of the excesses of pride of his teenage years. I loved meeting him again in TYA, and it made so much sense to me that his bouts of anger and aggressivity would be a youthful trait that he'd ended up taming. He also realizes now a lot of what seemed like funny adventures and necessary violence was actually kind of fucked up ; that was a shock to me, as their shenanigans are treated so lightly in T3M, and tbh it healed me a little. Grown up d'Artagnan is cunning, calculating, down to earth and realistic. My foxy little man. I love him.

Porthos, likewise, has been struck by the weight of reality. He has made the sensible choice and got married to the rich widow who sugar mommied him in the first book. Now she's passed, he is rich, but he still fails to earn the respect of the high society he evolves in because he's not high born enough. Like d'Artagnan, he's stagnating and bored and now that he goes back adventuring it has nothing to do with the queen or the kingdom or honour ; it's about getting his damn nobility title.

Athos, on the other hand, is the eternal knight : the only truly high born of the four, and still hopelessly holding on to a time gone by. It's no surprise imo that his storyline brings him into the english civil war, doomed to fail at saving a king who'll end up executed right in front of him. TYA acknowledges more clearly than ever that at 28 yo, Athos was a depressed alcoholic, and an embodiment of what an excess of aristocratic righteousness can do. In TYA, he is sober and moisturized and a DILF, and now he's running around frantically looking for absolution for his numerous crimes. It's delicious.

Aramis is maybe the hardest pill to swallow. TYA confirms the T3M hints that he isn't really the prim and proper romantic boy he acts like he is, and that he's possibly the most hypocritical and ruthless of the four. It might be a harsh one for Aramis fans who like him better as a cute bean, but I love the early onset of remorseless conniving bloodthirsty ambitious Aramis. Another harsh bit might be the evolution of Aramis and d'Artagnan not really liking each other ; they were always the least close combination, and imo it makes sense that their personalities would clash. I think it's clever and compelling conflict.

Now, obviously, if you've cared enough to read all this and if you know me a little, you know that a huge highlight of the book for me was its late-appearing antagonist, Mordaunt. Mordaunt is the son Milady had with her english husband. Because of the Musketeers' intervention, he's grown up in poverty and has been denied his father's inheritance. He's now a Roundhead working for Cromwell, and set on avenging his mother at all costs. Mordaunt, unlike his mother who was this beautiful and dangerous force of nature, is very uncool and pathetic. She was the primordial snake, he's the gutter rat. Obviously, I love that in and of itself, but it's also kind of striking image of the wretchedness of what they've done to her, a fucked up little goblin ghost come back to haunt them as they're trying to make their life worth living again. This time, their enemy is not a cunning political rival with a flamboyance of body and mind akin to their own ; it's a shitty little guy with bad skin who wants to kill the king and punish the murderers. Watch out babes, it's the modern world coming for you.

Of course, they're the Four Musketeers, and they did what they had to do, so they get together again and swear friendship and keep going their way. But they're also old guys with difficult personalities in a world that's never going to be the same. I think it's a cool book.

#twenty years after #vingt ans après #invizigothx #replies

199 notes · View notes

imgae-insertshockedgasps-16 · 6 months

Text

okay i've seen a few Just Some Guy!danny aus and they've consumed my brain so here you go, it's under the cut, you're welcome and thank you (ps it also combines part of a prompty type thing i saw the other day, props if you know it)

Danny was not entirely sure how he got here.

He was just walking along, bopping to some great interdimensional tunes, eating his tuna fish sandwich - with ectoplasm and pickles, of course - when KABLOW there's this big ole tightie-whities-on-the-outside wearing guy.

Now, Danny's not great at keeping up with the times, but he's pretty sure this is that Superman dude.

Said SuperDude was staring at his headphones and making vague "hey take them out pls so can converse" gestures, so naturally Danny pops the Interdimensional Walkman out of his chest to pause his wicked music, and then puts the whole kit and kaboodle back behind his rib cage.

"What's up? Did you need help or something? I mean, I'm pretty solidly retired but I guess if it's super important I can-"

SuperGuy abruptly stopped staring and started speaking, "Uh- no, no, thank you. Although I'm sure you could be helpful if I did need you! But, ah, well, was that a Walkman?"

Ohhhhh, Danny totally gets it now.

"Oh, dude, I gotchu. You want me to hook you up, right? Don't even worry about it, I know a guy who'll give you one a these babies for free! You're Kryptonian, right? Yeah, I totally get it, you wanna listen to some music from your home planet, no problemo my newly-minted friend, give me, like, ten seconds-"

And so Danny tore open a neat little portal and stuck his head through it, asking Technus to pretty please give him another Interdimensional Walkman, no he didn't even break this one-! He ran into a Kryptonian who heard him rockin out and wanted to know where he got the beats, and he'd told them that he could hook them up! C'mon Technus, you can't let them down! They're all lonely! They want to learn about their culture!

-----------------------------------------

Clark has no idea what's happening.

He had been searching for this ear-splitting, headache-inducing noise, and had come across a guy dancing down the sidewalk.

Not unusual, right?

Except that the terrible noise was coming from this man's - kid's?? He can't quite tell how old he is - headphones!

Of course, he didn't want to be rude, so he politely gestured for the man to remove the headphones. The man then proceeded to reach into his chest and pull out some kind of - Walkman?? Do people still use Walkmans?

Clark was naturally concerned, so he activated a spot of x-ray vision, just to see what's going on in there, and was promptly horrified.

This man was using his chest cavity as a storage compartment!

Two wallets, a key ring, a lunch box, some sort of odd thermos, bits and bobs of random parts and tools were all tangled around - and occasionally in - this guy's organs!

Suddenly, Clark realized that he'd been staring for a while, and the man was now talking. Something about coming out of retirement to help, oh dear, Ma would knock him around the head if he kept being so rude, "Uh- no, no, thank you. Although I'm sure you could be helpful if I did need you! But, ah, well, was that a Walkman?"

And now he was speaking rapidly, something about music from Krypton? Clark's pretty sure that not a whole lot survived the explosion, and he'd be pretty surprised if this guy just happened to have-

A vaguely Lazarus colored portal??

What in the world-

-----------------------------------------

"Thanks Technus! You're the best! I owe you one non evil scheme related favour!"

Danny zips up the portal and turns around, fiddling with the tapes and Walkman in his hands as he goes.

"Here you go! I wasn't entirely sure what genre you'd want, I don't really listen to a whole lot of Kryptonian stuff to be honest, it's usually too heavy on the vocal for me- not that vocals aren't great! But I want a whole band experience, yaknow? I'm not really looking for individual singers. Anyway, I just had him go for a couple songs of each major genre, but if you want something different you can totally-"

"Wait, hold on, you're telling me that there's Kryptonian music on those tapes? Playable by that Walkman?"

"Uh, well, yeah. Isn't that why you tracked me down? And, technically, I mean, they're ectoplasmic tapes and an Interdimensional Walkman, so. Hey, did you know that kryptonite is actually super-condensed ectoplasm? And since it's filled with the anguish and suffering and fear and whatnot of your entire home planet dying, it only negatively affects your species! Pretty cool right? Oh, shit, was that insensitive, I really didn't mean to be, I just thought that maybe you'd want to- ACK!"

Danny was not expecting SuperMuscles to get so close. He thrust out the IW and tapes and dropped them into SuperFellow's hands, "Listen, I gotta run. I'm supposed to be at a o-chem study group right now and they're totally gonna be pissed. Hit me up if you want a different tape."

And the proceeded to run in the opposite direction, duck into an alley and turn invisible, and fly over to the cafe his study group was in.

"Listen, I know I'm late but you'll never believe why-"

#that's it i'm done #fair warning- i am not a superman expert and the characterization is prolly wrong #but uh yeah #brain worms #dp x dc crossover #dpxdc #dc x dp #dc #dc comics #superman #danny fenton #he's Just Some Guy #that's how he sees himself #and how the people who know him see him #like yeah he's a little odd #but so are most people

422 notes · View notes

atlabeth · 7 months

Text

northern attitude

geyser (where hurricane is introduced)

pairing: luke castellan x daughter of poseidon!reader

summary: you and luke meet for the first time. (or luke saves you from a monster, you argue with each other the whole time, and he realizes that he doesn't want to survive alone anymore.)

a/n: by popular demand, hurricane is back for a sequel! and potentially more. lol. enjoy some insight into her (justice for weird little girls) and try not to think about the fact that she dies 6 years later! title comes from new england king noah kahan for these new england icons

wc: 4.6k

warning(s): some inner luke angst, monster encounter and short fight (luke gets a bit injured), they argue but in the fun way. they're just lil nine year olds

“Why are you looking at me like that?” Luke muttered.

He didn’t get an answer back. He was, after all, talking to a fish.

Maybe it didn’t like that he was a criminal. Luke had snuck his way into the New England Aquarium—he wasn’t going to cough up twenty-five bucks to look at marine life—in desperate need of a reprieve from the city, and he fought the urge to check his back every second. If there was one thing he’d learned from being on his own, it was that kids traveling alone always attracted attention. The last thing he needed was attention.

Talking to a fish probably wasn’t good for that, but Luke wasn’t exactly in the best headstate.

Because honestly, he didn’t really know what he was doing in Massachusetts. He tried staying in Connecticut after running away, but it still felt too close to home. He could still hear his mom yelling, could still see her glowing eyes. So he bought the cheapest bus ticket he could find to Boston, hoping a state in between would help.

That was the second thing he’d learned while traveling on the road: everything was way too expensive. And for a kid with no job living off the allowance he’d saved up and some extra money he took out of his mom’s wallet, that wasn’t great. If Luke couldn’t get something dirt cheap, he stole it. His father may not have answered any of his prayers in the past few years, but at least he had naturally quick fingers.

Luke sighed as he turned away from the fish, who was clearly not interested in striking up a conversation. He weaved his way through the crowd as he tried to think of where to go next—it wasn’t the smartest decision, but he was tempted to get a little whale plush from the gift stop—when he heard the middle of a conversation.

“You made a mistake coming here, dearie.”

The hairs on the back of his neck stood up as Luke froze in place. He couldn’t even murmur an apology to the people who bumped into him because the gears in his head were turning rapidly.

“Let go of me—” a voice protested in response.

“Quieting down would do you some good. Did your mother not teach you manners?”

He was still trying to see who it was when he finally found it. A middle-aged woman moved through the crowd with a girl around Luke’s age, her hand wrapped tightly around the girl’s arm. Her nails were more like claws, and she had a strange gait that she tried to cover up. That was when he knew.

See, Luke had gotten used to distinguishing creeps from freaks with all his time on the road. Cutting a monster down would turn them into dust—normal humans would call the police. And if there was anything more dangerous for a runaway juvenile than monsters, it was the police.

But if a monster had ignored every single person in this building to get to you, it meant he’d somehow stumbled his way into the path of another half-blood. And Luke wasn’t going to let another half-blood die right in front of him.

So he took a deep breath, hoped the five second plan he made up in his head would work, and moved in.

“May, where have you been?” Luke tried to put on his best brother voice, and made himself as imposing as a nine year old could be. He didn’t focus at all on the monster, instead communicating to trust him as much as he could with his eyes. “Mom’s been worried sick!”

Both you and the woman turned to look at him, and Luke immediately knew he made the right choice from the blatant fear in your expression.

“Sorry,” you said, letting your shoulders fall and your gaze drop to the ground. Luke tried not to let his relief show over you playing along. “I really wanted to look at the sea turtle—”

“You should’ve said something instead of just wandering off,” he insisted. “We can all go look at it together—once Mom is done lecturing you, at least.” Luke took your hand and you let him pull you over to his side, positioning himself in front of you ever so slightly as he looked up at the woman. “Thanks for keeping an eye on her. I appreciate it.”

“You should be more careful,” she said eerily. It felt as if she was staring right into his soul. “You never know the kind of things that are out there.”

“I know,” he said, shaking his head. “Sisters, am I right?”

As soon as they were out of hearing distance, he lowered his voice and tightened his grip on your hand. “Come on. Try and look casual.”

“You know what she is,” you whispered.

“Yes,” he said, then he shook his head. “I— not exactly. But I know she’s a monster.”

“I knew it,” you muttered with vindication. Luke felt your eyes on him. “So you’re like me?”

He nodded. “Yeah.”

“One of your parents is—” You stopped, as if you still weren’t sure.

Luke knew the feeling all too well—desperately trying to tell someone what he was only to be met with that look adults loved to give. You’re clearly talking nonsense, but I feel bad for you so I’ll humor you. And all the normal kids he’d tried to tell the truth to thought he was just playing a game.

“A god,” he finished quietly. “Yeah.”

You started to look back, but Luke stopped you.

“Don’t.” Their chances of getting attacked in a place so full of people was lower, but Luke had dealt with some particularly bold monsters. One able to disguise themself as a human would have an advantage—Luke learned people hated listening to kids, especially ones they could pass off as delusional. “You don’t want her to catch on.”

“Who are you?” you asked.

“My name’s Luke,” he said. “What about you?”

You said your name, then you glanced at him. “You know a lot about all of this. More than me.”

“Are you a runaway too?”

You nodded, and a part of his heart broke. You had no right to be out here, not when you were so young.

And he says so, too. “You shouldn’t be out here on your own. It’s dangerous.”

You frowned. “You’re out here on your own too.”

“I’ve been on my own for a few months,” he said. “I know what to expect. How long have you been out?”

You shrugged. “A week.”

Luke let out a ragged sigh. “You’ve got bad luck if monsters are already coming after you.”

“They already have,” you murmured, and you looked back at him. “How old are you if you’ve been doing this for months?”

Luke frowned. “Nine. How old are you?”

“I’m also nine,” you shot back. “So you can’t say anything to me.”

He opened his mouth to retort—Luke hadn’t been a child in years, not since Hermes left him alone with a cursed mother and a burning rage inside of him that he couldn’t let go of, no matter how hard he tried. But if you chose to run away from home too, then you were in the same boat. Kids like you two didn’t get to be kids.

“Fair,” he conceded. “But it’ll be a lot easier to give her the slip if we work together.”

“…I can deal with that.” You cleared your throat. “Thank you for saving me, though. I… I just froze.”

“It happens more than you’d think,” Luke muttered. “We have to throw her off our trail, though. She’s not gonna be happy.”

“She’s probably ecstatic,” you said, shaking your head. “She’s got two kids to eat instead of one.”

“Aren’t you an optimist?” he remarked.

You chuckled. “Sorry. It hasn’t been a great day.”

“It’s fine.” Luke didn’t know the last great—god, even good—day he’d had, even before he ran away. Honestly, this conversation with you had been the highlight of this month. “But we can’t just leave. She has our scent, so she’ll be on us as soon as we’re on our own. It’ll be even easier out in the open. We’ve gotta set security on her trail to get her off ours.”

You nodded as you turned another corner. “We should get to the gift shop. It’ll be less populated, but still enough to hide us.”

Luke nodded. “Smart. And security’ll have an easy path there in case of shoplifters.”

“So tell a sob story, get security, set them on her,” you said, looking at him.

“Then get the hell out of here,” he agreed.

“Think we can get a souvenir for the occasion?” you asked. “We’ve probably earned it with all this dodging.”

Luke thought about that whale plushie again. “Maybe.”

“The stairs are that way.” You gestured with your head, and Luke turned—he’d been going the completely wrong direction.

“Thanks,” he said. “You know this place?”

“I’m from Boston,” you nodded. “And I’ve been here a lot with my mom.”

Luke figured he should have guessed by the accent. He didn’t know how long he was going to stay, but it would be useful to have someone with him who knew the city.

“You’re still pretty close to home,” he noted.

You shrugged. “I’ve been doing all the things I’ve wanted to do now that I’m officially on my own. I know I’m gonna have to leave eventually, but…” you sighed and shook your head. “I guess I’m scared. Brave enough to run away but too scared to make it official.”

Luke understood that more than you could know. It took him feeling like he was going to burst out of his skin before he got the strength to leave Connecticut.

“You don’t wanna leave your mom,” he guessed.

You nodded. “I love her more than anything, but I’ve already put her in too much danger. I’m leaving until I can figure out how to keep her safe.��

You’re a kid, Luke wanted to say. It should be the other way around. But he’d already been hypocritical enough for today, and you’d probably say the same.

“That’s sweet,” he said. “Stupid, but sweet.”

“We’re both nine-year-old runaways,” you said. “You don’t get to tell me what’s stupid.”

He chuckled and shook his head, letting the matter drop as you finally got to the gift shop. Luke had been stressed about how to strike a balance between cautious enough to keep your backs covered but confident enough to not be questioned, but it turned out talking with you was all he needed.

On the way to the front, Luke caught sight of a whale plushie. His fingers itched to grab it, but he kept his eyes on the better prize of not dying and came to a stop at the cash register.

“Hi,” Luke said, getting the attention of the employee at the front, hoping he sounded adequately fearful. “There’s a woman out there that tried to get my friend to go with her. Tall, middle-aged, dressed in grandmother-y clothes with glasses. She grabbed her arm and threatened her.”

“You kids aren’t joking around, are you?” the cashier asked.

“No,” you said, and Luke was shocked by how close to tears you sounded. “It was really scary— my parents were in the bathroom and I was waiting for them, and she just looked so nice, but—” somehow, a tear actually fell from your eye as you let out a sob— “but she tried to take me away.”

The woman shook her head as she went back and grabbed a walkie talkie from below the register. The moment she turned away, you glanced at Luke and nodded, and he just stared in awe. She relayed Luke’s description then said a couple other things, then she crouched down to be on their level to look you straight-on. “Where are your parents?”

“They’re in the bathroom on the second floor,” you provided. “We came here because we didn’t know where else to go.”

She sighed, falling for every part of it. You were much better at garnering sympathy than Luke was. “I’m sorry, sweetie. I called our security— they’ll be here in a second to get a statement from you.”

You nodded, sniffling a bit as your lip quivered. “Thank you. I— I just want my mom.”

The employee put her hand to her heart, and when you went for a hug, she reciprocated. “Don’t cry. You’re gonna be safe, okay? I’ll wait with you until security gets here. One of our guards is already out there looking for her.”

“Okay,” you agreed. Luke caught your eye from behind her back, and you dropped your act in a second to smile knowingly at him. He just shook his head with a slight smile of his own—you were good at this.

Eventually, two security guards arrived—Luke doubted they would be good for handling a shoplifter, much less a mythological monster—but they took yours and Luke’s statements, and were about to leave before you spoke up.

“Our parents are definitely looking for us,” you said, already back on the verge of tears. “Can— can you take us to them? When they went to the bathroom, we were by the coral reef.”

“‘Course.” One of them nodded and looked at his partner. “I’ll get them back to their parents—you look for the suspect.”

After a short discussion, the three of you set out, you still holding Luke’s hand as he leaned closer to you.

“On my signal,” he murmured. “We’re gonna blend into the crowd and get out of here.”

You nodded. You were so close to the exit, but you allowed the guard to take you up the stairs, and thankfully the crowd around the middle of the giant ocean tank was huge. Luke counted off quietly, and when he got to three, you split off, blending into a group of kids on a school field trip to get back to the stairs.

You started moving at a much quicker pace, the exit within your sights, but just as they were about to make it, Luke spotted their monster. And now, she was definitely a monster—Luke couldn’t remember the name, but she’d shed her disguise, looking like some kind of bird-human hybrid thing. It didn’t really matter in his opinion, because she really looked like she wanted to kill the two of you.

Luke cursed and grabbed your arm, immediately pulling you flat up against the wall with him. “She’s here.”

“We told security about her,” you protested. “How hard could it be to find her?”

“A bit harder when they’re gonna be seeing something different.” Luke glanced at you. “You said you’ve already dealt with monsters before.”

You nodded.

“Do you remember feeling like you were the only one who actually saw what was happening? Like you saw the monster for what it was while it was trying to kill you, and everyone was still freaking out, but not as much as they should have been?”

You nodded again.

“Well, that’s a thing. Normal people can’t see what monsters really look like—only we can.” Luke peeked his head around the corner again. “And if she’s shed her disguise, it means she wants to go in for the kill. And it means we’re completely on our own.”

“We’re not on our own,” you said. “We’ve got each other.”

Luke found himself smiling. It had been a while since that was true. It had been a while since he’d smiled.

“Yeah,” he agreed. “And it’s harder to kill two half-bloods than one.”

He poked his head out again and immediately withdrew it, cursing under his breath as he stared up at the ceiling. “I never should have come to this city.”

“Excuse me?” You stepped away from the wall as your brows furrowed. “Boston is the greatest city in the world.”

“If you’re gonna be wrong, be wrong quietly,” Luke urged, gesturing with his head for you to get back. “And you are wrong, by the way.”

“I’m not wrong.” You crossed your arms, refusing to budge. “Did you know that we have the first public park? And the first public school! And we have the T! Where are you even from?”

“We can talk about this later,” he insisted. “We’re trying to hide. Have you ever hidden before?”

“We don’t need to hide when you’ve insulted my Commonwealth’s honor,” you said. “Especially when you’re in our aquarium. Where are you from to be talking so badly about the Bay State?”

“Connecticut,” he finally said, hoping that would get you to finally quiet down, but that only ramped you up further. “Place called Westport.”

“Connecticut?” you marveled, throwing your hands up. “You’re from some podunk town in Connecticut and you’re insulting Boston?”

“Okay, Westport is not a podunk town—” Luke started, but he didn’t get the chance to finish defending his hometown before he caught sight of their monster—and she’d caught sight of them.

Luke cursed even harder under his breath with words no nine year old should have known, then he grabbed your hand and pulled you along into a jog, interrupting your immediate protests.

“She’s got us pinned,” he said, trying to keep his voice low enough to not be detected while making sure you could hear him. “Together, our scent is too strong. We’re not gonna be able to lose her—we’ve gotta kill her.”

“Could the fish help with her knowing where we are?” you asked as you started running with him. “Because they’ll be happy to help us. They don’t like her either.”

Luke did a double take. “What?”

“I can hear what they’re saying,” you said, as if it were completely normal. “It’s a little overwhelming with so many in one place, honestly.”

If they weren’t on the run from a monster, Luke would have worried a bit more about the fact that you were crazy. But he wasn’t awarded those kinds of luxuries these days.

“We’ll—” Luke let out a sigh, because what did you mean that you could hear what fish were saying (especially because they clearly weren’t conversation prone)— “we’ll get out of here, and get the upper hand, and we’ll kill her. Okay?”

“Okay,” you nodded. “But Boston is still the greatest city in the world.”

He huffed, taking his eyes off the path forward for a moment just to look at you. “Are you seriously still on this?”

“Of course. We also have the greatest baseball team in the country.” You gestured with your free hand. “Do you see how many people here have Red Sox hats on?”

Luke laughed out of pure shock. Was this the kind of stuff he’d been missing out on while traveling alone?

“Listen,” he said. “If we get out of this alive, you can tell me all the Red Sox facts you want. But we actually have to work together through all this. Deal?”

“Deal,” you said immediately. “You’re way more focused than I am.”

Luke let out a loose breath and shook his head. “Well, I’ve had to be. Do you have a weapon?”

“I took a kitchen knife before I left,” you said, “just to be safe. It’s worked pretty well.”

“Do you know how to use it?”

“I’m really good at chopping vegetables,” you said. “And I killed a monster with it the other day.”

“Glowing reviews,” Luke chuckled. “I’m pretty good with my sword, so we should be okay.”

“You’ve got a sword? How?”

“...My dad left it for me before he left,” Luke said. “I guess he wanted to do one good thing for me in his life.”

“I’m sorry,” you said. Luke offered a tight smile.

“Doesn’t matter much anymore,” he said. “Soon as we get outside, we get to the street and get to some empty alley. We hide on either side, wait for her to find us, then take her down. Okay?”

You nodded resolutely. “Let’s do it.”

The beginning of the plan wasn’t too difficult. Your faces would probably be plastered all over the place once the staff realized you were missing, but that was a problem for another day. You knew the area well so you took charge—and you took the time to spout random facts about the city on your way, of course, like a nine-year-old tour guide—and soon enough they were indeed in an empty alleyway.

You and Luke stood on each side, weapons in your grasp now that you weren’t surrounded by a whole aquarium of people, and he watched as you stared straight ahead, trying to keep your breathing steady. Besides the whole hearing fish thing, you seemed pretty well-adjusted for where you were.

But then again—you’d only been at this for a week, and the way you talked about your mom, your home life was the complete opposite of his.

Luke shook his head. It didn’t matter what your life was like—you both ended up in the same place.

His thoughts were mercifully ended when Luke heard sharp nails scratching against the brick of the alleyway. He grimaced, his grip tightening on his sword, and he looked over at you. Your eyes were slightly wide, but you nodded when he did. You were ready.

“You two are clever,” the monster sang, her voice just as grating as her nails against the wall, “but I never miss a meal. And those measly workers just wouldn’t sate my appetite.”

Her steps got closer and closer, and Luke held his breath. Right before she would be able to see you both, he yelled, “Now!”

You were out first, immediately lashing at her with your knife. She took the cut against her shoulder and slashed at you in turn, but you dodged out of the way, giving Luke a chance to come in with his sword. But his angle was off, and she deflected the blow then sunk her claws into his arm. Luke cried out, landing a kick on her chest as he ripped himself out of her grasp, but her focus was already back on you.

You stabbed at her with your knife and actually landed it in her chest, but it wasn’t Celestial bronze—all it did was make her angrier. She screeched and tackled you to the ground, knife still sticking out of her, claws poised to rip your throat out. You grit your teeth as you wrestled her arms away from you, but your strength was fading fast.

Luke’s eyes widened and he grabbed his sword from the ground. He wouldn’t make it in time, but you could.

He called out your name and threw his sword, and you didn’t even have to look to snatch it out of the air. Storms raged in your eyes as you stabbed the monster through the side.

“You shouldn’t have come here, dearie,” you spat.

The monster’s scream dissolved with the wind as she exploded into dust, dousing you in yellow powder. The sword fell out of your grip as you coughed, and you just laid on the ground, drained.

“Gross,” you grumbled.

Luke wiped his hand across his forehead as he fought to catch his breath, ignoring the blood seeping down his arm. “Are you okay?”

“Yeah,” you said between coughs. “I’m great.”

Luke went over and offered his hand, and he pulled you up after you took it. “I’m so sorry. I guess I’m a little rusty.”

“Neither of us are dead, are we? I’d say it went pretty well.” You grimaced as you wiped the powder off your face, groaning again. “This is gonna take forever to get off.”

Luke chuckled as he took his backpack off and took out a towel, which you accepted gratefully. A demigod always had to be prepared. “You say you’ve only been on your own for a week?”

You nodded as you started cleaning your face and arms off. “Not my first monster, though.”

“It never is,” he murmured. Luke tipped his head back towards the sun and closed his eyes, letting out one final, long breath as the buzz from battle started to fade. And along with that, his adrenaline—the wound on his arm began to sting, and he sighed. He really didn’t feel like dealing with that.

“You’re hurt,” you said, and Luke opened his eyes.

“I’ll be fine,” he said. “They’re surface level.”

You frowned. “Are you sure?”

“I’ve stitched myself up a few times, and this doesn’t need them,” he said, his lip curling at the memory. He was not a very good doctor. “I have some first aid stuff in my bag—once we get out of here, I’ll fix it up.”

“You said we,” you said.

Luke blinked. “I did?”

You nodded. “When we get out of here.”

He blinked again. He didn’t even notice—didn’t even really think about where you would go after the monster was dead. It was kinda sad, but Luke was pretty sure he’d smiled and talked more in this one hour with you than the past few months on his own. He’d already started thinking of you and him as a collective.

“What d’you think, then?” he asked. “You wanna stick together?”

You frowned. “You’re willing to kick it with a girl you just met?”

He shrugged. “You fight well, obviously. And you’re way better at making people feel bad for you than I am. That’s useful when you’ve got nothing.”

“We’re kids on our own,” you said. “It’s not that hard to get pity points.”

“I’ve been told I’m… abrasive,” Luke said. “Besides, I like you already. You were arguing for your baseball team while running for your life. It’s annoying, but impressive.”

“People also say that about me,” you said sagely. Luke smiled and held out his hand more.

“So? You wanna join forces?”

You stared at it for a while. “Even if I spend the next couple of hours telling you all about the Red Sox?”

Luke chuckled. “I did say you could if we got out of this alive. And I feel pretty alive.”

It took you another second, but you nodded intently and shook his hand. “Then you’ve got yourself a deal, Luke.”

“Glad to hear it,” he said, his smile widening.

You handed him the towel and he went to put it back in his bag when he saw the… souvenir he’d taken before you left the gift shop. He grabbed the whale plushie that had been on his mind all day and held it out to you. “Here.”

You frowned. “When did you even have the time to get this? You definitely didn’t pay for it.”

“Idle hands are the devil’s playthings,” he said. “They won’t miss it. It’s a much better use marking the start of our friendship. Besides,” Luke shrugged, “you did say you wanted a souvenir.”

You smiled as you took it. “Looks like we’re a trio, then.”

“Welcome to the team,” he said with a grin. “It’s a small one, but I think we’ll make it work.”

“Me too,” you nodded. “And it’ll be nice not being alone.”

Luke thought back to all the nights spent sleeping under bridges, commandeering benches, purposefully choosing overnight buses so he would have somewhere to rest. Constantly watching his back because he had no one else, wondering if each night he camped in the woods would be his last.

He looked at you, a girl who ran away from home because she didn’t want to hurt her mom. Your clothes were covered in yellow monster dust, sweat dripped down your forehead, and Luke had nearly gotten you killed—but you were still smiling. And he found himself smiling too.

“Yeah,” Luke murmured. “It will be.”

#i suck at writing fight scenes no one come for me please and thank you<3 #luke castellan x reader #luke castellan fic #luke castellan angst #percy jackson and the olympians x reader #pjo x reader #x reader #daughter of poseidon #child of poseidon #sadie writes #ialwbty

671 notes · View notes

qhoaaaa · 1 month

Text

SO *claps hands* MILO GREER HUH 💛

I feel like if Erik ever does a flashback of Milo/Sweetheart becoming mates

I just

KENDOWHWOEDN

Think that Milo would be so fucking nervous

"Yeah, I just....see you... as my mate... yeap! And I know we've talked about this before and I just... wanted to say that... uhm... no, wanted to ask if... you'd wanna be my... mate?"

(Insert more lovey dovey shit he is yapping abt how amazing Sweetheart is and has been to him and how they have affected his life)

100% Asher would be more awkward but Milo's nerves are fucking SHOT because he's like holy shiiiiiitt I'm gonna fuckign do this aren't I yes I am

Trying to see if Milo would ask/say it in his apartment or the place where they hunted the Shade down together

Bc he's sentimental

Fucker (I love him)

"My ma is gonna be so fuckin happy"

He's crying your honor

Love a man whose in touch with his emotions

When Sweetheart says yes he's like,

"No shit... WAIT what did you say... yea, that's what I thought... (he's like how the fuck did i get to this point)... w-well what do I do now? I DONT KNOW IVE NEVER DONE THIS BEFORE"

Ahem (NSFW 18+ AFTER CUT)

Tagging! @annahxredaxted @moronkyne

He mounts them.

This is shameless smut you've been warned. 😈

They fuck first in the woods (if he asked in the woods) , then later at his apartment bc we all know these two can't keep their hands off each other...

Hands gripping their hips, it just comes natural to him, especially after they said yes to being his mate.

Let's out the most feral and gutteral moan when he presses inside them

And erm,,, 🥺

Bites.

Tons of biting, claims he wants to have his scent all over them and loves to see his teeth prints on their sweet neck and shoulders

If Sweetheart is on their belly, he bites at their nape, as if trying to keep them still (RHSIDBDJEJE PLEASE PELASEE EPWLSLSLEELEJR)

"My mate... my fucking mate! Mmhh, gonna... gonna fuck you nice and deep... just how my mate likes it..."

He legit won't stop touching them, his hands sliding over their sides, nails lightly pressing into them, he presses his cheek to their neck to smell them, to smell their pleasure, to hear their gasps and moans: he's worshipping them

Milo kinda likes to manhandle them, so there's times where he grips their hips up off the bed/surface and it makes them shiver, he flips them over onto their back to touch their chest and belly, and scoots closer between their legs to fuck them senseless

He does that thing where he moves Sweetheart's legs straight up and holds them and fucks between their thighs before slipping into their hole, he also spanks their thighs while he fucks them a bit

Kinda like honeymoon sex except they're not married, they're mates

And the whole time, he's just rambling on thanking them for being in his life, for being his mate, and being super cute and sappy while he's about to cum inside them

HE LAUGHS DURING SEX, BE STILL MY HEART

They fell asleep with his cock still inside them and in the morning when they're both up, Milo gently fucks into them again, holding them tight to his chest and he has the honor to see them cum on him AND to cum in them again

If they're feeling it, Sweetheart asks Milo for the good old 69 and Milo's like....

"I fucking love youuu"

Milo's on the bottom (they actually push him on the bed and are like "you better fucking stay down and let me please you" and hes like "ooh... hell yeah Sweetheart" (heart eyess)) , Sweetheart is on top and they're fucking deep throating his cock so well he tells them to go slower or else he'll cum too quickly and they're like, ok and?? , he just laughs and then they just plant themselves on his face

Then Milo's got his hands wrapped around their thighs and is NOT letting them go, occasionally he'll have his hand caress up their spine to see them squirm and he'll wrap his hand in their hair, pulling back gently, to see them arch

Even like this he can't resist to spank and grab at their ass, especially if they're fucking SITTING ON HIM (insert that one meme of Doja Cat about big noses)

When they finally cum, Milo kinda shakes his face against them to get every last drop, his tongue swirling everywhere. This man needs their cum.

And Sweetheart makes him cum when they take his cock as far as it'll go and stay there until that cock is done pumping in their mouth.

They are both cum slutsI MEAN WHATAATTEEJEJDIEJOJ

I'm done yapping goodnight

#redacted audio #redacted asmr #redactedverse #redacted milo #redacted sweetheart #redacted shaw pack #redacted wolf boys #redacted asher #redacted marie

183 notes · View notes

mattastr0phic · 5 months

Text

Red Vs. Blue face headcanons! Since y'all wanted em out before Season 19 dropped!

In defense of Simmons not being a red haired twink: big buff DnD and science nerd.

And some extra notes under the cut:

You can take all these with a silly grain of salt, I'm not a long-time RvB fandom frequenter but did like some bits.

Simmons: Dutch-Irish but keeps getting called 'of a Latino persuasion' by Grif. Also funnily uses 'cracker'. (so mixed.) Cybernetics built from the same sort of stuff Lopez is made out of, visibly running down the left of his face, neck, ribcage, and arm. His arm worked the best for Grif because they're around the same height.

Grif: Too lazy to cut much of his hair, but it's necessary when his helmet doesn't properly secure. Also, a beard is beneficial for catching some little save-for-later snacks. Carving started out as a fidgeting task if he somehow couldn't sleep.

Donut: Just barely hits the twunk allegations in comparison as the lankiest out of a group of fat and buff guys, somehow more durable than all of them despite it and is still above average in build. Started really trying to compensate for his image because of his scar, which developed into really being able to love himself.

Sarge: LOVES his sergeant stripes. Don't tell him but his eyes might be blue. He will say they're grey, though. Don't ask about the bullet hole in his head, either. It's not that he doesn't want to talk about it, just that he'll probably go on a rant about Grif.

Church: Rest in piss Jimmy. Church doesn't naturally feel sleepy though, not like he has this body for long. The scar on his neck was smooth enough to not raise any alarm, and a lack of sleep may have hindered his fight-or-flight reflexes while he still lived...

Tucker: A few scars from his alien encounter, a glimmer in his eyes a slight indication of his connection with the blade-key along with the visor changes. Poor guy couldn't grow his hair long because of the helmet.

Caboose: Most head trauma of anyone ever, injuries hidden by his thick curly hair. Sure doesn't keep him down! It may contribute to a loop of him losing teeth and continuing to worry about the tooth fairy being mad at him, though.

#rvb #red vs blue #dick simmons #simmons rvb #dexter grif #grif rvb #franklin delano donut #donut rvb #sarge rvb #leonard l church #church rvb #lavernius tucker #tucker rvb #michael j caboose #caboose rvb #rvb doodles

339 notes · View notes

midnightmah07 · 2 months

Text

And I'm done🥳 the 3rd participant of the event and the only one to actually participate in the Bead Brawl, Jeanne💙 so so so proud of how this turned out, I especially enjoyed drawing her expression ☺️💙 as always, voice lines under the cut!!!

Summon line: I'm so excited Leona trusts me enough to choose me for the Bead Brawl!!! Ok, ok, act natural... I can't disappoint my captain!

Groovy: [LOCKED]

Home: I actually really like these garments, they're beautiful. They even gave me a different hook to match it, which I greatly appreciate... Though I'm sure I'll have to take it off for the Bead Brawl.

Home idle 1: We haven't been walking around for long and Kalim has already offered to pay me a diamond ring. If it were anyone else then sure, why would I deny expensive jewelry? But because it's Kalim... *Sigh*

Home idle 2: Hey, what do you think of me buying a tapestry for the Leech twins? Oh, yeah, I mean for both of them. I wanna ask them to fight for it, won't it be fun?

Home idle 3: I'm actually kinda used to the heat. My father's a pi– *ahem* a sailor, so I'm used to staying long hours in the sun doing something he asked on deck. We also visited a few places with a hotter climate before too.

Home idle - login: [LOCKED]

Home idle - groovy: [LOCKED]

Home tap 1: ARGH– Shhh!!! Don't scare me and keep it down!! Ah... Now the vendor is all suspicious... Thanks for ruining it, dummy! I was this close to stealing that...

Home tap 2: Did you hear what Leona said? Leona thinks I'm good! Though he did criticize me for letting the opponent use his strength against me... I gotta bet better, then!

Home tap 3: The women are the majority at protecting the royal family? That's... So cool! They're really that strong, huh? I should've expected as such from 'lionesses'.

Home tap 4: S-shut it, I'm not red just because of a compliment... No, don't tell Kalim about it, he'll say it again and I won't be able to hide my face this time– I-I mean...! Ugh, whatever...

Home tap 5: The food here is so right up my alley! My only complaint is I wish there was a bit more seafood... But oh well.

Home tap - groovy: [LOCKED]

#💙! mah's art #💙! jeanne #twisted wonderland #twst #digital art #twst oc #twisted wonderland oc #octavinelle oc #tamashina mina #cloudcalling on the savanna

160 notes · View notes

rou-luxe · 4 months

Text

ikevil hcs - how they hold your hand

sorry @sh0jun 😔

well welcome back to my hand hyperfixation 💀 I could've posted this on my fanfic alt but I'm not feeling it

under the cut

William Rex

really warm hands, without question. it's like touching the stove (exaggerating)

he'd probably prefer to hold you by the waist or have you hold his arm, but hand holding is fine too

won't hesitate to warm your hands

you don't even need to ask, he'll just hold your hands in his instinctively and warm them.

william takes extra care not to scratch your hands. william, where do you get your nails done omg

you two probably start the hand holding equally. it just comes naturally, no need to ask or anything. it's like it's telepathic.

◇

Harrison Gray

normally, his hands are at a normal temperature, but lean slightly towards the cold side.

if they're any colder than that, it's probably due holding the gun or staying out in the rain.

his hands have a bit of cold sweat at times, from holding the books or pens for such a long time during his day job.

if there is any, harrison tries to wipe that sweat off before holding your hand, though.

pretty sure his nails are short, unpainted, and clean unlike a certain self-righteous monarch. unless liam does his nails...

like with william, it comes naturally. harrison wouldn't like awkward silence so he just goes right ahead...

harrison would probably really like hand holding. it feels like a reassurance to him.

◇

Liam Evans

NOT ONLY HAND HOLDING, A TON OF CUDDLES. ALL DAY. EVERY DAY. I'm not complaining. we'll cure each other with endless cuddles.

comfortably warm.

liam's hands are really soft. with his job, there's never really been any need for him to do hard labor.

when do you hold hands? whenever. anytime.

other than hugs, liam probably reaches for your hand when he or you are sad.

he either holds your hand gently or he'll never let you go. no in-between.

I feel like he'd hold hands and run his hands through your hair a lot... you're just too adorable ❤️❤️

◇

Elbert Greetia

elbert's hands are so cold, it's scary. it's as cold as a corpse.

he's not sick, this is just his normal temperature.

I feel like he'd have bony / veiny hands... the poor baby doesn't get enough nutrition 💔

with his past, good luck trying to hold his hand or touch him at all... he'd definitely hold alfons' hand, though. god they're in love

maybe he'd hold your hand once he trusts you more...

whatever you do, don't force him into doing it. that's an immediate death sentence. let him initiate it.

elbert would hold your hand in such a tight grip that you feel the blood rushing out of your hand. your hand gets crushed by his beautiful, slender marble fingers. they're not as delicate as they look. he loves you. you're his. and he will never let you go.

◇

Alfons Sylvatica

ridiculously long section that's over 2-3 times the others, what did you expect from me of all people

I got a bit off topic 🤭

there's no way this man doesn't have a hand kink

I'm not projecting I swear

alfons path speedrunners back me up here

gloveless, his hands are probably warm, but not as warm as william's. you can still feel the warmth faintly through the gloves.

slightly veiny hands. not as much as roger, though.

firm grip and nothing else. no disagreements here

not enough to break your hand like elbie, I accidentally put alfons too far left in the chart. but still a pretty firm grip.

he has very strong hands from his experiences...

oh to be alfons' glove...

alfons loves when you stroke his palm and his wrist... and when you kiss and bite it too 😇 (HE WILL REPAY IN KIND.)

he'd probably prefer other forms of physical affection, but like harrison, it probably gives him a sense of security.

he's always extending his hand in his sprite. I'll hold his hand. I'll get on one knee and kiss his hand like a prince

the type to stroke the back of your hand with his thumb

it doesn't matter who starts the hand holding, alfons will let go when he feels like it. but if you refuse to let go, he'll chuckle a bit and indulge you for a while longer

alfons never shows how he truly feels. but perhaps if he's feeling a bit down, in the unlikely occurrence that something really got to him, he'd be more inclined to certain physical habits more than others. something would be a bit off about him and his gaze... alfons would be zoning out, his empty, sunken eyes begging for deliverance... he'd hold your hand, still smiling as always... but no matter what, there's always something pained in that expression of his.

I will shut up now

◇

Roger Barel

after all these years of taking care of patients, roger naturally has firm and steady hands.

his hands and arms are full of veins.

roger doesn't know his own strength... he might accidentally grip your hand too hard.

he'd hold your hand anytime. you'd have to ask him, though.

or maybe it'd be a reward for helping him out.

roger would probably initiate it. he'd would listen for the way your heart responds. if you don't like it, he won't try it again. if you do, he'll hold your hand if he feels like it.

he doesn't mind as long as he's not in the middle of an experiment. that's off-limits, it's not safe for you or him.

◇

Jude Jazza

jude doesn't care much for hand holding. it restricts him from a lot of things.

he cares a lot about practicality. what if you two are suddenly ambushed?

for that reason, his grip is pretty loose. but his hands are actually pretty solid.

if jude wanted to grip you as a warning, he'd grip your wrists, not your hands.

I was actually debating about whether he'd have cold or warm hands... I say cold.

he'd only hold your hand if you beg hard enough

watch as his face gets slightly pink.

◇

Ellis Twilight

...IF IT MAKES YOU HAPPY. what did you expect.

ellis is pretty chill, maybe a looser grip.

his hands are a little warm. his hands' temperature varies by day, but if they're cold, then you should probably be worried.

perhaps his hands are a little rough from all the dirty work he does for jude...

the sweet boy won't force you in the slightest. you have to initiate it.

but he might ask politely 🥺🥺 please say yes

◇

Victor Victor sorry

hear me out, I think he'd actually have cold hands. despite his personality, that's the vibe I'm getting.

+ cold temperatures are traditionally associated with death. now, wouldn't it befit our grim reaper?

victor has naturally strong hands as well, but doesn't use them as much as roger.

he'll pull tricks on you... perhaps when he lets your hand go you'll find a little slip of paper in it. it either has a joke or a love confession in there. probably both.

victor is rather capricious. one day he'd prefer to hold your hand, the other he'll sweep you off your feet. as long as you're happy.

◇

here's the crappy chart

let me know if you'd like to be tagged in my headcanon / writing posts!! (applies mostly to my fanfic sideblog @mrssylvatica)

I've actually always wondered about the suitors' hand temperatures, I wish those were covered in-game...

282 notes · View notes

avocado-writing · 5 months

Note

Hey there I hope you’re having a wonderful day, could I make a request for bg3? I’d like to request the crew with a noble barbarian tav, kind of like Godfrey from Elden ring. Normally they are very regal, eloquent, and in control, they might even think they are some knight until they finally let loose. Whether it’s their s/o in danger or a challenging battle, they just go to town, very ‘I have give thee courtesy enough!’.

oh anon, you're very kind to think that I'm a competent enough gamer to have played elden ring. writing these scenarios as if they're seeing you go into a rage for the first time!

Astarion

Very much an 'oh. oh! oh...' moment for him.

Doesn't want to confess that he's attracted to the way you go feral, but anyone looking at him during battle will see how he is affected.

He already thought you were charming with your eloquence and courtly mannerisms, but this drives him wild. The idea you had this potential thrumming through your veins this whole time is delicious.

He can smell the blood pumping through your veins as you rage and does something for him. If you're together, expect a visit from him that night.

Gale

Loves to engage you in long, thoughtful conversations over tea every night. Did not expect this side to you.

At first he thinks some untowards magic has been cast on you, but then he sees how in control you are even when you're letting loose.

Is flustered and flattered when you make sure he's safe in battle, using your rage to protect his body with yours.

Afterwards when you check he's okay he has to try and hide how much he's blushing as he stammers out an affirmative. Asks you lots of questions about the nature of your rage. Can't stop staring at you when you're in battle...

Wyll

Lets out a little "oh, my!" when you first rage in front of him.

A bit gobsmacked but jumps back into action, quickly helping you fend off whatever enemies have caused your ire.

Is over it remarkably quickly, and takes it in his stride - in camp the two of you discuss court and your respective times in it, laughing at tales of long gone social faux-pas...

And on the battlefield you are a machine cutting down everything in your wake as he uses finesse to dispatch your foes. He thinks you are night and day... but that you are wonderful.

Karlach

Sees you rage for the first time and she lets out a "FUCK YEAH!"

Drops into a rage by your side and the two of you absolutely decimate the battlefield. The gang of mercenaries who came for you never knew what hit them.

After you wipe your brow with an embroidered handkerchief from your pocket and offer her a spare, which she takes and uses (completely destroying it in the process with soot from her engine)

Geeks out with you every day about raging. The two of you discuss battle tecniques and play-wrestle, which more often than not brings down half the camp. She loves it. She thinks you're perfect.

Lae'zel

Never really gave you the time of day before now. She found your elegant manner irritating. Why use honeyed words when you can cut straight to the point?

But then, oh, she sees you rage, and she is enamoured.

That night demands that you tell her why you never said that you could fight like that. You have an argument saying you never felt the need to... it goes on until the two of you calm down and end up sitting well into the night discussing how you grew up as warriors.

She has a respect for you from then on, confident you can look after yourself on the battlefield. More often than not she watches you fight with an appreciative eye.

Shadowheart

Oh, she's thrilled. We know she likes barbarians anyway (see her thirsty dialogue about Karlach) so when you rage in front of her?

She just stares for a bit. It's all she's able to do.

When that staring leaves her vulnerable to attack and you come and defend her, oh, she's gone. She has such a crush on you. If she had one before, it's doubled.

You're always the first one she comes to check on after battle. She likes to lay her hands on your bicep as she's healing you, perhaps feeling the muscle a bit more than is necessary. Her cheeks are always bright pink.

292 notes · View notes

slowlysoluminary · 3 months

Text

Reset AU ... mirror room art piece and a supplemental from ghostloop's pov 🎉

Writing under the cut! (Lots of words... oops!!!!!!!)

(Venturing through the house has been nothing short of a terror.)

(The sadnesses littering the area are NOT helping!)

(Granted, you know how to fight - you have each sadness' type memorized, each name and gimmick on lock - but your craft...)

(You're not sure what Craft type you are. You're corporeal enough for your hits to connect, but not corporeal enough for attacks to land on you. Harder still, considering the craft types are all equally as easy for you to summon.)

(Maybe "easy for you to summon" is poor phrasing. Your attacks feel wrong. Unfamiliar.)

(Your Piercing Craft likes to trail, not unlike the rest of your body. You struggle the least with Scissors-type attacks, but it feels like something fundamental is missing in each of your strikes.)

(Your Creative Craft leaves after-images. You thought you were Paper craft for a good while, but you're clumsy with it - like it wasn't made with your body in mind.)

(Your Protector's Craft sparks like energy through your fist. Something pangs at your chest each time you form the handshape.)

(Your attacks are strange. Craft personalizes itself to its user, but for such attuned craft to be so alien....)

(Thinking about it gives you a weird headache.)

(So you won't!!)

(You watch Siffrin fight. He made you sit out of battle after that time you downed yourself. Impeccable aim, Loop!!)

(... They never win, but you figure you should respect their wishes regardless.)

(You feel Experienced. Like these sadnesses would wither away if you poked them too hard. They probably would, if you could land a hit in the first place!)

(You can't help but compare the way he fights with the way you fight. Or, the way you think you should.)

(Like his name, like the House, like everything else, it's all familiar. You fight the same way as him, but your craft makes it difficult to do so comfortably.)

(You can't help but be envious. Why are you envious?)

(The style isn't even yours! You're pretty sure it's adapted from his, even!!)

(Nothing is your own. Not even your body is safe!!! Your skin prickles when you look down. Stars dance across your form naturally, yet it feels unnatural all the same.)

(Stars, are you going crazy? You think you're going crazy!)

(Siffrin shifts next to you, walking comfortably in your silence. You lead the way to the next door.)

("Why Stardust?" They asked you that, before. At least, you think they did? What did you respond with? Something about what's left...?)

(... You don't know. Just, seeing him, talking to him - he's Stardust! So, you must be Loop.)

(It found you so easily in your sea of muddled memories. It must be what the Universe willed!)

(But you still don't know. But you still can't remember. What's wrong with you?)

"Finally, third floor..."

(Siffrin turns a key. You're climbing the House. Right.)

(You smile. Is it forced? You're not sure. The gesture reminds you of something.)

>"Awh, good job, Stardust! It only took you... ehm...."

>"20 Loops! That's great! A bit worse than me, but who's keeping track, right?"

"'A bit worse than you?' Did you remember something?"

("A bit worse than you?")

>"What? I didn't say anything."

(You didn't. Did you?)

(Siffrin makes a noise. They're looking at you funny.)

"Nevermind."

(O~kay. Weird.)

...

(The King sobs.)

(They talk to you about him. A lot more than you want them to, if you're being honest.)

(Hearing his name, his likeness, to be spoken of so fondly - you feel rage. A deep and primal anger you're sure you've never felt before and will never feel again.)

(So, yes! Hearing the King sob the whole time like he's not actively dooming an entire blinding country has done wonders on your psyche! The reminder of his existence fills you with such joy and whimsy!)

(Your smile is pulled so taut you think it would tear at your skin, if you had any.)

(Siffrin's expression is plagued with sympathy. Something in your core stirs violently at the thought.)

>"Chin up, soldier~! One more floor to climb!"

(The sympathetic look fades, but you don't feel any better. You don't think about the implications.)

"... Right. One more floor."

>"I hope all this effort was worth it!"

"Ditto. Even if I can't snap some sense into him, I just..."

"I want to talk. I've told you about it before, but-"

(stop don't talk about him no no no no)

>"STARdust! Surely there's no need to go over everything again!"

>"You might be forgetful, but helpful Loop here already knows the ins and outs of your fool-proof plan~!!"

>"You've told me about it, you continue to tell me about it, you don't stop telling me about it — I GET IT ALREADY!"

>"Just. We'll. We'll get to it when we get to it, right? Please."

(you're not sure why)

(but the thought of talking to the king fills your entire being with sickness)

(Too bad you can't throw up! Teehee!!)

(Siffrin looks pained.)

"Right, I'll just -- I'm."

"I'm sorry..."

(Oh.)

(His voice is so tender. So quiet.)

(You ruined it.)

(That's fine. You don't -- you don't need the ability anyway. You can make your way through the house on your own. You don't need them to get stronger. It's fine.)

(...)

(What were you thinking about? It doesn't matter.)

>"So~! That out of the way."

(This time you ignore the King wailing above you.)

>"Where do we go?"

(His face is hidden from you, beneath the brim of his hat. You have a fun time thinking about the expression under it!)

(Is it twisted in frustration? Appalled? Mortified? Betrayed?)

(You know those faces like the back of your hand, but the specifics amalgam in your head, a foggy mass of uncertainty.)

(You feel a tingle on your cheek.)

(... Yes, fun! What fun!)

(Siffrin clears their throat.)

"... You've been leading me through most of the House, Loop."

"So I thought you would know where to go?"

(You have?)

>"I have?"

"Yes?????"

(What????)

>"No I haven't."

"Yes? You have??"

(He looks offended???)

"The rock trap? The key I missed in the Head Housemaiden's office?"

>"'Fraid you're not ringing any bells!!"

(Conversations are one of the only things you remember. Everything else blends together.)

(So, you should know this, shouldn't you? They must've brought it up a few times while you were walking. You weren't thinking too hard about where you were going. The paths feel wholly natural to you... But you do remember that the amount of times you had to give Siffrin a Super Sour Tonic was atrocious, really.)

(How does anyone lose to sadnesses THAT often? It's ridiculous! He should just let you fight!!!)

"Loop?"

(Whoops!!! You should pay more attention to your surroundings...)

(...)

(No, okay, wait.)

>"When did we get to the mirror room?"

(The glare Siffrin gives you bears the striking image of absolute incredulocity.)

(That's not a word. Whatever!!! You can make up new words if you so please!!)

"You're kidding."

>"Completely serious question, Stardust!"

"...'Stardust, I am the epitome of good memory...'"

(HE'S MOCKING YOU!!)

>"I am! I swear it on my mother!"

"Stars have mothers?"

(You shrug before remembering to raise a gloved hand to your mouth.)

>"I don't know!"

>"But I'm sure, if I had one, she'd be especially bright."

(An eyeroll.)

(They don't laugh.)

(Why does that bother you?)

(Eh, probably because that one was funny! No fair!)

>"You're no fun, Stardust..."

"Okay."

>"Whatever! I'll find a pun buddy somewhere else!!"

"And where would you go? Vaugarde's frozen in time."

("And you're practically a ghost," is what goes unsaid.)

(...mmm. No, it's fine.)

>"I'll write to them! We'll be pen pals!"

>"Or I guess we'd be pun pals, ehe."

(They snort. Mission success!!!)

"Not funny."

>"Oh, come on! You laughed!! That means I won the bet!"

"The bet was about laughing at your jokes. Puns don't count."

(Bummer! You pout.)

"Real talk. Any particular reason for bringing us here? I trust you, but..."

"... The only thing in here is that mirror."

(They point to the large mirror at the end of the corridor. You nod. There is a mirror, and nothing else.)

>"Indeed so."

"And you called it the mirror room?"

(Did you?)

>"No I didn't."

"I'm not arguing with you again..."

(Aren't they doing that already?)

"Just answer the question."

>"I wasn't aware I was being interrogated! I need a lawyer!!!"

"Loop."

>"Fine! I-... Um."

>"I."

>"I'm not ... quite sure?"

"You're not sure."

>"Nope!"

(They sigh.)

"So you led us here... for no particular reason?"

>"Exactly!"

>"Well. No, I'm sure there's some reason we're here."

>"I feel like there's something else in this room, you know?"

>"But! As far as I'm aware!! There is nothing in here!!! Save for that dazzling old mirror!!!!"

"Right."

(He doesn't believe you.)

"... Let's look around, then?"

>"Sounds good to me."

(You look around.)

(Okay, you don't actually do anything. Siffrin's going at it, though!)

(He checks the pillars. And the corners. And the bricks. And the pillars again.)

(It's... really boring.)

(It's better than the Other Thing you could be doing. The Elephant In The Room. The Big Mirror In The Corridor-Room. That.)

(Hm. Hmmmmmmm.)

(You weigh your options.)

(Boredom. Or headache. Boriiing borreeedooom...... or excruciating headache.)

(Or answers? You don't know the mirror's deal! You could get something meaningful out of this!)

(Or you could get a headache.)

(Or you could lean against a pillar, bored, for the rest of eternity, waiting to be Done and Over With This.)

(...)

(You've been pointedly ignoring the existence of the mirror for quite the while now.)

(Something goads you. A whisper.)

(You follow. Siffrin watches you, curious.)

(You don't... You don't really want to look.)

(Just looking down spikes something uncomfortable under your skin.)

(So you're not sure what to expect, if you were to look in your reflection.)

(Whispers turn to spoken tongue turn to yelling turn to screaming as you approach the glass. Yet, no matter how loud they get, how heartfelt they screech, you can't make out the words.)

(Something in you hurts as you stand in front of the glass.)

(You take a breath)

(in, and out.)

(And you look up.)

(and all at once)

(everything goes quiet)

(...)

(You gaze at your reflection)

(You gaze at a star.)

(is this you?)

(you wave your hand)

(it waves back.)

(You frown. It frowns too.)

(Stars. All up its body.)

(More than you could dream of, could you still dream in the first place.)

(Flame-like spikes flicker freely from its head, immitating hair.)

(Imitating life.)

(You're looking at a ghost.)

(you're a ghost?)

(The screaming returns. You flinch back in surprise. The ghost does not flinch with you.)

(LOOP, it screams. LOOP, LOOP, LOOP, LOOP !!!)

(Its head morphs. It's something spikier, now. It's something right.)

(your head hurts)

(The ghost snickers at you. You look at it.)

(You look at it)

(it's)

(loop)

(you look at loop)

(LOOP, the screaming chants, in agreement. LOOP!)

(someone is shaking you?)

(this is loop)

(but you're loop?)

(are you loop?)

(The screaming rises. You didn't think it could get any louder. You cover your ears and cower. It doesn't do anything)

(loop laughs at you.)

(you forgot)

(of course you forgot! you always forget! forgetful little siffrin! sieve brain siffrin)

(you stole their role. in the play)

(you stole them)

(you)

"LOOP!"

(You blink)

(You is in front of you. Your back is leaning against cool glass.)

(if your back is to the mirror)

(how are you looking in your reflection?)

(The you in front of you sighs.)

"You were out cold there... What happened, Loop?"

(you wait for them to respond)

("Nothing, Stardust!! You should go help out your little entourage! Or, you know, you could do something more productive? Like talk to the Head Housemaiden?")

(that's what you think they would say)

(you feel a shiver)

"... I'm not... part of a party...? Oh, no, nevermind. I get it."

(your reflection releases you. you slump to the ground.

(you pull your hands up to your head)

(and stop)

(your arms)

(your arms..)

"Loop."

>"... Loop?"

(Oh!)

>"Yes! I am Loop."

(Siffrin gives you That Look again.)

"What was all that?"

(All that?)

>"I'm not sure what you're talking about!"

"It was like you... um..."

"Forgot your name. Or something."

(Forgot your name? Scandalous!! You'd never forget such a thing!)

>"Nope, all good!"

>"I just... hm. Thought you were talking to someone else there, for a second?"

>"But I'm fine now!"

"If you say so."

(He doesn't take your word for this, either.)

(Oh well!)

(You bend down and flip the switch, extra careful not to look at the mirror. Or the photo that materializes in front of it.)

"How did you-?"

(They try to ask, but you're already moving for the key.)

(Loop.)

(That's you!)

(So why does that name remind you of someone else?)

#resetfrin #ghostloop #isat reset au #writing #art #to reset a kingpin

193 notes · View notes