#try actually reading and understanding the Main Point.

[saraa-lancee]

ngl it's funny that you're willing to demonise all autistic people just to make sure a label is only applied to hyperspecific situations. being autistic is not an excuse to be weird towards women or cross boundaries - can it help explain it? yes. but autistic incels exist and implying they don't and normalising that sort of behaviour as an autistic trait 1) is ableist, and implies that autistic people have no control over their own behaviour, and 2) invalidates victims and survivors of sexual violence at the hands of men who happen to be autistic. its also dangerous.

just saying. mentality like that meant that, as an autistic teenager, I allowed close friends to take advantage of me because the line was blurred and it was much easier to rationalise and excuse. and it's scary to me to see that culture normalised because it stems from the patriarchal definition and understanding of autism. autistic people know right from wrong and do not hurt people by default.

I'm not attacking you, but rather hoping to just offer an alternative perspective. I hope you are having a nice day.

Lmao hello Anon.

I'm going to provide an "alternate" for you-- I didn't demonize autistic people. I am an autistic person who has struggled with understanding boundaries in the past. I am defending autistic people by pointing out that Weird and Incel are Aboslutely Not The Same, which, if you y'know, read, is the entire point of the whole fucking post! But please, tell me you enjoy conflating Wierd Characters with violent rapists. I'm here all day-- I can't wait to read this.

I also, literally in that post, pretty much said exactly what you said. No where did I say all autistic people intentionally hurt people. In fact, I believe I even stated that when Autistic people *do cross* boundaries, it's not always intentionally. But let's also not pretend that autistic people never hurt others. I'm sorry that happened to you anon, I really am. Lots of autistic people also have stories like that, and it's disgusting people are so ready to take advantage of us. I'm also sorry that you think I don't know this perspective already as an autistic Afab person-- nice assumption about me and my life. But I think you're the one who might need the new perspective here if you don't seem to realize that yeah, autistic people absolutely can be the perpetrators in a blurred line situation. Unfortunately, lots and lots of people also have stories were the were hurt *by* an autistic person. "Hurt" as in physically or psychologically (not just sexually), because as a 5 foot nothing woman having a tall man (autistic or not) forcefully grab you in public or start screaming at you can be fucking terrifying.

Autistic people aren't just victims, anon. Acting like we can only be victims is kinda like... infantilizing or something. Sorry, but in an uncertain consent situation, an autistic person can also Assault someone because they didn't understand enthusiastic consent (ie, don't understand the nuances of YES! Vs Well, okay... or how consent can become questionable in situations where substances are involved). This all assumes innocence as well-- believe it or not, some autistic people are like, bad people (they also still deserve to be viewed like full adults but also viewed fairly rather than ostracizated unfairly).

My bad, im just rambling. Once again, reading comprehension. You're just intentionally ignoring my origional point, which is that you absolutely cannot just call a character who you deem weird an Incel. Which is the entire fucking point of the post but once again, fantastic selective reading Choice. When I said we shouldn't view Weird Character as a violent proponent of Rape and violence against women, I was 100% definitely demonizing Autistic people. (I remember literally saying "this doesn't apply just to autistic people" with the specific stipulation that he is autistic coded to me, but being autistic isn't the only factor here, proving that you literally chose not to read/to assign language I didn't use and a viewpoint I don't have to me. As an autistic person, this is black and white, and that's *not what I fucking said*. Try again anon).

Again. The entire point was defending "weirdos". Since, y'know. Most Weirdos (affectionately, as a weirdo myself) are demonized (being labeled as an Incel is definitely a demonization, btw. Which again. Was the POINT OF THE FUCKIN POST).

Idk why I'm writing this, you people will read whatever you want from it and not what I'm actually saying, so whatever. Autistic people are unfairly victimized by society-- including this whole Incel business. You were victimized, and I am sincerely sorry for that. But if we view autistic people as, y'know, dynamic people, we have to accept it goes both ways and come to the understanding that all this isn't even about all that. It's about refusing to assign extreme malcontent to someone based on Wierd.

Anyway, long live the weirdos demonized in popular culture. Long live everyone who's been shunned and judged for "acting wierd" and long live everyone who's exclusion erased their chance for a "normal" "adjusted" life.

Have a good day, *anon*.

[summergoodwife]

Gonna say it again, "Just stop consuming the genre" is THE WORST POSSIBLE RESPONSE to someone complaining about the lack of representation in their preferred genre!! And "Consume other stuff too" is not much better!!! I don't care how much you think varying media consumption is a Good and Holy lifestyle, not everyone wants to do that! There is no obligation to do that and there should not be! Because it's fucking entertainment. It's not a college major.

And! And and and. I would be remiss to not point out that when you tell someone, "If you want well written (minority) just get out of (genre fandom)" you are, regardless of your motivations, rhetorically aligning yourself with the exact same bigots who just want the pro-representation crowd to shut up and go away.

[unnecessarilygrandiose]

finished dark heir just now and googled if there's any updates from the author on the last book of the trilogy and clicked a reddit link to check... got gobsmacked with the worst possible opinion in human history... never talk to anyone about a piece of media you like Ever

[scarletfasinera]

I need to come back to the real world (aka stop being asocial)

[giveamadeuschohisownmovie]

Ways I can think of that “DanDaDan” differs from other shonen series:

* Female MC is as important as male MC

* Canon romance gets consistent development through the series. I think that’s part of the reason why the MC ships with the rivals (Aira, Jiji) aren’t as popular with the fandom for once. The main ship is actually getting good development, so the fanbase doesn’t have to make up headcanons to fill in the space.

* Flips the found family trope on its head by having the main group despise new people whenever they show up and they even actively try to kick them out. The new people only end up staying because they keep lingering around to the point that the main group just gives up and lets them stay.

* The rivals aren’t emo or angst-ridden. Aira is a delusional tryhard popular girl while Jiji is a himbo drama queen. I’d even go as far to say that the MCs are the ones who are emo and angst-ridden.

* Supporting cast is more than just important, they become integral to the story. I’d say that the further you read into DanDaDan, the more it becomes an ensemble cast where everyone is a protagonist in their own right.

* World-building is all over the place, but in a good way. Most other shonen are pretty consistent with what kind of world their characters live in. MHA is superhero-based, Naruto is ninjas and magic, Bleach is spirits, and so on. DanDaDan feels like the author just throws whatever cool shit they can think of into the story. That’s actually the reason why I wrote in a different post that DanDaDan reminds me more of Marvel/DC than any other shonen series, it manages to capture the catch-all insanity of those comics.

* Doesn’t rely on hidden power-ups. The main characters either have to outsmart the villains or they have to train to get better with the powers they already have.

* The pervert comic relief guy is actually endearing for once. Not because of his pervert tendencies, but because he’s so oblivious to how socially inept he is that it’s kind of funny. This is gonna sound strange, but he sorta reminds me of Thor in Thor Ragnarok. Full of himself and oblivious to how dumb he can be. He’s Thor without the good looks lol.

* Flips the “nerdy outcast loser somehow gets a harem” trope. Instead of making Okarun cooler than how he actually is, the story emphasizes that the women who fall for Okarun are as weird as him. Momo is a weird outcast, Aira has main character syndrome, Vamola doesn’t understand how to human because she’s literally not one, Rin thought Okarun was a vampire (and wanted him to be).

* Flips the “elderly figure in charge of the teenagers” trope. I don’t really get motherly figure vibes from Seiko Ayase, I get more “cool wine aunt who is stuck with her niece” vibes. In fact, there was the arc where Okarun showed up to her in spirit mode to get her help with fighting off the alien invasion and Seiko’s response was, “Well, I’m not in the area and I have other shit to do, so you kids figure it out.”

* The series takes the piss out of the trope of mystical/magical items that the group acquired to get their powers. I mean…the main mystical MacGuffin in the series are Okarun’s balls.

* Okarun was about to go into an “I’m weak / I wish I was stronger / I want to get stronger for my friends” breakdown, but Turbo Granny told him to shut up and keep fighting.

* Not afraid to put the “cool girl” in as many funny situations as possible. Off the top of my head, the series built up Momo as this cool, tough girl who doesn’t take shit from anyone…then several chapters later, Okarun found out she got a job at a maid cafe.

(Feel free to add to the list!)

[haru-dipthong]

Did you know that the english word “star” and the japanese word 星（ほし）don’t actually mean the same thing?

Language does not simply name pre-existing categories; categories do not exist in 'the world'

— Daniel Chandler, Semiotics for Beginners

I read this quote a few years ago, but I don’t think I truly understood it until one day, when I was looking at the wikipedia article for “star” and I thought to check the Japanese article, see if I could get some Japanese reading practice in. I was surprised to find that the article was not titled 「星」, but 「恒星」, a word I’d never seen before. I’d always learnt that 星 was the direct translation for “star” (I knew the japanese also contained meanings the english didn’t, like “dot” or “bullseye”, but I thought these were just auxiliary definitions in addition to the direct translation of “star” as in "a celestial body made of hydrogen and helium plasma").

To try and clear things up for myself, I searched japanese wikipedia for 星. It was a disambiguation page, with the main links pointing to the articles for 天体 (astronomical object) and スター（記号）(star symbol). There was no article just called 「星」.

It’s an easy difference to miss, because in everyday conversation, 星 and star are equivalent. They both describe the shining lights in the night sky. They both describe this symbol: ★. They even both describe those enormous celestial objects made of plasma.

But they are different - different enough to not share a wikipedia article. 星 is used to describe any kind of celestial body, especially if it appears shiny and bright in the night sky. “Star” can be used this way too (like Venus being called the “morning star”), but it’s generally considered inaccurate to use the word like this, whereas there is no such inaccuracy with 星. You can say “oh that’s not actually a star, it’s a planet”, but you CAN’T say 「実はそれは星ではなく惑星だよ」 (TL: that’s not actually a hoshi, it’s a planet). A planet IS a 星.

星 is a very common word, essentially equivalent to “star”, but its meaning is closer to “celestial body”. I haven’t looked into the etymology/history but it’s almost like both english and japanese started out with a simple, common word for the lights in the sky - star/星 , but as we found out more about what these lights actually were, english doubled down on using the common word for the specific scientific concept, while japanese kept the common word generic and instead came up with a new word for the more specific concept. If this is actually what happened, I’d guess that kanji probably had something to do with it - 星 as a component kanji exists inside the word for planet, 惑星, and in the word for comet, 彗星, and in the scientific word for “star”, 恒星, so it makes sense that it would indicate a more general concept when used standalone.

This discovery helped me understand that quote - categories don’t exist in the world, we are the ones who create them. I thought that the concept of “star” was something that would be consistent across all languages, but it’s not, because the concept of “star” is not pre-existing. Each language had to decide how to name each of those similar star-like concepts (the ★ symbol, hot balls of gas, twinkling lights in the sky, planets, comets, etc), and obviously not every language is going to group those concepts under the same words with the same nuance.

Knowing this, one might be tempted to say that 恒星（こうせい） is the direct translation for “star”. But this isn’t true either. In most of the contexts that the word “star” is used in english, the equivalent japanese will be simply 星. Despite the meanings not lining up exactly, 星 will still be the best translation for “star” most of the time. This is the art of translation - knowing when the particulars are less important than the vibe or feel of a word. For any word, there will never be an exact perfect translation with all the same nuances and meanings. Translation is about finding the best solution to an unsolvable problem. That's why I love it.

[hollowstarchaser]

Sorry but this idea that the marauders fandom is "responsible for keeping Harry Potter relevant" is so out of reality for me

the majority of the people that go to give more money to JKR have never read a fanfiction in their lives, and they probably don't even know about what she does on twitter or don't care about what the authors of the books they read do or are just indifferent or hate us trans people so they don't give a fuck and continue to engage with the official world of hp.

I understand wanting to personally step away from the fandom because she's such a piece of shit that you just don't want to engage with anything she started, but to try to guilt trip fanfic authors seems a bit much and also out of anything based in reality as I said... the cultural influence of Harry Potter is not based on the gay fanfictions online, that franchise has whole themes parks for it and a whole TV show that is gonna be promoted heavily, be serious! the problem is not the fanfictions online, she's extremely rich she's gonna keep promoting her works and lots of people aren't going to care about what she does or they may even start supporting the books only because she's transphobic

I feel like instead of trying to shame queer and trans people that write fanfictions and made up their own version of that world and made it the most queer version they could create, we should focus on shaming the politicians and judges that let themselves be bought by transphobic pieces of shit and also those politicians that are not speaking out about it??? while I do think we should absolutely also keep boycotting jkr by not giving her more money and I've been doing this for years since I learned what she really thought, at the end of the day the politicians that make the rules hold the real power and I feel like we get distracted by shaming each other instead of focusing on the main problem which is the governments in power... we should think more about going to protests and pestering THEM with our disappointment

Idk I find it ridiculous to be harassing other queer people because of this, it's just more pointless hate and infighting that doesn't bring anything positive! from what I've seen most of the marauders fans have been actively against her, have not interacted with stuff that gives her actual money and are trying to boycott her by not buying official merch etc etc they are way more aware of what she does than random normie fans that keep buying harry potter themed shit around the world... Exactly because the marauders fans are mostly queer people that honestly made up a whole other universe from what I consider just a smidge of her input at this point. I really don't think it's a fair assessment to say they're responsible or even "the main reason why Harry Potter is still alive"... That's just a lie

[tender-rosiey]

hiii this is my first time requesting so i dont know how specific or vague i should get :,) but maybe a scenario between sukuna and reader on how their wedding ceramony(and maybe afterparty) went? i saw an edit of sukuna with lana del rey’s margaret and immediately thought you could write this scenario since all of your husband!sukuna works are chef’s kiss “:D

true oath — ryomen sukuna x f!reader

a/n: so glad you like my husband!sukuna works anon and I hope you like this as well 🥹 ALSO special thanks to @lexiene and @camelnose for beta-reading BIG HUGS TO BOTH OF YOU SRSLY MWUAHHH

the servants scurry all around the room, trying to finish as much as possible in the time frame they have been given.

meanwhile, you are sat in front of your vanity with your personal maid who is putting the final touches to your makeup. you let out a soft giggle at the franticness of the others then look at the mirror to examine yourself.

the kimono had been handpicked by sukuna himself, something he believed was only logical—given that, according to him, nobody knows you as well as he does, and of course, that you’re getting married to him.

you thought he was being overconfident in his abilities, but to your surprise, he really did end up choosing something that—both—fit you well and you liked very much.

though, you wouldn’t tell him that. you wonder what his reaction would be to how you actually look in it, especially since you barely made him agree to not seeing you until the ceremony.

“no.”

“sukuna, come on,” you huffed, clinging onto his arms, “it’s a tradition!”

“I don’t care about traditions, you know that,” he replied simply and carried you in his arms.

you pouted and rested your head on his shoulder, looking up at him with your best puppy eyes, “please, honey?”

he looks at you for a few moments before clicking his tongue and looking away, “fine.”

“yay!”

you let out a chuckle at the memory and are interrupted by the door opening. the servant at the door is heavily panting as he speaks, “the l—lord demands to begin the ceremony right now.”

one of the maids looks at him incredulously, “what?! we still have much to prefer like the pathway to his highness and the food!”

the servant nods in understanding, “I know I swear,” he gulps, “but he is getting real impatient and has expressed the need to see her highness more than once.”

you roll your eyes and stand up, “well, tell him that we will be on our way.”

the main maid gasps, “but my lady—”

“don’t fret,” you smile, “if he asks about the unfinished tasks and preparations, I will tell him that you were working on it, but his insistence on speeding things up halted you from your duty, understood?”

they all nod hesitantly. you clap your hand and grin, “well then, lets go! I am excited to see my dear future husband.”

the maids smile nervously, still trying to come to terms with your marriage to sukuna. staying by his side as his lover is one thing, but to officially be declared his wife?

they have come to the conclusion that either you are as crazy as him underneath or you simply managed to tame him—to an extent at least.

you finally exit your room, and as you walk down the hallways, servants clear the way for you, bowing their heads as they offer you their blessings.

you look around the halls, finding them decorated with flowers already, so they are probably talking about the path in the main room.

the flowers are all of your choice, and it fills you with a sense of joy that each one that you pointed out on your outings with sukuna has been placed meticulously in the arrangement that litter the halls.

you slow down your pace, partially to soak in the view a bit more and partially to tease sukuna who is probably waiting with the last smidge of patience he can manage.

sukuna, who is sat on his throne, hand on his knee as he tapped it in waiting. he knows what you’re doing. you have always tried to test just how much you can get away with, which is admittedly a lot at this point.

for example, the first time you did something that he considered audacious is when you were strolling the gardens when you first came to the palace.

you were faced with sukuna who was stood in the place where you usually lounged.

it irked you cause he had the entire garden but chose the most secluded spot—which was usually where you sat so the servants can forget about doing any chores.

you frowned, “that is my spot.”

he quirked an eyebrow but didn’t look back at you. he let out a chuckle, “and this entire palace is mine.”

“nice try,” you quipped, “but I know the palace belongs to sukuna, the king of curses.”

at that, he turned to look at you. he leaned back against the tree, arms crossed and a cold stare on his face, “and who do you think I am, human?”

“oh—shit, okay,” you spluttered, “so you’re sukuna? you look more handsome than I thought.”

a smirked plays at the corner of his lips.

he didn’t reply to you, and you—rightfully—thought that you have dug your own grave. you started to shift your footing from your tip toes to your heel, and you looked away.

he stood up, an amused smile on his face, and he passed you, “I am expecting more from you, so don’t disappoint me.”

you tilted your head, watching his retreating figure. he had left one last comment, “but the next time I see you, I expect you to kneel at my presence.”

that was the moment that sukuna started wanting to see more of you, to see how far you could go. it was a new thing to amuse himself with, so it was more than welcome.

he just doesn’t know when it started being the other way around, because you, in fact, did not kneel.

instead, you started treating him like someone who you genuinely enjoyed their company, and it threw him off slightly; however, that is one of the reasons why he is currently waiting for you, his bride to appear.

the door finally opens, and it reveals you.

sukuna’s heart doesn’t skip a beat at how the kimono fit you exactly how he thought, how your make up was simply perfect, nor how the smile on your lips exuded both happiness and mischief.

what sukuna feels instead is booming pride.

you were always his, since the moment you entered the palace, before he even laid eyes on you. but this silly tradition simply solidifies it even more in the eyes of the others.

he smirks as you finally stand in front of him. you can barely contain your grin, “hello, future husband.”

he didn’t think that a tie to him would ever make somebody so joyed. he smirks at you, patting his lap, “you should know by now that I know you best, you silly woman.”

instantly, your expression falls, and you retort, “way to ruin the mood, king.”

amusement glints in his eyes, and he pulls you close to him, “don’t you ever get tired of giving me attitude? you ought to learn your place.”

“is it not by your side, my lord?” you hum, and he chuckles, content when you finally settle on his lap.

“damn audacious woman,” he looks up at the servants that fill the room.

they are all bowing, some trembling, others alienly still. then there is you who is swinging her feet as she sits on the lap of the king of curses.

he lets out a small breath then speaks loudly, “get the rings.”

in a moment, a servant comes in, carrying a cushion where two golden rings lay. your eyes widen at the sheer amount of patterns of gems on one of the rings.

the servant kneels in front of you two, and sukuna takes the ring decorated with gems in one hand and your hand in another. it slips perfectly onto your finger, and you raise your hand.

you feel your jaw slack a bit at how intricately made it is. and upon closer inspection, you see that one of the patterns is actually sukuna’s name.

you look up at him, and he is already looking at you with a small smirk and a confident look, “you should see the look on your face,” he muses.

he takes your hand into his and raises it slightly.

he examines it quietly before letting go. you blink confused but shrug the thought of your mind. you hold his hand in yours gently, and you put the ring on him.

his ring, contrary to yours, is a lot minimal. it’s a simple golden band, but what surprises you is that your name is etched on the surface.

“sukuna, my name…?”

he looks at the ring on his finger and flexes his hand. he looks at you simply says, “figured you would like something like this.”

you smile widely and giggle, “you know, people usually carve the name of the inside.”

“and I am not usual, am I?”

you nod gently and lean against his chest, “no, you’re not.”

you honestly didn’t know what to expect from a wedding ceremony in the ryomen sukuna “style”. however, sukuna was set on…standing out and making it a memorable event.

the room was flooded with servants carrying trays upon trays of food—all which you have noticed were your favorite—and dancers that put one of the most fascinating shows you’ve seen.

you gape at how they make their moves so effortless, which you can see through just how much practice was put into it.

you look at sukuna, and you seem him smirking down at you, clearly proud of the reaction the show has gotten out of you.

“how—how long have you been preparing for this?” you ask the man.

he glances at the dancers then replies, “6 months; I needed it to be perfect, and these humans take so long to learn things.”

“also, I know that the show I organized is great—“ he says before holding your chin and making you face him, “but that enamoured face should be directed at none other than me, got it?”

you nod frantically, not out of fear, but he is staring directly into your eyes in a way that simply is far too intense. he releases your chin, humming in satisfaction.

the dance finally comes to a close, and everybody in the room bows down to the both of you.

uraume speaks up from beside you—when did they get there—head held down humbly, “it is time for you to exchange vows, my lord and m’lady.”

vows? sukuna prepared vows?

tilting your head in confusion, you look at sukuna, and he is already looking at you. he rolls his eyes, “I didn’t prepare anything, brat; don’t get ahead of yourself.”

okay, that tracks. you give him a thumbs up.

but he is quiet for a moment before speaking up, “I have no need for that; all that you need to is that,” he leans closer to you, "you are mine, entirely and without exception, in every breath you take,” he spoke lowly against your lips, “I won’t let you forget that.”

he lets out a breath of amusement at the way your eyes widen and the glimmer behind them. he wastes no time in locking his lips with you, sealing your contract for life.

—

“wooo! I am married!” you say drunkenly, giggling and swaying slightly beside your now husband.

you whip your head back at him, almost falling in the process but his hand easily steadies you, “sukuna, I am married!”

“I know,” he replies, eyeing the empty cup that was full of sake. he hums, “uraume, what was the intensity in the sake?”

they both glance at you, standing on top of a table, babbling a kind of song about your marriage and being a queen now.

you nearly trip on the covers, but sukuna nods for uraume to stop your fall. they hold you up with one hand, maintaining a safe distance, so sukuna doesn’t get protective.

“high, my lord.”

you keep giggling and squealing, and he sighs, “certainly looks like it.”

he rests his chin on his palm, watching your figure run around and keeping an eye for you. however, in the corner of his eyes, he spots a couple of men staring at you, eyes full-blown and open.

it irks him that even after that display, they still dare to look at what belongs to him.

with minimal effort, he flicks his finger, and their heads go flying to the corner of the room. some of the blood splatters onto the floor, but he pays it no mind.

“ooo, red wine!”

“don’t you dare drink that, you stupid woman!”

after a while you find yourself laid down on the bed, head dazed as you try to make sense of your surroundings. you can hear a door closing, and some heavy footsteps getting closer and closer.

finally, your husband comes into view with his arms crossed. you pull on his sleeve gently, “what about the after-party?”

he sits down beside you, and you take the chance to lay your head on his lap. he allows it but grunts in response, “after-party with you all delirious like this?”

“I am fine!” you protest, huffing and giving him the most intimidating glare you can muster.

he simply flicks your forehead, and you yelp, shielding your face away from him, “you’re so rude!”

“pretty sure, you aren’t supposed to reply your king and husband like that,” he states. he squishes your face with one hand and quirks an eyebrow, “you’re testing your limits.”

“I don’t care!”

“oh?”

you note the change of tone almost instantly, and it is enough to sober you up.

you look up, wide-eyed at him, and on his face is a devious smirk, and behind his eyes are thoughts that are probably going to be the end of you tonight.

he leans down slightly, “I have a different kind of after-party in mind,” one of his hands trails to hold your wrist, “which I think you will quite like,” you try resisting for even a second, but you’re no match for him, “starting now.”

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[astonmartinii]

match my freak | yuki tsunoda social media au

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there's only one person who can match the yuki tsunoda radio freak...

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yukitsunoda0511: spa was fine i guess, time to spend my summer break in france (ew) supporting the love of my life (yay)

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user1: 'fine i guess' as if we didn't get YOINTS

user2: tbf if my gf looked like that, points also wouldn't matter to me

pierregasly: FRANCE (EW)??? DID OUR HOMOEROTIC TENSION MEAN NOTHING???

yukitsunoda0511: oh so when i diss france we had homoerotic tension but when i said we were boyfriends i went too far 🤨

pierregasly: diss me all you want but not the homeland?

yukitsunoda0511: fine, i will from 5pm tomorrow

pierregasly: ???

yukitsunoda0511: because y/n will be there and therefore it will be the ONLY country in existence

pierregasly: i give up

user3: i need a man this down bad for me asap

user4: maybe it's time to lower my height requirements :(

yourusername: it's not how tall you are but how you are tall

user5: idk what the fuck that means

yourusername: IT MEANS SHORT KINGS PUT IN A LOT OF EFFORT WHY DO I HAVE TO SPELL OUT EVERYTHING? WHERE IS THE MEDIA LITERACY? THE READ COMPREHENSION?

user6: okay i think i now know ^^ why y/n and yuki are so good together

user7: i need someone to edit together their most iconic on field and radio moments together please for my mental health

yourusername: that's a crazy coincidence because the love of MY life will also be in paris 🤨

yukitsunoda0511: well i bet i love my love of my life more than you love your love of your life

yourusername: NUH UH

yukitsunoda0511: yep :PPPPPPP

yourusername: u wanna fight?

yukitsunoda0511: yes actually!

yourusername: well soz babe i can't get all hot and bothered before competing 🤷‍♀️

yukitsunoda0511: BORING

yourusername

liked by danielricciardo, pierregasly and 318,905 others

tagged: yukitsunoda

yourusername: seeing yuki again: 10/10 ... realising he's not allowed in the olympic village and there's only cardboard beds anyway -100,000/10

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user12: so i suddenly understand why they give out so many condoms at the olympics

user13: why do they all go so feral?

yourusername: have you seen my man?

yourusername: AND THAT'S A RHETORICAL QUESTION TO SHOW OFF MY HANDSOME LITTLE MAN NOT AN INVITATION FOR YOU BITCHES TO THIRST

user14: noted 😔

pierregasly: i'm the one with a bad digital footprint but you're out here being just as horny as me on main

yourusername: i am allowed to ?

pierregasly: and i'm not allowed to?

yourusername: no

pierregasly: so fuck me i guess?

yourusername: let me be a woman in a male dominated field (being gross online)

yukitsunoda0511: yeah pierre stop trying to minimise womens' voices

pierregasly: how am i the bad guy again?

yourusername: man ❤️

pierregasly: yuki is a man?

yourusername: he's MY man which means he's been closely vetted and is basically one of the girls now

user14: i know visa cashapp rb or whatever the fuck they're called hate to see them coming

user15: it's the fact she's taller than most of the mechanics and she is always watching over them

yukitsunoda0511: i missed you so much but i can't wait to watch you beat the shit out of the competition

yourusername: for you, anything

yukitsunoda0511: a gold? so at least one of us can be world champion 🥺

yourusername: i'll win gold for you and then schedule in a friendly visit to see helmut

yukitsunoda0511: i think your mere presence could give him a heart attack

yourusername: oh well

user16: so real of her

olympics

liked by yukitsunoda0511, landonorris and 1,209,678 others

tagged: newzealandrubgy

olympics: the women's rugby final saw gold go home to new zealand!

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user17: okay yuki i am SEEING THE VISION

user18: i watched this game to see her and i am a changed woman

user19: i am no better than a man

danielricciardo: my personal favourite moment was when y/n clotheslined that poor girl, laughed in her face and said if she tried to get past her again she'd make trinket dishes out of her knee caps

yourusername: why thank you, i think my wit is my least appreciated part of my game

danielricciardo: i think we should honestly get you in the commentary box

yourusername: i'd make mince meat of crofty, he'd never say anything about yuki's radios again

danielricciardo: can you tell them to stop telling me to retire while you're at it?

yourusername: sure, i'm feeling generous

danielricciardo: a gold medal will do that to you

user20: so they weren't joking when they said that her and yuki are just the same person in different fonts ?

user21: my commentary team apologised about 20 times for her swearing on the broadcast but then they kept bursting out laughing whenever she said anything

yukitsunoda0511: HOLY FUCKING SHIT

yukitsunoda0511: GOAT GOAT GOAT MY GIRLFRIEND IS THE GOAT

yukitsunoda0511: i'm so proud, i love you y/n 🫶🏻🥹❤️‍🩹

yourusername: i love you too boo

yukitsunoda0511: can they let me in the room now? i'm getting withdrawal symptoms :(

yourusername: of course, i can't celebrate properly without you

yukitsunoda0511: 😄😄😄😄😄😄😄😄😄😄😄😄😄😄😄😄😄😄

user22: picturing yuki waiting outside the team room is so cute

user23: the nz team instagram posted a pic of it on their story he had flowers and balloons (∩˃o˂∩)♡

yukitsunoda0511

liked by pierregasly, maxverstappen1 and 893,401 others

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yukitsunoda0511: she matches my freak :)

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user25: oh believe me we know

user26: i'm like a confusing mix of scared AND turned on

yukitsunoda0511: you keep that to yourself

user27: okay sir 🤨

yukitsunoda0511: you can look but you can't touch :P

yukitsunoda0511: actually don't even look

yukitsunoda0511: don't even think about her ( ｡ •̀ ᴖ •́ ｡)

user28: this man is insane, i love him

yourusername: you LIKE HIM YOU APPRECIATE HIM FROM AFAR YOU MAYBE HAVE A PARASOCIAL RELATIONSHIP YOU DON'T LOVE HIM THAT'S FOR ME AND ME ONLY

user29: oh they weren't joking about matching each other's freaks

yourusername: there's no one else i'd like to be a lil gremlin with :3

yukitsunoda0511: gremlins forever with you <3

yourusername: sounds like paradise to me !!

yukitsunoda0511: i'm on it ✍🏻

user30: is he going to propose ???

user31: hopefully (ㅅ •᷄ ₃•᷅ )

pierregasly: yeah i guess you guys are kinda cute

yukitsunoda0511: kINDA?

yourusername: i know this man ain't speaking on us

yourusername: kika is the face economy in that relationship

yourusername: her back must hurt from carrying the style in this couple

francisca.cgomez: well 🥹

pierregasly: WHAT ? HOW ?

yukitsunoda0511: don't call my girlfriend kinda cute then 🤨

user32: good lord

fin.

note: she's back !!!!!

[burst-of-iridescent]

you know what, i still find it beyond weird that atla — the poster show for championing cross-cultural harmony and finding similarities in differences — chose to have katara and aang’s cultures remain not only diametrically opposed but separate throughout the entirety of its three seasons.

you’d think for a story all about understanding and respecting different backgrounds that its main romantic relationship would exemplify that, right? why don’t katara and aang ever bond over similarities in their cultures? why is their huge shared trauma of being genocide survivors forced to carry the legacy of their lost people just brushed under the rug and never talked about, even between the characters themselves? why go out of your way to establish that everything from their food to their sense of community to their moral values are so disparate? why was there never a moment where they found consensus on any of these things, or learned to love each other’s heritage despite those differences?

or if i’m getting to the actual point, why did we never have aang learning to appreciate katara’s culture?

i get that it was supposed to be humorous but it isn’t funny that the only times aang refers to katara’s cultural…anything is either as a joke or with disrespect. he jokes about her food being disgusting twice — once to toph (when she’s trying food made by a genocide survivor who is singlehandedly keeping her people’s culture alive in the land that tried to wipe it out, no less) shows no consideration for the fact that her morals don’t, and have no need to, adhere to those of the air nomads, and honestly is just downright insensitive to bato, sokka and katara in the entirety of bato of the water tribe.

i’m not saying you have to love everything about your partner’s culture, but aang doesn’t seem to love, learn from, or find value in anything. and it would be one thing for him to all but ignore his future wife’s heritage, but another entirely for him to treat it with such condescending superiority — especially when katara has never done the same. why would you make any of these writing choices when they so flagrantly contradict the themes of your story?

in the meantime, the country they do choose to show has cultural similarities with the water tribes in terms of both diet and community is — go figure — the fucking fire nation. oh yeah, there’s definitely nothing to read into there. no implications at all :)

be fucking fr, man.

[yetrop]

Good Omens is autistic—here’s why!

First off, there’s the angelic/demonic nature of the protagonists

They’re trying to blend in with humanity, but have to pick things up as they go along

Because of this, the way they interact with and view people is different from the expected norm

Which also means they're often confused by human customs and find it difficult to read social cues (think Aziraphale asking Maggie if she actually thinks she isn’t crying later on in this scene)

Crowley has to hide his eyes, a part of his identity, from everyone except Aziraphale and the other demons for fear of seeming different/threatening/not human (masking in the most literal sense of the word)

Muriel is concerned with acting and speaking “correctly” to be seen as human

Even though both main characters don’t fit in with humanity because of their angelic/demonic nature, they also don’t fit in with their respective sides, who view them both as strange and don’t understand them. The only place they find acceptance/belonging is with each other. If that isn’t a neurodivergent (and very queer) storyline, I don’t know what is.

Next up, there’s Aziraphale as a whole

The way he stims

Loves routine, dislikes change

Gets uncomfortable when he has to break rules/disrupt order

Taking things literally— “You can’t drive my Bentley.” “I can— I have a license!” (also, this scene is another example of his insistence on order and rules— he insisted on getting a license before they were even legally required)

Paces back and forth talking to himself, planning out what he’s going to say before a conversation (scripting)

The way he suppresses stimming around Heaven by clasping hands behind back, feels uncomfortable and overstimulated there

Bookshop is super cluttered, he has an organizational system that is comprehensible to basically exclusively him

Clumsy, often sucks at motor coordination

Easily startled

He loves alone time, especially when he’s in his own space— he does everything he can to keep customers away from his bookshop

Attaches a lot of sentimental value to inanimate objects (“I’ve kept this in tip-top condition for over 180 years!”)

Incredibly passionate about his interests, especially magic and books

Black and white thinking and rigid morality— He loves and trusts Crowley more than the other angels, but still has tendency to categorize Heaven, Hell, angels and demons as exclusively good or bad (“of course you didn’t go back to Hell— you’re the bad guys!”)

Crowley’s definitely got something neurodivergent going on too (leaning towards ADHD, but potentially AuDHD)

The way he sits in chairs

Hell, (…or Heaven, whatever…) even just the “ducks!” moment alone is enough to show that that his mind jumps around a lot to unexpected loose threads rather than focusing on the subject at hand

Impulsivity

Creative and has a vivid inner world. As pointed out by God Herself, he has what the other demons don’t— an imagination

Craves novelty, frequently changes appearance

Stimming starmaker

This one is from the book, but it’s too good not to point out: the way he idolizes characters like Bond and copies his behaviors off of what he thinks a cool human would do. He has a new computer because it’s “the sort of thing Crowley felt that the sort of human he tried to be would have” (pg 239)

His understanding of how humans fall in love is based on a Richard Curtis film he’s seen

His insistence on asking questions when things don’t make sense to him, knowing why things are the way they are rather than blindly accepting them

And of course, there’s the themes of the story

Black and white thinking vs shades of grey

Breaking away from a world that doesn’t accept you to find love, belonging, and safety

And, as demonstrated time and time again by our two protagonists: intelligence isn’t synonymous with interpersonal skills (…or common sense.)

Thanks for reading all of that! This isn’t the kind of post I normally make, but I have so many thoughts about this that have been on my mind for almost two years now, so I decided to share them.

While there are of course a lot of plot-related reasons for why they behave the way that they do and many of the traits I brushed on could be explained by other factors, I still find it interesting to explore it through a neurodivergent lens. I also think the existence of angels with physical disabilities (like Saraqueal) adds credibility to the idea that other types of disabilities or neurodivergence is at the very least possible for angels and demons in this universe.

Feel free to point out anything I forgot to include (which I have no doubt is a lot) and let me know your own thoughts in the comments or tags— I’d love to hear them!

[fuckyeahisawthat]

What is Mage Viktor doing?

So it turns out I do have a take on what's going on with Mage Viktor, why he's messing with timelines in the way he is, and what he hoped to achieve by bringing Jayce to the torment nexus dimension and then sending him back to his own timeline armed with facial hair, trauma, and the ruthless determination to somehow stop his own Viktor.

Of course this is just my own reading; there are many ways you can interpret the reveals of the final episode. But it's become my preferred reading because it makes Mage Viktor come off as absolutely BATSHIT. The apotheosis of all Viktor's best and worst qualities. As he would be.

First we gotta lay out some fundamental principles about how I understand Viktor that will inform this reading.

Viktor was never being controlled by the Hexcore. This deserves its own whole meta, but tl;dr, I think it is directly antithetical to the core themes of the show to think that Viktor wasn't making his own decisions all through s2.

Over and over again in Arcane, we see characters become "monsters" and do monstrous things, and every time the thematic point is that this is still the person you love. When Vi says that her sister is dead because she is Jinx now and when Jayce says "my partner died in this room" THEY ARE BOTH WRONG. The person they love is different now but they're still in there and they can still be reached.

Viktor is transformed by something terrible happening to him (like many characters in the show!) but all his decisions are still his own and to me they seem like perfectly consistent--if extreme--extensions of what we know about him as a character before he gets a Hexcore heart.

So my analysis starts with the premise that Mage Viktor is not trying to free his past self from an outside influence. He's trying to hack his own character traits to make a different version of himself do what he wants.

Viktor is BOTH genuinely altruistic and compassionate AND deeply arrogant. This is such a banger combination and I think turning down the dial on either trait makes Viktor less interesting. I think Mage Viktor has genuine remorse about what he did in his timeline and he is, fundamentally, trying to find a way he could have stopped himself from killing everyone (within certain constraints; we'll get to that). When Jayce is able to show main timeline Herald Viktor his memories of what Viktor is about to do to their world, the first thing Viktor sees is not dead Jayce, or himself left alone in an empty world. It's all the ordinary people who are going to die terrified because of him.

I do not think any version of Viktor wanted this result. But Viktor is so convinced he is always right that his arrogance carries him right past the point of no return before he realizes oh actually I haven't freed everybody I have killed them.

So I do think Mage Viktor is trying to find a timeline where this doesn't happen, but he is not timeline-hopping in order to preemptively stop other versions of himself from making the same mistake. If he wanted to do that, he would just leave all the many many timelines where Jayce dies in a blizzard as a child alone. No Jayce who grows up obsessed with magic, goes around Academy rules to get the hex crystals, invents Hextech and gives Viktor the power to fuck everything up. Easy peasy.

But no. Instead, Viktor is actively going into other timelines and changing them at the point where Jayce would have died.

He is doing things that appear to make the sequence of events that leads to his world-ending magic blast WAY MORE LIKELY. And that's because...

Viktor is obsessively selfish when it comes to Jayce.

Mage Viktor wants to find a timeline where he doesn't doom the world but not at the expense of meeting Jayce and spending years doing science with him.

If the goal was only to prevent Jayce from dying in the blizzard, he could have done it quietly, waiting for Jayce to collapse in the snow and then transporting him to the base of the mountain, leaving before Jayce had any idea who saved him. Instead he makes SUCH A DRAMATIC PRODUCTION of it that Jayce remembers and can repeat the steps of the action years later, well enough that he actually produces a working spell from a barely-tested Hextech prototype. Mage Viktor wants that shit burned into baby Jayce's brain. He wants to make sure he fundamentally alters the arc of Jayce's life, bending it into a trajectory that collides with his own.

Viktor also (as far as we see) doesn't go the route of going back in time and killing his younger self, or steering the course of his own life along a path where he never meets Jayce. He doesn't even go for a timeline where he and Jayce meet each other but they don't invent Hextech. Now maybe it's the case that some time before our Jayce arrives in his timeline, Mage Viktor tried all that, and has figured out that none of those options work. (Maybe in some of those timelines Jayce is the one who goes Machine Herald, and there's no partner there to talk him off the ledge of ending the world.) But I think it's also possible that, now that he's gotten the experience in one timeline of spending years with Jayce making once-in-a-generation scientific breakthroughs together (which I truly believe is just as important a part of their relationship to Viktor as any romantic or sexual element might be)...he can't bear to deny any version of himself the chance of having that--even if the price is the rest of the world. Because a world where Jayce isn't his partner isn't a world worth saving.

So what I think Mage Viktor is doing is sitting there with his stubborn engineer brain and the husk of his dead soulmate, fiddling with the timelines like a Rubik's cube, going Not meeting Jayce CANNOT be the only option. There MUST be a timeline where Jayce and I meet each other and entangle our lives in an alarmingly codependent way AND we dodge the apocalypse at the last minute, I don't end up killing him, and we do not doom the world together. And I'm going to fucking find it.

So he's been hitting timeline after timeline, trying to find the combination of factors where everything works. He is not trying to preemptively save every timeline from himself, he is trying to prove to himself that meeting the love of his life doesn't doom the entire fucking world. It's devotion that is SO PROFOUNDLY SELFISH that he is willing to doom timeline after timeline, but driven by someone with enough compassion and pride that he doesn't want the guilt and shame of knowing he can only have this one life-changing thing if he ruins everything else for everyone, and enough arrogance to still look at this as a problem he must be smart enough to solve.

At some point in this process, I think he also figures out that Jayce is the only person who has any chance of reasoning with any version of himself. I think it's worth paying attention to the exact wording of his "in all timelines, in all possibilities" speech, because it's not just a love confession (although it is that).

"I thought I could bring an end to the world's suffering. But when every equation was solved, all that remained were fields of dreamless solitude. There is no prize to perfection. Only an end to pursuit. In all timelines, in all possibilities, only you can show me this."

And while this is some hella romantic cosmic soulmate level shit, it is also Viktor saying I need you, because you are the only person I have ever trusted enough to save me from myself.

It's the Hexcore promise all over again. Viktor knew he couldn't destroy his own creation. I read this not as Viktor being physically unable to destroy it because the Hexcore had some power over him, but not having the will to destroy it. Because this huge leap in Hextech technology was his big breakthrough and not (as I think he saw it) him supporting Jayce's dream. He knew he couldn't do it. So he asked Jayce to do it for him. Please, save me from my own pride, my desire to leave a legacy. I can't do it on my own.

It's a huge extension of trust, for Viktor to admit such a need. And now he's doing it again when the stakes are MUCH MUCH higher. I need you, because you are the only person who can show me the horror of what I am about to do and have me believe it.

Of course, the deep irony is that really the only person Viktor trusts to tell him he is wrong is HIMSELF FROM THE FUTURE. Astral plane Machine Herald Viktor is standing right behind Jayce, watching Jayce's memory of Mage Viktor telling him what the consequences of his actions will be, and that is the moment the horror sinks in and cracks him fully out of his machine shell.

But of course Jayce is the only person he would ever trust enough to carry such a message (from himself!!) to somewhere close enough to reach him.

It's not clear exactly how much of a detailed plan Mage Viktor has when he sends Jayce back to the main timeline, or how much of that plan he shares with Jayce. But I think he has figured out some broad strokes which affect how Jayce behaves.

(1) Jayce has to immediately go and kill commune Viktor. Squishing Salo is maybe a bonus side quest, but Jayce doesn't even take time to fucking shower before he heads for the commune. (I would love to see the part of the conversation where Mage Viktor is like yeah you know that pit you just climbed out of? Yeah the first thing you gotta do is go right back in there, all the way to the bottom, and find me looking like ethereal cyborg Jesus and blast a fucking hole through my chest.) Maybe this is because if Jayce waits around at all, commune Viktor finds a way to get to him and he folds and joins the cult. Maybe this is because there are just fewer variables involved in forcing Viktor to speedrun his own villain arc by Jayce repeatedly turning him down in one "perfect" form after another. Maybe Mage Viktor knows himself well enough to realize "yeah if you say no to me even ONE TIME but ESPECIALLY when you are HOT and SUFFERING I will go fucking apeshit and we can use that to our advantage."

(2) I think Mage Viktor has realized that he can only be stopped at the very very VERY last minute. He has to be able to see the direct line between what he is about to do right now and the arcane-blasted hell world he's about to create. Otherwise his ego will get in the way and tell him he is smart enough to figure out a way to somehow not kill everybody. Yeah Mage Viktor fucked that one up obviously, but I, main timeline Viktor, will be smart enough and well-intentioned enough when the time comes to simply not do that. I think this is why, for example, Jayce doesn't go to the commune trying to get Viktor to see the error of his ways. It won't work until it is allllmost too late.

Main timeline Viktor stops literally seconds before the point of no return. The arcane corruption spikes that we see everywhere in Mage Viktor's world are already starting to appear.

I think Mage Viktor knows that Jayce has to let him get right up to the edge, close enough to be looking over into the abyss, before he'll be able to pull him back.

But he knows Jayce can do that. That's what they do for each other, right?

This is why I think it was always the plan for Jayce to fight him all the way to the top of the Hexgate, and then surrender. Jayce has to survive until the end of the fight, and maybe for magical physics reasons he has to wait until Viktor sends the anomaly into the sky above the Hexgate. But once they get to the top of the Hexgate tower he stops trying to fight Viktor altogether. Maybe Mage Viktor told him exactly when it had to happen or maybe he just realizes this is the exact same place where he died in Mage Viktor's world; this is his last chance. But in any case, Jayce lands on the top of the Hexgate on his knees and he doesn't try to get up.

He waits, and when he senses Viktor behind him he doesn't try to fight or run away.

I think he knows, either because Mage Viktor told him or through his own intuition, that he has to let Viktor pull him into the astral plane if he wants a chance at reaching him.

How exactly he was going to get through to him and/or get close enough to share the memories before Viktor assimilated him...ehhhh I don't know if either of them had that figured out. The "you were never broken" part of Jayce's speech, while important from a character perspective...very crucially DOES NOT WORK. IT DOES NOT WORK AT ALL. Viktor is assimilating Jayce the whole time. You can see Jayce's astral body changing from the unique version that's still him (like his hands on the left, when he first enters the astral plane--which still look more or less human even though Viktor has already erased "imperfections" like the scrapes and cuts from his time in the pit and the arcane corruption that's spreading up and down his arm from where the rune is embedded) into a featureless gold blob like the other assimilated people.

You can watch the gold light creeping up his body steadily during those lines until it reaches his eyes.

The ONLY thing that stops this timeline from ending the same way Mage Viktor's does...is EKKO.

I think you can make the case that Mage Viktor sent Ekko to the no-Hextech timeline intentionally. But it is such a complex chain of causality for Ekko to get to the point where he's chucking a time machine at Herald Viktor's face that there is no way anyone--even a remorseful demigod with lots of time on his hands--could control every possible factor.

However elaborate Mage Viktor's plan was, and however determined Jayce was to keep his promise to him, it all would have failed if not for factors outside their control and random fucking chance.

Arcane is FULL of near-misses and what-could-have-beens and characters who are trying their best to do something getting knocked off course by consequences they never could have foreseen. Season 2 in particular introduces a persistent thread of chaos and the sense that even events that have understandable root causes are now spiraling out of characters' control. So it feels fitting that such a moment factors into the show's ending.

This is Jayce right before Ekko blasts through spacetime right above Viktor's head.

Yeah that guy was cooked.

The only thing that stops Jayce from being assimilated is Ekko breaking time to throw the Z drive at Viktor's face.

Which startles Viktor enough that he takes his hand off Jayce's head in the physical realm (ETA at first I thought it looked like he did, but upon closer rewatch I don't think their physical connection ever breaks; the assimilation link in the astral plane does though), and also breaks a piece of his machine mask off in the astral realm.

As he always does when one of his "perfect" bodies gets damaged, Viktor withdraws and tried to hide, enough that he lets go of the assimilation connection with Jayce.

Jayce starts to regain his own identity/autonomy.

And he gets a do-over. Exactly the same way Ekko used the Z drive to get a do-over with Jinx when he was trying to talk her out of suicide. Jayce gets another chance, and that's when he goes for "all I want is my partner back" and "because I promised you." Which works.

Mage Viktor's plan, I think, was for Jayce to help main timeline Viktor realize what he was doing before it was too late, and then give him the runestone, which allows him to release all the minds/souls that are connected to him before this becomes some runaway chain reaction of arcane power that swallows everything around him. (How the runestone does this exactly, and how the anomalies play into it, is stuff I am still thinking about. But tbh I am less concerned with the details of made-up magic physics than I am with the character beats.) Mage Viktor had accepted that main timeline Viktor was probably going to die in this process and he'd made peace with it. That's what "should" have happened anyway, if Viktor never found a way to forestall his illness, right? As long as this Viktor got to spend the best years of his life with his Jayce, it was okay.

I don't think Mage Viktor ever expected Jayce to stay there until the end. His goal was to save the world and spare Jayce from himself. And why would he plan otherwise? We know why Jayce stays, but Mage Viktor never got that part of the story. He schlorped up his own Jayce's consciousness with everyone else and maybe he only understood the depths of what Jayce felt for him in the moment that he was killing him. And main timeline Viktor certainly does not expect Jayce to stay. He's shocked when he realizes Jayce has no intention of leaving. No, that wasn't part of any master plan. That part was all Jayce.

[raven-at-the-writing-desk]

sebek and his big ol' heart

Y’all thought I would be writing an extensive analysis on [REDACTED] or Skully but JOKE’S ON YOU, I love my lame idiot child Sebek 😭

When I tell you I actually CRIED MULTIPLE TIMES reading his Nightmare Suit vignettes… because all the pieces fit together SO well…

Before reading this (long) post, I’d like to ask that you also take your time to read this analysis and this analysis. They will help you understand some of the points I made later regarding Sebek and his internalized racism + how he expresses himself.

Have your recommended reading done? Great, then let’s hop to it!

***Spoilers for Sebek's Nightmare Suit vignettes, book 7, and various other Sebek and Silver card vignettes.***

Sebek is one of those characters that lives in infamy for how much time he takes to get warmed up to. He presents himself as loud and brazen, with these traits often earning him the ire of both in-universe peers and irl fans alike. Worst case scenario, Sebek can be seen as someone who is outright hateful. He’s rude to most people (including Silver, his childhood friend, sometimes), denounces humans, acts like Malleus can do nothing wrong, and doesn’t seem to respect his own father.

Well, I’m here today to tell you those claims are false and that Sebek is actually capable of so, so much love. All you need to really do is look at his Nightmare Suit vignettes—and how well they connect with the rest of his lore—to understand what I mean.

The vignettes start with Jack Skellington finishing a bento that Sally made for him. Sebek tells Jack that he should now return the basket that the bento was delivered in to her and to let her know what he thinks of her meals, but Jack says he can’t because he’s busy with Halloween preparations. Jack asks Sebek and Azul to return the basket in his stead, which they do. (These vignettes appear to be following Trey’s Nightmare Suit vignettes, as those open with Sebek and Trey seeing Sally jump out of a window with food with Jack. Sebek points out to Trey that Sally wants to hand deliver that food and says he believes there is some other reason than just being nice to Jack.)

They aren't allowed to see Sally because Dr. Finkelstein has locked her up for misbehaving, so they leave the basket. Azul advises that they also pass along Jack's comments (he had called Sally smart, thoughtful, and kind; he often forgets to have meals when he's absorbed with his work, so it's generous for her to prepare a delicious meal like this for him). Sebek loudly refuses, as he believes that hearing these grateful words from Jack himself would be much more meaningful to Sally.

He later confronts Sally at Town Hall and asks to speak with her privately (in an ALLEYWAY lol). There, Sebek flat-out tells Sally that such roundabout tactics will never help her feelings reach Jack because he's way too dense. Of course, she reacts with denial which sends Sebek into a passionate speech about the lengths Sally will go to for love (short of actually speaking about it). She literally threw herself out of a window and put herself in bodily harm to get to Jack when Dr. Finkelstein locked her in her room. She deliberately disobeyed her guardian and brainstormed a way to get out when theoretically she should not have been able to move around freely. If that's not motivated by love, then what is? Sebek declares that it's really annoying to watch Sally dance around the issue and to see her devotion go to waste. IT'S LIKE HE'S WATCHING/READING A ROMCOM AND THE TWO MAIN CHARACTERS KEEP PLAYING THE "WILL THEY, WON'T THEY" CARD... She admits that she can't share her feelings because Sally thinks she's not worthy of someone as impressive as Jack... They're not compatible. And you know how Sebek responds??? BY TELLING SALLY ABOUT WHAT IS BASICALLY TWISTED ROMEO AND JULIET... Sebek reading tragic romance confirmed 😭 He describes the story as one of two lovers whose families do not approve of their union. In desperation, the lovers try to elope--but their plan fails and they return to their warring families. Instead of committing dying like in the original tale, the lovers live the rest of their lives lamenting the outcome and how they can no longer see the person they love most. Sebek shares his own interpretation of the story and its moral: because the lovers gave up hope that they could get their families to accept one another... because they never tried to get their families to get along... because they could not properly articulate their feelings to their families... the lovers could not be together. He is convinced that if they had communicated better, the story would have a happier ending. Sebek is of the firm belief that a story itself cannot come to be without the author wanting to share their own thoughts or feelings; he even suggests that maybe the author of Romeo and Juliet experienced something similar--a regret that resulted from neglecting to express deep-seated feelings. It's not just this book either, Sebek claims to have many stories with a similar theme or miscommunication leading to conflict.

Above all, Sebek stresses to Sally that she must believe in herself and take swift, decisive action. And why does Sebek whole-heartedly throw himself into this belief? Because his own family is living proof that a happy ending is possible if you try hard for it.

If you've paid attention to Sebek lore prior to this, you'll know that he has a human father and a fae mother. Their marriage faced opposition and scrutiny in Briar Valley, a country which is isolated from the rest of the world and suffered greatly from human invaders pilfering the fae lands for resources. One of these sources of opposition and scrutiny is Sebek's own grandfather and his mother's father, Baur. Apparently, Mrs. Zigvolt married Mr. Zigvolt against the wishes of her dad.

Sebek shares even more details with Sally in his Nightmare Suit vignettes. To this day, Baur does NOT approve of his daughter's marriage--but Mrs. Zigvolt doesn't let that get her down! No, she does everything in her power to prove to her father that she made the right choice and she's perfectly content with her life. She'll send letters enclosed with photographs of her family, take her children to visit Baur's home, and invite him to join family dinners. Sebek adds that he's sure his mom made other efforts too--all to try and get Baur to acknowledge her marriage. More recently, Baur seems to have lightened up a little... as in, he always used to turn Mr. Zigvolt away at the door, but now lets him in about once a year (though Baur still avoids eye contact with him and continues to frown). Mrs. Zigvolt stubbornly believes that if she keeps this up, her dad will one day change and bless her marriage with the man she truly loves. Sally commends Sebek and his mother's ability to speak their minds loudly and proudly, but then disparages herself again by saying she can't do the same. Sebek then confesses that he can relate to Sally's frustrations. He related her feelings to his own inadequacy in serving Malleus, the powerful and noble king-to-be of his country. That feeling... Sebek describes it as akin to heartache. But instead of wallowing in that heartache, he pushes himself to close that distance between himself and his idol. If he keeps hesitating, then there is absolutely no way he can catch up to where Malleus is! Sebek must dedicate himself to becoming someone worthy of serving him. He encourages Sally to do the same through both her words and her actions! At that moment, Jack walks in and Sally makes good on Sebek's advice. (This part isn't important to the analysis on Sebek's character, so I'm glossing over it.) The vignettes end with Epel complaining about Sebek being loud as per usual. Sally doesn't take issue with his volume though. She simply giggles and informs Epel that Sebek speaks so loudly and clearly so that his words can resonate with others--like how his words gave her courage.

We have learned new lore about Sebek's grandfather and mother. What does this tell us about Sebek? A lot, actually--if you slate it with all the other lore we have on hand.

We see just how strong of a woman his mother is. I suspect this is where Sebek picked up a lot of his hard-headedness, as well as the tendency to express himself very overtly, from. However, it also speaks to the loving environment he grew up in.

His mother seemingly never questioned her own life choices and never gave up fighting to prove her happiness to a father--and likely an entire community--that rejected her marriage, her husband, and maybe even her children. She fiercely loves and defends her family and the life they have made for themselves. Sebek states that he looks up to her for her magical strength, but that he also admires her principles and strong convictions. Indeed, it was her who ardently pursued Mr. Zigvolt and did not allow naysaying to deter her.

Then there is Mr. Zigvolt. In Sebek's Birthday Boy vignettes, he describes his father as "a strange man" who is "magically deficient" and "never lets his smile fade, no matter what I say to him [...] he defies comprehension." Though Sebek doesn't seem to hold the same amount of respect he has for his mother for his father, we don't hear Sebek openly insulting his dad, just expressing confusion about him. When asked about it, Sebek denies depending on his father--but it's clear there is a fondness there that he's not addressing. Mr. Zigvolt is impressed whenever his children use magic, buys them snacks they never asked for, and talks with them for long periods of time in a calm, patient manner. His father, too, has given Sebek so much compassion and understanding.

We don't know a lot about Sebek's siblings, but they seem to get along fine! He has mentioned going to parks with them. They've also gone fishing together and witnessed magic competitions, which they were all amazed by. The Zigvolts in general (or at least the parents) seem to be accepting too, as they volunteer to take Silver in whenever Lilia is unable to take care of him.

And you'd think that's where it ends, but NO. Baur ALSO has a lot of love to give. Despite not approving of his daughter's marriage, he doesn't actively despise his grandchildren. Quite the opposite, in fact! Though he's rough around the edges and looks scary, Baur doesn't fault any of his grandchildren for being born half fae and half human. He actually makes it a point to bond with them, and especially with Sebek. It was Baur who taught Sebek the language of nocturnal fae and instilled in Sebek his love for reading (as he bought many books for him and tells many stories himself). He also personally reached out to Lilia to train Sebek, as the young boy (at around age 7) expressed an interest in martial arts. Sebek has a love for salmon carpaccio because he and his siblings would fish at Baur's house and then prepare the dish for him--Baur was so happy about it. Additionally, Baur values getting a good education and was proud when Sebek shared with him that he was invited to attend Night Raven College.

Sebek grew up in a country that dislikes humans, but he was raised in an household where he was loved unconditionally and provided with all the resources he could need to get a good education and become someone who is physically strong. So of course he becomes frustrated when he sees Sally, who is so nervous to act on her feelings. What would have happened if Sebek’s mother had been like Sally, thinking she and her now-husband are incompatible? If she didn’t try pursuing her feelings at all? Sebek, as the youngest of three, might not event exist. His parents may not still be together… or maybe they wouldn’t have gotten together in the first place. It’s exactly because Sebek knows what love is supposed to be like--courtesy of his own family—that he can see it so well in others, and wants them to act on it. His very existence is proof that love is possible, and it transcends arbitrary labels like race that serve to divide people into categories.

One quirk of Sebek's is how he's always dishing out back-handed compliments or making comments that come off as rude but aren't at their core. He can't seem to help but say a good thing that sounds like something bad. His Diasomnia classmates, usually Silver, have to translate these Sebek-isms for others, who misunderstand him or interpret his words in the worst possible way. For example, from one of Silver’s Fairy Gala lines; “Sebek said to me that no self-respecting disciple of Lilia’s would dare get a single stain on this clothing. That's his way of encouraging me.” In Silver's Dorm Uniform vignettes, Sebek tries to reassure his friend and tell him to not let other people's opinions hurt him--but he phrases it as, "Hmph, ridiculous! I see no reason for you to heed a few random comments from some humans." The duo is also shown to be competitive with one another in training; it's never malicious, they both want to prove themselves as the superior knight, and the other serves as motivation to improve and/or a means of measuring one's own growth against a fellow disciple. When the mostly elderly population of Harveston is in need of physical labor, Sebek comments "[...] the humans in Harveston are woefully out of shape," yet he insists he "still [has] energy to burn" (as if to volunteer himself to do more work) and calls such tasks "simple" (as if to point out how easy it is for him to do, so don't worry about troubling him). He hauls apples and helps the villagers with whatever they need, declaring that they should "be grateful"--but if he truly did not care, he could have stopped at any time or settled for just making fun of them. But Sebek doesn't, because he DOES care deep down. This aspect of Sebek is made even more obvious in Fairy Gala: What If. He appears at Ramshackle and opens by declaring, "NO! I am by no means worried about anyone! [...] Don't mistake my intentions. I am NOT here to help! If your mission doesn't succeed, the repercussions will definitely affect Malleus and Lilia. Hence... I shall lend you uneducated humans my aid! [...] You're welcome to weep with joy at my magnanimity..." Time and time again, we see Sebek demonstrating a lot of kindness, but deflecting or not being totally transparent with his intentions due to pride or embarrassment. This behavior is very reminiscent of Baur, the grandfather that Sebek loves dearly and spent so much time with. Baur, too, can be very passionate and loving, but struggles to speak of those feelings openly. Just look at how the man deals with Mr. Zigvolt. The behaviors of the family, then, imprint on Sebek and influence his behaviors--and being that Sebek is from such a loving group, it follows that Sebek puts out a lot of love into the world too.

A lot of times when the fandom discusses Sebek's attitude, I feel it's from the context of him being hateful towards humans. I'm not going to deny that Sebek has said some pretty nasty things about half of his own identity. The point I would like to make here is that Sebek can love just as strongly.

The most obvious thing that supports the claim that Sebek is capable of strong love is how he views Malleus. It's no great secret that Sebek practically worships the ground his dorm leader walks on. That's essentially Sebek's key defining character trait. What I'll ask you to consider instead is the nature of Sebek's love--not the obsessiveness of it, but rather the unconditional nature of it.

In Lost in the Book with Nightmare Before Christmas, Skully laments that Sebek has not been disappointed by his idol, Malleus. Sebek actually corrects him by saying that love isn't imposing your own views on your idol, it means preparing to accept them, flaws and all. He says the same of Malleus; should the time ever come where Sebek's expectations of Malleus falter or their paths have to diverge, then he will still embrace his young master, never once turning his back on him. And where does Sebek gets this from? His parents. The father who loves his children no matter how critical Sebek may be of him. The mother who remained so strong in the face of her friends and family being against her life choices.

A common fandom sentiment regarding Sebek is that he blindly follows Malleus--and to be fair, he does for a large part of the main story. But when speaking about his idol to Skully, Sebek says that agreeing with someone and continuing to love them are different things. You can disagree with someone's actions and still continue to love them and accept them. This follows what Sebek does in book 7 and likely alludes to the character development he goes through during + following book 7; though he is betrayed and hurt by Malleus turning his powers against the world, Sebek does not let up on the hope that he can bring his young master back. He even sillily calls the yet-to-be-hatched Malleus tamago/egg-sama, showing even an infant form of Malleus great respect after witnessing his OB. Skully took the opposite path that Sebek did; when he realized that his own idol, Jack Skellington, was not as he imagined him to be, Skully became enraged and lashed out over it. Sebek points out Skully's inadequacies as well, which ties back to how he spoke of his own drive to improve in his Nightmare Suit vignettes. Skully confesses to trying desperately to emulate Jack--so much so that he breaks down when Sebek's UM destroys his iconic shades. He wallows in his current state and doesn't make efforts to change or to be better; the past and his own vision is where he's comfortable. It's a strong contrast to Sebek, who has made it clear he will continue to train and work hard to prove his merits and to be someone worthy of protecting the great Malleus Draconia.

It is Sebek's passion and boundless love that makes him a hero both in Lost in the Book with Nightmare Before Christmas AND in the main story's book 7. He serves as a foil to Skully in the former and actively saves Silver when he's on the brink of despair in the latter. After learning that his biological father is the man responsible for killing Malleus's mother and leading the Silver Owls' onslaught on Briar Valley, Silver despairs and comes to the conclusion that his father must loathe him. "He could never love the son of the man he despised! He has to hate me! He has to!" Sebek rushes to Silver's side using Living Bolt, a UM he has yet to master (thus causing residual damage to him when he casts it), to correct him:

"You have this much strength... and you dare to say you weren't loved?! That you were hated?! [...] If [Lilia] hated you, he didn't have to give or teach you anything. He could've just raised you into a dimwitted coward and made you a servant. But he didn't--and look at you now. Even alone and helpless, you stood firm. You spoke up, unfaltering in the face of our liege's madness. Even trapped in the darkest despair, you kept on fighting! Who raised you to be so strong? LILIA DID! Why don't you see? Why do you doubt? You should have understood years ago! What can you call your strength, if not the direct result of Lilia's love?!"

WHETHER SEBEK REALIZES IT OR NOT, A LOT OF WHAT HE TELLS SILVER HITS HOME FOR HIM TOO... Like, thinking about it... Sebek must have faced a lot of prejudice from his community because of who his father is. He might have grown up thinking he, too, was hated, had he not been protected by his loving mother, father, and, yes, even grandfather, who is still struggling to accept the human in their family. Baur must have been feeling very complicated emotions upon meeting his half human grandchildren for the first time... but even though he dislikes humans, he could never find it in himself to dislike his grandkids. If he had hated Sebek, he wouldn't have wanted him to get a good education. Baur wouldn't be happy that he got into NRC. He wouldn't personally ask Lilia to train the grandson who expressed an interest in combat. He wouldn't buy so many books for Sebek or read with him or tell him stories or teach him his language. He wouldn’t spoil Sebek by giving him sweets (which, by the way, Baur himself dislikes). But Baur DOES do all of these things, because deep down he loves Sebek no matter what he is. You can hear it in the hurt of Sebek’s voice when dream!Baur reacts to him coldly. That isn’t the grandfather he is used to. Though it’s said that Baur doesn’t exactly welcome his grandchildren with open arms, he definitely loves them and cares for them in his own way. If it was anything less than love Baur felt for his grandson, if he decided to neglect his grandkids, then Sebek would have grown up as some "dimwitted coward". IT'S ALL CONNECTED.

This even extends to Sebek’s evaluation of Malleus in book 7. When OB Malleus appears in Lilia’s dream, Sebek pleads with him. “You were born from the love of so many, my liege! It’s not right for you to become an enemy bated by all the world!” Like with Silver, these words also apply to Sebek, even if he is not aware of it. Sebek was born from the love of many people in his life. Not just his family, but also by those in Diasomnia. Lilia gives him wisdom and guidance, Silver is his sparring partner and smooths over arguments with classmates for him, and Malleus is his shining light and idol. Sebek is the youngest both of his siblings and of the Diasomnia group: he is spoiled by the others and given so much love. Yet he is also commonly hated by his peers for his attitude.

And now here Sebek stands, able to tell others that they are loved and should be cognizant of that love. He reminds Silver that Lilia loves him. He tries to talk reason into Malleus. He advises Skully to reevaluate how he sees his idol. He tells Sally to speak honestly about her feelings, because it was his own mother speaking honestly about hers that led to Sebek and his entire family being as happy as they are now. He shouts at people to act and to speak their minds because he doesn't want them to live with regrets, because he doesn't want to see them be weak and timid--a version of himself that could have resulted if he hadn't been loved so strongly.

You can say many things about Sebek: that he's loud, that he's rude, that he's a fanboy, that he has big muscles. But of all those muscles, Sebek has a very big heart too. And what made him so strong? All the love he received from his family, despite growing up an environment that surely invited hatred for humans.

[xetlynn]

Can I ask for claggor x a piltover reader? She was raised in piltover and is very smart but was never ignorant to the condition of zaun and always tried her best to advocate and help the suffering people. I can imagine she would have a strong sense of guilt for loving claggor because she doesn't really understand the struggles he went through but will always try to help. <33 thank youuuu

Of course, I think I made this a little more dramatic than I meant to😭 but I hope this is good!

Arcane Imagines- Claggor

Mysterious

[arcane] [main page]

Prompt: In which reader is from Piltover and makes a friend in Zaun. Feeling guilty for liking him since she doesn't understand his struggles.

My feet achingly moved seemingly before me. My back hurt as I carried a box full of stuff from Piltover to give to a friend in the undercity.

When I was younger I was so fascinated by the people of Zaun. About the difficulties they’ve been through. My mother was always bitter about them. Going on tangents about how the people from the undercity should be more grateful since everything is better now. And whenever she does that I have to remind her of their struggles to get to this wonderful position they’ve been creating for themselves. Supporting them only pisses her off further than before. She asks what about Piltover’s struggles which is never the point of my argument. 

We’re privileged enough to never know what it’s like going without food, running water and a roof being over our heads. Most of Zaun could or still to this day can not say the same. It’s something I’ve written about in school essays, joining groups to learn more about the undercity. 

As a younger teen I snuck into Zaun, wanting to understand them better, know them rather than read about their history. Hear it from the people themselves. I won’t truly ever know their struggles but I still wish to help them. Advocate for their history and their growth as a community. Help them be one with Piltover eventually without there being discourse of if they deserve it. 

Everyone deserves happiness, love, and a life without ridiculous danger. They deserve peace as much as the next person.

I was reckless when going to Zaun. Sneaking out of my house as a teen and somehow to the undercity without being caught will forever blow my mind. The reason I kept doing it though was after I sat down in this bar. It’s called The Last Drop. I just needed a place to rest after walking for miles. 

Talking with the people there. Not really a scene a young teenager should be in but I didn’t care. I just wanted to listen to their stories. And they always enjoyed having me around. Seeing me as a niece of some sort.  Hearing the first one made me want to hear more. Hence why I kept coming back. And more recently there's a new reason.

I met a new friend. His name I still don’t know. He never properly introduced himself to me. Not by his birth given name but by the first letter. He wanted me to guess. 

It’s been 3 months and he has yet to tell me what it is. Or in his words I didn't guess good enough.

I guess his father was the owner, Vander is his name. I’ve met him a few times but I never sat up at the actual bar. Just in a corner keeping to myself before I went to adventure out into Zaun after hearing random stories.

When I met C he had started working more hours at the bar to help out since it was getting busier and busier after some time with people from the Uppercity decided the place was a hit. I guess he worked earlier shifts so that’s why we never crossed paths when I first started going there. 

C and I hit it off slowly in the beginning.  

It was a rough start since we both had different upcomings. I didn’t know what it was like to have to get my hands dirty and work for things I want or need. I’ve always just… had it. 

Talking about C’s childhood and things he went through as I had nothing bad to say except for the fact that my mother is a witch of a woman. It made me realize how weird I am for being so interested in others' lives. It made me realize I don’t have a life of my own. I want to fix people who don’t need to be fixed. They’re perfect the way they are, no matter what they went through. They don’t need me to stick up for them. I also figured out that I’m falling for a friend, who again… I don’t know the name of and we will never share a similar story. He deserves someone who understands the same livelihood he knows. Someone who can appreciate things more than I ever could.

“[Name]!” A voice shouts, shaking me from my thoughts. “C!” I grin, shimmying the box in my hands. “Is this everything?” He takes it from me with furrowed eyebrows, looking it over. “Mhm, every single thing you asked for.” I place my hands on the back of my hips, stretching to crack my back. Letting out a small sigh of relief afterwards. 

“You alright?” He asks with a chuckle, leading me into his apartment that he and his brother share. “Yeah, I definitely got my exercise in for the day.” I half-heartedly joke, shutting the door behind us and he places the box down on the counter. “What is the food for, exactly?”

When he first requested the stuff from me, he told me it was for an experiment. Not really saying much after that. A few foods and then things you can really only get in Topside. 

“To eat.” He grabs an apple and bites into it. My shoulders fall, not expecting that answer. For some reason I thought it was going to be something cooler. “Oh.” I let out a breathy laugh. “I was hungry when I was putting in that request.” He rubs his stomach sadly. 

I shake my head with a smile. “It’s okay. So can I know what this project is now?” I hop up on the barstool in his kitchen. “It’s a secret.” He says briefly, putting the food away in his counters. I frown. “Dang, keeping another thing from me, C?” I tilt my head. 

“Gotta keep you on your toes, by being a mysterious, interesting man. Don’t want you getting sick of me.” He quipped, now giving me his full attention after placing the box on the ground. I glanced down at it then back to him. “I’ll always find you interesting. Maybe even more if you just tell me your name.” I pout.

Have I mentioned that I don’t know his name? No? Yeah, don’t know it. 

“Soon.” He reaches over and messes up my hair. I smack his hand away. Attempting to fix what he did. “I hope so.” I cross my arms. 

“I wish you could guess it. You didn’t even try hard enough.” He exclaims, my jaw drops at his words. “I can’t think of anything else! It has to be some sort of crazy unique name!” I utter, throwing my hands in the air. He lets out a belly laugh, “It’s not super unique.” He shrugs his shoulders. 

“Whatever.” I roll my eyes, jokingly annoyed. “I told you my name.” I murmur. “That’s because you’re not mysterious like me.” He purses out his lips, doing a little peace sign. “I know almost everything else about you. You are not mysterious.” I point a finger at his chest. “Really? What’s my favorite color?” 

“You tell people it’s blue but it’s actually yellow. Like dandelion yellow.” I raise my brows, making a face that expresses that he should try me. “Okay, pssh, lucky guess. Favorite food?” 

“Halibut, but only when it’s fried because you’re weird.” I tease, his eyes seem to widen at my words. “See, not so mysterious, huh?” I cross my arms. “Two things. That’s all you answered.” He walks away over to the living room. Plopping down on the couch. I stand up, rushing over to him. Bouncing on the cushion beside him. My hands holding his shoulder as I shake him. “Then ask more questions. I have the answers~” I sang out, leaning back. 

“Fine, how old am I?” He raises a brow. I put a finger on my chin, pretending like I was thinking. “21.” I simply say. “Okay, I never told you that. How’d you get that?” He scrunches his nose in confusement. I laugh. “Honestly I truly guessed that time. I’m 21 and I always figured we were the same age.” I snicker. 

“Wow, okay. Next question, how many siblings do I have?” I think back to conversations we’ve had or the time I bumped into his brother Mylo. He always talks about a girl named Powder. I want to say there’s one more though. I just can’t remember…

“... three?” I estimate. “Or two.” I perk up my posture. “Hm, it’s three. You really do listen.” He hums out. “Yeah, it’s Mylo, Powder and I’m sorry but I don’t think I ever got the last one’s name.” I press my lips together, trying to rack it in my head. “Violet. She passed away when we were younger.” He sighs, I look at him through my eyelashes not wanting to make full eye contact as my heart drops.. 

“I’m sorry.” I whisper. “It’s alright, [Name]. You didn’t know.” He gives me a smile. It goes silent between the both of us. “Um… can I ask how? If not I totally understand. I don’t want to push that topic.” I shake my hands at the thought of forcing him to say something he wasn’t comfortable with.

“We were doing a stupid thing in Piltover. Sneaking into someone’s house. Just trying to get a few things for our dad. Extra money in his pocket. Something exploded. The impact unfortunately killed Vi.” He seems spaced out as he tells the story. I reach out and grab his hand.

I remember when that incident happened. It was all anyone talked about for a while. An undercity child passes away in an explosion after breaking into a scientist’s home. My mom… was an ass about the situation. 

“Any more questions?” I make an effort to switch the conversation so he doesn’t get upset due to my questioning of his sister's death like the dumb idiot that I am.

He looks down at my hand that was on top of his. “Claggor.” He suddenly says. I scrunch my eyebrows together. “Claggor?” I question, was that something I had to answer? “My name.” He mutters out. 

My mouth goes into the shape of an 'o.' Claggor... An interesting name for an interesting man like him.

“Hm… cute. It fits you.” I squeeze his hand before letting go. I didn’t even notice the dusty rose color across his cheeks. He mutters out a small thanks before we continue the conversation of me knowing certain things about him.

The entire time I think back to his sister, my chest aching. They were only kids trying to help their father. Not knowing that one of them wasn’t going to make it back home. How devastating. 

“You okay, [Name]?” He sits up, turning his body to face me. I fake a smile, waving him off. “Yeah, yeah I’m fine. Just thinking. Sorry.” How am I supposed to be his friend if I carry guilt that has nothing to do with me? How can I like him and not be able to understand him? It’s idiotic looking. It makes me look selfish, turning other people's problems into my own. “Thinking about?” 

“Your name. How I never guessed it.” I force out a chuckle that sounds like a high pitched animal making me wince in embarrassment afterwards. “Are you sure you’re okay?” He asks me again. 

“I’m fine, Claggor.” His name rolls off my tongue easily. Like it was meant to be said from my lips.

“I remembered I have somewhere I need to be. My mom will kill me if I’m late. See you later?” I ask him, blinking tears away as I abruptly get up. “Um, yeah. Tomorrow?” He gets up with me, rubbing the back of his neck. “Ah, I can’t. Family thing.” I lied. “Oh, maybe the next night? Mylo wants me to go to this party where his crush is djing. I do not want to go.” He laughs, walking me to his front door. My stomach flips, not knowing how to respond. “Maybe, I’ll let you know the day of.” I swallow down the lump in my throat. “Okay, okay. I don’t mean to cling. I just like spending time with you.” He smiles softly. I avoid eye contact. “Me too, Claggor.” I whisper before pulling him into an embrace. 

He lets out a small yelp of surprise before his hands slowly snake around my waist. “You’re a good friend, [Name].” He mumbles into my shoulder. Tears begin to threaten my eyes once again. “You’re a better one.” I pat his back before letting go. “See you.” I curtly wave before leaving. 

Man, I’m an idiot. 

It’s the day of the party, I haven’t left my bed since I came home after leaving Claggor’s house. My head racing with a million thoughts about how selfish and ridiculous I am. Cringing at all the conversations I’ve had with my friends about the Undercity. How incredibly obnoxious it always sounded. 

How strange I look just being this upset about everything. I wonder if Claggor thought the same about me. How strange it was that a girl was so wrapped up into his struggles. I would never want to tell him that either because I’m overthinking. I know I am. 

He’s my friend. He would tell me if I was being over the top.

Right? 

Right.

Stop it brain. 

A knock at my door echoes in my room. “Yes?” I call out, not bothering to get up. The door creaks open. “[Name] there’s someone here to see you.” A house worker tells me. I sit up, tilting my head confused on who would be here. “Um, tell them I’ll be right down.” I say, climbing out of bed. “Yes, ma’am.”

I grab my robe from my vanity, throwing it on over my pajamas. I slip my feet into my house slippers. I look like a mess but I don't care. It’s probably just a school mate to ask about some homework we have. 

I exit my room, heading down the stairs. I see Claggor and my body freezes in place. Staring down at him. Shit. I look like a mess! And that is not a school mate. 

He was looking around my home before his eyes locked with mine. His face erupts into a smile. “Just wake up or something?” He teases and my face flushes in response. “Uh- yeah, slept in.” I awkwardly chuckle, walking towards him. “How’d you know my address?” I asked him. “Also, why are you here?” 

“Well, first I bumped into one of your friends I met before. She told me you lived here. Second ouch, I can just leave if you want me to.” He points to the front door and I roll my eyes. “Sorry, sorry. I was just wondering, I was gonna come to you.” I cross my arms, and when I do his eyes flicker down to what I’m wearing.

Suddenly I’m extremely aware of how I look. My hair a mess, face puffy, and wearing a fancy robe with slippers. Weird combination. 

“I felt like when you left yesterday it was a bit… off? You seemed like you were about to cry so I thought I’d come here and maybe talk to you about that.” He fidgets with his hands, I observe his demeanor. He seemed extremely anxious. “Oh, I told you I was fine. Might’ve had something in my eye.” I shrug lying straight out of my teeth. 

“You know how I said you are not mysterious like me?” He asks. “Vaguely.” I smile but not understanding why he’s saying that. “It’s because you aren’t a mystery at all. Maybe I’m not either since you seem to know quite a bit about me. Anyways, not the point.” He lets out a heavy breath. “You don’t hide your emotions well. You’re an open book just by looking at you.” He chuckles and I tense up, feeling a little offended. He notices and sighs.

“What I mean is, when I first met you I knew you were a very empathetic person. Your emotions are what drives you to be who you are. I really enjoy that about you. I never thought someone could cry over a bug they killed until I met you.” He laughs at the memory of when we were hanging out one day at the bar and a bug was on the floor by my foot. I stomped on it and immediately felt bad. Thinking about the fact that it could’ve had a family. 

“You care so deeply for people you’ve never met. Wanting them to succeed even if it means you are risking your own happiness to do so.” He says softer than all his other words. “I hope you know that you have never upset me by asking your questions.” His eyes find mine and I open my mouth to say something but nothing comes out. He read me like a book. He practically studied me. I don’t even know how to respond. 

“I know that’s why you got upset. My sister passing away. I don’t mind that you asked. It happened as unfortunate as it is. You didn’t know and you wanted to. Because you care.” He places a hand on my shoulder. I look down at his arm then back to his face. “Please don’t feel bad for caring.” 

My eyes begin to water and I pull him into a hug. “I don’t deserve your friendship.” I mumble into his chest. “I think you do.” He disagrees. 

“I like you, Claggor.” I told him. “Like a lot. I care for you more than anyone else I’ve ever met. I’m scared that I can’t be what you need. I want to be. Everything and more.” I confess, pulling away from him. “Did you know that? Was I not hiding that emotion well either?” I try to uplift the mood. 

“I didn’t have a clue actually.” He grins. “I like you as well. Like a lot. You are everything I need and more. I promise you that.” He pulls me back into his arms, looking down at me as I look up at him. 

He closes the distance between us, his lips landing on mine. It was a short, soft kiss but it was something I never felt before. Shivers sent down my spine. I flutter my eyelids open, both of us smiling ear to ear like giddy little kids. Taking in the moment for a few seconds.

“Does that mean you’re going to join me at this party that I’m soooo excited about?” He sarcastically asks and I giggle in response. “I guess so. I definitely need to clean myself up first though.” I motion to my hot mess of a state that I’m in. “I think you look beautiful in this. Don’t even need to worry about changing.” He jokes and I lightly hit his arm. 

“What a liar.” I fold my arms. “Hm, maybe a little. Want me to come back to pick you up?” 

“You could hang out in my room while I get ready. Maybe choose my outfit?” I propose and his eyes light up. “Yeah, let’s go.” He happily responds. 

[dragonkeeper19600]

The Batter Is One of My Favorite Video Game Protagonists Ever

News of the upcoming remake recently got me back into OFF, and as I played through the game for the first time in years, I was struck anew by just how great a character the Batter is.

Not just for his role in the subversive meta-narrative, which was fairly new in video games at the time, but also for really being just a really nuanced and fascinating character.

Now, even knowing the twist and the way the game ends, it might be tempting to write off the Batter as a one-note character, like, "Oh, he's just an uncaring thug who wants to kill everyone," but no, I think that's a very shallow read. The Batter has a lot of depth if you take the time to really look.

So, because I've been chomping at the bit to gush about my favorite character, let's go down a list of some of the character traits that make the Batter great.

1. Doesn't Give a Fuck...or Does He?

Years ago, there was a post on Tumblr (that I won't even try to find now) that said of the Batter, "Man, this guy just does not give a fuck," featuring a bunch of screenshots of him saying things like this:

Don't get me wrong, his terseness and lack of reaction to some of the game's most outrageous or even harrowing moments is hilarious in a kind of black comedy way, but to imply that the Batter doesn't care about anything is inaccurate.

For one thing, he drops the blunt speaking style and becomes very eloquent and even passionate when confronting those he sees as "impure."

That the game acknowledges him to be a figure controlled by a player by no means necessitates that he's merely an automaton, passionlessly following orders. He's devoted himself to his mission with the zeal of a fanatic. He fervently believes that he is right and just and that anyone who opposes him must be cut down for the greater good.

Confronting what he perceives to be evil is the most surefire way to loosen his tongue and get him fired up, which brings me to my next point:

2. Has a Strong Moral Center...Too Strong

The Batter's main goal may be to wipe out every living thing in this world, including all of the Elsens, but that doesn't mean he's indifferent to the Elsens' suffering. Far from it. He's actually deeply offended by their mistreatment.

In Zone 1, the Batter decides that Dedan is hostile and must be destroyed before Dedan has even had the chance to interact with him, meaning that Dedan being hostile to the Elsen is what made the Batter decide he has to die.

He also conveys a sense of urgency during the timed mission in Zone 2, as though urged by the sight of the Elsens in immediate danger. I don't remember his exact dialogue if you run out of time during this part, but I recall him saying something like, "We're too late..." which (if I'm remembering the line correctly) would show that he's motivated not just by a bloodlust for the Specters but by the need to save the Elsens' lives.

However, what makes this morality disturbing instead of redeeming is its lack of two things: empathy and nuance. While the Batter is able to understand that people being killed or mistreated or abused is bad, he isn't capable of empathizing with the victims. The knowledge that the people he's fighting so hard to save in Zone 2 are going to end up being killed anyway once he purifies Japhet doesn't give him pause for an instant. The inherent dissonance in that is beyond his ability to comprehend. He's so self-righteous that he sees each of his actions as good, even if they result in the same outcome for a particular individual as something he's trying to prevent. In simpler terms: When a Specter kills someone, it's bad and evil. When the Batter kills someone (even if it's the same damn person), it is right and just.

The lack of nuance in the Batter's moral compass manifests as a very simple worldview: Everything that is evil must be destroyed. This philosophy is key to the game's satire of morality in video games, where evil deeds and creatures are swiftly and violently punished by the main character, usually with death. By sticking to this worldview, the Batter is ignoring the nuance of the setting he's actually in. The Elsens whose mistreatment he's so outraged by don't want him to kill their leaders, and they don't want to be killed by the Batter anymore than they want to be killed by the Specters. But the Batter is so set in his worldview that he isn't willing to adjust. If the Zones operate in a way that he deems to be evil, then they too are inherently evil and must be destroyed. This chain of logic is taken to its natural conclusion when the Batter annihilates the whole world because, yeah, that's really the only way to eliminate evil, isn't it?

It may be tempting at this point to say that the Batter doesn't care about anything except his mission and punishing evildoers, but even that is oversimplifying the character.

3. Surprisingly Human

Mortis Ghost has very clearly stated that the Batter is not human, and I believe him. (Why wouldn't I? It's his game.) That being said, some of the ways the Batter reacts to the things he encounters strike me as surprisingly human.

It isn't true that the Batter doesn't care about anything outside of the mission. There is quite a lot that he doesn't care about, but he's also capable of forming opinions that have nothing to do with the mission. If you look out one of the windows in Zone 0, the Batter will say, "I think it's a nice day out," which is a line that really surprised me when I first found out about it because it's the only time I can think of where the Batter makes a positive comment about something.

There's also the way he insists on sitting in the front seat of the rollercoaster and always puts his arms in the air while on the incline. He's not obeying you when he does these things; he refuses to get on the coaster if you try to make him sit anywhere but the front, and there's no button prompt or anything to make him put his arms in the air; he just does it.

I also love his reaction to the "Panic in Ballville!" comic in the Room.

Not only is he decidedly unimpressed with this comic, he also refuses to read it again if you try to make him. Whether he realizes the implications of his own resemblance to the villain in the comic is unclear, but his refusal to even look at it again means that he might. Regardless, moments like these show that the Batter is more than just a single-minded puppet. He does have opinions and won't hesitate to put his foot down if you try to make him do something he doesn't want to do.

He's even capable of being taken aback, as Enoch's dialogue about the Specters being the souls of the dead appears to give him pause.

That brief moment is the only one in the game where the Batter shows any sign of hesitancy or uncertainty in what he's doing. He was very convinced up until this point that the Guardians were controlling the Specters (despite Dedan accusing him of the same thing in Zone 1). Not only that, but he's never taken the time to think about what the Specters actually are. I kind of interpret this as a rare introspective moment from the Batter, where he begins to realize there might be aspects of this situation and what he's doing that he hasn't considered.

However, he quickly recovers from this moment of doubt and hardens his resolve to eliminate Enoch because of his...

4. Unshakeable Faith...But in What?

A lot of the language the Batter uses to describe himself and his mission contains a lot of religious overtones, with adjectives like "holy," "sacred," "righteous," etc. His perception of his himself matches with portrayals in the Old Testament of God as a punisher of evil and a smiter of the wicked.

I don't think I need to list all the references to Christianity throughout the entire game because that would take way, way too long. Needless to say, everyone has noticed the religious motif in this game, and when an Elsen in Zone 1 straight up asks the Batter if he's religious, he doesn't deny it.

However, I don't think it would be quite right to call the Batter a Christian. While he uses a lot of language that's reminiscent of Christianity, his dialogue doesn't contain any references to specifically Christian practices or beliefs, such as Jesus, the Bible, the saints, angels, baptism, the Resurrection, etc., etc. The Batter may have devoted himself to his mission with a religious zeal, but is the mission alone all he worships? The kind of faith he exhibits is usually that associated with a deity.

Identifying the "who" at the center of the Batter's worship is not easy. When the same Elsen from Zone 1 asks who sent him, the Batter straight up says, "Nobody." I've seen it suggested that the deity the Batter "worships" may actually be the player, but I don't think that's right either, since he's pretty quick to turn on you, without any sign of hesitation or angst, if you side with the Judge in the final boss fight.

But I have another theory. If we're still using Christianity as a reference, then the Batter would presumably be worshipping some sort of creator deity. Who is the Batter's creator?

When the Batter meets the Queen, she tells him to go back home. His response?

He outright refers to Hugo as his father. As you may recall, "Father," is one of the aspects of the Trinity (Father, Son, Holy Ghost.) The Father is God the Creator, God the Progenitor, God the Origin of the World. This, I believe, is how the Batter sees Hugo.

Remember how the Queen attacks the Batter by saying, "You don't even know his first name"? Could that be because the Batter only knows Hugo as "Father" and not any other name?

This revelation becomes even more enlightening (and disturbing) when you take these lines into consideration:

What does the Batter see as the Queen's only important role? To care for Hugo. Why does the Batter feel compelled to complete his mission? Because of Hugo. Why did he come all this way? To see Hugo. Where is his home? With Hugo. Everything is for Hugo.

That the main goal of his mission is to kill Hugo fits the mold in a twisted way. After all, Christianity rather famously centers around a God who died. That death is believed to have saved the world.

Regardless of how exactly he came to that conclusion, the Batter truly believes that killing Hugo is what's best. Even his infanticide (patricide?) is driven by his twisted devotion to Hugo, his creator and his God.

All of this is why the Batter is my favorite character in this game and none of the others (as great and memorable as they are) can even come close. He's not just a brute in a baseball costume. Each time you peel back a layer of his motivations, you only see more layers underneath. He's an incredibly rewarding character to analyze, and I never get tired of talking about him. He's a fanatic, a devoted apostle, a self-righteous murderer.

And he always sits up front on the rollercoaster.

[themothwhisperer]

Embrace the changes is my advice. A game and a tv show simply aren’t the same. They are not made the same and they do not offer the same advantages.

I feel kinda sad for the people out there that played and loved the game, but hate on the narrative changes they made for the show. Change was inevitable. Otherwise, why doing it? Making a carbon copy of something isn’t that valuable in my opinion.

That’s one of the main reasons why season 2 can arguably turn out to be better than season 1. Because what will come next is unexpected. It comes with a sense of surprise and mystery.

And that’s especially true when it comes to Ellie and Dina.

With episode 4, the reaction seems to be quite divided and it’s honestly super fair, but it’s fundamental to understand how this relationship did a 180 for the televised version. The game was stability, consistency and maturity. The show is all about playfulness, confusion and tension.

The most common comment I see is about the sex scene. I’m sorry, but to have them getting intimate was necessary, especially for the fans of the game. Taking it out would’ve been wrong in many ways. And when you think about it, this was the only good timing for it. The weed scene simply couldn’t happen in the show because the pace of their relationship is drastically different here.

At this point in time in the game, they are official and comfortable. They are getting into this journey as a couple and it’s crystal clear. And because of this closeness they already have with each other, it was hinted that Ellie was immune. She reveals that information very early on. Even if Dina didn’t believe her, there is a little unconscious connection that clicked in her brain. It won’t be as shocking when she will be confronted to it.

In the show, however, they are tiptoeing around each other. Ellie has feelings for Dina and Dina knows about it, but she’s scared to dive in. She feels the same way, but her sexuality is still a bit of a challenge. She’s been told by her mother this wasn’t right. It’s a mess, basically. And if we compare the timelines, it becomes very obvious that the game and the show are not evolving at the same speed when it comes to this.

So here’s the thing tying back to the immunity question: When Ellie takes a bite to save Dina’s life (which is, by the way, such an exciting and romantic change), Dina’s world is crumbling down. The possibility of them being together dies instantly. She feels guilty because she didn’t speak up earlier. Now it’s ruined. She’s desperate and terrified and heartbroken. I’ve read many things about the lack of communication into this scene, but dialogue is not always key to boost the narrative. Actually, it pretty often does the opposite. Dina doesn’t ask questions because she cannot deal with what might be said, by herself and Ellie alike. It will make it so much worse when she actually has to pull the trigger. She can’t stand the idea of having Ellie voicing she’s in love with her. She can’t allow herself to let it all out either, probably thinking it would be unfair to Ellie. So she stays silent. She’s just crying and waiting for the worst to come. And the biggest difference with the game is how there is no prior connection in Dina’s mind to have a glimpse of hope. She absolutely cannot believe in the immunity claim. There is no way. That’s why she’s not asking about it or trying to hear Ellie out. Once again, it would only make it worse.

Release comes, however, in all the ways possible. Ellie suddenly wakes up, water dripping down on her and a few hours actually went by. She’s fine. And Dina staying silent is motivated by the fact that she’s in absolute shock. To her, there was only one way out of this. She was most likely already grieving Ellie. But now it’s different. Ellie is actually okay, the bite didn’t evolve and she’s evidently feeling well. Once again, she’s speechless, shaken to the core. What can we expect? She just walks very slowly towards her, taking it all in. The anxiety, the fear, it’s all washed away. What’s left is her overwhelming feelings for her. There is nothing that can get in her way now. She’s learned her lesson. And the only words she can actually verbalize is the fact that she’s pregnant. It’s the only thing she’s hiding from Ellie. And before surrendering to her emotions, she just says it.

Here again, I’ve seen things about the pregnancy announcement and my question is: How else would you want it? A pregnancy announcement is a pregnancy announcement. In the game, it actually broke my heart. How Dina is invalidated by Ellie like this. Ellie who’s completely blinded by her rage. I’m not saying a softer Ellie is necessarily better for the storyline, but I did enjoy that pure moment of innocence in the show. She’s taken aback, but she’s not judging. They’re 19 after all. They don’t know what it means and how they will deal with it, but they want to figure it out together.

So yeah, the sex scene makes so much sense. Dina is ready for them to be together, she perceives only love in Ellie’s reaction and she wants that closeness with her. She won’t waste another second. Having this scene happen later on would’ve been so odd. Ellie will soon torture an already dying Nora, she will be next level traumatized. Dina will most likely get sicker from her pregnancy. This was the perfect moment, considering the rhythm of this version.

Finally, if we want more Dina, that was the only way to go about it. They need to be extra close for it to make sense. Many people were disappointed (myself included) by the fact that Dina is sort of forgotten after Seattle Day One in the game. They fixed it. Let’s appreciate it.

(Can we also acknowledge the breathtaking performance Bella Ramsey and Isabela Merced delivered?)