#this was genuinely not suppose to be this long

[in-class-daydreams]

cw. a lil age gap, but everyone is well over 18 (Gojo and Reader are ~40, Yuta is ~30)

Imagine the way ex-husband Gojo's eye twitches seeing how Yuta Okkotsu treats you.

You and Yuta had only seen each other in passing over the years. In fact, you never even officially met until he was several years out of school on the account of your innate technique causing Rika to go haywire. So while there was always a possibility of you seeing someone after the divorce, Satoru would never in his wildest dreams have guessed who it'd be. He'd heard through the grapevine that you only started seeing more of each other last year.

Satoru has to see you at the biweekly joint staff meetings between the Tokyo and Kyoto schools, made especially awkward after not one, but two (2) post-divorce make outs. The last time he kissed you while you were fighting, you shoved him away and booted him out of the house using your technique. Granted, you kissed him back, but you're not exactly on great terms right now.

So, it's bad enough that he has to see you as much as he does. Even worse is now that everything's out in the open, he has to watch you fawn over someone that's not him.

"You're so sweet!" you cry when Yuta surprises you during your lunch break with takeout from your favorite restaurant. "Thank you so much, but you really didn't have to do all this for me."

Yuta places a hand on the small of your back and guides you towards the door to the courtyard. Adjusting the picnic blanket slung over his shoulder, he asks, "Why not?"

"It's so much effort," you reply.

"For you? Nothing feels like much effort," Yuta says with a cheeky grin.

Satoru just catches a glimpse of you covering your face with your hand - as you always do when you blush - and then the two of you are out the door. It takes all his effort not to gag at how cheesy that was. Never mind how genuine Yuta looked about it.

Of course Satoru had taken you out for lunch while you were together. All kinds of lunches. Mom and pop shops, food stands, upscale restaurants, you'd done it all. Your new suitor wasn't doing anything for you that he hadn't done.

Suitor. What was this, the 1800's?

Suguru appears at his side while he stares after you.

"Was that Yuta?" he asks. "I'm impressed. He's supposed to be at a week-long training in Ibaraki."

Ibaraki? The prefecture that's over two hours away? He came all this way to have lunch with you?

Alright, Satoru never did that. Not that he wouldn't have! He totally would've if he'd, you know, thought of it.

Suguru seems oblivious to the emotional bomb he just dropped on his best friend. "I'm starving. Let's hurry up and go eat. I'm good with anything except KFC," he complains.

It takes a couple tries to get his attention, but Satoru eventually pulls himself out of his thoughts. He comforts himself with the notion that Yuta would be gone by the time he returned.

Imagine that while Yuta himself may be absent, his presence damn near haunts ex-husband Gojo to death.

You're already back in the meeting room by the time he and Suguru return from lunch, only you now have a full water bottle (he noticed you pout when you drank the last of it earlier), a sleeve of oreos sticking out of your bag, and a cute travel mug full of some hot drink that you definitely didn't have before.

If Satoru wasn't so preoccupied with insisting to himself that, 'I totally did things like that back in the day!' and provided his ex-wife wasn't the woman in question, he'd be thinking, 'Yuta Okkotsu, I was unfamiliar with your game.'

Even more frustrating is how energetic you look. You have your notes out and are nibbling on an oreo, kicking your feet back and forth as if there's not another two and a half hours left of this meeting.

It's not that Satoru doesn't want you to be happy. Quite the opposite, actually, since he'd gladly give his life if he thought he could guarantee your eternal joy and safety. He's just not sure what Yuta has that he didn't. Or doesn't.

"What does she see in him?" Satoru murmurs to himself later, when a bunch of the staff members go out for drinks. You're at the bar laughing with Yuki and Shoko.

He regrets speaking out loud when Sukuna snorts from behind him.

"How much time do we have?" your coworker says with amusement. He slides into the booth, nursing his sake bomb with ice. It's a travesty of a drink, if you ask Satoru, but to each his own.

"Great, it's my least favorite person," Satoru gripes.

Sukuna seems to take great pleasure in Satoru's misery. "I think Okkotsu's earned himself that title."

Now, Satoru hates the taste of alcohol nor is it ever a good idea for someone constantly using a cursed technique to get drunk, but he can't bring himself to care at the moment.

He snatches the drink from Sukuna's hand and downs the whole thing in one go.

Imagine how baffled ex-husband Gojo is when his son delivers a cursed artifact to him instead of you.

"Where's your mom?" he asks.

Sen hands over the small box covered in talismans while his best friend, Nao, lingers by the office door. Rolling his eyes, he says, "We had a mission in the area, so Sukuna-sensei had us deliver this."

"Not what I asked you, kid," Satoru replies, leaning back in his chair. He gestures for the boys to have a seat, but neither move.

Nao, who has a tendency to stir the pot if he thinks it'll be funny, pipes up, "She's on vacation for a week."

Since when did you take vacations? And why hadn't he heard of this?

"What's she doing for a whole week?" he asks.

Nao replies. "Okkotsu finished his training and whisked her away to some onsen in Obanazawa."

Sen smirks. "That snowy place that looks like it's from Spirited Away? How romantic."

"Super romantic." Stir, stir, stir, Nao Zen'in.

Sen was not a fan of anyone trying to get close to his mom. He'd seen how the divorce hurt you, but so far, Yuta worshipped the ground you walked on, so Sen was at least willing to not be too hostile towards him if it meant antagonizing his father.

Sen and his friend quickly say their goodbyes and head out to do whatever it is high school boys do. Once they're gone, Satoru pulls out his phone and searches 'onsen obanazawa.' The results show Ginzan Onsen, a place with traditional Japanese architecture with a beautiful snowy landscape. But according to the reviews, though a wonderful and charming place, it wasn't from the best onsen in Japan. He wants to scoff at the fact that his supposed 'replacement' chose anything but the best for you, but then he sees where Obanazawa is, which is in Yamagata prefecture.

Where you grew up. Where you and Satoru met.

How had it never occurred to him to bring you back there?

When he mopes on Suguru's couch later that evening, he tells his best friend the whole story. Suguru's delicate features are twisted into a grimace the whole way through.

"Why are you making such an ugly face?" Satoru asks miserably.

"I've never been ugly a moment of my life, Satoru."

"You know what I mean."

Suguru sighs and clicks his tongue. "They're not official?"

"So she keeps saying."

Though reluctant to kick his friend while he's down, Suguru decides that Satoru needs to know so he can mentally prepare himself.

"He's taking her on a romantic trip to a beautiful resort in her home prefecture. They may not be official now, but after a trip like that, there's no way she's coming back without a label. Hell, if they were official, she'd most likely be coming back with a ring."

Hearing that, Satoru contemplates finding a nice spot in the cursed artifact archive and falling into a coma for at least the next thousand years.

The plot McThickens

Find the other installments of this AU [here] | Find the #gojo sentaro lore [here] | Ask stuff about Sen and the fam [here]

[wandaslittlebird]

You Look So Good (On Your Knees)

Voyeur!Mommy!Wanda x Daddy!Natasha x Reader

What was supposed to be just a weekly movie night quickly turns into something else when you catch a glimpse of something you weren’t supposed to see.

CW: Voyeurism, threesome, strap-on, flogging, orgasm denial (? A tiny bit?), caught in the act (once again a tiny bit), punishment, dacryphilia, degradation, hair pulling, choking (not really), reader calls WandaNat mommy/daddy

Word Count: 3.5k

A/N: This is for @wandamaximoffsbadgirl. Thank you for all your help! I hope this was worth clawing your way under the door. Writing this (particularly the very end) has put me in a total WandaNat x Reader tailspin so expect some fluffy domestic stuff in the coming weeks.

A/N: I kinda sorta definitely double dipped for this fic, and it’s a spin of a different fic I did for a different fandom. But new fandom new crowd, and I figure almost none of you have read my non-marvel work. So the self-plagiarism is strong, but will probably go unnoticed anyway.

“Wanda? Natasha?” You called into the seemingly empty house.

It was Thursday night, your designated movie night with the couple: your long term friends and fuck buddies. They’d given you a key months ago. So, when you knocked and no one answered you just let yourself in.

You set down your bag in the living room, looking for them around the house. Their cars were both in the driveway. They had to be home. After investigating the first floor, you went upstairs. Maybe they were already in the bedroom waiting for you. That is where you always had your movie nights, after all.

You cracked the door open to find them both on the bed, Natasha underneath Wanda in an intense kiss. Natasha was grinding up against Wanda’s thigh, whining and breathless. You could tell by the way her hips were starting to falter, she was close. They must’ve been at this for a while. You didn’t want to interrupt.

You took a step back, trying to quietly shut the door. Maybe you could just wait downstairs until they finished. But before you could click the door fully shut, you heard Wanda’s commanding voice. “Not so fast, little girl.”

You sighed. You’d been caught. You opened the door back up, revealing Wanda pulling herself away from her wife. She looked at you with a cold glare, curling her fingers, instructing you to come to her.

She had you stand between her legs at the foot of the bed. “Did you not think to knock when coming into mommy and daddy’s room?”

“I-I knocked outside! I couldn’t find you! I was just looking for-“ you desperately tried to explain.

Wanda cut you off with a smirk. “Well, you found us.”

“I-I’m sorry,” you apologized. “I didn’t mean to interrupt.”

“Oh but honey, you did interrupt,” Wanda explained condescendingly. “You interrupted and now daddy doesn’t get to cum.”

“W-what? No but she was so close! Please let her cum mommy,” you pleaded on Natasha’s behalf. You genuinely felt terrible. You knew what that kind of denial felt like and you would never wish it on anyone, especially not your daddy.

Natasha smiled when you jumped to her defense, joining you and Wanda at the end of the bed. She beckoned you over to her, quickly pulling you to sit on her lap. She wrapped her arms around your waist, whispering into your ear. “It’s okay, baby. You're gonna make daddy cum so good later, aren’t you?”

You whimpered, shivering against her. God, you had hoped movie night would start like this.

“But for right now,” Wanda started. “We’ve got to teach somebody a lesson about knocking, don’t we? It’s your fault daddy didn’t get to cum, so daddy should be allowed to punish you, shouldn’t she?”

You looked to Natasha, who just raised her eyebrows expectantly, and then you nodded. “Yes mommy.”

“That’s our good girl,” Wanda purred, running her hand down the side of your face and lightly pinching your cheek. “Now, daddy’s gonna get you all set up on the bench while mommy goes to get some toys, okay?”

They both stood almost synchronously. Wanda briefly disappeared into the next room while Natasha hoisted you up in her arms, laying you face down on the leather bench next to the bed. She propped the back part up so it turned into more of a seat.

Wanda came from the closet with a long black leather flogger, her implement of choice for this particular scene. She handed it to Natasha, who smiled and gave her a kiss. Wanda sat down next to you, propped up over a seat you were now straddling.

She wiped the hair from your face. “Ready?”

You nodded into the soft, plush leather of the seat. You could already feel yourself easily slipping into that fuzzy space, where all the thoughts, worries, and responsibilities became irrelevant.

Wanda smiled, noticing the way your eyes glazed over. “I need to hear you say it, angel.”

“Yes, mommy,” you said as clearly as you could muster.

Wanda ran the back of her hand down your cheek. You shivered. She was the only lesbian you’d ever meet who always wore acrylics. The sharp point of her stiletto nails on your face sent tingles down your spine. You closed your eyes, losing yourself to the sensation.

You felt the leather tassels of the flogger brush lightly against your back. You whimpered, squirming in your seat.

“You don’t have to count, honey,” Wanda soothed. “Just let go. Mommy and daddy are gonna take care of you. You don’t have to think about anything at all.”

With that you felt the first sharp sting of leather snap against your back. You let out a noise between a whimper and moan. Natasha started slow, each hit a distinct sensation on your back, but as she started to pick up the pace, the strikes became less distinct.

In less than five minutes, she’d made a mess of you. You whined and squirmed against the leather seat.

“Aww sweetheart,” Wanda cooed. “Do you need mommy to hold you still while daddy whips you?” Before you could answer, the blows stopped.

“Nooo…” you whined. “Daddy keep going. Please I promise I’ll sit still. Please don’t stop.”

Despite your protest, you felt two strong hands pick you from your seat. “I’m not done, princess,” you heard Natasha’s soft voice say. “But you’ve gotta stop squirming or I’m accidentally going to hit you in the kidneys.”

You were lowered into Wanda’s lap, where your legs were forced wider apart in order to straddle her. It made it significantly harder to move. She locked her hand around your thigh to keep you in place. Her other hand gently massaged your hair. “That’s it honey. Mommy will make sure you stay nice and still.”

Her long nails against your scalp were almost enough to make the thoughts fly from your head. “But… But you’ll get hit.”

Wanda chuckled and kissed your temple. “Daddy has excellent aim, sweetheart. I’ll be fine. You don’t need to worry about anything at all.”

The leather cracked against your back again. It hurt more now that your back was already raw. If not for Wanda’s hand pinning you in place, you might’ve jumped off her lap entirely. You whined wrapping your arms around Wanda.

She cradled your head over her shoulder, gently shushing your cries as she watched Natasha bring the leather down against your back over and over again.

“Mommy…” you whined into her ear. You were trying to ride her thighs like you had ridden the leather seat, but the awkward position prevented you from getting any friction whatsoever. It wasn’t even until Wanda felt drops of warmth on her thighs that she realized why you were whining.

“Aww,” she hummed, “you’re making a bit of a mess on mommy’s lap, baby.”

“I’m sorry, mommy,” you mumbled into her shoulder. “I just… it feels so good.”

“All this just from a flogging, sweetheart?” She teased. She would’ve loved to tease you further, but she was genuinely afraid you’d accidentally hurt yourself if she stopped holding you in place, much less if she had her hand between your legs.

You blushed, burying your face into her neck. “Mommy…” you whined when the leather stung your back once again. “Mommy please…”

Wanda’s heart melted at your words. The combination of your pathetic voice begging her for relief and your frail body in her arms made her want to ruin you in a different way. You were just so vulnerable. It would be such a waste to not take advantage of you in this state. “Alright,” She cooed. “I think she’s learned her lesson, hasn’t she Tasha?”

Natasha chuckled, but she stopped her flogging. “Do you think she’s learned her lesson, or have you just gone soft for a ‘mommy please’?”

Wanda wrapped her arm around your back, long nails still masterfully massaging your scalp. She rocked you back and forth in her lap. “Oh come on Tasha, look at her: getting all pathetic and leaky in her mommy’s lap. Doesn’t it just make you wanna…”

“Throw her on the bed and fuck her into the mattress until the only things in her little head are mommy and daddy?” Natasha finished.

“Exactly,” Wanda smiled mischievously. It was such a marvelous thing that she married someone who was always on the same wavelength as she was.

You were promptly picked up out of Wanda’s lap from behind. You whined, reaching out for Wanda.

“Now now,” Natasha chided. “None of that. Mommy’s not going anywhere. She’s gonna be here with you the whole time.”

She guided you to kneel on the bed, nudging your legs apart. Almost instinctively, your hands were crossed at the wrist behind your back.

Wanda hadn’t exactly planned on binding your wrist, but when you sat so perfectly, so expectantly, she could hardly resist.

“Natasha, would you like to bind this little darling's hands for us?” She instructed.

Natasha smiled, eagerly grabbing a length of pink ribbon and getting to work on tying your wrists together. She so loved tying you up. While a simple figure 8 around the wrists would’ve done the trick, she decided instead on a more complex design that would bind you up to the elbow. She knew she had time. Wanda would require a thorough inspection before she’d let Nat fuck you.

Wanda ran a singular finger through your slit. Her cold rings and sharp nail bumped over your clit as she dragged her hand upward. The sensation caused you to jump and whimper. Wanda just chuckled, bringing her finger lightly up your body until it was at your lips. You took her finger obediently between your lips.

“Do you think your ready for daddy to fuck you, baby?” she asked. “Does this needy pussy want daddy’s cock?”

You nodded, trying not to wince as her rings made their way onto your tongue, filling your mouth with a metallic taste.

“Which of daddy’s toys do you want, huh?” She asked, intentionally pushing down on your tongue so you couldn’t talk. “I’ll think I’ll have daddy use the purple strap. The one with the- what did you call them- the ‘mean ridges’? The ones that scrap against your special spot?”

You whined around her finger, giving her the most endearing puppy dog eyes you could possibly muster.

“Oh sweetheart,” she cooed, “do you not like that one? Maybe you’d prefer it if daddy tied you to the chair and you watched her fuck mommy instead, hmm? Maybe you’d just prefer not to have any orgasms at all?”

You shook your head frantically. You wanted to protest, to promise you’d be good and take that dreaded purple strap, but you couldn’t speak.

She chuckled. “That’s what I thought, baby. You’re gonna be a good girl for mommy and daddy, aren’t you?”

You nodded. She pulled her finger from your mouth and tilted your head up to kiss you gently.

“That’s our sweet girl,” she praised. “Aw it looks like daddy’s finished tying you up all pretty. Can you say thank you to daddy?”

You craned your neck to the side, trying to see her behind you. “Thank you, daddy, for tying me up all pretty.”

Natasha laughed, pulling you back towards her by the ribbon. She kissed you and smiled. “You’re welcome, baby. Can you show mommy your pretty ribbon?”

You attempted to turn around to show Wanda the way your hands and arms were intricately bound behind your back, but Natasha pushed you forward into the mattress. You yelped, surprised by the sudden move.

“A present, wrapped special for you, my love,” Natasha said to Wanda, leaning over you to kiss her wife.

“You always know just what to get me,” Wanda breathed against her lips. “Now go get ready, love. I wanna watch you make our sweet little girl cry.”

Natasha climbed off the bed behind you, disappearing into the next room.

Wanda’s nails were against your sore back, rubbing soothing as you lay in wait. You attempted to sit up, but Wanda clicked her tongue. “No, baby,” she chided. “Stay just like this.”

You felt the bed dip as Natasha climbed back on behind you. Her calloused hands lifted your hips so you were kneeling tall. The angle forced your face even further into the mattress. You couldn’t put your hands out to hold yourself up with them tied up behind your back.

Natasha ran the tip of the strap up and down your slit, pulling a muffled moan from your lips. She lined the toy up with your entrance, gently easing it inside. She threw her head back and moaned as she felt each of the ‘mean ridges’ push into you, then she pushed your hips forward and pulled them back, silently commanding you to fuck yourself as you adjusted to her girth.

The toy was, admittedly, slightly too big for you to manage without any discomfort. The ridges cruelly raked against your inner walls, causing you to wince with each movement. But with time, you were able to adjust to feel only a slight, delicious stretch.

After you’d grown to a moderate pace, Natasha took over, grabbing your thighs and pulling them back to meet her own. You let your body go limp, allowing Natasha to control your movements completely. You were putty in her hands.

“Fuck, Wands you should see her from here,” Natasha groaned, looking down and watching the large toy disappear inside of you over and over again. “Fuck it’s like she swallowing me whole. Needy little cunt. Can’t get enough of daddy’s cock can you?”

You tried to bury your face into the sheets to muffle the noises she tore from you, but you were unsuccessful. Without your hands or your arms, your range of motion was severely limited.

Wanda’s eyes went wide and her face cracked into a smile when she heard the first hiccup of a cry. She leaned forward. “Tasha, hold her up. I want to see her face.”

Natasha reached down and grabbed your hair, pulling your head up so you were face to face with Wanda. She could see the build up of tears in the corners of your eyes and the way your bottom lip quivered, threatening to give way to a sob.

“Aww, sweet girl,” she cooed. “Are you going to cry for mommy? It’s okay angel, you can cry. Daddy’s not gonna stop fucking you even if you are going to be a sobbing little mess.”

Natasha fucked you harder, nearly pulling all the way out before she slammed back into you again. She kept your head up, forcing you to look at Wanda even as your eyes rolled back and your vision went blurry with tears. Natasha wrapped her hand around your throat, grabbing you just under your chin. She braced her forearm against your chest, pinning you upright against her.

The position only accentuated the effect of the ridges, causing them to bump more aggressively against the spongy spot inside of you. “Aww look at how pathetic you look, crying your little eyes out while daddy fills you with her cock.” Wanda teased.

You felt Natasha’s breath hot against your ear. “Tell mommy how pathetic you are.”

You offered little more than a whine in response. Your bottom lip continued to tremble as tears rolled down your cheeks.

“Aww, sweet girl, there’s no need to be embarrassed,” Wanda assured. “It’s just me and daddy.”

You weren’t truly embarrassed, if you were being honest. You honestly felt like a masterpiece: a carefully constructed vision that Wanda and Natasha had crafted you into. But you played coy nonetheless. You had more fun when Wanda told you how pathetic you looked anyway.

“Poor thing,” Wanda taunted, “never learned how to take a proper fucking without crying.” Her eyes never left yours. Everything about watching her wife handle your helpless body drove her wild.

“I’m sorry mommy… I can’t help it… daddy’s cock feels so good inside of me,” you panted.

Natasha felt a burst of heat in her own core. Between yours and Wanda’s words she could feel herself creeping towards the edge. She just needed a bit of a different angle. She released her hold on you, causing you to fall helplessly back into the mattress. Wanda gently turned your head, preventing you from muffling yourself in the sheets.

You cursed. The combination of Wanda’s gentle hands and the new angle that hit all your most sensitive spots had you so close to an orgasm. All it would take was just a little more pressure on your clit. Unfortunately, with your hands bound behind your back, you were completely at their mercy.

“Please…” you begged mindlessly. “Please don’t stop. Fuck daddy. Please never stop.” You felt so certain that if Natasha pulled out of you right now, you’d simply die on the spot.

“You want to cum on daddy’s cock so badly don’t you?” Wanda teased. “But you can’t touch yourself. Poor baby.”

Natasha changed her pace. She could feel her own orgasm building as she felt the pull of the toy’s ridges pumping in and out of you. “Beg for mommy to let you cum, baby. I wanna hear you begging like the little slut you are.”

“Fuck!” you sobbed. The words poured out of your mouth nearly as fast as the tears poured from your eyes. “Please I’m all yours. I’m mommy and daddy’s little slut. Please, you can use me whenever you want. I’m just a little toy for mommy and daddy. Please I just need daddy’s cock inside me forever. Mommy please let me cum.”

“That’s a good girl,” Wanda praised, “begging mommy and daddy to use you like a little toy. That’s all you are right? A toy for mommy and daddy’s pleasure?”

“Yes!” you chanted. “Yes! I’m mommy and daddy’s toy. Please let me cum. Please mommy.”

“I wanna see you cum on daddy’s cock. Can you be a good girl and cum on daddy’s cock for mommy?” She asked.

Natasha curled her arm around your waist, pinching your clit and milking it between her fingers. Your eyes rolled back and your mouth opened in a silent scream as you fell apart.

Natasha continued to fuck you as you came, clenching around the strap. The pulsing put the perfect amount of pressure on her own clit, sending her into an orgasm not long after you.

She steadied herself on your hips, taking a few deep breaths in an attempt to regain her composure. She pulled the ribbon, and Wanda watched in fascination as the entire thing unraveled itself. They both chuckled as your arms bonelessly flopped down beside you.

Natasha hooked her arm around your waist to prevent you from simply collapsing when she pulled out. She laid you gently on your side before climbing off the bed. She disappeared into the bathroom, leaving you with Wanda.

You whined as the toy left, suddenly feeling terribly empty. Wanda sat down on the bed next to you, chuckling again as she bent over to kiss your temple. “I know, love. It’s just devastating that daddy can’t stay inside you forever, isn’t it?”

You nodded, whining again as you felt her wipe away the remnants of your orgasm.

“You did so well for us, love,” she praised, adjusting your position on the bed so you rested against the pillows. She pulled up some blankets, smiling as you wiggled in blissful content. “Comfy, honey?”

You nodded, reaching your arms out for her.

She crawled into bed next to you, wrapping her arms around you. She kissed your forehead, earning herself a dopey, blissed out smile from you. She kissed your cheek, licking up what was left of a few salty tears. She moaned at the taste.

Natasha came out of the bathroom, freshened up in nothing but a pair or boxers. She joined you and Wanda in bed, crawling in next to you. She kissed the top of your head. “Are you girls ready for movie night?”

You nodded. “I already promised mommy she gets my movie night cuddles this time, though.”

“What the hell?” Natasha said jokingly, pulling you forcibly into her lap and berating you with kisses. “Daddy fucks you so hard you can’t think straight and mommy still get the movie night cuddles?”

You giggled, squirming out of her kiss attack. “You always fall asleep anyway!”

She rolled her eyes. “Yeah. Because I just fucked you so hard you couldn’t think straight. You wear me out, little girl.”

“Fine, daddy cuddles until you fall asleep, and then mommy cuddles,” you compromise.

“That sounds perfect, princess,” Natasha smiled, kissing you briefly.

You looked to Wanda for her approval. She smiled. “Fine. You can cuddle with daddy for the 20 minutes she’s awake, and then you’re all mine for the rest of the night.”

You wrapped your arms around both of them, pulling them into a tight hug. “Deal.”

[gin-juice-tonic]

book of bill discussion ish post about a single line in the book. Despite it being one line, its a bit long and rambly

So. Ford's "hes making it all up as he goes along" line. Is what I will be talking about

If you read the whole book, you already know this, but just as a recap:

In the book of bill, Ford has placed several pages of messages written by him addressed to any possible readers. These first set of messages offer an explanation of what the book is, and why you should not read it.

In the middle of the book he adds in another set of messages, this time chastising the reader for making it this far and then warning the you to stop reading further.

At the end he stops chastising you and admits he read it too, and how the books presence has been agonizing and embarrassing to him, and how he felt the need to hide it from his family. He goes onto explain how his family finds it anyway, and they laugh at the contents of the book, and at how desperate Bill is for attention. They all reiterate to Ford how they of course care about him despite his past of being manipulated by Bill, and Ford finds comfort and strength from his family and seems more ready to put his shame about Bill behind him.

The above "He's making it all up as he goes along." line is part of this last set of pages.

Something that is notable about its placement, is that the last sort of "story" that Bill tells the player in the book is the "missing journal 3 pages". After that, Bill tries to make a deal with you and is interrupted by Ford's final message here.

A few people have suggested to me that doyalist-wise, the idea the journal pages are fake hurts Ford's arc in the book. However, I think this line and it's placement, if the pages are not fake, hurts Ford's arc in the book.

One thing we know about the book is it changes contents based on the reader, so I do not actually think Ford *read* the "missing journal pages" in his own version, nor do I think his family saw them in theirs. However, I think the placement of the journal pages being basically right before Ford's final message is supposed to connect the two in our minds as the reader.

Like I have said above, Ford's arc is about being able to move toward putting Bill behind him:

If the journal pages are real, to me, Ford's comment ends up coming across as a sort of Denial (though likely inadvertent) of these pages, and calling Bill a liar regarding pages he supposedly wrote himself. This flies in the face of the arc that's been built up for Ford. If he does not care about what Bill has to say about him anymore and is ready to start moving on, and these pages are real, I genuinely believe this line should not have been included.

Rather, if the pages are fake, his comment is more of an acknowledgement. Ford does not care about what Bill has to say about him, he does not care that Bill may be spreading lies about him, he knows Bill is nothing but an attention seeker and Ford is not going to waste his time worrying about what he has to say anymore.

So I think, from the perspective of how the book was written regarding its structure and Ford's arc, this line only makes sense within the context of those pages truly being "made up" by Bill. Whether you agree or just think Alex made a poor writing choice there is up to you.

...but that's my two cents on that.

[hustlerose]

by popular demand, i've been giving hades a second chance, so here's my thoughts

god mode made the game fun for me. i would've never beat the final boss without it. i like that it's only a small boost, just 20% to start. it's given me the opportunity to learn a lot about how all the enemies work, and i can tell my skills have genuinely improved

compared to other roguelikes, hades is a LOT less gleefully punitive. for contrast, take brogue, a very traditional roguelike. you can easily play brogue for 1000 hours and die every run. if that's too harsh, you can turn on easy mode anytime, which reduces enemy damage by 80 PERCENT. but the game penalizes and shames for doing this. it calls call you a cheater. there's no middle ground between "weenie hut jr" and "sisyphean hopelessness"

hades doesn't do any of this. i was able to progress the story, master weapons, buy upgrades, and earn achievements, without getting kicked in the dick over it

i got on a long winning streak where i could consistently ascend without using any death defiance. so this last run, i turned god mode off. and for extra spice, i switched to a weapon i've almost never used: the sword. i'd been playing with the zeus shield (another "easy mode" the game provides) but i figured if i could make any progress with this pos weapon, i'd know i had improved

i died in the final phase of the final boss. success! i feel sharper, smarter, more in control than i used to. this is the feeling roguelikes are supposed to provide. "i died, but i feel good cuz i learned something new! i want to try harder, push further!" i rarely get that feeling, and the genre at large has always turned me off. now, i finally get to experience it...

does all that mean the game is objectively great? if you're a hardcore roguelike masochist, maybe not. but for me, it's one of the most accessible games in the genre. it feels like a roguelike made for people like me.

it helps that supergiant is fucking excellent at combat design, but that's a post for another time :)

[awkward-walking-potato]

I have a request!!

Fem reader is talking with storm, when gambit walks by, the reader is talking about him he quickly realizes when his name leaves his crushes lips..

"What am i supposed to say,storm? That ive been in love with him since the day we met?" She says it exasperatedly, before remy walks in, they confess kiss and blah blah happy stuff,

Thoughts?

Whispers in the Wind

You stood in the garden, chatting with Storm as a soft breeze rustled the leaves. The sun was setting, casting a golden glow over the grounds. You had always admired Ororo's calm presence, and your conversation was light, drifting from topic to topic. That was until the conversation took a turn toward something—or rather someone—who had been on your mind a lot lately.

"He's just... so smooth," you said with a soft chuckle, glancing down at your feet.

Ororo raised an eyebrow, a knowing smile playing on her lips. "Who exactly are we talking about here?"

You hesitated, not sure whether to say his name aloud. The truth was, you'd had a crush on Remy LeBeau, Gambit himself, for what felt like forever. His charm was undeniable, but there was something more about him that drew you in. His carefree attitude masked layers you wanted to know more about.

"Remy," you finally admitted, feeling the heat rise to your cheeks.

Just as his name slipped from your lips, you saw him out of the corner of your eye. Gambit was strolling by, his usual swagger unmistakable. He had been about to pass by without stopping, but the moment he heard his name—his name—from your lips, he froze in his tracks.

A sly smile curved on his face, and he turned his head slightly, just enough to catch the tail end of your conversation. His crimson eyes gleamed with curiosity and amusement, though he tried to play it cool. But there was no hiding the fact that he was intrigued.

"Don’t let Gambit hear you say that," Ororo teased, a grin spreading across her face as she noticed Remy listening in.

You groaned internally, glancing quickly in his direction and immediately locking eyes with him. The smirk on his face widened, and you felt your heart skip a beat.

"Now, what kinda smooth are we talkin’ 'bout, chérie?" Remy's voice was like velvet, smooth and playful as he walked closer, hands casually tucked into the pockets of his trench coat. He tilted his head, gaze locked on yours. "’Cause I gotta admit, I’m curious."

You felt your face heat up even more, and Ororo, ever the calm one, chuckled softly before taking a step back. "I think my work here is done," she said, leaving you alone with Remy.

As she walked away, you shot her a look of mock betrayal, but the smile on her face made it clear she wasn’t sorry. Now, you were standing face-to-face with Gambit, who was clearly enjoying every second of your flustered reaction.

"You were talkin' about me, chérie?" he asked, his voice low and teasing. "And here I thought I was the one doin’ all the thinkin’ ‘bout you."

His words sent your heart racing, and you were at a loss for how to respond. His gaze was so intense, it felt like he could see right through you.

"I—uh—" you stammered, trying to think of something clever to say, but nothing came out right.

Remy chuckled, stepping even closer, his voice dropping to a whisper. "Don’t worry, ma chère. You can talk 'bout me all you want. I ain’t complainin’."

The smirk on his lips softened into a genuine smile, and for a brief moment, the teasing facade fell away. He reached out, gently brushing a strand of hair from your face, his touch light but electrifying.

"I gotta say," he murmured, his eyes never leaving yours. "I’m real glad to know I’ve been on your mind. ‘Cause you’ve been on mine for a long time."

Your breath caught in your throat as the realization hit you—Remy had known all along. All the stolen glances, the quiet smiles, the moments when your heart raced whenever he was near. He had noticed. And more than that, he felt the same.

"Maybe next time, chérie, you should talk to me ‘bout it instead of Storm," he teased, his eyes twinkling mischievously. "I promise I’ll listen real close."

You couldn’t help but laugh, finally finding your voice. "Maybe I will, Remy," you said, meeting his gaze with newfound confidence.

Remy’s grin widened, and he leaned in just a little closer. "Good," he whispered, his voice sending shivers down your spine. "I’m lookin’ forward to it."

[purpurussy]

I feel like the "dan is bi" anon is trolling but just in case they're genuinely confused: yes dan said in BIG that he loved and felt attracted to his high school gf (although he also made it pretty clear that they did not have sex so idk where anon is getting the idea that he has slept with "multiple women" 💀), and he alluded to his attraction not being confined to a specific gender in the part where he talked about labels, but you're completely taking all of that wildly out of context and missing the point of the whole video by calling him bi. I feel like this is probably the part that's frying their brain:

(shoutout to the legend @goldenpinof for this transcript!)

But firstly, imo it was very clear from BIG, as well as other stuff he's said over the years, that he just doesn't like labels. Which I find very valid, it took me a long time to figure out how to label myself. I still don't know what my gender is lmao but I started saying "bi" for my sexuality because it's a widely-used term that gets the point across. And I think that's the thing here: he came to the conclusion that the labels "gay" and "queer" are the best descriptors of his identity, which do the most accurate job of approximating something extremely psychologically complex and multilayered and nuanced in a simple everyday term that gets the point across to other people.

Obviously words mean things and it doesn't make sense to just pick a label at random (like for example it wouldn't make sense for me to identify as a lesbian, since I definitely feel attraction to men as well as women and everything outside the binary, and am interested in acting on that attraction at times, so I wouldn't be conveying accurate information to other people if I used the label lesbian for myself) but a label is just supposed to serve the task of conveying relevant information to other people (if a lesbian feels some kind of abstract attraction to dan and phil, that doesn't mean that the alphabet council needs to immediately revoke their lesbian card!! Since the word "lesbian" still does a perfectly good job of conveying relevant information to other people. Likewise if a straight dude has a fun little gay dalliance with his college roommate, but has absolutely 0 interest in men beyond that incident, it wouldn't be remotely necessary for him to start calling himself bi if he didn't want to, because what would be the point in that if he's only interested in women? Like if he told a gay dude who found him attractive that he's bi, only to backtrack... Do you see what I'm saying here?). It's perfectly valid for Dan to use "gay" and "queer" as umbrella terms that in his opinion do the best job of describing him, out of the language that's available. If he's like essentially a kinsey >5 and decided to just round it off to a 6 at this point, who are you to tell him he can't lmao

(shoutout to the legend @goldenpinof for this transcript!

Human sexuality is often way too complicated to boil it down to a single label in a way that doesn't erase any of its nuance, and I feel like this is something he's struggled with in the past, especially with him being a public figure. He's mentioned multiple times that feeling like he had to choose a label was a factor that prolonged his decision to come out.

And this is not even getting into the impact that his trauma from his childhood and also from spending a chunk of his formative years in the public eye probably had on the way he identifies or the way he chooses to label himself. It clearly took so much courage and strength for him to finally be able to call himself gay/queer please have some respect for our brave troops

Ultimately the point is that he uses the labels "gay" and "queer", not "bi", and it really shouldn't be difficult to respect that. It's also not biphobic for him to choose not use the label "bi" (again speaking as someone who uses that label). It's just that he feels "gay"/"queer" are better descriptors for him and nobody gets to determine that except him!! :) He wants people to know he's gay so he calls himself gay and that's that on that.

There are definitely people on here who are way smarter and more well-educated than me who would've done a much better job eloquently discussing this topic without rambling all over the place but that's my take (if anyone would like to add to this please do so, I'm always open to learn more about topics like this. And I'm also not saying that the way I see it is the only objectively correct opinion, but anon is definitely wrong so 💀). Thank you for coming to my ted talk

[lialuvsaven]

Pairing: Aventurine x reader

Tw: none, he's just skittish but that's understandable. Might have grammatical mistakes but English isn't my first language so whatever. The « » words are supposed to be the avgin dialect okok that's all

"Will you teach me how to speak the Avgin dialect?"

Aventurine nearly splutters out the sip of wine he was about to drink, and you observe as his whole body subtly jerks — trying to figure out if he misheard you or not.

Blink.

Blink.

Blink.

And yet, the only expression he sees on your face is a little smile, a hint of curiosity and optimism in those lovely eyes of yours. For some reason, he can't find it in him to appreciate that look this time.

"And why is that?" The tone of his voice is reserved, calculated, and for a millisecond, you are reminded of your job: meetings, negotiations and transaction. The air suddenly feels thicker, and although he maintains his usual smile, there's a subtle shift that suggests it may not be as genuine as it was moments ago.

"Because I….want to understand you?" You naively respond, unaware of the warnings you're triggering in his head, unaware of the amount of bells ringing in his ears. The red alarms flashing in front of his eyes are bright, and they blind him to everything else, drowning out your silhouette until he can't make out your face as a familiar one.

All he's seeing is red, red of a warning bell, red of sunset and endings, red of blood and—

"I'm not sure why you even thought that would be a good idea" a small chuckle leaves his mouth, and he shifts a little on the couch in an attempt to regain his belongings.

"After all, I don't even speak it anymore— a dead language is not something you'd benefit from learning."

"But I am a linguist" You counter, huffing a bit. "I wouldn't think a language is “less beneficial” just because it's dead. Besides, Sigonian isn't a dead language, and neither is the Avgin dialect. You are here, and you speak it."

Blink.

"What?" Aventurine grows defensive, and he shifts in his seat again; only a little. It's not okay to let others know of your discomfort, you cannot show your weaknesses. Luckily, you don't notice, and he continues carefully.

"I don't speak it— what are you saying? How could I possibly use that language?"

He picks his sentences with caution, leaving half of it up in the air for you to interpret. He can't bring himself to finish it— he can't use it when everyone else who spoke of it is presumably dead. That would only result in another restless night of futile attempts at subduing the void in his heart. Just because he knows it, doesn't mean he likes to think of it.

Aventurine does not like to remember the fact that he's the only one left of the Avgins, even though the cosmos is merciless in its reminders.

"You do speak it!!" You insist, and look into his eyes, and his eyes almost make you forget the rest of your sentence. "—You say things under your breath. When things go south, or when your catcakes do something super adorable and you can't hold a grin on your face. I've seen you multiple times, talking to yourself in an unfamiliar language. It is your mother tongue, is it not?"

Ah.

The words that escape your lips are curling into itself, flickering through the corners of his mind. I've seen you multiple times. Multiple times. Multiple times. Talking to yourself. To yourself. To yourself.

His mother tongue.

Oh, how he wishes he could talk to someone else, how he longs to talk to another Avgin in his mother tongue— in their mother tongue.

"Do I do that?" He inquires, and you affirm, still wearing a smile. Both of you have been smiling at each other, but only one of you is clawing through the walls of their mind trying their best not to leave the room right this moment. You're not an adversary, he reminds himself. You're not an enemy.

"I can't teach you that." He stares in an unusually cold tone, sending shivers down your spine. A tone Aventurine reserves for when a business deal has gone wry, for when he needs to put on his best performance and come back at the top. Unfortunately, this means there's no room for you to argue, no negotiations, no nothing.

You realize a bit too late that you've made him uncomfortable.

"I'm sorry" Apologies keep flowing from your mouth, but Aventurine can barely hear them. All he knows is the warning bells in his ears are growing fainter, and you are once more becoming recognizable, the blur in your face diminishing by the second.

"It's okay," he laughs softly, ruffling your hair to dispel the gloom on your face.

"I don't remember much anyway- I can't teach you anything meaningful, you know? I think Tanti or any of the likes would do much better for your next research material than my native language. We have a reputation across the cosmos anyway, that language can't be intriguing to people."

"Huh?" You tilt your head in confusion, "I'm not going to write a paper on it though???"

"Then what did you want to learn it for?"

"Did you not hear me? I said I wanted to get to know you better."

The feeling of discomfort is back with that, and Aventurine finds himself trying to figure out how to come up with a valid excuse to end the conversation. If he isn't careful, you'll catch on. And if you catch on, you'll keep insisting on trying to understand him, to mend your mistakes and to avoid something similar in future. Then, he'd simply have to cut you off before you go too far. And he'd rather not cut you off and keep you by his side. Yes please, thanks.

You speak once more, but this time you avert your gaze from his eyes and focus on the soft carpet beneath your feet. "If you're not comfortable teaching me, I won't insist. I apologize if I overstepped. I want you to know that my intentions were not malicious. I simply wanted to learn your language so that we could converse in it, and I'm open to sharing my own language with you if you're interested."

Ah. You've now started to speak with more formal and eloquent words than usual, a habit Aventurine has picked up on thanks to observing you for so many years. You always do that when nervous, along with averting eye contact- and you're now anxious.

"it's okay," he reassures you again. "I know what you mean. So no need to worry, hm?"

His words seem to have given you a confidence boost, because your next words catch him off guard again.

"Also, I found your language to be quite beautiful."

"....Beautiful?"

"Yes," you gesture with your hands as you continue, "it's very melodious, you know? I'm familiar with the Sigonian language, as it was one of the languages I studied during my major. However, the Avgin dialect sounds... different. Of course, you're a very quiet mumbler—obviously— and I couldn't understand much- but I've realized that the Avgin is not only is not only significantly different from standard Sigonian, but it also has a much sweeter sound. As a linguist, it's disheartening to think that this sweetness has gone unnoticed by the world."

The initial panic has completely dissipated for Aventurine, replaced by a sadness even he can't place what for. He has half a mind to laugh, and tell you that his people were sweet too, but no one cared for that either. He wants to say of course it sounded sweeter, the standard Sigonian had always been dry and lacking the warmth, any Avgin would agree with you. And yet, he dares not let the dam loose.

Instead of voicing his thoughts, he decides to observe you, as the ringing in his ears has now completely silenced. The you in front of his eyes is meek, likely because you've assumed you overstepped and made him upset. He hates seeing that expression on you: truly, especially when you shouldn't have to feel that guilt. He knows you well enough to know you're not lying, and for a split second— he entertains the idea of sharing the sweetness of his language with you, to have someone else who can understand his tongue.

He decides it's not an entirely uncomfortable thought.

It has been a few weeks since he agreed to teach you the Avgin dialect, and he still finds it surprising that he made that decision. Everything related to the Avgins and their culture is dear to him, including his people, his family, and of course, kakavasha; he protects them with all of his being. However, for some reason, he has chosen to share this delicate and intimate part of himself with you. After all, he is the last known surviving Avgin—this is more than personal; it's his mother tongue, for goodness' sake!

You've proven yourself to be a very very dedicated student, absorbing every piece of information he imparts like a sponge. Aventurine is unsure of how to teach you, as he himself is losing touch with his language thanks to not speaking it for years. Because of you, he now thinks more in Avgin and realizes how much he thought he had forgotten but still remembered, and how much he thought he remembered but had forgotten.

But it's nice, to be greeted in his language whenever you two come across each other. You're still cheerful and sparkling as before, but now you can greet him in his language. «Hello, how's your day going!!!» You ask him each time, with that accent and broken words that makes you sound childish more than anything. But Aventurine could care less about that; he's quick to greet you back each time, adding a new word so you learn something from each interaction.

You've told him that he's much much more expressive whenever speaking Avgin, but he tries not to think about it.

"Manro means bread," Aventurine informs you, observing quietly as you eagerly jot it down in your notepad. "I quite like the feel of pen and paper," you told him once, and he still can't comprehend why that's preferable to typing on a screen instead.

"Mañro?" you repeat, and he has to conceal an affectionate smile at your accent. It's unfamiliar and odd, but not disliked. Never disliked.

"Manro." He corrects, and you get it down this time.

"So….«manro» means bread and you said…«pani» meant water? So let's say I wanna talk about my lunch….«I water with bread eat?» Is that how you say it?"

Aventurine purses his lips, trying to appear serious. "No, it's «I ate bread with water.» But what's with that meal choice? That can't be good for you."

You only huff in response, "hey— I'm still learning okay!! How do you say wine?"

"Mol"

"Mol— how about wanting to drink or taste?"

Aventurine raises an eyebrow, "Zumavel"

"Okok. So…. «I want to taste wine really bad. Might die.»"

Aventurine snickers at that, turning his gaze away to avoid receiving another punch from you. Despite the fact that you've opted for this inefficient learning method—since he can't provide proper grammar lessons—the sentences you're coming up with are hilarious.

"Not quite. It's «I want to drink wine so bad that I might die»" he corrects you again, and you let out an embarrassed laugh to write the correct structure down. You've promised him you'll figure out the grammatical structure and everything to him after all. And he can't say he's not hoping you actually will.

"How do you say eye?"

"Just like how you say in standard Sigonian"

"Ohhh….I've noticed that body part names are usually unchanged in the Avgin dialect. How about warmth?"

"We call it tato" he smiles at you, and your cheeks tint the faintest hue of pink as you look away.

"«Your eyes—»" you purse your lips, thinking hard to form the structure "«-Are warm right now. Very warm.»"

Aventurine's eyes widen, and for a moment he's speechless; unable to comprehend how and why. But you're blushing, and playing with the hem of your shirt, which means at the very least you aren't lying.

«I'm afraid you've become my heart» He says under his breath, the words escaping his mouth before he can even stop them. It tastes sweet in his tongue, memories of a time long gone resurfacing. He didn't even remember that saying, up until now. And now, he has a little more understanding of how sweet his mother tongue really is.

"What does that mean?" You ask him, and he merely smiles at that.

"Nothing. I just said thank you."

A/N : gah I'm sorry for that word vomit I can't stop thinking about it....like one been thinking for months about his language and what it might mean for him now that he's (presumably) the only avgin left. My mother tongue has PLENTY of dialects, and there are certain ones that are totally different from the standard (I don't understand some of those) so I kind of projected....and other than that I hope it wasn't too bad omg

[hellinhawkins]

the way that mike’s monologue is filled with canonically proven lies. the way that they could have introduced a boy for will so long ago but chose not to. the way that they could have written a more genuine love story with outside factors breaking them apart over and over rather than someone in the relationship, because they’ve done it for every other ship. the way that el hasn’t spoken to mike after his supposed ��i love you” speech. the way that they’ve been adding will into the milkvan scenes, distracting you from the “tender moments” and making you feel guilty. the way that they easily could have had mike reject will seasons ago, if they were planning to do that. the way that they’ve sidelined will more and more as if they’re planning something big for him next season. the way that they’ve shown mike becoming more and more closed off each season as he and will drift apart. the way that the duffers could have avoided all this but they chose not to.

[remxedmoon]

y’know what? fuck you. *UNGRAYSCALES YOUR ISATS*

no wait come back there’s greyscale versions under the cut :(

[mint-fixates]

There's this weird take I've seen floating around on TikTok that Bill doesn't actually care about his family/dimension or Stanford at all; that we're supposed to take everything in TBOB as non-canon basically because he's lying to garner sympathy from reader to make a deal with them. I'm all for having your own interpretations of media, but I just don't think this idea that Bill is a completely heartless unfeeling creature is supported by canon at all. In fact, it kind of feels like the opposite of the point of the book.

Like, yeah, most things Bill says should be taken with a grain of salt because he lies a lot, but he's not actually a very good liar? It's usually pretty easy to clock when he's full of it. But okay, even if we assume every word Bill says while trying to recruit the reader is a lie, there are three major things that this doesn't account for.

Bill is not the only source in the book. The lost Journal 3 pages were written by Stanford, we only know about the interdimensional Taco Bell incident because of an included police transcript, etc.

Even once he's lost any chance of making a deal with the reader to escape, Bill is having a complete breakdown and mentions all the people he so totally doesn't miss for real you guys. Why bother with reverse psychology double-lying for sympathy once his shot at getting the reader on his side is already gone?

Trying to garner the reader's sympathy makes sense to a certain extent, but why go out of his way to make himself look pathetic? Does revealing that he got drunk and cried over his ex in a fast-food drive-through really help his cause if that cause is to convince the reader he's still a powerful being capable of starting the apocalypse again so they can rule with him?

And that's all without even mentioning that, as previously stated, I think the entire point of the book is missed if we're interpreting Bill as having no genuine feelings or attachments. The book ends with Stanford healing from his past by being open about what he went through with his family and accepting their help, while Bill insists he doesn't need anyone and refuses to heal, actively making himself worse in the process. The clear theme imo is that accepting your past and accepting help from people who love you is essential to healing, while denying those things just makes everything worse. If Bill doesn't actually care about his family, his dimension, Stanford, or anything/anyone else, he has no trauma to heal from or regrets to learn from that he's refusing to accept and deal with, and the entire meaning of the book is made moot.

[dukeofthomas]

Here's my controversial opinion; if you're trying to write Bruce as a non-abusive, good parent, you should also write him respecting his kids' privacy, boundaries, and not stalking&surveying them.

[wilsonsmcgillsweatshirt]

"Deep inside, Wilson believes that if he cares enough, he'll never have to die."

What the fuck were the House writers on

[melverie]

Love how there are four main reasons why Lucifer is as avid a Demonus Connoisseur™ as we know him to be, and how all of them hurt to think about

There's the obvious, of course. All the seraphs go out drinking together. It's a little keepsake to his time as an angel, in a way. So Lucifer sits in his moonlit study down in the Devildom, only the shadows of leaves gently swaying in the wind keeping him company, pouring himself half a horn of the finest Demonus in his collection. All to honor those he once called his brothers and sisters as they fill up each other's cups and bask in the warm sunlight of the Celestial Realm

Ah, but he's not just drinking to mourn days lost to the past! He also has reason to celebrate every once in a while! Any small improvement to his and Satan's relationship is deserving of a generous reward, don't you think? See? That's a perfectly normal reason to treat yourself to a few more horns!

A couple of bottles into his system, and all the things that usually plague his mind seem so distant all of a sudden. It all turns into nothing but hazy fragments, and it's hard to piece it all back together. Although it's not like Lucifer would even want to in the first place, not when it finally makes all the things he craves to forget about slip from his mind. About the sister he failed to save. About the brothers he damned alongside him. And the crushing guilt that accompanies his every waking moment...

And then finally, there's this one glaring issue that everyone always seems to overlook when it comes to Lucifer—"his" Pride. That awful, wretched little sin, everpresent as it dictates his tone of voice, his every gesture, every word he utters, every single little facet of his personality. Lucifer—"Avatar" of Pride and the morning star himself—is nothing but a prisoner of his own mind, a mere puppet for "his" Pride to control

And so, he drinks. Drinks until even the cheapest bottles in his collection are empty. Not that it matters much to him, at least he can finally free himself from the constant pain and heartbreak that is looming over him, even if it's just for a handful of insignificant hours in this sheer endless torture that is his immortal life. After all, he can't drown in his sorrows as long as he keeps the Demonus flowing

By the time only one last bottle is left, Lucifer stares straight into the darkness of his study, his hair completely disheveled and tears cling to his face. He has long since collapsed on the ground as he brings the very last bottle of Demonus to his lips, not stopping until he has gulped down every last drop

Right now, the Avatar of Pride is nothing but a shadow of his former glory. But oh, is there a better escape from drowning in his sorrows than to keep this sweet, sweet Demonus flowing?

[iwritenarrativesandstuff]

Q's Relevance and Parallels to Double Black

I had a sudden brainwave of thoughts (read: I only got three hours of sleep last night) and needed to share. I've thought this for awhile but I really think Q will be returning to the series at some point.

First of all, there's just too much ambiguity there and I want to know more about Q in general. What happened to Q to spawn an ability like that? Why does Dazai speak about them like they're the devil incarnate? What was the incident that led to so many Mafia deaths in an effort to lock Q up? Is there any significance to Q's unusual eyes (remember that most characters tend to have fairly normal eyes, and this is a series where the eyes carry symbolic weight)? What's with Q being strung up in this position that is eerily similar to a crucifixion, shortly before Steinbeck has a conversation about God existing but not loving them?

There's a lot there. I've spoken about this before in the meta I did about Dazai's change in approach after the Q chapter, which was genuinely an unexpected event he did not anticipate. But there's something fascinating about the way Chuuya reacts to Q as well. In fact, both Dazai and Chuuya are almost uncharacteristically murderous towards this kid, and that's real interesting, seeing as many aspects of Q mirror aspects of their younger selves.

Now I understand you might be thinking: uncharacteristically murderous? Story, they have both literally killed many, many people before. Yes, but context is important here.

Dazai doesn't have strong violent urges - not even in the Mafia, where he was considered terrifying more so due to his apathy in killing than anything. I can't remember a scene where Dazai is described as radiating bloodlust like Kyouka or Mori. Dazai is scary because of his indifferent hollowness at his worst points. Odasaku was described similarly in Untold Origins - there was no real desire to kill, just a listless cold follow-through. Dazai's sadistic methods, brought up by Higuchi in Chapter 25, are acknowledged as a means to an end, a method, not something done out of any strong desire or enjoyment. So when Dazai makes death threats or appears visibly angered - that's something worth taking note of. For him to make a promise to Q to pluck out their heart - holy shit. That is not typical Dazai behaviour. He doesn't even make that kind of threat towards Fyodor. Whatever happened in the past clearly shook him, enough for this moment to change his approach in the series and send him back to using darker methods again.

As for Chuuya, while he has and does kill quite readily, this is mostly in the heat of a fight. For him to give the go-ahead for murdering an unconscious child - it's unusually cold-blooded for him, and I can't think of another instance where he's down with lethal intent outside of combat and direct orders. I've seen some people talk about his reaction to Dazai suggesting he'll kill Q as proof that he's gotten darker since we saw him last in Stormbringer, from someone who would plead for the lives of the Sheep to be spared ("They're just kids") to being ready and willing to kill a defenseless child. While I think it's likely true that he's gone darker since that point - Chuuya appears to be more cynical in the present as well as having darker eyes with a smaller central pinprick of light than in Fifteen and Stormbringer - that's not the only thing going on here.

Thing is, Chuuya has always been fairly ruthless. He’s a very vengeance oriented character, right down to his fighting style (rebounding attacks and bullets). Hurt him or someone he cares about and he hurts back - and that threat will be destroyed. Parallel to this is how he is seemingly unable to turn his back on people who have helped him. Help him and he will remain loyal and protective even if that person goes on to stab him in the back. He has a very “give and take” mentality. Chuuya operates on the reciprocity principle.

So, about Q, here’s the thing: Q is a part of the Mafia, that's true. But Q has never helped them, only hurt indiscriminately. Mafia philosophy says “protect your own and follow the boss' wishes no matter what”. But Chuuya’s philosophy is saying “neutralize the threat”. And interestingly, Chuuya’s philosophy won here. If Dazai had've killed Q, Chuuya would’ve defied Mori’s orders in favour of his own judgement, which is extra intriguing because it emphasizes Chuuya’s loyalty to the people within the Mafia, not the Mafia as an organization itself. This is in full contrast to people like Tachihara and Hirotsu, who prioritize the organization and orders above all.

And about Q being a child: I don’t think this is such a big change in his character if I'm being honest. Chuuya knows full well how dangerous a child can be - he was that dangerous child. People underestimated him as a teenager and paid for it dearly; do you really think he'd make that same mistake? He also has a very warped view on the responsibilities and ways a child should be treated… while I do believe he probably is protective of those younger than him, he also equally understands that a child can be just as much of a threat as anyone else. For Chuuya, it’s always a matter of what wins out: the person or the threat? In this case, it was the latter.

The thing is, it's interesting the way they react when you look at the way Q eerily parallels aspects of their younger selves - as well as some things that carry over to the present.

Dazai and Q share central themes of control.

Q's mind control ability is actually referenced by Dazai as being essentially the worst kind of ability there is, and I know I've mentioned before how he seems to react poorly to those people who attempt to mentally control others, placing them on a heightened level of danger (think Fyodor, Mori). I don't think I need to get into Dazai's control freak tendencies - and what's more, after Q's introduction, after he says that mind control is the worst kind of ability there is - he ramps up his masterminding and enacts as much control as he can over the proceedings of the events that follow. Q's ability is interesting in the sense that it allows them control over others, implying Q came from a background of little control. I have also hypothesized that Dazai, with his need for situational control, similarly came from a background of little control. It's also likely they both were hurt by others - Q's ability turns any pain inflicted on them back around, giving them a way to fight back, while Dazai can level the playing field of any unfair advantages by nullifying abilities.

Q's small segment in Fifteen is also interesting: they're near completely zoned out, just staring off into the distance without responding to their environment until Dazai gets directly in their face. Then Q suddenly flips a switch and becomes all cheerful and playful. It reminds me of young Dazai's quick switches between faux cheerfulness and emptiness earlier in that same book.

They also both have quite interesting relations to pain. Q wonders why cruel things always hurt them, but Q makes this a foregone conclusion by purposely arranging others to hurt them so they have an excuse to hurt those people back. Q's pain becomes a self-fulfilling prophecy: they hate it, but the only means of control they know in interactions with others requires it. Dazai similarly hates pain - his pain loop, however, is more emotional than physical. Dazai feels isolated and alienated from others, but his attempts to exert control require him to distance himself and rely on his mind over all else. He also leans into his inhuman side when it becomes apparent pain is unavoidable (I think often of his reactions throughout Dark Era to Ango's betrayal) - again, this becomes a self-fulfilling prophecy. He will not find anything. He will continue to be separate from humanity if this cycle continues. That was why it was imperative that Odasaku break him out of it. Self-sabotage behaviours and unhealthy cycles, physical and emotional, are apparent with these two.

For bonus points: both have injured right arms.

On a more superficial level too, Q and Dazai both have "creepy child" energy, with emphasis on the child part - they are both legitimately disturbing at times but also have moments where they show childlike interest and behaviour. (I encourage people to check out Q's mayoi cards for this - I know it's not super canon or anything but it emphasizes their "kiddishness".)

Also I'm unsure if this is significant, but there's this detail too:

Q has a very unusual right eye with a star in the center. The right eye is also the one Dazai kept covered in the Mafia. Notably also, Q's right eye is frequently obscured by their hair in key scenes.

...Does it mean something? I have no idea. But it's potentially interesting so I thought I'd add it.

Meanwhile, Chuuya and Q share themes of loss of control.

For Q, this is quite obvious. They are literally locked up; imprisoned within the Mafia and unable to exert control over their circumstances. For Chuuya, it's a little more subtle but still present, I believe: I invite people to look at his character song and mayoi (particularly aquarium) for direct references to feelings of being trapped. However, looking at Fifteen and Stormbringer, there are a few mentions of freedom that are intriguing in relation to Chuuya's character. In Fifteen, both Dazai and Shirase mention Chuuya's "freedom"... but this is almost a mockery of what's really going on. A party to celebrate Chuuya's freedom is really an elaborate set up for a trap. Shirase telling Chuuya that he should have the freedom to act on his own wishes is really a cover up for a betrayal. In both instances, Chuuya's freedom is a lie. Stormbringer, at the very least, instates a sense of agency where he at least has the freedom to make choices about his own actions - that's the whole point of his hat; it's a symbol of autonomy (also anti-mind control; more on that in a bit). However, Stormbringer also systematically strips away the start of any alternate path Chuuya could've taken - he cannot be the child he was, he never got to hear the pitch on living in the light. He feels genuine gratitude towards those in the Mafia - they have his back, which is more than he could say before, but at the same time, the Mafia is kind of the last option available there if he wants not to be alone... and Chuuya does not want to be alone. (Seriously. His character song. Please look at it. Also Stormbringer.)

Now, onto their abilities, which also parallel in the sense that they are both used to "get back" at people. Chuuya rebounds attacks - bullets shot at him ricochet back at the people who fired, and Q hurts people who hurt them. There's a very reciprocal relation to the way they use their abilities, and it is absolutely to induce fear and intimidation in others, but there's a key difference. Namely, Chuuya fights only against enemies or people who strike first. Q, on the other hand, intentionally makes "enemies" out of even innocent bystanders just to have a reason to hurt them back. A lot of this is due to Q's misanthropic nature - I doubt Q has ever had a positive bond with another person, and so Q sees the whole world as their enemy - a world which, to them, does not want them in it. Chuuya, on the other hand, has had people who care about him, and he cares about them in turn. He's a bit jaded but he doesn't hate humanity, far from it.

In that sense, Q parallels Verlaine in a sense, right down to being kept in a special secret room in the Mafia, hehe. Though again, there's differences. Verlaine chooses to stay in that room, first of all, while Q doesn't have a choice. Verlaine's angst is internal identity based while Q's is more external situation based. In response to their pain, Verlaine chooses to relinquish control of himself (Brutalization), and Q chooses to have everyone else lose control of themselves (Dogra Magra). Verlaine says "look at how monstrous I am and how I hate and hurt because of it" and Q says "look at how monstrous you all are and how I hate and hurt because of it".

Chuuya is not so far on either extreme that he emulates this - but he could've ended up like Verlaine, and he admits it in Stormbringer. He could've maybe ended up something like Q too, if he'd remained trapped as a lab rat. But see here's the key with Chuuya: his hat makes it so the choice to lose control of himself is his alone, and moreover, that losing control doesn't mean he goes out of control. He trusts that he can lose control for a bit, place it in someone else's hands for awhile before it goes too far. Trusts that the choice to lose himself will be followed by the keeping of a promise to bring him back to himself. Chuuya has bonds, and that's the key difference.

But uh. Going back to parallels... about the scene where Q gets tortured... and the scene where Chuuya gets tortured...

Is this significant...?

...is... is this...

...

.............

Um. I may be delusional. But. Well. *gestures at all of this*

So, where does this leave us? Well, we have Dazai, who sees a manipulative, mind-controlling kid that he calls a "walking disaster", and we have Chuuya, who sees a dangerous ability user that is too big of a potential threat to not be dealt with, so the two decide the best course of action is to kill them about it. The reason Dazai did not follow through is likely a mix of his stated reason (the Mafia cannot harm Dazai so long as he is needed to stop Q), and probably also that he isn't really supposed to be directly killing anymore.

Nice, guys. Really clear and consciously held self-concepts you got there.

Considering everything, it's maddening that all we have on the dynamic between these three is: Q joins in Fifteen at the same time as the other two and is assigned to Dazai since he can stop their ability. Mori doesn't know what it is at that point but assumes whatever it is will be manageable because Dazai can just nullify it. It... clearly wasn't.

I feel like there has to be something here and that we're going to be coming back to it. Q, the old Boss, how Mori got so close as an underground physician in such a short time... there's so much about the Mafia we don't know so I'm assuming the story will shift to focus on these points again... someday. Hopefully.

[daily-suyao]